All posts by Richard James

2020, Books, Reviews, Thinkers Publishing, Training

Sherlock’s Method – The Working Tool for the Club Player

January 21, 2021 Richard James 1 Comment

From the book’s rear cover :

“The book before you is a product of what happens when two chess players start a relationship (which started over six years ago) and enter a dialogue about how to get ready for the next tournament. The content of this book is a training program for players who plan to play an over-the-board tournament a few weeks from the time they start training with this book. This book, unlike other similar books in the field of improvement, does not have a central theme. In other words, we are not focused solely on openings, middlegames or endgames. Moreover, the book does not only concentrate on specific themes (calculation, positional decisions, or other strategic aspects), though many of these concepts are addressed throughout the book. Instead, this book offers a holistic view on how to approach every single position in it, regardless of the phase of the game or the nature of the position. We try to teach players how to identify types of decisions in various positions, while pointing at the trade-off between a hardcore calculation and a heuristics judgment.”

“GM Elshan Moradiabadi was born and raised in Tehran, Iran. He learned to play chess at age 7 by watching his dad play against a friend. His passion and will to get better grew fast and in 2001, at the age of 15, he won Iran’s Chess Championship with a 2712 rating performance. He became a GM in 2005 and represented Iran in five Chess Olympiads. He won the Bronze Medal at the Asian Games in 2006 with the Iranian team. Elshan received his B.S. in Chemical Engineering from Sharif University of Technology and moved to the United States in 2012. Since then, he has been active in the US chess scene. In his first years, he pursued two master’s degrees from Texas Tech University (TTU). With the TTU chess team he won the Final Four in 2012 and the Pan Ams in 2015. Elshan has also essayed numerous articles and reports for different chess websites and publications. Elshan coached the US team in the World Team Championship in 2019 in Astana, Kazakhstan.”

“WGM Sabina Foisor was born in 1989 in Romania to a chess family and learned to play chess at age 4. With two International Masters and her mother being one of the strongest female chess players in the country and world, Sabina soon followed in her footsteps. She won multiple National and European titles in her age category (from Girls under 8-20) in different styles of chess (Normal, Blitz, Rapid and Solving Problems). Sabina was awarded the title of WGM in 2007 and a year later, she received a full scholarship to attend college in the United States. She pursued her undergraduate and master’s degrees in Linguistics and Intercultural Communication. She has represented the United States since 2009, being an important part of the US team in five Chess Olympiads and four Women’s World Team Championships. Her biggest achievement was winning the US Women’s Chess Championship in 2017 after unexpectedly losing her mother two months previously.”

I have two theories.

One is that most players would be much better off reading books aimed at a lower level than books aimed at a higher level.

(Here, for example, is a friend of mine, possibly a slightly stronger player than me, discussing Michael Stean’s excellent book Simple Chess, a short pre-computer book aimed at average club players. Just the sort of book that many of today’s coaches would advise you not to read, partly because some of the analysis no longer stands up and partly because it’s over-simplistic.)

My second theory follows on from this: most chess books are really suitable for much higher rated players than the publishers claim. Consider, for example, books marketed as being ‘for kids’ which are essentially books written for adult club players with a few added cartoons.

Here’s what the authors have to say in their introduction:

“This book is composed of three parts, each broken down into two subsections. The parts are as follows: simple positions, endgames, and complex decisions. There are 150 positions in the first part, 120 in the second part, and 42 in the third part. The targeted readers for the book are players rated between 1700 and 2300. The range may seem rather wide, but the variety of concepts addressed makes it possible for the players in the aforementioned range to enjoy and learn from the book’s content.”

They recommend you spend up to 15 minutes per exercise in Parts I and II, and 25 minutes per exercise in part III.

You should write down your thoughts, read the solutions, and, in a week’s time, repeat the process to see how your thinking process has changed.

The USP of this book is that the authors, who are fans of detective fiction, introduce each part with a Sherlock Holmes pastiche, which you might, I suppose, either like or find a trifle annoying. The idea is that, just as Holmes used specific thinking processes to solve crimes, the reader has to use specific thinking processes to solve the exercises.

As a player of about 1900 strength, I should, at least in terms of rating, be part of the target audience for the first two parts of the book. Let’s look at a few examples and find out.

This is Q8. It’s in Chapter 1 so it’s a Simple Position. It’s Black to play his 24th move in Handke – Naiditsch (Bundesliga 2017). Here’s the authors’ analysis of this position.

24… Rxd4!

This would have been the correct continuation.

Instead 24… Bxb4?? was chosen by Black. OK, the ideas are easy, but not too easy! This is an example of considering the opponent’s counterplay before committing to a non-forcing tactical sequence. Black picks up a pawn, but White is not forced to take back immediately, and in fact obtains a winning position with a critical in-between move. After 25. Ng5! g6 26. cxb4 Rxd4 27. Qc3! the queen’s path is paved for her to be transferred to the kingside where Black is rather helpless due to the numerous weaknesses and the lack of presence of his pieces to defend his king. After 27… Rd5 28. Qh3 h5 29. Bxh5! +- White is completely winning, but somehow ended up losing this winning position after not committing to 29… Kg7 30. Bxg6! Rh8 31. Bh5!.

25. cxd4 Bxb4 (slight advantage to Black)

Now White can continue with his attacking plan on the kingside. However after:

26. f5 exf5 27. Rxf5 g6 28. Rf2 Bxa5!

White’s idea with Nd6 is not so consequential as f7 is well-protected.

29. Nd6 Qc7 30. Rcf1 Bd5 31. Bf3 Be6

and White’s initiative is gone, while Black’s queenside will start to roll soon.

(Well, Stockfish 12 is much less convinced than Stockfish 11 that Black is a lot better here, but we’ll let it pass.)

Would you consider this a Simple Position? I didn’t try to solve it myself, and am not sure how much, if anything, I would have seen in 15 minutes. If the position was too hard for a 2684 rated GM it would certainly be too hard for me.

In fact many of the examples in the book are positions which top GMs (Carlsen, Anand and many others) failed to get right.

I found this position, where Anand played the correct move, instructive.

In the game Anand – Grischuk (WCh Rapid 2017) White’s bishop on b2 looks strong, but Vishy chose to trade it off with 16. Bxf6!.

The authors explain:

“Great judgment and a simple decision.

“The pawn on e4 was under fire from Black’s pieces while Black was planning to exert more pressure by playing … Ba5. With this move and the next one, Vishy completely outplays Black’s bishop on b6.”

After 16… Qxf6 17. Nc4! they add:

“White gradually builds up his play on the kingside as the bishop on b6 does not take part in the game!”

Here’s an everyday pawn ending. With seconds remaining on the clock, Quang Liem Le had what looked like a 50-50 shot in his game against Mamedov.

He chose 52. Kd3?, which soon lost, but could have saved a half point by going the other way:

52. Kf3! Kd4 53. Kf2! taking the diagonal opposition, when both players queen.

Very instructive again, but what you really want to know is whether I enjoyed the book.

To be perfectly honest, not very much.

I read chess books primarily for enjoyment. If I happen to learn something as well, that’s a bonus. I found the more positional questions helpful, while the tactical exercises, with a lot of computer generated analysis, made my brain hurt. But that’s just me.

If, however, you’re really serious about improving your chess and you’re prepared to follow the instructions, working hard on each position, then this could be just the book for you.

The positions are well chosen to cover a wide range of themes, and the solutions are fully explained. You might think some of the explanations might have been clearer, and the English, although it doesn’t really matter, might have been more idiomatic. You might also notice that, in positions where margins are very thin, different engines will choose different moves and give different assessments. You might wish for some recognition of human factors such as ‘playability’ rather than just computer analysis. But strong and ambitious players who have the time and motivation to put in the required effort will undoubtedly benefit a lot.

Where I’d disagree with Moradiabadi and Foisor is that I’d consider it most suitable for players of at least 2000 strength. I think the 1700-1999 folk would probably learn more from either simpler or more specifically targeted positions.

As a final word, I should add that, as always with Thinkers Publishing, the production values are excellent.

Richard James, Twickenham 21st January 2021

Book Details :

Hardcover: 448 pages
Publisher: Thinkers Publishing; 1st edition (19 Nov. 2020)
Language: English
ISBN-10:949251091X
ISBN-13:978-9492510914
Product Dimensions: 16.51 x 1.91 x 22.86 cm

Official web site of Thinkers Publishing

2020, Batsford, Books, Reviews

Magnus Carlsen : 60 Memorable Games

January 14, 2021 Richard James 2 Comments

“International Grandmaster Andrew Soltis is chess correspondent for the New York Post and a very popular chess writer. He is the author of many books including What it Takes to Become a Chess Master, Studying Chess Made Easy and David vs Goliath Chess.”

From the Batsford web site :

“Following on from the long success of one of the most important chess books ever written, Bobby Fischer: My 60 Memorable Games, renowned chess writer Andrew Soltis delivers a book on today’s blockbuster chess player Magnus Carlsen.

Magnus Carlsen has been the world’s number one player for more than a decade, has won more super-tournaments than anyone ever and is still in his prime. He is the only player to repeatedly win the world championships in classical, speed and blitz chess formats. This book details his remarkable rise and how he acquired the crucial skills of 21st-century grandmaster chess

He will defend his world championship title this autumn and if he wins, it will set a record of five championship match victories. This book take you through how he wins by analysing 60 of the games that made him who he is, describing the intricacies behind his and his opponent’s strategies, the tactical justification of moves and the psychological battle in each one.

This book is essential for chess enthusiasts, competitors and professionals of all skill sets.”

Andrew Soltis has been a prolific author of chess books over the course of several decades. I first encountered him when I read – and thoroughly enjoyed The Younger School of Soviet Chess, published by Bell, the predecessors of Batsford, back in 1976. I particularly relished his unique, story-telling style of annotation, which has been a feature of many of his books.

His titles have ranged widely, from opening monographs to serious historical works, often concerning chess in the old Soviet Union. Yet he’s never received the publicity accorded to other, more colourful and controversial, writers, nor, perhaps, the respect he deserves.

