“Grandmaster Gata Kamsky, five times US champion, has one of the most extraordinary career trajectories of any chess player. In 1989 he arrived in New York, at the age of 15, with his father from his home country Russia. Just two years later he became for the first time US champion. He reached the top 10 at the very young age of 16 and played a World Championship match at the age of 22, losing to the reigning World Champion Anatoli Karpov. He then decided to stop playing chess for 8 years, studying Medicine and Law. In 2004 he reappeared as a full-time player, became again a world-elite player winning many international tournaments and supporting the US team for many successes.”
What we have here is 22 annotated games (mostly wins, but there are a few draws as well) played by Gata Kamsky between 2004 and 2013, during which period he harboured aspirations towards the world championship.
Kamsky had White in 18 of the 22 games: perhaps it would have been good to learn more about his approach to playing the black pieces. His opponents included the likes of Carlsen, Anand, Aronian, Topalov, Karjakin and Grischuk.
22 games in 450 pages? Yes, that’s an average of about 20 pages per game, often with two or three pages devoted to just one move. There are annotations almost every move: lots of words, and lots of variations as well. Bobby Fischer managed to cram 60 Memorable Games into a lot less space, but then he didn’t have computers to help him.
To give you some idea of what to expect, let’s take a fairly random example: this is Kamsky-Carlsen from the 2007 World Cup in Khanty-Mansiysk.
In this position Carlsen played 17… Re6?
“Probably Black’s only big mistake, but one that costs him the game. The rook is not the best blockader, and once I have figured out how to remove it (by re-routing the knight from g3 to h5, it will only help White accelerate his initiative on the kingside.
“17… Qb3! was perhaps the only move to stop White’s ambitious plans. Black gives up his weak d-pawn in order to open up the position for the rest of his pieces, especially the blocked-in f8-bishop, thus making the rest of his pieces much more effective.”
He then goes on to explain that he was planning to meet 17… Qb3! with 18. Qd2! We then have three pages of notes on this position, with one line ending up with White a pawn ahead on move 42 and another where White wins with a queen sacrifice on move 33.
Eventually returning to the game, we reach this position.
Carlsen has just given up the exchange hoping to set up a fortress. Kamsky explains:
“Black is down a whole exchange, but his structure looks very solid, and if he somehow manages to re-route his knight to f5, while building a strong pawn blockade on the queenside, he might stand a chance. However, White is an exchange up, which means he only needs to open one file for his rooks to infiltrate to win the game. And that is something that Black cannot prevent.”
Kamsky eventually managed, with some help from his opponent, to open the h-file for his rooks, winning on move 46.
The verbal explanations of positions and plans are, as you can tell, models of clarity but you might well think there are too many variations. You’re going to need at least two, more likely three chess sets to find your way through some of the thickets.
The games are not all you get for your money, though. Each game is put into context, and, Kamsky warns us in the introduction: “I must also caution that some of the views and comments expressed on subjects other than chess will sometimes be found to be quite controversial and not ‘correct’, in which case I would invite the reader to draw his or her own conclusions.”.
We are, perhaps fortunately, spared Kamsky’s views on Donald Trump and Brexit, but we do get his opinions of his opponents along with some flashbacks to his childhood.
You may well be aware of the reputation of his father, Rustam Kamsky. Gata’s descriptions of their relationship doesn’t make comfortable reading:
“… I had no education and was under the complete domination, in both body and soul, of my father. He literally threatened to kill me many times, including chasing me with a knife on numerous occasions after a terrible tournament…
“When I came home from the one and only occasion I went to the authorities for help, my father burned my hand to the bone and told me that if I told the authorities about him again, he would kill me. Being physically beaten was an everyday occurrence; it was the psychological attack with his words that made me feel very old and not want to live.”
Given this background it’s perhaps understandable that he has a jaundiced view of some of his fellow grandmasters, even including the universally respected Vishy Anand. He has the rather strange habit of referring to some of them, particularly, it seems, those with whom he has come into conflict in the past, as, for example, Mr Topalov.
In some respects, then, this is a very personal book: much more than just a games collection.
Every one of the games is fascinating, the annotations are superb, but you probably need to be round about 2200 strength to gain full benefit from following all the variations. Below that level, you might find yourself shouting “too much information, Mr Kamsky” and perhaps prefer to spend your money on something with more games and fewer variations.
The production standards, as usual from this publisher, are excellent. I noticed very few typos (a redundant check sign and Jeffrey rather than Jeffery Xiong). If you’re looking for a collection of grandmaster games with exceptionally detailed annotations, along with some very personal insights into the world of top level chess, this is the book for you.
BCN remembers GM Jacques Mieses who passed away on February 23rd, 1954 aged 88. He was buried on the 25th of February at the East Ham Jewish Cemetery in Section J, Row 18, Grave 1100. We hope to update his burial record with these details when we are allowed to do so.
Jakob Jacques Mieses was born on Monday, February 27th 1865 in Leipzig in the German state of Saxony. He came to England in 1939 and was recorded in the UK Internees Index for 1939 – 1942 on 25th April 1939 :
At the time of the 1939 register Mieses was recorded as living at 66, Oakley Square, St. Pancras, Camden, London, NW1 and he is listed as a Professional Chess Player.
By the time of Hastings 1945 (27th December) Jacques had relocated to :
On June 7th 1947 he was granted Naturalisation Certificate AZ27326.
