BCN remembers Colin Russ who passed away on Wednesday, September 22nd 2021.
This news was revealed to the English Chess Forum by David Sedgwick as follows:
I have been notified by the British Chess Problem Society that Colin A H Russ died on Wednesday 22nd September 2021 at the age of 91. He had been in hospital for some weeks, with no hope of recovery.
Colin Albert Henry Russ was born on Wednesday, March 19th, 1930 in Croydon, Surrey. His father was Albert HW Russ (born November 1st, 1898) who was an instructor of woodworking crafts. His mother was Delcie A Russ (née Dye, born November 7th, 1901) who carried out unpaid domestic duties.
According to the 1939 register Colin was listed as a scholar and the family resided at 42, Poplar Road, Sutton, Surrey which is now SM3 9JX.
In 1972 Colin, aged 42, married Zsuzsanna Kelemen in Sittingbourne, Kent.
Colin Russ was a chess expert and edited a chess problem column in the CHESS magazine. He wrote the anthology “Miniature chess problems from Many Lands” in 1981 and it was republished several times, for instance in 1987 under the title “Miniature chess problems from Many Countries”.
John Ballard wrote the following of this book:
An unusual book in several respects. Firstly the positions are miniatures, that is 7 pieces or less. Secondly the solutions are in algebraic notation for the most part, with the main line being also given in descriptive. Lastly many of the ‘ usual suspects’ in the compostion field are not there, which meant for me learning new names and of course problems.
Familiar names here are Cheron, Dijk, Fleck, Havel, Kipping, Kubbel, Lipton, Loyd, Mansfield, Marble, Skinkman, Speckman, and Wurzburg. So that leaves dozens of composers (including one allegedly by Wojtyla, later to become Pope John Paul II), as a moderate solver I have never come across before, a special delight.
My favourite 3 mover is the one by Sam Loyd that starts with a check, and has a spectacular queen sacrifice. Sam reckoned this was a mere trifle, composed in a ride downtown, but it is a thing of beauty, and I bet many problemists wish they were as quick and adept at composing as The Puzzle King?! There is an interesting introduction to solving, not too heavy, but comprehensive enough. Many of the solutions are given with helpful comments.
The layout of the work is that 3 or 4 problems are given on the left page, and solutions are to be found opposite on the right. If the book is reprinted I would suggest the solutions be removed to an appendix, to remove the temptation for intermittent solvers like myself to take a sneak peak if a problem was proving intractable!
He served the British Chess Problem Society in various roles, as President from 1987 to 1989, Secretary from 1980 to 2001, and delegate to the PCCC from 1987 to 1994. He was also responsible for introducing the late Michael Ormandy to the Society, which led to the establishment of The Problemist Supplement.
The problem below was selected in the FIDE Album 1956-1958:
Colin was an accomplished over-the-board player and has 117 games recorded in MegaBase 2020 spanning from 1993 to June 2009. Most of these games arise from the Seefeld (Austria) Open and the Jersey Open in St. Helier.
In England Colin represented the Athenaeum club and remained active until 2015.
David Sedgwick went on to write:
Colin, always genial, amusing and engaging, was for decades a pillar of the BCPS and for many years its Secretary. He was a considerable composer of problems and he published a number of books on the subject.
As a player he was of good Club standard, BCF 160 -170 or thereabouts. He remained active until 2015, although his strength dropped off somewhat in the later years.
I got to know him at the Hastings International Chess Congress 1991 – 1992. One of the players in the Hastings Premier that year was the Russian GM Alexei Suetin, who spoke German but not English. I discovered that Colin spoke German well and he proved invaluable as a translator. (I learned only today that by profession he was a university lecturer in German.)
During that Hastings Premier we arranged to have a ceremonial first move made each day by a “name”. Colin was delighted to be chosen for this honour.
(With acknowledgments to Christopher Jones, who succeeded Colin as BCPS Secretary and remains in office.)
Elsewhere on the BCN Facebook group Henrik Mortensen wrote:
He was a great man. In the tournament in Oostende 1992 he beat me with Black in the first round (19th. September 1992). He was much lower rated than me, so … Later in the tournament my travelmate and I both had problems with our cards and he kindly offered to lend us money. Our problems were solved, but it was very kind of him to offer his help. HVIL I FRED.
His best win is probably this one:
but he will be best remembered for his contribution to the world of problems.
BCN remembers Stanley Kipping who passed away in Walsall on February 17th 1964 at the age of 72 who was always known by friends and family as Stanley.
BCN was fortunate to receive the following part email from John Kipping, a resident of Christchurch, New Zealand.
None of the Kipping family from around that time were referred to by their first name. His brother was Barry (my grandfather), and two sisters, Esme who made jigsaw puzzles and Frieda, named after Frieda Weekly (nee von Richtofen).
(Cyril Henry) Stanley Kipping was born on Saturday, October 10th, 1891 in 7 Milborne Grove, South Kensington, London, SW10 9SN.
His parents were Frederic Stanley Kipping (28) and Lillian Kipping (24, née Holland) : they married in 1888. Stanley was baptised on May 8th, 1892 in West Brompton, London. Frederic died on 30 April 1949 in Pwllheli, Caernarvonshire, at the age of 85 and Lilian passed away on 4 September 1949 in Pwllheli, Caernarvonshire, at the age of 82.
Frederic was Professor of Chemistry at The University of Nottingham. He undertook much of the pioneering work on silicon polymers and coined the term silicone. He was elected a Fellow of the Royal Society in 1897.
In the 1901 census the family lived at Clumber Road West, Nottingham and brother Frederic Barry Kipping was born on April 14th 1901 and his sister Kathleen Esme was born on 3rd May 1904 also in Nottingham. Kathleen died on 30 August 1951 in Pwllheli, Caernarvonshire.
In 1902 Stanley started at Nottingham High School excelling in mathematics and science and in 1906 he obtained the Oxford and Cambridge Board’s Lower Certificate.
On March 2nd 1908 the Sheffield Daily Telegraph published a matriculation list for London University and CHSK was listed as being in the second division. Following that in 1909 Stanley obtained a Oxford and Cambridge Higher Certificate.
As of the 1911 census the household now included Stanley’s maternal Grandmother, Florence Holland (59) plus a parlourmaid, a housemaid, a cook and a nurse. Stanley was recorded as being a 19 year old science student and they lived at 40, Magadala Road, Nottingham which appears to have been replaced by residential flats. Curiously the address on the Census record was obscured by green insulation tape but insufficiently for it to readable.
“He left school in July 1910 and went to Trinity Hall in Cambridge where he read for the National Sciences Tripos. He played tennis for his college and launched into the composition of chess problems.
He obtained a First in Part I of the Tripos in 1912, a First in Part II in 1913, and was awarded the degree of Bachelor of Arts on 7 June 1913. He began researching in organic chemistry at Cambridge, but in September 1914 decided instead to take a teaching appointment at Weymouth College.”
In 1914 The London Gazette announced that Stanley was promoted within the Chaplain Department of the British Army to Second Lieutenant with a service number of 10940.
On December 23rd 1914 The London Gazette announced the following :
On the 9th October 1918 The London Gazette announced :
Again, according to Stephen C. Askey :
“In January 1919 he took his Master of Arts degree at Cambridge, and joined the teaching staff of Bradfield College in Berkshire. But by the summer of that year he became an assistant master at Pocklington School in Yorkshire, where he spent five happy years.