Perhaps this is because he’s never been published by today’s leading chess book publishers. His historical works are published by McFarland, while he’s written a steady stream of books for average club player under the Batsford imprint.

Ah yes, Batsford. Back in the day they were the most celebrated publisher of chess books on the planet. They can trace their chess ancestry back to Staunton’s friend and publisher Henry Bohn, whose business was later taken over by George Bell & Sons, who were in turn taken over by Batsford. But that’s a story for another time. Batsford are still publishing chess books, although, compared to their glitzier rivals, they have a rather old-fashioned appearance. Soltis is the author of many of their more recent books, but they also have the rights to a number of classic titles, most notably Fischer’s My Sixty Memorable Games.

The first thing you’ll notice about Soltis’s new collection of Magnus Carlsen’s games is the title: Magnus Carlsen: 60 Memorable Games. Cheeky, or what? It wasn’t difficult to get the publishers’ approval, and the original author was sadly not around to object, although I suspect his ghost is ranting and raging even now.

A misjudgement, I think: a different number of games and a different adjective would have been fine. But they say you can’t judge a book by its cover, so let’s look inside.

The format is very similar to Bobby’s book. Sixty chapters with one game to a chapter, each having a catchy title and a brief introduction putting it in context. One difference is that all the games are wins for our hero. You wouldn’t say they were necessarily his greatest games, though. They include blitz and blindfold games, and, for example, the game where he famously hung a piece in the opening against Gawain Jones. In fact you get more than 60 games for your money: there are several others in Soltis’s introduction, and more buried within the annotations.

At the start of the book Soltis asks “What made Magnus?”. The first answer is revealing: playability. The ability to judge how easy positions are to play. This is a point which is hammered home throughout the book. Carlsen excels at assessing positions, but his assessments are based on which player will find it easier to play good moves, which is often very different from computer assessment. Then there’s his versatility: he can play any type of position equally well and might play almost any opening against you. As we all know, he has an exceptional memory. He also has a very strong mindset: he is able to recover quickly from defeats and fight back from mistakes in his games. Readers of Chess Improvement: It’s all in the Mindset will know how important this is. He has exceptional stamina, which is why he will play on and on waiting for a mistake in positions which most of us would give up as drawn. He is also highly intuitive.

This is not the only anthology of Carlsen’s games on the market. Whether or not it’s the one for you will depend on how you react to Soltis’s style of annotation, which is very much based on verbal explanations. Variations are given where necessary, but what you don’t get, and many potential readers will be relieved by this, is pages of long computer-generated analysis.

This is a position from one of the earlier games in the book, Brynell – Carlsen (Gausdal 2005), with White to play his 32nd move.

If I were Black here I’d look at the equal material and bishops of opposite colours and consider offering a draw followed by heading off to the bar for a pint.

Here’s Soltis:

“Why doesn’t White have the superior winning chances? After all, he has the famous ‘queenside pawn majority’.

“Yes, but there are two factors that matter much more. One is the difference in bishops.

“White’s bishop has no offensive power. While queens are on the board it can only defend.

“Black’s bishop, on the other hand, ties White’s queen to the defense of f2.

“That’s not enough to give Black an edge. But it’s enough to keep the game going.”

32. Qf3 f5!

“This is the second factor that favors Black. Carlsen has a kingside pawn majority.

“They cannot create a useful passed pawn, as a queenside majority might.

“But they can become a powerful offensive weapon if …e5-e4 and …f4-f3+ drives the white queen from the defense of f2.

“A secondary plan is … g5-g4 and … h5-h4-h3+.

“Note that if White offers a trade of queens, even by 33. Qf4 Qxf4 34. gxf4, Black could refuse, 33… Qb2!, for example.”

What do you think? I, as a 1900 strength player, found the explanation very instructive, but I’d imagine someone of, say, 2200 strength would find it obvious and over-simplistic.

Here’s another example, this time an opening. Carlsen – Wojtaszek (Gashimov Memorial 2018).

Carlsen’s just played his 9th move in an unusual variation of the Sicilian.

“Here’s an admittedly over-simplified way of evaluating the position:

“First, just look at the top half of the diagram.

“The Black pieces and pawns are on the same squares they could be on in other balanced Sicilian positions, such as in the Richter-Rauzer or Scheveningen variations.

“Now look at the bottom half of the diagram. White’s pieces and pawns are uncommon but coordinated. The worst thing you could say is that he has no obvious plan except a kingside attack, begun by pushing his g-pawn.

“Now let’s consider specifics. After 9… Be7 White must avoid 10. g4? because 10… Nxg4! 11. fxg4? Bg5! loses his queen.

“Instead, 10. Kb1 0-0 11. g4 and then 11… Nd7, perhaps followed by … Nc5 and … b4 would have the double-edged nature of a typical Sicilian.”

Instead, Wojtaszek played 9… h5, when, because Carlsen’s knight was on g1 rather than d4, he was able to meet by Nh3 followed by Ng5, winning in short order when Black chose to keep his king in the centre.

“Over-simplified”? That word again. But top level games these days are so complicated that it’s hard to annotate them for club standard players.

I found the annotations of more tactical positions slightly confusing on occasion, but, given the nature of the games, that’s entirely understandable. By and large, Soltis does a good job in attempting to explain his selected games in terms that are readily understandable and instructive to club standard players. He’s a highly experienced journalist who really knows how to write: something that can’t be said of all chess authors.

You might have noticed that, although published in England, US spellings are favored (sic). I spotted a few notation and diagram errors: slightly annoying but there will always be one or two that slip through the net.

Games collections are rightly popular, and every chess library needs at least one volume of Carlsen’s best games. This isn’t the last word, not least because Magnus has many more years ahead of him, and there are other books on the market which I don’t have to hand for direct comparisons. It’s always a good idea to consider alternatives before making your move.

I enjoyed it: the games were well chosen and all full of interest. I found the annotations were pitched at the right level for me. While higher rated players find prefer more detailed notes, if you’re between about 1500 and 2000 strength I’m sure you’ll enjoy it too.

Here, in full, but without annotations, are the games referred to above.

Richard James, Twickenham 14th January 2021

Book Details :

Paperback : 384 pages
Publisher:Batsford Ltd; 1st edition (12 Nov. 2020)
Language:English
ISBN-10:1849946507
ISBN-13:978-1849946506
Product Dimensions: 15.24 x 2.79 x 23.37 cm

Official web site of Batsford

2020, Books, Everyman Chess, Problems, Reviews, Studies, Tactics, Training

Rewire Your Chess Brain : Endgame studies and mating problems to enhance your tactical ability

January 8, 2021 Richard James 1 Comment

Cyrus Lakdawala is an IM and former US Open Champion who teaches chess and has written over 25 books on chess openings.

The ever prolific Cyrus Lakdawala’s latest book offers a collection of endgame studies and problems aimed primarily at players who are not all that familiar with the world of chess compositions.

Much of the material is taken from the Facebook group Chess Endgame Studies and Compositions which Lakdawala runs with Australian GM Max Illingworth. I should declare an interest here as I’m a member of, and a very occasional contributor to, this group.

The first half of the book introduces the reader to the world of endgame studies. After a brief preliminary chapter taking us on a journey of almost a thousand years up to 1750 (though I’m not sure how Al Adli was composing in both 800 and 900), we move onto a collection of studies with the stipulation ‘White to play and draw’. Like this one (the solutions are at the end of the review).

Frédéric Lazard L’Échiquier de Paris 1949

(Lazard’s first name is anglicized to Frederick in the book. He died in 1948: perhaps this was first published in a posthumous tribute.)

The next, and longest, chapter is, you won’t be surprised to hear, devoted to ‘White to play and win’ studies.

Another short example:

Mikhail Platov Shakhmaty 1925

Then we move on from studies to problems. After a brief excursion to Mates in 1 in Chapter 4, Chapter 5 deals with mates in 2, like this one from the ever popular Fritz Giegold.

Fritz Emil Giegold Kölnische Rundschau 1967

(The first word of the newspaper is given as Kolner, without an umlaut: Wikipedia tells me the correct name.)

Another composer to feature heavily in this book is the great Puzzle King himself: Sam Loyd. Here’s an example from Chapter 6: Mates in Three Moves.

Sam Loyd Cleveland Voice 1879

Chapter 7 brings us some mates in four or more moves. Chapter 8 looks at some eccentric problems, Chapter 9 looks at study like themes in real games (yes, Topalov-Shirov, as you probably guessed, is there), and finally Chapter 10 presents us with some studies composed by young American IM Christopher Yoo.

On a personal level, I’d have liked some helpmates, which are often very attractive to practical players, and perhaps also problems with other stipulations: serieshelpmates or selfmates, for example. A short introduction to fairy pieces and conditions would also have been interesting. Something for a sequel, perhaps?

Cyrus Lakdawala has a large and devoted following, and his fans will certainly want this book. Those who don’t like his style will stay well clear. As for me, I find Everyman Cyrus a far more congenial companion than NiC Cyrus: do I detect a firmer editorial hand in removing some of the author’s more fanciful analogies? Given the nature of the book I think it works quite well: entertaining positions can take ‘entertaining’ writing but more serious material demands more serious writing.

The studies and problems are well chosen to be attractive to the keen over the board player who is not very familiar with the world of chess compositions. If you don’t know a lot about this aspect of chess and, perhaps enjoying the examples in this review, would like to investigate further, this book would be a good place to start.

The current Zeitgeist seems to demand that chess books are marketed as being good for you rather than just enjoyable and entertaining, and here it’s claimed that solving the puzzles in this book will ‘without question, undoubtedly improve the ‘real world’ tactical ability of anyone attempting to do so. Well, possibly. Solving endgame studies has been considered by many, Dvoretsky for one, to be beneficial for stronger players, and I quite understand why. I’m less convinced, though, that solving problems is the most effective way to improve your tactical skills, but it may well give you an increased appreciation of the beauty that is possible over 64 squares, and inspire you to find beautiful moves yourself.

