“Dariusz Swiercz was born in 1994 in Tarnowskie Gory, Poland. His grandfather taught him to play chess at the age of three. During his junior career he won numerous National Championships as well as several European and World Championship medals. His highest successes include the bronze medal in 2010 at the World U20 Championship (Chotowa, Poland), gold medal in 2011 at the World U20 Championship (Chennai, India) and another gold medal in 2012 at the World U18 Championship (Maribor, Slovenia). He is one of the youngest to receive the Grandmaster title at the age of 14 years and 7 months. In 2016 he won the third edition of the “Millionaire Chess” held in Las Vegas, USA. Since 2018 he has represented the United States. Dariusz currently resides in Saint Louis, Missouri.”
From the book’s rear cover we have :
“The Ruy Lopez is one of the most popular openings of all time. It is a frequent guest in the games of players around the world from novice to Grandmaster. As a result of the increased power of analysis engines the theory of the Ruy Lopez has greatly expanded. Lines that did not exist years ago have been fully developed, supported with extensive analysis, and incorporated into the repertories of top players. Despite this exponential growth in theory, I believe that when armed with sound knowledge it is possible to pose certain practical problems for Black. The purpose of this book is to provide you with detailed and clear explanations of the intricacies of the Ruy Lopez.”
In this series (this is Volume 1) the author takes an in-depth look via 513 pages of how to play the Ruy Lopez (Spanish Opening) from Whites perspective giving many lines that he believes will leave White with some advantage after the opening .
Part 1 looks at opening lines that are slightly unusual and “off-beat” such as the Bird’s defence;
the Schliemann defence;
the Cozio defence;
the Smyslov defence;
the Classical defence;
the Steinitz defence;
the Norwegian defence (ed. the Taimanov defence for those with long memories!);
and Averbakh variations;
Unlike many recent opening books, unusually Dariusz does not analyse complete games but does provide copious amounts of analysis as to how to play against many different tries by black.
Having played the Schliemann a great deal both OTB and online I was interested to see what his recommendation was:
and 4. d3 fe4; 5. de4 Nf6; 6. 00 was his choice here
with both 6…d6 and the main line 6…Bc5 discussed in detail.
Against 6…Bc5 it is recommended that White goes pawn grabbing with 7.Bxc6 bxc6; 8.Ne5 00 9 Nc3 d6 10 Na4 with analysis that goes as far as move 25 showing that White has a clear advantage.
The delayed Schliemann 3…a6; 4. Ba4 f5 is also discussed but this has, for many years, been regarded as suspect concluding that 5.d4! is considered the “refutation”.
Part 2 deals solely with Kramnik’s favourite (and Kasparov’s anti-favourite!) the Berlin Defence 3…Nf6 which has caused even some of the top players in the world to switch (albeit temporarily) further south from the Spanish Opening to the Italian Game, 3.Bc4.
Both 4.00 and 4.d3 are examined closely and in the castles line he prefers variations for White that keep the Queens on: after 4…Ne4; 5.Re1 Nd6; 6.Ne5 Be7; 7.Bf1 Nf5; 8.Nf3 d5
both 9.d4 00; 10.c3 and 9 Nc3 are considered as alternatives.
The depth of Berlin analysis runs to nearly 100 pages and is aimed at players who are willing to look at openings well over 20 moves deep.
4.d3 is also studied when both 4…d6 and 4…Bc5 are looked at with much analysis again going to over 20 moves and showing that usually white has an advantage and can continue putting pressure on black .
Part 3 features the Open 5…Ne4 line when after 6 d4 b5 7 Bb3 d5 now both 8 Ne5 and the more popular 8 de5 Be6 9 Nbd2 the move that Karpov employed in his games against Korchnoi is discussed:
I played this variation for at least 30 years and came to the conclusion that White is always a bit better.
Essentially this is the coverage of Volume 1. To learn about the Closed Ruy Lopez we will be looking at Volume 2 in a future review.
