Remembering Vera Menchik (16-ii-1906 27-vi-1944)

Miss Vera Menchik
Miss Vera Menchik
A Great Life with a Tragic Ending

Few people know the story of Vera Menchik yet it deserves to be told. She was the first women’s world chess champion in 1927 and retained the title undefeated until her untimely death at the age of 38 in 1944 during a rocket attack on London.  She is more properly compared with the great male players of her era against whom she scored creditably. The absence of a full biography of Vera in English reflects the peculiar circumstances of her life and death.

Vera was, in modern terminology, a refugee and essentially a stateless person for much of her life. She was born in Moscow in 1906 during the period of the Russian Empire to an expatriate family who was forced to flee when she was 15 following the Russian Revolution having lost their livelihood.  As they passed through Europe, her father and mother split up in his homeland Czechoslovakia which had been created out of the ruins of the Austro-Hungarian empire. She arrived in England and took up residence in the seaside town of Hastings. (The fact that Hastings had hosted the world’s longest series of annual chess tournaments since 1895 was a happy coincidence.) Vera never attained British nationality until near the end of her life even though she had been domiciled in England from 1921. She won the first-ever Women’s World Championships held in London in 1927 under a Russian flag; thereafter she nominally represented Czechoslovakia until finally she represented England in 1939 following her marriage to a senior official within the British Chess Federation.

Vera Menchik from Vera Menchik., EI Bykova, Moscow, 1957, 176 pages, 4s 7d.
Vera Menchik., EI Bykova, Moscow, 1957, 176 pages, 4s 7d.

Vera’s grandfather was Arthur Illingworth, a wealthy trader from Lancashire who had set up business in Moscow where his Anglo-Russian daughter Olga married František Menčik. He was a successful estate manager. Vera learned chess from her father and performed well at school. Her younger sister Olga was also a good chess player and the sisters remained close throughout their lives.

Vera was a woman in a man’s world – she had to struggle harder to achieve the kind of recognition which was accorded to men. She appeared like a comet in the sky and it would be many years until other women were able to reach her level. At her first major international tournament at Karlsbad in 1929, she was the only female participant in a tournament of 22 great players. Even as women’s world champion, some of the male players objected to her participation.  The Viennese master Albert Becker joked that anybody who lost to her should belong to the Vera Menchik Club. By an irony of history, he became its first member losing to her in the third round. She beat many other grandmasters during her career including the Dutchman Max Euwe in 1930 and 1931 (both at Hastings) who was to become world champion in 1935.

Although she is often portrayed as being Russian or Czech or latterly British, she was a true cosmopolitan. She knew that life could be unstable in any country. She had lived through the Russian Revolution; one parent was left behind in Czechoslovakia; she had moved westwards across Europe and embraced different cultures and languages at formative stages of her life. It is no wonder that she learned also to speak Esperanto which was designated to be the world’s lingua franca before English achieved its dominance. As a leading chess player, she travelled back to Moscow and to Czechoslovakia several times as well as to South America for her final match to retain the women’s world champion title in 1939. She needed to be self-sufficient and was obtained roles as the games editor of a chess magazine as well as being appointed the manager of the National Chess Centre in Oxford Street which was destroyed during the Blitz in 1940.

She survived most of the war and now a widow moved in with her mother and sister to a house in south London.  They took the precaution of going down to the cellar during bombing raids. Tragically the house received a direct hit from a flying bomb and the entire family was wiped out. Hardly any of her possessions remained save for one dented trophy. The records at the national chess centre were destroyed as were her personal effects including her chess memorabilia. At least there remains a record of the moves played in her games which serve as testimony to her remarkable career as not only the first women’s world chess champion but also a woman who broke boundaries wherever she went and demonstrated that a woman is capable of standing on her own feet professionally and leading a full and eventful life.

The Bomb Attack

BCN remembers that in the early morning of Tuesday, June 27th, 1944 (i.e. 77 years ago) Vera Menchik, her sister Olga, and their mother were killed in a V-1* flying bomb attack which destroyed their home at 47 Gauden Road in the Clapham area of South London.

We now know that the V1 in question landed at 00:20 hrs on the 27th and led to the death of a total of 11 people including the Menchik household. Here is a summary of recorded V1 and V2 landings in the Clapham, SW4 area.

(*The V-1 was an early cruise missile with a fairly crude guidance system.)

47, Gauden Road, Clapham, SW4 6LW in more modern times.
47, Gauden Road, Clapham, SW4 6LW in more modern times.

All three were cremated at the Streatham Park Crematorium on 4 July 1944. Vera was 38 years old.

Signature of Vera Menchik from a Brian Reilly "after dinner" postcard from Margate 1936.
Signature of Vera Menchik from a Brian Reilly “after dinner” postcard from Margate 1936.
Vera’s Parents and Sister

Vera Frantsevna Menchik (or Věra Menčíková) was born in Moscow on Friday, 16th February, 1906. Her father was František Menčik, was born in Bystrá nad JizerouBohemia. František and Olga were married on June  23rd 1905 in Moscow and notice of this marriage appeared in British newspapers on July 22nd 1905.  Vera’s sister was Olga Rubery (née Menchik) and she was born in Moscow in 1908. Olga Menchik married Clifford Glanville Rubery in 1938. Vera married Rufus Henry Streatfeild Stevenson on October 19th 1937.

Her Maternal Roots

Our interest in unearthing her maternal English heritage / roots has led to the following:

Her mother was Olga (née Illingworth (1885 – 27 vi 1944). Olga’s  parents were Arthur Wellington Illingworth and Marie Illingworth (née ?). Arthur was born in October 1852 in the district of Salford, Lancashire, his parents were George Illingworth (1827-1887) and Alice Whewell (1828-1910). 

In the 1861 census Arthur is recorded as being of eight years of age and living in the Illingworth household.

In the 1871 census Arthur is recorded as being of eighteen years of age and living in the Illingworth household of nine persons at 5, Lancaster Road, Pendleton, Lancashire. Arthur’s occupation is listed as being a merchants apprentice. In fact, he was a stock and share broker.

Arthur died in Moscow on February 21st 1898. Probate was recorded in London on July 6th, 1900 as follows:

Illingworth Arthur Wellington of Moscow Russia merchant died 21st February 1898 Probate London 6th July to Walter Illingworth stock and share-broker Effects £4713 7s

£4713 7s in 1898 equates roughly to £626,600.00 in 2020 so it would appear that Arthur was considerably successful and almost certainly left money to Olga Illingworth.

What do we conclude from all of this? Quite simply that Vera’s maternal roots were from Salford in Lancashire.

BCM Announcement

The August 1944 British Chess Magazine (Volume LXIV, Number 8, page 173 onwards) contained this editorial  from Julius du Mont:

Julius du Mont, Editor of British Chess Magazine from 1940 to 1949
Julius du Mont, Editor of British Chess Magazine from 1940 to 1949

“British Chess has suffered a grievous and irreparable loss in the death by enemy action of Mrs. R.H.S. Stevenson known through all the world where chess is played as Vera Menchik.

We give elsewhere (below : Ed.) an appreciation of this remarkable woman. Quite apart from her unique gifts as a chess-player-the world may never see her equal again among women players-she had many qualities which endeared her to all who knew her, the greatest among them being here great-hearted generosity.

We sympathise with our contemporary “CHESS” : Vera Menchik was for some years their games editor. Few columns have been conducted with equal skill and efficiency and none, we feel sure, with a greater sense of responsibility.

The news of this remarkable tragedy will be received by the chess world with sorrow and with abhorrence of the wanton and useless robot methods of a robot people.

One shudders at the heritage of hatred which will be theirs, but their greatest punishment will come with their own enlightenment.”