There he used his talent for juggling in 1920 to train a troupe of jugglers who gave a display at a school concert. This popular performance was repeated annually at Pocklington. Meanwhile be continued to compose chess problems and in 1923 published a book for beginners called The Chess Problem Hobby.”
In the 1939 register Stanley was recorded as residing at 67 Wood Green Road, Wednesbury, Staffordshire, England with Martha Partridge (born 29th June 1886) who was his Housekeeper.
His probate record appears in the England & Wales Government Probate Death Index 1858-2019 as :
From The Encyclopaedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“International Master of the FIDE for Chess Compositions (1959) and International Judge of the FIDE for Chess Compositions (1957). Born on 10th October 1891. Died on 17th February 1964. Kipping was famous as a composer and an editor which he combined with is duties as Headmaster of Wednesbury High School from 1925 to 1956.
His editorial duties extended over more than forty years, and included the problem sections of Chess, Chess Amateur, and, for 32 years, the specialist magazine The Problemist from 1931. He was noted for his encouragement of beginners. His pamphlet ‘The Chess Problem Hobby‘ is an excellent beginner’s introduction. His other books included Chess Problem Science, The Chessmen Speak and 300 Chess Problems.
Kipping was one of the most prolific composers of all time, with over 7,000 problems to his credit. Many of his strategic three-movers have become classic. He was leading authority on halfpin two-movers. In his latter years, Kipping affectionately known as CSK – was Chairman of the International Problem Board which is now the FIDE Problem Commission.”
From British Chess Magazine, Volume LXXXIV (84, 1964), Number 4 (April), pp. 122-123 by John Rice:
“CS Kipping, one of the most famous of all British problemists, died during February at the age of seventy-two. As a composer, editor, writer and critic Kipping was without equal. It is impossible to do justice in only a few lines to his vast and unique contribution to chess problems: a few factual notes. most of them kindly supplied by RCO Matthews, must suffice.
Kipping was born in London on October 10th, 1891, After completing his studies, he took up teaching as a career, and in 1924 he was appointed the first headmaster of the newly-opened Wednesbury High School, which post he held until his retirement in 1956. He was a bachelor, and, especially during the later years of his life, his interests were centered mainly on the school and on chess problems.
Most readers will know of Kipping as the editor of The Problemist, the bi-monthly journal of the British Chess Problem Society. Before he took over The Problemist in 1931, he had been in charge of the problem section of the Chess Amateur, which he edited with great energy and enthusiasm. As well as The Problemist, he edited the problem pages of Chess from its first appearance. in 1936 until the section was suddenly discontinued without warning or explanation a few years ago. He also edited other columns at various times. He always took great care to help and encourage beginners, and it is probably true that every composer in this country below the age of about fifty came under his influence at one time or another.
As a young man, Kipping was a fierce avant-garde controversialist, championing the the cause of strategy in the three-mover in opposition to the then dominant model-mate school in this country. His attitude to the two-mover, as readers of The Problemist will know, was always a good deal more conservative; he would not tolerate at any price what he called ‘camouflage force,’ even in the modern problem. Yes, he appreciated the aims of the modern two-move composer much more than his writings on the subject suggest, being always ready to applaud excellence in any type of problem.
Kipping’s output numbered over 7,000 problems, probably a record. Many of his two-moves especially his ‘aspect’ tasks, were published under pseudonyms, of which the best was known was C.Stanley. He concerned himself little with artistic finish : once he had found a workable setting of a them he was engaged on, he would take little trouble over economy and presentation. Themes in which he interested himself include half-pin (in the two-mover), white King themes, interferences, and the grab theme (in the three-mover), and maximum tasks of all kinds, the subject of one of his books, Chess Problem Science. His other books include 300 Chess Problems (1916), and The Chessmen Speak (1932), in the AC White Christmas series.
In addition to all his other problem activities, Kipping was chairman of the International Problem Board, and curator of the half-pin section of the White-Hume Collection, which he took over on Hume’s death in 1936.
The majority of Kipping’s best problems were three-movers, three of the most famous of which are quoted here.”
Manchester City News, 1911
Mate in three
Dutch East Indies Chess Association Tourney, 1928
Mate in three
BCM, 1939 (II)
Mate in three
The first problem above was given in The Complete Chess Addict by Mike Fox and Richard James in the Desert Island Chess chapter. It is also given in a discussion of the Steinitz Gambit by ASM Dickins and H Ebert in 100 Classics of the Chessboard. Colin Russ on page 138 of Miniature Chess Problems from Many Countries gives the first problem as does John Rice on page 44 of Chess Wizardry : The New ABC of Chess Problems.
CS Kipping, strictly speaking, was not the founder of the club, but was involved immediately at the formation of the club, which was originally called The Kipping Chess Club*. [*By March 1945, the club had 3 branches and only then did it formally split into 3 -Walsall, Wolverhampton, and a school (Municipal Secondary School Wolverhampton?) for the purpose of playing in the newly formed Wolverhampton League. Walsall Kipping Chess Club only formally took its name in May 1948, and was separated by then from The Wolverhampton Kipping Chess Club!] The Walsall Club’s minute book contains clippings from a local newspaper of 1942 reporting on the formation of the club. Here are copies:-
‘Walsall’s New Chess Club.-The new chess club, members of which will meet in the evenings for play and social intercourse, already promises to be very successful. The organiser, Mr.A.E.Parsons, of England & Sons, The Bridge (where meetings will be held for the time being) is acting as secretary pro tem, and he has secured as the first president Mr.C.S.Kipping, Headmaster of the Wednesbury High School for Boys, well known as an expert and for the innovation of chess in the curriculum of his school. Mr.Kipping has given valued assistance by the initial provision of boards and pieces. Members will meet on Monday evenings at 6.30 and the club will rely, in the first place, on voluntary subscriptions’. [5.9.42]
‘Walsall Chess Club.-Members of the recently formed Chess Club in Walsall had their first meeting on Monday [7th Sept 1942]. They decided to call the club “The Kipping [Chess] Club,” after their president, Mr.C.S.Kipping. Mr. F.D.Fox was appointed chairman, Mr.Gordon Farrell treasurer, and Mr.A.E.Parsons honorary secretary. Mrs.Wright and Miss Powell provided refreshments and were warmly thanked for their contribution to the success of the launching of the club. Mr.H.Lee was subsequently appointed vice-president after occupying the chair for the evening.’ [12.9.42]
Also, here is a copy of a brief sketch of CSK’s chess involvement, penned by David Anderton, for the Club’s Jubilee Chess Tournament:-
C S KIPPING, PRESIDENT 1942-1964
C S Kipping was the editor of the Problemist between 1931 and his death on 17th February 1964 at the age of 72 years. He also edited a problem column in Chess between 1935 and 1960. He [was] one of the most prolific of composers with some 7,000 problems to his name. He pioneered the introduction of strategic three movers in Great Britain and was the leading authority on half pin two movers. He was the Headmaster of Wednesbury Boys High School and introduced chess into the curriculum there in 1927. He gave evidence in the Chancery Division in the case of Re: Dupree’s Trusts in 1944 to the effect that chess teaches concentration, self reliance and reasoning and is a most useful training for the mind. Relying on this evidence, the Court upheld a bequest to establish a junior tournament as charitable and the case still forms the basis of English law on this point.
On a web site now only accessible via the WayBack Machine there is a treasure trove of reminisces and memories of CHSK from himself, friends and pupils.
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, enormous output of over 6,000, mainly three-movers but also many two-movers, some published under pseudonyms (e.g. C. Stanley, of Nottingham). Editor of The Problemist, 1931-64. Elected international master honoris causa (1959).”