In summary, this book is for players who are not frightened of looking at an opening in considerable depth that is sure to happen in a significant number of their games. It is a handy tool for “correspondence” players and I will, no doubt, be consulting it for good use in my future games!
Colin Lyne, Farnborough, Hampshire, 9th April, 2021
According to the author : “I am a 21-year-old FIDE Master from Ukraine with two IM norms and a peak rating of 2382 currently residing in Saint Louis, USA. During my youth chess career, I won more than ten medals in Ukrainian Youth Championships, having become Ukrainian champion – both individually, in rapid U-20 in 2018 and as a team member during the Ukrainian Team Championship in 2016. I represented the Ukrainian National Team at the U-18 European Team Championship in 2016 where Ukraine earned a bronze medal; I also won an individual board bronze medal.
I have participated in European and World Junior Championships, representing Ukraine. Presently, my focus is teaching, and I have already acquired great experience working to improve my student’s chess skills. I currently share my knowledge and understanding of the game by writing books, articles for the Yearbook and other sources while creating opening and video courses. I have a bachelor’s degree in Translation, and I am currently pursuing my master’s in Finance at Webster University where I am attending on a chess scholarship. Webster is also acknowledged for having the one of best collegiate chess teams in the United States.”
From the book’s rear cover we have :
“One of the important issues players face – both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change – is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games. Some tend to follow their favourite world-class player’s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines. To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully.
I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess. The little detail, though, is in the word “mostly”. Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen’s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on – you name it. I, myself, started out as a keen Sicilian player.
Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit – and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White’s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines – either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge.
Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no “one-size-fits-all” solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible.
I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started.
You won’t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1…e5 provides. Hopefully, learning 1…e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.”
Having spent almost all of my chess life (both OTB and postally) playing 1…e5 I was very much looking to examining the author’s detailed recommendations.
For many years during the eras of both Bobby Fischer and Gary Kasparov the Sicilian Defence was easily the most popular reply to 1.e4 but now with players like Magnus Carlsen and Levon Aronian often adopting open (1…e5) defences preference have greatly changed.
The author starts by looking at odd openings such as Nakamura’s “Whimsy” 2.Qh5 (perhaps this should be called the school chess club opening?): Not surprisingly he gives a line that shows Black can readily get the upper hand.
He then goes on to look at the Centre Game 2 d4 ed4 3 Qd4 !? this is an odd opening that will catch many Black players by surprise.
I always feel uncomfortable when I face this on the Internet . Yuriy gives some good analysis showing that Black can quickly turn the tables on White.
The following chapters examine the Scotch Game and the King’s Gambit. These openings appear straightforward for Black to equalise against. I was surprised to find that in the King’s Gambit after 2.f4 ef4 3.Nf3 Ne7 was recommended!
It turns out that this idea has been played by the French GM Etienne Bacrot, the idea being to play a quick d5.
The author often offers some unusual lines which seem designed to surprise the opponent . He provides analysis of a game up to move 18 concluding that Black is better and shows how to continue the middle game plan from there.
The Vienna Game is also looked at in some depth . After 2 Nc3 Nf6 both 3.Bc4 and 3.f4 are seen . Against the former he recommends 3…Ne4!?
and against the latter 3…d5 4.fe5 Ne4 5.Nf3 Be7 a solid choice which I have played myself.
After recommending 3…d5 versus the Ponziani Opening
the author looks at the Scotch Game (which is very popular at club level) and recommends 4…Bc5 :
Peter Leko selected this line against Magnus Carlsen a few years ago and despite losing the game it was not because of this opening choice which was quite sound. From here 5.Nc6: and 5.Nb3 are both analysed along with the “traditional move” 5.Be3 .
The author now suggests two alternatives for Black: 5…Bd4 which is an unusual line that could well be a good choice against a higher graded player as after 6.Bd4 Nd4 7.Qd4 Qf6 White will have to work hard to win.