My issue with the book concerns lack of accuracy, particularly in the problem sources. Puzzle 190 was composed by (the fairly well known) Henry D’Oyly Bernard, not by (the totally unknown) Bernard D’Oily. Frustratingly for me, I seem to remember pointing this out to the author on Facebook. Puzzle 242, a much anthologised #3 by Kipping, is given as ‘Unknown source 1911’. It took me 30 seconds (I know where to look) to ascertain that it was first published in the Manchester City News. As Fritz Giegold was born in 1903, it seems unlikely that he was precocious enough to compose Puzzle 237 in 1880. Again, a quick check tells me it was actually published in 1961. And so it goes on.

It’s not just the sources: the final position of puzzle 203 has three, not four pins. Someone with more knowledge of chess problems might have pointed out that in Puzzle 164 Sam Loyd displays an early example of the Organ Pipes Theme.

Even the back cover, which you can see below, is remiss, in claiming that ‘In a chess puzzle, White has to force mate in a stipulated number of moves’. No – you mean ‘chess problem’, not ‘chess puzzle’.

Chess problem and study enthusiasts are, by their nature, very much concerned with accuracy. It’s unfortunate that this book doesn’t meet the high standards they’d expect.

To summarise, then: this is a highly entertaining book which will appeal to many players of all levels, especially those who’d like to find out more about studies and problems. It’s somewhat marred by the unacceptable number of mistakes, which might have been avoided with a bit of fact checking and a thorough run through by an expert in the field of chess composition.

(Apologies for the repeated diagrams in the solutions: it’s a function of the plug-in used by British Chess News.)

Richard James, Twickenham 7th January 2021

Book Details :

Paperback : 530 pages
Publisher:Everyman Chess (31 August. 2020)
Language:English
ISBN-10:1781945691
ISBN-13:978-1781945698
Product Dimensions: 17.45 x 2.97 x 24.08 cm

Official web site of Everyman Chess

2020, Books, Coaching, Crown House Publishing, Reviews

Chess Improvement: It’s all in the mindset

December 21, 2020 Richard James 6 Comments

Chess Improvement: It’s all in the mindset : Barry Hymer and Peter Wells

From the publisher :

“Written by Barry Hymer and Peter Wells, Chess Improvement: It’s all in the mindset is an engaging and instructive guide that sets out how the application of growth mindset principles can accelerate chess improvement.

With Tim Kett and insights from Michael Adams, David Howell, Harriet Hunt, Gawain Jones, Luke McShane, Matthew Sadler and Nigel Short.

Foreword by Henrik Carlsen, father of world champion Magnus Carlsen.

Twenty-first-century knowledge about skills development and expertise requires us to keep such mystical notions as fixed ‘talent’ in perspective, and to emphasise instead the dynamic and malleable nature of these concepts.

Nowhere is this more apparent than in chess, where many gifted players fall prey to plausible but self-defeating beliefs and practices – and thereby fail to achieve the levels their ‘natural’ abilities predicted. Happily, however, the reverse can be true too; through learned dispositions such as grit, risk-taking, strategic thinking and a capacity for sheer hard work, players of apparently modest abilities can achieve impressive results.

Blending theory, practice and the distinct but complementary skills of two authors – one an academic (and amateur chess player) and the other a highly regarded England Chess Olympiad coach (and grandmaster) – Chess Improvement is an invaluable resource for any aspirational chess player or coach/parent of a chess player.

Barry and Peter draw on interviews conducted with members of England’s medal-winning elite squad of players and provide a template for chess improvement rooted in the practical wisdom of experienced chess players and coaches.

They also include practical illustrative descriptions from the games and chess careers of both developing and leading players, and pull together themes and suggestions in a way which encourages readers to create their own trajectories for chess improvement.”

Professor Barry Hymer at Didactics of Strategy Games, October 13th 2016, courtesy of John Upham Photography

GM Peter Wells, King's Place Rapidplay 2013, Courtesy of of John Upham Photography — GM Peter Wells, King’s Place Rapidplay 2013, Courtesy of of John Upham Photography

If you visit the Chess Palace at the end of my garden you’ll find quite a few chess books and magazines. But if you visit my office and look at the shelves above my desk you’ll find a lot of books on education, child development, psychology, parenting, conditions such as autism and ADHD. There are not many books which would fit equally well in both my office and the Chess Palace, but this is one. Perhaps I need a second copy.

The authors are a well matched team. Barry Hymer is a distinguished academic specialising in educational psychology, and also a strong amateur chess player. Peter Wells is an experienced grandmaster and élite level coach with an interest in psychology. Tim Kett, another strong player and experienced chess coach, also made a significant contribution to the book.

England’s six strongest players, Mickey Adams, Nigel Short, Gawain Jones, David Howell, Luke McShane and Matthew Sadler, along with one of our top woman players, Harriet Hunt, were interviewed for the book. I wonder if Jovanka Houska was also invited. Henrik Carlsen, Magnus’s father, agreed to provide the preface.

The main message of the book, which draws heavily on the work of Carol Dweck and other researchers, is that having a growth rather than a fixed mindset is a major factor in chess improvement. If you see yourself as someone who can grow as a player you will do so, but defining yourself by your current rating will leave you stuck.

Chapter 1 introduces the concept of mindset theory and how it applies to chess. The authors then provide us with their chess mindset biographies: Hymer tells of his unfulfilled early promise while Wells is brutally honest about what he sees as underachievement and psychological failings.

The remaining chapters start with Hymer giving the theoretical and research background, followed by Wells looking at the same subject from a practical point of view. Finally, there are some very helpful guidelines for parents and coaches, for which Kett was partly responsible.

Chapter 2 concerns Motivation. Hymer explains the difference between extrinsic (prizes, rewards) and intrinsic (from the game itself) motivation, explaining that intrinsic motivation is, by and large, more likely to lead to improvement. I’d add here that many competitions for young children are very big on extrinsic motivation, from fluffy mascots to outsize trophies.

Wells then provides us with the views of his interviewees, all of whom, as you would expect, just enjoy playing chess. Several of them related that they really enjoyed reading chess books when they were younger, and some also enjoyed the beauty of endgame studies. His points are illustrated by examples from play.

I was particularly interested to see a game with which I was very familiar: played by Luke McShane in the 1992 World U10 Championship. I knew his opponent as Aronov: I hadn’t realised until now that this was Aronian, who was at that time using the Russian version of his surname.

Wells was impressed by the sophistication of McShane’s play after a poor opening and suggested that he had already studied Nimzowitsch. After White’s 7th move he speculated that ‘Luke was just making it up’.

I have a story about this game which can now be told for the first time. Before the tournament Luke’s father sent me copies of his recent scoresheets and I provided some feedback. Luke had played this poor variation before and, as I was playing the Schliemann myself at the time and had won several games on the black side of this line, I was able to identify the problem. I suggested to his father that he needed something different against the Schliemann in case it came up in the tournament, but my advice was ignored.

It was all the more amusing, then, to turn to Chapter 7 and read: “Sometimes, as with Richard James, the very thoughtful and experienced influence behind Richmond Junior Chess Club’s involvement in Luke’s early career, the advice was directed to his father, reinforcing Rod McShane’s already impressively sound instincts as to how to help his son.”

Chapter 3 is about Challenge and Feedback. Should you challenge yourself by playing in stronger tournaments where you might not score many points but you’ll learn from playing stronger opponents? Or should you play in weaker tournaments where you hope to win most of your games and perhaps receive a reward, financial or otherwise, for doing so? What is the best way for chess teachers to give feedback to their students?

In general, mindset theory suggests you should play up, but it doesn’t always work out. Nigel Short recalls playing in the Phillips & Drew Tournament in 1982 where he was rather out of his depth, scoring 3½/13. “Even at the time, concerns were widely expressed that Nigel had been launched into a level for which he was just not ready, but he is now adamant that there were simply no adults around to see the danger in advance. Nigel himself is in no doubt that this did tangible damage to his confidence and appetite to the game and thereby impeded his development for some time after – that was ‘not a learning experience, that was trauma’. ” Of course different players will respond differently. Luke, for example, has no such memories. But the general message here is to mix challenging and confidence boosting events.

On the subject of feedback, specific praise and constructive criticism are valued, but general praise can be less than useful. Harriet Hunt is interesting here on girls in chess. “She felt subjected to much gender-grounded feedback, some of it critical for sure, but also large amounts of condescension in the form of ‘praise and patting on the head’. … More generally, she shares my conviction that girls in chess tend to be held back by excessive adulation for relatively modest achievements in a way that can damage their motivation.”

I particularly liked two of the pieces of advice for parents and coaches at the end of this chapter: “Discourage children from counting their trophies.” and “When they finish a tournament game, don’t ask the result!”. You might have to think about both of them.

Chapter 4 looks at “the right kind of effort: making practice purposeful”. Most of us are familiar with Ericsson’s ‘10,000 hour rule’, but what do we mean by ‘deliberate practice’ and how does it apply to chess? In fact the interviewees, by and large, approached chess in a rather less structured way than might be expected. Wells then talks at length about various aspects of studying openings before moving onto tactics and endings.

The important subject of Failure is tackled in Chapter 5. All chess players lose games from time to time. All tournament players will experience bad tournaments. Different players will deal with this in different ways.

Hymer reached this position with black in Round 4 of the 2018 Blackpool Open. It’s an easy win: all he has to do is play fxg5 (or f5) to fix the king-side pawns, march his king round to the queen side and create a passed pawn. But instead he played the immediate and catastrophic Ke8, and after the reply f5 had to resign. “I withdrew from the tournament”, he admitted, “and headed home, seriously contemplating another three-decade separation from chess”.

Wells then addresses the issues of how to cope when something goes wrong in your game, how to respond to a loss in your next game, and how to reflect on your defeats before the next tournament.

Chapter 6 brings us on to Metacognition – thinking about thinking. Being aware of your thought processes, and, beyond that, being able to regulate them, is not only important in terms of chess improvement but is a vital life skill. After Barry Hymer’s theoretical background, Peter Wells considers the effect of metacognition on chess style, and whether it’s preferable to develop a ‘universal’ style or to focus on your specific strengths and preferences. Of particular interest here is a section devoted to the role of style in Matthew Sadler’s professional chess career.