Edith Elina Helen Winter-Wood was born, probably in 1859*, to Thomas Winter-Wood, a writer and poet, and Eliza Ann (née Sole) Winter-Wood in Boulogne, France.
(*Despite 22nd February 1859 appearing in Wikipedia we are unable to locate a primary source for this date. Contemporary secondary sources always just gave 1859 as her year of birth. Census records imply that she was born between April 1859 and March 1860. Her marriage record from 1st December 1880 describes her as being ‘of full age’: at least 21 years old, so born before December 1859. However, her death record from 1st February 1924 gives her age as 63, implying that she was born between February 1860 and January 1861. Either her death record is incorrect or she added a couple of months to her age when she married. )
Many secondary and tertiary sources incorrectly give the Winter-Wood family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed: both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was himself a strong player having been educated at Plympton Grammar School (now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means, with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas taught all of his family to play chess and Edith learnt at an early age. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“(Edward) played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
According to F. R. Gittins (in The Chess Bouquet 1897):
“The moves came to her, as she says, by a kind of instinct before she was out of her first decade. She did not, however, commence composing problems until some years after her marriage, which took place in 1880, to Deputy Inspector-General W. J. Baird, M.D., R.N., whose distinguished services have been mentioned in despatches and rewarded with four medals and two clasps. Eight years later she composed her first problem, and commenced a wonderful series of successes, having gained eleven first, nine second, and six third prizes, and been honourably mentioned nine times.”
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize (1):
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The problem solutions may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published by Henry Sotheran Ltd in 1902 and took her 14 years to complete.”
Edith also had a brief career in chess competitions in the 1890s, winning the 1897 Sussex Ladies Championship without losing a game.
Few samples of her play survive, but they show her to be a proficient player with, as you might expect from a problemist, a keen tactical eye. In this game she finishes neatly with a queen sacrifice.
In this game, from a blindfold simul against the London-based Dutch organist and chess master Rudolf Loman (1861-1932), she uses a tactic to reach an equal ending.
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (‘of full age’) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy, in the parish church of St George Hanover Square. (You’ll see that she married under the surname Wood rather than Winter-Wood.) William was almost thirty years her senior, having been born in Londonderry in 1831. The 1881 census found them in lodgings in Durham House, Hotspur Street, Tynemouth, North Tyneside: presumably William was there in connection with his work. Later the same year, their only child, Lilian Edith Baird, was born in the same place.
Lilian would become a child prodigy whose first problem was published before she was 10 years old. She was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
(Lilian merits a full article in this place in her own right : added to ToDo list!)
By 1891 William had retired and the family had settled in Brighton living at 14 College Terrace, where they employed a servant, Louisa Howard (23). In 1901 the census enumerator found them at the same address, their servant now being Lilian Millard (25).
William died in 1907, and Lilian had married in 1910: the 1911 census found Edith living in a boarding house named Mountcoombe in Surbiton. The house no longer exists, but its name, minus a letter, survives in Mountcombe Close, now a location for residential flats. Shortly afterwards, she joined her brothers in Paignton, Devon, close to her family’s ancestral roots.
Returning to Edith’s family, by the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestead”, Netley Abbey, Southampton and had shrunk to Thomas, Eliza and a mere two servants. Edith gave this address when she married William Baird.
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Truman (just 12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property, it would appear. By 1901, the family had moved again, to “Kenwick”, Paignton, Devon. They were back down to two servants: Florence Gagg (18) was the housemaid and Sarah Chambers (59) the cook. Thomas died in 1905, and the 1911 census gives their address as “Hareston”, Totnes Road, Paignton. Eliza, Edward and Carslake’s servants were now Laura Ellen Gagg (25 – presumably related to Florence) and Sarah Tulley.
In an interview with the Westminster Gazette (1st September 1894) Edith was asked why chess has always been a man’s game.
“Frivolous and fashionable women would begrudge the time and thought it requires; busy mothers of families could not, of course, spare time for it, and the great majority of unmarried girls have not, I’m afraid, the necessary patience. Then, too, it is, I must confess, an unsociable game. It is most suitable for quiet and reflective people, and for invalids. It seems always to have attracted clever strategists like military and naval commanders, and also great politicians. I wish girls would take to it more, because it is such excellent mental discipline, and brings out one’s patience. It would also be a useful corrective to the tendency to jump at conclusions which many women have. The great charm is that it is a home accomplishment. A woman is not expected to leave her fireside for the sake of chess. It is a stable kind of amusement for which she never need sully her womanliness or her good reputation. Many of the outdoor sports, innocent and healthy enough, lead to a great deal of flirtation and general frivolity.”
F.R. Gittins (op. cit.) described her as follows:
“Mrs. Baird, however, is something more even than the Queen of Chess-problem composers. She is, for example, an enthusiastic and skilful archer, and, living as she does in Brighton, has for some time been a prominent member of the Furze Hill Archery Club, of which she is a member of the committee, and in which, she has, for two years in succession, taken the medal for the highest aggregate score of the season. She also paints and illuminates charmingly, and has a pretty inherited talent for writing verse. Her book of illuminations, in fact, is described as “so chaste and delicate in design as to recall the ancient illuminated books which are treasured in museums and art galleries.” In politics she is a staunch Liberal, while the modern movement against all cruelty to animals – whether inflicted under the name of sport or in the interests of science – finds in her one of its most ardent champions. Besides the déclassement derived from chess, she is also a great believer in girls making themselves independent of marriage, from a monetary point of view, by having a definite occupation. When it is added that she never allows chess, painting, or any other favourite pursuit to occupy her time until all the domestic matters of home have been seen to, we have said sufficient to show how finely-rounded and complete a life this brilliantly clever woman leads. It is only left to add that her manner is kind and charming, and that she is thoughtfulness and considerateness itself to all her friends. She is, moreover, the most loving of mothers, and has been heard to declare that if anything were to happen to “Lily”, she would never compose another chess problem.”
Edith was also an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was Lilian’s husband. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists.
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century Retractor may be read online here.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924), page 103 we have this brief obituary notice written by RC Griffth :
“We much regret to hear of the death, at Paignton, on February 1st, of Mrs. W.J. Baird, much of the distinguished of women problem composers throughout the world. As our problem editors will no doubt deal fully with her work and her triumphs, we shall say no more here that she took a keen interest in chess over-the-board also, and in 1897 secured the county championship of Sussex among players of her own sex. By birth she was a Winter-Wood and thus a member of a distinguished West of England chess family”
From British Chess Magazine, Volume XLIV, (44, 1924), page 125 we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was given the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as a prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two (2)
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two (3)
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three (4)
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent. being cooked after leaving her hands, evidence of painstaking application!
Mate in Three (5)
There is now, since the decease of Mrs. Baird’s father, Mr. T. Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three (6)
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
White retracts his last move; then plays. Black moves so that White can mate at once. (7)
(Please note that there are factual errors in most of the sources quoted below.)
BCN remembers Mike Bent who passed away on Tuesday, December 28th 2004.
Charles Michael Bent was born on Thursday, 27th of November 1919 and in that year Charles was the fifth most popular boy’s name.
He was born in Portsmouth, Hampshire.
In 1939 he was living at 5, Ashburton Road, Gosport with his mother Eileen B. Bent (née Hill) and was a Sub Lieutenant in the Royal Navy.