BCM Contemporary Obituary from EGR Cordingley

From page 178 of the same issue we have an obituary written by EGR Cordingley :

“The death by enemy action of Miss Vera Menchik removes not only the greatest woman chess player of all times but a charming personality.

The world will remember her for her chess prowess, for her exceptional skill as a woman player who had beaten in tournament play such gifted players as Euwe, Sultan Khan, Sir George Thomas, Alexander and Yates. In such company, and she played in several of the Hastings International tournaments and other of similar grade, she usually obtained about 33%, though in the Maribor tournament of 1934 she finished third, behind Pirc and Steiner but ahead of Rejfir, Spielmann, Asztalos and Vidmar.

Her game was characterised by solid position-play, with the definite aim of bringing about a favourable end-game and of avoiding wild complications. The ordinary stratagems of the game, small combinations and the like, were of course part of her equipment, but she lacked that imaginative, inventive spirit without which few become really great players.

In recent times, Reshesvky and Flohr (as a professional with a reputation to maintain and a living to earn) have shown that great success can be achieved by reducing the game to pure positional play, the technique being firstly to build up a position devoid of weaknesses, an ‘I can’t lose position,’ and secondly to create and take advantage of the minutest weaknesses in the opponent’s camp, a major weakness may show that imagination is not quite dead within.

This defect in her play was the inevitable reflection of her character: sound common-sense, conscientious to an unusual degree, and persevering, while she had the combative, tenacious nature so desirable and so often found in good chess players; for chess is battle of wits, the fight is what most of use love in chess. Vera was, seldom assertive, a fault not uncommon in chess players. She sat placidly at the chess board, never causing even mild irritation by any of those nervous mannerisms that may always be seen in any chess room, the peripatetic fever being the most prominent. A slight flush would rise when the position grew difficult, or when she was short of time on her clock – and that was recurrent according to the time-limit.

Away from the chessboard show would readily talk of other subjects, and her great interest was in persons, in their actions and behaviour under the strain and stress of the unruly passions; in the moulding of their lives under the inscrutable dictates of chance; in the twists and turns of a mind warped perhaps by a casual incident long ago. Of course, she was a pagan, a thinking one, who had asked and asked and found only the answer that reasoning gave. She judged kindly and never inflicted upon others her own opinions or beliefs: she asked only that these should be heard as one side of any argument, for she enjoyed a dialectic bout.

A delightful side to her character was her simple sense of humour, and I remember so clearly her pleasure – glee would describe it more eloquently – when I gave her the punctuation necessary to make sense of that ludicrous collection of words, ‘Jones where Brown had had had had had had had had had had had the master’s approval’ Anyone who knew her only at the chessboard would have been astonished at the amount of bubbling merriment she discovered of of life’s events.

I shall remember her more for the woman as I knew her over many cups of coffee spread over many, many weeks – complacent, smiling, and kindly; conscientious, loyal, and sincere; as I understand the word, a Christian who would help any deserving person as best she could. E. G. R. C.

and here is the original article as printed:

British Chess Magazine, Volume LXIV (1944), Number 8, August, Page 178
British Chess Magazine, Volume LXIV (1944), Number 8, August, Page 178
BCM 1958 Appreciation by Peter Clarke

From British Chess Magazine, Volume LXXVIII (78, 1958), Number 7 (July), page 181 onwards) we have this retrospective from Peter Clarke:

“The night of June 27th,1944, Vera Menchik, World Woman Champion, was killed when an enemy bomb demolished her home in London; with her perished her mother and sister Olga. In these tragic circumstances the chess world lost its greatest woman player, still undefeated and at the height of her powers.

Vera Francevna Menchik was born in Moscow on February 16th, 1906, of an English mother and Czech father. There she spent her childhood, showing a love for literature, music, and, of course, chess, which at the age of nine she was taught by her father. She had a natural bent for the game and when only fourteen shared second and third places a schoolboys (!) tournament. The following year, 1921, the family came to England, where Miss Menchik lived the rest of her life.

As if by some fortunate coincidence, the Menchiks settled in Hastings, though it was not until the spring of 1923 that Vera joined the famous chess club. Her natural shyness and lack of knowledge of English caused this delay. However, they did not handicap her too much
as she herself afterwards wrote: ‘Chess is a quiet game and therefore the best hobby for a person who cannot speak the language.”

She studied the game eagerly, and very soon her talent caught the attention of the Hungarian grandmaster, Géza Maróczy, who was resident at Hastings at that time. Thus there began the most important period in her development as a player; a sound and mature understanding of positional play-and a thorough knowledge of a few special openings and defences: in particular the French Defence. The influence of
the grandmasters ideas was clearly apparent in her style throughout the whole of her career.

Miss Menchik’s rise to fame was meteoric: by 1925 she was undoubtedly the strongest player of her sex in the country, having twice defeated the Champion, E. Price, in short matches; and only two years later she won the first Women’s World Championship in London with the terrific score 10.5-0.5. She was just twenty-one, but already in a different class from any other woman in the world. For seventeen years until her death Vera Menchik reigned supreme in women’s chess, defending her world title successfully no less than seven times (including a match with Sonja Graf at Semmering in 1937, which Miss Menchik won 11.5-4.5. In the seven tournaments for the World Championship she played 83 games; winning 78, drawing 4, and losing 1 only! However, what was more remarkable was that she was accepted into the sphere of men’s chess as a master in her own right, a feat which no woman had done before or has done since. Up to then, women’s chess had been a very poor relation of the masculine game, but here was a woman who was a worthy opponent for the strongest masters.

Flohr wrote of her: ‘Vera Menchik was the first woman in the world who played chess strongly…who played like a man.’ It was as the ambassador extraordinary, so to speak, of the women’s game that Miss Menchik really made her greatest contribution to chess. Wherever she went, at home and abroad, she aroused great interest among her sex; others were eager to follow her, to identify themselves with her. Nowadays women’s chess is well organized, and much of the credit for this must go to Vera Menchik for first bringing it into the light. Among her many personal successes in international tournaments perhaps the greatest was at Ramsgate in 1929: as one of the foreign masters (she was still of Czech nationality) she shared second and third places with Rubinstein, * point behind Capablanca and above, among others, her tutor Maróczy.

Even the greatest masters recognized Miss Menchik’s ability; Alekhine himself, writing on the Carlsbad Tournament of 1929, said: ‘Vera Menchik is without doubt an exceptional phenomenon among women. She possesses great aptitude for the game…The chess
world must help her develop her talent!’

The Vera Menchik Club

An amusing incident occurred at this tournament. There were naturally sceptics among the masters over the lady’s participation. Flohr recalls how one of these, the Viennese master Becker, suggested:

‘Whoever loses to the Woman Champion will be accepted as a member of the Vera Menchik Club which I intend to organize.’

Becker was the first to lose to her, and that evening the masters chided him: “Professor Becker, you did not find it very difficult to join the club. You can be the Chairman.’ And forthwith he was chosen as Chairman for three years. Everyone wished that the new club would soon obtain more members! Indeed, the Vera Menchik Club has many famous names on its lists-Euwe, Reshevsky, Colle, Yates, Sultan Khan, Sir G. A. Thomas, Alexander, to mention a few.

In 1935 Miss Menchik returned to the country of her birth to take part in the great international tournament in Moscow. To be truthful, she had very little success, but she was everywhere treated with respect and sympathy by masters and spectators alike. The Soviet master l. Maiselis, writing in CHESS in 1944.(Shakhmaty za 1944 god), related the following entertaining anecdote from the tournament: One day a group of players and organizers were discussing the chances of Alekhine and Euwe in the forthcoming match. Flohr said: ‘It is quite clear that I will be World Champion.’ We looked at him inquiringly.

‘It’s very simple,” continued Flohr, ‘Euwe wins a match against Alekhine, Vera Menchik beats Euwe (at that time her score against Euwe was +2, =1, -1) and I will somehow beat Miss Menchik.’

