Death Anniversary of John Frederick Keeble (27-viii-1855 19-ii-1939)From The Oxford Companion to Chess by Hooper & Whyld :
Problemist and chronicler who lived in Norwich all his life. He edited the chess column of the Norwich Mercury from 1902 lo 1912, contributed many significant articles elsewhere, investigated a number of chess questions, and established the burial place of several great players and arranged the tending of their graves. He lived at only two addresses for 73 years, worked for the railway company for 53 years, and was a member of the Norfolk and Norwich chess dub for 61 consecutive years. Winner of the club championship in 1884, he did not compete again until 1933 and then won it three years in succession.
Edith Elina Helen Winter-Wood was born, probably in 1859*, to Thomas Winter-Wood, a writer and poet, and Eliza Ann (née Sole) Winter-Wood in Boulogne, France.
(*Despite 22nd February 1859 appearing in Wikipedia we are unable to locate a primary source for this date. Contemporary secondary sources always just gave 1859 as her year of birth. Census records imply that she was born between April 1859 and March 1860. Her marriage record from 1st December 1880 describes her as being ‘of full age’: at least 21 years old, so born before December 1859. However, her death record from 1st February 1924 gives her age as 63, implying that she was born between February 1860 and January 1861. Either her death record is incorrect or she added a couple of months to her age when she married. )
Many secondary and tertiary sources incorrectly give the Winter-Wood family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
Hareston Manor near Plymouth
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed: both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was himself a strong player having been educated at Plympton Grammar School (now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means, with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas Winter-Wood (1819-1905) in 1903.
Thomas taught all of his family to play chess and Edith learnt at an early age. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“(Edward) played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
The Doge’s Palace, Venice 1880s by Carslake W Winter-Wood
According to F. R. Gittins (in The Chess Bouquet 1897):
“The moves came to her, as she says, by a kind of instinct before she was out of her first decade. She did not, however, commence composing problems until some years after her marriage, which took place in 1880, to Deputy Inspector-General W. J. Baird, M.D., R.N., whose distinguished services have been mentioned in despatches and rewarded with four medals and two clasps. Eight years later she composed her first problem, and commenced a wonderful series of successes, having gained eleven first, nine second, and six third prizes, and been honourably mentioned nine times.”
Edith Baird (née Winter-Wood)
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize (1):
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The problem solutions may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published by Henry Sotheran Ltd in 1902 and took her 14 years to complete.”
Seven Hundred Chess Problems. Selected from the compositions of Mrs. W. J. Baird, WJ Baird, 1902Seven Hundred Chess Problems
Edith also had a brief career in chess competitions in the 1890s, winning the 1897 Sussex Ladies Championship without losing a game.
Few samples of her play survive, but they show her to be a proficient player with, as you might expect from a problemist, a keen tactical eye. In this game she finishes neatly with a queen sacrifice.
In this game, from a blindfold simul against the London-based Dutch organist and chess master Rudolf Loman (1861-1932), she uses a tactic to reach an equal ending.
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (‘of full age’) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy, in the parish church of St George Hanover Square. (You’ll see that she married under the surname Wood rather than Winter-Wood.) William was almost thirty years her senior, having been born in Londonderry in 1831. The 1881 census found them in lodgings in Durham House, Hotspur Street, Tynemouth, North Tyneside: presumably William was there in connection with his work. Later the same year, their only child, Lilian Edith Baird, was born in the same place.
William and Edith’s marriage recorded in the Parish Register of St George Hanover SquareWilliam Baird and Edith (Winter-)Wood’s marriage bonds
Lilian would become a child prodigy whose first problem was published before she was 10 years old. She was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
Lilian Edith Strong (née Baird)
(Lilian merits a full article in this place in her own right : added to ToDo list!)
By 1891 William had retired and the family had settled in Brighton living at 14 College Terrace, where they employed a servant, Louisa Howard (23). In 1901 the census enumerator found them at the same address, their servant now being Lilian Millard (25).
14 College Terrace, Brighton, East Sussex. BN2 0EE
William died in 1907, and Lilian had married in 1910: the 1911 census found Edith living in a boarding house named Mountcoombe in Surbiton. The house no longer exists, but its name, minus a letter, survives in Mountcombe Close, now a location for residential flats. Shortly afterwards, she joined her brothers in Paignton, Devon, close to her family’s ancestral roots.
Returning to Edith’s family, by the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestead”, Netley Abbey, Southampton and had shrunk to Thomas, Eliza and a mere two servants. Edith gave this address when she married William Baird.
Edith Baird (née Winter-Wood)
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Truman (just 12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property, it would appear. By 1901, the family had moved again, to “Kenwick”, Paignton, Devon. They were back down to two servants: Florence Gagg (18) was the housemaid and Sarah Chambers (59) the cook. Thomas died in 1905, and the 1911 census gives their address as “Hareston”, Totnes Road, Paignton. Eliza, Edward and Carslake’s servants were now Laura Ellen Gagg (25 – presumably related to Florence) and Sarah Tulley.
In an interview with the Westminster Gazette (1st September 1894) Edith was asked why chess has always been a man’s game.
“Frivolous and fashionable women would begrudge the time and thought it requires; busy mothers of families could not, of course, spare time for it, and the great majority of unmarried girls have not, I’m afraid, the necessary patience. Then, too, it is, I must confess, an unsociable game. It is most suitable for quiet and reflective people, and for invalids. It seems always to have attracted clever strategists like military and naval commanders, and also great politicians. I wish girls would take to it more, because it is such excellent mental discipline, and brings out one’s patience. It would also be a useful corrective to the tendency to jump at conclusions which many women have. The great charm is that it is a home accomplishment. A woman is not expected to leave her fireside for the sake of chess. It is a stable kind of amusement for which she never need sully her womanliness or her good reputation. Many of the outdoor sports, innocent and healthy enough, lead to a great deal of flirtation and general frivolity.”