He wrote “Best of Bent: Composer’s Choice of His Chess Endgame Studies, 1950-93” This was edited by TG Whitworth.
He died in Swindon on the 28th of December, 2004 having last resided in Hungerford, RG17. Whilst writing the Studies column for British Chess Magazine he resided at “Black Latches”, Inkpen, Newbury, Berkshire.
The C. M. Bent Memorial Composing Tourney was held in 2006-07.
From British Chess Magazine, Volume XCV (95, 1975), Number 1 (January), page 22 we have a charming introduction to CMB from the retiring editor of the Studies column, AJ Roycroft :
“A studies article without a diagram? Yes, and without an apology either. Instead this introduced my successor, Charles Michael Bent, who is as remarkable without the chessboard as he is with it. Now since, as at May 1974, he has composed the total, rarely exceeded by anyone, of 670 studies (of which only 375 have been published), and about 600 problems (one tenth published), his other achievements and activities, insofar as he can be persuaded to talk about them, are worth recounting.
Michael Bent has a passion for all-the-year-round tennis, and loves the country life. Walking and climbing, all-forms of do-it-yourself, word-play nabla/del, puzzles, conjuring and listening to music make the mixture extraordinarily rich. Yet if there was a single word to characterise him it would be simplicity (his choice), with (my addition) a strong and individual sense of humour.
Physically he is a lean, balding 54-year-old as fit as most men half his age. He played at Junior Wimbledon before the War and only three of four years back won the singles tennis championship of his half of Berkshire. He is a modest and delightful companion, and to visit him and his wife Viola, to whom he credits responsibility for the serenity of his condition and surroundings, is a relaxing pleasure I always look forward to in my own hustled and tense London-centered existence.
In his own words he was never really a player of chess at all, but first sight of problems (during the war) and endings (just after it) acted like fireworks on a dark night and lit an imagination which still lacks basic technical knowledge. So, artistic rather than ‘scientific’, have never knowingly composed a didactic study. Am told my ‘style’ is easily recognised. Am aware, but perfectly content, that I compose much that the expert will easily solve, in the hope that the less initiated may be entertained and as attracted as I was in the beginning.
There is a feast, including many surprises, in store for you and me, at the hands of your new chess-chef, ‘CMB of the BCM’.”
From British Chess Magazine, Volume 125 (2005), Number 2 (February), page 98 we have a brief obituary from John Beasley :
“Charles Michael Bent died just over a month after his 85th birthday. Mike Bent had long been Britain’s leading composer of endgame studies, he was a witty and entertaining writer on the subject (and on many others), and the pleasure he gave was rightly acknowledged by the granting in 2001 of one of the BCF President’s Awards for services to chess.
BCM published his first study in 1950 and one of his last 50 years later, and he was our endgame study columnist from January 1975 to March 1985. There will be a steady flow of quotations in Endgame Studies during the coming months. John Beasley”
The Studies column was taken over in April 1985 by Paul Lamford.
From The Encyclopaedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“Born on the 27th November 1919, Michael Bent has only one possible challenger, Harold Lommer, as the finest composer of endgame studies England has ever produced. Although up to October 1967, he had composed 546 problems and 320 studies, he now concentrates almost exclusively on studies. His 17 honoured studies include three 1st prizes. His partiality towards Knights is shown in the typical study selected here.
Michael Bent was educated at the Royal Naval College, Dartmouth, but had to leave the Navy because of chronic sea-sickness. He served in the Rifle Brigade in the Second World War and afterwards became a rubber plant in Johore, where he survived several terrorist attacks. How now lives with his wife in a Berkshire Village.
Apart from Chess, Michael Bent has other recreations, including wood carving, stamp collecting, composing crossword puzzles and butterfly collecting. His butterfly collection included 500 Malayan specimens. He is also a strong tennis player. Thirty-one years after playing at Wimbledon as a junior, he won the Newbury and District singles title in 1967.”
CM Bent 2nd Honorable Mention New Statesmen 1964 Tourney Award, 5th March 1965
BCN remembers Dr. A(lfred) Christopher Reeves who passed away on Monday, December 3rd, 2012 in St. Agnes, Cornwall. His probate record (#4073868) is dated December 3rd, 2012 being recorded in the Bristol registry.
Alfred Christopher Reeves was born in Wharfedale, Yorkshire on Sunday, February 19th, 1939. His mother’s name was Tomlin.
Alfred detested his first name to the extent that he asked people to call him Christopher and, when asked, told them that the A was for Arthur. For this reason much of the chess literature uses Arthur whereas public records use Alfred.
In British Chess Magazine, Volume 133 (2013), Number 1 (January), page 2 we have this obituary from James Pratt:
“Alfred Christopher Reeves (Leeds, 19 ii 1939 – St Agnes?, 3 xii 2012). Chris Reeves was a FIDE Master of Composition. He toyed with entering the priesthood but became a child psychotherapist. He started composing (“…my solace and diversion …”) in 1960, largely specialising in the orthodox two move field. Though not a prolific composer, his work was known worldwide.
He was Sub-Editor of The Problemist”
From the The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, output consists of skilfully constructed two-movers in the modern style.”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976), Anne Sunnucks wrote: :
“Problem composer. Since 1960 he has composed about 70 modern-style two movers, and is considered to be one of the most talented British composers. His originality and technique enable him to build into tangible form what would be no more than a passing idea for most composers. He has edited the problem section of Correspondence Chess, and he controlled BCF tourneys and International Team matches.”
From British Chess (Pergamon Press, 1983) Botterill, Levy, Rice and Richardson we have this:
“I was born on February 19th, 1939, the second son of a doctor who practised in a busy Yorkshire coal-mining town. As a youngster I acquired a taste for chess problems as soon as I learnt the moves of the game.
I owe my initiation to the admirable column which DM Davey used to run in the weekly review The Tablet and to the enterprise of one of the masters of the boarding school to which I was sent when still quite young. Davey’s column catered for novice chess problemists like myself by conducting graded solving tournaments with modest handicaps.
These tournaments ran conveniently the length of the school term, just long enough to sustain a young person’s enthusiasm, The teacher in question used to put the week’s problem up on the school noticeboard and dozens of small schoolboys participated as a result. The Tablet column was not only a boon for beginners like me. It had a very discriminating band of solvers who were given ample space to express their views on each week’s problems. This had the additional effect of making it a popular forum for budding composers who need the stimulus and encouragement of audience response in what is, after all, a very solitary sort of pastime.
My fascination with chess problems soon diverted my energies away from the game itself. I was eight when I began solving. Another 13 years elapsed before I seriously tried my hand at composing. My immediate inspiration was the example of the then young trio of British composers, Barry Barnes, Michael Lipton and John Rice. Their latest work incorporating, try-play, and often exploiting complex patterns of relationships between mates, was regarded as unacceptably, ultramodern, in some quarters but found ready appreciation with the solvers of Davey’s column.
Other sorts of problems I had enjoyed; these I wanted to emulate. The powerful attraction their work had on me has made me chary ever since of the strictures of self-appointed guardians of chess problem ‘taste’, who suggest that the modern two-mover cannot hold the same interest for the solver as the more traditional type. It certainly did not have a negative effect on me.
Problem I was one of my earliest compositions, in fact the first to gain any sort of award. At the time I was a theological student destined for the priesthood. I recall having felt some scruples about indulging in the frivolous pastime of chess problem composition not that it prevented me from becoming thoroughly addicted!
