The idea of the move 1. Nc3 is to confuse the second player, as White plays a supposedly unambitious move to mislead Black. This is why we found the name “Trojan Horse” very appropriate for the move 1. Nc3, just as the gift from Ulysses to the Trojans appeared to be a tricky and poisoned gift. The appropriate term for chess will, therefore, be the Trojan Knight to refer to the Trojan Horse.
1. Nc3 became popular among professional players, and many grandmasters have added it to their repertoire or played it occasionally in official games: Nakamura, Morozevich, Rapport, Bauer, Vallejo Pons… However, it is especially in rapid games that it has reached the world elite, and the very best players in the world have tried it: Carlsen, Mamedyarov, Andreikin and Firouzja for example. I truly hope that seeing the very best players in the world playing it will convince even the most sceptical critics.
About the Author:
The author Bruno Dieu is a FIDE Master and became French Correspondence Chess Champion in 2000. He has a rich experience in chess, having participated in various chess tournaments, both over the board and in correspondence. It’s fascinating that he has competed with notable experts and writers on the 1 Nc3, such as Dick Van Geet, Anker Aasum, and Harald Keilhack. The mention of a book being a token of his experience suggests that he has documented his insights and knowledge about this opening.
This absorbing and well-thought tome is a delight and covers a wealth of material after White’s opening salvo with 1.Nc3.
First encounters
As a junior, the reviewer knew this opening as the Dunst opening. I first met the Dunst on 18 January 1975 in a simul in London against the late and great Tony Miles, a year before he became the first UK-born, over-the-board chess GM. The game transposed into the Four Knights opening and I was inevitably steadily outplayed by Miles, who won a pawn with a neat back rank combination in a major piece middlegame. Unexpectedly, Miles faltered in a winning rook and pawn endgame at move 47, wasting a vital tempo, allowing an excited junior to escape with a draw. My next encounter with the Dunst was a few months later against another strong Birmingham player. This time, booked up, I played the so called refutation with 1…d5 reaching this position:
The inexperienced junior, as Black, came up with the positional howler 10…f5? but managed to draw again when my opponent blundered by opting to exchange into an optically good, but drawn king and pawn endgame. This line is covered in the book, 10…f6 is certainly a better move, although the author prefers 10.Nd2 for White.
A callow player as Black may regard the Trojan Knight as just another unusual opening move which aims to avoid main line theory. On the contrary, as the author points out, 1.Nc3 is a cunning move full of transpositional possibilities whereby the second player can end up in an unfamiliar opening.
I have faced the Trojan Knight on 15 occasions replying 1…e5 in my first game, 1…d5 in my second outing and 1…c5 in subsequent encounters.
The reviewer has opted for the Trojan Knight as White in a total of 15 games; the transposition statistics are of interest:
Sicilian (4 games)
French (2 games)
Caro-Kann (1 game)
Vienna (1 game)
Czech Pirc (1 game)
Irregular queen’s pawn (1 game)
1…b6 1 (game)
Trojan Knight main line 1…d5 2.e4 d4 (1 game)
Trojan Knight main line 1…e5 2.Nf3 Nc6 3.d4 (3 games)
This small sample shows the variety of branches available.
The book is logically divided into 6 parts:
PART I – 1…e5
PART II – 1…d5 2.e4 d4
PART III – 1…d5 2.e4 dxe4
PART IV – 1…d5 – Caro-Kann, French & Alekhine Style
PART V – 1…c5 – Sicilian Style
PART VI – Other First Moves
PART I – 1…e5
This is the natural response which was the move played by the reviewer on first meeting 1.Nc3.
After the following natural moves 1.Nc3 e5 2.Nf3 Nc6 3.d4 exd4 4.Nxd4 this position is reached:
This position obviously has affinities with the Scotch Game and of course can transpose if both players acquiesce. Black can can get into difficulties very quickly here with a sloppy move. A few examples given are:
4…Qf6? (played in some lines of the Scotch) 5. Ndb5! winning as c7 collapses.
4… Qh4? 5.Ndb5! (winning)
4…g6? (looks natural to fianchetto, akin to Larsen’s fianchetto variation of the Philidor Defence) 5.Nd5! a6 (5…Bg7 6. Nb5 Be5 7.f4 wins) 6.Bg5! (6.Bf4 is also excellent) 6…f6 7.Bf4 d6 8.e4 Bg7 9.h4 with a clear advantage
4…d5?! (looks natural) 5.Bf4! a6 (5…Bb4 6.Nxc6 Bxc3+ 7.bxc3 bxc6 8.Qd4! with a big plus) 6. e4 with a definite edge
4…Bb4!? is interesting, White can gain an edge with the Scotch like move 5.Nxc6! bxc6 (5…dxc6 is obviously weaker) 6. Qd4! winning the bishop pair or forcing the horrid 6…Bf8?!
Black should interject the capture on c3 in the last line, after 4…Bb4!? 5.Nxc6 Bxc3+ 6. bxc3 bxc6 7.Qd4! Nf6 8.Bg5
White has a small edge. A typical continuation could be 8…h6 9.Bxf6 Qxf6 10.Qxf6 gxf6 11. g3 Rb8 12.Bg2 Ke7 13.Kd2 Ba6
Now 14.Rhb1! with a slight edge to White in a complex endgame.
4…Bc5 is the best move along with 4…Nf6.
The author offers three decent alternatives for white:
5.Be3
5.Nxc6
5.Nf5
5.Nb3 Bb6 6.e4 transposes a Scotch Game main line.
After 5.Nf5 Qf6, the author offers two interesting alternatives 6.g4 and 6.e4. He claims that 6.g4 is very strong, but the author’s analysis has a significant hole. After 6.g4 Bb4 7.Bd2 Nge7 8.e4:
The author offers the anaemic 8…Nxf5 for Black, after 9.gxf5 Qh4 10.Qf3 Black is in real trouble. The reviewer smelt a rat here as Nxf5 looks too compliant: a quick check with Stockfish reveals 8…d5! equalising. This is a rare significant oversight by the author. Clearly the reviewer has not checked 450+ pages of dense variations but intuition has to be used to choose the positions to use the engine.
6.e4! is better as the author points out leading to Scotch positions where White has a space advantage and although the position is only fractionally better for White, it is easier to play for the first player.
4…Nf6 seems to be the most natural developing move. 5.Bg5! keeps the game in lesser known channels and is better than 5.e4.
Black has to be careful here, not to slip into an inferior position.
The passive 5…Be7 allows 6.Nf5! and White has a definite advantage.
The natural 5…d5? allows 6.Bxf6! and White has a distinct edge.
The natural 5…Bc5! is ok setting up veiled threats against f2. 6.e3! Nxd4 (6…0-0 7.Nd5! and white is a little better) 7.exd4 Be7 Now 8.Qd2 is an improvement on the author’s 8.Qf3 leading to a small advantage to White.
The pin 5…Bb4 is certainly playable, 6.Nxc6 leads to a small White edge.
PART II – 1…d5 2.e4 d4
If there is a problem with 1.Nc3, it is definitely this variation which is critical as Black gains space and time. One of the crucial lines is 1.Nc3 d5 2.e4 d4 3. Nce2 (3.Nb1 Nf6!) 3…e5 4.Ng3 (4.f4 Nc6! 5.Nf3 Bg4!) Be6! 5.Nf3 (5.c3 Nc6!) 5…f6!
This line is the reason that the reviewer gave up on 1.Nc3.
White can try 6.Bb5+ c6 7.Be2!? (7.Ba4 Na6! 8.Bb3 Bxb3! 9.axb3 d3! 10.0-0 Nb4 11.cxd3 Nxb4 12.Ne1 Nh6 and Black has an edge.) 7…g6 (keeping the knight out of f5) 8.0-0 Qd7 9.b4!? Nh6 (9…Bxb4 10.c3! dxc3 11.d4 is better for White as Black’s development is lacking.) and Black is slightly better.
I hope that this short review gives the reader a glimpse into the complexities of this opening. My only small criticism of the book is that the author sometimes puts the best moves in an editorial side line but I realise this is to keep the featured game as the main line.
In summary, this is an excellent book.
FM Richard Webb, Basingstoke, Hampshire, 28th April 2024
Book Details :
Hardcover : 475 pages
Publisher:Thinkers Publishing; 1st edition (1 Mar. 2024)
“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.
The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.
This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”
Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.
Material is divided into an Introduction and eight chapters covering all of White’s possible options.
The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.
Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.
Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.
For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:
There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.
This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach (of some other authors) to only consider “top engine choices”. This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.
For example, 5.Bd3!?
is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).
Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after
TE quotes renowned theoretician Max Euwe as follows:
Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out
There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.
In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.
Last time, I introduced you to Edward Wallis, a Quaker chess player, problemist, writer and organiser from the Yorkshire seaside resort of Scarborough.
I gave you the chance to read his book 777 Chess Miniatures in Three, for which A Neave Brayshaw BA LLB provided hints for solvers. Who, I wondered, was A Neave Brayshaw?
It transpires his story is rather interesting. Like Edward Wallis he was a Scarborough Quaker, but, much more than that, he was also one of the best known Quakers of his time.
Alfred Neave Brayshaw was born on 26 December 1861, the first child of Alfred Brayshaw, a Manchester grocer, and Jane Eliza Neave. It was the custom of the time for Quaker families to intermarry, and to use surnames as Christian names. Hence, young Alfred was often referred to as Neave, and he had brothers named Stephenson and Shipley.
Neave was educated at Sidcot School in Somerset, and then at Owens College back home in Manchester, where he was awarded an external London University BA. He decided on a career in law, working in a solicitor’s office while continuing his studies, obtaining a Bachelor of Law degree in 1885.
He worked as a solicitor in Manchester between 1885 and 1889, while spending his evenings tutoring some of the younger students at Owens College. This experience convinced him that his real vocation was not law, but teaching, and he became an assistant master at Oliver’s Mount, a (preparatory?) Quaker boarding school in Scarborough.
It would likely have been in Quaker meetings in Scarborough that Alfred Neave Brayshaw met Edward Wallis and discovered a shared interest in chess.
Brayshaw’s particular interest was in chess problems, and his compositions were soon being published in the Illustrated London News. You can play through the solutions to the problems at the foot of this article.
Problem 1. #3 Illustrated London News 20 December 1890
Problem 2. #3 Illustrated London News 18 July 1891
In 1892 Brayshaw moved to Bootham School in York, which is still thriving today, remaining there for 11 years. Old Boys include historian AJP Taylor, farceur Brian Rix, and, briefly, drag artist Lady Bunny, along with many scions of the Rowntree family, with whom he was very much connected. Along with the Rowntrees – and Edward Wallis – he was part of the movement towards liberal Quakerism.
His next problem was a two-mover rather than a three-mover.
Problem 3. #2 Illustrated London News 27 May 1893
At this point, it seems that he embarked on a very short but successful career in over the board chess.
Here he is, visiting his former home town, for an away match. You’ll notice, if you’ve been paying attention, that there was a Scarborough player, CE Simpson, in the Ebor team. One wonders if Brayshaw and Wallis, perhaps along with Simpson, were involved in setting this match up.
Perhaps he stayed in Scarborough for a bit: a few days later he represented them in a match against Whitby, again winning both his games.
Later that year he had a problem published in the Hackney Mercury.
Problem 4. #3 Hackney Mercury September 1894
But it seems that his brief involvement in chess playing and composition came to an end at about this time.
Alfred Neave Brayshaw remained in York until 1903, when George Cadbury established Woodbrooke, a new Quaker college in Birmingham, appointing him as a lecturer there. He still maintained his links with Bootham, though, and would do so for the rest of his life.
In 1906 he left Woodbrooke, moving back to Scarborough, re-uniting with Edward Wallis, temporarily returning to chess to help his friend with his book, to which he contributed three problems.
