BCN wishes IM Matthew Wadsworth Happy Birthday this day (June 27th) in 2021.
Previously we reported :
IM Matthew Wadsworth, one of England’s most promising young players, has earned his first Grandmaster norm from his excellent performance in the Four Nations Chess League (4NCL). Matthew, who is twenty, has a current FIDE standard play rating of 2413 and is ranked 34th amongst the active players in England (by FIDE rating) earning his FM title in 2016 and IM title in 2019.
Matthew could leapfrog to Grandmaster status with further norms and by increasing his live rating to 2500. The IM title was ratified at the FIDE Congress, 2nd quarter PB 2019, 27-30 June, Baku, Azerbaijan when his live rating had topped 2400.
Matthew’s first ECF grade was 66A in 2007 (aged 7) and he played for Maidenhead in local leagues, St. Pirans’s School and then Reading School.
Matthew is reading Economics at Queen’s College, Cambridge and rows for the college team.
Matthew joined 4NCL at an early age and played for AMCA (Andrew Martin Chess Academy) soon rising the ranks to the AMCA first team and he currently represents the Guildford 2 team in Division One of the Four Nations Chess League (4NCL). Matthew’s 4NCL results for the 2018-19 season were :
1. Fodor, Tamas Jr, draw
2. Ashton, Adam G, win
3. Gonda, Laszlo, draw
4. Kulon, Klaudia, win
5. Holland, James P, win
6. Stewart, Ashley, win
7. Ledger, Andrew J, win
8. Plat, Vojtech, loss
9. no game
10. Jackson, James P, win
11. no game
giving a performance of 7/9
One of the undoubted highlights of Matthews 2018 chess year was his draw with Oxford domiciled GM Hou Yifan, three times Women’s World Champion from China during the annual Varsity match, Matthew representing Cambridge.
BCN remembers that in the early morning of Tuesday, June 27th, 1944 (i.e. 77 years ago) Vera Menchik, her sister Olga, and their mother were killed in a V-1 flying bomb attack which destroyed their home at 47 Gauden Road in the Clapham area of South London.
All three were cremated at the Streatham Park Crematorium on 4 July 1944. Vera was 38 years old.
Vera’s Parents and Sister
Vera Frantsevna Menchik (or Věra Menčíková) was born in Moscow on Friday, 16th February, 1906. Her father was František Menčik, was born in Bystrá nad Jizerou, Bohemia. František and Olga were married on June 23rd 1905 in Moscow and notice of this marriage appeared in British newspapers on July 22nd 1905. Vera’s sister was Olga Rubery (née Menchik) and she was born in Moscow in 1908. Olga Menchik married Clifford Glanville Rubery in 1938. Vera married Rufus Henry Streatfeild Stevenson on October 19th 1937.
Her Maternal Roots
Our interest in unearthing her maternal English heritage / roots has led to the following:
Her mother was Olga (née Illingworth (1885 – 27 vi 1944). Olga’s parents were Arthur Wellington Illingworth and Marie Illingworth (née ?). Arthur was born in October 1852 in the district of Salford, Lancashire, his parents were George Illingworth (1827-1887) and Alice Whewell (1828-1910).
In the 1861 census Arthur is recorded as being of eight years of age and living in the Illingworth household.
In the 1871 census Arthur is recorded as being of eighteen years of age and living in the Illingworth household of nine persons at 5, Lancaster Road, Pendleton, Lancashire. Arthur’s occupation is listed as being a merchants apprentice. In fact, he was a stock and share broker.
Arthur died in Moscow on February 21st 1898. Probate was recorded in London on July 6th, 1900 as follows:
Illingworth Arthur Wellington of Moscow Russia merchant died 21st February 1898 Probate London 6th July to Walter Illingworth stock and share-broker Effects £4713 7s
£4713 7s in 1898 equates roughly to £626,600.00 in 2020 so it would appear that Arthur was considerably successful and almost certainly left money to Olga Illingworth.
What do we conclude from all of this? Quite simply that Vera’s maternal roots were from Salford in Lancashire.
The August 1944 British Chess Magazine (Volume LXIV, Number 8, page 173 onwards) contained this editorial from Julius du Mont:
“British Chess has suffered a grievous and irreparable loss in the death by enemy action of Mrs. R.H.S. Stevenson known through all the world where chess is played as Vera Menchik.
We give elsewhere (below : Ed.) an appreciation of this remarkable woman. Quite apart from her unique gifts as a chess-player-the world may never see her equal again among women players-she had many qualities which endeared her to all who knew her, the greatest among them being here great-hearted generosity.
