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The Modernized Delayed Benoni

The Modernized Delayed Benoni
The Modernized Delayed Benoni

Ivan Ivanisevic, born in 1977, started playing chess when he was 5 years old, while watching his grandfather and father play. At the age of 10 he started working with IM Petar Smederevac, the coach of the national team of former Yugoslavia, who is probably the real reason why he started playing professionally. Before he reached the age of 20 years old, he shared 1st place in the Championship of the former Yugoslavia. In 1999 he won the title of Grandmaster. Since 1998 he is a member of the national team, and since 2007 continually playing on the first board. Four times he was the Champion of Serbia. He won many tournaments, from which we remember mostly following: Saint Petersburg 2014, Skopje 2015, sharing 1-5 place in Dubai 2015, Vršac, the Bora Kostić Memorial, 2006, Nova Gorica 2007, Bergamo 2014, Kavala 2007, Podgorica, 2011 becoming the Balkan champion and Kozloduy, the rapid championship of Danube 2012. He was also participant of the World Cup in 2011. This this second book for Thinkers Published, after he co-authored the most acclaimed ‘Taimanov Bible’ from 2017.

GM Ivan Ivanisevic
GM Ivan Ivanisevic

From the rear cover :

“The Modernized Delayed Benoni is much more than the title makes you think! I like the author’s approach very much: it is a mixture of a personal journey and a theoretical manual. The author has been probably the main exponent of this line for the past ten years and he uses many of his games to illustrate the variations he has recommended. Although the book is again extremely detailed, there is careful attention to move orders and enough passages of explanations to make much of it understandable for non-experts. An excellent effort. GM Matthew Sadler, NIC Magazine 2020/4.

My aim in this book is to show that the Delayed Benoni is equally as attractive as its cousin, the Modern Benoni. For some reason – perhaps because “Modern” sounds more exciting than “Delayed”? – my favorite Benoni has been neglected for years, receiving scant coverage in chess publications.”

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

There is no index which, unfortunately, is a standard omission of Thinkers Publishing books. Also missing is a bibliography.

The Modernized Delayed Benoni is written by Grandmaster Ivan Ivanisevic, with an important contribution by GM Ivan Sokolov. It is an excellent 240 page book, produced by Thinkers Publishing.

There is a lot of detailed analysis here, complimented by plenty of relevant text. The book revives a system in the Benoni which has not been given the respect it deserves over the years.

This is not a beginner’s manual and strong players will get the most out of it.

The book focuses on the move order 1 d4 Nf6 2 c4 c5 3 d5 g6!

as a way of getting to positions which are dynamic, relatively unexplored and suitable for playing for the win as Black.

Let’s take a look at some of these ideas…

Having digested a lot of this book, I’ve been trying the Black system online. Virtually all strong players meet it in the same way :

IM Andrew Martin, Bramley, Surrey 21st July 2020

IM Andrew Martin
IM Andrew Martin

Book Details :

  • Hardcover : 236 pages
  • Publisher:  Thinkers Publishing; 01 edition (30 Jan. 2020)
  • Language: English
  • ISBN-10: 9492510650
  • ISBN-13: 978-9492510655
  • Product Dimensions: 17 x 23.5 cm

Official web site of Thinkers Publishing

The Modernized Delayed Benoni
The Modernized Delayed Benoni
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Your Jungle Guide to Rook Endings

Your Jungle Guide to Rook Endings
Your Jungle Guide to Rook Endings

Your Jungle Guide to Rook Endings : Efstratios Grivas

“After a bad opening, there is hope for the middle game. After a bad middle game, there is hope for the endgame. But once you are in the endgame, the moment of truth has arrived.” – Edmar Mednis

GM Efstratios Grivas
GM Efstratios Grivas

“Efstratios Grivas (30.03.1966) is a highly experienced chess trainer and chess author. He has been awarded by the International Chess Federation (FIDE) the titles of International Chess Grandmaster, FIDE Senior Trainer, International Chess Arbiter and International Chess Organiser.

His main successes over the board are the Silver Medal Olympiad 1998 (3rd Board), the Gold Medal European Team Championship 1989 (3rd Board) and the 4th Position World Junior Championship U.20 1985. He has also won 5 Balkan Medals (2 Gold – 1 Silver – 2 Bronze) and he was 3 times Winner of the International ‘Acropolis’ Tournament. He has also in his credit the 28 times first position in Greek Individual & Team Championships and he has won various international tournaments as well. He has been awarded five FIDE Medals in the Annual FIDE Awards (Winner of the FIDE Boleslavsky Medal 2009 & 2015 (best author) – Winner of the FIDE Euwe Medal 2011 & 2012 (best junior trainer) – Winner of the FIDE Razuvaev Medal 2014 (Trainers’ education) and has been a professional Lecturer at FIDE Seminars for Training & Certifying Trainers.

He has written more than 100 Books in Arabic, English, Greek, Italian, Spanish & Turkish. Since 2009 he is the Secretary of the FIDE Trainers’ Commission and since 2012 the Director of the FIDE Grivas Chess International Academy (Athens).”

From the rear cover :

“To learn and to play endgames well the chess player must love endgames’ – Lev Psakhis. Different kinds of endgames have specific characteristics and rules. Every serious player must know many typical positions and main principles of all types of endings. That knowledge should help us during the game, but it is not enough to become a good player, not yet. There just too many different endings, some of them with two or more pieces, some are very complex. To be comfortable and play well those complex endings require specific knowledge and specific ways of thinking. We will call it ‘endgame thinking’.

I chose to write a book on advanced rook endings as I simply did not wish to write another book that would be like the many already available. I have done my best to present analysis and articles I have written over the past 10-15 years. Th is work has been presented in my daily coaching sessions, seminars, workshops, etc. The material has helped a lot of trainees to develop into quite strong players gaining international titles and championships. Now, it is your turn to taste and enjoy it!”

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

This is a superb book packed full of instructive examples which I cannot praise enough. The book has clearly been extensively researched with Efstratios Grivas showcasing his credentials as a world class trainer.

The book starts off with four well thought out introductory sections: 1. The Endgame which briefly discusses the historical literature and computer evolution of the endgames. In this section, the author introduces his useful boxed SOS Tips which remind the reader of the salient points of a particular lesson or section.

2. The Golden Rules Of the Endgame which every player should know.  I like the way that Grivas acknowledges other authors’ contributions to the evolution of our endgame understanding and this is clearly shown here and in Chapter 4 Extra Passed Pawn.

3. Rook Endgame Principles which lists the five main rules of rook endgames which is particularly useful for less experienced players.

4.Evaluation – Plan – Execution which discusses the role of planning followed by an excellent seven point SOS tip box.

Now we come to the meat of the book which is divided into nine chapters:

Chapter 1 – basic knowledge which covers the Lucena, Philidor and Vancura positions and their offshoots. If you only read one chapter of any book on rook endgames, I suggest this one.

Diagram 13 shows that even a future current world champion can blunder in a basic position:

Levon Aronian v Magnus Carlsen
Levon Aronian v Magnus Carlsen

This is a drawn ending as black’s king is on the short side and his rook has sufficient checking distance.

Aronian’s last move was the cunning waiting move 73.Rd7-d6!

