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DTSTART:20190101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201213
DTEND;VALUE=DATE:20201214
DTSTAMP:20201213T110541Z
CREATED:20191213T140256Z
LAST-MODIFIED:20201213T110541Z
UID:2387-1607817600-1607903999@britishchessnews.com
SUMMARY:Birthday of Colin Sydenham (13-xii-1937)
DESCRIPTION:Birthday of Colin Peter Sydenham (13-xii-1937) \n Save as PDF
URL:http://britishchessnews.com/event/birthday-of-colin-peter-sydenham-13-xii-1937/
CATEGORIES:Birthday,Composer,Player,Problemist
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201215
DTEND;VALUE=DATE:20201216
DTSTAMP:20201030T163431Z
CREATED:20200323T141033Z
LAST-MODIFIED:20201030T163431Z
UID:3700-1607990400-1608076799@britishchessnews.com
SUMMARY:Death Anniversary for Thomas Ricketts (03-vii-1896 15-xii-1979)
DESCRIPTION:Death Anniversary for Thomas Charles Donald Ricketts (03-vii-1896 15-xii-1979) \nSee Sunnucks \n Save as PDF
URL:http://britishchessnews.com/event/death-anniversary-for-thomas-charles-donald-ricketts-03-vii-1896-15-xii-1979/
CATEGORIES:Composer,History,Problemist
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201216
DTEND;VALUE=DATE:20201217
DTSTAMP:20201216T152412Z
CREATED:20190823T104100Z
LAST-MODIFIED:20201216T152412Z
UID:1076-1608076800-1608163199@britishchessnews.com
SUMMARY:Death Anniversary of Thomas Dawson (28-xi-1889 16-xii-1951)
DESCRIPTION:We remember Thomas Dawson who passed away on Sunday\, December 16th\, 1951. \nHe was also known by the pseudonym T. Dyke Robinson (we are looking for a primary source for this) \nThomas Rayner Dawson was born on Thursday\, November 28th 1889 in Leeds\, Yorkshire to Henry and Jane Dawson (née Rayner). \nThe early history of TRD and his family has been meticulously researched by Yorkshire chess historian\, Steve Mann. We recommend you visit this page to discover the detail. \nAccording to Edward Winter in Chess Notes TRD lived at the following addresses : \n\n5 Clyde Road\, Wallington\, Surrey\, England (Ranneforths Schachkalender\, 1925\, page 139)\n2 Lyndhurst Road\, Thornton Heath\, Surrey\, England (Ranneforths Schach-Kalender\, 1930\, page 65).\n31 Clyde Road\, Croydon\, England (Fairy Chess Review\, issues from 1946 to 1949*).\n\nFrom The Oxford Companion to Chess (OUP\, 1984 & 1996)by Hooper & Ken Whyld : \n“English composer\, pioneer of both fairy problems and retrograde analysis. His problems in these fields form the greater part of his output (about 6\,500 compositions) and are better remembered than his studies and orthodox problems. For fairy problems he invented new pieces: grasshopper (1912) LEO (1912)\, NEUTRAL MAN (1912) NIGHT RIDER (1925)\, and VAO (1912); he codified new rules such as the maximummer (1913) and various kinds of series-mover; and he used unorthodox boards. \nIn 1915 he wrote Retrograde Analysis\, the first book on the subject\, completing the project begun several years earlier by the German composer Wolfgang Hundsdorfer (1879-1951). \nRetrograde Analysis\, Thomas Dawson & Hundsdorfer\, 1915\nFrom 1919 to 1930 Dawson conducted a column devoted to fairy problems in the Chess Amateur\, In 1926 he was a co-founder of The Problemist \, which he edited for its first six years and he founded and edited The Problemist Fairy Supplement (1931-6) continued as The Fairy Chess Review (1936-51). \nAsymmetry\, TR Dawson & Wolfgang Pauly\, Chess Amateur\, 1927\nBesides conducting columns in several newspapers and periodicals\, one of them daily and one in the Braille Chess Magazine\, Dawson edited the problem section of the British Chess Magazine from 1931 to 1951; he devised and published in its pages (1947-50) a systematic terminology for problem themes in the hope that it would supplant the extensive jargon then and now in use\, Dawson wrote five hooks on fairy problems: Caissa’s Wild Roses (1935); C. M. Fox\, His Problems (1936); Caissa’s Wild Roses in Clusters (1937); Ultimate Themes (1938); and Caissa’s Fairy Tales (1947). \nCaissa’s Wild Roses in Clusters\, TR Dawson\, Chess Amateur\, 1937\nCharles Masson Fox (1866-1935) was a patron whose generosity made possible the publication of four of these books and the two fairy problem magazines founded by Dawson. Ultimate Themes deals with tasks\, another of Dawson’s favourite subjects. In 1973 all five books were republished in one volume. Five Classics of Fairy Chess. \nFive Classics of Fairy Chess\, TR Dawson\, Dover Publications Inc.; Revised edition (1 Sept. 1973)\nDawson found it difficult to understand the problemist’s idea of beauty because it is not susceptible to precise definition. The artist talks of “quiet” moves\, oblivious that they are White’s most pulverizing attacks! This aesthetic folly\, reverence\, response thrill to vain-glorious bombast runs throughout chess.(See Bohemian for a problem showing 16 model mates\, a task Dawson claimed as a record but a setting Bohemian composers would reject.) His genius did not set him apart from his fellows; he could find time for casual visitors and would explain his ideas to a tyro with patience\, modesty\, and kindness. Although he won many tourney prizes much of his work was designed to encourage others\, to enlarge the small band of fairy problem devotees\, He composed less for fame than to amuse himself\, confessing to another composer ‘We do these things for ourselves alone.’ \nCaissa’s Fairy Tales\, TR Dawson\, Chess Amateur\, 1947\nA chemistry graduate\, Dawson took a post in the rubber industry in 1922 and rose to be head of the Intelligence Division of the British Rubber Manufacturer for which he founded\, catalogued\, and maintained a technical library. Unwell for the last year of his life\, he died from a stroke. K. Fabel and C. E. Kemp\, Schach ohne Grenzen or Chess unlimited (1969) is a survey\, written in German and English\, of Dawson’s contribution to the art of fairy problems.” \nThomas Rayner Dawson (28-xi-1889 16-xii-1951)\nFrom The Encyclopedia of Chess (Robert Hale 1970 & 1976)\, Anne Sunnucks : \n“British problemist. Born on 28th November 1889. Died on 16th December 1951. Universally known as TRD.