We sympathise with our contemporary “CHESS” : Vera Menchik was for some years their games editor. Few columns have been conducted with equal skill and efficiency and none, we feel sure, with a greater sense of responsibility.
The news of this remarkable tragedy will be received by the chess world with sorrow and with abhorrence of the wanton and useless robot methods of a robot people.
One shudders at the heritage of hatred which will be theirs, but their greatest punishment will come with their own enlightenment.”
BCM Contemporary Obituary from EGR Cordingley
From page 178 of the same issue we have an obituary written by EGR Cordingley :
“The death by enemy action of Miss Vera Menchik removes not only the greatest woman chess player of all times but a charming personality.
The world will remember her for her chess prowess, for her exceptional skill as a woman player who had beaten in tournament play such gifted players as Euwe, Sultan Khan, Sir George Thomas, Alexander and Yates. In such company, and she played in several of the Hastings International tournaments and other of similar grade, she usually obtained about 33%, though in the Maribor tournament of 1934 she finished third, behind Pirc and Steiner but ahead of Rejfir, Spielmann, Asztalos and Vidmar.
Her game was characterised by solid position-play, with the definite aim of bringing about a favourable end-game and of avoiding wild complications. The ordinary stratagems of the game, small combinations and the like, were of course part of her equipment, but she lacked that imaginative, inventive spirit without which few become really great players.
In recent times, Reshesvky and Flohr (as a professional with a reputation to maintain and a living to earn) have shown that great success can be achieved by reducing the game to pure positional play, the technique being firstly to build up a position devoid of weaknesses, an ‘I can’t lose position,’ and secondly to create and take advantage of the minutest weaknesses in the opponent’s camp, a major weakness may show that imagination is not quite dead within.
This defect in her play was the inevitable reflection of her character: sound common-sense, conscientious to an unusual degree, and persevering, while she had the combative, tenacious nature so desirable and so often found in good chess players; for chess is battle of wits, the fight is what most of use love in chess. Vera was, seldom assertive, a fault not uncommon in chess players. She sat placidly at the chess boar, never causing even mild irritation by any of those nervous mannerisms that may always be seen in any chess room, the peripatetic fever being the most prominent. A slight flush would rise when the position grew difficult, or when she was short of time on her clock – and that was recurrent according to the time-limit.
Away from the chessboard show would readily talk of other subjects, and her great interest was in persons, in their actions and behaviour under the strain and stress of the unruly passions; in the moulding of their lives under the inscrutable dictates of chance; in the twists and turns of a mind warped perhaps by a casual incident long ago. Of course, she was a pagan, a thinking one, who had asked and asked and found only the answer that reasoning gave. She judged kindly and never inflicted upon others her own opinions or beliefs: she asked only that these should be heard as one side of any argument, for she enjoyed a dialectic bout.
A delightful side to her character was her simple sense of humour, and I remember so clearly her pleasure – glee would describe it more eloquently – when I gave her the punctuation necessary to make sense of that ludicrous collection of words, ‘Jones where Brown had had had had had had had had had had had the master’s approval’ Anyone who knew her only at the chessboard would have been astonished at the amount of bubbling merriment she discovered of of life’s events.
I shall remember her more for the woman as I knew her over many cups of coffee spread over many, many weeks – complacent, smiling, and kindly; conscientious, loyal, and sincere; as I understand the word, a Christian who would help any deserving person as best she could. E. G. R. C.
and here is the original article as printed:
BCM 1958 Appreciation by Peter Clarke
From British Chess Magazine, Volume LXXVIII (128, 1958), Number 7 (July), page 181 onwards) we have this retrospective from Peter Clarke:
“The night of June 27th,1944, Vera Menchik, World Woman Champion, was killed when an enemy bomb demolished her home in London; with her perished her mother and sister Olga. In these tragic circumstances the chess world lost its greatest woman player, still undefeated and at the height of her powers.
Vera Francevna Menchik was born in Moscow on February 16th, 1906, of an English mother and Czech father. There she spent her childhood, showing a love for literature, music, and, of course, chess, which at the age of nine she was taught by her father. She had a natural bent for the game and when only fourteen shared second and third places a schoolboys (!) tournament. The following year, 1921, the family came to England, where Miss Menchik lived the rest of her life.
As if by some fortunate coincidence, the Menchiks settled in Hastings, though it was not until the spring of 1923 that Vera joined the famous chess club. Her natural shyness and lack of knowledge of English caused this delay. However, they did not handicap her too much
as she herself afterwards wrote: ‘Chess is a quiet game and therefore the best hobby for a person who cannot speak the language.”
