We offer best wishes to GM Daniel King on his birthday
Daniel John King was born on Wednesday, August 28th 1963 (the same day as the Martin Luther King “I have a dream” speech) in Beckenham, Kent.
He attended Langley Park School whose motto is “Mores et Studia” meaning “good character and learning” or “morals and study”.
Daniel has a brother Andrew (AJ King) who is also a strong player.
Daniel became an International Master in 1982 and a Grandmaster in 1989.
His peak FIDE rating (Felice) was 2560 in July 1990 at the age of 27.
Daniel plays for Guildford in the Four Nations Chess League (4NCL) and has played for Guildford in local leagues.
This was written (by Leonard Barden) about Daniel who was 15 just prior to the 1979 Spassky vs the BCF Junior Squad simultaneous display :
“Langley Park School, Shortlands and Bromley. Rating 201. British under-14 co-champion, 1977. 2nd Lloyds Bank junior international, 1979.”
Danny was Southern Counties (SCCU) champion for the 1983-84 and 1985-86 seasons.
According to Test Your Chess With Daniel King, Batsford, 2004 :
“Grandmaster Daniel King has been a professional chess player for 20 years. During that time he has represented his country on many occasions including an historic match victory over the Soviet Union in Reykyavik, 1990. Besides his chess career, Daniel has built up a reputation as a commentator on TV and radio,
and has reported on four World Championship matches and several Man vs Machine events, including the controversial Kasparov vs Deep Blue encounter in New York, 1997. He is an award-winning author of 15 books, including Winning with the Najdorf, Mastering the Spanish, and Kasparov vs Deep Blue for Batsford. ”
On April 8th, 2020 New in Chess released Sultan Khan: The Indian Servant Who Became Chess Champion of the British Empire which is Daniel’s most recent book.
According to British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson :
1977 British Under 14 Champion
1979 Lloyds Bank 6/9 (aged only 16)
1980 First Ilford Open
1981 Represented England in Glorney Cup scoring 4.5/5
1981 Fourteenth equal British Championship
1981 IM norm Manchester 5.5/9
1981 Second equal Ramsgate Regency Masters 6.5/9 IM norm with a round to spare
1982 First Equal Guernsey 6/7
1982 First Hamar IM norm and title
1982 Second equal Molde
1982 Second equal Hallsberg Junior
1982 Third equal Phillips and Drew Knights
1982/3 Tenth equal Ohra, Amsterdam 5/9
1982/3 Fifth European Junior
1983 Fourth equal Gausdal
1983 First Portsmouth Open
In the same article Daniel gave the following game as his favourite up to 1983:
BCN offers best wishes to Aaron Summerscale on his birthday.
Aaron Piers Summerscale was born on Tuesday, August 26th 1969 in Westminster, Greater London. His mother’s maiden name is Mayall. Aaron lives in SW18 and teaches chess. He married Claire Lusher (Basingstoke) but they are now separated.
He became a FIDE Master in 1992, an International Master in 1994 and a Grandmaster in 1997.
Aaron was runner-up (to Matthew Sadler) with 8/11 in the 1995 British Championship in Swansea.
His highest FIDE rating was 2513 in October 2000 and was joint (with Ameet Ghasi) British Rapidplay Chess Champion in the same year.
His highest ECF grading was 244A in 2001 and he won the Staffordshire GM tournament in the same year :
Aaron plays for Wood Green in the Four Nations Chess League (4NCL) and has played for Pride and Prejudice.
Michael became a FIDE Master in 1980 and achieved his highest rating in the Elo era of 2345 in January 1979.
We are grateful to Leonard Barden for these words produced at short notice :
“Michael made his name as a young player first by his successes in the Saturday evening Gambit Guinea speed events at the Gambit chess cafe in Cannon Street which he often won ahead of master level rivals. He remained a strong speed player all his life.
Aaronson Masters at Harrow 1978, was his best individual success, sharing first place with IM Aldo Haik of France with (I think) an IM norm.
Michael was a regular British championship, Surrey, Hastings and London League player (forget club, Richmond? Clapham Common?) and was one of the first to play the London System (d4/Bf4) as as his regular opening with white.
He also had success as Black with the O’Kelly Sicilian 1.e4 c5 2.Nf3 a6.
