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World Champion Chess for Juniors : Learn From the Greatest Players Ever

World Champion Chess for Juniors : Learn From the Greatest Players Ever : Joel Benjamin

World Champion Chess for Juniors: Learn From the Greatest Players Ever, Joel Benjamin, New in Chess, 2020, ISBN-10 : 9056919199
World Champion Chess for Juniors: Learn From the Greatest Players Ever, Joel Benjamin, New in Chess, 2020, ISBN-10 : 9056919199

From the book’s rear cover :

“Grandmaster Joel Benjamin introduces all seventeen World Chess Champions and shows what is important about their style of play and what you can learn from them. He describes both their historical significance and how they inspired his own development as a player. Benjamin presents the most instructive games of each champion. Magic names such as Kasparov, Capablanca, Alekhine, Botvinnik, Tal, and Karpov, they’re all there, up to current World Champion Magnus Carlsen. How do they open the game? How do they develop their pieces? How do they conduct an attack or defend when necessary? Benjamin explains, in words rather than in chess symbols, what is important for your own improvement. Of course the crystal-clear style of Bobby Fischer, the 11th World Champion, guarantees some very memorable lessons. Additionally, Benjamin has included Paul Morphy. The 19th century chess wizard from New Orleans never held an official title, but was clearly the best of the world during his short but dazzling career. Studying World Champion Chess for Juniors will prove an extremely rewarding experience for ambitious youngsters. Trainers and coaches will find it worthwhile to include the book in their curriculum. The author provides many suggestions for further study.”

Joel Benjamin during the Lloyds Bank Masters
Joel Benjamin during the Lloyds Bank Masters

“Joel Benjamin won the US Championship three times and has been a trainer for almost three decades. His book Liquidation on the Chess Board won the Best Book Award of the Chess Journalists of America (CJA), and his most recent book Better Thinking, Better Chess is a world-wide bestseller.”


Naturally enough, given that I’ve been teaching chess to children since 1972, I’m always interested in reading chess books with ‘juniors’ or ‘kids’ in the title.

Let’s see what we have here.

From the introduction:

If you are not a junior, please don’t toss this book aside; there is still a lot of cool analysis and history in here for you. But I have written this book, primarily, to reach out to younger players. At any point in history, we see a ‘generation gap’, where young people see the world in a very different way than their elders. If you are, let’s say, a teen or a tween, you probably process most chess material from a computer. You follow recent events, work on tactics puzzles, practice against an engine, or whatever works for you. This may match your lifestyle of playing Minecraft or (worse) Fortnite on your I-pad instead of reading books.

A few years ago, I was horrified to learn that two of my (young) fellow instructors at a chess camp could not name the World Champions in order (or even place them roughly in their time periods). For someone of my generation, that fundamental lack of knowledge was unthinkable. And while I accept that kids today learn things in different ways,  I feel that they are still missing out on their ignorance of knowledge provided by books.

I’m in complete agreement with Joel Benjamin here. I believe that, for all sorts of reasons, learning about the great champions of the past should be part of everyone’s chess education. This issue has been raised in the introduction of several books I’ve reviewed recently: some authors agree, but others, sadly, don’t.

And from the back cover (presumably written by the publishers):

So you want to improve your chess? The best place to start is looking at how the great champs did it!

I’m not in agreement with this, though. I’ve spent the past 45 years or so failing to understand why round about 90% of chess teachers consider it a good idea to demonstrate master games, usually with sacrificial attacks, to inexperienced players.

What does it mean to write a book for ‘juniors’, anyway? What do we mean by a junior? Perhaps we mean Alireza Firouzja (rated 2759 at age 17 as I write this)? Or do we mean Little Johnny who’s just mastered the knight move? There’s an enormous difference between writing for 7-year-olds, writing for 12-year-olds and writing for 17-year-olds. Benjamin mentions ‘teens and tweens’ in his introduction. How do you write for this age group? Do you try to appear ‘down with the kids’ by writing things like ‘Yay, bro! Morphy was a real sick dude!”? Maybe not, but you might, as he does, throw in a lot of ‘cools’ and a few ‘legits’, as well as a lot of exclamation marks at the end of sentences.

