Tag Archives: 2020

Chess in Art : History of Chess in Paintings 1100 – 1900

Chess in Art : History of Chess in Paintings 1100 – 1900 : Peter Herel Raabenstein

Chess in Art : History of Chess in Paintings 1100 - 1900, Peter Herel Raabenstein
Chess in Art : History of Chess in Paintings 1100 – 1900, Peter Herel Raabenstein

From the publisher :

“Chess has been very important skill of human mind, part of many intellectual arguments, and a vital part of social life, for more than 1000 years. It has also mesmerized Peter Herel Raabenstein, who around 2003 craved to immerse himself deep into the story of chess. On that occasion, he was looking for a gift for his uncle, who shared the same passion for chess, art and history. He was aiming to buy a special book focused on chess and art. Unfortunately, he found out there was no such book. He decided to create the gift himself. After collecting 12 paintings with chess theme, he used them to create a calendar.

Peter’s uncle was amazed by the gift and proposed making a whole book with chess as a main theme. Later whilst living in Amsterdam and studying at local art school to master painting skills, Peter kept his interest in chess. He regularly visited chess museums and cafes. He was persistent in pursuit of creation of his own book, all thanks to his dedication and passion for art and chess, and also his uncle’s excitement about the idea. The book that was also finished as a result of many coincidences.

He shared his idea with a friend during a chess tournament in Wijk aan Zee in 2009. Peter’s friend was so passionate about the idea that he immediately wrote a prologue for the book and motivated Peter even more. Soon after they parted their ways Peter sadly realized that he has not got his friends contact details. However, he continued writing and collecting materials remembering his uncle’s and his friend’s supportive words.

Now, after 10 long years, Peter can offer his collection of chess themed paintings by more than 700 artists during 1000 year long period, including 20th century. Peter hopes to meet his Greek friend again to thank him for motivation to finish the book. He would also like to thank everyone who supports his art projects and follows his work. ”

Peter Herel Raabenstein
Peter Herel Raabenstein

When Chess in Art arrived at the BCN office it was clear we needed one thing to go with it : a coffee table! Together with The Thinkers by David Llada this is not a book you would fail to notice or ignore. You are drawn to pick it up and leaf through the pages.

Weighing in at an impressive 1.8 pounds this is a beautiful volume. One thing we cannot possibly convey via this review is another (generally ignored) dimension : its olfactory qualities! The smell is absolutely wonderful, it lingers and combined with the additional high qualities of paper, production and printing it is a simply a gorgeous book. Eat your heart out Mr. Kindle or any pdf scan and upload merchants.

For your amusement you might like to guess how many chess books include the word “Art” in their title. As usual with this type of question the answer is larger than you might think…Try it! Apart from that books on the same subject as this one are few and far between so this title makes a welcome appearance.

For those interested in perusing this subject then

Marcel Duchamp: The Art of Chess Hardcover, May 2009
Marcel Duchamp: The Art of Chess Hardcover, May 2009

may be of interest. Prices are high for this volume.

Despite binge watching BBC One’s excellent Fake or Fortune? (our knowledge of art is superficial) we felt a strong degree of fear and trepidation in starting this review. We could not possibly review this book from an art perspective and so we settled on a chess player’s point of view.

The book is divided into eight main sections / chapters with five main sections covering eras from 1100 AD onwards :

    • Prologue
    • 1100 – 1500

38 colour plates

    • 1500 – 1600

17 plates

    • 1600 – 1700

21 plates

    • 1700 – 1800

38 plates

    • 1800 – 1900

186 plates

  • Artists
  • Epilogue

which is a total of around 300 plates most of which are in full colour. These five sections are followed by a listing of all of the artists with brief biographical details. Finally there is an index to all the artist’s works to be found in this book.

The prologue may well be (for chess enthusiasts) the most interesting section of the book. For example we have (page 9) “The lack of chess paintings in the beginning of the sixteenth century is attributed to the difficulty of establishing chess rules.” Quite how true this is we are not sure but it is worth considering. Maybe a more detailed study of HJR Murray is in order?

Here is an example of a double page layout from the 1100 – 1500 era section :

From pages 42 and 43 : Israhel van Meckenem (1445 - 1503)
From pages 42 and 43 : Israhel van Meckenem (1445 – 1503)

To whet your appetite further from page 55 we have this work by Caravaggio :

CARAVAGGIO (Michelangelo Merisi da) (1571 – 1610) Schachspieler.
CARAVAGGIO (Michelangelo Merisi da) (1571 – 1610) Schachspieler.

