Gary was born in Bradford and became an FIDE Master in 2002 and achieved a peak rating of 2315 in July 1994.
In 1994 Gary represented London in a match with Paris over nine boards and has played from London Central YMCA (CentYMCA) and Barbican in the London Chess League and in the BCF National Club competition.
In 2003 he was runner-up (to Kidami Sundararajan) in the Ron Banwell Masters in Blackpool.
Gary has played for King’s Head in the Four Nations Chess League (4NCL) and now plays for Mindsports.
In 2019 Gary joined the England Chess Coaching Team. He founded Bletchley Junior Chess Club and Chess School.
He has been board 1 for Milton Keynes and Open University First team. He is board 1 for the Bedfordshire County Chess Team and has retained the Bedfordshire Individual County Chess Championship Title. In 2019/2020 he was board 1 for the Leighton Buzzard Chess Club.
Gary Kenworthy, inaugurator of the new M25 Congress series, on his way to victory in the Spalding Quickplay. Earlier in the summer he defeated Grandmaster Michael Adams, photograph by Francis Bowers
Gary is a former Director of Chess Coaching for the (then) British Chess Federation (BCF).
Gary lives in Fenny Stratford, Milton Keynes and is an IT consultant and local councillor. He has been a former Director of the BCF.
Gary Kenworthy (holding board) at a BCF National Club Final (1992)
The King’s Indian According to Tigran Petrosian : Igor Yanvarjov
International Master Igor Yanvarjov is a professional chess coach. He has been a coach at the Moscow Chess Club “Spartak,” and has been on the coaching staff of a number of chess schools, including those of Petrosian, Geller, Karpov and Garry Kasparov. Grandmasters he has worked with include Lembit Oll, Rustem Dautov, Yury Piskov, among others. He currently teaches chess at the Anatoly Karpov Chess School in Moscow.
Igor Yanvarjov with Tigran Petrosian
Tigran Petrosian, the ninth world chess champion was born to Armenian parents on June 17, 1929 in Tiflis Georgia. He was known as one of the deepest thinkers the chess world has ever seen. His handling of complex strategic positions was legendary. His play combined deft tactical awareness with an acute sense of prophylaxis, so that opponents had the greatest difficulty in laying a finger on him. For his own part, he often seemed content holding the margin of the draw rather than undertaking any heroics in pursuit of a win. In the analysis room, and in blitz games, Petrosian’s abundant tactical skills were apparent to everyone, but to the spectator of his tournament games, these were far from obvious, and he was regarded as dull. Petrosian responded to this criticisms by saying: “They say my games should be more ‘interesting’. I could be more ‘interesting’—and also lose.” Petrosian still remains one of the greatest players in the history of chess and if you were to consult the now defunct Chessmetrics Website, Tigran Petrosian was listed in the top 20 players of all time and was ranked at No 8 in the 20 year peak range category (1954 – 1973). He was an expert against the King’s Indian Defence and played the system that now bears his name (although he was far more successful with the Samisch variation).
This is the first book by Russian international master Igor Yanvarjov. He has put together a superb collection of virtually all the known games played by Tigran Petrosian – with both colours – in the King’s Indian Defence and other closely related Indian structures. He does this with the presentation of almost 300 deeply annotated, complete games. Although the material is organised by variations and tabias this is not an opening manual but it demonstrates the skill and nuanced handling of positions that Petrosian was known for. The author’s objective wasted reveal the richness of Petrosian’s chess world and to follow the strategic development of the King’s Indian Defence through the prism of Petrosian’s creative work.
The book is divided into three parts with each part being split into several chapters. preceded by a preface from Levon Aronian a forward from Igor Zaitsev and a note from the author.
They are as follows :
Part 1 Tabiyas (Tabia number in brackets)
Chapter 1 Classical Variation (A1 – A7)
Chapter 2 The Samisch System (B1 – B10)
Chapter 3 The Fianchetto Variation (C1 – C10)
Chapter 4 The Benoni (D1 – D10)
Chapter 5 Other Systems (E1- E10)
Part 2 Elements of Success
Chapter 6 Portrait of a Chess Player
Chapter 7 Lessons from Petrosian
Chapter 8 The Problem of the Exchange
Chapter 9 “Furman’s Bishop”
Chapter 10 “Pawns are the Soul of Chess”
Chapter 11 Playing by Analogy
Chapter 12 Manoeuvring Battle
Part III Experiments
Chapter 13 Realist or Romantic?
Chapter 14 The King’s Indian with Colours – and Flanks – Reversed
The bibliography in this book contains nearly 80 entries which will give the reader some idea of the amount of research that the author has carried out for the preparation of this book.
The games are all annotated to varying degrees of depth. Some have only light notes, whereas others have very detailed analytical variations. It is in this area Yanvarjov has done an excellent job. Many of the games contain quoted historical analysis or comments, whether by Tigran himself or his contemporaries. In addition the author goes into great analytical detail where it makes sense to do so. I also thought that IM Yanvarjov did an excellent job in getting the right balance between prose and variations to describe the action taking place within the positions. In some cases a verbal description is given which should be helpful to players of club level in particular.
The following game is considered to be one of Petrosian’s finest achievements
In my opinion this is a superb book, written as a labour of love to showcase the player who appears to have made the biggest impression on the author. It contains a splendid collection of annotated games that will have enormous appeal to King’s Indian players. Not only will it appeal to anyone who wishes to increase their strategic understanding of the game but also to anyone who wants a superb games collection from which any reader will derive a great deal of benefit and enjoyment.