I have found that a bad conscience makes a good chess problem, and the greatest spur for composition is the feeling that one should really be busy doing something else. The problem shows a duel between the white queen and the black knight on d5, each of whose eight possible moves feature as a unique defence against one of the white queen tries. Solvers have often found the key to this problem’ quite elusive.
The 1960s were my golden period of problem composition. They were my solace and diversion as I passed by way of theological studies through an Oxford degree to the foothills of a different career from the one I had originally envisaged, not the ‘cure of souls’ but the management and treatment of emotionally disturbed children and their families. By the end of the decade I was
already engaged in working as a Child Psychotherapist. Since then I have found that human problems have tended to displace my former involvement with problems of the chess pieces. Whereas
between 1960 and 1970 I composed seventy problems, in the subsequent decade I could manage only a dozen more. The reason for this slowing down in production, however, has not only been the demands of personal, family and professional life.
As a composer I have concentrated almost exclusively on the orthodox two-move field, one which if not yet exhausted nevertheless presents a major challenge to the composer to find something new to say or some new way of saying it. It is no accident (though I admit to a slight feeling of regret) of heterodox problems has expanded enormously in the past few years.
Of my eighty or so problems, fifty have been honoured in tournaments, ten with First prizes, ten with other prizes and the rest with Honourable Mentions and Commendations. My ambition is to
reach a respectable century of compositions, though I being to wonder whether I shall ever make the mark. I would also like to reach the FIDE Master norm for problem composition. I have
had twenty of my problems included in the triennial FIDE Albums so far, a few of them joint compositions. Here again, however, my productivity (or lack of it) may eventually tell against me.
Still, the problemist must always keep the business of honours in perspective. Composing problems is an essentially private business. Your opponent is the power of the pieces, not a fellow sitting opposite Vou. Unlike the chess player, one can keep one’s defeats to oneself when one puts the pieces away after a fruitless evening pondering over a board, so it seems only fair that
one’s successes likewise should be modestly recorded.
By a coincidence two of the three problems which I have selected to round off this brief note about myself and my compositions are ones which got no recognition from the tournament judge
at the time, although I count them amongst my best works.
I have chosen a trio of problems all roughly on the same theme, namely, the four possible moves of the pawn from its starting square. In chess problem parlance this is called the BP4M* theme when applied to the Black pawn, and the Albino theme when applied to the White pawn.
II and III show two ways in which four mates can be provided to meet each of the BP4M moves, only to be changed in the next phase of play. In II, the change is between mates set before the key and those operative after it; in III, the change is more radical, involving the transfer of the WR from one position to another, thereby creating two separate but related (or ‘twin’) problems. Incidentally, a good way to begin to get a taste of what composing involves is to take a problem like III and try to express the theme in full (here the changed BP4M) without resorting to the twinning device.
My last example, IV, shows a duel between white and black pawns, with the four Albino tries being met by the four possible BP4M defences.
(* BP4M is BCNs replacement for a word starting with p now considered by some as offensive.).
Whilst the player may rejoice in a victory soundly accomplished I can think of few pleasures to compare with the satisfaction which comes from accomplishing the sort of task which IV entails, especially when one is fairly sure that it has not been successfully achieved before. For me, at all events, this is what two-mover chess problem composition is all about: its is the ‘art if the all-but-impossible’!”
We remember Anthony Dickins who passed away this day (Wednesday, November 25th) in 1987.
Anthony Stewart Mackay Dickins was born at 1 Rivers Street, Bath, Somerset on Sunday, November 1st, 1914. On this day was the Battle of Coronel — The Royal Navy suffered its first defeat of World War I, after a British squadron commanded by Rear-Admiral Sir Christopher Cradock met and was defeated by superior German forces led by Vice-Admiral Maximilian von Spee in the eastern Pacific.
Anthony’s parents were Frederick and Florence Dickins (née Mackay) Frederick was a Captain in the Royal Artillery and was born on 25th November 1879, commissioned on May 26th 1900. He became a Colonel on 26th May 1930 and retired November 25th 1936. He was alive in 1972 (aged 92) and living in Bexhill passing away aged 101/102. He was awarded the CIE which is “Companion, Order of the Indian Empire in 1914”.
Anthony was baptised on December 29th in Seend, Wiltshire. Anthony had a brother Frederick James Douglas born in 1907 who married Nellie or Peggie Moist (records are unclear).
It would appear that Florence and Anthony (aged 5) travelled to Bombay from Plymouth on board the SS City of York (Ellerman Lines) departing December 26th, 1919 presumably to visit his father in India. The ships master was J. McKellan.
At the time of the 1939 Census Anthony was residing in the Tavistock Hotel in Tavistock Square. His occupation was given as journalist and editor and described as single.
From the Hull Daily Mail (extant and renamed Hull Live) of March 4th, 1939 we have this part review of a magazine called The Joys of Poetry. Anthony was the editor :
He died in Lambeth Wednesday, November 25th) in 1987. We have yet to determine where he was buried or cremated.
“Anthony Dickins wrote A Guide to Fairy Chess (1967) and other books about fairy chess. He edited the column of non-original fairy problems for “The Problemist”. He was specialized in constructional problems and was also an International Judge.”
From British Chess (Pergamon Press, 1984), Botterill, Levy, Rice and Richardson :
“Chess first entered my life seriously about 1950 at the well-known Mandrake Social and Chess Club in Meard Street, Soho, run by Harold Lommer and Boris Watson. Purely literary connections took me there in the first place, as it was a rendezvous for the literary fraternity, such as Dylan Thomas, David Gascoyne and others.
After the war Harold converted a small wine-vault into a tiny cramped chess-room, with some dozen tables and boards. Many well-known
personalities in the world of Chess were occasional visitors, such as Grandmasters Ossip Bernstein, Paul Keres, Jacques Mieses and Friedrich Sämisch; British Champions Willy Winter, Bob Wade and Dr. Fazekas; M. J. Franklin, now a British Master, and the Problemists, Dr. E. T. O. Slater and B. J. da C. Andrade. Mieses was then in his late eighties and charged a fee of half-a-crown (12.5 pence) for a game. When his name was mispronounced ‘Mister My-ziz’ he would say ‘I am Meister Mieses, not Mister My-ziz’.
Sämisch once played fourteen of us blindfold, defeating all except one, a very strong Indian player, Atta, who obtained a draw. My regular ‘partners’ were Vicki Weiss, the famous cartoonist, his brother Oscar, Richard Crewdson, Mr Keller (a professional who played sharply for a shifty shilling), Brian Mason, Colin ‘Puffer’ Evans, (whose strategy was to puff cigarette ash and smoke all over the board to bemuse the opponent) and Bob Troy (who always fell fast asleep immediately after making each move and had to be wakened on his next turn to play). There was a juke-box in the next room constantly blaring forth pop and bop. Most of all I played with Alex Distler, and with him always’variants of the game’ like Cylindrical Chess, Rifle Chess, Progressive Chess, or the Losing Game.
In this colourful and inspiring, if rather smoky and noisy, atmosphere I composed my first six chess problems, helpmates and cylindricals, though I did not then know of the existence of Problem books or magazines, nor had I heard of Sam Loyd, Max Lange, or T. R. Dawson when the Mandrake closed in the late fifties and Harold Lommer retired to Spain to write his two monumental works on Endgame Studies.
For the next 10 years or so I played at the West London and Athenaeum Chess Clubs, for Middlesex County and at Hastings congresses, meanwhile regularly solving the problems in the two evening newspapers for practice.