\, the great master of Fairy problems. His wealth of invention held the chess world enthralled. His output comprised about 6\,400 problems and 150 studies. \nDawson was a nephew of the late James Rayner\, himself a noted chess problemist . From as early as about 1910\, TRD had conducted the ‘Chess Endings‘ section in the Chess Amateur\, and its Fairy section from 1919. He worked with BG Laws from Mark 1930 conducting the problem pages of the British Chess Magazine\, and following Laws’ death he assumed complete charge of the section from October 1931 to February 1951 when ill health forced him to relinquish the work. \nFairy Chess Review\nThe Problemist Fairy Chess Supplement subsequently renamed The Fairy Chess Review was started by TRD in August 1930. TRD was concerned in a number of other chess publications ; chess for the Blind\, several books of the AC White Christmas series\, BCPS Honours 1926-29\, and the CM Fox series. \nHe was largely instrumental in the publication of the first issue of The Problemist on 1st January 1926\, and was editor until May 1931. He was President of The British Chess Problem Society from September 1931 to 1943. \nUltimate Themes\, TR Dawson\, Chess Amateur\, 1938\nApart from chess\, Thomas Dawson\, MSc\, FRIC\, FIRI was an international authority on rubber\, and was responsible for the creation of the world-famous rubber library at Croydon\, as well as its ‘Dawson’ system of rubber literature documentation. A Guide to Fairy Chess and The Problemist March 1952 detail the remarkable life-time accomplishments of TRD.” \nFrom British Chess Magazine\, Volume LXXI (71\, 1951)\, Number 3 (March) pp. 78-80 we have notice of the retirement of TRD written by Brian Reilly : \nBritish Chess Magazine\, Volume LXX1 (71\, 1951)\, Number 3 (March) pp. 77 – 80.\nFollowing that we have this appreciation from the incoming Problem Editor\, Stanley Sedgwick of 337 Strone Road\, Manor Park\, London E12 : \nBritish Chess Magazine\, Volume LXX1 (71\, 1951)\, Number 3 (March) pp. 77 – 80.\nBritish Chess Magazine\, Volume LXX1 (71\, 1951)\, Number 3 (March) pp. 77 – 80.\nBritish Chess Magazine\, Volume LXX1 (71\, 1951)\, Number 3 (March) pp. 77 – 80.\nUnfortunately TRD was to pass away not much more than a year after the retirement notice and in British Chess Magazine\, Volume LXXII (72\, 1952)\, Number 4 (April) pp. 107 – 108 we have this obituary also from Stanley Sedgwick : \nBritish Chess Magazine\, Volume LXXII (72\, 1952)\, Number 4 (April) pp. 107 – 108\nBritish Chess Magazine\, Volume LXXII (72\, 1952)\, Number 4 (April) pp. 107 – 108\nThe same obituary contains the following appreciate by Gerald Abrahams : \nBritish Chess Magazine\, Volume LXXII (72\, 1952)\, Number 4 (April) pp. 107 – 108\nFrom Wikipedia : \n“Thomas Rayner Dawson (28 November 1889 – 16 December 1951) was an English chess problemist and is acknowledged as “the father of Fairy Chess”.[1] He invented many fairy pieces and new conditions. He introduced the popular fairy pieces grasshopper\, nightrider\, and many other fairy chess ideas. \nDawson published his first problem\, a two-mover\, in 1907. His chess problem compositions include 5\,320 fairies\, 885 directmates\, 97 selfmates\, and 138 endings. 120 of his problems have been awarded prizes and 211 honourably mentioned or otherwise commended. He cooperated in chess composition with Charles Masson Fox. \nDawson was founder-editor (1922–1931) of The Problemist\, the journal of the British Chess Problem Society. He subsequently produced The Fairy Chess Review (1930–1951)\, which began as The Problemist Fairy Chess Supplement. At the same time he edited the problem pages of The British Chess Magazine (1931–1951). \nPublications \nCaissa’s Playthings a series of articles in Cheltenham Examiner (1913)\nRetrograde Analysis\, with Wolfgang Hundsdorfer (1915)\nFata Morgana\, with Birgfeld\, Nanz\, Massmann\, Pauly (1922)\nAsymmetry\, with W. Pauly (1928)\nSeventy Five Retros (1928)\nCaissa’s Wild Roses (1935)\nC. M. Fox\, His Problems (1936)\nCaissa’s Wild Roses in Clusters (1937)\nUltimate Themes (1938)\nCaissa’s Fairy Tales (1947)\nThe last five titles were collected as Five Classics of Fairy Chess\, Dover Publications (1973)\, ISBN 978-0-486-22910-2.” \n Save as PDF
URL:http://britishchessnews.com/event/death-anniversary-of-thomas-rayner-dawson/
CATEGORIES:Composer,Death Anniversary,History,Problemist
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201218
DTEND;VALUE=DATE:20201219
DTSTAMP:20201030T175740Z
CREATED:20191012T092904Z
LAST-MODIFIED:20201030T175740Z
UID:1515-1608249600-1608335999@britishchessnews.com
SUMMARY:Death Anniversary of Peter Copping (12-x-1922 18-xii-1989)
DESCRIPTION:Death Anniversary of Peter Fairburn Copping (12-x-1922 18-xii-1989) \n Save as PDF
URL:http://britishchessnews.com/event/death-anniversary-of-peter-fairburn-copping-12-x-1922-18-xii-1989/
CATEGORIES:Composer,Death Anniversary,History,Problemist
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201228
DTEND;VALUE=DATE:20201229
DTSTAMP:20201229T172508Z
CREATED:20200409T195301Z
LAST-MODIFIED:20201229T172508Z
UID:4300-1609113600-1609199999@britishchessnews.com
SUMMARY:Death Anniversary of Charles (Mike) Bent (27-xi-1919 28-xii-2004)