The only drawing move here is 73… Kg6! for example, if 74.Rd7 Kg7 75.Kd6+ Kf6 76. e7 Kf7=

Carlsen replied with the “obvious” check 73… Ra7+ and resigned instantly after 74. Ke8. He resigned because of 74… Ra8+ 75.Rd8 Ra6 76.e7

The reviewer can say that he knew this trap from Levenfish & Smyslov and admits to feeling slightly smug!

Chapter 2 is entitled Extraordinary endings and covers three interesting and diverse areas:

  1. Rook and A + H pawns v Rook
  2. Rook vs 3 connected pawns
  3. 2 Rooks v R + 3 connected pawns

My preference would have been to restructure this chapter as Rook v Pawns and put the other two sections into later separate chapters. Nevertheless all the material is extremely useful. The ending of Rook v 3 pawns is fairly common and the diagram below shows a typical occurrence:

Colin Crouch - Luke McShane England 1999
Colin Crouch – Luke McShane England 1999

This is an “optimal drawn position” (Grivas). White must prevent the rook from getting behind the pawns which wins for black.

White played 68.Kb4? which loses, keeping the king on the second or third rank was fine. 68… Rh4+? (68…Rh3 or Rh1 wins) 69. Kb3 Kc5 70. Ka3! Kb6 71. Kb3 Kc5 72. Ka3! Rh3+ 73. Kb2 Kb6 74. Ka2! (only move) Ka5 75. Kb2 Rg3 76. Kc2? (76.Ka2! Kc4 77.c7 Ra3+ 78.Kb2 Rb3+ 79.Ka2 with a perpetual check) Rg4? (76…Kb4 wins 77.Kd2 Rg8! 78.Kd3 Kxa4 79. Kc4 Ka5 8-.Kc5 Rg5+ wins) 77. Kb3 Rb4+ 78. Kc3! Rb1 79. Kc2 Rf1 80. Kb3? (80.Kb2 draws) Ra1! winning

Colin Crouch - Luke McShane England 1999
Colin Crouch – Luke McShane England 1999

81.Kc4  Rxa4+ 82. Kc5 Ra1 83. c7 Rc1+ 84. Kd6 Kb6 0-1

Chapter 3 Same Side is one of the core chapters which deals with pawn up positions when all the pawns are on one side. These positions occur very frequently and are sometimes misplayed by world class players. I like the way the author systematically discusses the different structures with drawing and winning mechanisms and then shows pertintent examples from real games. Diagram 51 discusses the famous endgame Capablanca  – Yates Hastings 1930 in great depth which shows that even the great Cuban player made several mistakes after achieving a winning game from a drawn 4 v 3 endgame shown below. A quick flavour of the coverage is given below.

Capablanca - Yates Hastings 1930
Capablanca – Yates Hastings 1930

The game continued 38…Rb4, 39.Ra5 Rc4 (39…h5! is the standard move to ease the defence.) 40.g4! squeezing, but black can still hold 40… h6 41. Kg3 Rc1 42. Kg2 Rc4 43. Rd5 Ra4 44. f4 Ra2+ 45. Kg3 Re2 46.Re5 Re1 47. Kf2 Rh1 48. Kg2 Re1 49. h4 Kf6?! (49…f6 is more precise reaching a known drawn position) 50.h5 Re2+ 51. Kf3 Re1 Re1 52. Ra5 Kg7 53. hxg6 Kxg6! (53…fxg6? loses 54. Ra7+ Kg8 55. e4 Rf1+ 56.Ke3 Rg1 57.f5! Rxg4 58.f6 winning with two passed pawns) 54. e4 Rf1+ 55.Kg3 Rg1+ 56. Kh3 Rf1 57. Rf5 reaching the diagram below:

Capablanca Yates Hastings 1930
Capablanca Yates Hastings 1930

57… Re1? (black must play 57…f6 to draw) 58. e5! Re3+ 59.Kg2! Ra3 60.Rf6+ Kg7 reaching a well lnown won position 61. Rb6? (61.Rd6 wins protecting the king from side checks) Re3? 61…Ra4! leads to a complex draw 62. Rb4? (62. Rb1 still wins but Rb8 does not win) Rc3 reaching the position below:

Capablanca Yates Hastings 1930
Capablanca- Yates, Hastings, 1930

63. Kf2? (A shocking mistake, 63.Rb8 intending f5 wins) 62… Ra3 ? (63…h5! draws) 64. Rb7 Kg8 65. Rb8+! (now Capablanca wins efficiently) Kg7 66. f5 Ra2+ 67. Ke3 Ra3+ 68. Ke4 Ra4+ 69. Kd5! Ra4+ 69. Kd5! Ra5+ 70. Kd6 Ra6+ 71. Kc7 Kh7 72.Kd7 Ra7+ 73. Kd6 Kg7 74. Rd8! Ra5 75. f6+ Kh7 76. Rf8 Ra7 77. Kc6! Kg6 78. Rg8+ Kh7 79. Rg7+ Kh8 80.Kb6 Rd7 81. Kc5! Rc7+ 82. Kd6 Ra7 83.e6! Ra6+ 84. Ke7 Rxe6+ 85. Kxf7 Re5 86.g5! hxg5 77. Kg6 1-0

Chpater 4 Extra Passed Pawn is the second core chapter of the book and is easily the longest and most complex chapter. Despite this, detailed study of this section will reap rich rewards. The theory of these endings has evolved significantly since the books by Fine and Levenfish/Smyslov. Diagram 78 shows a typical position with a extra rook’s pawn with the stronger side having the rook in front of the pawn. This position looks to be an easy draw but beware: it is a draw but the position is complex and the drawing lines are complex! One slip and the game slips away.

Bacrot - Robson, Khanty-Mansiysk, 2011
Bacrot – Robson, Khanty-Mansiysk, 2011

Black played a waiting move which is fatal 59…Ke6? (59…Ra4! or 59…g5! draws) White blundered in turn playing 60.Ra8? ( White could have won with a beautiful and instructive variation starting with 60. Kd4! see diagram below):

Bacrot - Robson, Khanty-Mansiysk, 2011
Bacrot – Robson, Khanty-Mansiysk, 2011

60…Rxf2 (looks as though it draws, but it does not) 61. Rc7 Ra2 62. a7 Kf5 63. Kc4!! Kg4 64. Kb3! Ra6 65. Rc4+ Kxg3 66. Ra4 Rxa7 67. Rxa7 Kxh4  reaching a key position shown below:

Bacrot - Robson, Khanty-Mansiysk, 2011
Bacrot – Robson, Khanty-Mansiysk, 2011

White wins with the amazing 68. Kc3!! (68.Rxf7 only draws 68…Kg3 holds) 68…Kg3 (68…f5 69. Kd3 g5 70.Rf7 f4 71.Rf5!! Kg4 72. Ra5 h4 73. Ke2 wins) 69. Kd3 h4 70. Ke2! wins

After 60. Ra8 the game was eventually won by white after many errors by both  sides.

Chapter 5 Shattering covers endings where one side has a positional advantage consisting of the better pawn structure. A typical position is diagram 118 which is from the famous game Flohr – Vidmar Nottingham 1936.

