September 15th, 1980. Australian Open Chess Champion Max Fuller (35) is currently on a grand chess playing tour of Britain and Europe. He played in the British Championships last month and has included three tournaments in Denmark in his busy schedule. His tour culminates in Malta in December when he plays in his 8th chess Olympiad. Max has been playing chess since he was 13. He lives in Hamilton Avenue, Earlwood, Sydney. In the picture Max is playing in the Benedictine International Chess tournament in Manchester in which he was equal fourth. The Benedictine Championship was won by Britain’s number 2 seeded Grandmaster John DM Nunn of Oriel College Oxford. Picture from John Madden (NUJ)
BCN Remembers FM Max Fuller (28-i-1945 27-viii-2013)
Tonight two Sydney ***** the N.S.W. Chess Championship at the Chess centre Liverpool St., City. They are Fred E Flatow, 28 of Belmore (left.) and Max Fuller, 21, of Kingsgrove (right). They have been playing for about 10 Hrs up till 6.15 p.m. and had move 121. The match will go on till move 144 at which stage a draw will be declared or until either man wins before then. February 23, 1966. (Photo by Richard John Pinfold/Fairfax Media via Getty Images).
Maxwell Leonard Fuller was born on Sunday, January 28th 1945 in Sydney, New South Wales. He was brought up by his mother and, according to Ian Rogers, his step-father with whom he did not get on.
Knight moves: Max Fuller in 1964. He went on to become Australia’s No.1 player and toured the world.CREDIT:STUART MACGLADRIE
He was Australian Junior Champion in 1962.
He won the New South Wales title in 1965 (and then in 1986 and 1988).
Max came to England in late 1968 to play at Hastings and then chose to settle here. He played for Lewisham chess club. He won the Whitby Open in 1969 (See BCM, Volume LXXXIX, Number 8, page 264).
In the 1970s be played board one for Australia whilst maintaining a FIDE rating of 2450, and, according to chessgames.com : “Fuller finished equal second in the British championship in 1970 and 1975, winner of the Doeberl Cup three times, winner of the Australian Open three times, Joint Australian Champion 1972 with Trevor Hay and competed in nine Olympiads for Australia from 1964-1990. In 1974, he won the 101st Athenaeum Chess Club Jubilee tournament, held in London.”
He became a FIDE Master in 1980
Fuller returned to chess in 2004 after an eight-year absence and finished equal second in the 2004 and 2005 NSW championships.
According to IM Gary Lane : “Max had a heart attack and died on the day he was attending the funeral of his pal Peter Parr”
With the white pieces Max essayed the Ruy Lopez with a penchant for the exchange variation but nonetheless he was flexible and varied.
As the second player against 1.e4 he was versatile with a broad range of defences and likewise facing 1.d4/1.Nf3 he was difficult to prepare for.
According to British Chess Magazine, Volume CXXXIII (2013), Number 9 (September), page 450 :
“From Australia the saddest of news, the passing Maxwell Leonard Fuller (28 i 1945 Sydney – 27 viii 2013 Sydney). FM Max Fuller played in seven BCF Championships, 1969 -80. He later claimed the scalps of Short, Miles and Chandler. He was the most determined player imaginable and had the broadest of opening repertoires. (James Pratt)”
Aleandro Trimboli (10) of Leichhardt plays Mr Max Fuller of Newtown, Australian Open Chess Champion. As part of the Waratah Festival Celebrations the NSW Chess Association is conducting chess games with chess champions playing up to 30 players at once, in Hyde Park. October 17, 1973. (Photo by Golding/Fairfax Media via Getty Images).
In this obituary from Ray Keene, Ray very thoughtfully provides a game in which Max loses to Ray.
BCN remembers Gerald Frank Anderson MBE, DFC (24-ii-1898 23-viii-1984)
From British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson we have an article written by John Rice :
“Gerald Frank Anderson was born in South Africa on 23 February 1898, and has published nearly 500 problems of many different types. From the start he was a versatile composer, and Weenink’s The Chess Problem (see introduction) contains two three-movers of his illustrating anticipatory half-pin (see Diagram I) a reflex-mate in two dating from 1920 and a selfmate in four from 5 years earlier, when the composer was only seventeen.
Diagram I
1st prize , Hampshire Telegraph & Post, 1920
White mates in 3
(All Solutions contained in scan at foot of article.)