In 1950 he was one of the twenty-seven first players to be awarded the Grandmaster title by FIDE. He was therefore the first British National to be awarded the Grandmaster title for OTB play. The next (Tony Miles) would be twenty-six years later.
He has The Mieses Opening named after him :
which never really caught on to any significant degree.
and in the Centre Counter or Scandinavian Defence we have the Mieses Variation:
and finally, also in the Centre Counter or Scandinavian Defence we have the Mieses Gambit:
From The Encyclopaedia of Chess (Robert Hale, 1970 & 1976), Anne Sunnucks :
“International Grandmaster. Born in Leipzig on 27th February 1865, Jacques Mieses was educated at Leipzig University and in Berlin. He came to England as a refugee from Nazi Germany shortly before the 1939-1945 war and eventually became a naturalised British citizen.
The early part of his chess career was devoted mainly to the study of chess theory and to chess problems. It was not until he was 23 that his tournament career really started with a tie for 2nd place at Nuremberg 1888, followed by 3rd at Leipzig 1888.
Over the next 50 years, he played in numerous tournaments with varying degrees of success. His addiction to speculative rather than sound openings and his attempts to combine playing in tournaments with reporting them were possibly responsible for his inconsistent results. Within a few months of one of the greatest performances of his career, when he came lst at Vienna 1907, ahead of Duras, Maróczy, Tartakover, Vidmar, Schlechter and Spielmann,
he came no higher than =16th at Carlsbad. In 1923 he achieved another great success when he came lst at Liverpool, ahead of Maróczy, Thomas and Yates.
While his style of play prevented him from reaching the greatest heights as a tournament player, it was also responsible for the numerous brilliancy prizes which came his way, one of the last being at the 1945 Hastings Congress, when he was 80.
Among the many books which Mieses wrote were The Chess Pilot,
Manual of the End Game
and Instructive Positions from Master Chess.
A very popular player, Mieses had a ready sense of humour. On one occasion, when he was in New York, he was asked by an American who mispronounced his name “Sind sie Mister Meises?”, ” No sir,” he promptly replied “Ich bin Meister Mieses.” On another occasion, when submitting an article in German to a British magazine, he could not resist asking ” Don’t you think my German is very good for an Englishman?”
On his eightieth birthday, a dinner was held in his honour in London and he was presented with a cheque by his numerous chess friends and admirers. The speech he made on this occasion was later quoted in most of his obituaries:
I have been told that a good many people never reach the biblical span of three score years and 10; and those who do-so some most reliable statistics assure us-are most likely to die between 70 and 80. Hence, I dare say, ladies and gentlemen, that I for one have now passed the danger zone and may well go on living for ever.
He lived for nearly nine more years, taking his daily swim in the Serpentine in Hyde Park or some open-air swimming pool, until only a few days before his death. He died in a London nursing home on 23rd February 1954 and was buried in the East London Jewish Cemetery.”
From The Encyclopaedia of Chess (Batsford, 1977) Harry Golombek OBE we have this from Wolfgang Heidenfeld :
“Grandmaster, theorist, problemist, tournament organiser and chess journalist.
Mieses was a spectacular player who won many brilliancy prizes but suffered as many very short defeats. As a a result the German master achieved only one full success in important international tournaments (Vienna 1907), but occupied good places in such events as Breslau 1889 (3rd), Hanover 1902 (4th), Ostend 1907 (=3rd), as well as some smaller events.
In matches he showed a heavy preponderance of losses against the top-notchers, losing to Lasker, Tarrasch, Rubinstein, Marshall, Teichmann (twice) and Spielmann, but he drew with Walbrodt (1894), Janowski (1895) and Caro (1897) and beat Leonhardt, Taubenhaus, and (at the age of 81) Abrahams.
Here is the first game from October 29th 1945 annotated by Mieses from his match with Gerald Abrahams played in Glossop:
In keeping with his sharp style, Mieses preferred such openings as the Vienna Gambit, the Danish Gambit and the Centre Counter-Gambit. Among his lasting achievements are his brilliancy prize games against Janowksi (Paris 1900),
Reggio (Monte Carlo 1903),
Perlis (Ostend 1907)
and Schlechter (Vienna 1908).
Personally a very witty man (and something of a bon vivant) Mieses did not invest his writing with the same sparkle; both as a journalist and author he was rather dry and sober. He edited the eighth edition of the famous Handbuch, several editions of the ‘little Dufresne’, and published several primers as well as a treatise on blindfold play and an anthology Instructive Positions from Master Chess, London, 1938.
One of Mieses’s most important contributions to chess history was the payment of travelling and living expenses during a tournament, which he insisted on when running the famous tournament at San Sebastian 1911 – it was only thenceforth that this procedure became the norm.”
Here is an obituary written by DJ Morgan from British Chess Magazine, Volume LXXIV (74, 1954), Number 4 (April), pp. 107-108 :
Last month we made brief mention of the death, on February 23rd at a London Nursing Home, of the old grandmaster, on the verge of his eighty-ninth birthday. He was the last surviving link with a distant and largely-forgotten era. Mieses entered the international arena in the days of the great Romantics, of Zukertort, Charousek, and Tchigorin. He reached his heyday in the times of Tarrasch, Schlechter, and Maróczy. But he could never assimilate the canons of this Classical School, derived from Steinitz and codified and promulgated by Tarrasch. He preferred the dynamic to the static. He played the Scotch Game in tournaments long after it hat been
discarded by Steinitz and Blackburne; the Danish Gambit and the Vienna became in his hands instruments of great attacking potential. As Black he long favoured the Centre Counter Defence, and with it he brought off a number of thrilling victories in such great tournaments as those of Ostend, 1907, Carlsbad, 1907, Vienna, 1908, and St. Petersburg, 1909.