There’s also an enormous difference between writing for players rated, say 500, 1000, 1500 and 2000. The nature of this difference is something I’ve been thinking about for many years. I think the most helpful information I’ve found about teaching at different levels is from this article (apologies if you’ve seen it before), in particular the section entitled ‘experts learn differently’. I’d consider a novice (apprentice) to be someone with a rating of under 1000, an expert (guild member) to have a rating of 2000 plus, and everyone else (which includes the vast majority of adults who know the moves) to be journeymen/women.

Novices, then, learn best through explicit instruction and worked examples, while experts learn best through discovery and/or an investigative approach. If you’re writing for a readership between novices and experts, you’ll use a mixture of both methods. I’d also suggest that, given the relative inexperience and immaturity of younger children, you’d probably be well advised to add two or three hundred points onto your novice/expert split.

Top GM games these days are, of course, insanely complicated, and only an expert player could expect to learn anything from looking at, say, a Carlsen – Caruana game.

Let’s plunge into this book, then, and decide who would benefit most from reading it, in terms of both age and rating.

Before I go any further, I’d add that there are many reasons you might want to read a chess book: information, enjoyment, inspiration or instruction, for example, but this book, as you might expect from the 21st century Zeitgeist, nails its colours firmly to the flagpole labelled ‘instruction’. LEARN from the Greatest Players Ever.

Taking the reader on a journey through chess history, stopping off on the way to introduce us to each of the world champions in turn, it reminds me of two other books I’ve reviewed on these pages: this and this (also from New in Chess), neither of which impressed me, as a cynic with a pretty good knowledge of chess history, greatly.

We start off, not unreasonably, with Morphy (the greatest showman). In every chapter we get some brief biographical notes, a handful of annotated games and a couple of unannotated games. Here he is, crushing the Aristocratic Allies at the opera house, and sacrificing his queen against Louis Paulsen in New York. Yes, you’ve probably seen them hundreds of times before, but the target reader, a young player with little knowledge of chess history, might not have done. The notes at this point focus, understandably, on ideas rather than variations.

Next up is Steinitz (the scientist). We visit Hastings, of course, just in time to witness von Bardeleben disappearing from the tournament hall rather than resigning. We also see him daringly marching his king up the board in the opening and exploiting the advantage of the two bishops. He beats Chigorin in a game that starts 1. e4 e5 2. Nf3 Nc6 3. Bb5 Nf6 4. d3 when Benjamin points out that “With the rise of the Berlin endgame this move has become very popular in the 21st century”. Which is very true, but assumes that the reader knows something about the Berlin endgame. (It’s mentioned in slightly more detail later in the book, but you should describe it the first time you mention it.) Later on, though we’re advised not to forget the en passant rule. So this appears to be a book for readers who understand all about the Berlin endgame but might not remember en passant.

We move into the 20th century: Lasker (the pragmatist) beating Capa in an Exchange Lopez ending, Capablanca (the endgame authority) himself winning a rook ending against Tartakower, Alekhine (the disciplined attacker) winning complex encounters against Bogoljubov and Réti, Euwe (the professional amateur) in turn winning the Pearl of Zandvoort against Alekhine.

As we approach the present day, the games get more complicated and not so easy to use for specific lessons. The great Soviet champions all had their distinctive styles, though. There’s Botvinnik (the master of training), Smyslov (the endgame artist), Tal (the magician), Petrosian (the master strategist) and Spassky (the natural).

Then, of course, Fischer (the master of clarity), Karpov (the master technician) and Kasparov (the master of complications) are introduced as we approach the 21st century.

Today, all the top grandmasters excel in all areas of the game, and, with the aid of computer preparation, their games are often mind-boggling in their complexity. Kramnik is awarded the epithet ‘the strategic tactician’, but this could apply to any 21st century great.

It’s time to look at a few examples of Benjamin’s annotations, so that you can decide whether it’s a suitable book for you, your children or your students.

Here, at Linares in 1997, Topalov, the master of the initiative, has sacrificed the exchange for … the initiative.

White, Gelfand, is considering his 23rd move.

An exchange to the good, White has some leeway in defense. He must appreciate the need to give back to the community here.