F.R. Gittins (op. cit.) described her as follows:
“Mrs. Baird, however, is something more even than the Queen of Chess-problem composers. She is, for example, an enthusiastic and skilful archer, and, living as she does in Brighton, has for some time been a prominent member of the Furze Hill Archery Club, of which she is a member of the committee, and in which, she has, for two years in succession, taken the medal for the highest aggregate score of the season. She also paints and illuminates charmingly, and has a pretty inherited talent for writing verse. Her book of illuminations, in fact, is described as “so chaste and delicate in design as to recall the ancient illuminated books which are treasured in museums and art galleries.” In politics she is a staunch Liberal, while the modern movement against all cruelty to animals – whether inflicted under the name of sport or in the interests of science – finds in her one of its most ardent champions. Besides the déclassement derived from chess, she is also a great believer in girls making themselves independent of marriage, from a monetary point of view, by having a definite occupation. When it is added that she never allows chess, painting, or any other favourite pursuit to occupy her time until all the domestic matters of home have been seen to, we have said sufficient to show how finely-rounded and complete a life this brilliantly clever woman leads. It is only left to add that her manner is kind and charming, and that she is thoughtfulness and considerateness itself to all her friends. She is, moreover, the most loving of mothers, and has been heard to declare that if anything were to happen to “Lily”, she would never compose another chess problem.”
Edith was also an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
Edith Elina Helen Baird
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was Lilian’s husband. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Probate record for Edith Baird (1924)
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists.
From The Oxford Companion to Chess by Hooper & Whyld :
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century RetractorThe Twentieth Century Retractor, Chess Fantasies, and Letter Problems: Being a Selection of Three Hundred Problems, Mrs WJ Baird, London: Henry Sotheran and Co. 1902.
The Twentieth Century Retractor may be read online here.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924), page 103 we have this brief obituary notice written by RC Griffth :
“We much regret to hear of the death, at Paignton, on February 1st, of Mrs. W.J. Baird, much of the distinguished of women problem composers throughout the world. As our problem editors will no doubt deal fully with her work and her triumphs, we shall say no more here that she took a keen interest in chess over-the-board also, and in 1897 secured the county championship of Sussex among players of her own sex. By birth she was a Winter-Wood and thus a member of a distinguished West of England chess family”
From British Chess Magazine, Volume XLIV, (44, 1924), page 125 we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was given the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as a prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two (2)
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two (3)
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three (4)
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent. being cooked after leaving her hands, evidence of painstaking application!
Mate in Three (5)
There is now, since the decease of Mrs. Baird’s father, Mr. T. Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three (6)
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
M.S.M.
White retracts his last move; then plays. Black moves so that White can mate at once. (7)
(Please note that there are factual errors in most of the sources quoted below.)
More from Sarah Beth Durst (aka BatGirl), quoting from Gittins.
Via the Wayback Machine Chess Devon have this excellent article
British Chess News would like to thank Brian Denman for providing a file of Edith Baird’s games, and Tim Harding, for sending us the pdf of The Chess Bouquet.
Edith Elina Helen Winter-Wood was born on Tuesday, 22nd February, 1859 to Thomas Winter-Wood, a writer and poet, and Eliza Ann (Sole) Winter-Wood in Boulogne, France.
Many secondary and tertiary sources incorrectly give the Winter-Woods family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
Hareston Manor near Plymouth
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed : both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was, himself a strong player having been educated at Plympton Grammar School(now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas Winter-Wood (1819-1905) in 1903.
Thomas taught all of his family to play chess and Edith learnt at the age of 5. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“He played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
The Doge’s Palace, Venice 1880s by Carslake W Winter-Wood
Again, according to Tartajubow :
“As for Mrs. Baird, at the time, she was without rival in British ladies chess. Her first problem was composed at the age of 8 and was published in the Western Magazine and Portfolio. It was not deep or brilliant, but editors were attracted to her quaint notes that accompanied her submissions. One such note to the editor of Pictorial World read, ‘I like composing very much and do my problems all myself; in fact I would rather my mother never saw them, for she generally cooks them and that gives me a lot of trouble.’
Edith Baird (née Winter-Wood)
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize:
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The solution may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published in 1902 and took her 14 years to complete.”
Seven Hundred Chess Problems. Selected from the compositions of Mrs. W. J. Baird, WJ Baird, 1902Seven Hundred Chess Problems
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (aged 21) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy. In 1881 their only child Lilian was born in Tynemouth, North Tyneside.
Lilian Edith Strong (née Baird)
Lilian was a child prodigy whose first problem was published before she was 10 years old. Lilian was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
Edith, William and Lilian settled in Brighton living at 14 College Terrace, Brighton, East Sussex. BN2 0EE :
14 College Terrace, Brighton, East Sussex. BN2 0EE
(Lilian merits a full article in this place in her own right : added to ToDo list!)
According to the 1911 census the Baird family had relocated to Mountcoombe in Surbiton which appears, in 2021, to be Mountcoombe Close, Surbiton : a location for residential flats.
By the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestad(?)”, Hound, South Stoneham, Hampshire and had shrunk to Thomas, Eliza and a mere two servants.
Edith Baird (née Winter-Wood)
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Fruman (12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property it would appear.
Edith was also a “good” archer and dabbled in painting and poetry : Edith was a champion archer (although she was vehemently opposed to hunting) and an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
Edith Elina Helen Baird
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was the husband of Lilian. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Probate record for Edith Baird (1924)
From The Oxford Companion to Chess by Hooper & Whyld :
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century RetractorThe Twentieth Century Retractor, Chess Fantasies, and Letter Problems: Being a Selection of Three Hundred Problems, Mrs WJ Baird, London: Henry Sotheran and Co. 1902.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists especially.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924) we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent, being cooked after leaving her hands, evidence of painstaking application!
Mate in Three
There is now, since the decease of Mrs. Baird’s father, Mr. T Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
M.S.M.
White retracts his last move; then plays. Black moves so that White can mate at once.
Edith Elina Helen Winter-Wood was born on Tuesday, 22nd February, 1859 to Thomas Winter-Wood, a writer and poet, and Eliza Ann (Sole) Winter-Wood in Boulogne, France.
Many secondary and tertiary sources incorrectly give the Winter-Woods family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
Hareston Manor near Plymouth
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed : both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was, himself a strong player having been educated at Plympton Grammar School(now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas Winter-Wood (1819-1905) in 1903.