Flohr- Vidmar, Nottingham, 1936
Flohr – Vidmar, Nottingham, 1936

Black rather injudiciously exchanged knights with 29…Nc6? 30. Nxc6 Rc8 31. Rc5? (better is 31.Ke2 bxc6 (31…Rxc6 loses the king and pawn ending after 32.Rxc6 bxc6 33.b4!) 32.Rc5) 31…bxc6? (31…Rxc6! 32. Rxd5 Rc2 probably draws) 32. Ke2! Ke7 33.Kd3 Kd6 34. Ra5! Ra8 35. Kd4 f5 36. b4  reaching the position below:

Flohr-Vidmar, Move36
Flohr-Vidmar, Nottingham, 1936

36…Rb8? and Flohr won a brilliant ending. However as Grivas shows, black could have drawn by executing a better plan on move 36 by defending his weak a6 pawn with his king 36…Kc7! 37. Kc5 Kb7 38. Kd6 Re8 39.Ra3 g5! for example 40.Rc3 f4! 41. exf4 gxf4 42. Rxc6 Rd8+ 43. Kc5 d4 44. Re6 d3 45. Re1 Rg8=

Chapter 6 Isolani covers the handling of rook endings playing against isolated central pawns. Diagram 132 covers the game Szabo Penrose from the European Team Championship in Bath 1973.

Szabo - Penrose, Bath, 1973
Szabo – Penrose, Bath, 1973

This is a superbly handled ending by Szabo who probes carefully and forces resignation within twenty moves – a textbook example with excellent notes by the author.

Chapter 7 Drawn Endings covers the reasons for losing drawn positions which happens to very strong players. An excellent example is diagram 140.

Topalov-Gelfand, Linares, 2010
Topalov-Gelfand, Linares, 2010

It is hard to believe that a world class player of Gelfand’s standard could lose such a position but Grivas shows how with his usual exemplary commentary.

Chapter 8 Four Rooks is one of the chapters that makes this book stand out – few authors have covered this topic in any depth although Fine in BCE does give some examples. Grivas starts the chapter with five sets of educational SOS tips which the reviewer really likes. Diagram 143 shows a example of good defence in a position that looks diffcult with black’s king trapped on the back rank:

Miljanic- Grivas, 1983
Miljanic – Grivas, 1983

The author conducts an almost flawless defence to hold this difficult position – buy the book to find out how.

The final chapter 9 Various Concepts discusses Lasker’s steps, trapped rooks and the Loman move. If you don’t know about Lasker’s steps or the Loman move – buy the book to learn more!

FM Richard Webb, Chineham, Hampshire, 20th July 2020

FM Richard Webb
FM Richard Webb

Book Details :

  • Paperback : 400 pages
  • Publisher: Thinkers Publishing; 01 edition (19 May 2020)
  • Language: English
  • ISBN-10: 949251074X
  • ISBN-13: 978-9492510747
  • Product Dimensions: 16.5 x 1.9 x 22.9 cm

Official web site of Thinkers Publishing

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Your Jungle Guide to Rook Endings
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Winning Ugly : Playing Badly is No Excuse for Losing

Winning Ugly in Chess: Playing Badly is No Excuse for Losing Paperback
Winning Ugly in Chess: Playing Badly is No Excuse for Losing Paperback

Cyrus Lakdawala is a former American Open Champion. He has been teaching chess for four decades and is a prolific and widely read author. His ‘Chess for Hawks’ won the Best Instructional Book Award of the Chess Journalists of America (CJA). Other much acclaimed books include ‘How Ulf Beats Black’, a study of Swede Ulf Andersson, and ‘Clinch It! How to Convert an Advantage into a Win‘. He has become one of the most controversial writers around today!

IM Cyrus Lakdawala
IM Cyrus Lakdawala

From the cover :  Welcome to the world of imperfection! Chess books usually feature superbly played games. In this book you will see games where weird moves are rewarded. Cyrus Lakdawala knows that playing good chess is all very well, but that beating your opponent is better. A paradox? He demonstrates the fine art of winning undeserved victories by: miraculously surviving chaos; throwing vile cheapos; refusing to resign in lost positions; getting lucky breaks; provoking unforced errors, and other ways to land on your feet after a roller-coaster ride. Lakdawala shows how you can make sure that it is your opponent, not you, who makes the last blunder. If you’d rather win a bad game than lose a good one, then this your ideal guide. The next time the wrong player wins, you will be that player!”

We have an Index of openings (rich in Sicilians and King’s Indians), an Index of Players, 10 chapters and 336 pages. Many games from all eras from Anderssen to recent Swisses. Subtitled ‘Playing badly is No Excuse for Losing’. Paperback, no use of Rabar codes, no photos but exercises scattered throughout. This exceptional book is offered for sale at the Chess & Bridge Shop in Baker Street for £20.95. Good value!

So, enquires the author, when was the last time you won a perfect game? A game that wasn’t tainted by inferior moves?

Every player knows that smooth wins are the exception and that play is often chaotic and positions are frequently irrational. The road to victory is generally full of bumps and misadventures.

Books supposedly feature superbly played games. In ‘Winning Ugly in Chess’ you will see games, usually quoted in full, where weird moves are rewarded. The prolific author (has he written 43 books?-Ed.) knows that playing good chess is all very well, but that beating your opponent is better, that these are not two heads on the same coin. He shows that this is no paradox or contradiction. It is a fact of life – of chess life, anyway – and he demonstrates the fine art of winning undeserved victories by:

  • miraculously surviving chaos
  • throwing  (setting up- Ed) vile cheapos (swindles)
  • refusing to resign in lost positions
  • getting lucky breaks
  • provoking unforced errors
  • finding other ways to land on your feet after a roller-coaster ride.

Lakdawala shows how you can make sure that it is your opponent, not you, who makes the last blunder. he calls it ‘flip-flop a result’. (What would Tartakower have said? Actually, towards the end of his life Tartakower was largely inaudible-Ed.). If you’d rather win a bad game than lose a good one, then this your ideal guide.

The next time the, supposedly, wrong player wins, you could be that player. Welcome to the fine art of winning undeserved victories.

A short review in CHESS 08/19 welcomes this title, adding that it is largely based on Lakdawala’s games and those of his students. This really is a book to be enjoyed on so many levels.

Random thought: I wonder why the book calls 1.e4 e5 2. Nf3 Nf6 – as well as the Petroff’s, naturally – the Russian Game? Unusual!

The author is an International Master.

James Pratt
James Pratt

James Pratt, Basingstoke, Hampshire, July 18th, 2020

Book Details :

  • Paperback : 336 pages
  • Publisher: New In chess (4 Jun. 2019)
  • Language: English
  • ISBN-10: 9056918281
  • ISBN-13: 978-1781945070
  • Product Dimensions: 16.9 x 2 x 24.1 cm

Web site of New in Chess

Winning Ugly in Chess: Playing Badly is No Excuse for Losing Paperback
Winning Ugly in Chess: Playing Badly is No Excuse for Losing Paperback
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Winning Ugly in Chess

‘Winning Ugly in Chess’ by Cyrus Lakdawala (New in Chess 2019). Index of openings (rich in Sicilians and King’s Indians), Index of Players, 10 chapters, 336 pages. Many games from all eras from Anderssen to recent Swisses. Subtitled ‘Playing badly is No Excuse for Losing’. Paperback, no use of Rabars, no photos but exercises scattered throughout. www.newinchess.com. Cover price $24.95. This exceptional book is offered for sale at the Chess & Bridge Shop in Baker Street for £20.95. Good value!