We laughed at this good-natured joke, and we laughed all the more the next day when Flohr was unable, despite every effort, to defeat her in a vital game.

ln 1937 Miss Menchik married R. Stevenson, but in chess she continued to use her maiden name, made famous by so many victories. Her husband, a well-known organizer, became, Secretary of the B.C.F: in the following year and remained so until his death in 1943.

Since the days of Vera Menchik women’s chess has taken great strides forward; now there is a special committee of F.I.D.E. to look after its needs.- Only last year the first lnternational Women’s Team Tournament took place ln Emmen, Holland; the new World Champions, the U.S.S.R., became the first holders of the Vera Menchik Cup. So chess goes onwards, but the name of its first Queen will ever be remembered.”

From The Encyclopaedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :

“Woman World Champion from 1927 to 1944. Vera Menchik was born in Moscow on 16th February 1906 of an English mother and a Czech father. Her father taught her to play chess when she was 9.

Vera Menchik 1906-1944 chess playerin, CZ / GB portrait with chess board late twenties (Photo by ullstein bild / ullstein bild via Getty Images)
Vera Menchik 1906-1944 chess playerin, CZ / GB portrait with chess board late twenties (Photo by ullstein bild / ullstein bild via Getty Images)

In 192l her family came to England and settled in Hastings (at 13, St. John’s Road, St. Leonards-on-Sea, TN37 6HP) :

13, St. John's Road, St. Leonards-on-Sea, TN37 6HP
13, St. John’s Road, St. Leonards-on-Sea, TN37 6HP

Two years later, when she was 17, Vera joined Hastings Chess Club,

Hastings Chess Club : 2 Cornwallis Terrace, Hastings TN34 1EB
Hastings Chess Club : 2 Cornwallis Terrace, Hastings TN34 1EB

where she became a pupil of Geza Maroczy. The first Women’s World Championship was held in 1927. Vera Menchik won with a score of 10.5 out of 11. She defended her title successfully in Hamburg in 1930, in Prague in 1931, in Folkestone in 1933, in Warsaw in 1935, in Stockholm in 1937 and in Buenos Aires in 1939. She played 2 matches against Sonja Graf, her nearest rival, in 1934 when she won +3 -1 and in 1937, in a match for her title when she won +9 -1 =5.

Isaac Kashdan plays Vera Menchik during the Hastings Congress on December 28th, 1931. Kashdan won in 45 moves in a classical French.
Isaac Kashdan plays Vera Menchik during the Hastings Congress on December 28th, 1931. Kashdan won in 45 moves in a classical French.

The first woman ever to play in the British Championship and the first to play in a master tournament, Vera Menchik made her debut in master chess at Scarborough 1928 when she scored 50 per cent. The following year she played in Paris and Carlsbad, and it was at Carlsbad that the famous Menchik Club was formed. The invitation to Vera Menchik to compete among such players as Capablanca, Euwe, Tartakower and Nimzowitch was received with amusement by many of the masters. The Viennese master, Becker was particularly scornful, and in the presence of a number of the competitors he suggested that anyone who lost to Vera Menchik should be granted membership of the Menchik Club. He himself became the first member. Other famous players who later joined the club were Euwe, Reshevsky, Sultan Khan, Sir George Thomas, C. H. O’D. Alexander, Colle and Yates.

Her greatest success in international tournaments was at Ramsgate in 1929, when she was =2nd with Rubinstein, half a point behind Capablanca and ahead of Maroczy. In 1934 she was 3rd at Maribor, ahead of Spielmann and Vidmar. In 1942 she won a match against Mieses +4 -l -5. In 1937 Vera Menchik married R. H. S. Stevenson, who later became Hon. Secretary of the British Chess Federation. He died in 1943. She continued to use her maiden name when playing chess. On her marriage she became a British subject.

Left to right Baruch H Wood, Philip Stuart Milner-Barry, Vera Menchik (playing in the women's world championship held concurrently with the Olympiad which she won with 17 wins and 2 draws), Sir George Thomas, Conel Hugh O'Donel Alexander and Harry Golombek. England withdrew after their preliminary group due to the outbreak of war despite qualifying for the top final. Thanks to Leonard Barden
Left to right Baruch H Wood, Philip Stuart Milner-Barry, Vera Menchik (playing in the women’s world championship held concurrently with the Olympiad which she won with 17 wins and 2 draws), Sir George Thomas, Conel Hugh O’Donel Alexander and Harry Golombek. England withdrew after their preliminary group due to the outbreak of war despite qualifying for the top final. Thanks to Leonard Barden

From 1941 until her death she was Games Editor of CHESS. She also gave chess lessons and managed the National Chess Centre, which opened in 1939 at John Lewis’s in Oxford Street, London and was destroyed by a bomb in 1940.

In 1944 Vera Menchik was a solid positional player, who avoided complications and aimed at achieving a favourable endgame. Her placid temperament was ideal for tournament play. Her main weakness was possibly lack of imagination. Her results have made her the most successful woman player ever.”

Vera Menchik
Vera Menchik

From The Encyclopaedia of Chess, (BT Batsford, 1977) by Harry Golombek :

Probably the strongest woman player in the history of the game, Vera Menchik was born in Moscow and, though her father was a Czechoslovak and her mother English, she played for most of her
life under English colours.

In l92l her family came to Hastings in England and there Vera became a pupil of the great Hungarian master, Geza Maroczy. This was to have a dominating influence on her style of play which was solidly classical, logical and technically most well equipped. Such a style enabled her to deal severely not only with her fellow women players but also with contemporary masters and budding masters. Vera did extremely well, for example, against C. H. O’D. Alexander
and P. S. Milner-Barry, but lost repeatedly to H. Golombek who was able to take advantage of her lack of imagination by the use of more modern methods.

Vera was soon predominent in women’s chess. In the first Women’s World Championship tournament, at London in 1927, she won the title with a score of 10.5 out of 11 and retained the championship with great ease at all the subsequent Olympiads (or International Team tournaments as they were then known more correctly) at Hamburg 1930, Prague 1931, Folkestone 1933, Warsaw 1935, Stockholm 1937 and Buenos Aires 1939.

Vera Menchik at Margate 1935, photographer unknown
Vera Menchik at Margate 1935, photographer unknown

With Sonja Graf, the player who came nearest to her in strength among her female contemporaries, she played two matches and demonstrated her undoubted superiority by beating her in 1934 (+3-l) and again in a match for the title in l937 (+9-l=5).

In 1937 Vera officially became a British citizen by marrying the then Kent and later B.C.F. Secretary, R. H. S. Stevenson (Rufus Henry Streatfeild Stevenson: ed).
(Rufus Henry Streatfeild Stevenson was home news editor of the British Chess Magazine, secretary of the Southern Counties Chess Union and match captain of the Kent County Chess Association).

Oddly enough, Sonja Graf, many years later, also became a Mrs Stevenson by marrying an American of that name some years after the Second World War.

Vera Menchik also played and held her own in men’s tournaments. She did well in the British championship and her best performance in international chess was =2nd with Rubinstein in the Ramsgate Team Practice tournament ahead of her old teacher, Maroczy. She also had an excellent result at Maribor in 1934 where she came 3rd, ahead of Spielmann and Vidmar.

Her husband died in 1943 and Vera herself, together with her younger sister Olga and her mother, was killed by a V1 bomb that descended on the Stevenson home in London in 1944.

Vera Menchik, circa 1935, Historic Collection / Alamy Stock Photo
Vera Menchik, circa 1935, Historic Collection / Alamy Stock Photo

This was a sad and premature loss, not only for British but for world chess, since there is no doubt she would have continued to dominate the female scene for many years.