It must have been exciting for a budding problemist to grow up in the period between 1913 and 1924 when the Good Companion Chess Problem Club of Philadelphia was publishing its Folders of original work containing outstanding examples of complex strategy such as half-pins and cross-checks. Diagram II, with its intricate battery play, won first prize for Anderson in the Folder of October 1917.
Diagram II
1st prize, Good Companions, October 1917
Diagram III is a justly famous two-mover, with a perfect key and beautiful line-play:
IL Secolo, 1919
White mates in 2
Between 1953 and 1961 Anderson was with the British Embassy in Washington and a close friendship developed with the American composer Vincent Eaton.
In the introduction to his published collection of Eaton’s best problems (Memorial to V. L. Eaton, 1971) Anderson describes his visits to Eaton’s house where they would work for hours on joint compositions (nine of them altogether, eight prize winners)- ‘blockbusters’, as they themselves termed them. Diagram IV is one of these, a highly complex check-prevention scheme.
Diagram IV
1st prize, British Chess Magazine, 1953
(with V.L. Eaton)
White mates in 3
A glance through the anthologies shows how successful Anderson has always been with orthodox forms, perhaps especially with three- and four- movers and with selfmates. Diagram V is a characteristic selfmate in two, with a good deal more strategy than many composers achieve in selfmate form:
Diagram V
2nd prize, British Chess Federation Tournament, 1947
Selfmate in 2
Since his retirement Anderson has lived for much of the time in Italy, where the air seems to be conducive to the composition of reflex-mates, for that is the genre with which he has principally been occupied in recent years. Diagram VI is a good illustration of his style; a couple of changed continuations, and subtle play centered on the two diagonals b5-f1 and c6-h1. (A reflex-mate is a selfmate in which both sides are under an obligation to mate on the move if possible). In this problem White has to keep his active line-pieces (Q and B) well out of the way of the potential mating diagonal.
Diagram VI
1st prize, The Problemist, 1975
Reflex-mate in 2
In addition to the Eaton anthology mentioned above, Anderson has published Adventures of my Chessmen
Adventures of my Chessmen 1914 – 1923 , GF Anderson, Chess Amateur, Stroud, 1924
and Are There Any?, the latter being a fascinating collection of Kriegspiel problems. He was President of the British Chess Problem Society from 1962 to 1964, and became a FIDE International Judge in 1960 and an International Master in 1975.”
Gerald Frank Anderson MBE DFC (24-ii-1898 23-viii-1984)
From The Encyclopedia of Chess (Robert Hale, 1970 and 1976) by Anne Sunnucks :
“International Judge of FIDE for Compositions (1960). Born on 23rd February 1898. Won the DFC in 1914-18 war. Foreign Office (Retd.) First problem published in 1912, since when he has composed nearly 500 problems, mostly 3 and 4 movers. but has latterly switched to Fairy chess problems. He is one of the the great reflex and self-mate composers. Edited a section Chess Amateur 1921, Nottinghamshire Weekly Guardian 1937-1938, Anglo-Portuguese News 1945-1946, and Self-Mate Section of The Problemist 1964-1966. Author of Are There Any? a book about Kriegspiel problems and A Memorial Volume of Chess Problems of VL Eaton.”
His MBE was awarded in the 1959 New Year Honours list. The citation reads : “Gerald Frank Anderson, DFC, Second Secretary, Her Majesty’s Embassy, Washington.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE we have this by John Rice:
“British problem composer, output about 550 problems., orthodox and fairy. Books : Adventures of My Chessmen; and Are there Any? (1959 – a fascinating collection of Kriegspiel problems); Vincent Eaton Memorial (1971 – an annotated anthology of Eaton’s work). President of British Chess Problem Society, 1962-4. International Judge (1960), international master (1975).”
From chessgames.com :
“G. F. Anderson, in 1946, was working in the British Embassy in Lisbon, and, as a highly skilled chess player (he was also known for composing chess problems as early as 1919), was nominated to deliver the challenge from Botvinnik to Alekhine. He played a game with the World Champion in the Embassy and it became the last recorded game by Alekhine.”
Here is the original article from British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson by John Rice :
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively. Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a
match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.[1]
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.[1] Although he considered Sarratt’s Treatise on the Game of Chess (1808)[2] a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.[1]
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.[3]
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games.[7] In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet.[8] When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).[9]
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess.[1] Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.[10]
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani.[11] When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play[1] (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844),[12] as already “out of date when published”.”