Topalov points out that 23. Qd2 Ne5 24. Rxe5 Qxe5 25. Nxb7? is too dangerous (after almost any rook move, actually) but White can hold the balance with 25. b4 a5 26. Qe2!. White can play more ambitiously with 23. b4 Ne5 24. Rxe5 Qxe5 25. Nb2, though Topalov would likely pitch a pawn for good play after 25… d3 26. Nxd3 Qd4+. Finally, even the radical (and inhuman, I think) 23. Nc3!? dxc3 24. Qxc3 looks playable, as suddenly some black minor pieces look misplaced and the white rooks are working well. Chess players need a good sense of danger, but here Gelfand’s Spidey-sense fails to tingle.

An excellent note, I think, but it would, inevitably given the complexity of the position, be instructive for older and more experienced players.

For the record, the game continued 23. Ne4? Ne5 24. Qg5 Re8! 25. Rd2? when Topalov missed 25… Ng4+! 26. Kg1 Qxg5 27. Nxg5 Re1#. but his choice of Qc4 was still good enough to win quickly.

For another example of the style of annotation in this book, in this position Anand, the lightning attacker, has unleashed a TN against Kasparov’s Sicilian in the 1995 World Championship match. What will the champ play on his 20th move?

20… Bxb5

Anand had expected 20… Qa5, which has been played in subsequent practice. However, Kasparov would have had a lot to calculate and evaluate there. When you hit your opponent with an unpleasant opening surprise, they may hesitate to risk the most challenging lines.

20… Qa5!? 21. Nxd6 Bxa4 22. Bb6 Rxd6 and now Anand considered two lines:

A) 23. Qxd6 Rxd6 24. Bxa5 Bxf4 (24… Bxc2? 25. e5+-) 25. Rxb7 Bxc2 26 Rd8 Rxd8 27. Bxd8 Bxe4! 28. Rb4 Bxf3 29. Rxf4 Bd5 30. Bxf6 gxf6 31. Rxf6 and the position should be drawn;

B) Anand preferred 23. Bxa5! Rxd3 24. cxd3 Bxd1 25. Bxd1. White doesn’t win any material but keeps the potential for long-term pressure.

Well, I hope you followed all that.

The main part of the book concludes with Carlsen, the master of everything and nothing.

Here’s a position from a game which, according to Benjamin, displays his accuracy and brilliance in attacking play.

He’s playing the white pieces against Li Chao (Doha 2015) and is about to make his 24th move.

24. d5!!

Carlsen breaks down the defense with a beautiful interference tactic. By attacking the knight on b6, he enables the deadly push e5-e6.

White could easily go wrong here:

A) 24. gxf5 Nc4 25. Nxg6+ (25. e6?? a3 wins for Black) 25… Ke8 26. e6? a3! 27. exf7+ Kd7 28. f8N+! Ke8 29. bxa3 Rxa3+ 30. Kb1 Rda8 31. Na4! and White barely forces Black to take a perpetual. Instead 25. Ncd5!! wins for White. The idea is to kill the mate with Rc1xc4 and then proceed on the kingside;

B) Again the take-first mentality 24. Nxg8+? Ke8 loses ground. White can probably still win with 25 d5! but it’s a lot less clear.

Again, good analysis, although Benjamin’s notes do include rather a lot of ‘perhaps’ and ‘probably’, which you may or may not care for.

That’s not quite the end of the book. There’s some ‘fun stuff’ at the end, most usefully a 36 question tactics quiz: some easy and familiar  but others more challenging.

This is a good book of its kind, although if you like the first half you might find the last few chapters too hard, and if, like me, you enjoyed Benjamin’s coverage of contemporary players, the first half will offer you nothing new.

But is it a book for juniors, though?

Little Johnny, aged 8, is doing well in his school chess club, playing at about 1000 strength. His parents, who know little about chess, would like to buy him a book so that he can learn more and perhaps play like Fischer, Kasparov or Carlsen. What could be better, they think, than learning from the world champions? Is this a suitable book for him? Definitely not: it’s much too hard in every respect. Instead, as a young novice, he requires a book with explicit instruction and worked examples.