Finally, Chapter 7 is about Cooperation. Hymer explains the latest research into the advantages of working together within small groups. Then Wells looks at the practical side of cooperation, emphasising the importance of parents, mentors and coaches for younger players, and then writing about the camaraderie and sportsmanship which exists at all levels of chess.

This is from the game Wells – Priehoda (Cappelle-la-Grande Open 1992) where White played the winning combination 25. Nb5+ Kc8 26. Rxc6+ Rxc6 27. Nxa7+ Kc7 28. Rxd7+ Kxd7 29. Nxc6 Ra8 30. a6 Kc7 31. Nb4 1-0

The loser responded not only with generous words but by submitting the combination to Chess Informant: a sporting gesture indeed.

By now we’ve reached the epilogue and, having learnt a lot of interesting and helpful information about mindset theory, it’s rather perturbing to read in a footnote: “(John) Hattie attributes having a growth rather than a fixed mindset to a modest effect size of 0.19 in recent presentations, and the Education Endowment Foundation has failed in their research to find a compelling reason to do mindset interventions in schools and classrooms.”.

So, have we all been wasting our time? Not at all, claims Hymer: schools tend to have ‘superficial or muddled understandings’. Yes, I can understand that. My impression is that some schools tend to jump on the latest education bandwagon without a lot of thought. A decade or so ago it was VAK (look it up!), then it was Mindsets: for some it’s Chess on the Curriculum.

I was already familiar with the concept and had read Carol Dweck’s book on the subject. I was also aware that the whole idea had been criticised in some quarters: here, for instance (with my apologies for a rather rude word), is respected education author and blogger David Didau’s take on mindset theory. There’s a lot more on both sides of the argument online if you care to look. You pay your money and you take your choice.

My view, as an interested and reasonably well informed layman, is that Mindset Theory has its uses in certain situations, but needs to be treated with discretion. Hymer seems to think that almost anyone could become a strong player given sufficient time and the right mindset. I don’t think I agree. Estimates for the heritability of IQ range from something like 50% to 80% so it seems reasonable to assume that chess ability (which is in itself a macro-skill comprising a lot of micro-skills) is also in part heritable. His views – and this may explain his promotion of Mindset Theory – are a lot closer to the nurture end of the nature-nurture spectrum than mine.

This leads into my other problem with the book. We hear a lot of grandmaster voices, all of whom have interesting and sometimes contradictory things to say. I found the contributions of Matthew Sadler and Luke McShane particularly valuable: it may not be a coincidence that they are perhaps the two strongest amateur chess players in the world. But I also wanted to hear the voices of lower rated players who are interested in chess improvement. Ben Johnson’s popular Perpetual Chess Podcast, for example, often features adult improvers. Hearing from ambitious teenagers might also have been valuable, and it would have been good to hear more than one female voice. I’m not sure how helpful this fixation with top grandmasters really is: one issue for me is that many of the games and positions Wells uses to make his points were rather too difficult to be personally useful to this 1900 strength player.

In spite of my reservations I’d still offer a strong recommendation for this book, which takes a fresh, even if sometimes controversial, approach to chess improvement. It’s well written, well structured and often very funny. On almost every page you’ll find nuggets of wisdom which will, at the very least, make you stop and think.

There are, of course, very many books on the market which will show you how to play good moves, but there are very few that consider what’s happening in both your mind and your brain when you play. An understanding of these issues will improve both your rating and your enjoyment of chess. The book will also be especially valuable – perhaps essential reading – for chess teachers and parents.

The publishers, Crown House, may be a new name to you. They specialise in books on education and self help, and, as their logo is a chess queen, it seems only right that they should branch out into our favourite game. This book is already high up in the Amazon best seller list for chess books, so perhaps it’s reaching an audience away from the usual chess community. There’s certainly scope for more books in the field of chess psychology and education: we at British Chess News hope this will be the first of many books from this publisher.

Richard James, Twickenham 21st December 2020

Book Details :

Paperback : 352 pages
Publisher: Crown House Publishing (16 Oct. 2020)
Language: English
ISBN-10: 1785835025
ISBN-13: 978-1785835025
Product Dimensions : 15.75 x 2.29 x 23.37 cm

Official web site of Crown House Publishing

2019, Books, Middlegame, New in Chess, Reviews, Tactics

Forcing Chess Moves : The Key to Better Calculation

December 1, 2020 Richard James 1 Comment

Forcing Chess Moves : The Key to Better Calculation : Charles Hertan

Forcing Chess Moves : The Key to Better Calculation, New in Chess, Charles Hertan, 2019

From the publisher :

“Charles Hertan is a FIDE master from Massachusetts with several decades of experience as a chess coach. He is the author of the bestselling Power Chess for Kids series. Joel Benjamin broke Bobby Fischer’s record as the youngest ever US master. He won the US Championship three times and has been a trainer for more than two decades. His book Liquidation on the Chess Board won the 2015 Best Book Award of the Chess Journalists of America (CJA). His latest book is the highly acclaimed Better Thinking, Better Chess.”

From the book’s rear cover :

“Why is it that the human brain so often refuses to consider winning chess tactics? Every chess fan marvels at the wonderful combinations with which famous masters win their games. How do they find those fantastic moves? Do they have special vision? And why do computers outwit us tactically? Forcing Chess Moves proposes a revolutionary method for finding winning moves.

Charles Hertan has made an astonishing discovery: the failure to consider key moves is often due to human bias. Your brain tends to disregard many winning moves because they are counter-intuitive or look unnatural. Its a fact of life: computers outdo us humans when it comes to tactical vision and brute force calculation. So why not learn from them? Charles Hertan’s radically different approach is: use COMPUTER EYES and always look for the most forcing move first.

By studying forcing sequences according to Hertan’s method you will: Develop analytical precision; Improve your tactical vision; Overcome human bias and staleness; Enjoy the calculation of difficult positions; Win more games by recognizing moves that matter. This New and Extended Fourth Edition of Hertan’s award-winning modern classic includes 50 extra pages with new and instructive combinations.

There is a foreword by three-time US chess champion Joel Benjamin, and a special foreword to this new edition by Swedish Grandmaster Pontus Carlsson. Charles Hertan is a FIDE master from Massachusetts with several decades of experience as a chess coach. He is the author of the bestselling Power Chess for Kids series.”

You might think a chess puzzle book is just that, but there are many ways of going about it.

Are you going to write a text book or an exercise book? Or perhaps a text book with exercises to reinforce the lessons in the text?

Are you going to deal with puzzles winning material, checkmate puzzles, or perhaps positional sacrifices?

Are you going to provide practical advice to your readers about how to find tactics in their own games, or are you simply content to let the positions you demonstrate serve as an inspiration?

How are you going to order it? By tactical device? By level of difficulty? By pieces sacrificed? By squares on which sacrifices are played? Alphabetically: by player? Chronologically: by date?

What level are you aiming it at? Novices? Club players? Experts? Masters?

Most importantly, perhaps, what’s your USP? How are you going to stand out from the crowd?

This is the fourth edition, so Charles Hertan’s book has certainly proved popular (I’d previously read the first edition) and rightly so as well. Everyone enjoys a good puzzle book and this is one of the best on the market.

Let’s take a look inside.

Chapter 1 is about Stock Forcing Moves.

It’s immediately clear that readers should already be very familiar with basic tactical ideas: forks, pins, discovered attacks, deflections and so on. They should also be aware of the concept of what Hertan calls Stock ideas: common ideas which you will gradually become aware of as you look at more and more tactical exercises.

So it’s very much a book for club standard players rather than a book for novices.

This, for example is a common idea. White won with 1. Rxf7+!! Rxf7 2. Qxh6+!! Kg8 3. Qh8+! when White emerges two pawns up (Gallagher – Curran Lyon 1993).

At the end of every chapter you’ll find some puzzles to test your growing tactical skills.

Chapter 2 moves onto Stock Mating Attacks . The same sort of thing, but this time we’re mating our opponents rather than just winning material.

Chapter 3 is Brute Force Combinations. Hertan rightly observes that tactical skill combines two elements, depth and breadth of vision, a point missed by many authors and teachers. This chapter is about depth of vision. “Accurate brute force analysis”, according to the author, “is the single most important chess skill”. I wouldn’t disagree: I’d just add that you will often need to be able to assess the final position accurately: analysis = calculation + assessment.

This is where things start getting difficult.

A typical example.

Here’s Hertan’s commentary on the conclusion of Alatortsev – Boleslavsky (Moscow 1950).

“Black is able to parlay a fleeting advantage in activity into a stunning brute force win:

1… Bh3! 2. f4!

The natural 2. Rfe1 fails to 2… Rxf2! 3. Kxf2 Qe3#.

2… Bxf1!!

Since 2… Qc5 3. Rf2 holds, Black had to seek a creative solution, maintaining the initiative.

3. fxg5 Rxe2 4. Qc3 Bg2! 5. Qd3

There’s no time for 5. Re1 Bh3! and, at the right moment, … Rxe1+ and Rf1+! with a winning ending.

5… Bf3!

Not 5… Rff2 6. Re1!.

6. Rf1

White has no good answer to 6… Rg2+, e.g. 6. Kf1 Rxh2; or 6. Qd4 Rg2+ 7. Kf1 c5 8. Qxd6 Bc6+ 9. Ke1 Rg1+ 10. Ke2 Rxa1 11. Qe6+ Rf7.

6… Rg2+ 7. Kh1 Bc6!

A beautiful quiet forcing move; not 7… Rd2? 8. Rxf3 with drawing chances.

8. Rxf8+ Kxf8 9. Qf1+ Rf2+ 0-1”

You’ll see that some of the examples aren’t easy to solve from the diagram. You need what Hertan calls excellent ‘computer eyes’ to calculate accurately that far ahead.

The remainder of the book is devoted to improving your move selection by overcoming human bias. The point is sometimes made that the difference between experts and masters is not so much that they think further ahead, or that they consider more moves, but that they consider better moves. Hertan believes that we often miss the best moves because of cognitive bias. Computers, of course, don’t have this problem.