She studied the game eagerly, and very soon her talent caught the attention of the Hungarian grandmaster, Géza Maróczy, who was resident at Hastings at that time. Thus there began the most important period in her development as a player; a sound and mature understanding of positional play-and a thorough knowledge of a few special openings and defences: in particular the French Defence. The influence of
the grandmasters ideas was clearly apparent in her style throughout the whole of her career.
Miss Menchik’s rise to fame was meteoric: by 1925 she was undoubtedly the strongest player of her sex in the country, having twice defeated the Champion, E. Price, in short matches; and only two years later she won the first Women’s World Championship in London with the terrific score 10.5-0.5. She was just twenty-one, but already in a different class from any other woman in the world. For seventeen years until her death Vera Menchik reigned supreme in women’s chess, defending her world title successfully no less than seven times (including a match with Sonja Graf at Semmering in 1937, which Miss Menchik won 11.5-4.5. In the seven tournaments for the World Championship she played 83 games; winning 78, drawing 4, and losing 1 only! However, what was more remarkable was that she was accepted into the sphere of men’s chess as a master in her own right, a feat which no woman had done before or has done since. Up to then, women’s chess had been a very poor relation of the masculine game, but here was a woman who was a worthy opponent for the strongest masters.
Flohr wrote of her: ‘Vera Menchik was the first woman in the world who played chess strongly…who played like a man.’ It was as the ambassador extraordinary, so to speak, of the women’s game that Miss Menchik really made her greatest contribution to chess. Wherever she went, at home and abroad, she aroused great interest among her sex; others were eager to follow her, to identify themselves with her. Nowadays women’s chess is well organized, and much of the credit for this must go to Vera Menchik for first bringing it into the light. Among her many personal successes in international tournaments perhaps the greatest was at Ramsgate in 1929: as one of the foreign masters (she was still of Czech nationality) she shared second and third places with Rubinstein, * point behind Capablanca and above, among others, her tutor Maróczy.
Even the greatest masters recognized Miss Menchik’s ability; Alekhine himself, writing on the Carlsbad Tournament of 1929, said: ‘Vera Menchik is without doubt an exceptional phenomenon among women. She possesses great aptitude for the game…The chess
world must help her develop her talent!’
The Vera Menchik Club
An amusing incident occurred at this tournament. There were naturally sceptics among the masters over the lady’s participation. Flohr recalls how one of these, the Viennese master Becker, suggested:
‘Whoever loses to the Woman Champion will be accepted as a member of the Vera Menchik Club which I intend to organize.’
Becker was the first to lose to her, and that evening the masters chided him: “Professor Becker, you did not find it very difficult to join the club. You can be the Chairman.’ And forthwith he was chosen as Chairman for three years. Everyone wished that the new club would soon obtain more members! Indeed, the Vera Menchik Club has many famous names on its lists-Euwe, Reshevsky, Colle, Yates, Sultan Khan, Sir G. A. Thomas, Alexander, to mention a few.
In 1935 Miss Menchik returned to the country of her birth to take part in the great international tournament in Moscow. To be truthful, she had very little success, but she was everywhere treated with respect and sympathy by masters and spectators alike. The Soviet master l. Maiselis, writing in CHESS in 1944.(Shakhmaty za 1944 god), related the following entertaining anecdote from the tournament: One day a group of players and organizers were discussing the chances of Alekhine and Euwe in the forthcoming match. Flohr said: ‘It is quite clear that I will be World Champion.’ We looked at him inquiringly.
‘It’s very simple,” continued Flohr, ‘Euwe wins a match against Alekhine, Vera Menchik beats Euwe (at that time her score against Euwe was +2, =1, -1) and I will somehow beat Miss Menchik.’
We laughed at this good-natured joke, and we laughed all the more the next day when Flohr was unable, despite every effort, to defeat her in a vital game.
ln 1937 Miss Menchik married R. Stevenson, but in chess she continued to use her maiden name, made famous by so many victories. Her husband, a well-known organizer, became, Secretary of the B.C.F: in the following year and remained so until his death in 1943.
Since the days of Vera Menchik women’s chess has taken great strides forward; now there is a special committee of F.I.D.E. to look after its needs.- Only last year the first lnternational Women’s Team Tournament took place ln Emmen, Holland; the new World Champions, the U.S.S.R., became the first holders of the Vera Menchik Cup. So chess goes onwards, but the name of its first Queen will ever be remembered.”
From The Encyclopaedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
“Woman World Champion from 1927 to 1944. Vera Menchik was born in Moscow on 16th February 1906 of an English mother and a Czech father. Her father taught her to play chess when she was 9.