So, enquires the author, when was the last time you won a perfect game? A game that wasn’t tainted by inferior moves?

Every player knows that smooth wins are the exception and that play is often chaotic and positions are frequently irrational. The road to victory is generally full of bumps and misadventures.

Books supposedly feature superbly played games. In ‘Winning Ugly in Chess’ you will see games, usually quoted in full, where weird moves are rewarded. The prolific author (has he written 43 books?-Ed.) knows that playing good chess is all very well, but that beating your opponent is better, that these are not two heads on the same coin. He shows that this is no paradox or contradiction. It is a fact of life – of chess life, anyway – and he demonstrates the fine art of winning undeserved victories by:

* miraculously surviving chaos
* throwing vile cheapos (swindles)
* refusing to resign in lost positions
* getting lucky breaks
* provoking unforced errors
* finding other ways to land on your feet after a roller-coaster ride.

Lakdawala shows how you can make sure that it is your opponent, not you, who makes the last blunder. he calls it ‘flip-flop a result’. (What would Tartakower have said? Actually, towards the end of his life Tartakower was largely inaudible-Ed.). If you’d rather win a bad game than lose a good one, then this your ideal guide.

The next time the, supposedly, wrong player wins, you could be that player. Welcome to the fine art of winning undeserved victories.

A short review in CHESS 08/19 welcomes this title, adding that it is largely based on Lakdawala’s games and those of his students. This really is a book to be enjoyed on so many levels. Random thought: I wonder why the book calls 1.e4 e5 2. Nf3 Nf6 – as well as the Petroff’s, naturally – the Russian Game? Unusual! The author is an International Master.

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My Chess World

My Chess World
My Chess World

“Nine-time Czech champion David Navara, 35, became a grandmaster in 2002 at the age of sixteen. Amongst his many achievements are: 1st at the Ordix Open rapid tournament in Mainz, Germany, in 2007. World Cup quarterfinalist in 2011. Gold medal winner on 2nd board at the 2012 Chess Olympiad in Istanbul. Gold medallist with the Nový Bor team at the 2013 European Club Cup in Rhodes, Greece. Winner of the European Blitz Championship in Wrocław, Poland, in 2014. Silver medallist in the European Individual Championship in Jerusalem in 2015.”

GM David Navara
GM David Navara

From the rear cover :

“This book is not a pure (auto)biography, rather a games collection. It consists mainly of interesting high-class games played by me, including many losses. Most of the games are preceded by accompanying texts, which vary from essays to tournament reports. The title of the book might seem presumptuous, but I wanted to show how I see or experience the competitions without denying the chess worlds of others. While the texts are mostly light and subjective, at the same time I tried hard to stick to the facts and provide some food for thought. GM David Navara May 2020.”

David Navara is one of the most distinctive and popular personalities on the contemporary chess scene, renowned for his uncompromising play, for his politeness and friendliness, and, most of all, for his eccentricities. He’s been just below the world elite for the past 15 years or so, usually rated between 2700 and 2750.

In this chunky 600+ page book he offers us a collection of 64 (for Navara it could be no other number) games, chosen for their interest rather than the result, so you’ll find draws and losses as well as wins here. His opponents include many of today’s top grandmasters and a wide range of openings is represented.

Authors have a difficult decision to make about how detailed their analysis should be. Navara explains the dilemma nicely in what he calls the Navara Antinomy:

  1. Substantial games are interesting.
  2. Substantial games require extensive annotations.
  3. Extensive annotations are boring.

Yes, the annotations are pretty extensive, but the games are interesting enough to merit this. There are plenty of variations and sub-variations which, if you’re playing through the games, might be confusing unless you’re making use of a second board. You’ll discover a host of exciting middle games and, in particular, some fascinating endings.

One game that particularly drew my attention was his game with White against Radoslaw Wojtaszek from Biel 2015.

Not all games with early queen exchanges are dull. The moves up to 25. Kf6 were pre-game preparation, and by move 30 the white monarch reaches h8, which must be some sort of record for a top level game.

If you want to find out what was really happening in this game you’ll need to buy the book.

Navara likes to categorise chess games as either porridge (good for you but boring) or ice cream (tasty but not so healthy) and tells us both types are featured in the book. I think he’s, very typically, being too modest. Most of the games, like the one above, seem to me to be both tasty and good for you. A delicious main course of salmon, perhaps (Navara likes fish, especially Stockfish), or a refreshing fruit salad.

There’s no better way to end a meal than with a light sorbet. Here’s the conclusion of the last game of the book, against Vojtech Zwardon (Ostrava 2019).

How would you continue with White?

Full credit for 1. Qxg7+  Kxg7 2. Bf6+ and 3. Rh8#, but Navara preferred the cuter 1. Qh8+ Bxh8 2. Rxh8+ Kg7 3. Bf6#.

If you’re looking for a collection of top level games with excellent annotations, you won’t be disappointed with this book.

You get a lot more for your money, though. Most games are preceded by essays originally published on Navara’s chess blog (‘a blog past its sell-by date’) covering a wide variety of subjects: part travelogue, part tournament report, part meditation on chess and life.

You’ll find out a lot about the life of a chess player travelling round Europe, and occasionally further afield (Cuba, China) taking part in national and international team competitions as well as individual matches and tournaments.

There’s much more besides. As well as ‘Porridge and ice cream in Barcelona’ you’ll encounter ‘Sea hedgehogs’, ‘Swans on the top floor’ and ‘On Karl Marx and locking a bishop’.

The book is also full of humour, particularly verbal humour, which the translator has done well to render into English successfully. Humour is something very personal, and, I guess, you might find this aspect of the book either endearing or annoying. As for me, I love it. It’s great to meet someone who uses exactly the same jokes as I do.

Beyond the moves, then, this is, in many ways, a very personal book. The first few pages offer some biographical background. ‘I have no recollection of it, but according to reliable sources, I was born on 27 March 1985.’

He concludes this section: ‘I can’t drive or dance, and my knowledge of films and TV series is minimal.’ (Me too, David.) … ‘Chess is my choice. It has given me a lot: fun, success, friends, self-realisation, money, popularity, the chance to travel.’

At the end of the book he returns to the same theme, offering us a chess poem:

‘But still I remain like a child, who finds the outside world so wild. I still so much like to play chess, that it looks like both curse and bless.’

He concludes:

‘Chess has given me a lot. It can unite people of various nations, different ages, gender, political views, social and economic background or health conditions. It contains elements of art and some chess games are real masterpieces. (Of course they are rare, as masterpieces tend to be.) Chess might relieve the worries of everyday life, bring one good friends and uplift one’s spirit.

‘What more can you expect from a board game with seemingly simple rules?’

I think we can all, whatever our rating, agree with David Navara’s sentiments.

The book is well produced and enhanced with photographs of our hero. My one complaint, as so often, is the lack of an index. Perhaps I’m old-fashioned, but if I’m reading a games collection I’d like to be able to look up the games where Navara played Carlsen, or where he was on the black side of a Sicilian Defence.

What you do get is an excellently annotated games collection as well as an insight into the life and mind of a charming and unusual personality, who perceives the world with a mixture of child-like wonder and self-deprecating amusement. For me, it also provides the opportunity to meet someone who seems, in some respects, a kindred spirit.

