We remember Harold Maurice Lommer who passed away on December 17th, 1980.
From The Oxford Companion to Chess by David Hooper Ken Whyld :
International Judge of Chess Compositions (1958), International Arbiter (1962), International Master for Chess Compositions (1974), the greatest British study composer. Born in Islington of German parentage, he moved to Switzerland when he was four and returned to England 18 years later.
Inspired in his youth by the Saavedra study, he
became the leading specialist on promotion tasks, and in 1933 was the first to show allumwandlung in a study, which Rinck had declared was impossible. Lommer also showed in studies six consecutive promotions to rooks (1935) and a minimal with concurrent promotions to queen, bishop, and knight. (For another task record see star-flights.) After the Second World War he became proprietor of a Soho club, where players and composers often met; in 1949 the club organized a small international tournament, won by bernstein, Lommer retired in 1961 and went to live in Valencia, where he died.
In 1939 Lommer and the English player Maurice A. Sutherland (d.1954), who backed the project, published 1,234 Modern End-game Studies. In 1975 Lommer compiled a sequel, 1,357 End-game Studies. These two collections, catholic in taste, made by a composer who was above all an artist, have become standard works. Besides his studies, the best of which are in these books, he composed fairy problems.
Thomas Rayner Dawson (28 November 1889 – 16 December 1951) was an English chess problemist and is acknowledged as “the father of Fairy Chess”. He invented many fairy pieces and new conditions. He introduced the popular fairy pieces grasshopper, nightrider, and many other fairy chess ideas.
Dawson published his first problem, a two-mover, in 1907. His chess problem compositions include 5,320 fairies, 885 directmates, 97 selfmates, and 138 endings. 120 of his problems have been awarded prizes and 211 honourably mentioned or otherwise commended. He cooperated in chess composition with Charles Masson Fox.
Dawson was founder-editor (1922–1931) of The Problemist, the journal of the British Chess Problem Society. He subsequently produced The Fairy Chess Review (1930–1951), which began as The Problemist Fairy Chess Supplement. At the same time he edited the problem pages of The British Chess Magazine (1931–1951).
Caissa’s Playthings a series of articles in Cheltenham Examiner (1913)
Retrograde Analysis, with Wolfgang Hundsdorfer (1915)
Fata Morgana, with Birgfeld, Nanz, Massmann, Pauly (1922)
Asymmetry, with W. Pauly (1928)
Seventy Five Retros (1928)
Caissa’s Wild Roses (1935)
C. M. Fox, His Problems (1936)
Caissa’s Wild Roses in Clusters (1937)
Ultimate Themes (1938)
Caissa’s Fairy Tales (1947)
The last five titles were collected as Five Classics of Fairy Chess, Dover Publications (1973), ISBN 978-0-486-22910-2.
and from The Oxford Companion to Chess by David Hooper & Ken Whyld :
English composer, pioneer of both fairy problems and retrograde analysis. His problems in these fields form the greater part of his output (about 6,500 compositions) and are better remembered than his studies and orthodox problems. For fairy problems he invented new pieces: grasshopper (1912) LEO (1912), NEUTRAL MAN (1912) NIGHT RIDER (1925), and VAO (1912); he codified new rules such as the maximummer (1913) and various kinds of series-mover; and he used unorthodox boards.
In 1915 he wrote Retrograde Analysis, the first book on the subject, completing the project begun several years earlier by the German composer Wolfgang Hundsdorfer (1879-1951). From 1919 to 1930 Dawson conducted a column devoted to fairy problems in the Chess Amateur, In 1926 he was a co-founder of the Problemist , which he edited for its first six years and he founded and edited The Problemist Fairy Supplement (1931-6) continued as The Fairy Chess Review (1936-51).