Problem 5. #3 777 Miniatures in Three #88
Problem 6. #3 777 Miniatures in Three #89
Problem 7. #3 777 Miniatures in Three #90
Alfred Neave Brayshaw, by this point, was working for the Society of Friends, based on the Yorkshire coast, but travelling the country lecturing on various aspects of his faith. The 1911 census found him visiting Southampton, and in 1921 he was in Chelmsford, where he would surely have lectured to some of Edward Wallis’s family friends. When he wasn’t lecturing he was writing: The Personality of George Fox was published in 1919 and The Quakers, their Story and Message in 1921, with revisions in 1927 and 1938. If you’re in the United States you can read them here.
A lifelong bachelor, from at least the end of the war onwards he was based in a central Scarborough apartment owned by Edmund (until his death) and Fanny Pearson. I wonder if he was aware that Pearson wasn’t their real name: they were actually Edmund Proctor and Fanny Anthony. After his wife disappeared Edmund had a relationship with Fanny, his housekeeper which produced three children.
In the 1920s, by now in his 60s, he also crossed the Atlantic to lecture in the United States on several occasions. He was a very busy man who probably spent little time in Scarborough.
Throughout all this time he visited Bootham School regularly to lecture to the older boys, and, every year from 1895 to 1939, broken only by the First World War, he took a party of boys from Bootham and other Quaker schools to Normandy for a summer holiday.
Here’s a caricature of him from 1930.
And here he is again, paddling in the sea, probably in Normandy.
By the time of the 1939 Register he was still lecturing regularly, and still living at the same address in Scarborough. But a few months later, during a blackout, he was hit by a car and died of heart failure a few days later.
30 years? More like 40 years, even if you exclude WW1. A Quaker “Mr Chips” sums him up well.
Alfred Neave Brayshaw was a remarkable man who devoted his life to his faith as a teacher, lecturer and writer. He was a pioneer of liberal Quakerism who had personal connections with both the Rowntree and Cadbury families, much respected and revered throughout the Quaker community both in Britain and abroad, and by generations of young men from Quaker schools across the country. It’s good that we can also count him a chess player and composer.
I’m particularly grateful to acknowledge this highly informative post by Quaker blogger Gil S of Skipton: many thanks.
Other sources and acknowledgements:
ancestry.co.uk
findmypast.co.uk/British Newspaper Archive
Wikipedia
Yet Another Chess Problem Database (Brayshaw here)
Yorkshire Chess History (Steve Mann) (Brayshaw here)
Solutions to problems (click on any move to play them through):
Problem 1.
You might consider this slightly unsatisfactory because there’s a short mate after 1… Kd6.
Problem 2.
Problem 3.
Problem 4.
I don’t quite see the point of this. White just creates a threat which Black has no sensible way of meeting.
Problem 5.
There’s a short mate here after 1… Ke6.
Problem 6.
Problem 7.
It’s rather unfortunate that, after 1… Kf4, there are two ways to mate in two more moves.
“Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history. In the Soviet Union chess was developed into an ideological weapon that was actively promoted by the country’s leadership during the Cold War. Starting with Mikhail Botvinnik, their best chess players grew into symbols of socialist excellence. Sosonko writes from a privileged dual perspective, combining an insider’s nostalgia with the detachment of a critical observer. He grew up with legendary champions such as Mikhail Tal and Viktor Korchnoi and spent countless hours with most of the other greats and lesser chess mortals he portrays.
In the late 1980s he began to write about the champions he knew and their remarkable lives in New In Chess magazine. First, he wrote primarily about Soviet players and personalities, and later, he also began to portray other chess celebrities with whom he had crossed paths. They all vividly come to life as the reader is transported to their time and world. Once you’ve read Sosonko, you will feel you know Capablanca, Max Euwe and Tony Miles. And you will never forget Sergey Nikolaev.
This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess magazine. The stories have been published in his books: Russian Silhouettes, The Reliable Past, Smart Chip From St. Petersburg and The World Champions I Knew. They are supplemented with further writings on legends such as David Bronstein, Garry Kasparov and Boris Spassky. They paint an enthralling and unforgettable picture of a largely vanished age and, indirectly, a portrait of one of the greatest writers on the world of chess.
Genna Sosonko (1943) was born in Leningrad, where he was a leading chess trainer. Following his emigration from the Soviet Union in 1972, he settled in The Netherlands. He won numerous tournaments, including Wijk aan Zee in 1977 (with Geller) and 1981 (with Timman) and an individual gold medal at the Olympiad in Haifa 1976. After his active career, Sosonko discovered a passion for writing.
‘Each new story of Genna Sosonko is the preservation of grains of our chess life’ — from the foreword by Garry Kasparov”
If you’re a lover of chess culture and literature you’ll be familiar with the writings of Genna Sosonko, whose essays chronicle, in particular, chess life in the former Soviet Union in the post-war period.
What we have here is a compendium of his biographical essays: 58 of them plus a short foreword by Kasparov. Most of them have appeared twice before, in New in Chess magazine, and in previous collections of his essays. In addition to the books mentioned above, some of them appeared, in some cases with different titles, in Genna Remembers, published by Thinkers Publishing and previously reviewed here. One of the essays is based on extracts from Sosonko’s book on Bronstein, published by Elk and Ruby. But, in the case of the books, you only get the biographies, not everything.
If you’re a Sosonko fan you’ll have read it all before. If not, and you’re attracted to the subject matter, this might be a good place to start.
You don’t just get Soviet players, though. English readers will be drawn to the chapter on Tony Miles, billed as The Cat That Walked By Himself, whose mental health problems are treated sympathetically.
But, for me, the lesser known figures are of the most interest. Take, for instance, the stories of two players whose lives both ended in tragic circumstances in 1997.
The brilliant Latvian theorist and tactician Alvis Vitolins was born in 1946. ‘Naïve, unusual and absorbed in himself’, had he been born a few decades later, he would undoubtedly have been diagnosed with Asperger Syndrome, or, today, with ASD, and later developed schizophrenia. “He did not have any close friends. He avoided other people, especially strangers, especially those who were not chess players.” He never fulfilled his potential, his mental health declined and, in 1997, he threw himself from a railway bridge onto the ice of a frozen river.
Then there was Evgeny Ruban, from what is now Belarus, born in 1941. A positional player with a classical style who excelled with the white pieces, but another man with his own demons. Ruban was an alcoholic, permanently broke, and also gay, living in a small apartment with his elderly mother. Like Vitolins he also had problems with his mental health. In autumn 1997, in a state of inebriation, he was hit by a car, dying as a result of his injuries. His mother couldn’t afford the cost of his funeral, which was paid for by the car driver.
Two poignant stories which serve as a salutary reminder that, as well as the grandmasters and champions, we need to hear about those who had the talent but not the good fortune, those who fell through the cracks. You might wonder whether chess was a cause of their problems or provided solace in difficult times. It would have been good if their chapters had included a few of their games, but this wouldn’t have fitted into the format of the book.
On the other hand you may well be inspired by the life of Abram Khasin ((1923-2022): he played at Hastings in 1963-64), who lost both legs in the Battle of Stalingrad, but lived to within ten days of his 99th birthday, playing chess right until the end.
There’s also the exotically named Lidia Barbot-de-Marny (1930-2021), born in Shanghai but with French, German and Russian family roots. She eventually settled in Estonia, where she became one of their leading woman players. “Chess has given me a colossal amount of good things, everything you could say.” Although she never became a master, she was a much loved chess teacher, working with young children in the Tallinn House of Chess.
There are always stories, some happy, others sad, all of which need to be told. The stories of the failures are as important as those of the successes, the stories of the lesser players as important as those of the world champions.
Much of the book is, as you’d expect, concerned with the great Soviet players of that era, but, for me, the real value of Sosonko’s work is in his writing about those you don’t read about elsewhere.
He writes beautifully as well, and the translations, mostly by Ken Neat, Steve Giddins and Sarah Hurst, are exemplary. But at some point you start to realise that Sosonko is, up to a point, playing on your emotions. There are no sources or references, just his memory, which is undoubtedly extraordinary, but perhaps, like everyone’s, fallible. At the start of his essay on Ludek Pachman, he writes about visiting London for the first time to play in the 1972 Islington Congress. He took the ferry from Hook of Holland and then, apparently, had his papers checked in Brighton. If you take the ferry from Hook of Holland now you’d end up in Harwich, on the east coast, nowhere near Brighton, on the south coast, and, as far as I can tell, it was the same in 1972. Once I find something I don’t believe, I start to question everything else.
If you’re looking for a book which will improve your rating, this isn’t for you as there are no games at all. But, if you’re attracted to human interest stories, Sosonko is essential reading. You might want to invest in all his essay collections, and, if you do so, you probably won’t need this volume. If your interest is mostly in his biographical essays, and you haven’t read them elsewhere, this will be the book for you.
As a hefty 840-page hardback it’s more suited for weight training than for putting in your pocket to read between rounds of your next tournament, so you might opt for the eBook instead. I’d have liked some games, and ideally more photographs than the 32 glossy pages we get here, but this would clearly have been impractical.
A strong recommendation, then, for anyone who’s interested in this aspect of chess and hasn’t read it all before. You can find out more and read sample pages on the publisher’s website here.
DragonMasters volume 1 charts the history of the most exciting and dangerous opening known to chess – the Dragon Variation of the Sicilian Defense.
Unlike almost all other books on the Dragon, the focus is not purely on theoretical development. Instead, the author has combined the most historically important games, the famous players who chose to fight either side (sometimes both sides!) of the opening, and the most unexpected and interesting stories featuring the Dragon. World Champions, contenders of the crown, code-breakers, revolutionaries in every sense of the world – all feature in this remarkable and entirely unique look into the history of an opening variation. as the ancient may say: Here be Dragons!
About the Author:
Andrew Burnett is a Scottish FM who represented his country on several occasions. He is the author of cult classic Streetfighting Chess and his love of the Dragon opening stretches back to his teenage years when he was looking to escape 1.e4 e5! He is currently working on the second volume of DragonMasters.
This book is volume 1 of a labour of love devoted to the history, praxis, and famous players who have unleashed the fury of the Dragon Variation or fought to quench the fire of the wyvern.
Volume 1 covers the origin of the Dragon to 1973.
The front and back cover is an engaging, colourful picture.
This publication is not a theoretical treatise on the latest developments in the Sicilian Dragon, although it does give theoretical analyses in relation to historical variations and famous clashes with some references to modern variations and theory.
Many great players have had the Dragon in their regular repertoire, although the reviewer was surprised to find a game of Mikhail Tal’s on the black side, as I had the impression that Tal always preferred the white side. Perhaps the result of the game in this book influenced Tal’s choice: he got crushed. The reviewer will show this amusing brevity later.
The author, Andrew Burnett has a sub-variation in the Modern Variation 12.Kb1 named after him viz:
Chapter 1 – In the beginning
Chapter 2 – Bird’s Folly
Chapter 3 – The World’s Finest Discover The Dragon
Chapter 4 – DragonMasters and DragonAmateurs
Chapter 5 – Hypermodernism and beyond
Chapter 6 – Botvinnik’s Trilogy
Chapter 7 – The War Years
Chapter 8 – The Post-War Years
Chapter 9 – When Giants take sides
Chapter 10 – Revolution in the 60s?
Chapter 11 – The Yugoslav Attack
Chapter 12 – DragonMasters and DragonWriters
Chapter 13 – Candidates and Contenders
Chapter 14 – The English Connection
Chapter 15 – The Dragon is Dead! Long Live the Dragon?
In the preface, Andrew Burnett shows a famous Dragon game which inspired the author to take up the Dragon; it also happens to be one of my favourites viz. Plaskett – Watson from Brighton 1983:
This position had been included in some theoretical treatises of the time with the +- symbol as White’s threat of Bxf6 and Qxh7# looks unstoppable. Jonathon Mestel had looked further and spotted 18…Bxg4! which muddies the waters. (As an aside, Stockfish 16 gives 18…Bxg4! as a draw and 18…Nh5! as a draw. This just shows the richness of chess and amazing hidden resources.)