DESCRIPTION:BCN remembers Mike Bent who passed away on Tuesday\, December 28th 2004. \nCharles Michael Bent was born on Thursday\, 27th of November 1919 and in that year Charles was the fifth most popular boy’s name. \nHe was born in Portsmouth\, Hampshire. \nIn 1939 he was living at 5\, Ashburton Road\, Gosport with his mother Eileen B. Bent (née Hill) and was a Sub Lieutenant in the Royal Navy. \nHe wrote “Best of Bent: Composer’s Choice of His Chess Endgame Studies\, 1950-93” This was edited by TG Whitworth. \nThe Best of Bent\, CM Bent\, edited TG Whitworth\, July 1993\nHe died in Swindon on the 28th of December\, 2004 having last resided in Hungerford\, RG17. Whilst writing the Studies column for British Chess Magazine he resided at “Black Latches”\, Inkpen\, Newbury\, Berkshire. \n“Black Latches”\, Inkpen\, Newbury\, Berkshire\nThe C. M. Bent Memorial Composing Tourney was held in 2006-07. \nFrom British Chess Magazine\, Volume XCV (95\, 1975)\, Number 1 (January)\, page 22 we have a charming introduction to CMB from the retiring editor of the Studies column\, AJ Roycroft : \n“A studies article without a diagram? Yes\, and without an apology either. Instead this introduced my successor\, Charles Michael Bent\, who is as remarkable without the chessboard as he is with it. Now since\, as at May 1974\, he has composed the total\, rarely exceeded by anyone\, of 670 studies (of which only 375 have been published)\, and about 600 problems (one tenth published)\, his other achievements and activities\, insofar as he can be persuaded to talk about them\, are worth recounting. \nMichael Bent has a passion for all-the-year-round tennis\, and loves the country life. Walking and climbing\, all-forms of do-it-yourself\, word-play nabla/del\, puzzles\, conjuring and listening to music make the mixture extraordinarily rich. Yet if there was a single word to characterise him it would be simplicity (his choice)\, with (my addition) a strong and individual sense of humour. \nPhysically he is a lean\, balding 54-year-old as fit as most men half his age. He played at Junior Wimbledon before the War and only three of four years back won the singles tennis championship of his half of Berkshire. He is a modest and delightful companion\, and to visit him and his wife Viola\, to whom he credits responsibility for the serenity of his condition and surroundings\, is a relaxing pleasure I always look forward to in my own hustled and tense London-centered existence. \nIn his own words he was never really a player of chess at all\, but first sight of problems (during the war) and endings (just after it) acted like fireworks on a dark night and lit an imagination which still lacks basic technical knowledge. So\, artistic rather than ‘scientific’\, have never knowingly composed a didactic study. Am told my ‘style’ is easily recognised. Am aware\, but perfectly content\, that I compose much that the expert will easily solve\, in the hope that the less initiated may be entertained and as attracted as I was in the beginning. \nThere is a feast\, including many surprises\, in store for you and me\, at the hands of your new chess-chef\, ‘CMB of the BCM’.” \nFrom British Chess Magazine\, Volume 125 (2005)\, Number 2 (February)\, page 98 we have a brief obituary from John Beasley : \n“Charles Michael Bent died just over a month after his 85th birthday. Mike Bent had long been Britain’s leading composer of endgame studies\, he was a witty and entertaining writer on the subject (and on many others)\, and the pleasure he gave was rightly acknowledged by the granting in 2001 of one of the BCF President’s Awards for services to chess. \nBCM published his first study in 1950 and one of his last 50 years later\, and he was our endgame study columnist from January 1975 to March 1985. There will be a steady flow of quotations in Endgame Studies during the coming months. John Beasley” \nThe Studies column was taken over in April 1985 by Paul Lamford. \nHere is his Wikipedia entry (complete with errors). \nCMB won the BCF President’s Award in 2001. \nFrom The Encyclopaedia of Chess (Robert Hale 1970 & 1976)\, Anne Sunnucks : \n“Born on the 27th November 1919\, Michael Bent has only one possible challenger\, Harold Lommer\, as the finest composer of endgame studies England has ever produced. Although up to October 1967\, he had composed 546 problems and 320 studies\, he now concentrates almost exclusively on studies. His 17 honoured studies include three 1st prizes. His partiality towards Knights is shown in the typical study selected here. \nMichael Bent was educated at the Royal Naval College\, Dartmouth\, but had to leave the Navy because of chronic sea-sickness. He served in the Rifle Brigade in the Second World War and afterwards became a rubber plant in Johore\, where he survived several terrorist attacks. How now lives with his wife in a Berkshire Village. \nApart from Chess\, Michael Bent has other recreations\, including wood carving\, stamp collecting\, composing crossword puzzles and butterfly collecting. His butterfly collection included 500 Malayan specimens. He is also a strong tennis player. Thirty-one years after playing at Wimbledon as a junior\, he won the Newbury and District singles title in 1967.” \nCM Bent\n2nd Honorable Mention\nNew Statesmen 1964 Tourney Award\,\n5th March 1965 \n  \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\n Save as PDF
URL:http://britishchessnews.com/event/death-anniversary-of-charles-michael-bent-27-xi-1919-28-xii-2004/
CATEGORIES:Composer,Death Anniversary,History,Problemist
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210201
DTEND;VALUE=DATE:20210202
DTSTAMP:20230128T141945Z
CREATED:20190824T091314Z
LAST-MODIFIED:20230128T141945Z
UID:1142-1612137600-1612223999@britishchessnews.com
SUMMARY:Death Anniversary for Edith Baird (née Winter-Wood) (??-??-1859 01-ii-1924)
DESCRIPTION:We remember Edith Baird (née Winter-Wood) \nEdith Elina Helen Winter-Wood was born\, probably in 1859*\, to Thomas Winter-Wood\, a writer and poet\, and Eliza Ann (née Sole) Winter-Wood in Boulogne\, France. \n(*Despite 22nd February 1859 appearing in Wikipedia we are unable to locate a primary source for this date. Contemporary secondary sources always just gave 1859 as her year of birth. Census records imply that she was born between April 1859 and March 1860. Her marriage record from 1st December 1880 describes her as being ‘of full age’: at least 21 years old\, so born before December 1859. However\, her death record from 1st February 1924 gives her age as 63\, implying that she was born between February 1860 and January 1861. Either her death record is incorrect or she added a couple of months to her age when she married. ) \nMany secondary and tertiary sources incorrectly give the Winter-Wood family home of Hareston Manor (now a venue for weddings) near Brixton\, Plymouth\, Devon as her birthplace. \nHareston Manor near Plymouth\nThe family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that\, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed: both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct. \nThomas Winter-Wood was born in Har(e)ston\, Devon in 1819 and was himself a strong player having been educated at Plympton Grammar School (now known as Hele’s School). Thomas was the son of John Wood-Winter who\, in 1824\, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means\, with each family member able to pursue their leisure interests whilst retaining a number of domestic staff. \nThomas Winter-Wood (1819-1905) in 1903.