I really enjoyed reading this book and finding out more about David Navara, both as a chess player and as a person. Very highly recommended.

 

Richard James, Twickenham, 13th July 2020

Richard James
Richard James

Book Details :

  • Paperback : 616 pages
  • Publisher: Thinkers Publishing; 1 edition (28 July 2020)
  • Language: English
  • ISBN-10: 9492510804
  • ISBN-13:  978-9492510808
  • Product Dimensions: 17 x 23.5 cm

Official web site of Thinkers Publishing

My Chess World
My Chess World

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Opening Repertoire : The Modern Benoni

Opening Repertoire : The Modern Benoni
Opening Repertoire : The Modern Benoni

John Doknjas is a FIDE Master from Canada who has enjoyed success competing internationally. He has won seven national titles for his age and tied for 1st in the 2019 U18 North American Youth Chess Championship. This is his third book for Everyman Chess.

From the book’s rear cover we have :

“The Modern Benoni is just about the most aggressive method that Black can choose to counter White’s 1 d4. In the main line variations Black allows White to have a preponderance of central pawns which, traditionally, grants the first player the advantage. However, in return, Black gains the opportunity for tremendously dynamic counterplay. This places White and under immediate pressure as any inaccurate moves can prove to be disastrous.

In this book, FIDE Master John Doknjas examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. With thorough variations and explanations on pawn structures and piece placement, this book provides insight for both strong masters and less experienced players alike. The format is ideal for the chessplayer keen to improve their game. While reading you are continually challenged to answer probing questions – a method that greatly encourages the learning and practising of vital skills just as much as the traditional assimilation of chess knowledge.”

The Modern Benoni, by John Doknjas, is another book in Everyman’s “Opening Repertoire” series. As that implies, the book aims to provide Black with a repertoire against all lines that White can employ against the Modern Benoni, rather than an exhaustive analysis of all lines by both sides.

The Benoni has long been a choice of aggressive players who are willing to take a bit of a risk as Black in order to get a complex fight against White’s 1 d4 (and 2 c4). The resulting middlegame positions are usually double-edged and can be complex both positionally and tactically.

The theory is contained in 31 complete games broken down into nine chapters for the major systems, such as the Flick-Knife attack (aka the Taimanov variation), The Fianchetto Variation, the Knight’s Tour and so on. Major variations within each system are given new games, and (usually) minor variations within those are handled within the notes. Occasionally there are a lot of variations in the notes and this can make it a bit awkward to follow where you are in the main game, but this is probably an unavoidable feature of the complete game approach and I do not mention this as a criticism of the author or the book. Indeed, the book mitigates greatly against this by providing an excellent Index of Variations which tells you if a variation is covered in a main game, or within the notes to one, which makes future reference to a line much easier. The advantages of the complete game approach are that the annotations tell the reader the middlegame plans, and the reader gets to see how masters play out the positions.

The book also contains a nice introductory chapter in which Doknjas provides an excellent overview of plans and piece placement ideas from the perspective of both White and Black. Each chapter also includes a short introductory section, and a summary section, in which the differences between the systems covered by the various games in the chapter are explained.

The repertoire in the book steers Black to positions which appear theoretically sound, and provide Black at least a position with balanced counterplay. There aren’t many lines which offer safe equality, but this of course is the nature of the opening and is to be expected.

I have to say that I regard this as an excellent opening book.
Doknjas provides excellent explanations, both wordy and in concrete lines, and his Q&A and Exercises are always relevant to the material. When he feels appropriate, he is not afraid to recommend lesser-played lines and he backs up his choices with solid analysis and reasoning. His recommendations appear sound and those lines I have tested with an engine do not fall foul of computer analysis.

As an example of his style, here is an excerpt from the game in which he recommends 12 …Rd8 in the Mikenas Attack:

Question: What are some of this moves pluses?

Answer: 12 …Rd8 has only been chosen around 4% of the time OTB, but I really like it for a few reasons:
1. Black threatens to round up the d5-pawn with …Nb6. This doesn’t give White time to attack effectively with f4-f5.
2. The rook could prove very useful on d6, where it will control the f6-square. If black plays …f6 then the pawn will enjoy support, and in some lines Black could even use the rook for direct defence with with …Rf6. Another purpose for the rook being on d6 is to blockade the d5-pawn, which could be important if White’s light-squared bishop comes to c4.
3. The move has a fair amount of surprise value and its subtleties aren’t immediately obvious.
12 …Re8 is the main move but 13 f5! may give White strong play along the f-file (Ng5, Bc4, Qf3, 0-0 etc). The game remain objectively equal but it seems like Black is the one who has to be more careful. Se Feller-C Marzolo continued 13 …Kf8 14 Ng5 e4 15 fxg6 hxg6 16 Be2 Bd4 17 Rf1 with a messy position.
13  fxe5
Others:
a) Be2?! Nb6 14 fxe5 Rxd5 15 Qb3 Kf8 16 Be3 Kg8 gives Black an advantage.
b) …etc
(The book actually uses figurine pieces rather than letters.)

I recommend this book to anyone who is already playing the Modern Benoni or who is looking to take it up. Even players who face the Benoni from the White side will get benefit from this book, at least an idea of the current state of theory of this opening, but obviously bear in mind that it is a repertoire book from Black’s viewpoint.

John Doknjas was not known to me before reading this book, I look forward to future books by him.

Colin Purdon, Crowthorne, Berkshire, 13th July, 2020

Colin Purdon
Colin Purdon

Book Details :

  • Paperback : 450 pages
  • Publisher:Everyman Chess (1 May 2020)
  • Language: English
  • ISBN-10:1781945268
  • ISBN-13: 978-1781945261
  • Product Dimensions: 17.2 x 2.5 x 24.2 cm

Official web site of Everyman Chess

Opening Repertoire : Modern Benoni
Opening Repertoire : Modern Benoni

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Mental Toughness in Chess : Practical Tips to Strengthen Your Mindset at the Board

Mental Toughness in Chess
Mental Toughness in Chess

Mental Toughness in Chess : Practical Tips to Strengthen Your Mindset at the Board : Werner Schweitzer

“Werner Schweitzer graduated as a mental coach at the University of Salzburg, Austria. He knows from experience which mental factors have impact on a chess players performance. Schweitzer has been coaching players and teams for many years.”

From the rear cover :

“Your performance at the board does not only depend on your pure chess skills. Being a winner also requires a mindset that is able to cope with lots of stress and setbacks during hours of uninterrupted concentration. Just like technical chess skills, mental toughness can be trained. There are simple steps you can take that will help you to better realize your potential. Professional mental coach and chess player Werner Schweitzer has been working with chess teams and individual players for many years.

In this book Schweitzer presents practical tips and tools that will help you to improve your mental power during a game. You will learn how to: increase your concentration and stamina; recognize your own strengths and weaknesses; cope with losses as well as victories; increase your self-discipline when studying; handle disturbing thoughts and feelings during a game; boost your self-confidence; avoid underestimating (and overestimating!) your opponent; make better decisions while under pressure and other mental skills. These lessons and simple mental workouts will help players of all levels to unlock the full power of their brain and win more games.”

I enjoyed this book, but to be honest, it looks and reads like something you would pick up in a station or airport, when you have nothing to read on the journey.