When Surrey won the counties championship a few years back they took the trophy specially to Michael’s home in Norbury, such was their regard.
Michael’s work career was in the Patent Office and he retired when they introduced computers as he doesn’t like them and does not use the internet at all.”
BCN remembers Henry Edward Bird who passed away this day, April 11th in 1908.
From The Oxford Companion to Chess by David Hooper & Ken Whyld :
“English player, accountant. He played in 13 strong tournaments, with erratic results; his best achievements were: Vienna 1873, a tie with L. Paulsen for fifth place; Paris 1878, fourth place shared with Mackenzie; Manchester 1890. third prize shared with Mackenzie after Tarrasch and Blackburne. He also played in numerous minor tournaments, notably tying with Gunsberg for first prize at London 1889. His most important match was against Steinitz in 1866 for the first to win eleven games. He was adjudged the loser when he was
called to the USA on business, the score standing +5 = 5—7 in favour of his opponent. This was a creditable result in the circumstances, for he played each game after a day’s work (Steinitz, however, was not so strong a player as he later became.) In 1886 Bird drew a match with Burn(+ 9—9). One of the most ingenious tacticians of his time, Bird played in the attacking style prevalent in his youth. He usually chose openings that were regarded as bizarre, although many of them, e.g. the Dragon Variation, have since gained acceptance.
Bird was probably the best known and longest serving habitue of the London coffee-house known as Simpson’s Divan. ‘A rosy-cheeked, blue-eyed, fair-headed boy’, he first attended around 1846 and was a constant visitor for more than 50 years, after which he was described as ‘majestic in stature, in girth, in the baldness of his great head, less majestic in the litter of tobacco ash upon his waistcoat … with a pleasant smiling countenance’. He suffered from gout which eventually so incapacitated him that he was largely confined to his home for the last years of his life.
Besides writing booklets on railway finance he wrote several books on chess. They are not without interest although the content is sometimes inaccurate and often disorganized. Bird’s Modern Chess and Chess Masterpieces (1887) contains more than 200 games, about half of them his own. Chess History and Reminiscences (1893) contains an account of contemporary players and chess affairs.
Bird-Mason New York 1876 French Defence, Exchange Variation :
For this game Bird was awarded the BRILLIANCY PRIZE.
The Bird Attack is variation in the Italian opening strongly advocated by Stamma and no less strongly by Biro. In May 1843 saint-Amant played it against Staunton in their first match and five years later Bird adopted the variation, playing it in many tournaments, notably with fair success at Vienna 1882, London 1883, and Nuremberg 1883.
The Bird Defence, a reply to the Spanish opening given in the first edition of Bilguer’s Handbuch, 1843. Pioneered by Bird, e.g. against Anderssen in 1854, and used on occasion by grandmasters such as Tarrasch, Spielmann, and Spassky, this defence has not gained wide acceptance.
The Bird Opening, sometimes called the Dutch Attack by analogy with the Dutch Defence. In 1873, after an absence of six years from chess, Bird played a match with Wisker. ‘Having forgotten familiar openings, I commenced adopting KBP for first move, and finding it led to highly interesting games out of the usual groove, I became partial to it. ’ Bird had also forgotten unfamiliar openings, for
1 f4 (given by Lucena) had been played by Bourdonnais, Williams, and others of that period. However Bird’s consistent adoption of the move led to its becoming a standard opening, although
never popular.
From Wikipedia :
Henry Edward Bird (Portsea in Hampshire, 14 July 1830 – 11 April 1908) was an English chess player, and also an author and accountant. He wrote a book titled Chess History and Reminiscences, and another titled An Analysis of Railways in the United Kingdom.
Although Bird was a practicing accountant, not a professional chess player, it has been said that he “lived for chess, and would play anybody anywhere, any time, under any conditions.”
At age 21, Bird was invited to the first international tournament, London 1851. He also participated in tournaments held in Vienna and New York City. In 1858 he lost a match to Paul Morphy at the age of 28, yet he played high-level chess for another 50 years. In the New York tournament of 1876, Bird received the first brilliancy prize ever awarded, for his game against James Mason.