In 1965, in my 51st year, I discovered chess-problem magazines and the British Chess Problem Society, and was soon asked by John Rice to join the Fairy
Chess Correspondence Circle, whose director, W. Cross, perhaps the greatest solver of all time, guided my early footsteps in fairyland. At this point I compiled for my own use a summary of all the usual rules and conventions in Fairy Chess, as these were numerous and complicated. It occurred to me that a few other people might also welcome such a summary, so I put it into book form as A Guide to Fairy Chess, which I published by myself in 1967 under the imprint ‘The O Press’, a pun on the name ‘Kew’ where I was then living.
To my amazement it had rave reviews (‘the comprehensive work, so long awaited’, ‘more like an encyclopaedia’, ‘the bible of Fairy Chess’) and sold like hot cakes, going into three editions, each one enlarged and revised, the third produced by Dover Publications, New York, in 1971. Two years later I edited Dover’s publication of T. R. Dawson’s Five Classics of Fairy Chess.
In 1970 I flew to the States to spend a few days in the J. G. White collection in Cleveland, Ohio, researching historical material on Fairy Chess. This Ohio collection has the largest chess library in the world, and to my surprise I found that it contains also ‘every book or article ever written on or about ‘Omar Khayyam and Alice in Wonderland . To find oneself suddenly and unexpectedly transported, as if by magic carpet, into a superbly organised library with the most complete collections in the world of the three subjects that happen to be one’s own three principal literary interests is an experience that must approach closely to entering Nirvana, and I am happy to have had it. This visit enabled me to write A Short History of Fairy Chess (1975) and to give the lecture Alice in Fairyland to the Lewis Carroll Society in London, published in their journal Jabberwocky and reprinted by myself in 1976 (2nd edn 1978) .
In 1972 I decided to present my (by then) extensive collection of Fairy Chess books and magazines to my old university library at Cambridge to prevent the possible break-up of the collection as a single unit, and to ensure that at least one fairly complete Fairy Chess collection was retained in Britain.
In 1968 I was invited to open a Fairy Chess section in The Problemist, organ of the BCPS, which I handed over to Dr. C. C. L. Sells in 1970, and from 1974 to 1981 I ran another column in that magazine called ‘Other Types’. This chess journalism has brought me into touch with many problemists, and made many friends for me, in foreign countries.
In 1967, on a visit to Mannheim for the Schwalbe annual meeting, I met Wilhelm Karsch, then editor of Feenschach, and in 1968 in Munich I again met Dr. Karl Fabel, whom I first came to know in London in 1967, and also Peter Kniest, one of the two present editors of Feenschach. In 1969, on a visit to Paris, a meeting was arranged for me at the late Jean Oudot’s flat, with Pierre Monr6al, J. P. Boyer, F. de Lionnais (author of the Dictionnaire des Echecs) and other French problemists, and altogether I have attended twenty three major problemist meetings in various countries, including FIDE meetings in The Hague, Wiesbaden, Canterbury and Helsinki. It has been my constant aim to try to encourage and cultivate the practice and study of Fairy Chess and to keep alive the great legacy that T.R. Dawson left to the world when he died in 1951.
In recent years I have developed close relations with the younger generation of West German problemists, who are very active in Fairy Chess, centred round 29-year-old Bernd Ellinghoven, who helps Peter Kniest to edit Feenschach and who printed my last booklet, Fairy Chess Problems (1979), containing poems as well as problems, combined in a new kind of fairy technique, for I believe that Fairy Chess represents in many ways the ‘poetry’ of Chess.
For the 50th birthday of T. R. Dawson on the 28th November 1939 a certain Dr Lazarus of Budapest wrote in Fairy Chess Review: ‘T. R. D. these three letters represent a conception in the Poetry of Chess which is amongst the most ingenious of all its turns, one of its most strange and interesting phases… Without T.R.D. human culture would lack a factor in its development’. Those people (and there are some) who would banish Fairy Chess altogether from Caissa’s realm resemble the iron-hearted Mr. Gradgrinds who would abolish romance, mystery, poetry, invention, discovery and imagination from human life.
Elsewhere I have written: ‘The Game for Murderers, The Problem for Philosophers, Fairy Chess for Sufis’, because the aim of the game-player is to ‘mate’ (kill) the opponent (from Arabic, mat _ dead), while the problemist has no personal opponent to kill, but merely a philosophical problem to resolve. In Fairy Chess, however, the adept is transported to another plane of existence, to an ‘undiscovered country from whose bourne no traveller returns’,to new’dimensions’ of thought (as in 3- and 4-dimensional problems) – in short, to Fairyland, to Nirvana.
The three problems represent my early, middle and later compositions. The helpmate in three moves (Black plays first in a helpmate) is a miniature culminating in an ideal Mate. C. H. O’D. Alexander was much tickled by what he called ‘the deceptive pawn’ on a2, which unexpectedly does not promote.
The Construction Task with 113 White moves, all ‘maintaining’ the legal stalemate position in which Black finds himself, is a standing record that defeated the previous record of 112 such moves obtained independently by six problemists in six countries, one of them an lnternational Master of FIDE.
The Knight’s Tour is one of the oldest genres of Fairy Chess, dating from the earliest days of chess, and in TR Dawson’s Fairy Chess Review he published many of them., including some that showed the ‘square numbers’ (1,4,9,16,25,36,49,64) all on one rank – in the present example I have added the extra strict condition that as many as possible of the numbers 1 to 16 must be in the SW corner and as many as possible of the numbers 1 to 32 must be in the W half of the board.
For two reasons the perfect ideal in this task cannot be attained, firstly because of the given position of the number 25, and secondly because it is not possible to make a Knight’s tour on a 4 x 4 board in the SW corner.
1. Helpmate, Evening News, 20th February 1957 dedicated to Harold Lommer
Helpmate in 3 moves
1. Kd5 Nb1
2. Kc4 e8=Q
3. Kb3 Qb5 mate
2. Construction Task Record, Feenschach 9341 Sep/Oct 1969 dedicated to Karl Fabel
113 unforced stalemate maintenances with Promotion in Play (Pawn promotions count as 4 moves) unforced as W has some moves that do not maintain stalemate, so he is not ‘forced’ to maintain it.
3. Knight’s Tour Chessics 5(180) July, 1978 dedicated to D. Nixon.
Knights tour with
a) All square number on 4th rank
b) maximum of 1-16 in SW quad
c) maximum of 1-32 in W half
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, Founder of Q Press (1967) to publish books on fairy problems: A Guide to Fairy Chess (1967); An Album of Fairy Chess (1970); The Serieshelpmate (co-author, 1971). Has presented a large collection of problem books to Cambridge University Library. International Judge (1975).”
We remember Mary Rudge who passed away one hundred and two years this day on Saturday, 22-xi-1919.
She was born in Leominster, Herefordshire on February 6th, 1842. Her father was Henry Rudge (born 1794 in Gloucestershire) who was a surgeon and General Practitioner. Her mother was Eliza Rudge (née Barrett) who was born in Ledbury, Herefordshire in 1802.
Mary was part of a typically large household and according to the 1851 census she had sisters Sarah (23), Caroline (18), Emily H (12), brothers Henry (14) and Alfred (10). Assisting Henry with medical matters was William S Boyce and acting as a “General Servant” was Thomas Rotheroe (18). Their address is given as “21, Middle Marsh, Leominster, Herefordshire, England” (HR6 8UP). According to HM Land Registry : “Middlemarsh is in the Leominster North & Rural ward of Herefordshire, County of, Herefordshire, Worcestershire and Warwickshire.”
