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DTSTART;VALUE=DATE:20201203
DTEND;VALUE=DATE:20201204
DTSTAMP:20211202T104020Z
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SUMMARY:Death Anniversary of A(lfred) Christopher Reeves (19-ii-1939 03-xii-2012)
DESCRIPTION:BCN remembers Dr. A(lfred) Christopher Reeves who passed away on Monday\, December 3rd\, 2012 in St. Agnes\, Cornwall. His probate record (#4073868) is dated December 3rd\, 2012 being recorded in the Bristol registry. \nAlfred Christopher Reeves was born in Wharfedale\, Yorkshire on Sunday\, February 19th\, 1939. His mother’s name was Tomlin. \nAlfred detested his first name to the extent that he asked people to call him Christopher and\, when asked\, told them that the A was for Arthur. For this reason much of the chess literature uses Arthur whereas public records use Alfred. \nIn British Chess Magazine\, Volume 133 (2013)\, Number 1 (January)\, page 2 we have this obituary from James Pratt: \n“Alfred Christopher Reeves (Leeds\, 19 ii 1939 – St Agnes?\, 3 xii 2012). Chris Reeves was a FIDE Master of Composition. He toyed with entering the priesthood but became a child psychotherapist. He started composing (“…my solace and diversion …”) in 1960\, largely specialising in the orthodox two move field. Though not a prolific composer\, his work was known worldwide.\nHe was Sub-Editor of The Problemist” \nFrom the The Encyclopaedia of Chess (Batsford\, 1977)\, Harry Golombek OBE\, John Rice writes: \n“British problemist\, output consists of skilfully constructed two-movers in the modern style.” \nFrom The Encyclopedia of Chess (Robert Hale\, 1970 & 1976)\, Anne Sunnucks wrote: : \n“Problem composer. Since 1960 he has composed about 70 modern-style two movers\, and is considered to be one of the most talented British composers. His originality and technique enable him to build into tangible form what would be no more than a passing idea for most composers. He has edited the problem section of Correspondence Chess\, and he controlled BCF tourneys and International Team matches.” \nFrom British Chess (Pergamon Press\, 1983) Botterill\, Levy\, Rice and Richardson we have this: \n“I was born on February 19th\, 1939\, the second son of a doctor who practised in a busy Yorkshire coal-mining town. As a youngster I acquired a taste for chess problems as soon as I learnt the moves of the game. \nI owe my initiation to the admirable column which DM Davey used to run in the weekly review The Tablet and to the enterprise of one of the masters of the boarding school to which I was sent when still quite young. Davey’s column catered for novice chess problemists like myself by conducting graded solving tournaments with modest handicaps. \nThese tournaments ran conveniently the length of the school term\, just long enough to sustain a young person’s enthusiasm\, The teacher in question used to put the week’s problem up on the school noticeboard and dozens of small schoolboys participated as a result. The Tablet column was not only a boon for beginners like me. It had a very discriminating band of solvers who were given ample space to express their views on each week’s problems. This had the additional effect of making it a popular forum for budding composers who need the stimulus and encouragement of audience response in what is\, after all\, a very solitary sort of pastime. \nMy fascination with chess problems soon diverted my energies away from the game itself. I was eight when I began solving. Another 13 years elapsed before I seriously tried my hand at composing. My immediate inspiration was the example of the then young trio of British composers\, Barry Barnes\, Michael Lipton and John Rice. Their latest work incorporating\, try-play\, and often exploiting complex patterns of relationships between mates\, was regarded as unacceptably\, ultramodern\, in some quarters but found ready appreciation with the solvers of Davey’s column. \nOther sorts of problems I had enjoyed; these I wanted to emulate. The powerful attraction their work had on me has made me chary ever since of the strictures of self-appointed guardians of chess problem ‘taste’\, who suggest that the modern two-mover cannot hold the same interest for the solver as the more traditional type. It certainly did not have a negative effect on me. \nProblem I was one of my earliest compositions\, in fact the first to gain any sort of award. At the time I was a theological student destined for the priesthood. I recall having felt some scruples about indulging in the frivolous pastime of chess problem composition not that it prevented me from becoming thoroughly addicted! \nI have found that a bad conscience makes a good chess problem\, and the greatest spur for composition is the feeling that one should really be busy doing something else. The problem shows a duel between the white queen and the black knight on d5\, each of whose eight possible moves feature as a unique defence against one of the white queen tries. Solvers have often found the key to this problem’ quite elusive. \nProblem I \nThe Tablet\, 30th June\, 1962 \n3rd Honorary Mention BCPS Ring Tournament \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nWhite to play and mate in 2 \n1.Qa1?