Jacques Mieses was born on February 27th, 1865, at Leipsic, and was educated at the university there, and in Berlin. In the capital he joined, at seventeen, one of the city’s chess clubs, and soon won the first prize in its annual tournament. Nevertheless, his earlier days were devoted mainly to the theoretical side of the game and to problems of which he was a good composer and a phenomenal solver. His public career really began with a tie for second place at Nuremberg, 1888, with the third prize at Leipsic in the same year, followed by a third, behind Tarrasch and Burn, at Breslau, 1889. His subsequent achievements span the years and are recorded in the literature of the game. He played at the famous Hastings 1895 (and was its sole survivor); fifty years later he played at a Hastings Christmas Congress. His preference for the speculative and the spectacular to the then ultra-modern-prevented him from winning the major prizes of the games. As we look up the record’s we can readily see how unpredictable his performances were. Thus, in 1907, a first at Vienna early in the year was followed later by an equal sixteenth-eighteenth at Carlsbad. But his Brilliancy Prizes were numerous: such endings as those v. Janowski, Paris, 1900; v. Reggio, Monte Carlo, 1903 (quoted, incidentally, as Diagram 52 in Fine’s The Middle Game in Chess, but without giving its source); v. Znosko-Borovsky, Ostend, 1907; and v. Schlechter, Vienna, 1908, will always be the delight of anthologists.
As well as playing incessantly in match and tournament, Mieses wrote copiously on all aspects of the game, analytically as well as in a literary manner, in books as well as in magazines. Three of his little books, The Chess Pilot, Manual of the End-game, and Instructive Positions from Master Chess, have enjoyed a long and wide popularity in English.
Two personal memories come to the writer’s mind. We first met him during the Liverpool congress-of 1923 ((1) Mieses, (2) Maróczy). one morning we took a stroll together up Dale Street, a stroll which developed into a tie-hunting expedition, ending up with a fine selection on his part to take back to a Germany emerging from recent disaster. He left the impression of a courteous and cultured man, precise in speech and with something of the military in his bearing. ln 1939, on hearing of his whereabouts, we called at his lodgings in Camden Town one Sunday morning. We were diffidently greeted by a seriously-crippled Mieses, who had recently, under great difficulties, made his exit from a Germany once more faced with disaster.
But the prim and chivalrous personality soon exerted itself. His many English friends rallied round him in his exile, all culminating in the great tribute paid to him on his eightieth birthday. Mon March 15th, 1945, at the Lud-Eagle Chess Club, a large number of friends and admirers gathered to pay their respects. A cheque, subscribed to by members of the club, was presented to the veteran master. He had, he said in his acknowledgement, sought asylum in England, and he had been shown great kindness and sympathy. The final gift was a last resting-place in the East London (Ed : we now know this to be East Ham) Jewish Cemetery. – DJM.
“Jacques Mieses was born in Leipzig. He won the chess championship of Berlin at the age of 17, and in 1888 he placed joint second at Leipzig and third at Nuremberg.
In 1889 he came third at Breslau (1889). He was, however, rather eclipsed by two great emerging talents – Emanuel Lasker and Siegbert Tarrasch. Mieses was crushed by Lasker in a match – Lasker – Mieses (1889/90) in Leipzig (December 1889 to January 1890). He also performed poorly at 8th DSB Kongress (1893) coming only 7th out of 9 against a field which was relatively weak compared to previous DSB congresses.
1894-95 was a busy period for Mieses. He drew a match with Karl August Walbrodt. (+5, =3,-5) in Berlin (May-June 1894). Mieses then played in the extremely strong 9th DSB Kongress, Leipzig (1894) (3rd-14th September, 1894) coming 10th out of 18. He had then toured Russia giving simultaneous displays, before travelling to Paris to play a match with David Janowski (8th January to 4th February 1895).
Mieses then crossed the English Channel to play a short match against Richard Teichmann in London (16th – 21st February 1895) which he lost by +1 =1 -4. A month later he played this match, Mieses next professional engagement would be (which was his first tournament outside his own country) came at the famous Hastings event of 1895. Although he finished only twentieth (in a field of 22 players), he soon adapted to this level of play and in 1907 he took first prize at the Vienna tournament scoring ten points from thirteen games.
In 1909, Mieses played a short blindfold match with Carl Schlechter, winning it with two wins and one draw. The very next year Schlechter played Emanuel Lasker for the World Championship and drew the match 5-5.
Mieses tried his hand as a tournament organiser in 1911, putting together the San Sebastian event that marked the international debut of future World Champion Jose Raul Capablanca. Mieses was defeated by one of Lasker’s title challengers, Siegbert Tarrasch, in a match in 1916 (+2 -7 =4). In 1938 Mieses resettled in England and took British citizenship. He was awarded the grandmaster title in 1950.”
German-born Jewish player and author from Leipzig, International Grandmaster (1950), International Arbiter
(1951). He never assimilated the positional ideas of Steinitz and Tarrasch; instead he preferred to set up a game with the direct object of attacking the enemy king, a style that brought him many brilliancy prizes but few successes in high-level play. His best result was at Vienna 1907, the first Trebitsch Memorial tournament, when he won first prize ( +9 =2 —2) ahead of Duras, Maróczy and Schlechter. Later in the year he shared third prize with Nimzowitsch after Bernstein and Rubinstein in a 28-round tournament at Ostend. He played 25 matches, mostly short, and won six of them including a defeat of Schlechter in 1909 (+2-1).