19.Bxf6 Bh5! Simply blocking the h-file, giving Black time to continue with his attack. Jim Plaskett now goes wrong which is unsurprising as he must have been shocked by Black’s revelation.
20. Bd4? losing but only 20.Rxh5! equalises
Best play after 20.Rxh5! leads to an unexpected repetition draw viz:
As is so often the case in these double edged lines, the game fizzles out to an exciting draw. Brilliant stuff.
The game continuation was a massacre 20…e5! 21.Rxh5 gxh5 22. Qg5 Qb4 23.Bd3 Qxd4 24. Nd5 Qf2+ 25. Be2 Rxc2+ 26.Kxc2 Qxe2+ 27.Kc3 Qxf3+ 28.Kc4 Qb3#
Chapter 1 introduces the first games featuring a Sicilian with a black, kingside fianchetto.
The reviewer was under the false impression that Louis Paulsen was the first to play a Sicilian with a kingside fianchetto. Although Paulsen did play some Dragons including beating Steinitz in London in 1862, it was Marmaduke Wyvill who played the first recorded “high-level Dragon” in 1851 at the celebrated London International tournament. We all remember Adolf Anderssen winning that tournament but do we recall whom he defeated in the final? It was Wyvill.
Some of these first Sicilian fianchetto games don’t resemble the modern Sicilian Dragon move orders and are full of basic strategic mistakes but do give insights into the development of the variation and the Sicilian defence in general. Game 3 of the book demonstrates Paulsen’s win over Steinitz with an hyper accelerated Dragon although he was lost out of the opening!
Louis Paulsen was one of the great pioneers of the Sicilian Defence, not just developing the variation named after him.
Chapter 2 concentrates on Henry Bird’s contribution to early Dragon Praxis.
He was the first player to play the modern Dragon move order:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6
As the author points out, his score with the Dragon was 16 losses, 10 wins and 9 draws which is not brilliant, but taking into account he was playing against the world’s best, it is a respectable Dragon legacy.
Game 7 shows a titanic struggle with Joseph Blackburne. This is the position after the opening:
This could be a modern game with white playing a fairly inept Classical Variation, but making sensible developing moves leaving the main struggle to the middlegame. Bird played the somewhat dubious 14…Qh5?! (better is the natural 14…Nd7 which is clearly equal). Blackburne responded with the impatient move 15.Bxf6 (Simply 15.Qf2 or 15.Rd3 leaves white with a slightly more comfortable position) 15…Bxf5 16.Nd5 Qe5 is equal. The players fought out a exciting draw to move 77. Buy the book to the see the game.
Chapter 3 introduces some of the first games with top players riding the Dragon such as Emmanuel Lasker.
This chapter features some greats such as Tarrasch, Pillsbury and Emmanuel Lasker playing the Dragon at the end of the 19th century and the beginning of the 20th century. The game below shows a typical Dragon trap.
White now played a natural looking move that loses 10.Qd2?? Ne4! 11.Nc6 Qxc3! (Easy to overlook) 12.Qxc3 Nxc3 13. bxc3 Bxc6 (Black is completely winning, a pawn up with a much better pawn structure)
Chapter 4 shows some early games with masters v amateurs.
The first game in this chapter is famous tussle Lasker – Napier at Cambridge Springs 1904. This game is an extremely tactical queenless middlegame and is well worth a look.
Another game covered is a loss by Lasker to a modern idea of an exchange sacrifice on c3 in a simultaneous display. This idea had been seen before but this version is so thematic, it must be shown:
13…Rxc3! (Winning as White’s position falls apart) 14. bxc3 Nxe4 15.Bd3 Nxc3 16.Qe1 Nxd3 17.Qd3 Nc5 18.f6!? (A desperate try)
18…exf6 19.gxf6 Ne4 (19…Bxf6 wins as well) and Black won on move 34.
Chapter 5 features the introduction of two major Dragon lines.
They are 10…Qc8 in the Classical Variation and the DragonDorf played by another great Sicilian pioneer Miguel Najdorf.
The first variation is shown with a famous game Reti -Tartakower
The game continued 11.h3 Ne8 ?! (A modern master would shudder at this move, the natural 11…Rd8 is better, Reti won a good positional game)
The game Reissner – Najdorf from Warsaw 1934 introduces the Dragadorf which Simon Williams reintroduced many decades later.
The game began 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Qd2 a6? (Black cannot play this slowly after castling, if Black wishes to play this way, he must not castle early).
Stockfish already gives White a big advantage. Najdorf did win this game as White did not play incisively enough. See the book to look at these two interesting games.
Chapter 6 features the famous Alekhine-Botvinnik melee from Nottingham 1936 resulting in an exciting short draw.
10…d5!? (The modern preference is for 10…Rc8 when Black may already be better) 11.f5 Bc8 12.exd5 Nb4
A critical position 13.d6!? (13.Bf3! is much stronger leading to a significant White advantage) 13…Qxd6 (leading to a forced perpetual) 14. Bc5 Qf4! 15.Rf1 Qxh2 16.Bxb4 Nxg4 17.Bxg4 Qg3+ 18. Rf2 (Any winning attempt is suicidal) Qg1+ 19.Rf1 Qg3+ 20.Rf2 Qg1+ Draw agreed
Chapter 7 introduces the Levenfish Variation with Mikhail Tal falling victim.
Game 31 showcases the game that introduced the Levenfish Variation at the highest level: Levenfish – Rabinovich Leningrad 1939. The author’s commentary on this game is full of excellent analysis showing many of the traps in the Levenfish and some brilliant white victories. Two of the greatest attacking players have games in this variation including a crushing win by Nezhmetdinov and a crushing loss for Tal. First the Tal miniature:
6…Nc6! (6…Bg7!? is dangerous for Black, but just about playable with care, but 6…Nc6 equalises easily, so why play an inferior risky move?)
7.Nxc6 bxc6 8. e5 (This looks dangerous but is a paper tiger) Nd7! 9.exd6 exd6 10.Be3
10…Qe7?! (10…Be7 is slightly better for black already, the pawn on f4 weakens White’s position) 11.Qd4! Nf6?! (11…Bg7 is hardly better: 12.Qxg7 Qxe3+ 13.Be2 Rf8 14.Rf1 Nb6 15.Rd1 is better for white despite white’s king on e1 as Black is behind in development and has a weaker pawn structure with black squared weaknesses.) 12.0-0-0 Bg7
White has a significant lead in development which he exploits ruthlessly in the style of his opponent:
13.Qxd6! (sacrificing a piece with check) Qxe3+ 14.Kb1 Bd7? (14…Qb6! makes it harder for White but his attack is just too strong) 15.Bb5! (A classic clearance: 15…cxb5 16.Rhe1 wins the queen and although Black has a rook and two bishops for the queen and pawn, his lack of development is fatal) 15…Qb6 16.Rhe1+ Kd8 17.Bxc6 Rb8 (threatening mate but too late) 18. Qe7+ Kc7 19.Rxd7+ Kc8
20.Bb5 (20.Nb5! is quicker mating in four moves, Klavins chooses a prosaic win going into a trivially won endgame) Rb7 21.Rxb7 Qxb7 22.Qxb7+ 1-0
Now the Nezhmetdinov game:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.f4 Bg7?! (Risky) 7.e5! dxe5? (The only decent move here is the surprising 7…Nh5 with the idea 8.g4? Nxf4 9.Bxf4 dxe5 regaining the piece with interest, better for White is 8.Bb5+ Bd7 9.Qe2! with an edge as Black still has to solve the problem of the h5 knight, 9.e6!? looks good but 9…fxe6 10.Nxe6 Bxc3+ 11.bxc3 Qc8! is a mess but dynamically equal) 8.fxe5 (This is a very dangerous position for the unwary)
8…Nd5? (8…Ng4?? 9.Bb5+ wins 9…Bd7 10.Qxg4 wins a piece or 9…Kf8 10.Ne6+ wins the queen. 8…Nfd7 is relatively best 9.e6! Ne5! 10.exf7+ gives a White a pleasant edge but Black can fight) 9.Bb5+ Kf8 10. 0-0 (Black is totally lost) Bxe5 (accelerating the inevitable defeat, and allowing an attractive finish, 10…Nc6 lasts longer) 11.Bh6+ Kg8 12. Nxd5 Qxd5 13.Nf5! Qc5+ 14.Be3 Qc7 15.Nh6+ 1-0
Chapter 8 features a famous victory by a British player, William Winter over David Bronstein in the England – USSR radio match in 1946.
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Nb3!? (Not the most challenging line) 9…Be6 10.Nd5 Bxe6 (Stockfish also likes 10…Rc8 with both moves giving Black a slight edge, but removing the pesky knight now is understandable) 11.exd5 Ne5
12. Be2? (12.0-0-0 is better but Black is at least equal) Qc7 13.0-0 (13…a5! is also good but the move played is an obvious thematic Sicilian move) Nc4 14.Bxc4 Qxc4 15. Rad1?! (The wrong rook, White needs the queen’s rook on the queenside for defence, showing how badly the game is going) 15…Rfc8! 16.Rf2 Nd7 (16…a5! increases Black’s advantage to decisive proportions) 17.Bg5!? (Trying to mix things up, but 17.c3 is better, then Black has 17…a5 with a typical Sicilian initiative and advantage) 17..Bxb2 18.Bxe7 Nb6? (Bronstein’s gamble with Bg5 has paid off as Black goes wrong, much better is 18…Bc3! 19.Qd3 Qb4 maintains a big Black advantage) 19.Bxd6 Rd8
20. Na5?? (A horrible move losing the game, 20.Qb4 or 20.Qf4 holds the balance) 20…Qa6! 21.Qf4 Rxd6 22.c4 Bg7 23.Rfd2 Bh6 24. Rd3 Rad8 25.a4 Bf6 26.Qb5 Qxb5 27.axb5 R6d7 0-1
Chapter 9 introduces some giants into the mix with players such as the great Soviet theoretician Efim Geller who played the Dragon with both colours, and the great Bobby Fischer who was a veritable St George. Fischer famously lost against Cesar Munoz, a Ecuadorean National Master: this game is definitely worth a look.
This chapter also includes the famous Fischer – Larsen clash from Portoroz 1958. The game is in a line that has become topical recently:
This position used to be thought to be slightly better for White with the bishop pair and pressure along the e-file. Modern engines dispute this and reckon Black is more or less equal viz:
Chapter 10 introduces the famous Soltis Variation.
It may not be widely known, but in 1963 Heikki Westerinen introduced the Dragon Soltis Variation to the world, 8 years before Andrew Soltis popularised the variation named after him. This is the stem position:
Westerinen played this line against Bent Larsen, who was one of the protagonists who played the Dragon with both colours. He lost the game, but his opening and early middlegame were fine as he achieved a winning position by move 20: he was outplayed later by a world class player. Buy the book to see analysis of this ground breaking game.
Chapter 11 introduces Geller on the Black side and Anatoly Karpov as a chief Dragon slayer. His game against Gik in the Moscow University championship in 1968 is one of Karpov’s best games.
In this position below Gik made a fatal mistake: 16…Qxc3 no doubt expecting 17.Kb1, so 17.Ne2 came as a rude awakening gaining a crucial tempo, both 16…Nf6 and 16…Rc8 equalise comfortably.
The book analyses this theoretical scuffle in detail.
Chapter 12 is devoted mainly to famous Dragon writers: David Levy and Andrew Soltis.
David Levy, the Scottish IM famously wrote two editions of the Batsford books The Sicilian Dragon. Here Levy faces the former World Champion, Boris Spassky who is in devastating form:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Bc4 Bd7 10.0-0-0 Qb8?! (A trendy line at the time, which is almost certainly unsound, Stockfish does not rate it.)