\nThomas taught all of his family to play chess and Edith learnt at an early age. Both Edward J and Carslake W also learnt early on\, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club. \nAccording to Tartajubow : \n“(Edward) played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments\, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.” \nand\, also according to Tartajubow : \n“Her other brother\, Carslake W. Wood (1849 – 1924)\, lived with his mother’s brother\, Major Sole of the 5th Militia of West York\, in Torquay. While travelling Europe with the Soles\, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.” \nThe Doge’s Palace\, Venice 1880s by Carslake W Winter-Wood\nAccording to F. R. Gittins (in The Chess Bouquet 1897): \n“The moves came to her\, as she says\, by a kind of instinct before she was out of her first decade. She did not\, however\, commence composing problems until some years after her marriage\, which took place in 1880\, to Deputy Inspector-General W. J. Baird\, M.D.\, R.N.\, whose distinguished services have been mentioned in despatches and rewarded with four medals and two clasps. Eight years later she composed her first problem\, and commenced a wonderful series of successes\, having gained eleven first\, nine second\, and six third prizes\, and been honourably mentioned nine times.” \nEdith Baird (née Winter-Wood)\nAccording to the old ChessDevon web site (sadly only available via the WayBack Machine) \n“In 1893\, for instance\, she entered The Hackney Mercury 3-mover tournament\, with a limit of 6 pieces. Most of the great composers of the time had entered\, – B. G. Laws\, P. H. Williams and James Raynor among them\, but she won 1st prize. As one American critic observed\, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.” \nHere is this first prize (1): \nBaird\, Edith Elina Helen\nHackney Mercury\, 1893\n1st Prize \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nThe problem solutions may be found at the foot of this article. \nShe very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published by Henry Sotheran Ltd in 1902 and took her 14 years to complete.” \nSeven Hundred Chess Problems. Selected from the compositions of Mrs. W. J. Baird\, WJ Baird\, 1902\nSeven Hundred Chess Problems\n700 Chess Problems may be downloaded from here. \nEdith also had a brief career in chess competitions in the 1890s\, winning the 1897 Sussex Ladies Championship without losing a game. \nFew samples of her play survive\, but they show her to be a proficient player with\, as you might expect from a problemist\, a keen tactical eye. In this game she finishes neatly with a queen sacrifice. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess game visualization.        \n    \n    \n    \n\n\n \n\nIn this game\, from a blindfold simul against the London-based Dutch organist and chess master Rudolf Loman (1861-1932)\, she uses a tactic to reach an equal ending. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess game visualization.        \n    \n    \n    \n\n\n \n\nAccording to the 1871 census the Winter-Wood household lived at “Hareston”\, Tavistock Road\, Croydon\, Surrey and consisted of Thomas (52 and Landowner)\, Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker)\, Marie A (17)\, Edith (11) plus three (!) domestic servants. \nIn 1880 (‘of full age’) Edith married the Deputy Inspector-General of Fleets and Hospitals\, William James Baird\, MD\, of the Royal Navy\, in the parish church of St George Hanover Square.  (You’ll see that she married under the surname Wood rather than Winter-Wood.) William was almost thirty years her senior\, having been born in Londonderry in 1831. The 1881 census found them in lodgings in Durham House\, Hotspur Street\, Tynemouth\, North Tyneside: presumably William was there in connection with his work.  Later the same year\, their only child\, Lilian Edith Baird\, was born in the same place. \nWilliam and Edith’s marriage recorded in the Parish Register of St George Hanover Square\nWilliam Baird and Edith (Winter-)Wood’s marriage bonds\nLilian would become a child prodigy whose first problem was published before she was 10 years old. She was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen\, Lilian gave up chess composing while still in her teens. \nLilian Edith Strong (née Baird)\n(Lilian merits a full article in this place in her own right : added to ToDo list!) \nBy 1891 William had retired and the family had settled in Brighton living at 14 College Terrace\, where they employed a servant\, Louisa Howard (23). In 1901 the census enumerator found them at the same address\, their servant now being Lilian Millard (25). \n14 College Terrace\, Brighton\, East Sussex. BN2 0EE\nWilliam died in 1907\, and Lilian had married in 1910: the 1911 census found Edith living in a boarding house named Mountcoombe in Surbiton. The house no longer exists\, but its name\, minus a letter\, survives in Mountcombe Close\, now a location for residential flats. Shortly afterwards\, she joined her brothers in Paignton\, Devon\, close to her family’s ancestral roots. \nReturning to Edith’s family\, by the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestead”\, Netley Abbey\, Southampton and had shrunk to Thomas\, Eliza and a mere two servants. Edith gave this address when she married William Baird. \nEdith Baird (née Winter-Wood)\nIn the 1891 census the Winter-Wood household consisted of Thomas (72)\, Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65)\, Carrie Stephens (22) and Kate Truman (just 12). They lived at 14\, The Crescent\, Plymouth\, PL8 2AP. Nothing remains