(By a strange coincidence in the BCN office we had recently watched Caravaggio via Amazon Prime!)

and there is this famous work depicting Faust on page 102 by Friedrich Moritz August Retzsch 1779-1857 :

Friedrich Moritz August Retzsch 1779-1857
Friedrich Moritz August Retzsch 1779-1857

and finally (but not least) this work from 1818 by Johann Erdmann Hummel :

HUMMEL Johann Erdmann (1769 – 1852) Die Schachpartie. 1818
HUMMEL Johann Erdmann (1769 – 1852) Die Schachpartie. 1818

We found ourselves becoming engrossed in the book wanting to know more about the individual art works. Indeed, this was the most frustrating and disappointing aspect. For almost all of the images we did not need the skills of Anthony Blunt (can we mention this name?) or Tom Keating to discover the chess background via Wikipedia or other online sources. So why not provide even a few lines of description for each or most of the images. These extras would have made reading this book even more of a joy. Perhaps space reasons provided a restriction? Surely both the art and chess lover would like to read more.

There were a couple of trivial typos : “editrorial” but nothing substantive. Almost certainly not caused by the author.

The book has been widely reviewed : one of our favourites is from Carl “Chess in Prisons” Portman who hits the nail neatly on the head with an enjoyable piece.

If you are still not convinced then see this ChessBase review by André Schulz.

Finally we come to the price of €111. You might, at first, baulk at this: “I could buy five books on the Sveshnikov instead”.

However, this book is a real beauty, definitely a collectors item with a volume to cover 1900  to the present day in the pipeline. If you have a coffee table and want to cheer it up at Christmas then this book is for it and you!

We’d recommend you visit the Chess in Art web site If this review does not convince you then their web site just might.

John Upham, Cove, Hampshire, 15th November, 2020

John Upham
John Upham

Book Details :

  • Hardback : 317 pages
  • Publisher: HereLove
  • Language: English
  • ISBN-13: 978-8090577657

Official web site of Chess in Art

Chess in Art
Chess in Art

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess : Merijn van Delft

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft
Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft

From the publisher :

“Merijn van Delft is an International Master from the Netherlands. He has been a chess trainer for more than two decades and created instructional material both online and offline.”

IM Merijn van Delft
IM Merijn van Delft

From the book’s rear cover :

“Most chess games of beginners and post-beginners are decided by fairly straightforward tactics. Anyone who wants to progress beyond this level and become a strong club player or a candidate master, needs to understand that somewhat mysterious-looking resource, the positional sacrifice.

International Master Merijn van Delft has studied and loved positional sacrifices for as long as he can remember. This non-forcing tool is not just a surprising and highly effective way of creating a decisive advantage during a game. Positional sacrifices are also instruments of superior beauty.

Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills.

Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.”

 

 

Dutch IM Merijn van Delft introduces readers to one of the most complex and fascinating aspects of chess: the positional sacrifice. He’s not the first author to tackle this subject: previous books by McDonald and Suba, which I haven’t read are discussed in the bibliography.

A few quotes from the introduction will give you some idea of what this book is about, and who the target readership is.

“I am trying to write for as broad a readership as possible, but let me give a mild warning to beginning chess players: this book may not be the best place to start for you. … Here is a mild warning for very experienced players as well: you may come across a fair amount of examples you already know. I considered it my job to combine the most impressive classical games with new material, and to find a nice balance there.

“A feel-good book is what this is meant to be. It should be fun to play through the games and the book can easily be used for entertainment purposes only. If you are simply seeking inspiration, feel free to open it at a random page and check the diagrams. The most exciting moments are always covered with a diagram and described in the text that follows.

“Having said that, my main intention has been to present the material as systematically as possible. My goal was to create a unique framework of positional sacrifices. The structure should have an inner logic and should help the reader to build up his knowledge systematically.”

Let’s look inside and see whether or not the author has achieved his aim. There are 115 complete games in the main body of the book, ranging from Morphy to Wijk aan Zee 2020, so it’s nothing if not up to date. All but the first two (in the introduction) feature positional sacrifices. All games are fully annotated, mostly verbally, with variations only given when necessary. It’s particularly good to see the complete games, so that readers can witness how the positional sacrifices arose from the opening.