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively. Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a
match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.[1]
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.[1] Although he considered Sarratt’s Treatise on the Game of Chess (1808)[2] a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.[1]
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.[3]
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games.[7] In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet.[8] When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).[9]
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess.[1] Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.[10]
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani.[11] When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play[1] (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844),[12] as already “out of date when published”.”
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively. Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a
match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.[1]
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.[1] Although he considered Sarratt’s Treatise on the Game of Chess (1808)[2] a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.[1]
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.[3]
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games.[7] In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet.[8] When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).[9]
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess.[1] Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.[10]
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani.[11] When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play[1] (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844),[12] as already “out of date when published”.”
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively. Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a
match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.[1]
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.[1] Although he considered Sarratt’s Treatise on the Game of Chess (1808)[2] a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.[1]
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.[3]
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games.[7] In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet.[8] When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).[9]
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess.[1] Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.[10]
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani.[11] When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play[1] (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844),[12] as already “out of date when published”.”
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively. Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a
match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.[1]
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.[1] Although he considered Sarratt’s Treatise on the Game of Chess (1808)[2] a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.[1]
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.[3]
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games.[7] In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet.[8] When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).[9]
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess.[1] Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.[10]
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani.[11] When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play[1] (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844),[12] as already “out of date when published”.”
We note the passing today (August 22nd) in 1870 of William Lewis of the Lewis Counter Gambit.
The Lewis Counter Gambit
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“English player and author. He left his native Birmingham as a young man and worked for a time with a merchant in London. He learned much of his chess from Sarratt, a debt that was not repaid.
Around 1819 he was operator of the Turk, meeting all-comers successfully. With Cochrane he visited Paris in 1821, received odds of pawn and move from Deschapelles, and defeated him in a short match (+ 1=2), Lewis had already begun to write and of the more useful books he published around this time were translations of Greco and Carrera which appeared in 1819 and 1822 respectively.
Although he considered Sarratt’s A Treatise on the Game of Chess (1808) a poorly written book, Lewis published a second edition in 1822 in direct competition with Sarratt’s last book, published in 1821 by his impoverished widow, (In 1843 many Englishmen contributed to a fund for Mrs Sarratt in her old age, Lewis’s name is not on the subscription list,}
William Lewis, George Walker and Augustus Mongredien
In 1825 Bourdonnais visited England. Lewis recalled that they played about 70 games, and according to Walker seven of them constituted a match which Lewis lost (+2—5). With no significant playing achievements to his credit Lewis acquired such a high reputation that a correspondent writing to the weekly magazine Bell’s Life in 1838 was moved to call him grandmaster.
From 1825 he preserved this reputation by the simplest means: he declined to play on even terms. In the same year he opened a club where he gave lessons at half a guinea each. McDonnell and Walker were among his pupils. Speculating unwisely on a piano-making patent, Lewis went bankrupt in 1827, and the club closed. After three precarious years of teaching chess (rich patrons were becoming fewer) Lewis became actuary of the Family Endowment Society and enjoyed financial security
for the rest of his life.
William Lewis
Circumstances now made it possible for him to concentrate on his writing and he published his two most important works: Series of Progressive Lessons (1831) and Second Series of Lessons (1832), both republished with various revisions. Lewis continued to write but gradually withdrew from other chess activities; his last notable connection with chess was as stakeholder for the Morphy-Lowenthal match of 1858.
Chess Board Companion by William Lewis
Lewis’s Lessons contain extensive analyses of many opening variations, examined in the closeness of his study. Subsequent writers, notably Lasa, were influenced by these books, but more on account of the form than the content, which, adequate for the 1830s, were soon out of date.
Around 1840 writers no longer worked in isolation (a circumstance Lewis found unavoidable) and new positional ideas were being shaped. Because Lewis failed to assimilate these his judgements were faulty, and his voluminous Treatise on the Game of Chess (1844) was out of date when published.
Industrious rather than inventive, he made only one innovation, the Lewis Counter-Gambit; but it had no practical value in 1844, for simpler defences had already been discovered. Lewis’s work commands respect, but he is more aptly described as the last and one of the best of the ‘old’ writers than the first of the new, a more fitting description for Jaenisch and the authors of Bilguer’s Handbuch. ”
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
Chess theoretician, teacher, author and one of the leading players in England in the nineteenth century.
William Lewis was born in Birmingham on 9th October 1787. As a young man he went to London and took chess lessons from JH Sarratt. Within a short time he was making chess his principal means of livelihood.