11.h4! a5? (This is a horrible move, it loses quickly, Stockfish recommends 11..Ne5 12.Bb3 h5 trying to slow down the attack in Soltis style, but Black’s misplaced queen renders this fruitless) 12.Bh6!? (Not the very best, the simple 12.h5 is even stronger winning quickly) 12…Nxe4? (Black pushes his luck with a flawed combination, better was 12…Nxd4 13.h5! Be6 14.Bxg7 Kxg7 14.Qxd4 with a big plus for White) 13. Nxe4 Bxd4 14.h5! (With a huge winning attack)
14…d5 (Desperation, trying to get the queen into the defence) 15.Bxd5 Qxe5 16.Bxf8! (Simple and effective) 16…Qxd5 17.Qh6! Nb4 18.Rxd4! (Removing the last defender) Qxd4 19.Bxe7 1-0
An opening experiment crushed by an attacking great!
Chapter 13 is mainly devoted to two fascinating clashes between Efim Geller and Viktor Korchnoi in their Candidates match in 1971 in Moscow. It also reintroduces Anatoly Karpov who is undoubtedly one of the greatest Dragon slayers, shown in action in a famous tussle with Juergen Dueball at Skopje in 1972. It was Karpov’s endgame skill that won him that game.
The first Geller – Korchnoi shows the good old exchange sacrifice on c3 in all its glory.
White played the poor 12.Bh6?! provoking Black. 12…Bxh6! 13.Qxh6 Rxc3! 14.bxc3 a5! (14…Qc7 is fine as well)
Black is equal here and has a position that is easier and more fun to play. The game was eventually drawn, but Black achieved a winning game but threw it away in mutual time trouble.
Chapter 14 introduces one of the great Dragon specialists, the late and great Tony Miles.
Here is a exciting scrap with another future GM, Michael Stean.
Michael Stean – Tony Miles Hastings 73/74
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Bc4 Nc6 9.Qd2 Bd7 10.h4 h5 11.0-0-0 Rc8 12.Bb3 Ne5 13.Kb1 Nc4 14.Bxc4 Rxc4 15.Nde2 Qc7 !? (An attempt to avoid the main line theory, 15…b5 is the main line which equalises comfortably as played by Kasparov against Anand 16.Bh6 Qa5 =)
16.Bh6 Be6 17.Bxg7 Kxg7 18.Nf4 Qa5 (This position is equal, but Stean comes up with a faulty plan) 19.Nxe6+ (19.Nce2 is equal) fxe6 20.Rh3?! (20.Ne2 is still equal) Rfc8 21.Rg3?
Rxc3! (Now Black is better) 22.bxc3 Rc6 23.Rg5 e5! (Cutting the rook off)
Now Black is slightly better, somehow Miles contrived to lose this game.
Chapter 15 is devoted to one of the most famous gladiatorial contests in the Sicilian Dragon: Anatoly Karpov v Viktor Korchnoi Moscow 1974 game 2 of the Candidates final. The winner was to play Bobby Fischer.
At the time, the position before 16.Nde2 was a topical Dragon tabiya. Korchnoi played the natural reply which is already a mistake.
16…Qa5 (16…Re8 is much better and about equal) 17.Bh6 Bxh6 (17…Bh8 18.Bxf8 Kxf8 19.Qe3 is clearly better for White) 18.Qxh6 Rfc8 19.Rd3 R4c5? (The final mistake, 19…Be6 20. 20.g5 Nxh5 21. Nf4 Qe5 22.Nxh5 gxh5 23. Qxh5 Qg7 24.f4 with a clear advantage to White) 20.g5! (Winning) Rxg5 21.Rd5! Rxd5 22.Nxd5 Re8 23.Nef4 Bc6 24.e5!+- Bxd5 25.exf6 exf6 26.Qxh7+ Kf8 27.Qh8+ 1-0 (27… Ke7 28.Nxd5+ Qxd5 29.Re1+)
It is quite possible that the whole game was prepared analysis.
This game really knocked the Dragon for six, but the Dragoneers soon came up with an antidote 16…Re8.
In summary, this is a well thought out book and an enjoyable read with plenty of exciting, fighting chess. Although it is a history of the Dragon, that story is really a microcosm of the development of modern chess from 1850 onwards.
FM Richard Webb, Basingstoke, Hampshire, 1st April 2024
Book Details :
Hardcover : 385 pages
Publisher:Thinkers Publishing; 1st edition (5 Mar. 2024)
Last time we left London chess professional Francis Joseph Lee as the calendar turned from 1899 into 1900.
He was finally selected for the Anglo-American Cable Match that year, being assigned to Board 2 where he took the white pieces against one of his London 1899 opponents, Jackson Whipps Showalter. Standing worse much of the way he managed to escape into a somewhat fortunate draw.
This was the critical position, with Black to play his 45th move.
Stockfish tells me Black is winning easily if he goes after the h-pawn, but, in the heat of battle, it’s very tempting to target the dangerous looking a-pawn instead. The game concluded 45… Ra1? 46. Nc4 Rxa4? (Kf6 still offered some winning chances) 47. Nxe5 Kd6 48. Nf3, and the combatants agreed to share the point.
In April Lee took part in an invitation tournament run by the City of London club, where his result was about what he would have expected, although he only managed to beat the three tail-enders.
In this game his knights on the rim were far from dim. (As always, click on any move for a pop-up window.)
A match against Passmore that summer was won by 5 points to 3. In December he finished second to Teichmann in a 5-player tournament at Simpson’s Divan.
In this game he was successful with the London System.
In 1901 Francis Joseph Lee was on tour again, returning to Ireland where he spent a weekend with Irish Nationalist MP and chess addict John Howard Parnell, whose love of chess is mentioned on several occasions in James Joyce’s Ulysses.
Here’s a game from a Dublin simultaneous display.
Lee was also interviewed by the Dublin Evening Herald (16 March 1901).
In April he returned to London where he was placed on Board 3 in the Anglo-American cable match, drawing his game with John Finan Barry. That summer there was another match against Richard Teichmann, which he lost by 5½ to 2½.
Lee continued touring in England into 1902, when he played on Board 4 in the Anglo-American Cable Match. Playing white against Albert Beauregard Hodges, he seemed ill at ease in an IQP position, losing the exchange and, eventually, the game.
Then, in April, there was an announcement.
Eastern Daily Press 02 April 1902
But he had time for an Easter party before he left, having fun with some distinguished friends.
Except that he never reached Australia, instead stopping off in South Africa, where his brother George was living. By June it was reported that he was giving simultaneous displays and playing exhibition games in Cape Town.
This game was played against two of South Africa’s strongest players, Abraham Michael and Max Blieden, playing in consultation.
He then visited Pretoria and Johannesburg, where, in December, he was appointed Chess Editor of the Rand Daily Mail. He seemed well and truly established in a new country of residence.
Fairly substantial sponsorship for the time and place, I would have thought. Needless to say, he won first prize with a score of 8/9, followed by Blieden on 7½ and Michael on 6½.
In this game his opponent missed a chance to activate his queen on move 31 before ill-advisedly trading queens into a lost bishop ending.
Nice work if you can get it. Organise a tournament, find a sponsor and then, because you’re the strongest player around, win it (the first prize was £55) yourself.
But then:
(There are quite a few instances of his being referred to as JF Lee rather than FJ Lee.)
Back in England again, he spent the autumn touring clubs in the south west of the country. In January 1904 he was at the other end of England, in Carlisle, before travelling down to Brighton for a 9-player tournament in February.
Here, he shared second place with 5½/8 with the young German player Paul Saladin Leonhardt, resident in London at the time, a point behind Reginald Pryce Michell.
Here’s his win against Leonhardt.
In March Lee was appointed umpire of the Oxford v Cambridge match, and was called upon to adjudicate an unfinished game when time was called. Summer was a busy time, with two tournaments to play in.
The City of London club organised an event starting at the end of July featuring many of the top players then resident in England. With the Germans Teichmann and Leonhardt, along with Dutchmen van Vliet and Loman it had quite an international feel to it.
Lee’s score of 9/16 was round about a par result for him.
The great veteran Blackburne opened 1. a3, and Lee was able to build up one of his trademark slow kingside attacks.
He was fortunate to win an exciting game against endgame (and carpet) expert Tattersall.
At this time he liked to transpose from the Exchange Caro-Kann into the Scandinavian by capturing with his queen on d5. It didn’t always work out, but here, against one of the weaker players in the event, it proved effective.
Just a week later, the first British Chess Championships took place in Hastings. Lee was selected for the top section, so had to make another trip down to the Sussex coast.
His result was again what he would have expected. On retrospective ratings he finished below those rated above him, and above those rated below him, but he did have wins against Atkins and Michell to his credit.
In the first round Mackenzie carelessly blundered into a queen sacrifice.
Lee annotated this game for the British Chess Magazine. He commented after Black’s 24th move that Black should have played Qf7, but White’s advantage was probably sufficient to win. Stockfish, as you’ll see, is of a different opinion.
This is the key position from Lee’s game against Atkins. Atkins miscalculated by playing 22… Bxe1? (Qxb7 is only slightly better for White) 23. Bxc8 Rd8 24. Bc5 Qc7 25. Bxe6 and Black resigned as he’s going to end up a piece down.
His win against Michell is well worth looking at.
Later that year, Lee undertook another tour of South West England, but 1905 started quietly. He was selected to take part in the Anglo-American cable match, but this was called off at short notice due to broken cables.
That summer, rather than playing in the British Championship, he took part in his first continental tournament, playing in the Masters B section of a massive event in Barmen, Germany.
His 50% score was again about par for the course, but, typically, he performed as well against the top half as he did against the bottom half. The two most familiar names to you, I guess, would be Spielmann, finishing level with Lee, and Nimzowitsch, who had a poor result. Both were young men who would do much better in future.
His win against Spielmann, using his favourite Caro-Kann Defence (I’m sure Horatio Caro himself would have been delighted) was an excellent game.
His game against the Italian representative was also very typical of his style.
In this game against a German master, though, he was on the wrong side of a spectacular miniature. Sadly, Post would later become the Nazis’ leading chess organiser.
Here, against a Dutch opponent, he escaped from a lost position by sacrificing a rook for a perpetual check.
In the last round he won another good game against the second place finisher.
You’ll see from these games that Lee was capable of producing interesting games from openings which might be considered slow, but not necessarily dull.
By November he was touring in Scotland, announcing that he was planning an extensive tour of the Colonies in the new year.
This time he ended up visiting Trinidad and Venezuela.
The visit to Trinidad may well have been instigated by the chess-playing Bishop of Trinidad and Tobago, John Francis Welsh. They met eleven times during Lee’s visit, mostly in simuls, with each player winning five games. Here’s one of the Bishop’s wins, in which he opted for the Lesser Bishop’s Gambit (my source names it the Limited Bishop’s Gambit, known in London, apparently as the Circumcised Bishop’s Gambit).
My source suggests Lee resigned in a lost position as 26… Ne3 would have been winning. Stockfish continues 26… Ne3! 27. Ne6! Nxf1 28. Rxf1 Qd7 29. Nxf8 Qxg4+ 30. Qg2 Qxg2+ 31. Kxg2 Rxf8 when Black is a pawn up in the ending but White should probably be able to hold the draw.
Lee had entered the 1906 Ostend megatournament, but was forced to withdraw for health reasons. Some reports suggested he was, for a second time, planning to visit Australia, but was now unable to do so. However, he had recovered in time to take part in the 3rd British Championships, which took place in Shrewsbury that August.
A score of 7/11 was enough for a share of third place: an excellent result considering his recent health problems.
Against Mercer his pet Stonewall/London formation again led to a winning kingside attack.
Here’s another example: it’s striking that even a strong player like Palmer didn’t really understand what was happening and eventually perished down the h-file.
At the prizegiving, both Lee and Blackburne were presented with purses of gold for their services to chess.