Thomas taught all of his family to play chess and Edith learnt at the age of 5. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“He played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
The Doge’s Palace, Venice 1880s by Carslake W Winter-Wood
Again, according to Tartajubow :
“As for Mrs. Baird, at the time, she was without rival in British ladies chess. Her first problem was composed at the age of 8 and was published in the Western Magazine and Portfolio. It was not deep or brilliant, but editors were attracted to her quaint notes that accompanied her submissions. One such note to the editor of Pictorial World read, ‘I like composing very much and do my problems all myself; in fact I would rather my mother never saw them, for she generally cooks them and that gives me a lot of trouble.’
Edith Baird (née Winter-Wood)
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize:
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The solution may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published in 1902 and took her 14 years to complete.”
Seven Hundred Chess Problems. Selected from the compositions of Mrs. W. J. Baird, WJ Baird, 1902Seven Hundred Chess Problems
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (aged 21) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy. In 1881 their only child Lilian was born in Tynemouth, North Tyneside.
Lilian Edith Strong (née Baird)
Lilian was a child prodigy whose first problem was published before she was 10 years old. Lilian was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
Edith, William and Lilian settled in Brighton living at 14 College Terrace, Brighton, East Sussex. BN2 0EE :
14 College Terrace, Brighton, East Sussex. BN2 0EE
(Lilian merits a full article in this place in her own right : added to ToDo list!)
According to the 1911 census the Baird family had relocated to Mountcoombe in Surbiton which appears, in 2021, to be Mountcoombe Close, Surbiton : a location for residential flats.
By the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestad(?)”, Hound, South Stoneham, Hampshire and had shrunk to Thomas, Eliza and a mere two servants.
Edith Baird (née Winter-Wood)
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Fruman (12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property it would appear.
Edith was also a “good” archer and dabbled in painting and poetry : Edith was a champion archer (although she was vehemently opposed to hunting) and an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
Edith Elina Helen Baird
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was the husband of Lilian. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Probate record for Edith Baird (1924)
From The Oxford Companion to Chess by Hooper & Whyld :
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century RetractorThe Twentieth Century Retractor, Chess Fantasies, and Letter Problems: Being a Selection of Three Hundred Problems, Mrs WJ Baird, London: Henry Sotheran and Co. 1902.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists especially.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924) we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent, being cooked after leaving her hands, evidence of painstaking application!
Mate in Three
There is now, since the decease of Mrs. Baird’s father, Mr. T Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
M.S.M.
White retracts his last move; then plays. Black moves so that White can mate at once.
Edith Elina Helen Winter-Wood was born on Tuesday, 22nd February, 1859 to Thomas Winter-Wood, a writer and poet, and Eliza Ann (Sole) Winter-Wood in Boulogne, France.
Many secondary and tertiary sources incorrectly give the Winter-Woods family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
Hareston Manor near Plymouth
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed : both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was, himself a strong player having been educated at Plympton Grammar School(now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas Winter-Wood (1819-1905) in 1903.
Thomas taught all of his family to play chess and Edith learnt at the age of 5. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“He played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
The Doge’s Palace, Venice 1880s by Carslake W Winter-Wood
Again, according to Tartajubow :
“As for Mrs. Baird, at the time, she was without rival in British ladies chess. Her first problem was composed at the age of 8 and was published in the Western Magazine and Portfolio. It was not deep or brilliant, but editors were attracted to her quaint notes that accompanied her submissions. One such note to the editor of Pictorial World read, ‘I like composing very much and do my problems all myself; in fact I would rather my mother never saw them, for she generally cooks them and that gives me a lot of trouble.’
Edith Baird (née Winter-Wood)
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize:
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The solution may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published in 1902 and took her 14 years to complete.”
Seven Hundred Chess Problems. Selected from the compositions of Mrs. W. J. Baird, WJ Baird, 1902Seven Hundred Chess Problems
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (aged 21) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy. In 1881 their only child Lilian was born in Tynemouth, North Tyneside.
Lilian Edith Strong (née Baird)
Lilian was a child prodigy whose first problem was published before she was 10 years old. Lilian was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
Edith, William and Lilian settled in Brighton living at 14 College Terrace, Brighton, East Sussex. BN2 0EE :
14 College Terrace, Brighton, East Sussex. BN2 0EE
(Lilian merits a full article in this place in her own right : added to ToDo list!)
According to the 1911 census the Baird family had relocated to Mountcoombe in Surbiton which appears, in 2021, to be Mountcoombe Close, Surbiton : a location for residential flats.
By the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestad(?)”, Hound, South Stoneham, Hampshire and had shrunk to Thomas, Eliza and a mere two servants.
Edith Baird (née Winter-Wood)
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Fruman (12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property it would appear.
Edith was also a “good” archer and dabbled in painting and poetry : Edith was a champion archer (although she was vehemently opposed to hunting) and an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
Edith Elina Helen Baird
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was the husband of Lilian. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Probate record for Edith Baird (1924)
From The Oxford Companion to Chess by Hooper & Whyld :
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century RetractorThe Twentieth Century Retractor, Chess Fantasies, and Letter Problems: Being a Selection of Three Hundred Problems, Mrs WJ Baird, London: Henry Sotheran and Co. 1902.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists especially.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924) we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent, being cooked after leaving her hands, evidence of painstaking application!
Mate in Three
There is now, since the decease of Mrs. Baird’s father, Mr. T Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
M.S.M.
White retracts his last move; then plays. Black moves so that White can mate at once.
BCN sends best wishes to John Michael Rice on his birthday, July 19th in 1937.
John was born in Scarborough, Yorkshire, North Riding, his mother’s maiden name was Blake. John lives in Surbiton, Surrey and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.
An ABC of Chess Problems
From An ABC of Chess Problems :
“The author is one of the country’s most prolific foremost composers and problem critics. He has gained mainly tourney honours, both at home and abroad, and since 1961 has been editor of a flourishing problem section in the British Chess Magazine, the country’s leading chess periodical. He lives in London and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.”
From chesscomposers.blogspot.com :
John Rice was the chief editor of the problems section of the “British Chess Magazine” from 1961 until 1974 and is a faithful collaborator of “The Problemist“. He has written “Chess Problem: Introduction to an Art” (1963) together with Robin Matthews and Michael Lipton and “The Two-Move Chess Problem” (1966), “Serieshelpmates” (1978) with Anthony Dickins or “Chess Wizardry: The New ABC of Chess Problems” (1996).