In 192l her family came to England and settled in Hastings (at 13, St. John’s Road, St. Leonards-on-Sea, TN37 6HP) :
Two years later, when she was 17, Vera joined Hastings Chess Club,
where she became a pupil of Geza Maroczy. The first Women’s World Championship was held in 1927. Vera Menchik won with a score of 10.5 out of 11. She defended her title successfully in Hamburg in 1930, in Prague in 1931, in Folkestone in 1933, in Warsaw in 1935, in Stockholm in 1937 and in Buenos Aires in 1939. She played 2 matches against Sonja Graf, her nearest rival, in 1934 when she won +3 -1 and in 1937, in a match for her title when she won +9 -1 =5.
The first woman ever to play in the British Championship and the first to play in a master tournament, Vera Menchik made her debut in master chess at Scarborough 1928 when she scored 50 per cent. The following year she played in Paris and Carlsbad, and it was at Carlsbad that the famous Menchik Club was formed. The invitation to Vera Menchik to compete among such players as Capablanca, Euwe, Tartakower and Nimzowitch was received with amusement by many of the masters. The Viennese master, Becker was particularly scornful, and in the presence of a number of the competitors he suggested that anyone who lost to Vera Menchik should be granted membership of the Menchik Club. He himself became the first member. Other famous players who later joined the club were Euwe, Reshevsky, Sultan Khan, Sir George Thomas, C. H. O’D. Alexander, Colle and Yates.
Her greatest success in international tournaments was at Ramsgate in 1929, when she was =2nd with Rubinstein, half a point behind Capablanca and ahead of Maroczy. In 1934 she was 3rd at Maribor, ahead of Spielmann and Vidmar. In 1942 she won a match against Mieses +4 -l -5. In 1937 Vera Menchik married R. H. S. Stevenson, who later became Hon. Secretary of the British Chess Federation. He died in 1943. She continued to use her maiden name when playing chess. On her marriage she became a British subject.
From 1941 until her death she was Games Editor of CHESS. She also gave chess lessons and managed the National Chess Centre, which opened in 1939 at John Lewis’s in Oxford Street, London and was destroyed by a bomb in 1940.
In 1944 Vera Menchik was a solid positional player, who avoided complications and aimed at achieving a favourable endgame. Her placid temperament was ideal for tournament play. Her main weakness was possibly lack of imagination. Her results have made her the most successful woman player ever.”
From The Encyclopaedia of Chess, (BT Batsford, 1977) by Harry Golombek :
Probably the strongest woman player in the history of the game, Vera Menchik was born in Moscow and, though her father was a Czechoslovak and her mother English, she played for most of her
life under English colours.
In l92l her family came to Hastings in England and there Vera became a pupil of the great Hungarian master, Geza Maroczy. This was to have a dominating influence on her style of play which was solidly classical, logical and technically most well equipped. Such a style enabled her to deal severely not only with her fellow women players but also with contemporary masters and budding masters. Vera did extremely well, for example, against C. H. O’D. Alexander
and P. S. Milner-Barry, but lost repeatedly to H. Golombek who was able to take advantage of her lack of imagination by the use of more modern methods.
Vera was soon predominent in women’s chess. In the first Women’s World Championship tournament, at London in 1927, she won the title with a score of 10.5 out of 11 and retained the championship with great ease at all the subsequent Olympiads (or International Team tournaments as they were then known more correctly) at Hamburg 1930, Prague 1931, Folkestone 1933, Warsaw 1935, Stockholm 1937 and Buenos Aires 1939.
With Sonja Graf, the player who came nearest to her in strength among her female contemporaries, she played two matches and demonstrated her undoubted superiority by beating her in 1934 (+3-l) and again in a match for the title in l937 (+9-l=5).
In 1937 Vera officially became a British citizen by marrying the then Kent and later B.C.F. Secretary, R. H. S. Stevenson (Rufus Henry Streatfeild Stevenson: ed).
(Rufus Henry Streatfeild Stevenson was home news editor of the British Chess Magazine, secretary of the Southern Counties Chess Union and match captain of the Kent County Chess Association).
Oddly enough, Sonja Graf, many years later, also became a Mrs Stevenson by marrying an American of that name some years after the Second World War.
Vera Menchik also played and held her own in men’s tournaments. She did well in the British championship and her best performance in international chess was =2nd with Rubinstein in the Ramsgate Team Practice tournament ahead of her old teacher, Maroczy. She also had an excellent result at Maribor in 1934 where she came 3rd, ahead of Spielmann and Vidmar.
Her husband died in 1943 and Vera herself, together with her younger sister Olga and her mother, was killed by a V1 bomb that descended on the Stevenson home in London in 1944.