In the autumn of 1906 and early 1907 he toured the north of England, Scotland and Ireland, including spending a week with the Edinburgh Ladies Chess Club. By February 1907 he was back in London, taking board 6 against Albert Whiting Fox in the Anglo-American Cable Match, back after a three year absence.
This was a long and well-played draw, but Lee missed an opportunity on his final move.
Fox (Black) had just played 65… Ke5-d5? instead of the correct fxg2. Now Lee missed the chance to play 66. gxf3! which should secure the full point because the pawn ending after 66… Bxf3 is winning.
By May he was well enough to cross the channel to Ostend, where another mammoth tournament was being held. The format was slightly more comprehensible than the previous year. A grandmaster section where six players (Tarrasch, Schlechter, Janowsky, Marshall, Burn and Chigorin) played each other four times, a 30-player all play all master section, three amateur sections and, like the previous year, a Ladies tournament. Lee was placed in the master section, which was reduced to a mere 29 players when Paul Johner withdrew after 7 rounds. Another player, Jacob, withdrew towards the end.
Here’s what happened.
Lee’s performance in such a strong field was only slightly disappointing, and he was in poor health again during what must have been a tiring event.
The players castled on opposite sides in this game, and Lee’s attack proved more successful.
This is probably Lee’s best known game, which will be familiar to readers of Nimzowitsch’s My System.
Lee’s opponent in this game was a German master who spent a lot of time in England before the First World War.
Here’s another game you might have seen before. Fred Reinfeld anthologised it in A Treasury of British Chess Masterpieces.
No sooner had he returned from Ostend than he was off on his travels again.
After spending time in Canada he returned, again visiting the north of England, Scotland and Ireland. His tour continued into the new year, but in May 2008 he returned to tournament play in a small tournament in Sevenoaks, Kent, where he was also called upon to give a simultaneous display.
The top section was split into two sections. Lee played in the A section, which was won by the future Sir George Thomas on 5½/6, two points clear of Lee, Shories and Muller, who shared second place.
He won this game with a stock queen sacrifice, but also missed some earlier tactical opportunities.
Then it was on to the British Championships, held that year in Tunbridge Wells, Kent. Lee’s score of 6/11 was enough for a share of third place in what was, with the exception of Atkins, a closely fought contest.
A mistake in this position against Ward cost him a half point which would have left him, rather than his opponent, in the silver medal position.
In this exciting position 34… c2 might have led to a perpetual check for White, but Lee erred with 34… Qe7?, and had to resign after the beautiful 35. Bf7!.
With his slow style of play, Lee wasn’t noted for winning miniatures in serious play, but here his opponent (whom I really ought to write about sometime) blundered on move 19, resigning two moves later.
His game against Shoosmith reached an unusual ending when Black, in a blocked position, sacrificed two minor pieces for four connected passed pawns. Both players missed chances, but it was Shoosmith who made the final error.
This was a quiet period in Lee’s life – perhaps he had further health problems – but he did visit Bradford in January 1909. Nothing more was heard of him until August when he was back in Yorkshire for the British Championships, held that year in Scarborough.
A score of 5/11 in a strong field was again a more than respectable performance, especially as he was clearly ailing in the second week.
Let’s look at his last three games.
In Round 9 he won a good game against Mackenzie, helped by a blunder on move 38.
In Round 10 he played his favourite Caro-Kann too passively, and Blake, gaining revenge for his defeat the previous year, used his space advantage to engineer a brilliant finish.
In the last round, the fast improving Yates took apart another of his favourite openings, the Stonewall Attack, concluding with an unstoppable Arabian Mate.
Then, just three weeks later:
“… not one of the world’s really great chess players”. Not very generous for a death notice, I would have thought.
He regularly annotated games for the British Chess Magazine, who had rather more to say.
They might also have been more generous about the premature death of a valued contributor.
Again: “… never regarded in the foremost rank of chess masters…”: harsh but true, I suppose.
The obituary spoke about his gastric trouble, and he had also had lung problems in the past, but his death certificate reveals that neither was his cause of death.
Cerebral Meningitis (is there any other type): to the best of my knowledge indigestion isn’t a symptom.
The Wiener Schachzeitung provided a long and rather more sympathetic obituary.
Not very accurate, though. The 1881 Simpson’s Divan event seems to have been the 1890 event misdated, although there were 19, not 14 players and it was a handicap tournament. It was the short-lived Henry Lee (no relation as far as I know) who played in the London 1883 Vizayanagaram Tournament, not our man Francis Joseph Lee.
The layout could perhaps also have been improved. Swiderski died at the same time (by his own hand) and his obituary was immediately below that of Lee.
Let’s return for a moment to the BCM obituary: “Having, unfortunately, adopted chess as a profession, he sacrificed his imagination for a cramped, slow style of play instead of giving full scope to his chess ability.”
This suggests two reasons why he wasn’t universally popular. He was a professional at a time when professional sportsmen (they always were men in those days) were scorned, and he preferred playing closed rather than open positions.
I consider this rather unfair. Although he played gambits in simuls and informal games, he was very much a player in the modern style, influenced in part by Steinitz. With White he favoured mostly d-pawn openings: the Stonewall and London Systems, often combined, as well as Queen’s Gambits and types of Colle System. With Black he defended against 1. e4 with, at various times, with the French, Caro-Kann and Scandinavian Defences. Understanding of closed positions, although they had been played by the likes of Philidor, La Bourdonnais and Staunton, was still rudimentary compared with today’s grandmasters, but it was the experiments of players like Lee which played an important role in the development of chess ideas.
You’ll also see that, although his games, and those of other similarly inclined players of his day, could descend into meaningless woodshifting, there were also positive ideas, in particular in building up slow kingside attacks. His games were often not short of excitement, but that was more likely to come at move 50 than move 15. I’d put it to you that his obituarist (Isaac McIntyre Brown?) failed to appreciate his games fully.
Of course he had his faults: he was prone to tactical oversights and, against the top players of his day, didn’t always understand what was happening positionally, but he was still in the world’s top 100 players for about 20 years. His fragile health must also have had an impact on his results, and his interview above suggests that he was temperamentally more suited to teaching than playing.
It’s interesting to compare his life with that of a journeyman chess professional today. He was probably never very well off, but he had various sources of revenue: teaching and lecturing, simultaneous displays, exhibition games, writing and journalism, and also sponsorship. An article by Mieses in the August 1941 BCM about former Prime Minister Andrew Bonar Law tells us that he was kindly disposed towards Lee and did a good deal quietly for his professional support. One would imagine that Lee was similarly supported by the likes of JH Parnell and the Bishop of Trinidad and Tobago. In his tours of chess clubs he was seen as being a friendly and courteous opponent.
The Cheltenham Chronicle (13 September 1919), writing just a decade after his death, referred to him as ‘another chess professional, now little remembered’. He’s certainly very little remembered or written about today.
I’d suggest that Francis Joseph Lee is very much worthy of your attention. Here was a man who clearly loved chess, and, despite ill health, devoted more than twenty years to promoting his favourite game throughout the British Isles, and in many other parts of the world as well. While he wasn’t one of the greatest players of his day he also produced some fine chess, along the way experimenting with new openings, some of which are now, a century and a quarter on, now back in fashion.
I hope you’ve enjoyed learning more about his life and looking at some of his games. Do join me in drinking a toast to Francis Joseph Lee, and also join me again soon for some more Minor Pieces.
Sources and references:
ancestry.co.uk
findmypast.co.uk/British Newspaper Archive
Wikipedia
chessgames.com: FJ Lee here
ChessBase/MegaBase 2024
Stockfish 16
EdoChess (Rod Edwards): FJ Lee here British Chess Magazine (thanks to John Upham) Wiener Schachzeitung
If you read anything about chess from the late 1880s through to 1909 you’ll often come across the name of FJ (Francis Joseph) Lee, a regular competitor in both national and international events during that period. He played pretty consistently at about 2350 strength, finishing below the genuine masters, but above the amateurs. Yet he had wins against the likes of Steinitz, Pillsbury, Chigorin, Blackburne, Mason and Atkins to his credit.
Here he is, pictured, I think, in 1893.
A decent player, to be sure, but I’ve seen very little written about him. As he might have used my friend Alastair Armstrong’s chess set when taking part in the 1899 London International Congress, I wanted to discover more about his life and games.
Francis Joseph Lee’s birth was registered in the first quarter of 1858 in Hackney. He was baptised at St Matthias Church, Stoke Newington, on 28 April that year. His father, Francis Goodale Lee’s profession was given as architect: as far as I can tell he was a minor church architect. He was also, although he didn’t play publicly, an enthusiastic chess player. His mother, more exotically, was Rosina Pereira Arnand, the daughter of a wine merchant, about whom I can find out very little. Pereira is a Portuguese name, and Arnand sounds French (perhaps it’s a version of Armand, which really is a French name). Many years later, Francis would tell how he was romantically affected by her tales, and also inherited her musical tastes. He had an older sister, Agnes, and two younger brothers, George and Arthur.
There’s no obvious trace of the family in the 1861 census, but in 1871 Francis and his brother George were recorded at Belmont House, Ramsgate, a boarding school for young gentlemen.
At this point we should perhaps mention a couple of other things. In 1874 a 16 year old named Francis Joseph Lee signed up for four years in the Merchant Navy. In an interview many years later he mentioned going to sea and visiting China, so I’d guess this was him. In 1885 a Francis Joseph Lee married Kat(i)e Elizabeth Jenner in Hackney, divorcing a few years later, but we can tell from the church records that this wasn’t our man – both his age and his father’s name were wrong.
By 1881 Lee was boarding in Hackney and working as a stockbroker’s clerk. He may have been playing chess at Purssell’s room by then, but the first time his name appeared in the press was in 1885 at Simpson’s Divan, losing a game against William Henry Krause Pollock, who gave odds of pawn and move. It must be round about this time that he decided the life of a stockbroker’s clerk was not for him, opting instead for the life of a chess professional. He wasn’t a strong enough player to make much money from tournament play.
He was a relatively late starter at this level, then, and, judging from this 1886 game he favoured the gambit style popular at the time.
As usual, click on any move on any game in this article for a pop-up window.
The following year he beat Pollock 6-1 in an odds match, establishing himself, almost from nowhere, as one of the country’s leading players, and earning an invitation to take part in the 3rd British Chess Association Congress Master Tournament in London in November.
A respectable performance, but it should be pointed out that Zukertort, coming to the end of his life, was in poor health, as, no doubt, was Mason.
Lee won a nice ending against chess journalist Antony Guest.
Here’s a position from his game against Zukertort.
In this position he missed the rather attractive 23… Rd3!, which would have won Zukertort’s queen (if the queen moves to safety there’s Qxh2+!): perhaps his tendency to make tactical errors led him to follow the increasingly popular trend for closed positions, already in evidence in this tournament.
The following year, the British Chess Association Congress took place outside London for the first time, being held in Bradford. It was a pretty strong event as well, as you’ll see.
Lee’s result was slightly disappointing, but he did have the satisfaction of beating Burn and Blackburne.
Blackburne seemed ill at ease against Lee’s French Defence, and Black was able to liquidate into a winning ending.
Burn was also outplayed from a closed position.
In January 1889 Lee played a short match against Gunsberg, drawing two and losing three of the five games.
The 1889 British Chess Association Congress returned to London in 1889, with Bird and Gunsberg sharing first place on 7½/10, two points ahead of the field. Lee finished in the middle on 5/10. Very few games from this event seem to have survived.
We do have this one, though, where White moved his king to the wrong square on move 34.
1890 was a busy year for Lee. He scored his greatest success to date in the spring handicap tournament at Simpson’s Divan, with a score of 16½/18, well ahead of the likes of Bird, Tinsley and Mason.
This game against a Russian master demonstrates how effective he could be with the French Defence.
He spent much of the summer involved in a match against Blackburne, which he lost 5½-8½.