Mieses reported chess events, edited chess columns, and wrote several books. In 1921 he published a supplement to the eighth edition of Bilguer’s Handbuch, and he revised several editions of Dufresne’s popular Lehrbuck des Schachspiels, He also organized chess events, including the tournament at San Sebastian in 1911 for which he insisted that competitors were paid for travel and board, a practice that later became normal.
After living in Germany for 73 years he escaped the clutches of the Nazis and sought refuge in England. A prim, courteous, and dignified old gentleman, still upright in bearing, he became widely liked in his adopted country. Asked about his lameness in one leg, caused by a street accident in 1937, he merely answered ‘it was my turn to move,’ Soon after naturalization he became the first British player to be awarded the International Grandmaster title. A generation before him his uncle Samuel Mieses (1841-84) had been a German player of master strength.
In the various publications of Edward Winter there are many and varied references to Mieses. We recommend you consult : Kings, Commoners and Knaves, Chess Facts and Fables and Chess Explorations to read them.
According to Edward Winter in Chess Notes JM lived at the following addresses :
Tauchaerstrasse, Leipzig, Germany (Wiener Schachzeitung, July 1904, page 211).
Problemist and chronicler who lived in Norwich all his life. He edited the chess column of the Norwich Mercury from 1902 lo 1912, contributed many significant articles elsewhere, investigated a number of chess questions, and established the burial place of several great players and arranged the tending of their graves. He lived at only two addresses for 73 years, worked for the railway company for 53 years, and was a member of the Norfolk and Norwich chess dub for 61 consecutive years. Winner of the club championship in 1884, he did not compete again until 1933 and then won it three years in succession.
“Grandmaster Paul van der Sterren (1956 ), was one of the strongest chess players of the Netherlands. He became twice national champion and represented his country eight times during the Chess Olympiads. In 2001 he retired from being an active player and focused on writing books drawn from his rich chess experience. This is his first English chess book written for Thinkers Publishing.”
Many chess players are strikingly ignorant of their game’s heritage, so there’s always a place for a new book offering readers a quick spin through chess history.
There are, broadly speaking, several ways this could be approached: a selection of Famous Games for those who haven’t seen them before, a history of the world championship itself, or an essay on the development of chess style and opening theory over the centuries.
Van der Sterren’s book seems to combine all three approaches. How does it fare?
As I have a particular interest in pre-20th century chess history I decided to dive in at the beginning.
We start, not unreasonably, with Philidor. After some biographical information we might be looking forward to seeing how he played.
Alas, not. The author makes the extraordinary claim that “It is true that some fragments of his games have made it into today’s databases, but their authenticity is doubtful and it is likely that these are mostly fictitious games invented by him for the purpose of teaching or demonstrating a particular point he wanted to make.”.
Really? Is van der Sterren confusing Philidor with Greco, perhaps? While it’s true that the games in his books, and there were only a few, were fictitious, my database has one piece of analysis from 1749 along with 60 complete and 5 partial games against named and known opponents from between 1780 and 1795, all but the first played in London. They were collected by Philidor’s friend George Atwood and many of them were published by George Walker in 1835. There is no doubt at all of their authenticity.
We then move onto the match(es) between La Bourdonnais and McDonnell in 1834. A complete game would have been good but all we get is the Famous Position where the Frenchman forced resignation with three pawns on the seventh rank, without any explanation as to how the position arose.
Then comes the first international tournament: London 1851. We meet Staunton and Anderssen, and, guess what, we see the finales of the Evergreen and Immortal Games. Again, if you really want to publish them because your readers might not have seen them before, why not give the complete games?
According to van der Sterren, “Now Black has to play the defensive move 20… Na6.”. Historians disagree about whether or not Kieseritzky resigned before playing this move (he claimed he did), or whether he played the move and Anderssen announced mate, but why not mention the much better, but still insufficient, defence 20… Ba6?
Come to think of it, why not mention that both the Immortal and Evergreen games were casual encounters in which Anderssen could afford to take risks?
Moving on, inevitably, to Morphy, by this point I started to play a game with myself, guessing what I’d find in each chapter. Opera House game? Tick! Queen sac v Paulsen? Surprisingly not.
On to Steinitz. Bardeleben at Hastings? Tick! Van der Sterren talks about Steinitz’s advocacy of positional chess, and then aims to justify the inclusion of this tactical game atypical of his late style by incorporating some callout boxes labelled ‘Misunderstandings’ in a rather ugly childish font: something not repeated elsewhere in the book.
Lasker? Exchange Lopez ending v Capa? Tick! Then, on p49, in a moment of carelessness, we meet ‘Dawid Janowksi’,
On the same page we see a Famous Pawn Ending between Lasker and Tarrasch:
We’re told that “By looking at the position in a concrete way instead of relying on general considerations, it is possible to find a concrete path to salvation for Black.”. It’s White, not Black, who finds a concrete path to salvation by playing, after 40. h4 Kg4, 41. Kg6 rather than the losing Kf6. Although the annotations throughout the book are mostly verbal we do get a variation which demonstrates why Kf6 loses.
Capablanca? Qb2 v Bernstein? Tick! Rook ending v Tartakower? Tick! But not full games.