By 1861 the household had relocated to 62, Broad Street, Leominster and the servants were James Price (18) whose occupation is given as a Groom and Sarah Gardener (21) who was the House Servant.
Mary moved, “helpless from rheumatism”, at some point, to Truro and then to the British Home for Incurables, Streatham. She died in Guys Hospital, London, on 22 November 1919.
Editor of British Chess Magazine at the time of her obituary was Isaac McIntyre Brown who afforded Mary a pathetic three lines.
“As we go to press we learn with great sorrow of the death, at Streatham last month, of Miss Mary Rudge, winner of the International Ladies’ tournament in 1897.”
Golombek, Hooper&Whyld and Sunnucks are all silent on Rudge.
From Wikipedia :
“Mary Rudge (6 February 1842 in Leominster – 22 November 1919 in London) was an English chess master.
Rudge was born in Leominster, a small town in Herefordshire, England. She began playing chess in a correspondence tournament in 1872. The first mention of over the board competition is in August 1874 when she played in the second class at the Meeting of the Counties’ Chess Association at Birmingham. After the death of her father, Henry Rudge, she moved to Bristol where she started playing chess seriously.
Rudge was the first woman member of the Bristol Chess Club, which did not allow women to be members of the club until she joined in 1872. She played against Joseph Henry Blackburne, who gave a blindfold simultaneous display against ten opponents. The following year she played in another blindfold simultaneous display given by Johannes Hermann Zukertort. In March 1887 she played and drew on board six for Bristol against Bath at the Imperial Hotel in Bristol. At the beginning of 1888, Rudge played and won on board six for Bristol & Clifton against City Chess & Draughts Club. The following year, she won the Challenge Cup of Bristol & Clifton Chess Club. In 1889, she became the first woman in the world to give simultaneous chess exhibitions. She won the Ladies’ Challenge Cup at Cambridge 1890, and won the second class at the Southern Counties’ tournament at Clifton 1896.”
“First Women’s International Chess Congress
She was a winner of the first Women’s International Chess Congress under the management of the Ladies’ Chess Club of London in conjunction with the Women’s Chess Club of New York. Lady Newnes was president of the Tournament Committee, and Sir George Newnes, Baron Albert Salomon von Rothschild, Mr. Harry Nelson Pillsbury and some others offered prizes. The tournament was played at the Hotel Cecil in the Masonic Hall for six days, but the final rounds were decided at the Ideal Café, the headquarters of the Ladies’ Chess Club, from 22 June to 3 July 1897. Miss Rudge was 55 years old and the oldest of the 20 players, and had substantial experience playing chess at the time. She was a well-known English player, ranking in chess strength with the first class of the leading men’s clubs. She won the event with 18 wins and 1 draw, followed by Signorina Louisa Matilda Fagan (Italy), Miss Eliza Mary Thorold (England), Mrs. Harriet Worrall (USA), Madame Marie Bonnefin (Belgium), Mrs. F.S. Barry (Ireland), Lady Edith Margaret Thomas (England), among others.”
“Over the next years, she took part in various competitions, playing in Bristol and Dublin. In 1898, she played against world champion Emanuel Lasker in a simultaneous display at the Imperial Hotel. Lasker was unable to finish all the games in the time available, and Rudge’s was one of those unfinished. He conceded defeat because he would be lost with best play.”
BCN remembers Hugh Blandford who was a British composer.
Hugh Francis Blandford was born on Wednesday, January 24th in 1917 in South Stoneham, Southampton, Hampshire, England.
On this day Ernest Borgnine was born and an earthquake measuring 6.3 in magnitude struck Anhui Province, China, causing 101 deaths.
Hugh’s father was the Rev Albert Francis Blandford and his mother was Alice Rhoda Crumpton Evans. Hugh had two younger brothers, Philip Thomas. and Evan Arthur.
The family moved to Jamaica and he spent his early childhood there until he was nine years old when they sailed from Kingston, Jamaica with his family to Bristol on board the SS Carare (Elders & Fyffes Line) :
His mother Alice Rhoda Crumpton passed away on 19 July 1964 in Minehead, Somerset, at the age of 79.
His father Rev Albert Francis passed away in December 1967 in Somerset at the age of 79.
He had three children during his marriage to Marjorie Cox.
In 1961 he was awarded the title of “International Judge of the FIDE for Chess Composition”
CM Bent wrote the following obituary in the British Chess Magazine, Volume CI (101, 1981), Number 12 (December), page 532 :
“The modest and self-effacing composer who formerly conducted our Studies column from 1951-1972 died in September. His work as a metallurgist and his family responsibilities allowed him to make periodical contributions over a long span and to offer us many of his own original compositions.
His style, as with his manner, was essentially quiet and it was a rarity for him to compose anything other than wins.
His last voluntary labour was to compile an index for E.G. of all studies published there to date. His loss to the world of of studies will be greatly felt.
The first prize winner below is a classic of exquisite refinement and matches the immaculate handwriting which was always such an elegant feature of his work”
“British study composer and FIDE Judge of Endgame Studies. Born on 24th January 1917. Since July 1951, Hugh Blandford has conducted the Endings Section of the British Chess Magazine. By profession a metallurgist, he was married and had two children. Of his 60 or more studies he was best known for the excelsior theme.”
From Wikipedia :
“Hugh Francis Blandford (24 January 1917 – 20 September 1981) was a chess endgame composer born in Southampton, England.
He spent several years of his childhood in Jamaica with his father, the Reverend Albert Francis (Frank) Blandford, a Minister in the Congregational church, his mother and two younger brothers, Evan Arthur and Philip Thomas Blandford. All three brothers then returned to England and attended Eltham College (the School for the Sons of Missionaries) in South-east London, while their parents remained in Jamaica. He married Marjorie Cox, whom he had worked with during the Second World War.
He played chess from his schooldays and as well as playing, also started to compose original chess endings. He became known in the field of chess endgame studies for a small but elegant body of compositions, expertly edited and published after Hugh’s death by his long-standing chess endings colleague, John Roycroft.
Hugh Blandford was co-inventor with Richard Guy – and, later, with John Roycroft – of the Guy–Blandford–Roycroft code for classifying studies. In July 1951 he began as the endgame study editor for the British Chess Magazine. He was made an International Judge for Chess Composition in 1961.
A metallurgist, he continued to compose chess endgame studies until the end of his life, dying of a heart attack in early retirement in Hatfield, England, on 20 September 1981.”
BCN remembers Gerald Frank Anderson MBE, DFC (24-ii-1898 23-viii-1984)
From British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson we have an article written by John Rice :
“Gerald Frank Anderson was born in South Africa on 23 February 1898, and has published nearly 500 problems of many different types. From the start he was a versatile composer, and Weenink’s The Chess Problem (see introduction) contains two three-movers of his illustrating anticipatory half-pin (see Diagram I) a reflex-mate in two dating from 1920 and a selfmate in four from 5 years earlier, when the composer was only seventeen.
1st prize , Hampshire Telegraph & Post, 1920
White mates in 3
(All Solutions contained in scan at foot of article.)
It must have been exciting for a budding problemist to grow up in the period between 1913 and 1924 when the Good Companion Chess Problem Club of Philadelphia was publishing its Folders of original work containing outstanding examples of complex strategy such as half-pins and cross-checks. Diagram II, with its intricate battery play, won first prize for Anderson in the Folder of October 1917.