There is a lot of white paper, only 144 pages , which could have been condensed to 120 or so with a more economical use of space and thus at £17.99 it is overpriced.

The book reads as though it has been hastily adapted to chess. The book could easily be rebranded as “Mental Toughness and the art of Man Management” or “Mental Toughness in the Boardroom” ; you get the idea.

This is a self-help manual , which assists you to get your brain and character into better order. The author admits in the very first chapter , that as his rating is just short of 2100, mental toughness is but only one of the factors that make a good chess player. His tips can only take you so far. With this admission, the limitations of the book are shown.

As stated , I got something out of the book and you will too. You will learn how to become a more disciplined thinker. If that’s what you feel you need, then this could be a good buy.

IM Andrew Martin, Bramley, Surrey 8th July 2020

IM Andrew Martin
IM Andrew Martin

Book Details :

  • Paperback : 144 pages
  • Publisher: New in Chess (1 January 2020)
  • Language: English
  • ISBN-10: 9056918583
  • ISBN-13: 978-9056918583
  • Product Dimensions: 14.9 x 0.9 x 22.2 cm

Official web site of New in Chess

Mental Toughness in Chess
Mental Toughness in Chess

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The Caro-Kann Revisited : A Complete Repertoire for Black

The Caro-Kann Revisited : A Complete Repertoire for Black
The Caro-Kann Revisited : A Complete Repertoire for Black

From the rear cover we have :

“Francesco Rambaldi is an Italian Grandmaster who currently lives in St. Louis (USA) and plays for the Saint Louis University Chess Team. Shortly after graduating from high school, Francesco was awarded the Grandmaster title after winning the Wien International Open when he was 16 years old. Throughout his career, he found success at a national level both in youth championships, becoming Italian champion in the U10 (2009), U12 (2011) and U14 (2013) categories, and in open championships, becoming Italian Champion for Rapid and Blitz in 2016. Francesco also won numerous international opens including the previously mentioned Wien International Open (August 2015), the Bergamo International Open (July 2016), the Capo d’Orso International Chess Festival (June 2017) and the Panama Chess Rumble (November 2017).”

GM Francesco Rambaldi, photograph by David Lada
GM Francesco Rambaldi, photograph by David Lada

and also

“This book presents a comprehensive, ready-to-use, and high-quality repertoire for Black against 1.e4. With meticulous analysis and in-depth explanations, the author demonstrates how the Caro-Kann Defense can be used successfully by players of any level. He also draws on his experience and on his trove of novel ideas to present a new take on the Caro-Kann: one that emphasizes Black’s dynamic options while maintaining a solid and flexible setup.”

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. We had got used to glossy paper in previous titles but this one reverts to matt. Bring back glossy!

The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.

A welcome addition is a bibliography which is normally absent from TP publications.

However, there is no index which, unfortunately, is a standard omission of Thinkers Publishing books. Some readers will be disappointed.

This first book from GM Francesco Rambaldi provides a more or less complete repertoire for Black versus 1.e4

In the BCN office we have examined books on the Caro-Kann that use various adjectives in their title :

First Steps, Move by Move, Dangerous Weapons, Main Line, Classical, Novelties, Dynamic, Understanding, Easy Guide, Grandmaster Secrets, Training, In Black & White, Krusher, Play the, Starting Out, Grandmaster Repertoire, Beating, New Ideas and finally Modernised. Revisited is a welcome addition!

Previously from Thinkers Publishing we had “The Modernized Caro-Kann” from GM Daniel Fernandez which focused on the Smyslov variation.

The main content is divided into seventeen chapters distributed amongst six parts as follows :

  1. Advance Caro-Kann
  2. Open Caro-Kann
  3. Two Knights Caro-Kann
  4. Panov Variation
  5. Exchange Caro-Kann
  6. Miscellaneous

Each chapter’s content is treated in familiar Thinker’s Publishing style : variations are analysed in detail move by move with game references liberally sprinkled into the text. The explanations and discussion are detailed presenting the ideas in the position.

We kick-off with a thorough discussion of the third most popular line for White : the Advance variation.

Every Caro-Kann player should know that 3.e5 deserves much respect and accurate play from Black to avoid a painful experience : we quite agree that this should be the first chapter therefore. Rambaldi recommends the trendy 3…c5 which scores slightly better than the conventional 3…Bf5. There are 157 pages on 3…c5 alone with most emphasis on the critical 4. dxc5 including the very topical 5.a3 :

which is treated in great depth with new ideas for Black in a line that White in increasingly turning to.

We then turn to the main “meat and potatoes” of this book : the Korchnoi Variation. We have seen this line referred to as the Tartakower Variation in “Understanding the Caro-Kann Defence” by Keene, Soltis, Mednis, Peters and Kaplan (Pitman, 1980). Rambaldi dedicates 70 pages including more explanation of the ideas than for the other parts.

as the main line after

5…exf6 has hitherto largely been ignored in the Caro-Kann literature in favour of the Bronstein-Larsen variation, 5…gxf6, the Capablanca / Classical Variation of 4…Bf5 and Smyslov’s Variation of 4…Nd7. One might have to employ the Tardis and visit (from 1989) Jeremy Silman’s “The Dynamic Caro-Kann” to find any appreciable treatment. JS dubs 5…exf6 the Original Caro-Kann for those who are keen on labels. Rambaldi calls this the Open Caro-Kann, presumably after 3…dxe4.

The popular Two Knights Variation is treated with the reliable 3…Bg4 line and the Panov via Bg4 and Be6 ideas depending on White’s tries. Even the (in)famous double rook endgame (that rarely gets an outing these days at the highest levels) is given a detailed treatment. All of White’s ideas are covered in detail with appropriate recommendations for Black.

The so-called Pseudo-Panov

and the Fantasy Variations

are covered in adequate depth providing almost complete coverage from Black’s perspective.

The coverage of the King’s Indian Attack is disappointingly thin, almost superficial. OK, so 2.d3 is rather uncommon but, nonetheless, a better treatment would have been welcome.

In summary, we have roughly 400 pages of quality analysis with in-depth explanations and new ideas for Black. There is a fresh (and not before time) treatment of the Korchnoi Variation and excellent coverage of the Advance, Two Knights, Panov and Exchange Variations. Of course, these are the lines you will face day-to-day.

Rambaldi recommends the unusual 4…Nf6!? move order in the Exchange Variation :

rather than the more common 4…Nc6 (and 5…Qc7) with the idea to develop the c8 bishop more quickly : interesting!

Rambaldi is a welcome new writer with a friendly style. He is not afraid to disagree with previous authors and present his own ideas.

We would recommend this book as a stand-alone treatment of the Caro-Kann. If you have played 4…Bf5 and / or 4…Nd7 and want to freshen up repertoire then why not consider 4…Nf6 ? It is less drawish and more ambitious if you need to play for the full point with Black.