Jenny is 12, has a rating of about 1500, and is starting to play in adult competitions. Perhaps this would be a good book for her. Well, it’s more suitable for her than for Johnny, but again it’s rather too hard: I think you’ll agree from the extracts you’ve seen that it’s really aimed at older and more experienced players. She’ll still need, for the most part, explicit instruction and worked examples, but pitched at a higher level than Johnny’s book.

Jimmy is an ambitious 16-year-old with a rating of 2000 who would like to reach master strength while finding out more about the history of the game he loves. This could be an ideal book for him: as a player approaching expert standard with perhaps a decade’s experience of chess, he’d benefit from discovery and/or an investigative approach, for which he can use annotated grandmaster games. But would he be seen dead carrying a book with ‘juniors’ in the title under his arm? And, at least here in the UK, there are very few ambitious 16-year-olds around to read this book.

It’s nothing personal to do with the author or the publishers, but my view is that many people buy books which are much too hard to be useful, either for themselves or for their children or students. On the other hand, books which really would be helpful don’t sell. And you can’t blame publishers for bringing out books they think people will buy.

You could write a great book for Little Johnny, I think. A colourful hardback with short chapters about each champion. Photographs and perhaps also cartoons of each. A few simple one-move puzzles in each chapter taken from their games: perfect novice-level tuition. Some historical background as well. Maps to show the champions’ countries of birth, and, perhaps, where else they lived. The word for chess and the names of the pieces in their native languages. Cross-curricular benefits: children will learn about history, geography and languages as well as chess. Age-appropriate in terms of chess, vocabulary and grammar as well. All primary schools would welcome a few copies for their school library.

You could also write a good book for Jenny. You could introduce each champion again, and then look how the different champions interpreted openings like the Ruy Lopez and the Queen’s Gambit, how they played kingside attacks or IQP positions, how they navigated rook endings. Perhaps also, where available, some simple games played when they were Jenny’s age. She’ll learn, at a fairly basic level, about the history of chess ideas as well as the champions. You’d probably also want to include some puzzles where you have to look two or three moves ahead. This is how you teach students who are neither novices (like Little Johnny) or budding experts (like Jimmy). A mixture of harder ‘novice’ material and easier ‘expert’ material.

I think both Johnny’s and Jenny’s books should include female as well as male champions: Jenny, as well as Johnny, would like role models she can relate to. You might think it remiss of Benjamin (or New in Chess) not to have included any Women’s World Champions in this book.

It’s a good book, then, although, by it’s nature it’s not going to be earth-shatteringly original. But it’s not a book for juniors. If it was called simply World Championship Chess, or Learn Chess from the Champions I wouldn’t really have a problem with it.

I really ought to add that the games are well chosen and expertly annotated (if you don’t mind the slightly casual style), and the author, unlike others ploughing the same field, doesn’t stray beyond the limits of his historical knowledge.

It’s also, as to be expected from this publisher, excellently produced, with, unusually for these days, a refreshing lack of typos.

I mentioned earlier the reasons why you might want to read a chess book. You may well find this book informative, especially if your knowledge of chess history is lacking. It’s certainly an entertaining read: the author’s lively style of writing and annotation shines through. You’ll probably also find it inspirational to be able to play through the greatest games of the greatest players of all time. But is it also instructional? I’m not really convinced that this is the most efficient method of teaching anyone below 2000. It’s certainly not an efficient method of teaching this very experienced, 1900-2000 strength, player.

Recommended, then, if you want to know more about the world champions, but not really a book for juniors.

Richard James, Twickenham 12th April 2021

Richard James
. Richard James

Book Details :

  • Paperback : 256 pages
  • Publisher: New in Chess (7th August, 2020)
  • Language: English
  • ISBN-10:9056919199
  • ISBN-13:978-9056919191
  • Product Dimensions: 16.51 x 1.78 x 22.86 cm

Official web site of New in Chess

World Champion Chess for Juniors: Learn From the Greatest Players Ever, Joel Benjamin, New in Chess, 2020, ISBN-10 : 9056919199
World Champion Chess for Juniors: Learn From the Greatest Players Ever, Joel Benjamin, New in Chess, 2020, ISBN-10 : 9056919199

Coaching the Chess Stars

Coaching the Chess Stars
Coaching the Chess Stars

“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukranian grandmasters. He was the winner of several strong tournaments, including the Ukranian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author.”