Besides conducting columns in several newspapers and periodicals, one of them daily and one in the Braille Chess Magazine, Dawson edited the problem section of the British Chess Magazine from 1931 to 1951; he devised and published in its pages (1947-50) a systematic terminology for problem themes in the hope that it would supplant the extensive jargon then and now in use, Dawson wrote five hooks on fairy problems: Caissa’s Wild Roses (1935); C. M. Fox, His Problems (1936); Caissa’s Wild Roses in Clusters (1937); Ultimate Themes (1938); and Caissa’s Fairy Tales (1947). Charles Masson Fox (1866-1935) was a patron whose generosity made possible the publication of four of these books and the two fairy problem magazines founded by Dawson. Ultimate Themes deals with tasks, another of Dawson’s favourite subjects. In 1973 all five books were republished in one volume. Five Classics of Fairy Chess,
Dawson found it difficult to understand the problemist’s idea of beauty because it is not susceptible to precise definition. The artist talks of “quiet” moves, oblivious that they are White’s most pulverizing attacks! This aesthetic folly, reverence, response thrill to vain-glorious bombast runs throughout chess.(See Bohemian for a problem showing 16 model mates, a task Dawson claimed as a record but a setting Bohemian composers would reject.) His genius did not set him apart from his fellows; he could find time for casual visitors and would explain his ideas to a tyro with patience, modesty, and kindness. Although he won many tourney prizes much of his work was designed to encourage others, to enlarge the small band of fairy problem devotees, He composed less for fame than to amuse himself, confessing to another composer ‘We do these things for ourselves alone.’
A chemistry graduate, Dawson took a post in the rubber industry in 1922 and rose to be head of the Intelligence Division of the British Rubber Manufacturer for which he founded, catalogued, and maintained a technical library. Unwell for the last year of his life, he died from a stroke. (See eight OFFICERS PUZZLE; PARTIAL RETROGRADE ANALYSIS.) K. Fabel and C. E. Kemp, Schach ohne Grenzen or Chess unlimited (1969) is a survey, written in German and English, of Dawson’s contribution to the art of fairy problems.
Anthony Dickins wrote “A Guide to Fairy Chess” (1967, read it here) and other books about fairy chess. He edited the column of non-original fairy problems for “The Problemist”.
He was specialized in constructional problems and was also an International Judge.
We remember Mary Rudge who passed away one hundred years this day on Saturday, 22-XI-1919
From Wikipedia :
Mary Rudge (6 February 1842 in Leominster – 22 November 1919 in London) was an English chess master.
Rudge was born in Leominster, a small town in Herefordshire, England. She began playing chess in a correspondence tournament in 1872. The first mention of over the board competition is in August 1874 when she played in the second class at the Meeting of the Counties’ Chess Association at Birmingham. After the death of her father, Henry Rudge, she moved to Bristol where she started playing chess seriously.
Rudge was the first woman member of the Bristol Chess Club, which did not allow women to be members of the club until she joined in 1872. She played against Joseph Henry Blackburne, who gave a blindfold simultaneous display against ten opponents. The following year she played in another blindfold simultaneous display given by Johannes Hermann Zukertort. In March 1887 she played and drew on board six for Bristol against Bath at the Imperial Hotel in Bristol. At the beginning of 1888, Rudge played and won on board six for Bristol & Clifton against City Chess & Draughts Club. The following year, she won the Challenge Cup of Bristol & Clifton Chess Club. In 1889, she became the first woman in the world to give simultaneous chess exhibitions. She won the Ladies’ Challenge Cup at Cambridge 1890, and won the second class at the Southern Counties’ tournament at Clifton 1896.
First Women’s International Chess Congress
She was a winner of the first Women’s International Chess Congress under the management of the Ladies’ Chess Club of London in conjunction with the Women’s Chess Club of New York. Lady Newnes was president of the Tournament Committee, and Sir George Newnes, Baron Albert Salomon von Rothschild, Mr. Harry Nelson Pillsbury and some others offered prizes. The tournament was played at the Hotel Cecil in the Masonic Hall for six days, but the final rounds were decided at the Ideal Café, the headquarters of the Ladies’ Chess Club, from 22 June to 3 July 1897. Miss Rudge was 55 years old and the oldest of the 20 players, and had substantial experience playing chess at the time. She was a well-known English player, ranking in chess strength with the first class of the leading men’s clubs. She won the event with 18 wins and 1 draw, followed by Signorina Louisa Matilda Fagan (Italy), Miss Eliza Mary Thorold (England), Mrs. Harriet Worrall (USA), Madame Marie Bonnefin (Belgium), Mrs. F.S. Barry (Ireland), Lady Edith Margaret Thomas (England), among others.
Over the next years, she took part in various competitions, playing in Bristol and Dublin. In 1898, she played against world champion Emanuel Lasker in a simultaneous display at the Imperial Hotel. Lasker was unable to finish all the games in the time available, and Rudge’s was one of those unfinished. He conceded defeat because he would be lost with best play.