It was Bird who popularized the chess opening now called Bird’s Opening (1.f4), as well as Bird’s Defense to the Ruy Lopez (1.e4 e5 2.Nf3 Nc6 3.Bb5 Nd4). Bird’s Opening is considered sound, though not the best try for an opening advantage. Bird’s Defense is regarded as slightly inferior, but “trappy”.
According to Edward Winter Bird lived at these addresses :
5 Heygate Street, London SE, England (The Chess Monthly, October 1887, page 35).
16 Chetwode Road, Upper Tooting, London SW, England (Chess Amateur, April 1908, page 190).
Here are a handful of his games from chessgames.com and here is what chessgames.com has to say about FFLA :
“Frederick Forrest Lawrie Alexander played in the 1932 British Championship, but with little success. At age 70, playing at the 1950 Southsea tournament, he shocked the pundits by defeating Efim Bogoljubov and Harry Golombek.”
Here is more detail and photographs of the Alexander Cup from Britbase / John Saunders
“Michael John Basman was born in St Pancras, London, England. He was awarded the IM title in 1980 and having dual nationality won the Erevan Championship whilst living there in the early 1970s. He was also a pioneer in the production of audio tapes for chess.
He is noted for his use of unorthodox flank openings, such as 1.g4, 1.h3, 1.e4 g5, etc. He expanded on the work of Henri Grob with his book on the topic of 1.g4, The Killer Grob.
He created the UK Chess Challenge, a tournament for juniors of all standards and ages progressing over four stages.(1)”
Michael Lipton is a British problem composer. Born on 13th February 1937, Lipton is a Fellow of All Souls, Oxford and an economist at The University of Sussex.
His 350 problems consist mainly of modern two-movers. His British Chess Problem Society lecture in 1956, The German Two-Mover, led to so great an interest in modern trends that Great Britain was transformed from one of the most backward to one of the most forward countries for the composition of modern two-movers. Lipton, Rice and Barnes were chiefly responsible for this revolution.
Lipton had edited problem sections of Correspondence Chess and the Sunday Citizen. He is co-author with R.C.O. Matthews and J.M.Rice of Chess Problems : Introduction to an Art and co-author with J.M.Rice and B.P.Barnes of The Two Move Chess Problem : Tradition and Development.
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problem composer, output about 400, nearly all modern-style two movers. Co-author of Chess Problems: Introduction to an Art (1963) and The Two-move Chess Problem: Tradition and Development (1966). International Master (1976). ”
Professor Lipton is perhaps better known for his academic career in economics specialising in rural poverty in developing countries, including issues relating to land reform and urban bias.
Many articles are available on the above including:
The early history of TRD and his family has been meticulously researched by Yorkshire chess historian, Steve Mann. We recommend you visit this page to discover the detail.
31 Clyde Road, Croydon, England (Fairy Chess Review, issues from 1946 to 1949*).
From The Oxford Companion to Chess (OUP, 1984 & 1996)by Hooper & Ken Whyld:
“English composer, pioneer of both fairy problems and retrograde analysis. His problems in these fields form the greater part of his output (about 6,500 compositions) and are better remembered than his studies and orthodox problems. For fairy problems he invented new pieces: grasshopper (1912) LEO (1912), NEUTRAL MAN (1912) NIGHT RIDER (1925), and VAO (1912); he codified new rules such as the maximummer (1913) and various kinds of series-mover; and he used unorthodox boards.
In 1915 he wrote Retrograde Analysis, the first book on the subject, completing the project begun several years earlier by the German composer Wolfgang Hundsdorfer (1879-1951).
From 1919 to 1930 Dawson conducted a column devoted to fairy problems in the Chess Amateur, In 1926 he was a co-founder of The Problemist , which he edited for its first six years and he founded and edited The Problemist Fairy Supplement (1931-6) continued as The Fairy Chess Review (1936-51).
Besides conducting columns in several newspapers and periodicals, one of them daily and one in the Braille Chess Magazine, Dawson edited the problem section of the British Chess Magazine from 1931 to 1951; he devised and published in its pages (1947-50) a systematic terminology for problem themes in the hope that it would supplant the extensive jargon then and now in use, Dawson wrote five hooks on fairy problems: Caissa’s Wild Roses (1935); C. M. Fox, His Problems (1936); Caissa’s Wild Roses in Clusters (1937); Ultimate Themes (1938); and Caissa’s Fairy Tales (1947).