In 1819 he was engaged as the player concealed in the chess-playing automaton, ‘The Turk’, when it was exhibited in London. In 1825 he opened some chess rooms in St. Martin’s Lane in London, where he taught chess. Among his pupils was Alexander McDonnell. After going bankrupt in 1827, the chess rooms were closed, and Lewis decided to put his lessons into a book. He soon became a highly-successful writer, His Chessboard Companion published in 1838 ran into nine editions, and his Series of Progressive Lessons of the Game of Chess has been described as one of the landmarks in the history of the game. This book included some completely new analyses of various chess openings and later formed the basis of the Handbuch des Schachspiels. Lewis also translated the work of Greco and Stamma and was author of The Elements of Chess (1882), Fifty Games of Chess (1832) and Chess for Beginners (1835).
Chess Board Companion by William Lewis
Towards the end of his life, Lewis rarely played chess, and his last public appearance in chess circles was 12 before he died, when he acted at stake-holder in the match between Morphy and Lowenthal in 1858. He died on 22nd August 1870.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek :
“Author of The Chessboard Companion, London, 1838, and several other popular works on chess (including translations of Greco and Stamma). Lewis was also a leading chess teacher – his most famous pupil was Alexdander McDonnell – and for a time he ran chess rooms in St. Martin’s Lane. In 1819 he operated the chess-playing automaton ‘The Turk’ when it was exhibited in London. The Lewis Counter-Gambit is 1.P-K4, P-K4; 2.B-B4 B-B4; 3.P-QB3,P-Q5!?”
Chess for Beginners
From “Chess : A History” by Harry Golombek there are two references to WL on pages 98 and 123 alluded to above.
“William Lewis (1787–1870) was an English chess player and author, nowadays best known for the Lewis Countergambit and for being the first player ever to be described as a Grandmaster of the game.
Born in Birmingham, William Lewis moved as a young man to London where he worked for a merchant for a short period. He became a student of chess player Jacob Sarratt, but in later years he showed himself to be rather ungrateful towards his teacher.
Although he considered Sarratt’s Treatise on the Game of Chess (1808) a “poorly written book”, in 1822 Lewis published a second edition of it three years after Sarratt’s death in direct competition with Sarratt’s own superior revision published posthumously in 1821 by Sarratt’s poverty-stricken widow. In 1843, many players contributed to a fund to help the old widow, but Lewis’ name is not on the list of subscribers.
Around 1819 Lewis was the hidden player inside the Turk (a famous automaton), meeting all-comers successfully. He suggested to Johann Maelzel that Peter Unger Williams, a fellow ex-student of Sarratt, should be the next person to operate inside the machine. When P. U. Williams played a game against the Turk, Lewis recognised the old friend from his style of play (the operator could not see his opponents) and convinced Maelzel to reveal to Williams the secret of the Turk. Later, P. U. Williams himself took Lewis’ place inside the machine.
Lewis visited Paris along with Scottish player John Cochrane in 1821, where they played with Alexandre Deschapelles, receiving the advantage of pawn and move. He won the short match (+1 =2).”
“Lewis’ career as an author began at this time, and included translations of the works of Greco and Carrera, published in 1819[5] and 1822[6] respectively.
He was the leading English player in the correspondence match between London and Edinburgh in 1824, won by the Scots (+2 = 2 -1). Later, he published a book on the match with analysis of the games. In the period of 1834–36 he was also part of the Committee of the Westminster Chess Club, who played and lost (−2) the match by correspondence with the Paris Chess Club. The other players were his students McDonnell and Walker, while the French line up included Boncourt, Alexandre, St. Amant and Chamouillet. When De La Bourdonnais visited England in 1825, Lewis played about 70 games with the French master. Seven of these games probably represented a match that Lewis lost (+2 -5).
Lewis enjoyed a considerable reputation as a chess player in his time. A correspondent writing to the weekly magazine Bell’s Life in 1838 called him “our past grandmaster”, the first known use of the term in chess. Starting from 1825 he preserved his reputation by the same means that Deschapelles used in France, by refusing to play anyone on even terms. In the same year Lewis founded a Chess Club where he gave lessons to, amongst others, Walker and McDonnell. He was declared bankrupt in 1827 due to bad investments on a patent for the construction of pianos and his chess club was forced to close. The next three years were quite difficult until in 1830 he got a job that assured him of solid financial security for the rest of his life. Thanks to this job, he could focus on writing his two major works: Series of Progressive Lessons (1831) and Second Series of Progressive Lessons (1832). The first series of the Lessons were more elementary in character, and designed for the use of beginners; the second series, on the other hand, went deeply into all the known openings. Here, for the first time we find the Evans Gambit, which is named after its inventor, Capt. Evans.