Translated from https://peoplepill.com/people/john-michael-rice/ :
“Since the mid-fifties he has composed problems of all kinds, but above all in two moves. In the 1960s he was editor of the problems section of the British Chess Magazine. Since 1999 he has been editor of The Problemist magazine.
International Master of Composition since 1969 and International Judge for Composition since 1972.
President of the PCCC (Permanent Commission for Chess Composition) from 2002 to 2006.
He worked as a teacher of modern languages in a school in Kingston-upon-Thames.
Winton Capital British Chess Problem Solving Championships 2016
Together with Barry Barnes and Michael Lipton he wrote the book Chess Problems: Introduction to an Art (Faber & Faber, London 1963).
Chess Problems : Introduction to an Art
He composes mostly direct mates, but can composes as well in other genres, including fairies. He is an International Judge for twomovers, helpmates and fairy problems and the former President of the PCCC from 2004 until 2006.
John was awarded the title of “International Grandmaster for chess compositions” in 2015.
From British Chess, Pergamon Press, 1983 by GS Botterill, DNL Levy, JM Rice and MJ Richardson :
“I was taught the moves of chess in 1947 at the age of ten and quickly realised that I liked the game no more than Ludo or Snakes and Ladders where the chances of losing seemed to me unfairly high. But the chess pieces and their moves fascinated me, so it is hardly surprising that before long I had turned to problems and become an ardent fan of Brian Harley in his Observer column, especially as I had come across and paid two shillings (!) for his Mate in Two Moves in a second-hand bookshop in Reigate. Harley, together with T. R. Dawson in the British Chess Magazine and C. S. Kipping in CHESS, provided the sources of my first solving pleasure and the inspiration for my first efforts at composition. Among my early successes was problem l, heavily constructed but strategically rich, a first prizewinner in a tournament for composers under 21, one of a series organised by the British Chess Problem Society.
I had grown up in Scarborough (Yorkshire), out of contact with other problem enthusiasts, and a chance meeting in December, 1954 with Michael Lipton in Cambridge, where we were both taking Scholarship examinations, brought the realisation that there was far more to the two-move chess problem than the solidly entrenched traditionalism espoused in those days by the columns of The Problemist and CHESS. Very soon the bulk of my output was in the modern style (with set and try-play) and published abroad, notably in Die Schwalbe, whose two-move editor, Hermann Albrecht, did much to stimulate my interest. Problem 2 gained a coveted prize in an extremely strong formal tournament judged by Michael
Lipton, following an article of his on the potentialities of the half-battery theme (illustrated here by the arrangement on the c-file).
2
5th prize, 133rd Theme Tournament, Die Schwalbe, 1961.
The half-battery is only one of several themes which have commanded my attention over the past 20 years, others being white self-pin in try and key (illustrated by problem 3), Grimshaw and Nowotny (problem 4), reciprocal and cyclic play (problem V, the first published example of cyclic mates in three phases), pawn-promotion effects, and tasks of various types, especially open gates. My total problem output numbers about 600.
3
The Tablet, Commended, BCPS Ring Tournament 1958; Brian Harley Award
In 1961 I took over from S. Sedgwick the editorship of the problem section of the British Chess Magazine, which post I held until December, 1974. It was a source of pride to me that I was now doing the job once done by the great T. R Dawson, though I knew that I could never bring to it the same tireless energy and all-round expertise which he had displayed so impressively. At about the same time I embarked with Michael Lipton and Robin Matthews on a venture which was to have repercussions throughout the entire problem world,
namely a series of books on problems published by Faber and Faber. The first, Chess Problems: Introduction to an Art (Lipton, Matthews and Rice), appeared in 1963, and was followed three years later by The Two-move Chess Problem: Tradition and Development, also with Michael Lipton, but this time the third collaborator was Barry Barnes, who has long been a close friend and influence. The third book in the series, An ABC of Chess Problems (1970), was a solo effort.
My interest in Fairy Chess dates from a meeting in the mid-1960s with the late John Driver, whose enthusiasm for the pleasures to be derived from non-orthodox forms I found highly infectious. Fairy problems soon began to appear in the BCM column and were favourably received. The serieshelpmate, where White remains stationary while Black plays a sequence of moves to reach a position where White can mate in one, has perhaps interested me more than any other non-orthodox form (see problem Vl), and in 1971 I collaborated with Anthony Dickins to produce a book on the subject, The Serieshelpmate (published by the Q Press, first edition 1971, second edition 1978).
5
1st Prize, Problem 37th Theme Tournament, 1961-62
White mates in 2
Set: 1…Kc6; 2. Qe8 (A)
1…Ke6; 2. Qc8 (B)
Try: 1.Nb6+?, Kc6;2.Qc8 (B)
Ke6;2.Qd6 (C)
Ke7!
Key : 1.Nf6+! Kc6;2.Qd6 (C)
Ke6;2.Qe8 (A)
Since 1974 my problem activities have necessarily been restricted by the demands of family life (wife and two sons, none of them much interested in chess) and my career (schoolmaster, formerly Head of Modern Languages Department and now Director of Studies at Tiffin School, Kingston Upon Thames. Other leisure-time interests (not that there is much leisure time) include cricket and classical music.”
John Michael RiceThe Two Move Chess Problem : Tradition and DevelopmentJohn Rice at a Winton Capital BCPS Problem Solving event at Eton CollegeChess Problems for SolvingThe SerieshelpmateBritish Chess, Pergamon Press, 1983. Editors : GS Botterill, DNL Levy, JM Rice and MJ Richardson
BCN sends best wishes to John Michael Rice on his birthday, July 19th in 1937.
John was born in Scarborough, Yorkshire, North Riding, his mother’s maiden name was Blake. John lives in Surbiton, Surrey and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.
An ABC of Chess Problems
From An ABC of Chess Problems :
“The author is one of the country’s most prolific foremost composers and problem critics. He has gained mainly tourney honours, both at home and abroad, and since 1961 has been editor of a flourishing problem section in the British Chess Magazine, the country’s leading chess periodical. He lives in London and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.”
From chesscomposers.blogspot.com :
John Rice was the chief editor of the problems section of the “British Chess Magazine” from 1961 until 1974 and is a faithful collaborator of “The Problemist“. He has written “Chess Problem: Introduction to an Art” (1963) together with Robin Matthews and Michael Lipton and “The Two-Move Chess Problem” (1966), “Serieshelpmates” (1978) with Anthony Dickins or “Chess Wizardry: The New ABC of Chess Problems” (1996).