Charles Masson Fox (1866-1935) was a patron whose generosity made possible the publication of four of these books and the two fairy problem magazines founded by Dawson. Ultimate Themes deals with tasks, another of Dawson’s favourite subjects. In 1973 all five books were republished in one volume. Five Classics of Fairy Chess.
Dawson found it difficult to understand the problemist’s idea of beauty because it is not susceptible to precise definition. The artist talks of “quiet” moves, oblivious that they are White’s most pulverizing attacks! This aesthetic folly, reverence, response thrill to vain-glorious bombast runs throughout chess.(See Bohemian for a problem showing 16 model mates, a task Dawson claimed as a record but a setting Bohemian composers would reject.) His genius did not set him apart from his fellows; he could find time for casual visitors and would explain his ideas to a tyro with patience, modesty, and kindness. Although he won many tourney prizes much of his work was designed to encourage others, to enlarge the small band of fairy problem devotees, He composed less for fame than to amuse himself, confessing to another composer ‘We do these things for ourselves alone.’
A chemistry graduate, Dawson took a post in the rubber industry in 1922 and rose to be head of the Intelligence Division of the British Rubber Manufacturer for which he founded, catalogued, and maintained a technical library. Unwell for the last year of his life, he died from a stroke. K. Fabel and C. E. Kemp, Schach ohne Grenzen or Chess unlimited (1969) is a survey, written in German and English, of Dawson’s contribution to the art of fairy problems.”
From The Encyclopedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“British problemist. Born on 28th November 1889. Died on 16th December 1951. Universally known as TRD., the great master of Fairy problems. His wealth of invention held the chess world enthralled. His output comprised about 6,400 problems and 150 studies.
Dawson was a nephew of the late James Rayner, himself a noted chess problemist . From as early as about 1910, TRD had conducted the ‘Chess Endings‘ section in the Chess Amateur, and its Fairy section from 1919. He worked with BG Laws from Mark 1930 conducting the problem pages of the British Chess Magazine, and following Laws’ death he assumed complete charge of the section from October 1931 to February 1951 when ill health forced him to relinquish the work.
The Problemist Fairy Chess Supplement subsequently renamed The Fairy Chess Review was started by TRD in August 1930. TRD was concerned in a number of other chess publications ; chess for the Blind, several books of the AC White Christmas series, BCPS Honours 1926-29, and the CM Fox series.
He was largely instrumental in the publication of the first issue of The Problemist on 1st January 1926, and was editor until May 1931. He was President of The British Chess Problem Society from September 1931 to 1943.
Apart from chess, Thomas Dawson, MSc, FRIC, FIRI was an international authority on rubber, and was responsible for the creation of the world-famous rubber library at Croydon, as well as its ‘Dawson’ system of rubber literature documentation. A Guide to Fairy Chess and The Problemist March 1952 detail the remarkable life-time accomplishments of TRD.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, output over 6,000, 5,000+ being fairies . Dawson is remembered especially for his enormous contribution to fairy chess, of which he was the world’s leading exponent. Not only did he invent new pieces (e.g. Grasshopper, Nightrider) and new forms (e.g. Serieshelpmate), he also popularised fairy ideas with unparalleled enthusiasm through his writing and editing.
Books include Caissa’s Wild Roses (1935), Caissa’s Wild Roses in Clusters (1937), Ultimate Themes (1938), and Caissa’s Fairy Tales (1947);Â and in collaboration Retrograde Analysis (1915) and Asymmetry (1928).
Editor of The Problemist (1922-31), fairy secretary of Chess Amateur (1919-30, Fairy Chess Review (previously Problemist Fairy Supplement) (1930-51) and problem pages of the British Chess Magazine (1931-51). Of these, the Fairy Chess Review was probably his greatest achievement.
President of British Chess Problem Society 1931-43.”
When TRD stepped down as Endings editor of British Chess Magazine in December 1947 he wrote this:
“With this page I reluctantly terminate on health grounds some forty years of work in the Endings field, and my contributions to this corner of the “British Chess Magazine”. To the many readers of these pages, a Merry Christmas and steadily improving years.”