Vladimir Tukmakov
Vladimir Tukmakov

Perhaps, especially if you’re in the UK where evening league chess is still relatively popular, you’ve found yourself captaining a team.

It’s not too demanding as long as you have a pool of reliable and communicative players to choose from.

Maybe you’ve wondered what it would be like to captain a team in the Chess Olympiad: a really strong team such as Ukraine, Azerbaijan or the Netherlands. Or perhaps a star-studded team like SOCAR in the European Club Championship.

It’s a very different experience from captaining Ambridge C in Division 5 of the Borsetshire League, where all you have to do is get the right number of players to the right place at the right time and report the result, these days probably through the league website.

If you’re captaining a top international team, you’re probably dealing with large egos as well as large Elos. You have to decide on your board order, who to rest in each round, how to get everyone working well together and playing in the interests of the team. You really need to excel at interpersonal as well as chess skills.

This, then, is the subject of the first half of Vladimir Tukmakov’s new book. You’ll read about the triumphs, disasters, and, sadly, tragedies behind the teams he captained.

There’s a lot of chess as well: 37 games or extracts with fairly light annotations, which, by and large, seem to stand up well to modern engine analysis.

Here, for example, is what happens when two of the most imaginative players in 21st century chess meet. The opening, and indeed the whole game, seems to come from another planet.

It’s from the match between Ukraine and Georgia from the 2010 Chess Olympiad (Khanty-Mansiysk)

Vassily Ivanchuk (2754) – Baadur Jobava (2710)

1. e4 c6 2. d4 d5 3. f3 Qb6 4. a3 e5 5. exd5 Nf6 6. dxe5 Bc5 7. exf6 Bf2+ 8. Ke2 O-O 9. Qd2 Re8+ 10. Kd1 Re1+ 11. Qxe1 Bxe1 12. Kxe1 Bf5

Tukmakov comments here: “Formally, White has a big material advantage, but the remaining Black pieces are tremendously active. In addition, don’t forget that even though the white king is standing on its original square, White has lost the right to castle.”.

13. Be2 Nd7 14. dxc6 bxc6 15. Bd1 Re8+ 16. Ne2 Nxf6 17. Nbc3 Bc8 18. a4 a5 19. Rf1 Ba6 20. Rf2 h5 21. Ra3 h4 22. g3 h3 23. g4 Rd8 24. Nf4 Nd7 25. Rb3 Qd4 26. Nfe2 Re8 27. Ne4 Qxa4 28. Bd2 Qa1 29. Bc3 Ne5 30. Ra3 Qb1 31. Nd2 Qc1 32. Rxa5 Ng6 33. Rxa6 Nf4
34. Ra8! 1-0

Tukmakov awards ‘?!’ to Black’s 13th and 17th moves: Stockfish 11 is happy with 13… Nd7 but agrees that Black should have preferred 17… Nd5.

It’s the second half, though, which gives the book its title. Coaching a world class grandmaster who plays even better than you do is very different from giving an occasional lesson to the top board from your local primary school.

Here, Tukmakov relates his experiences of one-off collaborations with Geller, Tseshkovsky, Korchnoi (Wijk aan Zee & Brussels 1991) and Karpov (match with Anand, 1998). More recently, he’s acted as coach to Anish Giri (2014-2016) and Wesley So (2016-2017).

In this section of the book you’ll find another 46 games or extracts, so you get a lot of interesting chess for your money.

In complete contrast to the previous game, here you can see an example of impressively deep opening preparation.

Anish Giri (2768) – Alexei Shirov (2691) Hoogeveen (6) 2014

1. e4 c5 2. Nf3 Nc6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 e5 6. Ndb5 d6 7. Bg5 a6 8. Na3 b5 9. Nd5 Be7 10. Bxf6 Bxf6 11. c3 Bg5 12. Nc2 O-O 13. a4 bxa4 14. Rxa4 a5 15. Bc4 Rb8 16. b3 Kh8 17. Nce3 g6 18. h4 Bxh4 19. g3 Bg5 20. f4 exf4 21. gxf4 Bh4+ 22. Kf1 f5 23. Ra2 fxe4 24. Rah2 g5 25. Qh5 Rb7 26. Ke2 Be6 27. Qh6 Bg8 28. Rg2 Rbf7 29. Rxh4 gxh4 30. Nf5 h3 31. Nh4 Qxh4 32. Rxg8+ Rxg8 33. Qxh4

“Only here did our home analysis end. A triumph for modern methods of preparation!”