The first part of the book deals with the four basic reasons for positional sacrifices: piece play, pawn structure, colour complexes and domination.

Chapter 1 teaches us how we can use positional sacrifices to create play for our pieces: by opening files, opening closed positions or opening diagonals.

Here, for example, is a position from Leko – Vachier-Lagrave (Batumi Ol 2018), with Black just about to use a positional sacrifice to open some files on the queen side.

“For now White seems to have everything under control, but what follows is a true thunderbolt.

23… Nxa4!

Vachier-Lagrave’s handling of the opening stage may have been unfortunate, but now he displays very deep understanding of the position with a truly amazing piece sacrifice.”

The game continued 24. Bxa4 b5 25. Bxb5 a4 26. Nd4 a3 and Black won on move 71.

Chapter 2 looks at how we can use positional sacrifices to help our pawns. We can create a Perfect Pawn Centre, a Pawn Steamroller or a Mighty Pawn Chain.

This is Gemy Vargas – Fier Sao Paolo 2019. White’s f-pawn has just moved two squares, and van Delft points out the alternative 30… exf3, which is the engine recommendation. But instead…

30… e3!

“The artist is taking over. Black sacrifices a piece to increase the size of his pawn steamroller. As Alexandr said at the Masterclass he gave recently at Apeldoorn, during his early years as a chess player he was heavily influenced by Kasparyan’s book with endgame studies on the theme of domination.”

By move 41 he’d reached this position, where White resigned.

“A pretty picture, the ultimate pawn steamroller, minding a bit of the famous McDonnell – De la Bourdonnais finish with black pawns on d2, e2 and f2.”

Chapter 3 moves onto the idea of positional sacrifices to control colour complexes. As van Delft explains, because this is a more abstract concept than pieces and pawns, it’s harder to understand.

Chapter 4 then puts everything together: we can play a positional sacrifice to achieve domination of the entire board.

In Wojtaszek – Hracek (Aix-les-Bains 2011) White, who had already sacrificed a pawn,  now gave up the exchange to dominate the board.

17. Rxc5! “The key move, a strong positional exchange sacrifice.”

Now we understand the reasons why we might want to play a positional sacrifice, we can move onto Part 2, where we can learn about typical sacrifices and store the ideas in our long-term memory. Many of them, though, will already be familiar to experienced players.

Chapter 5 concerns pawn sacrifices: as you might expect the Benko and Marshall Gambits are among the openings considered. Chapter 6, concluding Part 2, moves onto typical exchange sacrifices.

Part 3 goes way beyond this, to more difficult and dangerous ideas. Chapter 7, Extreme Sports, asks how much you can get away with sacrificing. You’ll find double exchange sacrifices, queen sacrifices for a couple of minor pieces, and even positional rook sacrifices.

In Firouzja – Karthikeyan (Xingtai Asian Championship 2019) Black sacrificed his queen on move 9:

9… Qxc3+! “A great positional queen sacrifice.”

10. bxc3 dxe3

“Black now has two minor pieces and a pawn for the queen. White has many weak pawns and squares, which makes Black’s position much easier to play.”

In Chapter 8, Heroes, van Delft introduces us to some of the games that have inspired him over the years, played by the likes of Shirov, Aronian and Carlsen.

Finally, Chapter 9 goes beyond human positional sacrifices to the Superhuman, including recent games by Leela Chess Zero and Stoofvlees.

Now it’s time to put your new found knowledge and skills into action with a final chapter of Exercises.

“In total there are 48 exercises, on four different levels, with 12 exercises each. Every reader should have a fair chance at Level 1, while at Level 2 things are already becoming more difficult. Level 3 is serious business, and at Level 4 most people will be running into a wall. Level 4 is mainly there to remind us how rich chess is, and that we will not easily be done learning.”

The answers always include the play up to the question, and in some cases the complete game as well.

As you’ll realise, there’s a lot of great chess in this book. The author has also achieved his aim of treating a difficult subject in a logical and well structured way. But what really appeals to me is van Delft’s style of writing. There are many strong players who excel at writing or talking about chess, but not all of them understand how their readers or viewers might learn. He is at pains to differentiate between material which provides specific lessons you can employ in your own games and more difficult material which might serve as an inspiration.  Although the English isn’t always totally idiomatic, the meaning is never less than totally clear. Not for him the fanciful analogies and flowery language preferred by some authors to make their books fun: for van Delft the fun comes from the moves themselves. Although the intent is serious, his approach is warm, friendly and encouraging. Enjoy your chess and don’t be afraid to try out new ideas: this is how you improve. He comes across to me as, above all, an excellent teacher. I look forward to reading whatever he writes about in future.