Chapter 4 looks at Surprise Forcing Moves. These fall into two categories: moves that look impossible and moves that appear unusual or antipositional.

This is from Vetemaa – Shabalov (Haapsalu 1986).

Here, Black found the ‘impossible’ 1… Qb5!!, leaving the queen en prise to two pieces, but spotting that, if either piece takes, the other is pinned so 2… Nb3 is mate.

White has to prevent Qb2# and 2. b4 loses to Nb3+. The game continued 2. Rd2 Nxc3 3. Qxc3 Nxb3+ 0-1.

Chapter 5 is about ESTs: Equal or Stronger Threats. When your opponent makes a threat it’s natural only to consider defensive moves. Sometimes your best option will be to create an equal or stronger threat, but cognitive bias makes these moves hard to find.

Chapter 6 looks for Quiet Forcing Moves, which are again easy to miss. I’m not sure that I’d call a move threatening mate ‘quiet’, though. I guess it all depends what you mean by the word.

Chapter 7 brings us onto Forcing Retreats. Again, when you’re attacking, human bias tend to lead you towards looking at forward rather than backward moves.

From Filguth – De la Garza (Mexico 1980):

“Are your computer eyes sufficiently trained to find the wondrous shot 1. Qh1!! and the two brute force variations that make it the strongest attacking move on the board?”

1… Qh5 would be met by g4 as the h-pawn is guarded, while 1… Qf6, the move played over the board, was met by 2. Bg5! 1-0 because, after 2… hxg5 hxg5, the white queen breaks through to h7.

You’ll realise at this point that there’s considerable overlap between chapters: Qh1 might be seen as a Surprise Forcing Move or a Quiet Forcing Move as well as a Forcing Retreat.

Chapter 8 offers Zwischenzugs: intermediate moves in which, instead of playing an automatic recapture, you find something stronger to do first. There are similarities here with ESTs here: again, human bias will lead you towards taking back without stopping to think about it.

Defensive Forcing Moves are the subject of Chapter 9: these might be moves using tactical force to refute a dangerous but unsound attack, or counterattacking moves, where the defender suddenly turns into the attacker.

Chapter 10 brings us to Endgame Forcing Moves, although Hertan’s definition of endgame is not the same as mine, including, as it does, positions where each side has queen, rook and minor piece.

Chapter 11, Intuition and Creativity, sums everything up. According to Hertan there are five factors which will enable you to develop master intuition: a strong knowledge of stock tactics, hard work in calculating variations, creativity, courage and practical experience and wisdom.

Chapter 12 is a final set of exercises, and Chapter 13 gives you the Hertan Hierarchy, a tool for teaching better calculation skills, which you might see as a flowchart to help you find the best move.

This isn’t the only way to write about tactics, and I’m not convinced that Hertan’s methods are as revolutionary as the publisher claims. Teaching students to look for checks, captures and threats dates back, I think, to Reinfeld and Purdy in the 1930s. I’ve always taught my pupils to use a CCTV to look at the board: look for Checks, Captures, Threats and Violent moves. What he adds, and I’m not sure how original this is, and whether it’s any more than common sense, is to advise you to analyse the most forcing moves first, no matter how foolish they might appear. The idea of using protocols to find the best move and avoid missing tactics dates back at least to Kotov in Think Like a Grandmaster. Some players, including this reviewer, find protocols helpful in some situations, but others strongly dislike the whole idea.

You might also find the continual repetition of the phrase ‘Computer Eyes’ rather grating, and the language at times over hyperbolic. On the other hand, many readers like this style of writing.

But everyone loves tactics books full of beautiful, surprising, creative and imaginative moves, and this book is perhaps the best on the market in that respect. The author has spent decades collecting positions of this nature, and his experience and enthusiasm shines through every page.

It’s not a book for novices. You need a basic grounding in tactics and thinking skills, along with the understanding that most tactics don’t involve sacrifices or surprise moves, that most sacrifices you’ll consider in your games will be unsound, and that, at least at amateur level, more games are lost by unsound sacrifices than won by sound sacrifices (although many games at all levels are won by unsound sacrifices). But anyone from, say, 1400 or so upwards, will be enchanted and inspired by the hundreds of examples of spectacular play to be found here. They’ll also enjoy the exercises and find at least some of the advice, particularly, perhaps, about avoiding cognitive bias when selecting moves to analyse, helpful.

While the teaching methods might not suit all readers, you won’t be disappointed by the contents.

Richard James, Twickenham 1st December 2020

Book Details :

Paperback : 432 pages
Publisher: New In chess; New and Extended 4th ed. edition (16 Aug. 2019)
Language: English
ISBN-10: 9056918567
ISBN-13: 978-9056918569
Product Dimensions : 16.94 x 2.77 x 23.67 cm

Official web site of New in Chess

2020, Books, Middlegame, Reviews, Sahovski Chess

The Power of Defence and the Art of Counterattack in 64 Pictures

November 23, 2020 Richard James Leave a comment

The Power of Defence and the Art of Counterattack in 64 Pictures : Nikola Nestorović and Dejan Nestorović

The Power of Defence and the Art of Counterattack in 64 Pictures, Nestor Nestorovic and Dejan Nestorovic

From Nikola’s web site :

“My name is Nikola Nestorović and I have been playing chess for more than 20 years. During that time I managed to accomplish most of my playing career goals. The most important fact is that I became a Grandmaster at the end of 2015 and officially I became FIDE Chess Trainer in 2018. As I was growing up I realized that I really enjoy teaching so I decided that I am going to pursue that kind of a profession. Whether at school or at home I was always in the mood for teaching others and that feeling was very important in my chess coaching career. The connection between teacher and student need to be professional but friendly because only with this trust student can improve in a special way. So first, I want to make a special connection with my student – and then, chess will be very easy to learn! For years I worked on my special chess materials, so I can adjust my lessons to any type of player! And one very important thing – your age is not important, you can ALWAYS improve your chess play! So, If you love chess and you want to learn and improve in this beautiful game – I am sure that together – we can achieve your (our) goals! I am waiting for you! Cheers! Nikola”

From the publisher’s website :

“A tale of 64 magical squares in 64 shrewdly created pictures. Many a book delved deep into the vast oceans of tactics, positional play and strategy, but very few dared to enter and master a notoriously elusive realm of defence in chess.

In this highly instructive tome the authors tried to accomplish several demanding goals. To uncover many of the secrets that remain hidden so very often, to tackle the most difficult area of chess skill – defence, and finally to teach a great number of ambitious chess-players helping them to improve their knowledge in this important area of chess expertise.

We present you the book by GM Nikola Nestorović, and his father IM Dejan Nestorović with firm belief that you will appreciate many hours of their hard work and devotion to this intriguing topic. The games presented in this tome are both recent and older ones, played by the chess elite and their lower rated peers, but without exception instructive, deeply and diligently analysed for your reading and learning pleasure.

You learned to attack – now it is time to sharpen your defensive tools!”

The first thing to notice is that this is a handsome hardback, complete with a bookmark, and enhanced by photographs of some of the players featured within. Unlike the previous book I reviewed from this publisher, it uses orthodox fonts for both text and diagrams.

When turning to the first game you’ll see a game from a tournament that is still, at the time of writing this review, unfinished. This is Grischuk – Alekseenko from the 2020 Candidates Tournament. The first section, Modern gladiators, features 19 games or positions from recent tournaments, working backwards from 2020 to 2017, featuring many of today’s leading players.

Knights of XXI century takes us back from 2016 to 2007 with another 19 examples. Then, Pearls don’t lose their luster offers ten more positions going back to Savon – Tal in 1971. A moment of glory gives us seven specimens from slightly less celebrated players, and finally, From the maker’s mind treats us to nine games from the authors themselves.

This is an advanced book covering a difficult topic, that of defence and counterattack, and probably most suitable for players above, say, 2200 strength. You’ll find a lot of exciting, double-edged games, demonstrating all that is best in contemporary chess. Many of the games feature positional sacrifices, so if you’ve read and enjoyed Merijn van Delft’s recent book, this might be a useful follow-up. But the analysis here is much denser: lots of presumably computer generated tactical variations for you to work your way through.

Let’s look at one of the shorter and simpler examples.

We join the game Kožul – Stević (Nova Gorica 2007) with White about to play his 31st move. (Informator’s house style is to omit capture and check signs: I’m following that here, but using letters for pieces instead of the book’s figurines.)

31. g3

“Kožul is resigned to the fact that he has to wait for his opponent’s mistake in the realisation because Black’s extra pawn on b4 along with excellent placement of his pieces don’t bode well for White.”

31… Rd3?!

“A mistake that wouldn’t have needed to drastically affect assessment and events in the game had the danger alarm made a sound in good time.

“31… Qd3!? After simple exchange of queens Black would have only minor technical problems in the realisation of his material advantage. 32. Qd3 Rd3 33. Rc6 Ba5 34. Rc8 Kh7 35. Kg2 g5 With further strengthening of the position.”

32. Rc8

“The only way to create a chance, of course. White is still waiting for his opponent’s help.”

32… Kh7?

“After Rd3 one could surmise that Stević overlooked his opponent’s threat and that he only expected a passive defence. 32… Rd8! after the rook returned to the eighth rank, the chance for salvation disappeared, at least at this moment.”

33. Ng5!

“A nice tactical stroke which immediately changed the situation on the board. This was an absolute shock for Stević! All of a sudden he had to deal with concrete problems. And as it is usually the case, one mistake follows another.”

33… Kg6

“33… hxg5?? 34. Qh5#”

34. Qe4

“After Qe4 good defence is required in order not to lose the game.”

34… f5?

“Now a fatal error which brings White closer to victory. Black has two responses after which his opponent would be forced to draw.”

(Now there’s some analysis of Black’s drawing moves Kg5! and Kh5!, along with a diagram after Kh5, which I’ll omit here.)

35. ef6 Kg5 36. fg7!?