33… Rg2+ 34. Kf1 Rh2 35. Ne3 Rg7 36. Qf6 Rh1+ 37. Kf2 Rh2+ 38. Ke1 Rh1+ 39. Kd2 Rh2+ 40. Kc1 Ne7 41. Nf5 Rhg2 42. Nxg7 Rxg7 43. Qf8+ Ng8 44. Bxg8 Rxg8 45. Qf6+ Rg7 46. Qh4 1-0

Shirov had reached the position after 21… Bh4+ before, but had met Kd2 rather than Kf1. Tukmakov claims that 25. Qh5 was a novelty: in fact it had been played twice before, with Black replying Ne5 and, although standing worse, scoring 1½/2.

An excellent book, then, fascinating and, at times, brutally honest. Tukmakov offers a different insight into top level chess from two perspectives: a captain and a coach.

If your main aim is improving your chess you might not consider it an essential purchase, but if the subject matter appeals, don’t hesitate. You won’t be disappointed.

Richard James, Twickenham, 29th February 2020

Richard James
Richard James

Book Details :

  • Paperback : 352 pages
  • Publisher: Thinkers Publishing; 01 edition (2 April 2019)
  • Language: English
  • ISBN-10: 9492510502
  • ISBN-13:  978-9492510501
  • Product Dimensions: 17 x 1.5 x 23.4 cm

Official web site of Thinkers Publishing

Coaching the Chess Stars
Coaching the Chess Stars

Kings of the Chessboard

Kings of the Chessboard
Kings of the Chessboard

“Grandmaster Paul van der Sterren (1956 ), was one of the strongest chess players of the Netherlands. He became twice national champion and represented his country eight times during the Chess Olympiads. In 2001 he retired from being an active player and focused on writing books drawn from his rich chess experience. This is his first English chess book written for Thinkers Publishing.”

Paul van der Sterren
Paul van der Sterren

Many chess players are strikingly ignorant of their game’s heritage, so there’s always a place for a new book offering readers a quick spin through chess history.

There are, broadly speaking, several ways this could be approached: a selection of Famous Games for those who haven’t seen them before, a history of the world championship itself, or an essay on the development of chess style and opening theory over the centuries.

Van der Sterren’s book seems to combine all three approaches. How does it fare?

As I have a particular interest in pre-20th century chess history I decided to dive in at the beginning.

We start, not unreasonably, with Philidor. After some biographical information we might be looking forward to seeing how he played.

Alas, not. The author makes the extraordinary claim that “It is true that some fragments of his games have made it into today’s databases, but their authenticity is doubtful and it is likely that these are mostly fictitious games invented by him for the purpose of teaching or demonstrating a particular point he wanted to make.”.

Really? Is van der Sterren confusing Philidor with Greco, perhaps? While it’s true that the games in his books, and there were only a few, were fictitious, my database has one piece of analysis from 1749 along with 60 complete and 5 partial games against named and known opponents from between 1780 and 1795, all but the first played in London. They were collected by Philidor’s friend George Atwood and many of them were published by George Walker in 1835. There is no doubt at all of their authenticity.

We then move onto the match(es) between La Bourdonnais and McDonnell in 1834.  A complete game would have been good but all we get is the Famous Position where the Frenchman forced resignation with three pawns on the seventh rank, without any explanation as to how the position arose.

Then comes the first international tournament: London 1851. We meet Staunton and Anderssen, and, guess what, we see the finales of the Evergreen and Immortal Games. Again, if you really want to publish them because your readers might not have seen them before, why not give the complete games?

According to van der Sterren, “Now Black has to play the defensive move 20… Na6.”. Historians disagree about whether or not Kieseritzky resigned before playing this move (he claimed he did), or whether he played the move and Anderssen announced mate, but why not mention the much better, but still insufficient, defence 20… Ba6?