of this property\, it would appear. By 1901\, the family had moved again\, to “Kenwick”\, Paignton\, Devon. They were back down to two servants: Florence Gagg (18) was the housemaid and Sarah Chambers (59) the cook. Thomas died in 1905\, and the 1911 census gives their address as “Hareston”\, Totnes Road\, Paignton. Eliza\, Edward and Carslake’s servants were now Laura Ellen Gagg (25 – presumably related to Florence) and Sarah Tulley. \nIn an interview with the Westminster Gazette (1st September 1894) Edith was asked why chess has always been a man’s game. \n“Frivolous and fashionable women would begrudge the time and thought it requires; busy mothers of families could not\, of course\, spare time for it\, and the great majority of unmarried girls have not\, I’m afraid\, the necessary patience. Then\, too\, it is\, I must confess\, an unsociable game. It is most suitable for quiet and reflective people\, and for invalids. It seems always to have attracted clever strategists like military and naval commanders\, and also great politicians. I wish girls would take to it more\, because it is such excellent mental discipline\, and brings out one’s patience. It would also be a useful corrective to the tendency to jump at conclusions which many women have. The great charm is that it is a home accomplishment. A woman is not expected to leave her fireside for the sake of chess. It is a stable kind of amusement for which she never need sully her womanliness or her good reputation. Many of the outdoor sports\, innocent and healthy enough\, lead to a great deal of flirtation and general frivolity.” \nF.R. Gittins (op. cit.) described her as follows: \n“Mrs. Baird\, however\, is something more even than the Queen of Chess-problem composers. She is\, for example\, an enthusiastic and skilful archer\, and\, living as she does in Brighton\, has for some time been a prominent member of the Furze Hill Archery Club\, of which she is a member of the committee\, and in which\, she has\, for two years in succession\, taken the medal for the highest aggregate score of the season. She also paints and illuminates charmingly\, and has a pretty inherited talent for writing verse. Her book of illuminations\, in fact\, is described as “so chaste and delicate in design as to recall the ancient illuminated books which are treasured in museums and art galleries.” In politics she is a staunch Liberal\, while the modern movement against all cruelty to animals – whether inflicted under the name of sport or in the interests of science – finds in her one of its most ardent champions.  Besides the déclassement derived from chess\, she is also a great believer in girls making themselves independent of marriage\, from a monetary point of view\, by having a definite occupation. When it is added that she never allows chess\, painting\, or any other favourite pursuit to occupy her time until all the domestic matters of home have been seen to\, we have said sufficient to show how finely-rounded and complete a life this brilliantly clever woman leads. It is only left to add that her manner is kind and  charming\, and that she is thoughtfulness and considerateness itself to all her friends. She is\, moreover\, the most loving of mothers\, and has been heard to declare that if anything were to happen to “Lily”\, she would never compose another chess problem.” \nEdith was also an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game. \nEdith Elina Helen Baird\nOn Friday\, February 1st\, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong\, a Lieutenant-Colonel in the Indian Army\, who was Lilian’s husband. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d. \nProbate record for Edith Baird (1924)\nBoth Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists. \nFrom The Oxford Companion to Chess by Hooper & Whyld : \nEDITH ELINA HELEN (née Winter Wood) (1859-1924)\, British problem composer. Her parents\, two brothers\, and daughter were all good players or clever problemists. \nShe composed over 2\,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors\, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear\, printed and bound by the King’s printer Henry Sotheran\, and sold at less than cost. \nThe Twentieth Century Retractor\nThe Twentieth Century Retractor\, Chess Fantasies\, and Letter Problems: Being a Selection of Three Hundred Problems\, Mrs WJ Baird\, London: Henry Sotheran and Co. 1902.\nThe Twentieth Century Retractor may be read online here. \nThe dedication for The Twentieth Century Retractor was somewhat unusual : \n“Dedicated to\nThe Sun\nThe Glorious Orb which\nAnimates and Beautifies\nThe Earth\nBy Giving It\nWarmth\, Light and Life” \nand Edward Winter discusses the beauty of the book in Chess Note 3164. \nFrom British Chess Magazine\, Volume XLIV\, (44\, 1924)\, page 103 we have this brief obituary notice written by RC Griffth : \n“We much regret to hear of the death\, at Paignton\, on February 1st\, of Mrs. W.J. Baird\, much of the distinguished of women problem composers throughout the world. As our problem editors will no doubt deal fully with her work and her triumphs\, we shall say no more here that she took a keen interest in chess over-the-board also\, and in 1897 secured the county championship  of Sussex among players of her own sex. By birth she was a Winter-Wood and thus a member of a distinguished West of England chess family” \nFrom British Chess Magazine\, Volume XLIV\, (44\, 1924)\, page 125 we have this obituary written by RC Griffth : \n“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird\, which occurred on 1st February last at Paignton. The end was most unexpected\, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood\, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888\, and it was not long after this date that she was given the title of the “Queen of Chess\,” since not only did she distinguish herself in a happy way as a prolific composer\, but proved a valiant opponent over the board\, testified by her securing the ladies’ championship of Sussex in 1897. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nMate in Two (2) \nAmong her other accomplishments were painting\, particularly illuminating\, poetry (which may have been inherited from her gifted father) and archery\, in which sport she was skilful. Her chess problems were generally of the light texture order never profound\, but always pleasing to the ordinary solver. She must have composed over 2\,000 problems of one sort or another\, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous\, though she did not as a rule see these\, generally entering her problems to oblige admiring conductors of competitions. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nMate in Two (3) \nIn 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor\, Chess Fantasies and Letter Problems\, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent\, but since she ceased composing these fancies\, interest in them has waned. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nMate in Three (4) \nDuring the last few years her activity\, after a period of quiescence has been marked\, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which\, shown by her actual work\, she has generously promoted several competitions\, one still current in the Morning Post\, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent. being cooked after leaving her hands\, evidence of painstaking application! \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nMate in Three (5) \nThere is now\, since the decease of Mrs. Baird’s father\, Mr. T. Winter-Wood and her brother\, Mr. E.J. Winter-Wood\, only Mr. Carslake Winter-Wood left to represent the family in the chess circle\, Mrs. Strong\, her daughter\, who at one time promised to emulate her mother\, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers\, her nearest rival probably being the late Mrs. T. B. Rowland\, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens\, but hope to do so next issue. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nMate in Three (6) \nSince the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.” \nThe Late Mrs. W. J. Baird\, \nThe Masters said:- \n“Lay by the board\, the problem is not sound;\nThere’s none can solve unless a Morphy’s found.”\n* * *\nA knight I saw\, his royal head bowed;\nMethought a bishop moved and prayed aloud.\nThe Queen\, alas\, and their attendants gone\,\nOnly did the Kings linger sadly on.\nAnd roaming far afield a Rook forlorn\,\nAnd here and there a long-forgotten pawn.\n“Oh! is there none who can this problem solve?”\n“Seek her round who our highest hopes revolve”\nAnd so we brought it to our ‘Problem Queen’\nWho faced the field with heart and eye serene.\n* * *\n“Go leave me now and I will rest awhile\,”\nThen hand outstretched and swift triumphant smile :\n“The Bishops move! with him the key\,” she cried –\n“Life’s problem solved at last! I’m satisfied.” \nM.S.M. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n \nWhite retracts his last move; then plays. Black moves so that White can mate at once. (7) \n(Please note that there are factual errors in most of the sources quoted below.) \nHere is her Wikipedia entry \nHere is more from chessproblem.net \nArticle from Tartajubow (but the author mistakenly conflates Edith and Lilian) on Edith Baird and other Bairds \nQueens of Problem Chess by Satanick Mukhuty from chessbase.com \nMore from Sarah Beth Durst (aka BatGirl)\, quoting from Gittins. \nVia the Wayback Machine Chess Devon have this excellent article \nBritish Chess News would like to thank Brian Denman for providing a file of Edith Baird’s games\, and Tim Harding\, for sending us the pdf of The Chess Bouquet. \nSolution to problems: \n(1) \n1.Qg7! (2.Qc7#)\n1…Kc6 2.c5 Kxc5 3.Qc7#\n1…Kxc4 2.Qd4+ Kb3 3.Qb4#\n1…Kb6 2.Sb5 Ka6/Ka5\, Kc6/Kc5 3.Qa7\, Qc7#\n1…Kd6 2.Sb5+ Ke6\, Kc7/Kc5 3.Sd4\, Qc7# \n(2) 1.Bg2 \n(3) 1.Qb2 \n(4) 1.Qh8 \n(5) 1.Nc1 \n(6) 1.Rd8 \n(7) White retracts Nd5xRb6\, then 1. Nd6 Rc6 2. Nb7# \n  \n  \n Save as PDF
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CATEGORIES:2023,Composer,Death Anniversary,History,Problemist,Remembering,Writer
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SUMMARY:Death Anniversary of Sir Jeremy Morse (10-xii-1928 04-ii-2016)
DESCRIPTION:Death Anniversary of Sir Jeremy Morse\, (10-xii-1928 04-ii-2016) \n Save as PDF
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CATEGORIES:Composer,Death Anniversary,History,Problemist
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SUMMARY:Death Anniversary of Brian Harley (27-x-1883 18-v-1955)
DESCRIPTION:Brian Harley (27-10-1883 18-v-1955)\, from chesscomposers.com and Chess Notes\nDeath Anniversary of Brian Harley (27-x-1883 18-v-1955) \nFrom chesscomposers.com : \n“Brian Harley composed mostly two- or threemovers and wrote many books to make chess problems more popular: for instance his “Mate in Two Moves” inspired Geoff Foster’s first steps into problemdom.\nHarley’s “The Modern Two-move Chess Problem” written in collaboration with Comins Mansfield is probably the best known of his efforts. \nBrian Harley was the inventor of the term “mutate” for the block problems with changed mates. He was the president of the British Chess Problem Society from 1947 until 1949. In his honour\, each year the British magazine “The Problemist” awards the best twomover problem with the “Brian Harley” award.” \nand Edward Winter writes about Brian Harley (scroll down a little).  \nHere is BHs obituary from British Chess Magazine\, Volume LXXV\, Number 9\, pages 284 – 287 written by S. Sedgwick : \n“With the death of Brian Harley on May 18th\,1955\, the chess problem is the poorer by an authoritative exponent\, and a writer of unusual clarity and popular appeal. His sudden passing at his home at Bognor Regis will be mourned. by a very wide circle of friends; to his wife and son\, with whom he enjoyed an enduring happiness\, we extend our deep-felt sympathy. \nBorn at Saffron-Walden\, Essex\, on October 27th\,1883\, Harley was educated at Wellingborough and Haileybury. Qualifying as an actuary he entered the National Provident Institution\, in whose employment\, apart from War Service\, he passed his professional life\, until his retirement in 1947.  \nAs a player he had initially a considerable reputation\, above that enjoyed as a problemist. Two books\,  Chess and its Stars and Chess for the Fun of it\, reflect this aspect of his chess work. When playing was eventually renounced for problems he still retained his love of annotation\, bringing to this a wide knowledge\, larded by the apt witticism and an approach that was neither superficial yet avoided the pitfalls of pedantry. \nChess and its Stars\nHis first problem appeared at the age of fifteen\, in 1898. Whilst Harley’s early period has some noteworthy items\, it lacks the verve and distinction of his later output\, following his awakening of interest in the mutate in 1916_and the fertile years following his appointment as Chess Editor of The Observer\, London\, in 1919. In England under the lead o[ Phillip Williams in the Chess Amateur\, the mutate had sprung into\,popularity during and after the Great War\, with Harley among its ardent exponents. He continued the cult in his Observer column\, where he did much to popularize it. It is possibly symbolic that when Williams died in 1922 his travelling board and men should pass to Harley; it would be difficult to find a comparable instrument that has witnessed the genesis of so much concentrated chess devilry\, implicit in all mutates\, as this board used first by Williams and then by Harley. \nIn July\, 1919\, Harley published his system in the Good Companion folder. This paper\, the outcome of much thought\, attempted to evaluate the constituent parts of a chess problem on a semi-mathematical basis. Point values were set down for the elements in White keys\, Black defences thereto\, and the resultant White mates\, the summation giving values for comparison with other works similarly treated. In an accompanying paper on the block-change it was here that Harley introduced the term “mutate\,” the word passing\, without cavil\, into the current idiom. Under the evocative power of Harley’s work and pen his Observer feature from 1919 onwards has come to rank with the great columns of the past. No composer of substance was absent from its pages and the result is a collection of works and descriptive criticism that has enriched the chess literature of the world. Early on\, Harley came to know the late Godfrey Heathcote\, and the welcome presence of the great composers name in the column gave it a sublimity possessed by no other comparable English journal. Harley’s comments on his contributors work was one of the many attractive features of his column. He kept the popular approach very much in mind without unduly over-weighting it; this\, blended with a brand of humour all his own (often literary in character)\, and a grasp of essentials drove home the salient points of a problem to the uninitiated solver with a peculiar vividness. He could ‘be incisive when wanted\, technical when he pleased\, his gentle rebuke for the inferior production or undetected flaw could not be other than well taken\, authoritative without ostentation\, his succinct criticisms are now legendary to be treasured and repeated when the occasion demands. An incorrigible faddist in his regard for the short threat in the three-mover\, Harley seldom admitted this type to his pages\, pleading aversion by solvers. He conducted over one hundred solving contests during his column’s life; these weekly battles of wits affording enormous pleasure to all concerned. \nChess for the Fun of It\nTo his column came the established composer and the hesitant\, possibly young\, beginner. To this last group Harley gave every encouragement and unreservedly of his advice and help. There must be few British composers who have not felt his benefit directly\, through the medium of his wonderful letters\, lit all the way through by the warm glow of an endearing personality. \nHarley’s constructive powers brought him to the front rank of the world’s composers. His output of 450 includes long range work in four and five moves and in later years\, sui-mates. In the chess-men he found a pliable medium for the realization of an unusual vision and creative gift. In the two-mover he gave to the mutate much substantial and classic work. He appears to have given to this type more specialized attention than any other in the two-move field. Elsewhere in this length his work covers a wide variety of themes with a strong liking for task renderings. A composer with few serious constructive foibles\, his mode of expression\, in consequence suffered little. His was not the temperament to linger with one theme and squeeze it dry. One or two renderings of the theme on hand and he would pass to the next. Hence the diversity of his work which imbues it with especial charm. To underline this point one could indicate\, almost at random\, Harley’s entries in the multimate tourney of the Cleveland Chess Bulletin. Certainty the theme had few attractions for him but his entries showed how superbly such problem ideas could be clothed. \nIn the three-mover Harley has graced both sides of the aesthetic fence\, and that with distinction\, giving equally to the strategic and model-mate.genre. His friendship with Heathcote however influenced him considerably here and one is inclined to the view\, that in this length\, Harley held firmly to the eternal values in chess art. In both types Harley attained especially in task renderings\, rare heights of complexity and construction. His lighter mood showed to the full-to the incipient solver much of the low cunning of which the three-mover is capable. \nHe came to the sui in the late forties. When Heathcote was convalescing in London\, following an operation\, Harley took some specimens with him when he visited his friend The ensuing discussion stimulated Harley to further experiments and the authentic touch of the great master of technique is evident in his work here also. Harley gave many of his works to his own “Observer” column but did not neglect the other sources of publication. To quote his own words his ideal problem was “a mixture of art\, science\, humour\, and puzzlement.” His best work shows brilliantly his love for the integration of the beautiful and the true inner essence and spirit of chess. \nHis contribution to the literary and technical side of chess problems outside his journalistic work is seen in his two books Mate in Two (1931) and Mate in Three (1943).