As a person Vera was a delightful companion, jolly and full of fun and understanding. As a player she was not only strong but also absolutely correct and without any prima donna behaviour. Generous in defeat and modest in victory, she set a great example to all her contemporaries.

An example of Vera’s attacking play at its best against her nearest rival, Sonja Graf, is shown by the following game which was played in her 1937 match at Semmering in Austria :

27th November 1936: Britain's world chess champion Vera Menchik (right) and challenger Sonja Graf after signing a contract at the Bloomsbury Hotel, London, to play for the championship of the world over 16 games. (Photo by J. A. Hampton/Topical Press Agency/Getty Images)
27th November 1936: Britain’s world chess champion Vera Menchik (right) and challenger Sonja Graf after signing a contract at the Bloomsbury Hotel, London, to play for the championship of the world over 16 games. (Photo by J. A. Hampton/Topical Press Agency/Getty Images)

From The Oxford Companion to Chess, (Oxford University Press, 1984) by Hooper and Whyld :

“Woman World Champion from 1927 until her death. Daughter of a Czech father and an English mother, Menchik was born in Moscow, learned chess when she was nine, settled in England around
1921, and took lessons from Maroczy a year or so later. In 1927 FIDE organized both the first Olympiad and the first world championship tournament for women. These events were run concurrently, except in 1928, until the Second World War began, and Menchik won the women’s tournament every time; London 1927 (+10=1); Hamburg 1930 (+6=1 — 1); Prague 1931 (+8);
Folkestone 1933 ( + 14); Warsaw 1935 (+9); Stockholm 1937 (+14); and Buenos Aires 1939 ( + 17=2). She played in her first championship tournament as a Russian, the next five as a Czech,
and the last as a Briton. She also won on two matches against her chief rival, the German-born Sonja Graf (c. 1912-65): Rotterdam, 1934 (+3-1), and Semmering, 1937 (+9=5—2),

Vera Menchik in a pre-event posed picture in which she faces unstoppable checkmate in one from Hastings 193? She was about to play Sir GA Thomas.
Vera Menchik in a pre-event posed picture in which she faces unstoppable checkmate in one from Hastings 193? She was about to play Sir GA Thomas.

In international tournaments which did not exclude men Menchik made little impression; one of her best results was at Maribor 1934 (about category 4) when she took third place alter Pirc and L. Steiner ahead of Spielmann. In 1937 she married the English chess organizer Rufus Henry Streatfeild Stevenson (1878-1943), A chess professional, she gave lessons, lectures, and displays, and was appointed manager of the short-lived National Chess Centre in 1939. In 1942 she defeated Mieses in match play (+4=5-1), She, her younger sister Olga (also a player), and their mother were killed in a bombing raid.

From left to right: Vera Menchik, Alexander Alekhine, Géza Maróczy and Sultan Khan. From London International Masters, 1st February, 1932, French Defence, drawn in 32 moves.
From left to right: Vera Menchik, Alexander Alekhine, Géza Maróczy and Sultan Khan. From London International Masters, 1st February, 1932, French Defence, drawn in 32 moves.

Her style was positional and she had a sound understanding of the endgame. On occasion she defeated in tournament play some of the greatest masters, notably Euwe, Reshevsky, and Sultan Khan. Men she defeated were said to belong to the Menchik club. When world team championships for women (women’s chess Olympiads) were commenced in 1957 the trophy for the winning team was called the Vera Menchik Cup.”

BCM 1994 Appreciation by Bernard Cafferty

From British Chess Magazine, Volume CXIV (114, 1994), Number 8 (August), page 424 onwards) we have this retrospective from Bernard Cafferty:

Fifty yezus ago the chess world was tragically robbed of its most talented female representative of the first half of this century. A Vl rocket (ed: The V1 was not a rocket but a flying bomb) fell on a house in Gauden Road, Clapham, London, that was the residence of Russian-born Vera Menchik, her younger sister and their mother. The trio were sheltering in the cellar, as they usually did during the Nazi air raids on London. The house was completely destroyed. The air-raid shelter in the garden was all that was left.

Vera Menchik was born in Moscow on 16 February 1906, and died on 26 June 1944. The date of death is usually given as 27 June, but Ken Whyld has seen the death certificate and tells us the tragedy occurred before midnight, not after.

The young Vera grew up in a cosmopolitan family in Moscow, where her Czech father and English mother lived in a six-room flat, which they had to share, after 1917, with families from ‘the lower depths’ (the name of a famous play by Gorky which could also be translated as ‘on Skid Row’). In autumn 1921 the family left Soviet Russia and came
to England where they lived in Hastings.

Botvinnik recalls that he visited the Menchik household in Hastings in 1935, where he met Vera’s grandmother. Then, in 1936, he visited the other house in London, after the Nottingham 1936 tournament. At that time the Soviet Embassy arranged a reception in an attempt to counter the awful image of a country deep in the throes of the show trials and widespread repression. However, only Botvinnik, Menchik, Capablanca and Lasker turned up.

Vera Menchik was taught the moves of chess by her father, Franz, when she was nine years old. However, she only took the game seriously from the age of 17, when she joined the Hastings and St Leonards Chess Club, which at that time had its famous extensive sea-front premises near the pier.

According to the 1957 book in Russian by Bykova, on which this account is largely based, Vera only knew Russian when she cam to England, and one of the reasons for her to join the chess club was that a fluent knowledge of English was not necessary for her to be able to benefit from such a silent activity as chess.

The young Vera was fortunate in that the Hungarian grandmaster, Géza Maróczy, had a professional engagement with the Hastings club at this time, and the young lady became his most famous pupil. Her sound style with no fear of long endgames was a mirror of her mentor. She was also helped by Professor JAJ Drewitt, another Hastings club member, in the study of openings, particularly the closed openings.

Vera was initially counted as a Russian and did not enter the British Women’s Championship at the traditional August BCF Congress. However, she made her debut in international chess at a lower section of the 1923-24 Hastings Congress. In 1925 she beat the leading English player Edith Price by a score of +5 =2 -3 in two private matches. She duly took part in the Hastings Congresses, year after year. In the 1926-27 event she scored her first big success by sharing first place with the young Milner-Barry on 6.5(9) in the Premier Reserves.

By 1927, VM was ready to enter the first Women’s World Championship, which was played at the 4th FIDE Congress, alongside the Olympiad in London. She conceded only one draw in her eleven games and so took the title which she was to retain with ease from that day, when she was just 21, till her death 17 years later. In her first title attempt, she
was counted as a Russian, but at the next five (at the Hamburg 1930, Prague 1931,
Folkestone 1933, Warsaw 1935 and Stockholm 1937 Olympiads) she played as a representative of Czechoslovakia. It was only after her marriage to the prominent English organiser R. H. S. Stevenson in 1937 that she was counted as British and played under the Union Flag in her last title defence at Buenos Aires 1939.

Her dominance can be gauged from the fact that she won all eight games at Prague, all 14 at Folkestone, all 9 at Warsaw, all 14 at Stockholm and conceded just two draws in 19 games in 1939. The most serious challenge came in a title match at Semmering-Baden with Sonja Graf, then of Germany. Here too it was largely one-sided: +9 =5 -2.

She made her debut against male masters in an international tournament at Scarborough in 1928, finishing equal 7-8 in a field of 10, but in only the following year, at the Kent Easter Congress, she had one of her best results.

It was decided to run a Scheveningen tournament at Ramsgate with seven foreign masters pitted against seven home representatives. As was only to be expected, Capablanca came top of the ‘external examiners’, yet the next placing was a sensation: Capablanca 5.5(7) followed by Miss Menchik and Rubinstein 5, Koltanowski and Maroczy 4.5, Soultanbeieff 4 and Znosko-Borovsky 3. Sir George Thomas, whom Menchik beat, scored 3 to head the English team of Yates, Winter, Michel, Tylor and E. G. Sergeant.