From British Chess Magazine, Volume LXXI (71, 1951), Number 3 (March) pp. 78-80 we have notice of the retirement of TRD written by Brian Reilly:
WITH the retirement of Mr. T. R. Dawson a wonderful chapter in the history of the “B.C.M.” is brought to a close. It is a profound truism that in England the Chess Problem has never possessed such an assiduous and devoted servant and although Mr. Dawson had already attained greatness when he joined us, the story of the Past twenty years is one of unparalleled intensive activity in which the ontological essays on “Systematic Terminology” may be considered the crowning
achievement of a unique career.
His immense influence in the realm of Fairy Chess is well known; indeed, when the next instalment in the history
of the subject comes to be written it will be mainly that of our own Colossus with his countless converts finding, not dishonourable graves, but new and entrancing visions of beautiful things made possible through him. The onus probandi of his contribution to the orthodox problem, as treated in the “‘B.C.M.,” lies with posterity and in the minds of men unencumbered by prejudice and receptive to new and startling ideas.
In this Editorial we can only say, on behalf of our many readers,
“Thank you, T. R. D., for everything that you have done: for your devotion to your cause and your inspiration to your fellows. It has been a privilege to be associated with you and in the well-deserved years of retirement may your days and those of your loved ones, be long, fruitful, and full of the greatest happiness.”
In the nature of things we must go on and in bidding. a reluctant farewell to the magic name of T. R. D. we welcome to Problem World the young and and enthusiastic Mr. S. Sedgwick. His first article, dealing with the work of T. R. D., appears overleaf, and we commend it to all our readers.
Here is that editorial as it originally appeared:
Following that we have this appreciation from the incoming Problem Editor, Stanley Sedgwick of 337 Strone Road, Manor Park, London E12:
RETIREMENT OF MR. T. R. DAWSON
The news that Mr. Dawson, through reasons of health, has to relinquish these pages will be received with a deep and universal regret.
In the T. R. D. Diamond Jubilee booklet, 1949, the Editor was constrained to remark that so far as Fairy Chess Review was concerned there were no signs of Mr. Dawson retiring to that otium cum dignitate which was unquestionably his due; for the “B.C.M.” that prophecy is now unfortunately fulfilled. I might well have called this article “Twenty Glorious Years,” for in that time he has poured forth from these pages, in a never ending stream, the
treasures of a unique creative mind that makes the lot of any successor in unenviable one. As befits the occasion this issue is devoted to T. R. D. and I have to thank the many kind friends who at short notice have joined me in this tribute.
Thomas Rayner Dawson, M.Sc., F.I.C., F.I.R.I.. was born on November 29th, 1889, in Leeds, Yorkshire. He was a nephew of the late James Rayner, who edited these pages from 1889 until his death in 1898. A study of the “B.C.M.” for those years reveals a man whose love for the bizarre and unorthodox far outstrips any regard for the conventional. Bearing in mind Mr. Dawson’s subsequent pre-eminence in Fairy Chess it can be truly said that he was nurtured in the correct Puck-like atmosphere and to use his own words: “l cut my teeth on some of his old round-headed pawns!”
By the year 1900 he had already assimilated the rules of the game from a book of boy’s pastimes and evidenced an interest, in local newspaper columns, The Leeds Mercury Supplement and Yorkshire Weekly Post. His first problem – a direct mate in two – fell under the solvers’ scrutiny in 1907 and within a short period, which saw further orthodox work, he had soon acquired technique and absorbed current tenets, jargon, dogma, and dicta. – His attraction for the unorthodox was fostered primarily by his relationship to James Rayner, by the Christmas issues of the Leeds Mercury Supplement, and three works Tolosa y Carreras’ Traite Analytique, Alexandre’s Beautes, and Samuel Loyd in American Chess Nuts.
Through these agencies developed a love of Fairy Chess which was later to be the single and enduring passion of his life.
The year 1909 saw him in charge of the Endings Section of the Chess Amateur and later in the same magazine the famous Fairy Corner. In l915 at the invitation of Mr. Alain White he joined with W. Hundsdorfer in an epoch making pioneer work Retrograde Analysis, a strange and beautiful field in which he had proved himself peculiarly facile. In 1922 he founded and edited with conspicuous success The Problemist, the bi-monthly journal of the British Chess Problem Society.