1st prize, Good Companions, October 1917
Diagram III is a justly famous two-mover, with a perfect key and beautiful line-play:
IL Secolo, 1919
White mates in 2
Between 1953 and 1961 Anderson was with the British Embassy in Washington and a close friendship developed with the American composer Vincent Eaton.
In the introduction to his published collection of Eaton’s best problems (Memorial to V. L. Eaton, 1971) Anderson describes his visits to Eaton’s house where they would work for hours on joint compositions (nine of them altogether, eight prize winners)- ‘blockbusters’, as they themselves termed them. Diagram IV is one of these, a highly complex check-prevention scheme.
1st prize, British Chess Magazine, 1953
(with V.L. Eaton)
White mates in 3
A glance through the anthologies shows how successful Anderson has always been with orthodox forms, perhaps especially with three- and four- movers and with selfmates. Diagram V is a characteristic selfmate in two, with a good deal more strategy than many composers achieve in selfmate form:
2nd prize, British Chess Federation Tournament, 1947
Selfmate in 2
Since his retirement Anderson has lived for much of the time in Italy, where the air seems to be conducive to the composition of reflex-mates, for that is the genre with which he has principally been occupied in recent years. Diagram VI is a good illustration of his style; a couple of changed continuations, and subtle play centered on the two diagonals b5-f1 and c6-h1. (A reflex-mate is a selfmate in which both sides are under an obligation to mate on the move if possible). In this problem White has to keep his active line-pieces (Q and B) well out of the way of the potential mating diagonal.
1st prize, The Problemist, 1975
Reflex-mate in 2
In addition to the Eaton anthology mentioned above, Anderson has published Adventures of my Chessmen
and Are There Any?, the latter being a fascinating collection of Kriegspiel problems. He was President of the British Chess Problem Society from 1962 to 1964, and became a FIDE International Judge in 1960 and an International Master in 1975.”
From The Encyclopedia of Chess (Robert Hale, 1970 and 1976) by Anne Sunnucks :
“International Judge of FIDE for Compositions (1960). Born on 23rd February 1898. Won the DFC in 1914-18 war. Foreign Office (Retd.) First problem published in 1912, since when he has composed nearly 500 problems, mostly 3 and 4 movers. but has latterly switched to Fairy chess problems. He is one of the the great reflex and self-mate composers. Edited a section Chess Amateur 1921, Nottinghamshire Weekly Guardian 1937-1938, Anglo-Portuguese News 1945-1946, and Self-Mate Section of The Problemist 1964-1966. Author of Are There Any? a book about Kriegspiel problems and A Memorial Volume of Chess Problems of VL Eaton.”
His MBE was awarded in the 1959 New Year Honours list. The citation reads : “Gerald Frank Anderson, DFC, Second Secretary, Her Majesty’s Embassy, Washington.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE we have this by John Rice:
“British problem composer, output about 550 problems., orthodox and fairy. Books : Adventures of My Chessmen; and Are there Any? (1959 – a fascinating collection of Kriegspiel problems); Vincent Eaton Memorial (1971 – an annotated anthology of Eaton’s work). President of British Chess Problem Society, 1962-4. International Judge (1960), international master (1975).”
From chessgames.com :
“G. F. Anderson, in 1946, was working in the British Embassy in Lisbon, and, as a highly skilled chess player (he was also known for composing chess problems as early as 1919), was nominated to deliver the challenge from Botvinnik to Alekhine. He played a game with the World Champion in the Embassy and it became the last recorded game by Alekhine.”
Here is the original article from British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson by John Rice :
BCN wishes happy birthday to Barry Barnes (01-viii-1937)
Barry Peter Barnes was born in Brighton and his mother’s maiden name was Simpole. (Barry is a cousin of Julian Ivan Peter Simpole, who was a Brighton school teacher and who taught Edward Gerard Winter to play chess).
Barry now lives in Halling, Rochester, Kent with his wife Jean.
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
“International Master of FIDE for Chess Compositions (1967) and International Judge of FIDE for Chess Compositions (1967).
Born on 1st August 1937, Barnes works in transport advertising. He has composed about 250 two-move problems. With Lipton and Rice, he has contributed to the advance of the modern two-mover. Problem Editor of Two-Move and Twin sections of The Problemist. Co-author with M.Lipton and JM Rice of The Two-Move Chess Problem : Tradition and Development (Faber and Faber 1966).
“A promising career as a county chess player came to an end when I was given Brian Harley’s classic book Mate in Two Moves in the belief that it would help my chess, but it had quite the opposite effect. My interest in competitive chess waned, and I was on the road to an an International Master title for problems!
Early influences in my problem career were the weekly chess problem solving competition in The Observer (my first problem published there was in 1955), a teenage friendship with J. M. Rice and M. Lipton (both now lnternational Masters), Herbert Grasemann’s book Problem Schach / with its near revolutionary post-war German problem ideas, and the expert British problemist, A. R. Gooderson who had I but known it only a few years earlier was the officiating master when my Hove Grammar School played Steyning Grammar at chess.
In the late 1950s and early 1960s, the genuinely original problems I was making in cooperation and in competition with Rice and Lipton were being published mostly abroad in such specialist problem magazines as Die Schwatbe (with its inspired two-move editor, Hermann Albrecht) where I gained the epithet the English prize-snatcher’! It was also written that the work of the avant-garde composers, Rice, Lipton and Barnes, was like a fresh two-move wind blowing from our island. It was sad but true at that time that the specialist magazine of the British Chess problem Society (founded 1918), The problemist, was unreceptive to change and our often bizarre ideas.
A milestone of sorts was reached when I won lst prize for problem I in 1958, a prize for the best new problem by a member of the British Commonwealth aged under 21. In 1966, I was invited by problemist Grandmaster Comins Mansfield, who was President of the FIDE Problem Commission, to act as Secretary at the Barcelona meeting. With Mr. Mansfield’s retirement, I became the British Member to the Commission, and at the Wiesbaden meeting, 1974, I was elected 2nd Vice-President. (1st Vice-President from 1982)
The FIDE Problem Commission meets annually to discuss matters relating to all branches of problem chess, to organize the World Chess Composing Tournament (WCCT), the World Chess Solving Competition (WCSC), and to publish FIDE Album anthologies of the best problems. It was on the strength of my success in these FIDE Albums that the Commission granted me the titles in 1967 of ‘lnternational Master of the FIDE for Chess Composition’ and ‘lnternational Judge of the FIDE for Chess Composition’. Since 1974, I have been Chairman of the Titles Sub-Committee of the Commission.
Since 1965, I have been the two-move editor of The Problemist and have served almost without break on the BCPS Committee. I have contributed to The Encyclopaedia of Chess by Anne Sunnucks (Robert Hale, 1970), I am co-author, with J. M. Rice and M. Lipton, of The Two-Move Chess Problem: Tradition & Development‘ (Faber A Faber, 1966), and I am the sole author of Comins Mansfield MBE: Chess Problems of a Grandmaster: (British Chess Problem Society, 1976) and Pick of the Best Chess Problems (Elliot Right Way Books, 1976)
To date I have made just over 300 two-movers and some helpmates.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problem composer, output about 400, nearly all modern style two-movers. Two-move sub-editor of The Problemist. Secretary of the FIDE Problem Commission during C. Mansfield’s Presidency. Co-author of The Two-Move Chess Problem: Tradition and Development (1966).”
Author of Pick of the Best Chess Problems (1976)
Comins Mansfield MBE : Chess Problems of a Grandmaster (1976).
International Judge (1967); international master (1967).
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