…Nc7!\n1.Qa4?…Nb6!\n1.Qb1?…N5b4!\n1.Qc1?…Nc3!\n1.Qe1?…Ne3!\n1.Qf1?…N5f4!\n1.Qg4?…Nf6!\n1.Qg1?…Ne7! \nKey! Qb3! \nThe 1960s were my golden period of problem composition. They were my solace and diversion as I passed by way of theological studies through an Oxford degree to the foothills of a different career from the one I had originally envisaged\, not the ‘cure of souls’ but the management and treatment of emotionally disturbed children and their families. By the end of the decade I was\nalready engaged in working as a Child Psychotherapist. Since then I have found that human problems have tended to displace my former involvement with problems of the chess pieces. Whereas\nbetween 1960 and 1970 I composed seventy problems\, in the subsequent decade I could manage only a dozen more. The reason for this slowing down in production\, however\, has not only been the demands of personal\, family and professional life. \nAs a composer I have concentrated almost exclusively on the orthodox two-move field\, one which if not yet exhausted nevertheless presents a major challenge to the composer to find something new to say or some new way of saying it. It is no accident (though I admit to a slight feeling of regret) of heterodox problems has expanded enormously in the past few years. \nOf my eighty or so problems\, fifty have been honoured in tournaments\, ten with First prizes\, ten with other prizes and the rest with Honourable Mentions and Commendations. My ambition is to\nreach a respectable century of compositions\, though I being to wonder whether I shall ever make the mark. I would also like to reach the FIDE Master norm for problem composition. I have\nhad twenty of my problems included in the triennial FIDE Albums so far\, a few of them joint compositions. Here again\, however\, my productivity (or lack of it) may eventually tell against me. \nStill\, the problemist must always keep the business of honours in perspective. Composing problems is an essentially private business. Your opponent is the power of the pieces\, not a fellow sitting opposite Vou. Unlike the chess player\, one can keep one’s defeats to oneself when one puts the pieces away after a fruitless evening pondering over a board\, so it seems only fair that\none’s successes likewise should be modestly recorded. \nBy a coincidence two of the three problems which I have selected to round off this brief note about myself and my compositions are ones which got no recognition from the tournament judge\nat the time\, although I count them amongst my best works. \nI have chosen a trio of problems all roughly on the same theme\, namely\, the four possible moves of the pawn from its starting square. In chess problem parlance this is called the BP4M* theme when applied to the Black pawn\, and the Albino theme when applied to the White pawn. \nII and III show two ways in which four mates can be provided to meet each of the BP4M moves\, only to be changed in the next phase of play. In II\, the change is between mates set before the key and those operative after it; in III\, the change is more radical\, involving the transfer of the WR from one position to another\, thereby creating two separate but related (or ‘twin’) problems. Incidentally\, a good way to begin to get a taste of what composing involves is to take a problem like III and try to express the theme in full (here the changed BP4M) without resorting to the twinning device. \nMy last example\, IV\, shows a duel between white and black pawns\, with the four Albino tries being met by the four possible BP4M defences. \n(* BP4M is BCNs replacement for a word starting with p now considered by some as offensive.). \nWhilst the player may rejoice in a victory soundly accomplished I can think of few pleasures to compare with the satisfaction which comes from accomplishing the sort of task which IV entails\, especially when one is fairly sure that it has not been successfully achieved before. For me\, at all events\, this is what two-mover chess problem composition is all about: its is the ‘art if the all-but-impossible’!” \nProblem II \nDie Schwalbe August\, 1965 \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nWhite to play and mate in 2 \n1…dxc6+ 2. Bxc6\n1…d6 2.Nd5\n1…d5 2.Qb4\n1…dxe6 2.Bc8 \nKey 1.Qxe5! (2.exd7) \n1…dxc6 2.Nxc6\n1…d6 2.Qf6\n1…d5 2.Qc7\n1…dxe6 2.Qxe6\n1…Rd5+ 2.Nd5 \nProblem III \n1st Prize  \nProblemist Twin Tournament 1966-67 \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nWhite to play and mate in 2 \nProblem IV \nProbleemblad\, May\, 1965 \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess diagram visualization.        \n    \n    \n    \n\n\n \n\nWhite to play and mate in 2 \nClearly Chris was a hugely popular figure in the problem world. Here is a collection of tributes from the BCPS.