Tony Williams, Newport, Isle of Wight, 17th April 2020
Tony Williams
Book Details :
Softcover : 424 pages
Publisher: Russell Enterprises, Inc. (June 17, 2019)
Leonid Kubbel’s Chess Endgame StudiesMattison’s Chess Endgame StudiesMattison’s Chess Endgame Studies, Whitworth, T. G., 01-12-1987. ISBN 978-0-900846-47-2., British Chess Magazine, Quarterly, Number 23The Platov Brothers : Their Chess Endgame StudiesTimothy George WhitworthThe Best of Bent, TG Whitworth
This was written about Peter aged 13 prior to the Spassky vs the BCF Junior Squad simultaneous display in 1979 :
” St John’s College and Portsmouth. Rating 174. British under-14 co-champion, 1978.”
and from chessgames.com :
“Peter Kenneth Wells was born in Portsmouth, England and became a FIDE Master in 1982, an IM in 1987, and a GM in 1994. He is also a FIDE Senior Trainer (2015).”
Peter Wells (between Harry Golombek and Ray Keene) takes part in the obligatory “Staring at the board” posed picture during the 1985 Varsity Match
Peter Wells (second from right) at a Lloyds Bank event.GM Peter WellsPeter Wells, Gary Lane, John Emms and David NorwoodThe Complete Semi-SlavPiece PowerThe Complete Richter-RauzerThe Scotch GameWinning with the TrompowskyChess Explained : The Queen’s IndianGrandmaster Secrets : The Caro-KannDangerous Weapons : Anti-SiciliansChess Improvement: It’s all in the mindset, Barry Hymer and Peter Wells, Crown House Publishing, 2020Chess Improvement: It’s all in the mindset, Barry Hymer and Peter Wells, Crown House Publishing, 2020GM Peter Wells
Genna Sosonko emigrated from the USSR to the Netherlands in 1972. For the past 20 years or so he’s made a career out of writing essays and books about chess in the Soviet Union, and interviewing many of the leading players from that period.
This, following on from books about Bronstein and Korchnoi, which will be reviewed later, is the third of a series of memoirs. Whereas Bronstein and Korchnoi were strong personalities who had controversial careers, Smyslov was a much more balanced character.
The word most associated with Smyslov is ‘harmony’. He sought harmony in his chess games, always seeking the most harmonious placing of his pieces. He was also a talented opera singer: harmony again.
In the first part of this book, Sosonko introduces us to his friend. The life of a chess player in the Soviet Union must have been a mixed blessing. While you were living in a totalitarian regime, chess was valued and its exponents respected – as long as they toed the party line. Smyslov, we learn, was a man of profound and sincere religious convictions: a member of the Russian Orthodox church. Beyond that, he was also, rather unexpectedly, interested in all things paranormal. He seemed to believe in astrology and the prophecies of Nostradamus, and was convinced that chess originated on Atlantis. It always intrigues me how many strong chess players, who excel at thinking rationally over the chessboard, have totally irrational views on other subjects.
Perhaps it was this fatalism, the belief that everything in his life was pre-ordained, which enabled Smyslov to ‘go with the flow’ during his chess career.
At the end of this part, we have eight pages of photographs, before moving onto part 2
Now we turn the clock back to the 1953 Candidates Tournament, and, specifically, this game, from round 26.
The tournament was approaching its end: Smyslov was leading but Bronstein still had a chance to win the prize of a title match against Botvinnik. The Soviet authorities instructed Bronstein to play for a draw, which, as you can see, he did, choosing the Exchange Variation of the Ruy Lopez, long before Fischer rehabilitated it as a winning try.
Bronstein never forgot this, and, nearly half a century later, published an article about match fixing in the 1953 Candidates Tournament which angered the usually placid Smyslov. Bronstein’s article and Smyslov’s reply both appear here.
Sosonko then moves on to discuss, in more general terms, the Soviet Chess School, offering revealing insights as to what life was like for grandmasters from the USSR.
The final third of the book returns to Smyslov, and is based on conversations with the great man during the last eight years of his life: from 2002 to 2010. I’ll have a lot more to say about this when I review Sosonko’s memoirs of Bronstein and Korchnoi, but I’m not sure how much this adds to our knowledge of Smyslov, or how much he would have wanted to be remembered for his declining years.
If you’ve read any of Sosonko’s other writing you’ll know that he writes well, and, very often, poignantly. He tends to throw in a lot of cultural references, which you might find helpful, but, on the other hand, you might just think is showing off. Me: I enjoyed the musical references but mentions of Russian literature often mean nothing to me.
It’s not quite true that there’s no chess in the book: there’s just one game, played when he was 14, which, although Sosonko doesn’t mention it, is spookily similar to the Famous Game Rotlewi-Rubinstein.
If you’re looking for a book that will improve your rating, then, you’ll want to look elsewhere. If you want to know more about Smyslov as a person, you’ll probably enjoy the first third of the book. If you’re interested in the history of chess in the Soviet Union, particularly in the years following the Second World War, you might want to read the second part, but you’ll need to bear in mind that the author is an compiler of memoirs and anecdotes, not a historian. It’s the final section that leaves me with mixed feelings. A moving testimony of the final years of a much loved and respected champion, or just voyeurism? I’m in two minds: maybe you should read the book and decide for yourself.
Richard James, Twickenham 15 April 2020
Richard James
Book Details :
Paperback : 199 pages
Publisher: Limited Liability Company Elk and Ruby Publishing House (5 Nov. 2018)
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IM Colin Crouch
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