John Upham, Cove, Hampshire, 5th June, 2020

John Upham
John Upham

Book Details :

  • Hardcover : 406 pages
  • Publisher:Thinkers Publishing; 1 edition (14 July 2020)
  • Language: English
  • ISBN-10: 9492510766
  • ISBN-13: 978-9492510761
  • Product Dimensions: 17 x 23.5 cm

Official web site of Thinkers Publishing

The Caro-Kann Revisited A : A Complete Repertoire for Black
The Caro-Kann Revisited A : A Complete Repertoire for Black

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On the Origin of Good Moves: A Skeptic’s Guide at Getting Better at Chess

On the Origin of Good Moves
On the Origin of Good Moves

On the Origin of Good Moves: A Skeptic’s Guide at Getting Better at Chess : Willy Hendriks

IM Willy Hendriks, Photo by Zhaoqin Peng
IM Willy Hendriks, Photo by Zhaoqin Peng

“Willy Hendriks (1966) is an International Master who has been working as a chess trainer for over 25 years. His acclaimed bestseller ‘Move First, Think Later’ won the English Chess Federation Book of the Year Award.”

From the rear cover :

“The way a beginner develops into a strong chess player closely resembles the progress of the game of chess itself. This popular idea is the reason why many renowned chess instructors such as former World Champions Garry Kasparov and Max Euwe, emphasize the importance of studying the history of chess.

Willy Hendriks agrees that there is much to be learned from the pioneers of our game. He challenges, however, the conventional view on what the stages in the advancement of chess actually have been. Among the various articles of faith that Hendriks questions is Wilhelm Steinitz’s reputation as the discoverer of the laws of positional chess.

In The Origin of Good Moves Hendriks undertakes a groundbreaking investigative journey into the history of chess. He explains what actually happened, creates fresh perspectives, finds new heroes, and reveals the real driving force behind improvement in chess: evolution.

This thought-provoking book is full of beautiful and instructive ‘new’ material from the old days. With plenty of exercises, the reader is invited to put themselves in the shoes of the old masters. Never before has the study of the history of chess been so entertaining and rewarding.”

 

What we have here is a hugely ambitious work covering the development of chess ideas over a period of almost 300 years, from roughly 1600 to 1900, from Greco to Tarrasch. Willy Hendriks considers the evolution of both tactical and positional concepts, as well as covering, to a lesser extent, opening theory.

A number of authors over the years, from Réti onwards, have attempted something similar but Hendriks takes the genre to a new level. His view is that previous authors, using a small sample of Famous Games, have presented a crude and misleading view of ‘the history of improvement in chess’. Chess, he believes, has evolved in very much the same way as species evolve.

Hendriks’ previous book, Move First, Think Later, (MFTL) proved controversial. It attracted the attention of the ECF Book of the Year panel, but there were others who considered it highly dangerous. A confrontational title and controversial, extremist views on how chess should be taught. My own views, are, as they are on most subjects, somewhere in the middle, but I still found it an entertaining read. You’ll find a typically well considered review by John Watson here.

Just as in MFTL, each of the 36 chapters is preceded by some exercises which readers might like to attempt before reading on.

Here’s one from Chapter 1:

Finding the answer won’t be difficult for any experienced player, but it was Greco who was the first to play, or at any rate publish, a Bxh7+ sacrifice. Ideas like this, and there are many, positional as well as tactical, throughout the book, gradually become better and better known until they become part of every serious player’s armoury, which is how standards improve. We’re all standing on the shoulders of giants, but it takes genius to be the first.

When we think of Greco we probably think of brilliant miniatures against opponents who either misplayed the opening or made tactical oversights, but Hendriks maintains there’s a lot more to him than that. “If you play over all the games by Greco you cannot but be amazed by the enormous strength of this player and by the importance and variety of his ideas.” In the first chapter we look at some of his tactical ideas, but in Chapter 2, where he is billed as the Nimzowitsch of the 17th century, we discover that Greco was also aware of some relatively sophisticated positional ideas.

The next few chapters continue Hendriks’ revisionist view of chess history. Philidor in Chapters 3 and 4, La Bourdonnais and McDonnell in Chapter 5, Staunton and Saint Amant in Chapter 6. Generally speaking, the book is free from mistakes, but here the magazine Le Palamède is sometimes awarded the wrong definite article. On p85 it’s both right and wrong within four lines.

In Chapter 7 we visit London in 1851 and look at some of the chess played in the first international tournament of modern times. The next two chapters then spin off to take a couple of detours.

Chapter 8 features a positional idea: the pawn formation labelled by Hans Kmoch (whose book Pawn Power in Chess Hendriks seems to admire, although it would have been helpful if the publishers had used the English title) the Wyvill Formation – doubled c-pawns such as White might acquire in the Nimzo-Indian. The English player Elijah Williams, a man ahead of his time, demonstrated how to fight against this in his games against the eponymous Marmaduke Wyvill and Howard Staunton.

In this rather modern  looking position Williams played Ba3 against Staunton (Hendriks points out that Na4 and Qf2 were also strong), winning the c5 pawn and, eventually, the game.

We then look at some much more recent examples of games featuring this formation.

Chapter 9 returns to London and riffs off in a tactical direction.

This is a position from another Elijah Williams game. Here, he was Black against Johann Löwenthal. White, to move, decided Black might be threatening Bxh3, so played Bf4 to prevent the sacrifice, later losing after a blunder. Staunton, writing in the tournament book, considered it a mistaken precaution. Hendriks demonstrates that the sacrifice would have been sound, and spends the rest of the chapter looking at precursors and more recent examples of the same tactical idea.

Chapter 10 is a brief visit to India in the company of John Cochrane, where opening theory developed very differently – an interesting topic in its own right.

We then move on to Paul Morphy, the hero of the next few chapters. Chapter 13, Anderssen versus Morphy, will raise a few eyebrows. We all know what to think, don’t we? Both men were tactical geniuses but Morphy was also a positional genius, while Anderssen, a representative of the romantic school of chess, was just a high class hacker. Hendriks, acknowledging Mihail Marin, who first made the point some years ago, explains that the opposite was closer to the truth. We all know Anderssen’s brilliant Immortal and Evergreen Games, but they were casual encounters where he could afford to take risks. In tournament games he sometimes experimented with more modern openings and ideas while Morphy stuck resolutely to 1. e4 e5. The difference between them was not that Morphy was a better positional player but that he was more accurate and efficient.

As we continue through the 19th century we meet Steinitz and reach what, in some ways, is the heart of the book. Because Morphy gave up serious chess before Steinitz achieved prominence, it’s easy to forget that the latter was a year older.

Very many writers over the years, from Lasker onwards, have portrayed Steinitz as the father of modern positional chess. Hendriks begs to differ. Steinitz never wrote down his principles: it was Lasker who did this, attaching Steinitz’s name to them.  Hendriks demonstrates that most of his ideas were generally known before his time. His only genuinely new idea was to do with using the king as a strong piece in the opening, and that didn’t stand the test of time. Chapter 25 deals with this.

The first exercise at the start of the chapter poses an intriguing question. “Your opponent in the coming World Championship match is prepared to play this position as Black at least four times against you. Do you accept?”

Well, you certainly should as, after Nb6, White is clearly much better, even though Steinitz stubbornly insisted that Black was fine.

Here is the infamous Steinitz Gambit after White’s 5th move. Steinitz played it a lot but, although White does quite well with it over the board, it really is as bad as it looks.

As we approach the end of the 19th century, it’s time for Hendriks to start drawing conclusions. Comparisons are often made between today’s players and those from the past. If Magnus Carlsen were to travel back in time, how would he fare against Lasker, Morphy or Philidor? Here’s Hendriks, in Chapter 28: “If I might venture a wild guess regarding the average strength of say the top five or top ten players throughout the (19th) century I would say it gradually went from about 2000 around the thirties to 2400 near the end of the century.”