This important work continued until 1931 when he relinquished the Editorship to Mr. C. S. Kipping and commenced the editing of an unknown and delicate newcomer, The Problemist Fairy Supplement. Although the Fairies had been claiming his attention more and more, Mr. Dawson discharged his position as the Society’s Editor with characteristic thoroughness, ever ready to support its tourneys with his own work and the pages of its journal with theoretical articles, demonstrating that his true passion had in no way impaired a marked ability for orthodox technique.
Nineteen-thirty-one, which saw the first small beginnings of The Problemist Fairy Supplement (later to be known as Fairy Chess Review), was to prove a milestone in the history of Fairy Chess. From its pages Fairy Chess as preached by T. R. D. went out to all lands, Penetrating every barrier, enrolling new adherents, and carried onwards and
upwards by the magnificent enthusiasm of his greatest disciple and guiding star.
His unique ability to interpret the infinite new forms of Fairy Chess, which a fertile imagination made readily available, had already gained renown and by this time his pre-eminence was firmly established, founded on problems and articles scattered in countless magazines and journals throughout the world. The message of his work and personality was, for many serious minds, too strong to be resisted, and in his devotion to Fairy Chess Mr. Dawson stands as the architect who laid the foundations for all the undreamt glories and beauties that are to come.
He joined the “8.C.M.” in 1930 and became the Problem Editor in 1931, upon the death of B. G. Laws; he was later made responsible for the well-known Endings feature. To these pages Mr. Dawson brought a rare literary ability and a scientific single-mindedness of purpose that for many years has made him unique in chess journalism.
In 1933, with an article on pawn switch modes, he lit a tiny flame that burned and has gone on burning, illuminating one of the most complete investigations into any problem theme. In this article, small but very significant in itself, is mirrored Mr. Dawson’s insistence upon the scientific and methodical approach to all problem work.
The same sincere belief that order and method are indispensable to any progress in the chess problem resulted fifteen years later in the historical essays on Systematic Terminology – one of the most remarkable contributions to pure thought on the problem domain yet conceived. The desire to bring order out of chaos has led him over the period of years to collect 100,000 Fairy Chess problems in a classified. system, a unique compilation with each individual member precisely assigned its place in the chess cosmos. His philosophy is, perhaps, best exemplified by his closing remarks to the Systematic Terminology essays, in which he states that with the assistance of orderly terminology “chess problem study is lifted far out of the morass of confusion of inspiration, into the freedom and dignity of an exact geometrical science.” It will not
have escaped attention that despite this uncompromising rejection of the artistic nature of the chess problem, Mr. Dawson’s best work, both orthodox and fairy, is the very embodiment of everything that good work should be. Pointed like an arrow,
complete and final as to the idea depicted, great regard paid to economy, the best attributes are ever present and there are many students of themes who have had occasion to profit from the clarity of his constructive powers.
The 1930’s saw great activity in the publication of the important Fairy Chess books, Caissa’s Wild Roses (1935), Caissa’s Wild Roses in Clusters (1937), and Ultimate Themes (1938). In each one a complex subject was treated in a thoroughly scientific manner. Broadly speaking these three works summarized Fairy Chess to date, demonstrating
its great achievements with crystal clarity. A close study of these books reveals the whole magnificent sweep of a unique intellect, at the same time showing how many of these achievements were really due to him. ln 1936 he gave to Fairy Chess lovers C. M. Fox, His Problems, a tribute to his great friend. His other literary works include the truly delightful Caissa’s Fairy Tales, which, with Sam Loyd and his Chess Problems shares the honour of being the only two problem books to be translated from the English language. Fata Morgana (1922), in conjunction with Dr. Birgfeld, W. Nanz,W. Massmann and W. Pauly, dealt with over 800 self mates and here Mr. Dawson’s Symbolic Notation was the binding thread in a masterly book. Asymmetry, with W. Pauly was published in 1928 and remains the classic exposition of afield to which he has devoted considerable attention.
In addition to his work for the “B.C.M.,” Mr. Dawson has at various times been responsible for the Problem Department of Eco degli Scacchi, The Half Hour, L’Alfiere di Re, the London Evening Standard, and the Braille Chess Magazine, the last named an unremitting labour of love that continued for thirteen years. He also assisted in the inauguration of the annual British Chess Federation Award Pamphlets and edited them for three years. As a mark of great respect for his work he was elected President of the British Chess Problem Society in 1931 and remained constantly in that office until 1943.