“36. Qe5! The safest path to victory. 36… Kg4 37. Qf4 Kh5 38. fg7+-”

36… Bf2

“A good attempt to create a counter-chance. 36… Qb1! The best practical chance. 37. Kg2 Rg3! 38. hg3 Qe4 39. Kh2 Qh7 40. g8Q Qg8 41. Rg8 Kf6 42. f4 There would still be some play here, although it can be said that White only needs to resolve some technical problems in the realisation of his material advantage.”

37. Kg2!

(There’s another diagram here: rather redundant as we’re only two half moves away from the previous one.)

“The game can still be lost for White: 37. Kf2?? Rd2 38. Kf1 Qd1 39. Qe1 Qf3 40. Kg1 Qg2#”

37. Rg3 38. Kf2 1:0

“Dangerous checks have disappeared. Black resigns due to the simple capture of the rook followed by promotion of the pawn to queen. Certainly, the key moments happened in time-trouble which is the period of the game when the side experiencing problems in the position should be concentrated and should seek its chance carefully.

“Kožul seized his chance while for Stević it can be said that he first missed a huge opportunity to win and then when he had to calculate where to go with his king and how o do it, he made incorrigible mistakes and suffered defeat.”

Here’s one of the authors in action in a very recent game: Todorović – N Nestorović (Smederevska Palanka (rapid) 2020).

“The position on the board shows us the moment when White has the opportunity to prevent a counterattack with a simple bc3 or enter calculations by playing tactical Ne8 where, at first glance, he wins material and easily promotes the e-pawn to queen.”

29. Ne8?

“29. bc3! (I’ve omitted the diagram) The simplest move! Now White is threatening to capture the rook on e8 and create the best defensive setup. 29… Qc4! 30. R4e3! After two simple defensive moves, Black’s hope vanishes. 30… Rc7 (30… Re7 31. Qa8! Capturing material.) 31. Qc7 And Black doesn’t have any possibility to create threats. 31… Qa2 32. cd4 Qa1 33. Kd2 Qb2 34. Kd1 Qb1 35. Ke2+-

“The king goes to the part of the board where there are no more checks and so the last threats will disappear.”

29… Qc4!!

(There’s another diagram here.) “The only way to create threats and shift the focus of play to the other side of the board.”

30. Qb8

“The most logical way to defend the white castling.”

(There’s a long note here demonstrating that 30. Nd6!? and 30. Qa5!? both lead to perpetual check, and again there’s a diagram after each of these moves.)

30… cb2 31. Kb2 Qc2 32. Ka1 Qc3

33. Qb2?

“Our desire to win sometimes gets us off the right path. 33. Kb1=

33… Nc2 34. Kb1

(Surely this diagram should be after, rather than before Black’s next move.)

34… Rb6!!

“A phenomenal way to end a counterattack!

“White resigns due to his inability to defend from checkmate!”

35. Qb6 Na3# 0:1

These extracts should give you some idea of the strengths and weaknesses of this book. There’s a lot of great chess here: exciting, creative and imaginative, as well as, as you’d expect in games of this nature, even at the highest level, a lot of mistakes as well. You certainly get a feeling of the inexhaustible riches of our beloved game. The subject of defence and counter-attack is not an easy one to teach, but the main point is well made. If you’re under attack you must meet immediate threats, but, beyond that, you should, if possible, avoid passive defence and look for opportunities to create active counterplay, even if this involves taking risks. Don’t be afraid to consider moves which may not be objectively best but will put your opponent under pressure.

The authors clearly have a keen eye for games of this nature and all readers will enjoy playing through and studying them.

However, you can probably also see some negatives. The translation, while mostly making sense, is a long way below professional standards. The layout of the book is poor and makes the games difficult to follow. You’d certainly need two boards and even then it wouldn’t be easy. There are lots of long tactical variations with embedded diagrams the same size as those in the main text. In some cases the game continuation is in the annotations while the book follows a more interesting line that wasn’t played. It all gets rather confusing, and the translation, along with the lack of capture and check signs, doesn’t help. It’s especially confusing when the actual game continuation is in the notes, while another variation, which would have led to a different result, is given as the main line.

Speaking as a 1900 strength player, I thought the book was pitched rather above me. I’d have preferred annotations with fewer computer generated variations and less verbose prose, and perhaps a puzzle section at the end to reinforce the lessons learnt from the examples, along with an improved layout and a better translation. The van Delft book mentioned above handles a similar subject in a much more appropriate way for players of my level, in terms of a more logical structure and more helpful annotations.

A qualified recommendation, then, for lovers of thrilling tactical games with vacillating fortunes played, mostly, at the highest level.

Richard James, Twickenham 22nd November 2020

Book Details :

Hardback : 352 pages
Publisher: Sahovski Chess (aka Chess Informant or Informator) 2020
Language: English
ISBN-10: ?
ISBN-13: ?
Product Mass : ?

Official web site of Sahovski Chess

2020, Books, Middlegame, New in Chess, Reviews

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess

November 13, 2020 Richard James 4 Comments

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess : Merijn van Delft

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft

From the publisher :

“Merijn van Delft is an International Master from the Netherlands. He has been a chess trainer for more than two decades and created instructional material both online and offline.”

From the book’s rear cover :

“Most chess games of beginners and post-beginners are decided by fairly straightforward tactics. Anyone who wants to progress beyond this level and become a strong club player or a candidate master, needs to understand that somewhat mysterious-looking resource, the positional sacrifice.

International Master Merijn van Delft has studied and loved positional sacrifices for as long as he can remember. This non-forcing tool is not just a surprising and highly effective way of creating a decisive advantage during a game. Positional sacrifices are also instruments of superior beauty.

Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills.

Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.”

Dutch IM Merijn van Delft introduces readers to one of the most complex and fascinating aspects of chess: the positional sacrifice. He’s not the first author to tackle this subject: previous books by McDonald and Suba, which I haven’t read are discussed in the bibliography.

A few quotes from the introduction will give you some idea of what this book is about, and who the target readership is.

“I am trying to write for as broad a readership as possible, but let me give a mild warning to beginning chess players: this book may not be the best place to start for you. … Here is a mild warning for very experienced players as well: you may come across a fair amount of examples you already know. I considered it my job to combine the most impressive classical games with new material, and to find a nice balance there.

“A feel-good book is what this is meant to be. It should be fun to play through the games and the book can easily be used for entertainment purposes only. If you are simply seeking inspiration, feel free to open it at a random page and check the diagrams. The most exciting moments are always covered with a diagram and described in the text that follows.

“Having said that, my main intention has been to present the material as systematically as possible. My goal was to create a unique framework of positional sacrifices. The structure should have an inner logic and should help the reader to build up his knowledge systematically.”

Let’s look inside and see whether or not the author has achieved his aim. There are 115 complete games in the main body of the book, ranging from Morphy to Wijk aan Zee 2020, so it’s nothing if not up to date. All but the first two (in the introduction) feature positional sacrifices. All games are fully annotated, mostly verbally, with variations only given when necessary. It’s particularly good to see the complete games, so that readers can witness how the positional sacrifices arose from the opening.

The first part of the book deals with the four basic reasons for positional sacrifices: piece play, pawn structure, colour complexes and domination.

Chapter 1 teaches us how we can use positional sacrifices to create play for our pieces: by opening files, opening closed positions or opening diagonals.

Here, for example, is a position from Leko – Vachier-Lagrave (Batumi Ol 2018), with Black just about to use a positional sacrifice to open some files on the queen side.

“For now White seems to have everything under control, but what follows is a true thunderbolt.

23… Nxa4!

Vachier-Lagrave’s handling of the opening stage may have been unfortunate, but now he displays very deep understanding of the position with a truly amazing piece sacrifice.”

The game continued 24. Bxa4 b5 25. Bxb5 a4 26. Nd4 a3 and Black won on move 71.

Chapter 2 looks at how we can use positional sacrifices to help our pawns. We can create a Perfect Pawn Centre, a Pawn Steamroller or a Mighty Pawn Chain.

This is Gemy Vargas – Fier Sao Paolo 2019. White’s f-pawn has just moved two squares, and van Delft points out the alternative 30… exf3, which is the engine recommendation. But instead…

30… e3!

“The artist is taking over. Black sacrifices a piece to increase the size of his pawn steamroller. As Alexandr said at the Masterclass he gave recently at Apeldoorn, during his early years as a chess player he was heavily influenced by Kasparyan’s book with endgame studies on the theme of domination.”

By move 41 he’d reached this position, where White resigned.

“A pretty picture, the ultimate pawn steamroller, minding a bit of the famous McDonnell – De la Bourdonnais finish with black pawns on d2, e2 and f2.”

Chapter 3 moves onto the idea of positional sacrifices to control colour complexes. As van Delft explains, because this is a more abstract concept than pieces and pawns, it’s harder to understand.

Chapter 4 then puts everything together: we can play a positional sacrifice to achieve domination of the entire board.

In Wojtaszek – Hracek (Aix-les-Bains 2011) White, who had already sacrificed a pawn, now gave up the exchange to dominate the board.

17. Rxc5! “The key move, a strong positional exchange sacrifice.”

Now we understand the reasons why we might want to play a positional sacrifice, we can move onto Part 2, where we can learn about typical sacrifices and store the ideas in our long-term memory. Many of them, though, will already be familiar to experienced players.

Chapter 5 concerns pawn sacrifices: as you might expect the Benko and Marshall Gambits are among the openings considered. Chapter 6, concluding Part 2, moves onto typical exchange sacrifices.

Part 3 goes way beyond this, to more difficult and dangerous ideas. Chapter 7, Extreme Sports, asks how much you can get away with sacrificing. You’ll find double exchange sacrifices, queen sacrifices for a couple of minor pieces, and even positional rook sacrifices.

In Firouzja – Karthikeyan (Xingtai Asian Championship 2019) Black sacrificed his queen on move 9:

9… Qxc3+! “A great positional queen sacrifice.”

10. bxc3 dxe3

“Black now has two minor pieces and a pawn for the queen. White has many weak pawns and squares, which makes Black’s position much easier to play.”

In Chapter 8, Heroes, van Delft introduces us to some of the games that have inspired him over the years, played by the likes of Shirov, Aronian and Carlsen.