Alekhine? v Réti in 1925? Tick! Bogo in 1922? Tick! Again, only the closing stages so we don’t get to see how he reached those positions.
To be fair, the book improves as it approaches the 21st century, and we start meeting players the author knew or knows well.
Here, for instance, is a position from a game I must have seen at the time, but had forgotten about.
This is Anand-Karpov Las Palmas 1996. Here, Vishy played Bxh7+!.
“Anand must have felt there is bigger game to be hunted than just a pawn. Still, to forego a perfectly reasonable option with an extra pawn and a draw in the bag, in favour of a piece sacrifice with unpredictable consequences, is not a decision many players would have made. It is a sign of self-confidence, great powers of calculation and bravery; in other words the hallmark of the most pure, sparkling talent.”
This is typical of van der Sterren’s style of annotation: words rather than variations and a tendency towards hero-worship.
Anand himself is, typically, more modest: “Here, I spent a few seconds checking 21. Rxd5 which leaves White with an extra pawn, but as I mentioned earlier I couldn’t be bothered. I saw Bxh7+ and didn’t waste any more time on Rxd5. I then spent some time analysing Bxh7+, and didn’t see a defence for Black. I then realized that I was too excited to analyse and decided to get it over with. He had hardly any time left already and I was sure that he wouldn’t find a defence.”
Does the book succeed? Although I don’t like being negative in my reviews, I’m afraid not. It suffers from trying to do too much in too short a space, and from a lack of historical knowledge and awareness. If you know anything at all about the history of our beautiful games you’ll have seen almost everything before, and you’ll be frustrated by the broad brushstrokes.
Back in 1987, Mike Fox and I were criticised by some reviewers for including a chapter of Greatest Games in The Complete Chess Addict, but they failed to understand that our target market was social players who wouldn’t have seen them before. By the same token, there may still be a market for a collection of Famous Games, Famous Combinations and Famous Endgame Studies. There are several other histories of the world championship, and treatises on the development of chess style and opening theory, but books that are up to date and whose authors have something new to say are always welcome. This book doesn’t really do any of these things very well, and there is very little original content or thought. If you try to be everything to everyone you end up being nothing to nobody.
However, the book is, for the most part, nicely produced, with a lot of attractive photographs. For someone just starting out in competitive chess who would like to know more about the game’s history, this could be just what they want to pique their interest and encourage them to study this fascinating aspect of chess in more detail.
Richard James, Twickenham, 18th February 2020
Book Details :
Paperback : 264 pages
Publisher: Thinkers Publishing; 1 edition (20 May 2019)
We remember Cecil Valentine De Vere (14-ii-1846 09-ii-1875)
From The Oxford Companion to Chess by Hooper & Whyld :
Cecil Valentine De Vere, pseudonym of Valentine Brown, winner of the first official British Championship tournament organized by the British Chess Association in 1866. He learned the game in London before 1858 and practised with Boden and the Irish player Francis Burden (1830-82). De Vere played with unusual ease and rapidity, never bothering to study the books. His features were handsome (an Adonis says MacDonnell), his manner pleasant, his conduct polite. He “handled the pieces gracefully, never “hovered” over them, nor fiercely stamped them down upon the board … nor exulted when he gained a victory…in short, he was a highly chivalrous player.’ So wrote Steinitz who conceded odds in a match against De Vere and was soundly beaten, (See pawn and move.) De Vere’s charm brought him many friends.
At about the time that he won the national championship his mother died, a loss he felt deeply, “The only person who ever cared for me”.
Receiving a small legacy he gave up his job. which Burden had obtained for him at Lloyds the underwriters, and never took another. He entered some strong tournaments but always trailed just behind the greatest half-dozen players of his time. His exceptional talent was accompanied by idleness and lack of enthusiasm for a hard task. On the occasion of the Dundee tournament of 1867 he took long walks in the Scottish countryside with G. A. MacDonnell, who writes that a ‘black cloud’ descended on De Vere. It may have been the discovery that he had tuberculosis; more probably he revealed to the older man a deep-rooted despair, the cause perhaps of his later addiction to alcohol.
In 1872 Boden handed over the chess column of The Field to provide him with a small income; but in 1873 the column was given to Steinitz on account of De Vere’s indolence and drunkenness. At the end of Nov, 1874 his illness took a turn for the worse, he could hardly walk and ate little. His friends paid to send him to Torquay for the sea air, and there he died ten weeks later. He had failed to nourish a natural genius in respect of which, according to Steinitz, De Vere was “second to no man, living or dead*.
From The Encyclopedia of Chess by Anne Sunnucks :
First official British Chess Champion, Cecil de Vere was born on 14th February 1845 (in Montrose, Angus, Scotland : Ed.) and was taught to play chess when he was 12 by a strong London player, Francis Burden. By the time he was 15, he was a regular visitor to “The Divan” on a Saturday afternoon.
At the age of 19 De Vere played a number of games against MacDonnell winning the majority of them. So great was his promise that the City of London Chess Club raised a purse for a match between him an Steinitz, Steinitz giving the odds of a Pawn and a move. De Vere won.
In 1866 the first British Championship, organised by the British Chess Association was held. De Vere won, ahead of MacDonnell and Bird, and so became the first British Champion at the age of 21.
The following year in the Paris 1867 tournament, he was 5th out of a field of 13, and he tied for 3rd prize in the Dundee Congress, ahead of Blackburne, having beaten Steinitz in their individual game.