A study of Mr. Dawson’s output is truly impressive and includes, inter alia, 5302 Fairies, 885 direct mates, 97 self mates and 138 endings, of which 110 Fairies have gained prizes with 89 Hon. Mentions and 75 commendations; in the other group 10 have been awarded prizes, with 47 Hon. Mentions and commendations. A composer’s contribution to any particular domain cannot and must not be judged by reference to tourney results alone, but in these achievements the First Prize Essay, L’Echiquier, 1928, and the treatise on Pawn Promotions, British Chess Federation, 1936, highlight a brilliant career.
Mr. Dawson has thus run the entire gamut and experience of composition ever revealing himself both in his work and writings as a seeker of essential truths and beauties, endowed with the ability to pass his discoveries on to others so that their wonders may be shared, enjoyed, and carried forward. He was kind enough to make a personal selection from his problems to round off this article and from these I have chosen six.
Many composers have expressed a desire to be associated with this small, but quite inadequate, tribute to his genius and many problems have been contributed for this purpose, some of which appear in this issue and others will follow. With each
and every one has come a warm personal message of esteem for our retiring Editor, coupled with the sincere hope that time and rest will repair the harm left by the past years of unremitting labour. That this event is not too long delayed is the fervent wish of us all.
Six of Mr. Dawson’s problems follow –
No. 1 British Chess Magazine, January, 1951
White mates in 2
No. 2
Good Companion Chess Problem Club, March, 1922
White mates in 3
No. 3
British Chess Magazine, September, 1937
White mates in 3
No. 4
Bolton Football Field, March 9th, 1913
White mates in 3
No. 5
The Field, September 14th, 1946
White mates in 4
No. 6
British Chess Federation Awards, 1943
White mates in 7
and here follows the original article:
Unfortunately TRD was to pass away not much more than a year after the retirement notice and in British Chess Magazine, Volume LXXII (72, 1952), Number 4 (April) pp. 107 – 108 we have this obituary also from Stanley Sedgwick :
The same obituary contains the following appreciation by Gerald Abrahams :
According to Edward Winter in Chess Explorations (Cadogan Chess, 1996) page 106, Chess Note 457, :
“George Jellis suspects that a chess man has been named after a street:
Just south of St. Paul’s Cathedral in London is a private gated road called Nightrider Street which, I believe belongs to the Post Office and presumably derives its name from the night mail coaches of earlier days. It is only a short walk from the St. Bride’s Institute, where the British Chess Problem Society has held its meetings since its foundation in 1918. Among the founder members was TR Dawson, who published his first Nightrider problem in 1925.
“Thomas Rayner Dawson (28 November 1889 – 16 December 1951) was an English chess problemist and is acknowledged as “the father of Fairy Chess”.[1] He invented many fairy pieces and new conditions. He introduced the popular fairy pieces grasshopper, nightrider, and many other fairy chess ideas.
Dawson published his first problem, a two-mover, in 1907. His chess problem compositions include 5,320 fairies, 885 directmates, 97 selfmates, and 138 endings. 120 of his problems have been awarded prizes and 211 honourably mentioned or otherwise commended. He cooperated in chess composition with Charles Masson Fox.
Dawson was founder-editor (1922–1931) of The Problemist, the journal of the British Chess Problem Society. He subsequently produced The Fairy Chess Review (1930–1951), which began as The Problemist Fairy Chess Supplement. At the same time he edited the problem pages of The British Chess Magazine (1931–1951).
Publications
Caissa’s Playthings a series of articles in Cheltenham Examiner (1913) Retrograde Analysis, with Wolfgang Hundsdorfer (1915) Fata Morgana, with Birgfeld, Nanz, Massmann, Pauly (1922) Asymmetry, with W. Pauly (1928) Seventy Five Retros (1928) Caissa’s Wild Roses (1935) C. M. Fox, His Problems (1936) Caissa’s Wild Roses in Clusters (1937) Ultimate Themes (1938) Caissa’s Fairy Tales (1947)
The last five titles were collected as Five Classics of Fairy Chess, Dover Publications (1973), ISBN 978-0-486-22910-2.”
We focus on the British Chess Scene Past & Present !
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.