Birthday of TWIC founder, Mark Crowther (16-v-1966)
From Wikipedia :
The Week in Chess (TWIC) is one of the first, if not the first, Internet-based chess news services. It is based in the United Kingdom.
TWIC has been edited by Mark Crowther since its inception in 1994. It began as a weekly Usenet posting, with “TWIC 1” being posted to Usenet group rec.games.chess on 17 September 1994. Later it moved to Crowther’s personal web site, then to chesscenter.com in 1997, and in 2012 it moved to theweekinchess.com.
It contains both chess news, and all the game scores from major events.
TWIC quickly became popular with professional chess players, because it allowed them to quickly get results and game scores, where previously they had relied on print publications.
TWIC still exists as a weekly newsletter, although for important events the TWIC website is updated daily. It remains a popular site for up-to-date chess news.
Death Anniversary of David Vincent Hooper (03-v-1998)
Ken Whyld wrote an obituary which appeared in British Chess Magazine, Volume 118 (1998), Number 6, page 326 as follows :
DAVID VINCENT HOOPER died on 3rd May this year in a nursing home in Taunton. He had been in declining health for some months. Born in Reigate, 31st August 1915, his early chess years were with the Battersea CC and Surrey.
He won the County Championship three times, and the London Championship in 1948. His generation was at its chess peak in the years when war curtailed opportunities, but he won the British Correspondence Championship in 1944. His games from that event are to be found in Chess for Rank and File by Roche and Battersby. Also at that time, he won the 1944 tournament at Blackpool, defeating veteran Grandmaster Jacques Mieses.
David was most active in the decade that followed, playing five times in the British Championship. His highest place there was at Nottingham 1954, when, after leading in the early stages, he finished half a point behind the joint champions. David was in the British Olympic team at
Helsinki 1952, and in the same year accidentally played top board for England in one of the then traditional weekend matches against the Netherlands. British Champion Klein took offence at a Sunday Times report of his draw with former World Champion Dr. Euwe on the Saturday and refused to play on Sunday. Thus David was drafted in to meet Euwe, and acquitted himself admirably. Even though he lost, the game took pride of place in that month’s BCM.
In the following game, played in the Hastings Premier l95l-2, he found an improvement on Botvinnik’s play against Bronstein in game 17 of their 1951 match, when 7.Ng3 was played because it was thought that after 7.Nf4 d5 it was necessary to play 8 Qb3.
From British Chess Magazine, Volume LXXXVI, Number 5, 1956 we have this obituary written by DJ Morgan :
In our February issue we wrote an appreciation of one of the distinguished past editors of this magazine, R. C. Griffith. He had been followed in the chair in 1938 by our present Games’ Editor, and when he, in turn, was called in 1940 to sterner duties, he was succeeded by Julius du Mont. During the war years, and through the difficult post-war period, till 1949, he held the reins. As we wrote on another occasion, “His had been difficult years: the “B.C.M.” had survived when so much else had succumbed during the stress and strain of total war.” lt is with regret that we now record his death on April 7th, in a Hastings nursing home, at the age of seventy-four, after a protracted illness.
du Mont was born in Paris-a little-known fact which he himself once disclosed to us-on December 15th, 1881. lt was there also that he received his education. His early bent and ambitions were musical. The tradition that chess and music have a close relationship may be traced as far back, at least, as Philidor’s great eminence in both. du Mont was truly in the line of such dual personalities. He pursued his musical studies at the Frankfort-on-Main Conservatoire and at Heidelberg, and soon became established as a concert pianist.’ Later he achieved great success as a music teacher, and among his pupils was the well-known concert pianist, Edna lles. The French and German background also explains his facility as a linguist.
He came to England as a young man and brought with him a considerable talent for chess. Settling in London, he rapidly improved as a player, and successes followed. At the Kentish Congress, Tunbridge Wells, 1912, he came equal second and third. He was Champion of the strong Hampstead Club for two years, and Middlesex Champion in 1913 and 1915. He quickly mastered our language and showed this during the First World War by writing a manual on the Lewis gun. After the war, music kept its place in his life, but more and more chess became his main activity. He forsook playing and turned to journalism and authorship, and his output of books is evidence of his gifts and industry. Titles come readily to mind: Chess Openings lllustrated, Centre Counter Defence (1919) and Centre and Danish
Gambit (1920); The Elements of Chess (1925) ; Ihe Basis of Combination in Chess (1938) ; 200 Miniature Games (1941); More Miniature Games (1953); (with Dr. Tartakower) 500 Master aomes of Chess, two volumes (1952), to which was added a third volume in
1954, 100 Master Games of Chess. He also translated Edward Lasker’s Chess Strategy, and Alekhine’s two volumes of My Best Games of Chess (the first with M. E.Goldstein).
The wealth of material ready to hand combined with a foreigner’s gift of lucid expression in “the other tongue” made his books very popular. To the great value and importance of these books, a whole generation of chess-players will readily testify.
For some years, du Mont was chess editor of The Field and of The Manchester Guardian. During the last war he organized chess championships for the Armed Services. We pay tribute to his services to the game, to his many kindnesses and friendships to its players, and, in particular, to his devotion to this magazine.-D. J. M.
D. C., who enjoyed o long friendship with our late Editor, writes to us as follows-
By the death of J. du Mont, the chess world has lost an eminent and popular personality. That this popularity was well deserved will be apparent even to those
who knew him only slightly.
Essentially kind, he performed many generous acts, and having, by his own efforts, become the best-known British writer on chess, he not only filled this position with modesty and dignity, but was liberal in the help he gave to those starting on the road he had so successfully followed.
In the tournament room-where his presence was always welcome-he was invariably quiet and courteous, and although gifted with a fine wit, he never used it
unkindly. He *as an excellent companion, and players at many congresses will recall the happy times they spent in their visits to him at all hours of the evening. lt is sad tothink that these gatherings have now irrevocably reached their end: to quote
A. E. Housman’s beautiful lines-
They come and were and ore not
And come no more anew.
But as long as a literature of chess remains, the name of Julius du Mont will not be forgotten. His many friends, however, have no need of his writings in order to keep alive their memory of him.
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