The works of Lewis (together with his teacher Sarratt) were oriented towards the rethinking of the strictly Philidorian principles of play in favour of the Modenese school of Del Rio, Lolli and Ponziani. When he realised that he could not give an advantage to the new generation of British players, Lewis withdrew gradually from active play (in the same way that Deschapelles did after his defeat against De La Bourdonnais).
After his retirement he wrote other chess treatises, but his isolation prevented him from assimilating the positional ideas of the new generation of chess-players. For this reason, Hooper and Whyld in their Oxford Chess Companion describe the last voluminous work of Lewis, A Treatise on Chess (1844), as already “out of date when published”.”
According to Edward Winter in Chess Notes Lewis lived at 12 Chatham Place, Blackfriars, London, England (Chess Player’s Chronicle, 1841, pages 9 and 34*)
“One of the strongest English players during the 1850s, He made little impression in his one and only tournament, London 1862, but is remembered for having scored more wins than anyone else in friendly play against Morphy in 1858. He reduced his corpulence by 130 pounds in ten months and as a result died. ”
He is perhaps most well know for having a reasonable score against Paul Morphy of -19 +8 which was a lot better than most !
According to chessgames.com :
“Thomas Wilson Barnes was one of the strongest English players in the 1850s. His only tournament appearance was in London 1862 but he did not do himself justice. He’s best remembered for having more wins against Paul Morphy in friendly play than anyone else. Being overweight he decided to reduce his size, but the loss of 130 pounds in 10 months was more than his system could handle and resulted in his death in 1874.”
The Barnes Opening, was played by T. W. Barnes. This opening move has no particular merit but he liked to avoid book lines, to which end he
sometimes answered 1 e4 by 1…f6.
He died at 68, Cambridge Street, Pimlico.
His death was registered in the St George, Hanover Square district.
He was buried on August 25th, 1874 in Brompton Cemetery (plot number 76449). According to the burial records he had a “Private Grave” the plot of which measured 113.3 x 18.3 and “no extra depth” was required.
William Davies Evans was born on the 27th of January, 1790 at Musland Farm in the parish of Saint Dogwells, Haverfordwest, Pembrokeshire, SA62 5DT. His parents were John (a farmer by trade) and Mary Davies. William was baptised on September 21st 1814 in Steynton, Pembrokeshire. The service was conducted by WM Lloyd, Curate of Burton, Pembrokeshire.
It would appear from baptism records (Steynton) that WD had a younger brother Robert Joseph, baptised on the same day in September.
Captain William Davies Evans (27-i-1790 03-viii-1872)
From The Oxford Companion to Chess (OUP, 1984) by Hooper & Whyld :
“Inventor of the Evans gambit, for about half a century one of the most popular attacking weapons. He was born in (Musland Farm in the parish of Saint Dogwells,) Pembroke, Wales, went to sea at the age of 14, was employed by the Postal Department from about 1815, and rose to the rank of captain four years later. In 1824, soon after taking command of the first Royal Mail steam packet to sail from Milford Haven to Waterford, and while aboard, he invented his gambit.
Evans was a keen player. He gathered a small chess circle in Waterford, and when on leave in England played chess in London, notably in 1826 when he showed his gambit to Lewis and McDonnell, and in 1838 when he played a long series of games with Staunton at the Westminster Chess Club.
In Jan. 1840 he was pensioned off on account of ill-health. He went to Greece, became captain of a steamer that sailed the Mediterranean, and returned to London at the end of 1842. During the next 13 years there are several accounts of his presence in London, and then he settled abroad. He died and was buried in Ostend,
Evans claimed to have solved the three pawns problem (See below) , which, however, had already been solved by others.
His claim to the invention of tri-coloured lighting for ships has not been verified independently, although he is known to have investigated the subject. For this invention he states that the Tsar of Russia gave him a gold chronometer, and that he also received money. For a more detailed life of Captain Evans see British Chess Magazine, 1928, pp, 6-18.”