Here’s one of his wins.
Following on from that match he travelled to Manchester, where the 6th British Chess Association Congress took place. This attracted a strong field of 20 players, including Tarrasch, arguably the world’s best player at the time.
Lee’s result was again respectable, finishing about as expected, but taking points off some of the stronger players, while faring less well against some of the weaker players.
I haven’t been able to find the scores of any of his wins from this event, although he certainly should have won with the black pieces against von Scheve.
In this position, instead of playing 38. Bxb7 (equal according to Stockfish), von Scheve tried Rxb7?, presumably thinking he was either promoting or mating, but he must have missed something. Undaunted, he played on a piece down in the ending, eventually reaching this position, with Lee to play.
Now 62… Rh2+ is mate in 7, but Lee fell for a stalemate trap by playing 62… Rg2? 63. Ra5+ Kf4 64. Rf5+! with a draw. A familiar enough idea now, but it would have been much less familiar back in 1890.
Lee was unhappy with Gunsberg’s annotations of his loss against Mason from this tournament, and attempted to sue him for libel, but the judge (Roland Vaughan Williams, whose nephew, the composer Ralph Vaughan Williams, is one of my musical heroes) refused to allow a prosecution
Here’s the paragraph from 20 September:
Both Mason and Lee were unhappy with this, Mason writing to the editor of the newspaper.
You can judge for yourself: here’s the critical position after a lot of rather tedious manoeuvring, with Lee (Black) to play his 71st move.
Stockfish suggests 71… Rc1 72. Kd4 Rd1+ 73. Kc3 Kb7, pointing out that 73… Bxc4, for instance, is also a draw. Lee preferred 71… Bxc4? 72. Rxc4 Rf1? (another poor move: Re1+ might have offered some drawing chances) 73. Rc6+, when Mason obtained two passed pawns, soon winning the game.
What do you think? Was Lee tired after a long game and a long tournament? Was the position too hard for him? Was he not trying too hard as there was nothing at stake for him, as Gunsberg thought, or did he deliberately throw the game, as he thought Gunsberg implied?
At the same time, Lee was branching out as a writer, taking over the regular chess column in the Hereford Times in September 1890.
In between tournaments he was travelling throughout the British Isles giving simultaneous displays, often being billed as The Young Master.
Here he is in Belfast in December 1890, feted for his courteous manner as well as his rapid and brilliant play. He had also, in September that year, taken over the chess column in the Hereford Times, which he continued until 1893.
1891 was a quiet year, with no British Chess Association congress for him to take part in. There was a summer tournament at Simpson’s Divan, where he performed disappointingly, finishing in 9th place out of 10. The London based Dutch players Loman and van Vliet took the first two prizes. In August he arranged a match against up and coming German star Emanuel Lasker, drawing the first game, but, with the second game adjourned (Lasker was winning) was obliged to concede the match due to ill health. This may well have been the reason for his poor performance in the earlier tournament.
In the 1891 census he was lodging at 30 Manchester Street (now Argyle Street), St Pancras, giving his occupation as Chess Player and Editor (the word Author was added in) and his place of birth, curiously, as Ingatestone, Essex.
The 1892 edition of the British Chess Association Congress took place in London in March, with Lasker taking part, and, as expected, finishing comfortably ahead of the field. Lee’s 50% score was about what he would have expected.
Here’s his loss against Lasker, who sacrificed some pawns to get to his opponent’s king.
His win against Bird was a lively affair which won the brilliancy prize.
Next stop was Belfast, for a quadrangular tournament in which he was rather off form, finishing well behind his three rivals. According to a contemporary report he was unwell throughout the event. (One of the games, a featureless draw between Bird and Lee, is missing from MegaBase, but is readily available elsewhere.)
He remained in Ireland for several months after this event, visiting clubs and giving simultaneous displays.
This game, undated in my source, against Mary Rudge, the leading lady chess player of the time, may well have been played in one of these simuls.
In June he had some important news to announce.
He crossed the Atlantic with his friends Gossip and Jasnogrodsky, but the intended tournament fell through. However, an impromptu tournament was organised as a partial replacement, attracting a lot of press coverage.
According to the Brooklyn Daily Standard Union:
The English player is about 40 years of age, of a German blocky build, which indicates the possession of physical strength to stand the strain of severe chess playing.
(He was actually 35, and I don’t think you’d get away nowadays with ‘German blocky build’, whatever that might mean.)
Reproducing the portrait (probably the one above) from the New York Sun, it added:
… makes him appear stouter than he really is; otherwise the likeness is good.
The Baltimore News provided brief and amusing descriptions of the participants, reprinted here in an English newspaper.
I think all chess columns should be headed by a picture of chess playing kittens. Don’t you?
Here, Lee performed well, sharing third place with two of the top American players, Showalter and Delmar, just behind Albin (of countergambit fame), but they were no match for Lasker, who posted a 100% score.
His Irish opponent in this game essayed the Pirc Defence long before it became popular and acquired a name.
Lee is standing fourth from the left in this group photograph from the tournament.
Lee remained in the Americas for two years after this event. In February and March he played a series of exhibition games against some of Cuba’s leading players in Havana.
Later in the year he returned to North America, touring extensively, giving simuls and playing exhibition games.
At the beginning of 1895 The Chess Player’s Mentor was finally published, offering, according to the advertisements, ‘an easy introduction for beginners’, along with ‘analyses of the most popular openings for more advanced players &c’.
The review in the Dundee Advertiser is notable for providing an early example of promoting chess for children for its claimed extrinsic benefits.
It was later republished together with three other books solely written by Gossip. You can read it online here via the Hathi Trust digital library.
Lee returned to England in July that year, but didn’t enter the great Hastings tournament. Perhaps he needed a break after his exertions.
I think it was Albin, rather than Albion, against whom real estate man George C Farnsworth (1852-1896) scored 1½/2
Here’s Lee’s win. Not all that interesting: White chose a poor 5th move and never really stood a chance.
This game shows Farnsworth in a much better light.
He spent the latter part of 1895 touring chess clubs throughout the country, but most of 1896 in London, where he was appointed secretary to the committee organising a tournament at Simpson’s Divan. His administrative role didn’t stop him achieving an excellent result, sharing second place with van Vliet on 8½/11, just half a point behind the winner, Richard Teichmann, who was based in London at the time.
Not many games from this event were published. Here, Dutch organist Rudolf Loman sacrificed a piece unsoundly.
His displays in London included a visit to the Ladies’ Chess Club.
In December, Lee played a short match against Richard Falkland Fenton, winning two games, drawing two and losing one.
1897 was another quiet year spent in London, the only serious chess activity being a match during the summer against enthusiastic veteran Henry Bird, which he won by 8 points to 5.
1898 was even quieter, with just a summer match against Teichmann, which he lost 3½ to 5½. Lee suffered from gastric problems all his life: perhaps this was one reason for his relative lack of activity during this period.
There had been some talk in 1897, and again in 1899, about why Lee wasn’t selected for the Anglo-American Cable Matches. Perhaps the selectors preferred to choose amateurs rather than professionals. Here’s an article from 1899.
Finally, a few months later, he had an opportunity to prove himself at the top level. You will know, if you read my previous Minor Piece, about the great London International Chess Tournament of 1899. Lee was originally selected for the subsidiary single-round event, but when Horatio Caro (of Caro-Kann fame) withdrew at the last minute on health grounds he was promoted to the top section.
As you’ll see he found it hard going, but he did record wins against Steinitz and Chigorin, as well as two victories against Mason.
Let’s have a look at a few of his games from this event.
Playing his favourite Stonewall formation against Mason, his pressure on the half-open g-file was crowned with a sacrificial attack.
Lee’s win against Steinitz was also a Stonewall, but here he was rather lucky.
Steinitz had had the better of the opening, but Lee had managed to reach a drawn ending. If Black just waits with his knight White can make no progress, but the ailing former champion, close to the end of his life, seriously misjudged the position, playing 49… Ke4??, after which Lee’s e-pawn wasn’t for stopping.
The following day, black against Chigorin, he faced his opponent’s favourite anti-French move 2. Qe2, gaining a space advantage and giving up the exchange for a passed pawn, and winning one of his finest games.
At his best, Lee was a formidable positional player who could also, when the occasion demanded, display tactical ability. Someone who has, you might think, been unfairly neglected in chess literature.
As the remainder of the year – and the century, seems to have been uneventful for him, this must be a good place to break off.
Join me again soon to discover what the 1900s had in store for Francis Joseph Lee.
Last time we visited the Yorkshire seaside resort of Scarborough in the company of Francis Joseph Lee, just a few weeks before his untimely death.
Congresses like the British Championships only take place if there’s someone there to organise them, and, as it happened the prime mover of this one was someone who was mentioned in a different context just a few Minor Pieces ago.
Lowestoft Journal 04 September 1909
Didn’t Edward Wallis do well? He had a long involvement with the game of chess, and this, along with the publication of his book of miniature problems, was one of his life’s highlights. You might recall that one of George Law Francis Beetholme‘s problems was included therein.
Here he is, pictured in the September 1909 British Chess Magazine.
Edward Wallis had an interesting story to tell, one that involves, as well as chess, chocolate and conscientious objection.
Let’s go back to the middle of the 17th century, when, in the aftermath of the English Civil War, a new religious group founded by George Fox, known as the Society of Friends, or the Quakers, became popular. Jumping forward a century or so, a Quaker named Joseph Fry started a business producing drinking chocolate in Bristol. In 1831 another Quaker, John Cadbury, started producing drinking chocolate in Birmingham. In 1862, Henry Isaac Rowntree, also a member of the Society of Friends, bought out the chocolate making part of the Tuke family’s York business. These three companies, Fry, Cadbury and Rowntree, would become the three major producers of confectionery in Britain through the remainder of the 19th and much of the 20th century.
The Rowntrees had been a prominent Quaker family in Scarborough for a very long time. and, by the early 19th century, John Rowntree was running a grocery business there. His son Joseph moved to York to start a grocers shop in 1822, and it was his son Henry Isaac who started the confectionery business. Joseph’s brother William remained in Scarborough, and it was his grandson, Alderman John Watson Rowntree, who was the chairman of the committee running the 1909 British Championships in his home town.
The Wallis family were also prominent Quakers, from the village of Springfield in Essex, now a suburb of Chelmsford. After his marriage in 1849, Francis Wallis moved from Essex to Scarborough, no doubt in part because of the strong Quaker presence there, setting up as a corn dealer and miller. One of Francis’s daughters, Priscilla Gray Wallis, married George Rowntree, a brother of the aforementioned John Watson. One of Francis’s sons, born in 1852, was Edward Wallis, author of 777 Chess Miniatures in Three (you can read it online here) and the local organiser of the 1909 British Chess Championships.
In 1877 Edward married Dublin born Annie Johnson in London, returning to Scarborough, and, at some point in the 1880s, moving to a house they named Springfield after his home village. Their children were Eleanor (1878), Edward Arnold (1880), Arthur (1881), Dorothea (1883) and Annie Mabel (1885). He ran a grocery and bakery business there for the rest of his life.
On 24 January 1880 Edward had a chess problem published in the Leeds Mercury Weekly Supplement. At 27 years of age he was a relatively late starter in chess.
Problem 1: Mate in 3: you’ll find the solution at the end of this article.
In the same year he was also seen playing correspondence chess. In this game from a Leeds Mercury tournament he had the better of the opening but rather lost the plot thereafter.
In this game, probably played in the same event, he defeated schoolteacher GW Farrow, born in Scarborough, but by that time living in Hull
In 1881 he entered a correspondence tournament run by the Preston Guardian. This win against GW Farrow was almost certainly (although this isn’t specificed in the source) played in the 1881 edition of the Leeds Mercury competition.
In 1882 he won an exciting, but not entirely sound, game against Scarborough Chess Club secretary and chemist Henry Chapman.