While he was in Dundee, De Vere learned that he was suffering from Tuberculosis. The news changed his whole life. Having recently inherited a few hundred pounds, he gave up his job at Lloyd’s and started living on his capital, determined to enjoy the few years he had left. He continued to play chess, but his performances were marred by his newly acquired addiction to the bottle.
De Vere was once described as “A Morphy without book knowledge”. His talent was great enough for him to be able to take on the leading masters of the day without any study or preparation, but more than that is needed to reach the top. De Vere lacked the strength of character and health to fulfill his early promise. He died a few days before his thirtieth birthday.
From The Encyclopedia of Chess by Harry Golombek :
The first official British Champion and a player of great promise who might well have attained world fame had he not be carried off by that nineteenth-century British scourge, tuberculosis, before he attained the age of thirty.
Most of the details of his life are to be found in the writings of G.A. MacDonnell, who met him when De Vere was fourteen and was so struck by his good looks as to refer to him as “Adonis”.
His first tournament success came in 1866 at the London Congress organised at the St. George’s Club in the first few days and then in other venues by the British Chess Association. De Vere played in two events, a Handicap tournament and a Challenge Cup event which was in fact the first British Championship tournament.
The Handicap tournament was run on the same lines as London 1851, i.e. it was a knock-out event with matches of three games, draws not counting. De Vere met Steinitz in roudn 1 and lost by 2-1.
The first British championship tournament was an all-play-all event in which the ties were decided by the first player to win three games and in which the championship went to the winner of the biggest number of games. De Vere was en easy winner with 12 wins, followed by MacDonnell and J.I. Minchin 6, H.E Bird 3 and Sir John Trelawney 0.
Thus De Vere was the first British Champion and at that age of twenty-one. A photograph of him about this time shows that he bore a remarkable likeness to the international master John Nunn, who won the European Junior championship a hundred years after De Vere’s death.
De Vere confirmed his position as a leading British player by coming first in another tournament in 1866 at Redcar in North Yorkshire. This was an event open to all British amateurs and among his opponents were Owen, Thorold and Wisker.
It was in the following year that he commenced his career in international chess. In the important double-round tournament at Paris he occupied an honourable fifth place out of 13 players. At Dundee (the third congress of the British Chess Association) he finished equal 3rd with MacDonnell, below Steinitz but beating him in their individual game and coming ahead of Blackburne.
It was during his visit to Scotland (he went to stay with relatives after the tournament) that he learnt he was afflicted with consumption. This knowledge, together with the death of his mother, drove him to drink which was to accelerate his end.
inheriting a few hundred pounds, presumably from his mother, he gave up his post at Lloyd’s and decided to live on his capital together with such additional sums as he could earn from chess.
In this respect his addiction to drink proved a handicap. For example, he held the post of chess editor of The Field in 1872 but lost it after some eighteen months through inattention to work.
Meanwhile he continued to show his great talent for the game. Defending the title of British Champion in a very strong field at the next British Chess Association congress (1868/9) he cam equal first with Blackburne but lost the play-off at the London Club in March 1869.
In 1870 at the very strong Baden-Baden double-round tournament, he came equal sixth with Winawer but was much outdistanced by Blackburne who came third with 3.5 more pints than De Vere. But already his illness was taking a strong hold on him. At his next and last appearance in a tournament of note. London 1872, he tied with Zukertort and MacDonnell =3rd out of 8 players. In the play-off for third and fourth prizes he lost to MacDonnell and scratched to Zukertort, Later in the year he did tie for first place with Wisker in a weaker British championship tournament and, with De Vere now clearly ill, Wisker had an easy victory in the play-off.
At his last appearance at a chess event, a match at the City of London Club between that Club and Bermondsey, he looked a dying man. A subscription was made to send him to Torquay but it was too late and he died within five days of his thirtieth birthday.
John Wisker (30 May 1846 in Kingston upon Hull, England – 18 January 1884 in Richmond, Victoria) was an English chess player and journalist. By 1870, he was one of the world’s ten best chess players, and the second-best English-born player, behind only Joseph Henry Blackburne.
Wisker moved to London in 1866 to become a reporter for the City Press and befriended Howard Staunton. His proficiency at chess improved rapidly, and he won the 1870 British Chess Championship after a play-off against Amos Burn, ahead of Blackburne, the defending champion. He won again in 1872 after a play-off against the first British champion, Cecil Valentine De Vere. After this second victory, the British championship was not resumed until 1904. Wisker edited chess columns for The Sporting Times and Land and Water. From 1872 to 1876, Wisker was Secretary of the British Chess Association and co-editor of The Chess Player’s Chronicle. After learning that he had contracted tuberculosis, Wisker emigrated to Australia in the autumn of 1876 to try to regain his health. In Australia, he wrote a chess column for the Australasian. In 1884, Wisker died from bronchitis and tuberculosis.
Here is a short item from the Ken Whyld Association web site :
and here is a more detailed article from chess.com
From The Oxford Companion to Chess by David Hooper & Ken Whyld :
John Wisker was an English player and journalist. After moving from Yorkshire to London in 1866 Wisker improved rapidly, so that in the early 1870s he could be ranked among the world’s best ten and second only to Blackburne among English-born players. In 1870 Wisker won the British Championship ahead of Blackburne (the holder) after a play-oil against Burn, and in 1872 he again won the title after a play-off against De Vere. (winner of the first British Championship). By winning twice in succession Wisker retained the trophy and the contests ceased until 1904 (when
Napier won). Against two of his contemporaries Wisker played six matches: Bird in 1873 (+6 =1 -6 and +4 =3 -7) and again in 1874 (+10 =3 -8 and +3 =1 -5); and MacDonnell in 1873 ( = 1 -3) and 1875 ( + 7 =4 -4), Discovering that he had tuberculosis, Wisker emigrated to Australia in the autumn of 1876, hoping to improve his health. In England he edited excellent chess columns in The Sporting Times and Land and Water, and was co-editor of the Chess Player’s Chronicle from 1872 to 1876; in
Australia he edited a chess column in the Australasian.