Yuriy then looks at the main line with 5…Qf6 but after 6.c3 he suggests the unusual 6…Qg6 :
Once again this suggestion is move which will set White players thinking early in the game whilst remaining a sound choice.
In The Four Knights Game after 4.Bb5 (the Spanish Four Knights) Yuriy gives Rubinstein’s aggressive 4…Nd4 which Kramnik used successfully to defeat Nigel Short.
A small, but not terrible omission, is the lack of coverage of the dangerous Halloween Gambit: something for the second edition!
We now move on to the Evans Gambit, and side-lines of the Guioco Piano are examined before giving detailed analysis of the quiet Italian . This opening 4 c3 Nf6 5 d3 is very popular at world class level and, currently Jan-Krzysztof Duda being the latest high profile player to adopt it .
The plan (which I adopt) of d6 and a6 is recommended when Black again achieves equal play .
Finally (and most fittingly) we come to the Ruy Lopez usually regarded as the ultimate test for 1…e5 players .
In the Exchange Lopez, Barendregt Variation after 5.00 Qf6 a line advocated by Michael Adams is suggested and you’ll need to buy the book to find out what it is!
In the main line Lopez the Open is the weapon of choice with the somewhat unusual 5…Ne4 6 d4 Be7 !? recommended.
This, perhaps is the one recommendation I might not agree with 100%.
Yuriy then goes onto examine some rather unusual lines in the Lopez giving comprehensive coverage.
In summary this book gives a lot of interesting and thought provoking lines that may surprise the player of the White pieces and push them into waters that they are not familiar with.
Black players may do well to try these ideas on-line first and if they work for them then use them in more “serious” games .
The author claims to have checked all of his ideas with an engine and therefore (hopefully) none are unsound !
Colin Lyne, Farnborough, Hampshire, 19th February, 2021
Joshua Doknjas is a FIDE Master from Canada who has enjoyed success competing internationally. He has won seven national titles for his age and tied for 1st in the 2019 U18 North American Youth Chess Championship. This is his second book for Everyman Chess.
From the book’s rear cover we have :
“The Ruy Lopez is perhaps the most classical of all chess openings. It dates back to the 16th century and has featured in the opening repertoire of every modern world champion. It is a highly flexible variation: Bobby Fischer used it to create numerous powerful strategic masterpieces. In the hands of Anatoly Karpov it led to many of his trademark positional squeezes, whereas Garry Kasparov often used it as a springboard for his typically powerful attacks.
Opening Repertoire: The Ruy Lopez is a modern examination of this perennial favourite. Joshua Doknjas has put together a repertoire for White based firmly around contemporary trends in the Lopez. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans.
A complete repertoire for White in the Ruy Lopez
A question and answer approach provides an excellent study method
Everyman Chess have already produced several books of high quality on chess openings and have now added another one.
The book is divided into ten main chapters as follows :
The Zaitsev : 9…Bb7 and Sidelines
The Chigorin : 9…Na5
The Breyer : 9…Nb8
The Anti-Berlin : 4.d3
The Open Variation
The Anti-Marshall : 8.a4
Systems with 5…b5 and 5…Bc5
Systems with …g6 and …Nge7
The Ruy Lopez has been called the mother of chess openings and is undoubtedly the most challenging for anyone who plays the open game with the black pieces.
The book is divided into 3 parts. Part 1 is solely dedicated to the closed Lopez : a great favourite of Lev Aronian. Three main variations are looked at after 5…Be7 6.d4 b5 7.Bb3 d6 8.c3 00 9.h3 when 9…Bb7; the Zaitzev 9…Na5 the Chigorin; a great favourite of Paul Keres and 9…Nb8 favoured by Anatoly Karpov are each considered in detail.
The lines are investigated by examining games played by those of at least 2500 Elo with lots of discussion of other possibilities and questions giving the reader the chance to see if they can work out the correct path.
A Grischuk win against the Ziatzev is analysed, Alexei Shirov shows us how to face the Chigorin with nice wins by Ray Robson with Grischuk and Maxime Vachier-Legarve dismanting the Breyer Variation.