In January 1883 he played on Board 53 in a match between Lancashire and Yorkshire, losing his game against Dr Dean of Burnley. The Manchester Courier (27 January), with an element of hyperbole, claimed that this was “the greatest chess match which has ever taken place in the history of the royal game, which extends over a period of more than 3,000 years”.
Here’s a game he lost in another correspondence tournament run by the Leeds Mercury. After White’s alert response to his erroneous 22nd move he could only choose which bishop to lose. (Click on any move of any game in this article for a pop-up window.)
He also lost this game, played in a correspondence game between two players representing clubs at almost opposite ends of the country, misplaying a tricky ending. It’s not clear whether or not this was a formal match between the two clubs.
In 1891 Scarborough were treated to a visit by our good friend Francis Joseph Lee.
An excellent result for Edward: it would have been good if they’d published the game. Mr F Wallis was probably Edward’s father Francis, but we’ll come to another possibility later.
Later in the same year he was one of the protagonists in a living chess game raising money for a good cause.
During this period, Edward Wallis was playing on top board for Scarborough, but, to be honest, there wasn’t that much opposition. Most of the county’s stronger players resided in the larger towns and cities.
In January 1893 he was selected to represent the North of England against the South in a 100 board megamatch in Birmingham, but ended up not in the match itself but on the bottom reserve board where he won his game against Wiltshire’s CJ Woodrow.
In April Scarborough welcomed another professional visitor: Samuel Tinsley. This time Wallis was less successful.
“… in a game known as the Queen’s Fianchetto?” I think the journalist was rather confused.
Here’s a report on a 1894 match against Bridlington, the days when matches were interrupted half way through for an excellent tea and appropriate speeches.
You’ll see that (presumably) Edward’s father won both his games on bottom board. The Mr Yewdall on Board 7 was the teenage Francis Edward Yewdall, who, almost 40 years later, would become the Secretary of Richmond & Kew Chess Club (where he was the assistant borough surveyor), and therefore, if you want to stretch a point, one of my Great Predecessors. Charles Empson Simpson, on Board 2, was Edward’s next door neighbour. You might notice some name connections: Wallis and Simpson living in adjacent houses, and Wallis (but not Simpson) living in Springfield. Bridlington, very unusually for the time, fielded a lady on second board: Eliza Mary Thorold, sister of their top board Edmund, who had been for many years one of the country’s top amateurs but was now approaching the end of his career.
Here’s one of the top board games, in which both sides missed chances.
A few weeks later there was another North v South megamatch, over 108 boards. Edward Wallis was on Board 102, losing to Horace Fabian Cheshire, who would soon find fame as the editor of the Hastings 1895 tournament book.
By 1897 he’d ceded top board to Charles Empson Simpson, and in 1899 he played on Board 9 for the North and East Ridings of Yorkshire in a match against the West Riding, losing his game against Isaac McIntyre Brown, the editor of the British Chess Magazine. Simpson lost on fourth board to John Musgrove.
One thing that you may know about the Quakers is that they are noted for their liberal views, many of their members being committed pacifists, and that was certainly true of the extended Rowntree family in Scarborough.
Appalled by the atrocities of the Second Boer War, a South African Conciliation Committee was set up in Scarborough under the presidency of Joshua Rowntree, a cousin of Henry Isaac and a former Liberal MP for the town. In March 1900 a meeting was arranged. One of the speakers was Samuel Cronwright, British born but living in South Africa and married to author and anti-war campaigner Olive Schreiner, still remembered today for her 1883 novel The Story of an African Farm. The other speaker, John A Hobson, was a prominent anti-imperialist and anti-capitalist.
There were some in Scarborough who considered their views heretical and unpatriotic. Word got round about the meeting, and a crowd, brandishing Union Jacks, formed outside, smashing the windows and throwing stones. Not content with that, some of them proceeded to vandalise the shops and houses of other members of the Rowntree family.
Perhaps you were, like me, unaware of this story, which, of course, has many resonances today. If you’d like to read more there’s a paper on the riots here.
If you’re interested in the history of the Rowntree family I’d recommend visiting the Rowntree Society website. This page is a good place to start.
While all this was going on, it appears that Edward Wallis was engaged in a long-range postal game.
I’m pretty sure, although it’s not mentioned in the press, that FJ Wallis was Edward’s brother Francis John Wallis, and that he had emigrated to Australia in 1891, becoming prominent in Sydney chess circles. In that case the F Wallis mentioned twice above would definitely be Edward’s father Francis senior.
A few years later, this game was published in the British Chess Magazine with, typically for the time, rather inaccurate annotations by Bellingham. The loser, at lease in my secondary source, is incorrectly identified as AG Wallis.
By now Scarborough Chess Club seems to have become inactive, putting Edward Wallis’s chess career on hold. His name started to reappear towards the end of 1907, when he made two contributions to a testimonial for FR Gittins, the author of The Chess Bouquet, which was being organised by the always witty Philip Hamilton Williams. He also announced that he was collecting miniature (no more than 7 pieces on the board) mates in 3. In 1908 he published a self-mate in 16 based on an earlier problem by Frederick Baird, but it turned out to be unsound as there were quicker solutions.
By October 1908 his book was (self-)published, receiving positive reviews.
Then, in 1909, came the second highlight of his life: the British Chess Championships in his home town, which you read about earlier. Although he was referred to as being from Scarborough Chess Club, I haven’t found any other mentions of the club between the late 1890s and the 1920s.
In 1910 he had a problem published in The Chess Amateur. It’s a mate in 3, but not a miniature.
Problem 2: #3 (E Wallis The Chess Amateur 1910)
Now, it seems, having perhaps fulfilled his two ambitions, he cut down his chess activities, confining himself to solving problems in newspaper columns.
When the First World War broke out his family commitment to pacifism was tested again. The older of his sons, Edward Arnold (below), registered as a conscientious objector, serving in the Friends Ambulance Corps between 1915 and 1918.
His younger son, Arthur, on the other hand, joined the RAF in 1918, but as a lecturer rather than in a combat role.
In 1917 George Rowntree and Edward Wallis unexpectedly fell foul of the law for selling semolina above the maximum fixed price.
In 1921, the census tells us that Edward was still running the family business at the age of 69, living with his wife and youngest daughter, who was working as a hospital nurse.
He died a year later, this newspaper obituary erroneously adding two years to his age.
Edward Wallis wasn’t, by the highest standards, a very strong player, nor was he a great problemist. But, as well as taking part in competitions, both over the board and by post, and occasionally composing problems, he was a true chess enthusiast, an author, an organiser and a collector, with one of the finest chess libraries in England (I wonder what happened to it). He was also a man who, along with his extended family and friends, lived his life through the principles expounded by the liberal Quakers: pacifism, integrity and service to the community. A life, I think, that deserves to be remembered, and a story that deserves to be told.
Next time, I’ll continue the story by introducing you to his friend who kindly contributed the Hints to Solvers to his book: Alfred Neave Brayshaw. Be sure not to miss it.
Sources and Acknowledgements
ancestry.co.uk
findmypast.co.uk/British Newspaper Library
Digital Chess Problems (Anders Thulin) website (Wallis book here)
Wikipedia
MESON Chess Problem Database (Brian Stephenson)
BritBase (John Saunders: thanks for the photo)
Yorkshire Chess History (Steve Mann): Edward Wallis here
Gerard Killoran for the Bays, Farrow and Chapman games.
David McAlister for reconstructing the Bays game (on the English Chess Forum)
Rowntree Society website
Guise Family website (George Rowntree here)
The Men Who Said No (Peace Pledge Union website: Edward Arnold Wallis here)
Solutions to problems:
Problem 1:
1. Qf6! is the key, threatening Nc7+, Qd6+ and Qxd4+. There are short mates in reply to either queen capture. You can see the full solution here.
Lessons, motivation and coaching to make you a better chess player.
In an ideal world, any aspiring chess player, at almost any level, would get better with a coach. If that’s not possible, having chess champion coach Thomas Engqvist’s book at your side is the next best thing.
In his series of lessons, Engqvist guides you through not only the most important elements of chess to master but also the psychology, how to marry knowledge with imagination, and how to stay motivated.
Suitable for older children through to adults, the lessons are drawn from chess games through history, from the 16th century to Magnus Carlsen and latest Alpha Zero computer chess. (Reviewer’s note: it doesn’t actually include Alpha Zero, stopping at Carlsen.) It features a range of key players, including Steinitz, Lasker, Nimzowistch, Botvinnik (Soviet chess school), and Fischer. With clear and accessible annotations to give clarity, the games highlight the most important lessons to learn and, just as importantly, how to ‘practise’ chess.
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (updated from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has 45 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions,300 Most Important Tactical Chess Positions and 300 Most Important Chess Exercises, all published by Batsford.
From the back cover:
Chess Lessons from a Champion Coach gives you the opportunity to assimilate the most important chess principles and concepts by following a study plan based on key encounters by over 30 great players.
With lessons from more than 60 instructive games in chronologically arranged chapters, this is the perfect guide for players who want to gain a broad knowledge of chess history and its evolution, but don’t have time to spend hours in what can be unproductive reading.
Featured in each chapter is a highly influential grandmaster who has played his part in developing chess into what it is today. There can be no more enjoyable way to improve your own play than to absorb your personal coach’s explanatory commentaries to exemplary games of past and present chess heroes, including Magnus Carlsen. In this way centuries of accumulated understanding of chess can be learned in just a few weeks.
By adopting the same tactics and strategies as demonstrated by these champions, you can also keep track of your own chess development by comparing it with the overall historical development of chess – and climb the ladder to success.
Swedish International Master Thomas Engqvist has approximately 45 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess.
What we have here is a book covering the history of chess ideas in chronological fashion, starting with Ruy Lopez and finishing with Magnus Carlsen. It’s hardly an original idea: the first book of this type was Richard Réti’s Masters of the Chessboard, and there have been quite a few others since then: off the top of my head I’ve reviewed a couple of them here myself. The second Chess Heroes: Games book will take a similar approach (using some of the games from Move Two!), but pitched at a much lower level.
I’d say from the outset is that if you’re knowledgeable about the subject, and have read similar books before, you’re probably already familiar with many of the games displayed by Engqvist here.
But if you’re a club standard player with little knowledge of the history of your favourite game you should certainly read on.
Most of the subjects are represented by just one game, so we quickly whizz through the likes of Greco (‘the first tactical player’), Philidor (‘the first positional player’) and even Morphy until we reach Steinitz (‘the scientific player’), the first of four players to be considered in rather more detail.
According to Engqvist:
The basis of Steinitz’s teachings is to construct a plan which is in accordance with the requirements of the position. These requirements could be an advantage in development, a strong centre, open files etc. One should gather such advantages, one by one, as preparation for an attack. This is the so-called theory of accumulation.
This theory is demonstrated by the following game. As always, click on any move for a pop-up window.
Engqvist adds after the game:
This is why such classic games are much more instructive than modern games. Steinitz’s opponents didn’t realise or didn’t want to realise what he was doing, whereas today’s more knowledgeable players do know – because they have studied such “one-sided” but very instructive classic games.
You might disagree – but I don’t.
Lasker (‘pragmatism and psychology’), the star of the next chapter, also receives special treatment.
In this instructive game, where he defeats Rubinstein’s IQP, he uses the ‘pivot square’ d5 in a variety of ways.
It is indeed a game to be understood in depth and learned by heart, because the idea of a pivot being a source of energy can be used in an untold number of situations.
Engqvist quotes Nimzowitsch’s comments on this game with approval, and makes it very clear throughout the book that Nimzo is one of his chess heroes.