Naturally enough, after this it was inevitable that foreign invitations should follow. Later in 1929 the young ‘Russian’ took part in a Paris tournament and then in the great Carlsbad tournament, the last of a wonderful series. Her presence here created some scepticism, and on the eve of the first round the Austrian theoretician Becker suggested that a Vera Menchik club be formed, membership of which would be granted only to those who lost to the lady. According to Flohr, there was an expectation that it would be a small select club, but Becker was quickly proved wrong for he became its first member in the third round! His only consolation was that the club proved far more extensive and democratic as the years rolled by. In fact the club came to include grandmasters such as Euwe (who earned a two-fold qualification) Sultan Khan and Reshevsky as well as masters such as Saemisch, Colle, Golombek, Sir George Thomas, Alexander…

However, Miss Menchik could not make much of the universally strong opposition and made only three points out of 20, finishing last, three points behind Sir George Thomas. With further experience she was to have more impressive results, such as her 8th place at London 1932, won by Alekhine, where she came ahead of Milner-Barry, Sir George, Burger and Winter.

A high spot of the 1930s for Vera was her participation in the 1935 Moscow tournament, but her return to her native city was so taken up with social engagements that she was unable to give of her best, and she scored only one and a half points from 19 games though she did take a draw off the winner of second prize, Flohr.

Vera had to eke out a living from teaching chess, adjudications and simultaneous exhibitions. After her return from Buenos Aires she lived in London. She was appointed administrator of the new National Chess Centre at John Lewis’s store in Oxford Street, which, alas, was destroyed by enemy action in 1940.

Her last great success was a match with the veteran GM, Jacques Mieses who was a refugee from anti-Semitic German. Played in 1942, the result was +4 =5 -1.

In 1943 Vera’s husband died. In 1944 she was playing in the championship of the West London Club, a strong event which included Sir George Thomas, PM List, EG Sergeant and Mieses amongst the players. Doubtless she was looking forward to the resumption of International chess activity after the war. It was not to be. We live in an age when the achievements of women players such as Gaprindashvili, Chirburdanidze, Xie Jun and the Polgar sisters have built on the pioneer work of Vera Menchik. Yet the path of the pioneer is always the hardest.

Finally, by all accounts of contemporaries, Vera was a cultured and sympathetic person who never gave cause for offence amongst the many players she met. Had she lived, she would have continued to be a jewel in the crown of British chess, which had to drag itself up from the boot straps after the devastation of war. What a tragic loss.

Vera Menchik commemorated on a postage stamp from the Czech Republic
Vera Menchik commemorated on a postage stamp from the Czech Republic

She was inducted to the World Chess Hall of Fame in 2011. The Women’s Olympiad trophy is known as the Vera Menchik Cup in her honor.   The fifth FIDE Vera Menchik Memorial Tournament was held in 2022.

The Caplin Menchik Memorial ran from Saturday 18th to Sunday 26th June 2022 (games started 14:00 BST) at the MindSports Centre, Dalling Road, London W6 0JD. The format was 10-player all-play-all, one game per day, WIM & WGM norm opportunities were made available.

Other Articles

Here is an excellent article from the Hastings and St. Leonard’s Club written by Brian Denman.

Here is an excellent article from Neil Blackburn (aka SimaginFan) on chess.com

Here is an excellent article by Albert Whitwood

Here is her Wikipedia  entry.

Here is an excellent record compiled by Bill Wall.

Biography of Vera Menchik British chess player

Vera Menchik., EI Bykova, Moscow, 1957, 176 pages, 4s 7d.
Vera Menchik., EI Bykova, Moscow, 1957, 176 pages, 4s 7d.
Vera Menchik: A Biography of the First Women's World Chess Champion, with 350 Complete Games
Vera Menchik: A Biography of the First Women’s World Chess Champion, with 350 Complete Games

Edward Winter was less than impressed with the above book.

Vera Menchik
Vera Menchik

George Henry Mackenzie: Third US Chess Champion, 1870

George Henry Mackenzie: Third US Chess Champion, 1870

George Henry Mackenzie. Third US Chess Champion 1870, Vlastimil Fiala, Moravian Chess, 2019, ISBN-13 : 978-8071890188
George Henry Mackenzie. Third US Chess Champion 1870, Vlastimil Fiala, Moravian Chess, 2019, ISBN-13 : 978-8071890188

From the publisher:

Definitive biography of the strongest American chess player, which cover the year 1870. Author worked out all available American (and other) chess sources for this year (The Turf, Field, and Farm, Sunday Mercury, New York Albion, New York Clipper, all New York dailies, British chess columns and European chess magazines, etc.) and collected in total 56 games played by Mackenzie in this year, almost of them are fully annotated. Author described in detail all chess tournaments and matches played by Mackenzie in 1870, including description of his all chess activities and New York chess life. 167pp. Indexes of players and openings.

Vlastimil Fiala is a professor of Political Science and distinguished academic and the main driving force behind the publishing house, Moravian Chess based in Olomouc in the Czech Republic. Fiala’s second love is chess history which he treats as a science. His publication portfolio is impressive : the web site of Moravian Chess provides a listing.

Vlastimil Fiala
Vlastimil Fiala

 

Professor Fiala’s Moravian Chess publishing house have been bringing out a lot of valuable material for more than two decades now.

This volume, dated 2019 but seemingly only recently published, is the first of a new series.

The Foreword provides some explanation:

The lives of famous chess players (Paul Morphy, Wilhelm Steinitz, Emanuel Lasker, Jose Raul Capablanca, Alexander Alekhine etc.) have by now been covered in dozens of publications of varying quality. Writing an exhaustive biography of professional chess players whose careers span multiple decades is a highly demanding task. When authors have attempted to do so, books containing a 700-900 A4 pages result (for instance several titles from MacFarland publishing house about A.A. Alekhine, A. Burn etc.), and these biographies moreover turn out to be less exhaustive than they first appear. Many details of their chess career are side-lined, or ignored entirely (e.g. chess exhibitions, consultation games, correspondence play, study composition, journalistic activities etc.). Their careers are usually not even contextualized into the wider, colourful canvas of chess events taking place in the same historical period. 

You might think he’s being a bit hard on McFarland there, and not just for spelling their name incorrectly.

After considering all the options, I decided on an unconventional solution: the creation of the “Great Chess Players” series, which features biographies of prominent chess players centred on brief periods of time, usually a single year. In the years to come I want to focus on increasingly details (hopefully definitive) accounts of the careers of the following world chess champions: Paul Morphy, Wilhelm Steinitz, Emanuel Lasker, José Raul Capablanca, Alexander Alekhine, and George Henry Mackenzie.

Well, it’s debatable whether or not you’d consider Morphy a world chess champion, even though he was undoubtedly the best player in the world for a few brief years, but Mackenzie?

Let’s not be too critical, though. Fiala seems to be a one man band working in what is (at best) his second language and performs a vital service for chess historians with both reprints and original research.

He takes a completist approach to history: publishing everything written about his subject in the year in question, as well as every published game. It’s by no means the only approach to writing chess history, or, indeed, any sort of history. Contextualisation, as Fiala says, is important, but completism is not the only way to contextualise.

As the prequels have not yet been published, some background information on Mackenzie might be in order.

George Henry Mackenzie was born in Scotland in 1837 and learnt chess in his teens. Originally destined for a business career, he instead decided to join the army, seeing service in South Africa and India. He then crossed the Atlantic to fight for the North in the American Civil War, reaching the rank of Captain but ending up in prison for impressment and desertion. On his release in 1865 he exchanged the battlefield for the chequered board, settling in New York to make a living as a chess professional, playing games against all-comers, organising clubs and tournaments, and writing newspaper columns. It soon became clear that, apart from Morphy, he was the strongest player in his adopted country, but, as we meet him for the first time seeing in the New Year at the Europa Chess Rooms, there had been little opportunity for him to take on top level opposition.