From The Encyclopedia of Chess by Anne Sunnucks :
British Champion in 1879 and 1872 and Hon. Secretary of the British Chess Association from 1872 – 1877. Wisker was born in Hull. His parents were poor and, he received little schooling, but by his own efforts educated himself and by the time he was 19 was contributing articles to the Fortnightly Review. In 1866 he came to London to report for the City Press and was introduced to London chess circles by Howard Staunton. His play rapidly improved, and his victory in the British Championship in 1870 was achieved after a ply-off against Burn, ahead of Blackburne. In 1872, by successfully defending his title, he won the BCA Challenge Cup outright. On this occasion he won a play-off against De Vere. In 1872 Wisker became co-editor with Skipworth of the Chess Player’s Chronicle.
in 1875, Wisker was found to have consumption, and two years later. on medical advice, he emigrated to Australia. He became chess editor of The Australian, an appointment which he held at the time of his death. He died on 18th January 1884 from bronchitis on top of consumption.
From The Encyclopedia of Chess by Harry Golombek :
A prominent British player and chess administrator. Wisker won the BCA Challenge Cup in 1870 after a play-off with Burn. In 1871 he narrowly lost (+2 -3 =4)a match to the French master Rosenthal, who had fled to London to avoid the rigours of war. Wisker retained the Challenge Cup in 1872, this time after a play-off with De Vere. In the following year Wisker played a series of matches against Bird, drawing the first (+6 -6 =1) losing the second (+4 -6 =2) and winning the third (+10 -8 = 3).
From 1872 to 1877 Wisker was secretary of the BCA and jointly edited the Chess Player’s Chronicle. wisker suffered from consumption and in 1877 under doctor’s orders emigrated to Australia where he died (H.G.)
From The Oxford Companion to Chess by David Hooper & Ken Whyld :
One of the world’s best half-dozen players in the early 1880s, journalist. He was born in Kilkenny, Ireland, and adopted the name James Mason (his real name is not known) when he and his family emigrated to the USA in 1861. He became a boot-black in New York, frequenting a Hungarian cafe where he learned chess. Coming to the notice of J. G. Bennett of the New York Herald he was given a job in the newspaper’s offices, a start in life that both suited his literary aspirations and gave him the chance to study the game; and in 1876 he made his mark, winning first prizes at the fourth American Chess Congress, Philadelphia, and in the New York Clipper tournament, and defeating the visiting master Bird in match play (411=4-4), Settling in England In 1878 he drew a match with Potter (+5=11— 5) in 1879, and at Vienna 1882, the strongest tournament held up to that time, he took third prize (+17=12-5) after the joint winners Steinitz and Winawer.
This was his finest achievement, but he had some other good tournament results; London 1883 (won by Zukertort), equal fifth; Nuremberg 1883, third after Winawer and Blackburne; Hamburg 1885, second equal with Blackburne, Englisch, Tarrasch, and Weiss after Gunsberg; Manchester 1890 (won by Tarrasch), equal fifth; and Belfast 1892, first equal with Blackburne. Fond of drink, Mason is alleged to have lost many games when in a ‘hilarious condition’. ‘A jolly good fellow first and a chess-player afterwards’ he never fulfilled the promise of his first years in England, Instead he wrote books on the game, in excellent style, notably two popular textbooks. The Principles of Chess in Theory and Practice (1894) and The Art of Chess (1895): both ran to several editions. Another of his books. Social Chess (1900), contains many short and brilliant games.
From The Encyclopedia of Chess by Harry Golombek :
A British master of Irish birth, Mason emigrated in early youth to the USA before settling in England in 1878. In America he won matches against Delmar, Martinez, Bird etc, ; In England he beat Mackenzie and drew with Potter, remaining unbeaten in match-play. He played in most of the important tournaments of the eighties and nineties, but the first prize he won on his début at the Philadelphia congress 1876 remained his only victory.
His best results were the third prizes at Vienna 1882 (behind Steinitz and Winawer), Nuremberg 1883 and Amsterdam 1889; =2nd at Hamburg 1885 and =3rd at Bradford 1888; also his 7th place in the great New York 1889 tournament. He wrote The Principles of Chess, London 1894, The Art of Chess, London 1895, compiled a collection of brilliancies in a series Social Chess, London 1900, and was co-author with Pollock of the 1895/6 tournament book. (Article by William Hartston).
We reviewed the most recent book about James Mason here
Emanuel Lasker: A Reader: A Zeal to Understand : Taylor Kingston
Taylor Kingston has been a chess enthusiast since his teens. He holds a Class A over-the-board USCF rating, and was a correspondence master in the 1980s, but his greatest love is the game’s history. His historical articles have appeared in Chess Life, New In Chess, Inside Chess, Kingpin, and the Chess Café website. He has edited numerous books, including the 21st-century edition of Lasker’s Manual of Chess, and translations from Spanish of The Life and Games of Carlos Torre, Zurich 1953: 15 Contenders for the World Championship, and Najdorf x Najdorf. He considers the Lasker Reader to be the most challenging and interesting project he has undertaken to date.