Part2 starts by looking at the notorious Berlin Defence and recommends that White plays 4.d3 which has been the move favoured By Magnus Carlsen and Fabiano Caruana in recent years.
Both 4…d6 and 4…Bc5 are studied the latter in some depth.
The Open variation with 5…Nxe4 by black is analysed in Chapter 5.
The main line 6.d4 b5 7.Bb3 d5 8.d4xe5 Be6 9.c3 is chosen as surprise recommendation as I have played the Open Variation for about 30 years and always thought 9.Nbd2 chosen by Karpov in many games to be the strongest continuation. After 9…Bc5 10 Qd3 is Doknjas suggestion probably chosen to avoid the dangerous Dilworth Attack.
The top game here is a rapid game between heavyweight giants Anish Giri and Vishy Anand and, as usual, White wins.
There is no analysis of the Marshall Defence as 8.a4 avoiding it is the repertoire recommendation.
This was Kasparov’s choice in game 1 of his 1993 PCA world championship match versus Nigel Short. Again, games by Giri and Vachier-Legarve are given as examples for White players. Unusually there is a draw for Black when Ding Liren defends the black side : unusual for this book which has a heavy white bias.
The Arkhangelsk with both 6…Bb7 and the very modern 6…Bc5 often favoured by Shirov is discussed with 7.d3 recommended against the former and 7.c3 against the latter.
The closing chapters in Part 3 look at the rarer moves 3…Nge7 3…g6 3…Nd4 and 3..d6 lines are covered next.
For completeness, there is a chapter on the 3…f5 Schliemann and 4.d3 is the recommended way forward when white intends to snatch a pawn and challenge black to prove he has compensation.
This book is aimed at players from about 120 ECF and upwards though promising juniors who play 1.e4 and are wondering what to choose against the open game are likely to benefit.
The book is nicely presented with good clear print and many diagrams as well as lots of good games.
Colin Lyne, Farnborough, Hampshire, 8th February, 2020
Cyrus Lakdawala is an IM and former US Open Champion who teaches chess and has written over 25 books on chess openings.
The Petroff (or Petrov or Russian) Defence has long been regarded as one of the most solid replies to 1.e4. The most prolific player of the Petroff is Artur Yusupov, a Russian Grandmaster who had played it in around 200 games according to MegaBase 2019.
Vladimir Kramnik , Anatoly Karpov and Boris Gelfand have also used the Petroff many times whilst recently Fabiano Caruana has made it one of his most important and reliable defences.
This is a repertoire book from the Black perspective and therefore does not include all possible black variations but it does provide clear recommendations for dealing with the White variations.
Following the Introduction we have six in-depth chapters as follows :
The Cochrane Gambit
The Scotch Petroff
The Main Line Petroff
The Main Line Sidelines (!?)
The New Main Line (2019)
The Three Knights Petroff
Each and every chapter starts with a summary of the variation to put the reader into the right frame of mind.
The author kicks-off in detail by examining the somewhat swashbuckling Cochrane Gambit where, after the moves 1.e4 e5 2.Nf3 Nf6 3.Nxe5 d6 White boldly sacrifices a knight with 4 Nxf7?!. The author concludes that the Cochrane Gambit is dubious and Black has excellent winning chances (which you would expect no doubt).
He backs this up by showing how Black should play after 4…Kxf7 when White has three sensible moves 5.d4 5.Bc4+ and latterly 5.Nc3 (which was played in a rapid game by Vasily Ivanchuk) : all 3 games were won by Black who wins a piece for 2 pawns. According to MegaBase 2019, the gambit scores an amazing 58.8% for white over 910 games so in practise (as opposed to theory) it does pretty well !
Next, we turn to the Scotch Petroff in which White plays 3.d4 when 3…Nxe4 is recommended.
Two main lines are given, the first being 4.d4xe5 d5 5.Nbd2 where, in the game Vitiugov v Caruana 2018, Black played 5…Qd7 and excellent annotations are given as to why this move equalises fully.