The Evans Gambit is a variation of the Giuoco Piano or Italian Game:
When Evans originally devised his gambit the move order was slightly different :
in which White sacrifices the b-pawn for increased central control and development viz :
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
“Inventor of the Evans Gambit, an opening described by a player in the last century as ‘A yellow fever attack : if you live through the initial stages and avoid any carelessness that may bring on a relapse, you will come out alright’.
Captain Evans discovered the gambit in about 1824. It was a favourite opening during the last century and was adopted by a number of leading players including La Bourdonnais and Morphy.
For some years Commander in H.M. Royal Mail Packet Service on the Milford and Waterford station, Captain Evans later became Commander in the P.& O. Company’s service and agent for the Royal Mail Steampacket Company, Port Grande. On retirement he lives for many years in Holland and Belgium.
The story is told of how, in 1870, the Grand Duke Nicholas of Russia, brother of the Tsar, was visiting Bruges when he heard that the inventor of the Evans Gambit was living in Ostend. Being a keen chess player he invited Evans to play a game. When Evans had won, the Grand Duke turned to his adversary and said : ‘I believe you invented the Evans Gambit ?’, ‘Yes’ replied Evans ‘and it’s not the only thing I’ve invented for which you have not paid me.’ ‘What’s the other?’ asked the Grand Duke.
Evans then explained that he was the inventor of the ship’s lights which were being used by the Russian Navy, in which the Grand Duke held the rank of Admiral. Several months later Evans was invited to the Russian Consulate in Ostend, where he was handed a letter from the Grand Duke, a gold chronometer, a gold chain and a draft of money, ostensibly in payment for the Russia’s rights to use the captain’s invention in her ships. ”
Evans analyzed the “Little Game of Chess” (an endgame composition involving only two kings with three pawns each)
to independently discover that it actually won for the player who moves first, not drawn as had been believed for over a hundred years.
From The Encyclopedia of Chess (Batsford, 1977) by Harry Golombek we have :
“After his retirement Evans went to live abroad and eventually found a haven in Ostend and there, ill, and almost blind and in very straightened circumstances, he dictated a letter on 22 March 1871, which was published in the Gentlemen’s Journal supplement for June 1872, along with an appeal for him organised by George Walker.
The letter gives the authentic facts of his life and is worth quoting in full, if only to refute various unfounded reports about a meeting with the Tsar’s brother, or according to that rich source of misinformation, the Rev GA MacDonnell, that the Evans Gambit was discovered off the coast of Africa by a middle-aged lieutenant in the Royal Navy -perhaps the reverend gentleman was confusing Waterford with the Canary Islands.
The letter runs :
Williams Davies Evans is a native of Pembrokeshire, South Wales, and was born on 27 January 1790. He commenced a naval career at the age of fourteen. He was about twenty-eight years of age when he first learnt the moves of the game of Chess. Having the advantage of frequent practise with Lieutenant H. Wilson, R.N., who was a player of some reputation in his time, beside corresponding on the subject of the game with the late Mr. W. Lewis, and also with George Walker, the able Chess Editor of Bell’s Life , he made a rapid progress in the game. Captain Evans received at first the odds of a Rook from Lieut. Wilson. After a continuance of play for some years, the odds were greatly reduced, until ultimately Captain Evans succeeded in defeating his formidable antagonist playing even.
About the year 1824, being then in command of a Government Mail Steamer, the passages between Milford Haven and Waterford were favourable to the study of the game of Chess and at this time he invented the Gambit, which bears his name. The idea occurred to him while studying a narration of Giuoco Piano in Sarratts’s Treatise on Chess.
Captain Evans was the first who gave to the world a true solution of that very difficult end game, the King and three Pawns unmoved against King and three Pawns also unmoved. This position was handed down to us through a period of some centuries as a drawn game, but Captain Evans proved that the first player can always win.
Captain Evans acquired some celebrity as “Inventor of the System of Tri-Coloured Lights for Ships to Prevent Collisions at Night”, which has been adopted by all nations possessing a marine. For this invention the English Government awarded him the sum of £1,500 , and the Czar of Russia a gold pocket chronometer, value £160, together with a donation of £200.
The subscription that amounted to over £200 was too late. He died in 1872 and was buried in Ostend where his grave bears the inscription :
To the sacred memory of William Davies Evans, formerly Commander in the Post Office and Peninsular and Oriental Steam Services, Superintendent In the Royal Mail Shipping Company, and inventor of the system of tri-coloured light for shipping. Also well known in the Chess World as the author of the Evans Gambit
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