Personally, I’d have liked a broader historical perspective. Those 19th century favourites the King’s Gambit and Evans Gambit are positional sacrifices for, amongst other things, an Ideal Pawn Centre, and many other 19th century gambits have aims relating to themes in the book. While there are a few 19th century games along with some discussion of the Steinitz Gambit and a brief mention of its context, a chapter on the history of positional sacrifices would have been interesting.

Nevertheless,, this is yet another outstanding book from New in Chess in what has been an exceptional year for chess literature. Very highly recommended: I’m sure you’ll find it both enjoyable and instructive, and, if you’re rated, say, 1800+, this book will add a new dimension to your chess.

Richard James, Twickenham 13th November 2020

Richard James
. Richard James

Book Details :

  • Paperback : 320 pages
  • Publisher: New in Chess (1st June 2020)
  • Language: English
  • ISBN-13: 978-9056918835
  • Product Dimensions : 6.82 x 0.82 x 9.3 inches

Official web site of New in Chess

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess. New In Chess, June 2020, Merijn van Delft

Candidates Tournament 2020 : Part 1 Yekaterinburg

Candidates Tournament 2020 Part 1 Yekaterinburg
Candidates Tournament 2020 Part 1 Yekaterinburg

From the rear cover :

“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukrainian grandmasters. He was the winner of several strong tournaments, including the Ukrainian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author. This is his second book for Thinkers Publishing, after his major success in 2019 with ‘Coaching the Chess Stars’.”

GM Vladimir Tukmakov
GM Vladimir Tukmakov

Also from the rear cover

“The official story of the 2020 Candidates Tournament began on November the 11th, 2019 with the signing of a contract between FIDE and the Russian Chess Federation detailing the hosting duties of said tournament in Ekaterinburg from the 15th of March to the 5th of April, 2020. At that point no one could have even imagined how difficult the road to that tournament would be nor how unexpected the outcome. Yet the significance of the actual numbers in this dramatic epic is hard to overestimate which is why the author will attempt to play the role of chronicler and try to describe as accurately as possible the key moments of this historic event. Vladimir Tukmakov was our close observer, author and wrote a historically important book on the first part of the Candidates 2020.”

Tournament books, once a staple of chess literature, have been rare in recent years and books about half a tournament have always, naturally, been rarer still. This book by GM Vladimir Tukmakov is just such a book – and in my opinion it is a very welcome one.

Of course, 2020 has been an exceptional year (in a bad sense of exceptional) and the Candidates Tournament stands out as the exceptional (in a good sense of exceptional) over-the-board elite event of the year. It is unfortunate that Covid-related reasons forced the tournament to be suspended before its conclusion. (Or was the suspension necessary? The author’s comments on the decision are interesting.)

Although the tournament started on schedule in March, it was already in somewhat controversial circumstances because Teimour Radjabov had withdrawn – citing the rapid spread of the pandemic – and had been replaced by Maxime Vachier-Lagrave.  The tournament was suspended exactly half way through following an announcement by the Russian government that all international air travel had been suspended indefinitely. The eight Candidates had been due to play each other twice, and seven of the fourteen rounds had been completed.

The author of this book, now aged 74, has been pretty much inactive as a player in recent years but he was a top player for a number of years, coming second in the Soviet Championship on three occasions, and reaching number 12 in the world rankings. This quality is reflected in his game annotations even if they are – as he modestly admits – sometimes helped by his “Iron Friend” (as he refers to chess engines).

The book consists of the following sections:

Introduction: Three pages of he author’s reflections on why he chose to write this book.

Prelude: Nine pages which describe the tournament itself, its participants and its occurrence in the time when the pandemic was developing.

The Play: 121 pages of games, with each of the 28 games annotated by the author and with a summary of the situation after each round.

Unexpected Conclusion: A brief two page description of the suspension.

Interim Results: An eight page summary of the tournament (so far!) including general observations of the players and their prospects for the remainder of the tournament, whenever that will be.