Morphy’s brief career had led to an increase in the popularity of chess, and New York was generally regarded as the home of most of the country’s strongest players. As we follow Mackenzie round the city’s chess clubs we learn a lot about how chess was played and organised at the time. Our hero was at the heart of everything going on, as player, journalist and organiser, and we can observe how chess was developing into the competitive activity we know today.

We have in total 56 games played by Mackenzie, with annotations taken from contemporary newspapers. No attempt has been made to update them with engine analysis: you might or might not approve. Given their nature, it’s not really a problem for me. Many of them are either odds games or consultation games: both of these were very popular at the time. Over the next decade or two they would gradually die out, to be replaced by a programme of tournament and match chess.

Here, for example, is Mackenzie giving odds of pawn and two moves to Augustus Zerega. These were common odds at the time: the odds giver takes the black pieces, plays without his f-pawn and allows his opponent to play the first two moves.

The highlight of early 1870 was the Brooklyn Chess Club championship, which included, apart from Mackenzie, a young James Mason, as well as names such as Eugene Delmar and Frederick Perrin, who might be familiar to those interested in chess history. It was run as an incomplete double-round all-play-all tournament with about 26 participants. You could choose who you played and when you played them. Mackenzie finished with 31 wins and 2 losses, just ahead of  F Eugene Brenzinger. Eight of his games have survived, and are given here.

In May Mackenzie played a match against Perrin, comprising four games on equal terms and four where Mackenzie gave odds of pawn and move (he played black and started without his f-pawn). Perrin held his opponent to a draw on level terms in the first game, but that was all he was able to score. Five of the games have survived.

The chess year continued with a mix of offhand, odds and consultation games, enlivened by a visit from two of Chicago’s leading players. In August the Brooklyn club decided to play a consultation game to find out whether a queen could beat eight pawns. Yes, it could.

But the most significant event of the summer months was an inter-club match between the Café International in New York (Mackenzie was its chess manager) and the Brooklyn Chess Club. Up to that point competitions between clubs had usually been consultation matches, but this was what we’d now consider a Scheveningen System tournament, but with some irregularities. Six rounds were due to be played, with six players on each side, and with each player facing a different opponent in each round. In fact, only five rounds were played as, by that time, the Café International had opened up an unassailable lead, and, in the fifth round there were only five players on each side.

Not everyone was available for each round so, in the end, eight players on each side took part.

A controversy arose as early as the second round, when the Café International fielded a ringer in the shape of Mackenzie’s Bostonian friend Preston Ware. Frederick Perrin was unimpressed. “Although happy at all times to meet so agreeable and accomplished a chess-player as Mr. Ware, we regretted that the Brooklyn players allowed this substitution. To allow substitutes when New York possesses such an array of chess-players, and the Brooklyn Chess Club comparatively so few, must be very prejudicial to the success of the latter, and to admit one of the very best players of Boston into their ranks looks very much like a practical joke on the Brooklynites.”

Just the sort of dispute that has plagued club chess competitions ever since. We’ve all been there.

Only one of Mackenzie’s games from this event is available:

Autumn 1870 witnessed another competition between the Café International and Brooklyn Chess Club: this time a series of 12 consultation games, with the New Yorkers running out narrow winners. Mackenzie was on the wrong side of two of the games. The results and games in the book don’t quite tally, though. It looks like the results of the 5th and11th games are the wrong way round.

But much of Mackenzie’s work in the last months of 1870 was administrative: setting up a chess congress for the following year.

There, at the end of 1870, we leave Mackenzie, at least for this volume. It’s not clear at the moment when the sequel will be published, but, of course, you’ll want to know what happened next.

The 1871 American Congress eventually took place in Cleveland the following December, with Mackenzie winning comfortably. He continued his rabbit-bashing career in New York until 1878, when, at the age of 41, he was invited to his first major international tournament, in Paris. He performed respectably, sharing 4th place with Bird, behind Zukertort, Winawer and Blackburne. His next major event was Vienna 1882, and, for the rest of the decade, he was a regular visitor to the top table. He scored his best result at the age of 50, winning at Frankfurt in 1887. His last tournament was Manchester 1890, but by then he was suffering from tuberculosis, and he died the following year.

He was clearly one of the world’s strongest players for the last 25 years or so of his life, but, living the wrong side of the Atlantic, he had, for many years, to content himself with acting the flat-track bully, along with his involvement in other aspects of chess.

An important, but not very well documented historical figure, then, who led an interesting life. It’s good to know that John Hilbert is working on a full biography for McFarland. I’m certainly eager to find out more about his military career.

If you’re interested in chess history you’ll find this well worth reading to give you an idea of how chess was played and organised a century and a half ago. From a personal perspective – and you might well disagree – I’d have preferred less detail on administrative issues, tournament regulations, committee meetings and so on, and more background information.

How did Mackenzie’s life work financially? Was he well off or struggling to make a living? How did he get paid? We all know about the Blackburne Shilling Gambit, so I guess many of his opponents were paying for the privilege of playing him. I suppose this information isn’t readily available, though.

Who were his opponents? What sort of person was attracted to the New York chess clubs at that time? Augustus Zerega, for instance, was seriously wealthy, having made a fortune as a shipping magnate. Eugene Brenzinger, by contrast, was a German-born baker, renowned for his delicious cakes. Napoleon Marache, born in France, most famous for losing a Famous Game to Morphy, was a problemist, editor and writer.

Perhaps there are lessons we can learn as well. There’s much talk, at least in chess clubs in my part of the world, about doing more to promote social chess. Perhaps we might consider reviving activities such as odds games and consultation matches in order to bring our clubs’ first team players together with their lower rated clubmates.

The production is serviceable, but, understandably, not up to the quality you’d expect from McFarland, for example. The project of which this is the first part, is extremely ambitious: perhaps too much so, but we’ll have to wait and see. I wish Professor Fiala every success in adding to his already extensive contribution to chess history. If you’d like to support him you know what to do.

Richard James, Twickenham 9th May 2021

Richard James
. Richard James

Book Details :

  • Softback : 168 pages
  • Publisher: Publishing House Moravian Chess; 1870th edition (1 Jan. 2019)
  • Language: English
  • ISBN-10:8071890189
  • ISBN-13:978-8071890188

Official web site of Moravian Chess

George Henry Mackenzie. Third US Chess Champion 1870, Vlastimil Fiala, Moravian Chess, 2019, ISBN-13 : 978-8071890188
George Henry Mackenzie. Third US Chess Champion 1870, Vlastimil Fiala, Moravian Chess, 2019, ISBN-13 : 978-8071890188

The Lasker Method to Improve in Chess

The Lasker Method to Improve in Chess : Gerard Welling and Steve Giddins

The Lasker Method to Improve in Chess, Gerard Welling and Steve Giddins, New in Chess, 2021, ISBN-13 : 978-9056919320
The Lasker Method to Improve in Chess, Gerard Welling and Steve Giddins, New in Chess, 2021, ISBN-13 : 978-9056919320

From the book’s rear cover :

“Many club players think that studying chess is all about cramming as much information in their brain as they can. Most textbooks support that notion by stressing the importance of always trying to find the objectively best move. As a result amateur players are spending way too much time worrying about subtleties that are really only relevant for grandmasters.

Emanuel Lasker, the second and longest reigning World Chess Champion (27 years!), understood that what a club player needs most of all is common sense: understanding a set of timeless principles. Amateurs shouldn’t waste energy on rote learning but just strive for a good grasp of the basic essentials of attack and defence, tactics, positional play and endgame play. Chess instruction needs to be efficient because of the limited amount of time that amateur players have available.