This sounds about right to me, but even near the end of the century, top players were making horrendous blunders which would shame a 1400 player, let alone a 2400 player.

A famous example: Chigorin-Steinitz from the 23rd game of their 1892 World Championship match.

Rxb7, for example, wins for White, but Chigorin’s choice of Bb4 proved rather unsuccessful.

Chapters 31 and 32, in which Hendriks links his discoveries to his teaching methods outlined in MFTL, might prove controversial to some.  In Chapter 31 he explains why he believes that creating plans is overrated, and in Chapter 32 he tells you that, contrary to the recommendations of other teachers, you should spend a lot of time studying openings. Of course you might not agree, but it’s often worthwhile listening to those who have well thought out views which differ from yours.

Finally, we reach Chapter 36. Here’s how Hendriks concludes:

“The human history of chess, with all its theoretical struggles and its remarkable personalities, is a fascinating one. However, the general theories that supposedly unify and systematize all those pieces are in my opinion more the result than the cause of the progress made, and as a guide to finding the best moves they are of only limited use.

“As in nature, variety and complexity in chess aren’t the result of some sort of plan from above. It works the other way around, on all levels, even the individual one. As soon as you start looking at a position, all those basic bits of knowledge you gathered before start working. They come up with plans and moves to be played. You can almost sit by and wonder. And watch the good moves replicate.”

I’ve said before that we’re fortunate to be living in a golden age for chess literature, and On the Origin of Good Moves goes right in somewhere very near the top of my favourite chess books of all time. I found it well researched, endlessly fascinating, always thought provoking, often digressive, sometimes provocative and sometimes extremely funny. (Humour in chess books seems to be something of a Dutch speciality: think of Donner and Tim Krabbé.) It’s well produced, and enlivened by copious illustrations, some of only tangential relevance (soldiers in the Franco-Prussian War, a police telephone box, Charles Darwin). If you have any interest at all in the development of chess ideas this will be an essential purchase. If you want to improve your rating you’ll find a lot of inspiring suggestions, although you might not agree with all of them, a lot of great chess, much of which will probably be unfamiliar to you, and a lot of beautiful moves. You’ll find quite a lot of rather bad chess as well, but it all adds to the fun.

Five stars and a top recommendation from me. I do hope you enjoy it as much as I did. It’s certainly a book I’ll return to over and over again.

You can read some sample pages here.

Richard James, Twickenham 3rd June 2020

Richard James
. Richard James

Book Details :

  • Paperback : 432 pages
  • Publisher: New in Chess (10 April 2020)
  • Language: English
  • ISBN-10: 9056918796
  • ISBN-13: 978-9056918798
  • Product Dimensions: 17 x 23.1 cm

Official web site of New in Chess

On the Origin of Good Moves
On the Origin of Good Moves

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Thinker’s Chess Academy with Grandmaster Thomas Luther : First Steps in Tactics

Thinkers' Chess Academy with Grandmaster Thomas Luther - Volume 1 First Steps in Tactics
Thinkers’ Chess Academy with Grandmaster Thomas Luther – Volume 1 First Steps in Tactics

Grandmaster Thomas Luther, born in 1969, is the first player with a disability to have entered the FIDE Top 100 rating list. In 2001 he was ranked 80th in the world. He has won the German Championship three times and is well known as an experienced and successful coach. In 2014 his achievements were recognised by being granted the title of FIDE Senior Trainer. In his career to-date he has published several books and DVDs. This is his second book for Thinkers’ Publishing, after a co-production with Jugend Schach Verlag entitled “Chess Coaching for Kids – the U10 Project.”

GM Thomas Luther
GM Thomas Luther

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. In fact, for this particular title we have been treated with pleasing glossy paper that gives the book a higher quality feel than usual.

The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

There is no index which, unfortunately, is a standard omission of Thinkers Publishing books. Also missing is a bibliography. However, for a tactics books these items are less crucial, of course. A biography or autobiography would miss these things.

The main content is divided into sixteen chapters :

  1. Notation
  2. Exercises & Mazes
  3. Little Games
  4. Checkmate & Advantage
  5. The Winning Move!
  6. Rules & Behaviour
  7. Find Checkmate in Two Moves!
  8. Tactical Motifs
  9. Double Attack / Fork
  10. The Knight and his Forks
  11. The Skewer
  12. The Pin
  13. How to Handle a Pin
  14. The Overload Motif
  15. Discovered Attack
  16. History of Chess & Checkmate

We have reviewed several tactics books in the last few months and this one from Thomas Luther is really rather interesting. It would appear to have at least two clear target audiences : improving and ambitious juniors and also club players perhaps less than 1900 Elo.

The chapters on Exercises and Mazes and Little Games appeal to myself as a chess teacher and coach since these ideas are rarely presented by GMs. For example :

The rook has to give check to the black King.

He cannot move to a square where he be captured.

He cannot capture pawns, even if they are unprotected.

Make a guess how many moves are needed?

The “Little” Games (most western coaches would refer to these as “Mini” Games) is refreshing and entertaining :

In this position the pawns can overwhelm the bishop!

Following these interesting chapters we move on to more conventional themed tactics problems designed to build-up patterns that are recognizable. Each position has solution text that is aimed at junior and improving players reinforcing what (hopefully) has been learnt.

Chapter 6 (Rules & Behaviour) is somewhat unusual. Etiquette and basic playing advice is rarely discussed but again the focus is improving players. This sort of advice is regularly handed out by teachers and coaches but rarely found in print.

One of the more innovative features of the book are positions in which there is a win depending on who it is to move. Chapter 7 (Find Checkmate in Two Moves!) kicks off this notion and here is an example (there should be both a White and Black to move indicator) :

Before you ask, yes, most of these positions are concocted but that is irrelevant to the teaching aims of the examples.

One pleasing aspect of the bulk of the “normal” tactics chapters is that diagrams are large enough not to need a board and that, as a consequence, one can get a rhythm going almost akin to a “Puzzle Rush” ! Using a stopwatch also is not so silly.

Chapter 16 (History of Chess & Checkmate) will be of interest to perhaps more mature players and takes positions and puts them into a real life context about players current and past.

Not all books that are reviewed are going to be read cover to cover, but we did enjoy working through the examples. We’d say that an improving junior maybe 10+ in years will take to this book and get a lot from it. We are pleased that this book is free of silly cartoons which tend to put off serious juniors. When will publishers realise that cartoons do not enhance a chess book? The presentation is excellent and the material is fun to work on ! Highly recommended : chess parents take note.

John Upham, Cove, Hampshire, 28th May, 2020

John Upham
John Upham

Book Details :

  • Hardcover : 325 pages
  • Publisher:Thinkers Publishing; 1 edition (19 May 2020)
  • Language: English
  • ISBN-10: 9492510723
  • ISBN-13: 978-9492510723
  • Product Dimensions: 16.8 x 1.5 x 23.1 cm

Official web site of Thinkers Publishing

Thinkers' Chess Academy with Grandmaster Thomas Luther - Volume 1 First Steps in Tactics
Thinkers’ Chess Academy with Grandmaster Thomas Luther – Volume 1 First Steps in Tactics

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