The Prelude and Interim Results chapters are informative and are engagingly written. They include a number of personal reflections by the author.  The annotations in The Play chapter are, I think, superb, with both textual comments and given variations always hitting the spot in their relevance. An example of this is taken from his notes to the Ding-Caruana game:

12 d5!?
Another complicated decision. The position demanded 12.e3 in the hope of completing development after 12… Bb3 which was like the game. Also, worth considering was 12… Bg6!? 13.Bc4 (Although 13.Nd3 led to an even more complicated struggle. For instance, 13…Na6 14.Nxb4 Nxb4 15.dxc5 Nc2 16.Rb1 Qa5) 13… Bxc4 14.Nxc4 cxd4 15.exd4 (15.Qxd4 Qe7) 15… Nc6 with enough compensation for the pawn.
It is very revealing, that having found himself in a difficult psychological situation, the Chinese grandmaster does not rush towards simplification instead choosing a more difficult and principled continuation each time.

(The book actually uses figurines for the pieces.)

Tukmakov is generally very respectful of the great players who are taking part in the tournament (indeed he writes that the book “bears witness to my solidarity with my younger colleagues” in view of their bravery in playing under the circumstances of the pandemic), but this doesn’t stop him from criticising them. For example, their clock handling occasionally comes in for comment. On one occasion he writes:

It is difficult to understand what Giri thought about for 25 minutes.

As may perhaps be expected, Grischuk receives sterner criticism in this area – but criticism that is well reasoned (and somewhat humorous).

In summary, I really like this book. I look forward to the second instalment which I hope arises as and when the second half of the tournament is complete. Who knows, perhaps tournament books are not a thing of the past after all?

Colin Purdon, Crowthorne, Berkshire, November 11th 2020

Colin Purdon
Colin Purdon

Book Details :

  • Flexicover : 160 pages
  • Publisher: Thinkers Publishing; 1 edition (8 Dec 2020)
  • Language: English
  • ISBN-10: 9492510928
  • ISBN-13: 978-9492510921

Official web site of Thinkers Publishing

GM Vladimir Tukmakov
GM Vladimir Tukmakov
Candidates Tournament 2020 Part 1 Yekaterinburg
Candidates Tournament 2020 Part 1 Yekaterinburg

The Modernized Scotch Game : A Complete Repertoire for White and Black

The Modernized Scotch Game : A Complete Repertoire for White and Black, Thinkers Publishing, December 2019,  Milos Pavlovic
The Modernized Scotch Game : A Complete Repertoire for White and Black, Thinkers Publishing, December 2019, Milos Pavlovic

Grandmaster Milos Pavlovic was born in Belgrade in 1964 and was Yugoslav Champion in 2002. He is a well known theoretician specialising in opening theory and has written many chess books and magazine articles. Previously we have reviewed The Modernized Stonewall Defence and The Modernized Colle-Zukertort Attack by this author.

GM Milos Pavlovic
GM Milos Pavlovic

This is another title in the “Modernized” series from Thinkers Publishing with this Scotch Game book being published on December 17th 2019. We first reviewed a title in this series with The Modernized Caro-Kann from GM Daniel Fernandez and then followed by The Modernised Colle-Zukertort from Pavlovic.

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

Four and Half out of Five Stars
Four and Half out of Five Stars

Andrew Martin, Bramley, Surrey, 5th November, 2020

IM Andrew Martin
IM Andrew Martin

Book Details :

  • Hardcover : 280 pages
  • Publisher:  Thinkers Publishing (17 Dec. 2019)
  • Language: English
  • ISBN-10: 9492510731
  • ISBN-13: 978-9492510648
  • Product Dimensions: 17.02 x 1.52 x 23.37 cm

Official web site of Thinkers Publishing

The Modernized Scotch Game : A Complete Repertoire for White and Black, Thinkers Publishing, December 2019,  Milos Pavlovic
The Modernized Scotch Game : A Complete Repertoire for White and Black, Thinkers Publishing, December 2019, Milos Pavlovic

Best Wishes IM Philip Morris (05-xi-1967)

Reenen duToit, Philip Gregory, Alan Hanreck, Tony Stebbings, Philip Morris, Conor Murphy
Reenen duToit, Philip Gregory, Alan Hanreck, Tony Stebbings, Philip Morris, Conor Murphy

We wish IM Philip J Morris all the best on his birthday, this day (November 5th) in 1967.

Phil plays regularly for Beckenham & Charlton Chess Club in the London Chess League and has played for Invicta Knights Maidstone in the Four Nations League.