Superfluous knowledge is often a pitfall. Lasker himself, for that matter, also studied chess considerably less than his contemporary rivals. Gerard Welling and Steve Giddins have created a complete but compact manual based on Lasker’s general approach to chess. It enables the average amateur player to adopt trustworthy openings, reach a sound middlegame and have a basic grasp of endgame technique. Welling and Giddins explain the principles with very carefully selected examples from players of varying levels, some of them from Lasker’s own games.

The Lasker Method to Improve in Chess is an efficient toolkit as well as an entertaining guide. After working with it, players will dramatically boost their skills, without carrying the excess baggage that many of their opponents will be struggling with.”

FM Steve Giddins
FM Steve Giddins

“Steve Giddins is a FIDE Master from England, and a highly experienced chess writer and journalist. He compiled and edited The New In Chess Book of Chess Improvement, the bestselling anthology of master classes from New In Chess magazine. In 2019 Giddins published, together with Gerard Welling, the highly successful chess opening guide Side-Stepping Mainline Theory (ISBN 9789056918699).”

IM Gerard Welling
IM Gerard Welling

“Gerard Welling is an International Master and an experienced chess trainer from the Netherlands. He has contributed to NIC Yearbook and Kaissiber, the freethinker’s magazine on chess openings. In 2019 Welling published, together with Steve Giddins, the highly successful chess opening guide Side-Stepping Mainline Theory (ISBN 9789056918699).”

 

Most instructional chess books fall, broadly speaking, into one of two categories.

There are those, often written by younger players, which emphasise studying recent grandmaster games, teach openings by encouraging you to memorise long variations, provide annotated games with reams of computer-generated lines, offer very hard puzzles from top level competitions, and sometimes suggest you devise a timetable for study, setting aside a certain number of hours a day for opening study, tactics training, online games and so on.

Then there are books, usually written by older and, perhaps, wiser authors, very often not of GM strength, but with decades of experience both playing and teaching, who understand that most amateurs have a limited amount of time available. They recommend studying the classics, keeping things simple, choosing openings which are easy to learn, understanding ideas and plans, mastering the ending.

You won’t be surprised to learn that my sympathies are, with some reservations, more with the latter camp. And that’s what we have here.

You might not like the vivid yellow and blue cover, with our hero Manny Lasker wearing cool shades, but, putting that aside, let’s dive in.

The introduction is always a good place to start, so that we can see the authors’ aims in writing the book. In this case, they have much to say which I found particularly interesting, or perhaps just confirming my prejudices.

The amateur player has limited time for chess play and study, but still likes to practice his ‘major hobby’ as well as he can, and thus would like to base his game on reliable premises. He ideally wants to play trustworthy openings, and reach a sound middle game, and would welcome a basic grasp of endgame strategy, but often lacks the time to work on this.

Some amateurs, certainly, most, quite possibly, but not all. If you prefer to play dodgy gambits in the hope of winning a few quick brilliancies, this may not be the book for you.

You might recall, that a few years ago, John Nunn wrote a text book based on Lasker’s games. How does this book differ?

In the present book, we aim to do something completely different: we emphasise the specifically Laskerian approach and how it can be used by the average club player. Lasker emphasised most of all playing by understanding and general principles, with minimum rote-learning (especially of openings). This is perfect for the average amateur player, who wants to be able to maintain a good standard of play without relentless homework.

And again:

Nobody can possibly play the best moves all the time. Mistakes are inevitable and they are what decide games, so his (Lasker’s) aim was to try to induce more mistakes from the opponent than from ourselves. So, for example, for the average player, playing a position which he understands and feels comfortable in is more important than playing an objectively superior position that he doesn’t understand and doesn’t feel comfortable in, because he is more likely to go wrong in the latter. 

If you, like me, are broadly sympathetic to this view of chess instruction, then, you’ll almost certainly enjoy this book.  Younger and more ambitious readers, who prefer to study hundreds of ‘trainable variations’ on an online platform might have a different opinion.

Chapter 1 is very brief, looking at Lasker’s general ‘common sense’ chess philosophy. His Manual of Chess dates from 1925. Almost a century later, chess is very different, but do his principles still stand up? The authors believe they do.

Chapter 2 considers the three principles of positional play. 1: the principle of attack: if you have the advantage you must seek ways of exploiting it. 2: the principle of defence: as your opponent will attack your weakest point, you must defend it. 3: the aim of your actions should be proportionate to the size of your advantage.

In real life, of course, it’s not always as simple as that. You might, for example, have an extra pawn but a weakened king-side or a less effective minor piece. Imbalances of this nature are also important.

Chapter 3 looks at endings. The authors explain the need to know theoretical endgames, and offer a few examples from Lasker’s games.

In this position, for instance, from the first game of his 1911 World Championship match against Schlechter, he managed to draw the game by giving up a second pawn with 54… Re4! 55. Rc5 Kf6 to activate his pieces.

We move on to Attack in Chapter 4. Only the first game here was played by Lasker. The others, mostly unfamiliar, illustrate the point that if your opponent’s king is insufficiently well defended you sometimes need to strike quickly before he has time to bring up the reserves. The openings, though, are often not those you’d associate with Lasker. A small point here: in game 12, where Lodewijk Prins played the eccentric 1. e4 c6 2. b4, the black pieces were handled by Rupert, not Robert Cross.

The authors prefer verbal explanations to variations, and that can be seen in the instructive note here (Sosonko – Eising  Mannheim 1975), where Black played 30… Nxg2!

The Australian master and didact C.J.S. Purdy warned that tactics dominate the game and can come out of nowhere, even in positionally lost situations. We believe it is a matter of formulation, because if there are correct tactics available, then, by definition, the position is NOT strategically lost. Lasker formulated this in a clear way, where he mentioned ‘a large superiority of force in a quarter where the opponent has an important weakness’.

Well, yes, but we’ve all lost games by blundering and allowing a tactic in strategically winning positions.

After Attack you’d be right to expect Defence. Two of the four examples here come from Lasker’s games. We’re often taught to seek counterchances or to enter swindle mode, but here the authors demonstrate that, in some cases, just sitting tight and trying to hold everything is the best policy.

Next, we have a short chapter on knights and bishops. Lasker had a particular appreciation for positions where knights outshine bishops, and here we learn about Giddins’ friend Michael Cook, one of the inspirations behind this book: a Lasker admirer who also favours equine manoeuvres.

The following chapter is perhaps unexpected: Amorphous Positions. Restrained but resilient formations without weak links but with potential energy. We first look at a couple of Lasker games where he placed a bunch of pawns on the third rank before moving on to meet another amateur, in this case a Dutch player named Philip du Chattel, who, when playing black, seemingly favoured Nh6 on move 1 or 2. I’m not sure this is something Lasker would ever have considered.

(As an aside, Welling himself is a chess maverick, and his latest book has been co-written with English maverick IM Mike Basman. I suspect there’s an interesting book to be written about strong (say 2200+) players who favour offbeat openings.)

Finally in this chapter we see some games played by Canadian maverick GM Duncan Suttles, who also preferred non-committal openings of this nature.

We’ve now, travelling backwards from the ending, reached the opening, and in Chapter 8 the authors propose a repertoire based on Lasker’s principles.

At amateur level, especially, most games are decided by tactical opportunities and it is of no relevance at all whether one side or the other has a quarter of a pawn’s advantage after the opening. The important thing is just to reach a playable position, with the pieces developed and the king safe, preferably without significant pawn weaknesses.

(Another aside: the authors previously collaborated on a repertoire book which proposed playing a Philidor/Old Indian setup with both colours. Here we have something very different.