Translated from https://peoplepill.com/people/john-michael-rice/ :
“Since the mid-fifties he has composed problems of all kinds, but above all in two moves. In the 1960s he was editor of the problems section of the British Chess Magazine. Since 1999 he has been editor of The Problemist magazine.
International Master of Composition since 1969 and International Judge for Composition since 1972.
President of the PCCC (Permanent Commission for Chess Composition) from 2002 to 2006.
He worked as a teacher of modern languages in a school in Kingston-upon-Thames.
Winton Capital British Chess Problem Solving Championships 2016
Together with Barry Barnes and Michael Lipton he wrote the book Chess Problems: Introduction to an Art (Faber & Faber, London 1963).
Chess Problems : Introduction to an Art
He composes mostly direct mates, but can composes as well in other genres, including fairies. He is an International Judge for twomovers, helpmates and fairy problems and the former President of the PCCC from 2004 until 2006.
John was awarded the title of “International Grandmaster for chess compositions” in 2015.
From British Chess, Pergamon Press, 1983 by GS Botterill, DNL Levy, JM Rice and MJ Richardson :
“I was taught the moves of chess in 1947 at the age of ten and quickly realised that I liked the game no more than Ludo or Snakes and Ladders where the chances of losing seemed to me unfairly high. But the chess pieces and their moves fascinated me, so it is hardly surprising that before long I had turned to problems and become an ardent fan of Brian Harley in his Observer column, especially as I had come across and paid two shillings (!) for his Mate in Two Moves in a second-hand bookshop in Reigate. Harley, together with T. R. Dawson in the British Chess Magazine and C. S. Kipping in CHESS, provided the sources of my first solving pleasure and the inspiration for my first efforts at composition. Among my early successes was problem l, heavily constructed but strategically rich, a first prizewinner in a tournament for composers under 21, one of a series organised by the British Chess Problem Society.
I had grown up in Scarborough (Yorkshire), out of contact with other problem enthusiasts, and a chance meeting in December, 1954 with Michael Lipton in Cambridge, where we were both taking Scholarship examinations, brought the realisation that there was far more to the two-move chess problem than the solidly entrenched traditionalism espoused in those days by the columns of The Problemist and CHESS. Very soon the bulk of my output was in the modern style (with set and try-play) and published abroad, notably in Die Schwalbe, whose two-move editor, Hermann Albrecht, did much to stimulate my interest. Problem 2 gained a coveted prize in an extremely strong formal tournament judged by Michael
Lipton, following an article of his on the potentialities of the half-battery theme (illustrated here by the arrangement on the c-file).
2
5th prize, 133rd Theme Tournament, Die Schwalbe, 1961.
The half-battery is only one of several themes which have commanded my attention over the past 20 years, others being white self-pin in try and key (illustrated by problem 3), Grimshaw and Nowotny (problem 4), reciprocal and cyclic play (problem V, the first published example of cyclic mates in three phases), pawn-promotion effects, and tasks of various types, especially open gates. My total problem output numbers about 600.
3
The Tablet, Commended, BCPS Ring Tournament 1958; Brian Harley Award
In 1961 I took over from S. Sedgwick the editorship of the problem section of the British Chess Magazine, which post I held until December, 1974. It was a source of pride to me that I was now doing the job once done by the great T. R Dawson, though I knew that I could never bring to it the same tireless energy and all-round expertise which he had displayed so impressively. At about the same time I embarked with Michael Lipton and Robin Matthews on a venture which was to have repercussions throughout the entire problem world,
namely a series of books on problems published by Faber and Faber. The first, Chess Problems: Introduction to an Art (Lipton, Matthews and Rice), appeared in 1963, and was followed three years later by The Two-move Chess Problem: Tradition and Development, also with Michael Lipton, but this time the third collaborator was Barry Barnes, who has long been a close friend and influence. The third book in the series, An ABC of Chess Problems (1970), was a solo effort.
My interest in Fairy Chess dates from a meeting in the mid-1960s with the late John Driver, whose enthusiasm for the pleasures to be derived from non-orthodox forms I found highly infectious. Fairy problems soon began to appear in the BCM column and were favourably received. The serieshelpmate, where White remains stationary while Black plays a sequence of moves to reach a position where White can mate in one, has perhaps interested me more than any other non-orthodox form (see problem Vl), and in 1971 I collaborated with Anthony Dickins to produce a book on the subject, The Serieshelpmate (published by the Q Press, first edition 1971, second edition 1978).
5
1st Prize, Problem 37th Theme Tournament, 1961-62
White mates in 2
Set: 1…Kc6; 2. Qe8 (A)
1…Ke6; 2. Qc8 (B)
Try: 1.Nb6+?, Kc6;2.Qc8 (B)
Ke6;2.Qd6 (C)
Ke7!
Key : 1.Nf6+! Kc6;2.Qd6 (C)
Ke6;2.Qe8 (A)
Since 1974 my problem activities have necessarily been restricted by the demands of family life (wife and two sons, none of them much interested in chess) and my career (schoolmaster, formerly Head of Modern Languages Department and now Director of Studies at Tiffin School, Kingston Upon Thames. Other leisure-time interests (not that there is much leisure time) include cricket and classical music.”
John Michael RiceThe Two Move Chess Problem : Tradition and DevelopmentJohn Rice at a Winton Capital BCPS Problem Solving event at Eton CollegeChess Problems for SolvingThe SerieshelpmateBritish Chess, Pergamon Press, 1983. Editors : GS Botterill, DNL Levy, JM Rice and MJ Richardson
BCN sends best wishes to John Michael Rice on his birthday, July 19th in 1937.
John was born in Scarborough, Yorkshire, North Riding, his mother’s maiden name was Blake. John lives in Surbiton, Surrey and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.
An ABC of Chess Problems
From An ABC of Chess Problems :
“The author is one of the country’s most prolific foremost composers and problem critics. He has gained mainly tourney honours, both at home and abroad, and since 1961 has been editor of a flourishing problem section in the British Chess Magazine, the country’s leading chess periodical. He lives in London and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.”