We remember Charles Edward Kemp who passed away, this day, November 9th, 1986
Using a Google translation from the Italian(!) wikipedia article we have
Charles Edward Kemp ( Manchester , November 18, 1901 – Manchester , November 9, 1986 ) was a British chess composer .
He composed over 600 problems , many of which were of help and Fairy (with heterodox pieces ). He often collaborated with Thomas Rayner Dawson in editing the Fairy Chess Review , founded by the latter ..
Together with Karl Fabel he wrote the book Schach ohne Grenzen (“Chess Without Borders”), Walter Rau Verlag, Düsseldorf, 1969.
In the second problem reported below, the heterodox piece called Grillo (” Grasshopper ” in English, represented by an inverted Woman ) appears . Remember that this piece moves along the columns or diagonals, but only by skipping a piece (of both colors) and completing the move in the next house; if an opposing piece is found, it will be captured. In any case, even without moving, he acts on this house. The black cricket in c4, for example, can make only five moves: c4-c2, c4xe4, c4-c7, c4-f7 and c4-f1; in all the houses of arrival it does not check the white king.
Charles Masson Fox (9 November 1866 – 11 October 1935) was a Cornish businessman who achieved international prominence in the world of chess problems and a place in the gay history of Edwardian England.
Masson Fox was born into a Quaker family (although he was not related to the Quakers’ founder George Fox) and was a cousin of the fraudulent sinologist Sir Edmund Backhouse, 2nd Baronet. Living throughout his life in the Cornish seaside town of Falmouth, Fox in the early decades of his life was a senior partner of his family’s timber firm, Fox Stanton & Company, and was also on the Board of Messrs G C Fox & Company, a long-established firm of shipping agents.
C.M.Fox’s gravestone at Budock Quaker Burial Ground
Fox is described by chess historian Thomas Rayner Dawson (1889–1951) as “a friendly man, kind, mellow, lovable, bringing peace and comfort and serene joy with him”. He was also a discreet but active homosexual. In 1909 he visited Venice with his friend James Cockerton, meeting the writer Frederick Rolfe and becoming the reluctant recipient of Rolfe’s famous Venice Letters, in which the gay subculture of Venice is vividly described.
In 1912–13 Fox was blackmailed by a woman who accused him of seducing her 16-year-old son. Eventually Fox reported the matter to the police and the woman was sent to prison for five years and her son for one year, with hard labour. However, Fox was profoundly affected by the publicity surrounding the case, which was reported in detail in the local press. The predictable result of his courageous action was the destruction of his reputation, and the compromise of his business and social life in Falmouth.
Although he continued to live in Cornwall, the focus of his social life shifted to London, and in the last two decades of his life, Fox became prominent in the world of chess. He was elected President of the Cornwall Chess Association, played a prominent part in the development of the British Chess Problem Society, and is still renowned as one of the greatest ever exponents of fairy chess (chess problems with variations in the rules).
We remember Hugh Francis Blandford (24-I-1917, 20-IX-1981) who was a British composer.
From Wikipedia :
Hugh Francis Blandford (24 January 1917 – 20 September 1981) was a chess endgame composer born in Southampton, England.
He spent several years of his childhood in Jamaica with his father, the Reverend Albert Francis (Frank) Blandford, a Minister in the Congregational church, his mother and two younger brothers, Evan Arthur and Philip Thomas Blandford. All three brothers then returned to England and attended Eltham College (the School for the Sons of Missionaries) in South-east London, while their parents remained in Jamaica. He married Marjorie Cox, whom he had worked with during the Second World War.
He played chess from his schooldays and as well as playing, also started to compose original chess endings. He became known in the field of chess endgame studies for a small but elegant body of compositions, expertly edited and published after Hugh’s death by his long-standing chess endings colleague, John Roycroft.
Hugh Blandford was co-inventor with Richard Guy – and, later, with John Roycroft – of the Guy–Blandford–Roycroft code for classifying studies. In July 1951 he began as the endgame study editor for the British Chess Magazine. He was made an International Judge for Chess Composition in 1961.
A metallurgist, he continued to compose chess endgame studies until the end of his life, dying of a heart attack in early retirement in Hatfield, England, on 20 September 1981.
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