The more popular 5 Nc5 is also examined in detail and,
more often than not, more than one playable line is given for the reader to choose from.
Following the examination of 3.d4 Nxe4 4.Bd3 d5 5.Nxe5 Nd7 Laznicka v Shirov 2006 is discussed in detail and this is an interesting game in which Black was able to win from a lost position.
The opening however was again fine for black.
In Chapter three the author pitches into, what most would consider as THE main line i.e. 3. Nxe5 which is played in 53% of games in MegaBase 2019.
Cyrus recommends 3…d6 4.Nf3 Nxe4 5 d4 d5 6 Bd3 Be7 7 00 Nc6 as most promising for Black.
The main line here is 8.c4 and ten games are annotated in detail. The most prominent players of the black pieces include Vishy Anand and Anatoly Karpov. The following game is annotated in detail :
Other popular moves (8. Re1 and 8.Nc3) are also considered in the same lengthy main chapter.
So called off-beat or side lines are covered in Chapter Four the most important of which is 3.Nxe5 d6 4.Nf3 Nxe4 5.Qe2 which the author labels “The Dull Variation” but, as Cyrus points out, it is a likely choice for the White player if he or she is greatly outgraded and happy to halve the point. However, as in the game Luke McShane v Ba Jobava, Black managed to out dull the dullness by winning!
The so-called “New Main Line” is considered in Chapter Five and this is 3.Nxe5 d6 4.Nf3 Nxe4 5.Nc3 which, somewhat famously, is the usual choice of Magnus Carlsen (and Alexei Shirov) when battling the Petroff. The usual consequence of adoption of a line by the World Champion is that the variation becomes popular at “club level”. (Editor : This also happened to the currently trendy new main line of the London System : 1.d4 d5 2.Bf4 Nf6 3.e3 c5 4.c3 Nc6 5.Nd2).
The chapter launches by detailing a recent (2018) Carlsen v Caruana game where again, black equalises and draws the game.
The final chapter covers the Three Knights Variation in which White essays 3.Nc3 and Black usually replies 3…Bb4 : of course, he or she could also try 3…Nc6 transposing to a Four Knights Game.
From the BCN Editor :
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
A couple of small gripes with the production are : the diagrams do not have a “to move” indicator. secondly, some Everyman books (but not this one) have an extra folding part to the front and rear covers. These we find protect the book from damage and also can be used as an emergency book mark !
So, what do we think ?
This is an excellent book with 58 games often by world class players given lots of analysis and discussion of ideas.The author sets many exercises (tactical and strategic) for the reader to work through making the book more interactive than many.
Of course, it is mainly written from the Black perspective as most presented games are won by Black perhaps making the reader wonder why 2…Nf6 is not as popular as 2…Nc6 : maybe it soon will be !
Colin Lyne, Farnborough, Hampshire, October 22nd, 2019
The author of this book Herman Grooten is an International master and has taught players such as Loek van Wely.
At the start of the book Grooten emphasises that many chess players memorise lots of opening theory but it does not improve their results as they do not understand the position when their opponent deviates from theory.
He explores the various pawn structures in variations of openings in the Ruy Lopez (Spanish Game) and (Giuoco Piano) Italian game.
The first variation he looks at is the so-called Berlin wall (Berlin Defence) which was used very successfully by Vladimir Kramnik in his World Championship match vs Gary Kasparov.
Knowing Kasparov was a great attacking player Kramnik chose a variation which leads to a Queenless middle game.
Although Black ends up with doubled pawns on the Queenside (as in the Ruy Lopez, Exchange Variation) his bishop pair is good compensation and his doubled pawns are not weak and easily exploited.
Grooten then shows what each side should be trying to achieve to progress their position.