\nMate in Two is stamped with all Harley’s inimitable style and remains a mine of information for all levels. Standing\, as it does\, mid-way between the old and the new\, the book\, apart from an absorbing chapter on changed play\, reflects and even labours under the influence of the “Good Companion” period. Harley in later editions to a certain extent remedied this deficiency and the book\, now long out of print\, lies on our shelf\, its fundamentals unimpaired\, as one of the classic expositions in the art. Mate in Three\, written from a’ narrower viewpoint\, proved another successful publication. Here Harley entered more controversial ground\, crossing swords. with hitherto established theory. The book\, although not evoking absolute technical authority\, gives a broad and eloquent outline\, written from the artistic standpoint\, of three-move work fundamentally\, with few significant omissions. Made memorable by the inclusion of many works both by Harley and Heathcote\, the book is that of a true artist\, and is of great importance theoretically as the one modern work devoted to this length by an English author. \nA further important contribution to chess problem theory was his thesis on “Black Correction” read before the British Chess Problem Society on November 29th\, 1935. In the mid thirties\, this thesis\, more than anything else\, was instrumental in precipitating a flood of work on correction and associated ideas. Readers of this magazine will recall this period\, and I trust that this short recapitulation will still the tiresome arguments regarding the choice between “correction” and “continued defences.” Harley’s choice is at once apt and descriptive and it should not be forgotten that here\, he touched upon White Correction\, an esoteric aristocrat\, greeted by ten years or so of utter silence before systematic investigation by the moderns. \nElected President of the British Chess Problem Society in 1947-1949 it so happened that I was its Secretary at the time. We exchanged hundreds of letters on problematic subjects\, the scope of his knowledge always affording surprise. The Society benefited enormously from his advice and counsel\, and during the somewhat delicate situation arising from the arbitration in the two-move section of the 1948 Olympic Tourney it was with alacrity that one turned to a mind of the calibre of Harley. Coming to the man he was widely read\, a Latin scholar\, and his knowledge of Dickens was above average; a keen bridge player\, an instrumentalist (piano)\, all the varied facets of his character would come out at some time in his chess writings. His physical presence at any gathering gave it stature. Of medium height\, lovable\, somewhat dapper\, the shrewd contemplative face of this chess Barrie with its ever present cigarette holder and fund of anecdote has enriched and enlivened many a dull Committee Meeting. \nMate in Two Moves\nOn the death of Anthony Guest in 1925\, Harley succeeded as Problem Editor of the Morning Post until 1932. In addition he was Problem Editor of Empire Review\, 1923-1926\, and Time and Tide\, from 1951 until his death. Lesser appointments included several technical journals where he acted under pseudonyms. Amusing were the anagrammatical pseudonyms used occasionally for composing in Hilary Bream and Harry Blaine. \nBrian’s integrity and character endeared him to innumerable correspondents and solvers. Most of us nourish a characteristic Brian Harley story; one must suffice here. It concerns the time when Brian was introduced to the late Sir John Simon who made the delightful response “l need no introduction for I meet him every Sunday and for years hive wrestled with his problems\, eventually solving them in the House of Commons.” For this weekly enrichment of our lives we have much to thank him for. \nIn middle life Brian married Ella Margaret Beddall; there is one son\, Nigel. With his wife\, Brian shared many problematic triumphs and it was to her that his various\nbooks were dedicated.  \nMate in Three Moves\nBefore closing this brief review of Brian’s achievements a word should be said regarding the summary end of his work in the Observer and a tribute paid by one of his many solvers in this column. On the former it will be regarded with universal regret by all problemists that no arrangements have been made to continue Brian’s incomparable’work in the journal he  served with such distinction. Regarding the latter am very grateful to Halford W. L. Reddish\, Esq.\, for an appreciation that admirably epitomizes the feelings of us all on this melancholy occasion. \nMr. Halford Reddish writes- \n“l am one of thousands of solvers\, from the expert to the merest tyro\, who will miss our weekly battle with Brian Harley in the Observer. In the world of chess and chess problems his name and fame are secure. His characteristically titled Chess for the Fun of It is a delightful exposition of the game: his Mate in Two Moves and Mate in Three Moves are classics in their particular field. \nTo those of us who knew Brian personally his passing leaves an unfillable gap. I had known him and admired him and loved his witty\, cheery\, kindly personality for many years. He was one of those rare beings who became a close friend even before our first meeting-for we had corresponded for a long time before we first came face to face. And although chess and chess problems were our primary link he had many other interests which kept him young and keen in mind after his retirement from business and which enlarged and enriched his correspondence. It is typical of him that no letter came from him without some mention of his dear wife\, who shared to the full his varied interests. To her and to his only son to the deep sympathy of his many friends.” \n Save as PDF
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