From chesscomposers.blogspot.com :
John Rice was the chief editor of the problems section of the “British Chess Magazine” from 1961 until 1974 and is a faithful collaborator of “The Problemist“. He has written “Chess Problem: Introduction to an Art” (1963) together with Robin Matthews and Michael Lipton and “The Two-Move Chess Problem” (1966), “Serieshelpmates” (1978) with Anthony Dickins or “Chess Wizardry: The New ABC of Chess Problems” (1996).
Translated from https://peoplepill.com/people/john-michael-rice/ :
“Since the mid-fifties he has composed problems of all kinds, but above all in two moves. In the 1960s he was editor of the problems section of the British Chess Magazine. Since 1999 he has been editor of The Problemist magazine.
International Master of Composition since 1969 and International Judge for Composition since 1972.
President of the PCCC (Permanent Commission for Chess Composition) from 2002 to 2006.
He worked as a teacher of modern languages in a school in Kingston-upon-Thames.
Winton Capital British Chess Problem Solving Championships 2016
Together with Barry Barnes and Michael Lipton he wrote the book Chess Problems: Introduction to an Art (Faber & Faber, London 1963).
Chess Problems : Introduction to an Art
He composes mostly direct mates, but can composes as well in other genres, including fairies. He is an International Judge for twomovers, helpmates and fairy problems and the former President of the PCCC from 2004 until 2006.
John was awarded the title of “International Grandmaster for chess compositions” in 2015.
From British Chess, Pergamon Press, 1983 by GS Botterill, DNL Levy, JM Rice and MJ Richardson :
“I was taught the moves of chess in 1947 at the age of ten and quickly realised that I liked the game no more than Ludo or Snakes and Ladders where the chances of losing seemed to me unfairly high. But the chess pieces and their moves fascinated me, so it is hardly surprising that before long I had turned to problems and become an ardent fan of Brian Harley in his Observer column, especially as I had come across and paid two shillings (!) for his Mate in Two Moves in a second-hand bookshop in Reigate. Harley, together with T. R. Dawson in the British Chess Magazine and C. S. Kipping in CHESS, provided the sources of my first solving pleasure and the inspiration for my first efforts at composition. Among my early successes was problem l, heavily constructed but strategically rich, a first prizewinner in a tournament for composers under 21, one of a series organised by the British Chess Problem Society.
I had grown up in Scarborough (Yorkshire), out of contact with other problem enthusiasts, and a chance meeting in December, 1954 with Michael Lipton in Cambridge, where we were both taking Scholarship examinations, brought the realisation that there was far more to the two-move chess problem than the solidly entrenched traditionalism espoused in those days by the columns of The Problemist and CHESS. Very soon the bulk of my output was in the modern style (with set and try-play) and published abroad, notably in Die Schwalbe, whose two-move editor, Hermann Albrecht, did much to stimulate my interest. Problem 2 gained a coveted prize in an extremely strong formal tournament judged by Michael
Lipton, following an article of his on the potentialities of the half-battery theme (illustrated here by the arrangement on the c-file).
2
5th prize, 133rd Theme Tournament, Die Schwalbe, 1961.
The half-battery is only one of several themes which have commanded my attention over the past 20 years, others being white self-pin in try and key (illustrated by problem 3), Grimshaw and Nowotny (problem 4), reciprocal and cyclic play (problem V, the first published example of cyclic mates in three phases), pawn-promotion effects, and tasks of various types, especially open gates. My total problem output numbers about 600.
3
The Tablet, Commended, BCPS Ring Tournament 1958; Brian Harley Award
In 1961 I took over from S. Sedgwick the editorship of the problem section of the British Chess Magazine, which post I held until December, 1974. It was a source of pride to me that I was now doing the job once done by the great T. R Dawson, though I knew that I could never bring to it the same tireless energy and all-round expertise which he had displayed so impressively. At about the same time I embarked with Michael Lipton and Robin Matthews on a venture which was to have repercussions throughout the entire problem world,
namely a series of books on problems published by Faber and Faber. The first, Chess Problems: Introduction to an Art (Lipton, Matthews and Rice), appeared in 1963, and was followed three years later by The Two-move Chess Problem: Tradition and Development, also with Michael Lipton, but this time the third collaborator was Barry Barnes, who has long been a close friend and influence. The third book in the series, An ABC of Chess Problems (1970), was a solo effort.
My interest in Fairy Chess dates from a meeting in the mid-1960s with the late John Driver, whose enthusiasm for the pleasures to be derived from non-orthodox forms I found highly infectious. Fairy problems soon began to appear in the BCM column and were favourably received. The serieshelpmate, where White remains stationary while Black plays a sequence of moves to reach a position where White can mate in one, has perhaps interested me more than any other non-orthodox form (see problem Vl), and in 1971 I collaborated with Anthony Dickins to produce a book on the subject, The Serieshelpmate (published by the Q Press, first edition 1971, second edition 1978).
5
1st Prize, Problem 37th Theme Tournament, 1961-62
White mates in 2
Set: 1…Kc6; 2. Qe8 (A)
1…Ke6; 2. Qc8 (B)
Try: 1.Nb6+?, Kc6;2.Qc8 (B)
Ke6;2.Qd6 (C)
Ke7!
Key : 1.Nf6+! Kc6;2.Qd6 (C)
Ke6;2.Qe8 (A)
Since 1974 my problem activities have necessarily been restricted by the demands of family life (wife and two sons, none of them much interested in chess) and my career (schoolmaster, formerly Head of Modern Languages Department and now Director of Studies at Tiffin School, Kingston Upon Thames. Other leisure-time interests (not that there is much leisure time) include cricket and classical music.”
John Michael RiceThe Two Move Chess Problem : Tradition and DevelopmentJohn Rice at a Winton Capital BCPS Problem Solving event at Eton CollegeChess Problems for SolvingThe SerieshelpmateBritish Chess, Pergamon Press, 1983. Editors : GS Botterill, DNL Levy, JM Rice and MJ Richardson
BCN sends best wishes to John Michael Rice on his birthday, July 19th in 1937.
John was born in Scarborough, Yorkshire, North Riding, his mother’s maiden name was Blake. John lives in Surbiton, Surrey and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.
An ABC of Chess Problems
From An ABC of Chess Problems :
“The author is one of the country’s most prolific foremost composers and problem critics. He has gained mainly tourney honours, both at home and abroad, and since 1961 has been editor of a flourishing problem section in the British Chess Magazine, the country’s leading chess periodical. He lives in London and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.”