Although he only gets one game (yes, it’s the Immortal Zugzwang game), the author has this to say:
Nimzowitsch is just as important as Steinitz, since his principles do complement those of his predecessor, However, to appreciate Nimzowitsch’s precepts in depth one needs to also properly understand Steinitz’s classical principles, otherwise the true meaning of Nimzowitsch’s theories will be lost.
and:
In my opinion (reading Nimzowitsch) is much more important than learning from computers, which are very bad teachers indeed, and sometimes incomprehensible. Nimzowitsch must be regarded as one of the greatest, if not the greatest ever, teachers…
Controversial, perhaps, and you might well think he’s overstating his case.
The other two subjects awarded more extensive treatment are, predictably, Capablanca (‘The Chess Machine’) and Alekhine (‘The Complete Chess Artist’).
From then on it’s just one game each, even for giants such as Botvinnik, Fischer, Karpov and Kasparov. right the way through to Carlsen.
Here’s the game used to illustrate Fischer (‘The Aggressive Classical Player’).
Engqvist:
This game is one of Fischer’s best and it is remarkable that he was only 16 years old when it was played. It proves that he was a genius. The good news is that Fischer’s style is possible to emulate, because it it largely based on positional technique à la Capablanca, which to a high degree can be learned.
It’s clear from this book, as well as from the author’s earlier volumes, that Thomas Engqvist is an exceptional writer, teacher and annotator. He has also made extensive use of a wide range of secondary sources (but, sadly, he fails the Yates test: he was Fred (Dewhirst), not Frederick Dewhurst). Each chapter is prefaced by a series of quotes by or about its subject, which in itself makes fascinating reading. Computer analysis has been used to correct analytical errors made by earlier authors, but this is done judiciously: he doesn’t go over the top in providing reams of engine generated variations. You might, I suppose, disagree with some of his views, especially on Nimzowitsch, but that’s part of the enjoyment you’ll get from the book. You might also think there’s some simplification and generalisation, but that’s inevitable in a book of this nature.
The production values are, of their type, excellent. The book, like others from this publisher, has a reassuringly old-fashioned look about it. While younger readers may well prefer something glossier and glitzier, it’s not likely to be a problem for those, like me, of the Batsford generation.
Many publishers these days prefer more interactivity, with puzzles at the start of each chapter, or, with annotated games, stopping every few moves to ask you a question. There’s none of that here, just solid, accurate and instructive comments. Different readers will prefer different styles of annotation. The one concession to interactivity is a couple of quizzes with questions like What was Ponziani’s opinion of the theories of Philidor and del Rio?, which I could really do without as they’re testing memory rather than understanding.
I had two other thoughts when reading this book. I often wonder whether chess authors are writing the book they wanted to write or the book the publishers thought would sell. Perhaps I’m mistaken, but my impression was that Engqvist really wanted to write something like The 60 Most Instructive Positional Games rather than a book with a historical perspective offering, for the most part, one game per star player.
I also wonder what exactly the market is for this book. Younger readers, if they want a book at all, might prefer something with a more modern feel, while older readers might have seen many of the games before.
But, if you’re, say, 1500-2000 strength, you’re serious about improving your chess and you’re happy with the style and contents, you won’t go wrong with this excellent book from one of the best authors and teachers around.
Let me take you back 125 years, to the great London International Chess Tournament of 1899.
Most of the world’s strongest players were there: the first two World Champions, Steinitz and Lasker, Pillsbury and Chigorin, Maroczy and Schlechter, Janowski and Blackburne.
Here’s the cross-table.
There was also a second section, won by Marshall, ahead of the likes of Marco and Mieses, along with some local amateurs.
Two brilliancy prizes were awarded: to Lasker for his win against Steinitz and to Blackburne for his win against Lasker.
Here they are: click on any move for a pop-up window.
If you’re running such a prestigious event you’ll want some shiny new chess sets. The chipped and stained old pieces at the back of your equipment cupboard won’t do for the likes of Lasker and Steinitz.
But have you ever wondered what happens to those shiny new sets once they’ve been put away and the players have gone home?
It appears that, at some point after the end of the tournament, some sort of competition was held. I have no idea what the nature of the competition was, and how many sets were on offer. What I do know (or believe) is that one of the sets was won by a certain William Grasty.
William came from a working class family: his birth was registered in the first quarter of 1878 in Lambeth. His father, a stoker in a factory, died in 1884, and, by the 1891 census, young William was living with his aunt in Southwark. I don’t at the moment know whether he acquired this board immediately after the 1899 tournament, but by 1901 he was moving up in the world, living in lodgings in Wood Green and working as a commercial clerk.
He married Arabella Edith Attwood in 1904, but, tragically, their first child, William Arthur, born in 1909, died before reaching his first birthday. By now the family had settled in Lewisham, and the 1911 census found him still working as a commercial clerk. Later that year, another son, named Leonard Francis, was born. Soon afterwards the family moved to Islington, where a daughter, Muriel Florence, was born in 1913.
By 1921 the family had left London, moving to Southsea, where William was working for Weingarten Bros Ltd, Corset Manufacturers as an accountant. As well as William, Arabella and their children, the household included two boarders: the sisters(?) Dorothy and Elizabeth Kilby, both schoolteachers. At the time, Portsmouth was known as the corset capital of the world (who knew?) and they’re still made there now. Many of my relations were employed manufacturing corsets in Market Harborough, but that’s a story for another time.
There’s no evidence that William ever played competitive chess, but his son certainly did. I guess they played at home using the board from the 1899 tournament, trying to emulate the play of Lasker and his colleagues. Between 1928 and 1931, Leonard was a student at Portsmouth Municipal College, playing on top board for their chess team. They started off with friendly matches against Portsmouth Chess Club before graduating to the second division of the local league.
In 1931 Leonard graduated with a BA General Degree with Honours and a First-Class Distinction in Maths awarded by London University and took a job as a Customs and Excise Officer. Like so many others before and since, on finishing his studies he stopped playing competitive chess.
We next meet him in Manchester in 1937, where he married a local girl, May Taylor Shaw, the daughter of a sheet metal worker.
By the time of the 1939 Register, Leonard and May, along, perhaps, with their chess set, had moved back south, now living in Stanmore, North London. They were blessed with three children, Barbara (1937), Robert (Bob) (1939) and Victor (Vic) (1943).
At some point the family moved down to Bognor Regis, on the West Sussex coast, not all that far from Portsmouth. It was there, in 1948, that Leonard returned to competitive chess, joining the local club. As it happens, the Bognor Regis Observer up as far as 1959 is available online. During this period they ran a regular column featuring local chess news, contributed by the pseudonymous King’s Pawn and The Rook, so we have a lot of information about his chess career over the next decade or so.
You’ll see that he soon established himself as one of their stronger players, although it must be said that Bognor were no match for the likes of Brighton and Hastings. What they did have, though, was some very effective and ambitious administrators. You might notice, for example, the name of Joseph Norman Lomax, who would do much to put his home town on the chess map.
Here they are, in 1949, inviting a very distinguished guest to give a simultaneous display.
In fact Harry Golombek took on 33 (or 34, depending on your choice of newspaper) opponents, losing two games and drawing six, including his game against Grasty. He stayed on overnight, the following day playing another simul against five teams of consultants, drawing two and losing one, against Grasty and his veteran partner Stephen Arthur Hardstone (1873-1952), a retired civil service engineer.
Golombek would give a number of simultaneous displays at Bognor over the next few years. Here’s a photo of one of them.
The games we have for Leonard Grasty in this period, sadly, don’t show him in a very good light. If he’d captured the bishop on move 13 in this game he’d have been fine rather than having to resign two moves later.
And here, in an equal position, he found one of the worst moves on the board, allowing a mate in one.
In 1952, the local organisers had a big idea.
In fact the first congress would be held the following year, run by Joseph Norman Lomax (later, after his second marriage he’d style himself Norman Fishlock-Lomax), continuing very successfully until 1969.
Later that year, Leonard Francis Grasty was the subject of a profile in the local paper.
Was his speed of play responsible for the careless mistakes he seems to have made? Perhaps someone should have advised him to slow down.
In 1954 Bognor Regis Chess Club put on a display of chess trophies in a local shop window for National Chess Week.
There you have it. Leonard had inherited the chess set which his father had won perhaps more than half a century earlier.
Here it is.
It didn’t help him in this game against one of Brighton’s young stars, where he had to resign after only nine moves, having fallen for a rather well known opening trap. The earliest example in MegaBase dates from 1908, but the variation itself dates back to Blackburne – Paulsen (Vienna 1882), where Black won after 8… Ng4.
The following year’s National Chess Week also featured the display of chess trophies, along with a Teenagers v Old Stagers match in which Leonard and his older son Robert were on opposite sides.
A few months later, Bob took part in the Southern Counties Junior Championship, held as part of the 3rd Bognor Regis Congress, scoring 3/7. The other competitors included Michael Lipton, who would later achieve fame as a problemist. He returned the following year, when he managed half a point more, which was half a point less than the score achieved by Stewart Reuben.
Leonard continued his chess activity in Bognor throughout the 1950s.
Here’s a photograph from a club prizegiving from 1958, where Leonard shared the club championship with local journalist Alan Lawrence Ayriss (1934-2006), who, as it happens, has a very distant family connection with me (the 2nd cousin 2x removed of the husband of my 3rd cousin 2x removed). He’s holding a Bell book: The Art of Checkmate (Renaud & Kahn), which was published in that edition in 1955. The book is still within the family: an inscription inside reads “BOGNOR REGIS CHESS CLUB Presented to L.F. Grasty RUNNER UP LIGHTNING TOURNAMENT 1958. We can also see copies of Edward Lasker’s Chess for Fun and Chess for Blood in a 1952 edition and Reinfeld’s Improving Your Chess (1954).
This, captioned 1958, shows Bob seated second left, perhaps from the same event as the previous photo.
By December 1959 Leonard had been joined by his younger son, Victor, who was up for selection for a match against Worthing. But, at that point, the online run of the Bognor Regis Observer comes to an end, so I have, at the moment, little information about what happened next.
We do have a photograph from 1961 where he’s playing a friendly game against William Clifford Kendal (1902-1988).
In this game from 1966, he chose an unsuccessful plan in the early middle game, allowing his opponent to bring off a smart finish.
It’s unfortunate that the games of Leonard Grasty currently available have, so far, been rather unimpressive losses with the black pieces. Perhaps he played much better with white.
We do have a draw, from what must have been towards the end of his chess career, against a very strong opponent in Geoffrey James (no relation, but he played for my club, Richmond, for a few years in the 1970s). He was perhaps a bit lucky, though, as Geoffrey uncharacteristically missed a few winning chances.
This was a family steeped in chess: they counted Harry Golombek as a family friend. Bob and Vic’s sister Barbara recalls (although the Guardian journalist doesn’t) once going on a date with Leonard Barden. Barbara later married a man named Michael Armstrong. Their son Alastair, born in 1967, continued the family chess playing tradition into a fourth generation.
Leonard must have been very proud of his grandson’s success. He died in 1981, when Alastair was still quite young, but he still has many very fond memories of his grandfather, who encouraged his early interest in chess.
It was only right, then, that it was Alastair who would eventually inherit his great grandfather’s London 1899 chess set.
Here ‘s Alastair again, 13 years later, winning the Main A Section of the Hastings Congress (the Main A wasn’t the main event at the congress, but never mind).
Shortly afterwards, Alastair moved abroad, but, more than 30 years on, he’s now returned to England, deciding to take up chess again, and by chance living just round the corner from the Chess Palace.
He still has the 1899 chess set and board, and provided the photographs above. His son, though, shows little interest in the game.
So there you have it: the story of a chess set and board first played on, perhaps, by Emanuel Lasker, spanning four generations of the same family and 125 years.
Join me again soon when we’ll return to London in 1899.
Sources and Acknowledgements:
ancestry.co.uk
findmypast.co.uk/British Newspaper Library
ChessBase/Stockfish 16 for game analysis
Alastair Armstrong and the Grasty family, for the story and photographs
Brian Denman for providing some of Leonard Grasty’s games
We focus on the British Chess Scene Past & Present !
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.