Come to think of it, why not mention that both the Immortal and Evergreen games were casual encounters in which Anderssen could afford to take risks?

Moving on, inevitably, to Morphy, by this point I started to play a game with myself, guessing what I’d find in each chapter.  Opera House game? Tick! Queen sac v Paulsen? Surprisingly not.

On to Steinitz. Bardeleben at Hastings? Tick! Van der Sterren talks about Steinitz’s advocacy of positional chess, and then aims to justify the inclusion of this tactical game atypical of his late style by incorporating some callout boxes labelled ‘Misunderstandings’ in a rather ugly childish font: something not repeated elsewhere in the book.

Lasker? Exchange Lopez ending v Capa? Tick! Then, on p49, in a moment of carelessness, we meet ‘Dawid Janowksi’,

On the same page we see a Famous Pawn Ending between Lasker and Tarrasch:

We’re told that “By looking at the position in a concrete way instead of relying on general considerations, it is possible to find a concrete path to salvation for Black.”. It’s White, not Black, who finds a concrete path to salvation by playing, after 40. h4 Kg4, 41. Kg6  rather than the losing Kf6. Although the annotations throughout the book are mostly verbal we do get a variation which demonstrates why Kf6 loses.

Capablanca? Qb2 v Bernstein? Tick! Rook ending v Tartakower? Tick! But not full games.

Alekhine? v Réti in 1925? Tick!  Bogo in 1922? Tick! Again, only the closing stages so we don’t get to see how he reached those positions.

To be fair, the book improves as it approaches the 21st century, and we start meeting players the author knew or knows well.

Here, for instance, is a position from a game I must have seen at the time, but had forgotten about.

This is Anand-Karpov Las Palmas 1996. Here, Vishy played Bxh7+!.

“Anand must have felt there is bigger game to be hunted than just a pawn. Still, to forego a perfectly reasonable option with an extra pawn and a draw in the bag, in favour of a piece sacrifice with unpredictable consequences, is not a decision many players would have made. It is a sign of self-confidence, great powers of calculation and bravery; in other words the hallmark of the most pure, sparkling talent.”

This is typical of van der Sterren’s style of annotation: words rather than variations and a tendency towards hero-worship.

Anand himself is, typically, more modest: “Here, I spent a few seconds checking 21. Rxd5 which leaves White with an extra pawn, but as I mentioned earlier I couldn’t be bothered. I saw Bxh7+ and didn’t waste any more time on Rxd5. I then spent some time analysing Bxh7+, and didn’t see a defence for Black. I then realized that I was too excited to analyse and decided to get it over with. He had hardly any time left already and I was sure that he wouldn’t find a defence.”

Does the book succeed? Although I don’t like being negative in my reviews, I’m afraid not. It suffers from trying to do too much in too short a space, and from a lack of historical knowledge and awareness. If you know anything at all about the history of our beautiful games you’ll have seen almost everything before, and you’ll be frustrated by the broad brushstrokes.

Back in 1987, Mike Fox and I were criticised by some reviewers for including a chapter of Greatest Games in The Complete Chess Addict, but they failed to understand that our target market was social players who wouldn’t have seen them before. By the same token, there may still be a market for a collection of Famous Games, Famous Combinations and Famous Endgame Studies. There are several other histories of the world championship, and treatises on the development of chess style and opening theory, but books that are up to date and whose authors have something new to say are always welcome. This book doesn’t really do any of these things very well, and there is very little original content or thought. If you try to be everything to everyone you end up being nothing to nobody.

However, the book is, for the most part, nicely produced, with a lot of attractive photographs. For someone just starting out in competitive chess who would like to know more about the game’s history, this could be just what they want to pique their interest and encourage them to study this fascinating aspect of chess in more detail.

Richard James, Twickenham, 18th February 2020

Richard James
Richard James

Book Details :

  • Paperback : 264 pages
  • Publisher: Thinkers Publishing; 1 edition (20 May 2019)
  • Language: English
  • ISBN-10: 9492510537
  • ISBN-13:  978-9492510532
  • Product Dimensions: 17.1 x 1.9 x 23.5 cm

Official web site of Thinkers Publishing

Kings of the Chessboard
Kings of the Chessboard