From chesscomposers.blogspot.com :
John Rice was the chief editor of the problems section of the “British Chess Magazine” from 1961 until 1974 and is a faithful collaborator of “The Problemist“. He has written “Chess Problem: Introduction to an Art” (1963) together with Robin Matthews and Michael Lipton and “The Two-Move Chess Problem” (1966), “Serieshelpmates” (1978) with Anthony Dickins or “Chess Wizardry: The New ABC of Chess Problems” (1996).
Translated from https://peoplepill.com/people/john-michael-rice/ :
“Since the mid-fifties he has composed problems of all kinds, but above all in two moves. In the 1960s he was editor of the problems section of the British Chess Magazine. Since 1999 he has been editor of The Problemist magazine.
International Master of Composition since 1969 and International Judge for Composition since 1972.
President of the PCCC (Permanent Commission for Chess Composition) from 2002 to 2006.
He worked as a teacher of modern languages in a school in Kingston-upon-Thames.
Winton Capital British Chess Problem Solving Championships 2016
Together with Barry Barnes and Michael Lipton he wrote the book Chess Problems: Introduction to an Art (Faber & Faber, London 1963).
Chess Problems : Introduction to an Art
He composes mostly direct mates, but can composes as well in other genres, including fairies. He is an International Judge for twomovers, helpmates and fairy problems and the former President of the PCCC from 2004 until 2006.
John was awarded the title of “International Grandmaster for chess compositions” in 2015.
From British Chess, Pergamon Press, 1983 by GS Botterill, DNL Levy, JM Rice and MJ Richardson :
“I was taught the moves of chess in 1947 at the age of ten and quickly realised that I liked the game no more than Ludo or Snakes and Ladders where the chances of losing seemed to me unfairly high. But the chess pieces and their moves fascinated me, so it is hardly surprising that before long I had turned to problems and become an ardent fan of Brian Harley in his Observer column, especially as I had come across and paid two shillings (!) for his Mate in Two Moves in a second-hand bookshop in Reigate. Harley, together with T. R. Dawson in the British Chess Magazine and C. S. Kipping in CHESS, provided the sources of my first solving pleasure and the inspiration for my first efforts at composition. Among my early successes was problem l, heavily constructed but strategically rich, a first prizewinner in a tournament for composers under 21, one of a series organised by the British Chess Problem Society.
I had grown up in Scarborough (Yorkshire), out of contact with other problem enthusiasts, and a chance meeting in December, 1954 with Michael Lipton in Cambridge, where we were both taking Scholarship examinations, brought the realisation that there was far more to the two-move chess problem than the solidly entrenched traditionalism espoused in those days by the columns of The Problemist and CHESS. Very soon the bulk of my output was in the modern style (with set and try-play) and published abroad, notably in Die Schwalbe, whose two-move editor, Hermann Albrecht, did much to stimulate my interest. Problem 2 gained a coveted prize in an extremely strong formal tournament judged by Michael
Lipton, following an article of his on the potentialities of the half-battery theme (illustrated here by the arrangement on the c-file).
2
5th prize, 133rd Theme Tournament, Die Schwalbe, 1961.
The half-battery is only one of several themes which have commanded my attention over the past 20 years, others being white self-pin in try and key (illustrated by problem 3), Grimshaw and Nowotny (problem 4), reciprocal and cyclic play (problem V, the first published example of cyclic mates in three phases), pawn-promotion effects, and tasks of various types, especially open gates. My total problem output numbers about 600.
3
The Tablet, Commended, BCPS Ring Tournament 1958; Brian Harley Award
In 1961 I took over from S. Sedgwick the editorship of the problem section of the British Chess Magazine, which post I held until December, 1974. It was a source of pride to me that I was now doing the job once done by the great T. R Dawson, though I knew that I could never bring to it the same tireless energy and all-round expertise which he had displayed so impressively. At about the same time I embarked with Michael Lipton and Robin Matthews on a venture which was to have repercussions throughout the entire problem world,
namely a series of books on problems published by Faber and Faber. The first, Chess Problems: Introduction to an Art (Lipton, Matthews and Rice), appeared in 1963, and was followed three years later by The Two-move Chess Problem: Tradition and Development, also with Michael Lipton, but this time the third collaborator was Barry Barnes, who has long been a close friend and influence. The third book in the series, An ABC of Chess Problems (1970), was a solo effort.
My interest in Fairy Chess dates from a meeting in the mid-1960s with the late John Driver, whose enthusiasm for the pleasures to be derived from non-orthodox forms I found highly infectious. Fairy problems soon began to appear in the BCM column and were favourably received. The serieshelpmate, where White remains stationary while Black plays a sequence of moves to reach a position where White can mate in one, has perhaps interested me more than any other non-orthodox form (see problem Vl), and in 1971 I collaborated with Anthony Dickins to produce a book on the subject, The Serieshelpmate (published by the Q Press, first edition 1971, second edition 1978).
5
1st Prize, Problem 37th Theme Tournament, 1961-62
White mates in 2
Set: 1…Kc6; 2. Qe8 (A)
1…Ke6; 2. Qc8 (B)
Try: 1.Nb6+?, Kc6;2.Qc8 (B)
Ke6;2.Qd6 (C)
Ke7!
Key : 1.Nf6+! Kc6;2.Qd6 (C)
Ke6;2.Qe8 (A)
Since 1974 my problem activities have necessarily been restricted by the demands of family life (wife and two sons, none of them much interested in chess) and my career (schoolmaster, formerly Head of Modern Languages Department and now Director of Studies at Tiffin School, Kingston Upon Thames. Other leisure-time interests (not that there is much leisure time) include cricket and classical music.”
John Michael RiceThe Two Move Chess Problem : Tradition and DevelopmentJohn Rice at a Winton Capital BCPS Problem Solving event at Eton CollegeChess Problems for SolvingThe SerieshelpmateBritish Chess, Pergamon Press, 1983. Editors : GS Botterill, DNL Levy, JM Rice and MJ Richardson
BCN sends best wishes to John Michael Rice on his birthday, July 19th in 1937.
John was born in Scarborough, Yorkshire, North Riding, his mother’s maiden name was Blake. John lives in Surbiton, Surrey and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.