As Black, we’re going to defend classically. We’ll meet 1. e4 with e5, playing the Steinitz Defence (with 3… Nf6 followed by 4… d6) against the Ruy Lopez. Against the Italian Game we’ll play 3… Bc5, although we’ll need some concrete analysis. 4… d5!? is suggested against the Evans Gambit, but Greco’s 7. Nc3 in the old main line is dismissed rather too hurriedly. If you don’t like this, 3… d6 is an alternative. We’re also provided with safe and sensible lines against White’s alternatives. We’ll decline any gambit, meeting the King’s Gambit with 2… Nf6!? and the Danish Gambit with 3… d5. Against d4, likewise, we’ll opt for 1… d5, playing the Orthodox Defence to the Queen’s Gambit. Again, common-sense lines are offered against the main line, the Exchange variation, the Bf4 variation and the Catalan. But something seems to be missing here: there’s nothing about the currently popular and annoying London System, not to mention the Colle or Torre. The English and Réti are dismissed in a column and a half (1… e6 and 2… d5) and other first moves aren’t mentioned at all.

With White, we’ll play 1. e4. Against 1… e5 we’ll play the Ruy Lopez, but, following Lasker’s predilection for knights, we’ll trade on c6 at the first opportunity. In the Exchange variation proper we’re advised to play 5. Nc3 rather than O-O.

If Black offers the Petroff instead we’ll head for the ending with 5. Qe2.  We’ll play the Closed Sicilian, with our king’s knight on the flexible e2 square. Against the French and the Caro-Kann you won’t be surprised to hear that we’ll trade pawns on d5. Again, this seems incomplete: there’s no recommendation against any other defence to 1. e4.

What do you make of this? It makes sense as far as it goes, but it’s certainly not for everyone. You’ll need a lot of patience as well as endgame skill to enjoy it. It might, of course, be exactly what you’re looking for. You might, as one often does with repertoire books, like some, but not all the suggestions.

Chapter 9 is the meat of the book: games for study and analysis based on the openings recommended in the previous chapter, 41 of them in total, well selected (many deeply obscure so you almost certainly won’t have seen them before) and well annotated. The young guns who tell you to study recent GM games will be horrified to see that most of the games are from the last century, although Carlsen makes an appearance playing the Exchange French. Welling and Giddins are not the first authors to comment on the similarity between Lasker’s and Carlsen’s approach to chess.

You won’t find many short brilliancies, but this is an exception:

Black chooses a modest opening formation giving White a slight advantage, but this game demonstrates how easy it is for the first player to overreach in this type of position.

We also meet Michael Cook again, and see two of his wins against the Ruy Lopez, one of them against my old friend Malcolm Lightfoot. I found the ending of the other game particularly interesting.

This is from a 1980 county match where Cook is black against R Bristow. Like many of my generation, I was brought up on Basic Chess Endings and led to believe that bishops were stronger than knights in endings with pawns on both sides of the board. Of course this is very often the case, and there’s an excellent example earlier in the book.

This position is objectively drawn, but it’s Black who can press for the full point.

The game concluded 29. Kg1 Nd6 30. g3 f6 31. Bb4 Nb5 32. Kf2 Kf7 33. Ke3 Ke6 34. Ke4 f5+ 35. Kd3 Kd5 36. Bc3 g6 37. Be5 h5 38. Bb2 Kc5 39. Bc3 Nd6 40. Bd2 Ne4 41. Be1 Kd5 42. Ke3? (a3 would have held) Kc4 43. Ke2 Kd4 44. Bb4 h4 at which point time was called and the adjudicator (yes, that’s how we played chess 40 years ago) awarded Cook the point.  The authors claim that after 45. Kf3 hxg3 46. hxg3 Nc3 47. a3 Kc4  Black wins, but Stockfish isn’t convinced after, for example, 48. g4.

The authors comment:

Within reason, the objective assessment of the position does not matter that much, when it is just a matter of a slight plus one way or the other – what is much more important is knowing what you’re doing and understanding that the white advantage, if any, is relatively small. 

… and:

An additional point, as we have seen, is that the white player will frequently overestimate his advantage and play too ambitiously, often just because ‘the books’ say this Steinitz Defence is not really very good. Just as Lasker said, he preferred the side ‘which has kept back his forces a little’. so deliberately heading for a position where one knows one is objectively slightly worse, but also knows that the disadvantage is small and manageable, and where one also knows how to handle the position, is often a very effective way to play for a win.

Interesting and thought-provoking, I think, and certainly a very different philosophy from the maximalist approach espoused by many authors of instructional manuals. It’s certainly not the only way to play chess,  but it might just be for you. An awareness that your opponents might be taking that approach could also be useful.

Finally, there’s the almost obligatory puzzle section. We have 50 puzzles, split into easy, intermediate and difficult, taken, with one exception, from the games of the authors and their hero.

Again, they have some helpful insights to share:

Talking about the experience of analysing with a much stronger player:

The other chap just seems to ‘see’ things so quickly, noticing immediately little tactical tricks which escape the lesser player altogether, or else take him much longer to spot. And we are mainly talking not about spectacular sacrificial combinations, but about routine tactical ideas, 2-3 moves deep, on which so much of a chess game hinges.

Indeed. At club level it’s precisely this which decides most games.

So how does one acquire such ability? Well, as with most things in life, talent is obviously a factor, but hard work and regular practice is crucial. Tactical ability and alertness is rather like physical fitness – when you start from a very low level, a lot of work is needed to build yourself up to a certain level, but once you are there, 15-30 minutes’ exercise a day is all you need to maintain that level.

Here’s one of the intermediate puzzles.

In this position White played 24. Nxc4. Is this a blunder? You’ll find the solution at the foot of the page.

It’s often interesting when reading a book with two authors to try to guess which author was primarily responsible for which chapter. (You might like to do this with The (Even More) Complete Chess Addict.) Welling (eccentric openings) and Giddings (safe and simple openings) seem to have slightly different chess philosophies, but they converge with the idea that it doesn’t matter if you’re slightly worse: just that have more understanding of what’s going on than your opponent.

If you’re young and ambitious you might turn your nose up at books of this nature, but club players rated anywhere between, say, 1600 and 2200 who would like to improve their chess in between family and work commitments may well find this book inspirational even though they might not agree with everything the authors say, and might well find some or all the repertoire recommendations don’t suit.

I really enjoyed reading it, and felt I learnt quite a lot as well. I’ve always believed that you’ll benefit more from studying games played by someone 200-300 points stronger than you than you would from top grandmasters. Looking at their games you can think “Yes: I could learn to play like that”, and as Michael Cook, for example, was, at his peak, 200 points or so stronger than me, I could learn a lot from his games. My frustration was that the book seemed incomplete, and, as a result, perhaps not always totally coherent. There were a couple of signs that it might have been edited down from something much longer at the request of  the publisher, but of course my hunch could well be incorrect.

The book is well written and produced to this publisher’s customary high standards. It may not be a book for everyone, but if you’re part of the target market you don’t need to hesitate. There are many fascinating and provocative insights which will encourage you to look at chess in a different way.

Solution to puzzle (Giddins – Carlier Antwerp 1993): 24. Nxc4 isn’t a blunder because after 24… Bxc4 he has the decisive blow 25.Rb6! Qxb6 26. Re6+ Kg8 27. Rxb6.

Richard James, Twickenham 4th May 2021

Richard James
. Richard James

Book Details :

  • Paperback : 240 pages
  • Publisher: New in Chess (16 Mar 2021)
  • Language: English
  • ISBN-10:9056919326
  • ISBN-13:978-9056919320
  • Product Dimensions: 17.25 x 1.55 x 23.67 cm

Official web site of New in Chess

The Lasker Method to Improve in Chess, Gerard Welling and Steve Giddins, New in Chess, 2021, ISBN-13 : 978-9056919320
The Lasker Method to Improve in Chess, Gerard Welling and Steve Giddins, New in Chess, 2021, ISBN-13 : 978-9056919320