URL:https://britishchessnews.com/event/death-anniversary-of-alfred-christopher-reeves-19-ii-1939-3-xii-2012/
CATEGORIES:Composer,Death Anniversary,History,Problemist,Remembering
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DTSTART;VALUE=DATE:20201208
DTEND;VALUE=DATE:20201209
DTSTAMP:20211208T155947Z
CREATED:20191208T001021Z
LAST-MODIFIED:20211208T155947Z
UID:3679-1607385600-1607471999@britishchessnews.com
SUMMARY:Death Anniversary of John Fuller (12-v-1928  08-xii-2004)
DESCRIPTION:We remember John Fuller who passed away aged 76 on Wednesday\, December 8th 2004. His death was recorded in the district of Lancaster. At the end of his life he lived in Carnforth\, in Lancashire. \nJohn Arthur Fuller was born in Hendon\, Middlesex on Saturday\, May 12th 1928. His parents were Horace Arthur Fuller (a Bank Officer) and Phyllis Fuller (née Gooch). \nJohn had three brothers: Julian Frederick who was two years older\, Nigel Anthony who was three years younger and Adrian Easterbrook who was six years younger. \nThey lived at 12\, High View\, Pinner in Middlesex. \n12\, High View\, Pinner\, Middlesex\, HA5 3PA\nOn August 26th 1939\, aged eleven\, John (described as a scholar) departed from Liverpool on board the SS Ceramic (part of the Shaw Savill & Albion Company shipping line) and duly arrived one hundred and twenty days later in Sydney\, New South Wales. \nThe family returned to Liverpool in March 1945 on board the Athlone Castle which was of the Union-Castle Mail Steamship Company Ltd. John was now sixteen years old. \nAccording to ancestry.co.uk he is survived by a son\, Robert. The family tree indicates that John had two sons and two daughters but his wife is marked as Private and so her name is not visible. We speculate that it may be Ann Fuller (née Dent) but this is awaiting confirmation. \nFrom The Encyclopedia of Chess (Robert Hale\, 1972 & 1976) by Anne Sunnucks : \n“British Master\, British Boy Champion in 1946 and British Correspondence Champion from 1953-1955. Born on 12th May 1928 Fuller learned to play chess when he was 11. In 1946 \, the year in which he won the British Boys Championship\, he also tied for the London Boys Championship. He went on to win the Middlesex Championship three times and the Warwickshire Championship twice. Fuller played for England in matches between Scotland and the Netherlands and in the Clare Benedict International Team Tournament. He also had the best British score in the Premier Tournament at Hastings in 1949 and 1955. \nHe was a design engineer.” \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess game visualization.        \n    \n    \n    \n\n\n \n\nFrom The Encyclopedia of Chess (Batsfords\, 1977) by Harry Golombek: \n“British master and design engineer by profession. British Boy Champion in 1946. Fuller was a player of great promise with a fine understanding of the game. But a serious illness disturbed the even flow of his chess career and\, though he recovered and made some more appearences in the chess world\, he eventually withdrew from chess on an international and national level. \nFuller played twice in the Hastings Premier tournament: =5th 1949/50 and 6th in 1955/6.” \nThe Oxford Companion to Chess is silent on JAF. \nThere has been considerable discussion of JAF in another place. \nBCN would like to acknowledge help received from Richard James\, Leonard Barden\, Rob Fuller and John Upham in putting this article together. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess game visualization.        \n    \n    \n    \n\n\n \n\nSubsequent to this post being published our attention was kindly drawn by John Saunders to the obituary in BCM\, Volume 125 (2005)\, #5 (May)\, page 247. Here is the article: \nJohn Fuller (12 v 1928 – 8 xii 2004\, Carnforth) was a British Master and British correspondence champion in 1954 and 1955. Having spent some of the war years in Australia\, he quickly made his mark in junior chess on his return to Britain. He shared first place with Leonard Barden in the 1946 London Boys’ Championship and went on to win the British Boys’ Championship in 1946 with 5/5 in the final section\, ahead of Gordon Crown and Leonard Barden. He beat an off-form Crown in nine moves in the last round (see game above) He played a number of correspondence games with Crown\, himself a richly gifted player\, who w0as to die tragically young in 1947\, and it was reported that Fuller had the better of these encounters. \nFuller became a design engineer\, but his business and chess careers were both affected by a serious bout of tuberculosis when he was a young man. He won the Hastings Premier Reserves ‘B’ with 8/9 in 1947/48 ahead of Alan Phillips and Arthur Winser\, and in 1949 Leonard Barden remembers playing off with him for a place in the 1949/50 Hastings premier after the two of them had made similar scores at the 1949 British Championship. \n“We played the match at Sir George Thomas’s flat in autumn 1949… and John crushed me in that. Not sure of the score\, I think it was 2.5- 0.5.” \nHe played in the Hastings Premier in 1949/50 and again in 1955/56\,and made the best British scores on both occasions – 4/9 and 3.5/9 respectively. He also represented England in matches against Scotland and the Netherlands\, and in the Clare Benedict team tournament. He only appeared three times in British Championships\, scoring 6.5 in 1949\, 5.5 in 1950 and 6.5 in 1958. He ranked in the top ten of the British Chess Federation Grading List on six occasions\, with a best place of third equal in 1958. He seems to have dropped out of over the board competition chess shortly after being awarded the (now defunct) British Master title in 1963/64. \nHarry Golombek referred to Fuller in The Encyclopaedia of Chess (1977) as a player of great promise with a fine understanding of the game”. Alan Phillips told BCM that he was “one of the most promising players of his generation… he slaughtered me three times”. \n\n\n \n\n\n    \n        \n            You must activate JavaScript to enhance chess game visualization.        \n    \n    \n    \n\n\n \n\nLeonard Barden had the following memories of John Fuller: “He was a member of West London Chess Club\, which was historically significant as his good friend and fellow member (both living in Harrow) was Jim Slater\, who 25 years later told me that knowing John was one of the factors which kept his interest in chess up to the point where he became our Maecenas… John was a tall redhead\, outgoing and friendly\, and a natural talent who also worked on theory. With the better opportunities available to later generations I’m sure he would have reached IM strength.”
URL:https://britishchessnews.com/event/death-anniversary-of-john-fuller-12-v-1928-iii-2005/
CATEGORIES:Death Anniversary,History,Player,Remembering
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201211
DTEND;VALUE=DATE:20201212
DTSTAMP:20260817T135547Z
CREATED:20210125T154414Z
LAST-MODIFIED:20260817T135547Z
UID:13467-1607644800-1607731199@britishchessnews.com
SUMMARY:Death Anniversary of Richard Griffith (22-vii-1872 11-xii-1955)
DESCRIPTION:Death Anniversary of Richard Griffith (22-vii-1872 11-xii-1955) \nSee Chess World\, Volume 11\, Number 6\, June 1956\, page 128. \nHere is his Wikipedia entry.
URL:https://britishchessnews.com/event/death-anniversary-of-richard-griffith-22-vii-1872-11-xii-1955/
CATEGORIES:British Championships,Death Anniversary,History,Player,Writer
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