Finally, Chapter 9 goes beyond human positional sacrifices to the Superhuman, including recent games by Leela Chess Zero and Stoofvlees.

Now it’s time to put your new found knowledge and skills into action with a final chapter of Exercises.

“In total there are 48 exercises, on four different levels, with 12 exercises each. Every reader should have a fair chance at Level 1, while at Level 2 things are already becoming more difficult. Level 3 is serious business, and at Level 4 most people will be running into a wall. Level 4 is mainly there to remind us how rich chess is, and that we will not easily be done learning.”

The answers always include the play up to the question, and in some cases the complete game as well.

As you’ll realise, there’s a lot of great chess in this book. The author has also achieved his aim of treating a difficult subject in a logical and well structured way. But what really appeals to me is van Delft’s style of writing. There are many strong players who excel at writing or talking about chess, but not all of them understand how their readers or viewers might learn. He is at pains to differentiate between material which provides specific lessons you can employ in your own games and more difficult material which might serve as an inspiration. Although the English isn’t always totally idiomatic, the meaning is never less than totally clear. Not for him the fanciful analogies and flowery language preferred by some authors to make their books fun: for van Delft the fun comes from the moves themselves. Although the intent is serious, his approach is warm, friendly and encouraging. Enjoy your chess and don’t be afraid to try out new ideas: this is how you improve. He comes across to me as, above all, an excellent teacher. I look forward to reading whatever he writes about in future.

Personally, I’d have liked a broader historical perspective. Those 19th century favourites the King’s Gambit and Evans Gambit are positional sacrifices for, amongst other things, an Ideal Pawn Centre, and many other 19th century gambits have aims relating to themes in the book. While there are a few 19th century games along with some discussion of the Steinitz Gambit and a brief mention of its context, a chapter on the history of positional sacrifices would have been interesting.

Nevertheless,, this is yet another outstanding book from New in Chess in what has been an exceptional year for chess literature. Very highly recommended: I’m sure you’ll find it both enjoyable and instructive, and, if you’re rated, say, 1800+, this book will add a new dimension to your chess.

Richard James, Twickenham 13th November 2020

Book Details :

Paperback : 320 pages
Publisher: New in Chess (1st June 2020)
Language: English
ISBN-13: 978-9056918835
Product Dimensions : 6.82 x 0.82 x 9.3 inches

Official web site of New in Chess

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess. New In Chess, June 2020, Merijn van Delft

2020, Biographies, Books, History, McFarland Books, Player

Steinitz in London : A Chess Biography with 623 Games

October 22, 2020 Richard James 3 Comments

Steinitz in London : A Chess Biography with 623 Games : Tim Harding

“Tim Harding played for Ireland at the 1984 FIDE chess Olympiad in Thessaloniki. He is a FIDE Candidate Master and a Senior International Master of correspondence chess. A well-known writer on many aspects of chess, Tim is a former editor of Chess Mail magazine and for almost 20 years he contributed monthly articles in “The Kibitzer” series. He lives in Dublin, Ireland.”

From the publisher’s blurb :

“Drawing on new research, this first biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson’s Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventual drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.”

Collectors of McFarland’s chess biographies will know exactly what to expect.

A handsome, beautifully produced hardback book based on extensive and exhaustive research, in this case concerning William Steinitz (Harding prefers to use the anglicized spelling of his name), the first official world champion.

He was born under the name Wolf Steinitz into a Jewish family in Prague in 1836, making him a year older than Morphy. He moved to Vienna to study mathematics in 1858, and it was there that he started playing chess seriously. In 1862 he travelled to London to play in an international tournament, and remained there, living the life of a chess professional, for 20 years.

Here’s Harding, in the Preface:

“This is not just a game collection but also an important biographical work. Subsequent to his triumphant comeback at the Vienna international tournament and his resignation as chess editor of The Field, Steinitz left England for a long tour of America. In the spring of 1883 he returned to play in the London 1883 tournament, after which he spent some more time in London; Chapter 12 deals with this. Steinitz then left England permanently and did not set foot in the country for another 12 years. The final chapter deals with his last visits to Britain which included two major tournaments, Hastings 1895 and London 1899. There is much less biography than chess in those two chapters but some information about his European tours is included. The tasks of writing a new biography of the final phase of Steinitz’s life after he left England, and of providing an authoritative game collection of his post-London period, are left for future scholars.

“The primary motivation for embarking on the research for this book was to present a chronological account of Steinitz’s two decades as an English resident, covering both the development of his chess career and significant life events. The chapter about Steinitz in this author’s earlier work, Eminent Victorian Chess Players, may be seen as a first essay in that direction but the present book goes much deeper, including appendices that document various controversies in which Steinitz became embroiled. The book also includes background sections about chess life in London going back to the earlier nineteenth century, dealing with London’s early chess clubs and public places where the game was played, before and during Steinitz’s time.”

Harding chose to include all available games from Steinitz’s time in London, some of which have only recently been rediscovered in old newspaper and magazine columns, so you have in total 623 games, mostly with some annotations from contemporary sources, occasionally, where appropriate, with interjections from Stockfish 10. In those days, of course, there were few tournaments, so he made a living, apart from journalism and teaching (one of his pupils was Lord Randolph Churchill, Winston’s dad), by giving simultaneous displays and playing against amateurs, who would pay for the privilege. If the games were particularly interesting or brilliant, they would find their way into print. In the early part of his career, Steinitz was renowned for his tactical acumen, so the book is crammed full of romantic King’s Gambits and Evans Gambits. Lovers of this style of chess won’t be disappointed.

In his preface, Harding draws the reader’s attention to two games in particular:

All the games have been checked using every primary source with discrepancies noted. So if you want a full and accurate record of every currently available Steinitz game from his time in London, along with some earlier games from his time in Vienna and those from his later English tournaments, look no further.

But what you also get is a lot of background information about chess in London during that period. The clubs, the events, the personalities, the disputes: everything is there. One of my personal interests is the changing position of chess within society over the past 200 years, and the changing demographics of the people who were attracted to the game over the years. In Steinitz’s time, as you would expect, chess clubs were entirely male and largely upper middle class. Most readers will be aware that chess was a particularly popular pastime amongst Church of England clergymen well into the 20th century. Helpfully, at least to me, Harding will often provide the full name and a one sentence biography of Steinitz’s amateur opponents. Although he is very thorough when researching Steinitz and his games, he tends only to consult one source for his opponents.

I decided to follow up a few random names through a quick search of genealogical websites: I found one or two mistakes and was also to provide probable identification in several cases where only the initial and surname were given. I also came across some fascinating stories which I’ll relate another time.

But this is just me: none of this will matter to most readers, who will be more interested in Steinitz than his opponents. It’s unrealistic to expect Harding to research these minor figures with the same diligence afforded to his protagonist.

Make no mistake about it: this is a major addition to the literature of our game, marked by scholarly research and historical accuracy, and, as such, deserves a place in the library of anyone with an interest in chess history. McFarland and their authors are doing an enormous service to the chess community by publishing books of this nature: this volume will sit alongside several other Harding works, notably his biography of Blackburne, Renette’s biography of Bird and Forster’s biography of Burn on your shelf devoted to 19th century British chess history.

But it’s not just a dry as dust history book. It’s a gripping read as well. Harding tells his story with panache, leaving the reader eager to turn the page and find out what happened next, helped, in part, by his subject’s disputatious nature. Whatever you do, don’t miss out on the appendices, in particular where Steinitz describes how he was allegedly assaulted by Blackburne on two occasions: “… he pounced upon me and hammered at my face and eyes with fullest force about a dozen blows, until the bedcloth and my nightshirt were covered with blood.”.

It is to be hoped that a future volume will appear, perhaps written by an American chess historian, covering the latter stages of Steinitz’s career. A Best Games collection, looking at his play through both 19th and 21st century eyes, would also be a valuable edition to chess literature.

A large book with high production values and a niche market is never going to come cheap, but, even if you’ve never read anything of this nature before, you might want to give it a try. With chess clubs closed and pubs offering restricted services, what better way could there be to spend your winter evenings?

Very highly recommended: 2020 has been an excellent year for chess books and this is certainly one of the best.

Richard James, Twickenham 21st October 2020

Book Details :

Format: library binding (8.5 x 11)
Pages: 421
Bibliographic Info: 84 photos, 623 games, appendices, notes, bibliography, indexes
Copyright Date: 2020
pISBN: 978-1-4766-6953-3
eISBN: 978-1-4766-4061-7

Official web site of McFarland

2020, Biographies, Books, New in Chess

Timman’s Triumphs : My 100 Best Games

October 17, 2020 Richard James Leave a comment

Timman’s Triumphs : My 100 Best Games : Jan Timman

From the publisher :

“Jan Timman is the author of highly acclaimed books such as Curacao 1962 and The Art of the Endgame. His best-selling Timman’s Titans won the 2017 English Chess Federation Book of the Year Award. His previous book, The Longest Game, is a riveting account of the epic rivalry between Garry Kasparov and Anatoly Karpov.”

From the book’s rear cover :

“Jan Timman is one of the greatest chess players never to win the world title. For many years ‘the Best of the West’ belonged to the chess elite, collecting some splendid super tournament victories. Three times Timman was a Candidate for the World Championship and his peak in the world rankings was second place, in 1982. For this definitive collection, Timman has revisited his career and subjected his finest efforts to fresh analysis supported by modern technology. The result is startling and fascinating. From the games that he chose for his Timman’s Selected Games (1994, also published as Chess the Adventurous Way), only 10(!) made the cut. Some games that he had been proud of turned out to be flawed, others that he remembered as messy were actually well played. Timman’s Triumphs includes wins against greats such as Karpov, Kasparov, Kortchnoi, Smyslov, Tal, Spassky, Bronstein, Larsen and Topalov. The annotations are in the author’s trademark lucid style, that happy mix of colourful background information and sharp, crystal-clear explanations. Once again Jan Timman shows that he is not only one of the best players the game has seen, but also as one of the best analysts and writers.”