When I’m asked who my favourite chess player is, I always answer ‘Emanuel Lasker’.
Why? Partly because he was a player who didn’t really have a style. Like Magnus Carlsen, with whom he has sometimes been compared, he just played chess. But more because he was such an interesting personality. Unlike most champions (Euwe and Botvinnik were exceptions) he had a life outside chess, on several occasions taking long breaks from the game. And what a life it was: mathematician, philosopher, writer, playwright, bridge player, and, lest we forget, chess player.
Chess historians are finally taking notice of this fascinating man. In 2009 a massive volume about him was published in German, edited by Richard Forster and others. Last year the first of three volumes of a greatly expanded edition of this work appeared in English. If you have any interest at all in chess history you should certainly possess this book, and, like me, you’ll be eagerly looking forward to volumes 2 and 3.
What we have here might best be seen as a companion to this work, and, if you’re a Lasker fan or have any interest in chess history you’ll want this as well.
Taylor Kingston has compiled and edited a collection of Lasker’s own writings, not just on chess but covering every aspect of his multi-faceted personality.
We start with the London Chess Fortnightly, which Lasker published for a year between 1892 and 1893, annotating his own games as he was trying to establish himself as a contender for Steinitz’s world title. Here and throughout the book, the editor adds the occasional contribution from Stockfish 8.
Lasker and Steinitz met in 1894, with our hero becoming the second official world champion as a result of winning the match. Both players annotated some of the games for newspaper columns. In 1906 Lasker published this in his chess magazine, which we’ll come to later, but in this book they appear in the correct chronological place.
The Hastings 1895 tournament book (if you don’t have a copy I’d like to know why) was unusual in that all the games were annotated by one of the other participants. The six games Lasker annotated feature here.
Lasker’s first book, Common Sense in Chess, was published the following year. We have here an extract from Chapter 9, the End Game.
We then jump forward to 1904. The longest and, for chess players, perhaps the most interesting section of the book covers Lasker’s Chess Magazine, which was published in New York between November 1904 and January 1909. The games themselves give the reader an overview of chess during those years, with amateurs as well as masters being represented. Lasker’s annotations and, in some cases, game introductions, were often colourful in nature and tell us a lot about the man himself.
Burn-Forgacs (Ostend 1906), for instance, ‘begins like a summer breeze and ends like a winter’s gale’.
Another major chapter concerns the 1908 Lasker-Tarrasch world championship match. After some details of the background to the match (there was little love lost between the two players: Edward Lasker quoted Tarrasch as saying ‘the only words I will address to him are check and mate!). Taylor Kingston presents the games with annotations from Lasker’s Chess Magazine, Tarrasch’s book of the match and other contemporary sources, along with the usual computer interjections.
We then have a chapter on Lasker’s unsuccessful 1921 match against Capablanca, and another on his non-appearance at New York 1927. Lasker’s Manual of Chess was first published in German in 1926: here we have an excerpt in which he discusses the theory of Steinitz.
Lasker’s chess writings are completed by an article on Lasker and the Endgame by guest contributor Karsten Müller, and a short section on Lasker’s problems and endgame studies.
The last 75 pages of the book consider other aspects of Lasker’s life: his philsophy, his contributions to mathematics, and Lasca, a board game he invented.
Perhaps the most interesting section offers extracts from The Philosophy of the Unattainable, his most important philosophical work, published in 1919. As far as Taylor Kingston is aware, it has never been published in English.
Lasker’s last work, The Community of the Future, was published in 1940, five months before his death. Here, Lasker considers the problems faced by the world and proposes a ‘non-competitive community’ as his solution, with ‘self-hope co-operatives’ to deal with unemployment. Again, fascinating reading, and, you might think, his utopian ideas are still of some relevance today.
The book is a well-produced paperback. There are a few notation errors caused by translation from descriptive to algebraic, but this shouldn’t cause you too much bother. I hope I’ve convinced you that this book deserves a place on your shelves.
We remember Charles Edward Kemp who passed away, this day, November 9th, 1986
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, specialist in fairy problems. Editor with D. Nixon of Fairy Chess Review, 1952-8. Co-author, with K. Fabel of Schach ohne Grenzen (Chess Unlimited) (1969), an anthology of T.R.Dawson’s work. International Judge (1964). ”
Using a Google translation from the Italian(!) wikipedia article we have
“Charles Edward Kemp ( Manchester , November 18, 1901 – Manchester , November 9, 1986 ) was a British chess composer .
He composed over 600 problems , many of which were of help and Fairy (with heterodox pieces ). He often collaborated with Thomas Rayner Dawson in editing the Fairy Chess Review , founded by the latter ..
Together with Karl Fabel he wrote the book Schach ohne Grenzen (“Chess Without Borders”), Walter Rau Verlag, Düsseldorf, 1969.
In the second problem reported below, the heterodox piece called Grillo (” Grasshopper ” in English, represented by an inverted Woman ) appears . Remember that this piece moves along the columns or diagonals, but only by skipping a piece (of both colors) and completing the move in the next house; if an opposing piece is found, it will be captured. In any case, even without moving, he acts on this house. The black cricket in c4, for example, can make only five moves: c4-c2, c4xe4, c4-c7, c4-f7 and c4-f1; in all the houses of arrival it does not check the white king.”
We focus on the British Chess Scene Past & Present !
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