An ABC of Chess Problems
From An ABC of Chess Problems :
“The author is one of the country’s most prolific foremost composers and problem critics. He has gained mainly tourney honours, both at home and abroad, and since 1961 has been editor of a flourishing problem section in the British Chess Magazine, the country’s leading chess periodical. He lives in London and teaches Modern Languages at Tiffin School, Kingston-Upon-Thames.”
From chesscomposers.blogspot.com :
John Rice was the chief editor of the problems section of the “British Chess Magazine” from 1961 until 1974 and is a faithful collaborator of “The Problemist“. He has written “Chess Problem: Introduction to an Art” (1963) together with Robin Matthews and Michael Lipton and “The Two-Move Chess Problem” (1966), “Serieshelpmates” (1978) with Anthony Dickins or “Chess Wizardry: The New ABC of Chess Problems” (1996).
Translated from https://peoplepill.com/people/john-michael-rice/ :
“Since the mid-fifties he has composed problems of all kinds, but above all in two moves. In the 1960s he was editor of the problems section of the British Chess Magazine. Since 1999 he has been editor of The Problemist magazine.
International Master of Composition since 1969 and International Judge for Composition since 1972.
President of the PCCC (Permanent Commission for Chess Composition) from 2002 to 2006.
He worked as a teacher of modern languages in a school in Kingston-upon-Thames.
Winton Capital British Chess Problem Solving Championships 2016
Together with Barry Barnes and Michael Lipton he wrote the book Chess Problems: Introduction to an Art (Faber & Faber, London 1963).
Chess Problems : Introduction to an Art
He composes mostly direct mates, but can composes as well in other genres, including fairies. He is an International Judge for twomovers, helpmates and fairy problems and the former President of the PCCC from 2004 until 2006.
John was awarded the title of “International Grandmaster for chess compositions” in 2015.
From British Chess, Pergamon Press, 1983 by GS Botterill, DNL Levy, JM Rice and MJ Richardson :
“I was taught the moves of chess in 1947 at the age of ten and quickly realised that I liked the game no more than Ludo or Snakes and Ladders where the chances of losing seemed to me unfairly high. But the chess pieces and their moves fascinated me, so it is hardly surprising that before long I had turned to problems and become an ardent fan of Brian Harley in his Observer column, especially as I had come across and paid two shillings (!) for his Mate in Two Moves in a second-hand bookshop in Reigate. Harley, together with T. R. Dawson in the British Chess Magazine and C. S. Kipping in CHESS, provided the sources of my first solving pleasure and the inspiration for my first efforts at composition. Among my early successes was problem l, heavily constructed but strategically rich, a first prizewinner in a tournament for composers under 21, one of a series organised by the British Chess Problem Society.
I had grown up in Scarborough (Yorkshire), out of contact with other problem enthusiasts, and a chance meeting in December, 1954 with Michael Lipton in Cambridge, where we were both taking Scholarship examinations, brought the realisation that there was far more to the two-move chess problem than the solidly entrenched traditionalism espoused in those days by the columns of The Problemist and CHESS. Very soon the bulk of my output was in the modern style (with set and try-play) and published abroad, notably in Die Schwalbe, whose two-move editor, Hermann Albrecht, did much to stimulate my interest. Problem 2 gained a coveted prize in an extremely strong formal tournament judged by Michael
Lipton, following an article of his on the potentialities of the half-battery theme (illustrated here by the arrangement on the c-file).
2
5th prize, 133rd Theme Tournament, Die Schwalbe, 1961.
The half-battery is only one of several themes which have commanded my attention over the past 20 years, others being white self-pin in try and key (illustrated by problem 3), Grimshaw and Nowotny (problem 4), reciprocal and cyclic play (problem V, the first published example of cyclic mates in three phases), pawn-promotion effects, and tasks of various types, especially open gates. My total problem output numbers about 600.
3
The Tablet, Commended, BCPS Ring Tournament 1958; Brian Harley Award
In 1961 I took over from S. Sedgwick the editorship of the problem section of the British Chess Magazine, which post I held until December, 1974. It was a source of pride to me that I was now doing the job once done by the great T. R Dawson, though I knew that I could never bring to it the same tireless energy and all-round expertise which he had displayed so impressively. At about the same time I embarked with Michael Lipton and Robin Matthews on a venture which was to have repercussions throughout the entire problem world,
namely a series of books on problems published by Faber and Faber. The first, Chess Problems: Introduction to an Art (Lipton, Matthews and Rice), appeared in 1963, and was followed three years later by The Two-move Chess Problem: Tradition and Development, also with Michael Lipton, but this time the third collaborator was Barry Barnes, who has long been a close friend and influence. The third book in the series, An ABC of Chess Problems (1970), was a solo effort.
My interest in Fairy Chess dates from a meeting in the mid-1960s with the late John Driver, whose enthusiasm for the pleasures to be derived from non-orthodox forms I found highly infectious. Fairy problems soon began to appear in the BCM column and were favourably received. The serieshelpmate, where White remains stationary while Black plays a sequence of moves to reach a position where White can mate in one, has perhaps interested me more than any other non-orthodox form (see problem Vl), and in 1971 I collaborated with Anthony Dickins to produce a book on the subject, The Serieshelpmate (published by the Q Press, first edition 1971, second edition 1978).
5
1st Prize, Problem 37th Theme Tournament, 1961-62
White mates in 2
Set: 1…Kc6; 2. Qe8 (A)
1…Ke6; 2. Qc8 (B)
Try: 1.Nb6+?, Kc6;2.Qc8 (B)
Ke6;2.Qd6 (C)
Ke7!
Key : 1.Nf6+! Kc6;2.Qd6 (C)
Ke6;2.Qe8 (A)
Since 1974 my problem activities have necessarily been restricted by the demands of family life (wife and two sons, none of them much interested in chess) and my career (schoolmaster, formerly Head of Modern Languages Department and now Director of Studies at Tiffin School, Kingston Upon Thames. Other leisure-time interests (not that there is much leisure time) include cricket and classical music.”
John Michael RiceThe Two Move Chess Problem : Tradition and DevelopmentJohn Rice at a Winton Capital BCPS Problem Solving event at Eton CollegeChess Problems for SolvingThe SerieshelpmateBritish Chess, Pergamon Press, 1983. Editors : GS Botterill, DNL Levy, JM Rice and MJ Richardson
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