Jan Timman (b 1951) has had an active chess career lasting over half a century. For much of the 1980s he was considered the strongest player in the West, with only Karpov and Kasparov clearly his superior. He also has an enviable reputation as an excellent writer and annotator, as well as an expert on endgame studies.

Here, we have a collection of Timman’s 100 best games. In fact, that’s not quite true. The introduction includes two games which just missed the cut, plus another three extracts where he played a study-like move.

As this is a best games collection, you won’t find any losses. There are two draws, from either end of his career, and 98 wins. As you’ll see from the back cover, there’s very little overlap with Timman’s earlier best games collection, and those games now have totally different annotations.

The analysis has all been double checked using strong engines, so you can be pretty sure of its accuracy. At the same time, Timman’s annotations are resolutely old school, and, for this reviewer at least, none the worse for that. You don’t get reams of computer generated tactics, just lucid explanations, with variations only when necessary.

Take, for example, one of his quicker wins, a victory with the black pieces over Nigel Short from Linares 1992. Here’s how Timman annotates the conclusion.

But, as an endgame connoisseur, he occasionally goes into more detail when a fascinating ending appears on the board.

This position is from a game, again with Black, against Artur Yusupov (the book uses the German spelling Jussupow) played in Belgrade in 1989. This position arose just after the adjournment at the second time control. Here’s how Timman explains this position.

“The analysis during the break had taught me that a transfer to a rook ending was the most convincing path to the win. Jussupow had mainly looked at 63… b2. During the post-mortem, he told me that he had found drawing chances in that line. However, the computer is unrelenting. Black wins also here with two accurate king moves: 64. Rb1 Rd2 65. f5 Kd6! 66. Nf7+ Ke7!, and White cannot take on g6, since Black has the d3-square for his bishop.

“During the analysis, I also looked at the spectacular 63… Rd3+ 64. Kg4 Rd1. If this had worked, it would have been a study-like conclusion to the game. Alas, it doesn’t work. The main line continues as follows: 65. Rxd1 Be2+ 66. Kxh4 Bxd1 67. f5 Be2 68. f6 Kd6

and now White has the incredible finesse 69. Nc6!!. Luckily, I found this study-like save in my hotel room in Belgrade. After 69… Bc4 70. Na5! Bf7 71. Nxb3, a theoretically drawn endgame ensues.”

(The game concluded 63… Bd3 64. Nxd3+ Rxd3+ 65. Kg4 Rd4! 66. Rb1 Kb4 67. Rf1 b2 68. Kxh4 Rc4 69. Rb1 Kb3 70. Kg3 Rc3+ 71. Kg2 Kc2 and White resigned.)

These two examples will give you some idea of Timman’s annotation style.

Timman has always been a universal player who uses a wide range of openings so there’s a lot of variety in the play: no chance of getting bored by seeing the same type of position over and over again. Each game is put into its context regarding the tournament or match in which it took place. The text is also enlivened by many entertaining anecdotes, often concerning Timman’s rather hedonistic (especially in his early years) lifestyle. We read, for instance, about listening to Frank Zappa with Ray Keene, and taking the young Nigel Short to a nightclub on the eve of an important game.

There are many readers and who particularly enjoy best games collections: they will certainly revel in this excellent book. For those of you of Timman’s (and my) generation the book will also bring back many memories. For younger readers, though, much of it will be ancient history: perhaps they’ll get the same pleasure out of it that I got from studying the games of Alekhine and Capablanca many years ago.

You might prefer a more spacious layout for the games. You might have liked a summary of his tournament and match results. You might have liked some tournament cross tables. But of course publishers have to make hard commercial decisions. At least we get an index of players (all players mentioned in the book for any reason, rather than an index of opponents) and an index of openings.

But, most importantly, you get 100 great games from one of the best players of the past 50 years, with lucid and instructive annotations. I’m pleased to give this book a warm recommendation.

One last thought. Timman tells us that someday he might write a book of his most exciting games, which would include more draws and several losses. Yes, please!

Richard James, Twickenham 17th October 2020

Book Details :

Paperback : 352 pages
Publisher: New in Chess (15 Oct. 2020)
Language: English
ISBN-10:9056919172
ISBN-13: 978-9056919177
Product Dimensions : 17.15 x 2.18 x 23.77 cm

Official web site of New in Chess

2020, Books, History, Reviews, Sahovski Chess

Old Wine In New Bottles

October 7, 2020 Richard James 1 Comment

Old Wine In New Bottles : Mihail Marin

From Wikipedia :

“Mihail Marin (born 21 April 1965) is a Romanian chess player and writer. He was awarded the title of Grandmaster by FIDE. Marin’s first major success in international chess was in qualifying for the Interzonal in 1987. He has won three Romanian Championships and has played in the Chess Olympiads ten times, winning a bronze individual medal in 1988. For several years he was editor of the magazine Chess Extrapress.”

From the book’s rear cover :

“I may be old-fashioned, but I keep using for my inspiration the treasure of the past. It does not make sense to speculate whether, for instance, Carlsen is stronger than Fischer or Korchnoi, as matches between players separated in time by so many decades are impossible. But this book aims to prove that some of the basic aspects of our game did not change over the generations. The same kind of brilliant ideas and mistakes are played again and again in specific situations.

I actually launch an invitation to examine the games of the classics, featuring ideas thought over only by human brains, and by no means less deep than those used today. We all use computer assistance when preparing or writing, but at the chess board we are all alone with our opponent, so educating our mind to work along the classical values is essential.It is virtually impossible to write a “complete” chess course, as the general themes and examples to each of them are practically inexhaustible. But I hope that after studying the book the reader will feel enriched, technically and aesthetically.

I remember my enthusiasm when receiving my first original copy of the Chess informant in 1987 (number 43) after having annotated some of my games from the Warsaw zonal tournament, ending in my first qualification to the Interzonal. Almost a third of a century has passed since then, but I am looking forward to hold this new book in my hands with no less excitement.”

You probably know how it is when your favourite singer releases a Greatest Hits compilation. As a big fan you have them all already, but there are always a couple of new songs, so, not wanting to miss out, you have to pay for the full album.

It’s been many years since I last read an Informant, but for some time now GM Mihail Marin, one of the best annotators around, has been publishing articles under the title Old Wine in New Bottles, in which he takes a recent game and compares it with games from the past which resemble it in some way. This might be, for example, a similar opening, a similar tactical idea, the same pawn formation, a comparable ending. Sometimes the comparison is very precise, but, on other occasions, rather tenuous.

What we have here is a collection of his articles, with some new ones added to tempt regular readers who will have seen most of the material before, along with some introductory comments.

There are 25 articles, or rather chapters, in total, grouped according to the general theme: Basic Principles, Tactics, Strategy, The Attack, Middlegame Plans of Specific Openings, and, finally, The Individual and Joined Abilities of the Pieces (some, but not all of which, feature endings).

You might assume from this, and you’d be correct, that the translation into English isn’t always idiomatic. There’s also an unacceptably large number of typos.

The publishers have also made some rather strange production decisions. They’ve chosen a non-standard diagram font with a defective symbol for a black rook on a white square, which makes a rather ugly impression. They’ve also chosen to use a sans-serif font throughout.

This is a handsome hardback, complete with a useful bookmark, which will look good on your bookshelf: it’s a pity that, internally, it doesn’t make such a good impression.

The text is punctuated by a lot of chess art, reproduced in black and white, from the Hereford Chess Club in 1814 up to the present day. All very attractive, if not especially relevant, but I can’t find any copyright information anywhere.

None of this may bother you, as long as the content is good, and, with reservations, it is.

To give you some idea, let’s take a fairly random chapter. Chapter 4 in the section on Attack deals with sacrificial attacks beginning with the move e5xf6, taking as its starting point this game from the 2017 Sinquefield Cup, where you will observe Vishy’s 22nd move. Marin doesn’t give us the first 21 moves, which presumably appeared elsewhere.

This game brought to mind a brilliant Tal victory from the 1962 Olympiad, where the sacrificial attack started on move 19.

Tal admitted that his 19th move was inspired by a Famous Game which observant readers will have seen before.

It’s, of course, a very well known game, but observant readers will recall encountering it with different annotations in an earlier chapter on positional queen sacrifices to obtain a passed pawn. Here, the annotations are in part based on Lilienthal’s autobiography, which are, along with Hecht’s comments on his loss to Tal, readily found on MegaBase. (It’s always fun to try to identify an author’s sources!)

There are three more games in this chapter, including another Tal brilliancy, but the repetition of the Lilienthal game confirms the impression that it’s really a collection of articles rather than a particularly coherent book.

Not all the annotations are by Marin himself: in many cases they are largely taken from earlier Informants, with occasional authorial interjections. You might not mind this, but I guess you might also feel you’ve been cheated.

Nevertheless, the concept of comparing contemporary games with those from the past is a great idea. If the idea attracts you, or if you’re an admirer of Marin’s books and haven’t seen most of the articles before, you’ll find a lot to interest, inform and stimulate. As the book covers all aspects of the game, there are lessons to be learnt here about both tactics and strategy, about openings and endings.

Although I have significant reservations about various aspects of the book, there is still much of value here, and anything Marin writes is always worth reading. Recommended, especially for serious students of the game of, say, 1800+ strength.

Richard James, Twickenham 7th October 2020

Book Details :

Hardback : 384 pages
Publisher: Sahovski Chess (aka Chess Informant or Informator) (December 27, 2019)
Language: English
ISBN-10: 8672971043
ISBN-13: 978-8672971040
Product Mass : 1.7 pounds

Official web site of Sahovski Chess

British Chess News

All posts by Richard James

Sherlock’s Method – The Working Tool for the Club Player

Magnus Carlsen : 60 Memorable Games

Rewire Your Chess Brain : Endgame studies and mating problems to enhance your tactical ability

Chess Improvement: It’s all in the mindset

Forcing Chess Moves : The Key to Better Calculation

The Power of Defence and the Art of Counterattack in 64 Pictures

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess

Steinitz in London : A Chess Biography with 623 Games

Timman’s Triumphs : My 100 Best Games

Old Wine In New Bottles

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