In the Open Lopez the pawn structure is very different : White has a four to three pawn majority on the kingside and with a pawn on e5 and good use of the d4 he has good chances for an advantage and it is well known that Viktor Korchnoi played the Open Lopez in his famous match with Anatoly Karpov. Black has a four to three majority on the queenside but his c7 pawn is backwards and weak. If Black can play c5 then he will probably equalise but he normally cannot afford to play Nxd4 as after cxd4 his c7 pawn is very weak.
Next Grooten examines variations of the Closed Lopez where play typically goes 5 Be7 6 Re1 b5 7 Bb3 00 8 c3 d6 9 h3. Here the Zaitzev 9…Bb7 Chigorin 9…Na5 and Breyer 9…Nb8 are explored in detail. In all three of these famous lines the pawn structure is the same White pawns on c3 d4 and e4 Black pawns on c5 d6 and e5.
White normally can decide the structure by either playing d5 or d4xc5 or maintain tension with Nbd2 when Black can change the structure with c5xd4,
Paul Keres often did this in the Chigorin Variation.
Grooten looks in depth at the theory of the Two Knights where White plays 4 Ng5 including some variations in the main line 5 Na5 which I have not seen before and maybe are unusual and interesting.
Finally, He also looks at some interesting world class games the best of which is a win by Paul Keres over Mikhail Tal as Black in the Chigorin Variation.
In summary, this excellent book will appeal to club players who know these openings but are not sure what plan(s) to adopt in the consequent middle game.
The Chigorin defence to the Ruy Lopez comes about when black plays the closed 5…Be7 variation and play continues 6.Re1 b5 7.Bb3 d6 8.c3 00 9.h3 now black unleashes 9…Na5.
The opening is named after the Russian player Mikhail Ivanovich Chigorin (1850 to 1908) who twice played Wilhelm Steinitz for the world title, losing on both occasions.
The authors of the book are Dutch Grandmaster Ivan Sokolov and Spanish (appropriately enough !) Grandmaster Ivan Salgado Lopez.
Anyone playing the black side of 1.e4 e5 2.Nf3 Nc6 has to face the problem of how to get equality after 3.Bb5 undoubtedly the most challenging move. White’s normal strategy will often be to play for a kingside attack and therefore black needs to find a good defence that gives him equal chances and the opportunity to take over the initiative if white goes astray. The two Ivans offer a defence to the Ruy Lopez that seems to do that and one which is a lot more interesting than the (in my opinion) boring (according to many!) Berlin Defence.
Firstly, I was surprised to learn that this opening variation was first played by (1910 World Championship Challenger) Carl Schlechter in 1902 and his opponent was Dr. Siegbert Tarrasch. Chigorin himself played the defence twice but it was Akiba Rubinstein who made the opening popular playing it many times against world class opponents. Later on Capablanca, Lasker, Botvinnik, Euwe, Reshevsky and particularly Paul Keres all helped to make it a popular response to the Spanish Opening.
The book starts out by discussing early games and detailing middle game plans for Black. The first variation to be discussed in detail is 10.Bc2 c5 11.d4 Qc7 12.Nbd2 citing the stem game Lasker vs Tarrasch giving an excellent example of how black should play the position. A whole chapter then looks at the games of Paul Keres (most of which he won) however it does not include his famous game v Robert James Fischer (Zurich 1959) which is nevertheless analysed in another chapter : Fischer won that historic encounter.
An attractive (and unusual ) feature of this book is that it also points out best lines for White to play rather than simply evangelizing the Chigorin Variation from Black’s perspective. An example of this is when black chooses 11…Bb7 over 11…Qc7 and after 12.d5! it is difficult for black to activate the bishop or the knight on a5.
A better 11th move for Black is Nd7 which features in several games. Here again the author’s point out that 12.d5 is playing into blacks’ hand as he plays Nb6 intending f5. A better try is 12.a4 as a number of high level games demonstrate.
The latter part of the book discusses much theory and sums up which lines are promising for each player and which are to be avoided.
Summing up, I would say that this is an excellent book and any player studying it is likely to be better prepared than their opponent for sure.
Colin Lyne, Farnborough, Hampshire, April 16th, 2019
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