This was a sad and premature loss, not only for British but for world chess, since there is no doubt she would have continued to dominate the female scene for many years.
As a person Vera was a delightful companion, jolly and full of fun and understanding. As a player she was not only strong but also absolutely correct and without any prima donna behaviour. Generous in defeat and modest in victory, she set a great example to all her contemporaries.
An example of Vera’s attacking play at its best against her nearest rival, Sonja Graf, is shown by the following game which was played in her 1937 match at Semmering in Austria :
From The Oxford Companion to Chess, (Oxford University Press, 1984) by Hooper and Whyld :
“Woman World Champion from 1927 until her death. Daughter of a Czech father and an English mother, Menchik was born in Moscow, learned chess when she was nine, settled in England around
1921, and took lessons from Maroczy a year or so later. In 1927 FIDE organized both the first Olympiad and the first world championship tournament for women. These events were run concurrently, except in 1928, until the Second World War began, and Menchik won the women’s tournament every time; London 1927 (+10=1); Hamburg 1930 (+6=1 — 1); Prague 1931 (+8);
Folkestone 1933 ( + 14); Warsaw 1935 (+9); Stockholm 1937 (+14); and Buenos Aires 1939 ( + 17=2). She played in her first championship tournament as a Russian, the next five as a Czech,
and the last as a Briton. She also won on two matches against her chief rival, the German-born Sonja Graf (c. 1912-65): Rotterdam, 1934 (+3-1), and Semmering, 1937 (+9=5—2),
In international tournaments which did not exclude men Menchik made little impression; one of her best results was at Maribor 1934 (about category 4) when she took third place alter Pirc and L. Steiner ahead of Spielmann. In 1937 she married the English chess organizer Rufus Henry Streatfeild Stevenson (1878-1943), A chess professional, she gave lessons, lectures, and displays, and was appointed manager of the short-lived National Chess Centre in 1939. In 1942 she defeated Mieses in match play (+4=5-1), She, her younger sister Olga (also a player), and their mother were killed in a bombing raid.
Her style was positional and she had a sound understanding of the endgame. On occasion she defeated in tournament play some of the greatest masters, notably Euwe, Reshevsky, and Sultan Khan. Men she defeated were said to belong to the Menchik club. When world team championships for women (women’s chess Olympiads) were commenced in 1957 the trophy for the winning team was called the Vera Menchik Cup.”
She was inducted to the World Chess Hall of Fame in 2011.
BCN wishes FIDE Master Bernard Cafferty best wishes on his 87th birthday, June 27th in 1934.
Bernard was born in Blackburn, Lancashire (his mother’s maiden name was Croft) migrating to Birmingham and now resides in Hastings, East Sussex and is a member of Hastings & St. Leonards Chess Club.
Sunnucks notes that he was British Junior Champion in 1952, British Correspondence Champion in 1959 and British Lighting Champion in 1966. He wrote a thesis on Chess in Schools for his University Education Diploma and is now a schoolmaster. His contribution to Anne’s Encyclopedia was on Education and Chess.
He was editor of British Chess Magazine from 1981 to 1991 and continued as Associate Editor until 2011 when FM Steve Giddins took over.
Here is the 1981 announcement (written by Harry Golombek, Chairman of Directors) of his appointment in the British Chess Magazine, Volume CI (101), Number 3, March, page 82 :
In the December 2010 issue (Volume CXXX (130), Number 12, pages 622 – 625 of British Chess Magazine there was a tribute to Bernard’s 30 years at BCM from editor FM Steve Giddins that was interview based :
In 2009 Bernard was interviewed by the privately published Chess Parrot whose editor was / is Basingstoke based James Pratt (who became BCMs editor from 2011 – 2015). Here is that previously unseen interview :
He was winner of second prize in the first international tournament, London 1851. He developed his chess skill in the 1840s, meeting Dubois in Rome, Kieseritzky in Paris, and many players, including Buckle, in London, His style was that of the English school, and he understood well the positional ideas of the English opening and the Sicilian Defence. In 1847 he was elected Member of Parliament for Richmond, Yorkshire, a seat he held until 1868 except for a break of two years. The London 1851 tournament consisted of a series of knock-out matches. After defeating Williams (+4-3) in the third round and losing to Anderssen ( + 2=1-4) in
the fourth and final round, Wyvill was placed second. His score against Anderssen was better than that made by other players (Kieseritzky
“1—2, Szen +2—4, Staunton +1—4), Wyvill had
proved himself one of the leading players of his time. Although he played in no more tournaments he retained an interest in the game throughout his
Regarded by Staunton as “one of the finest players in England”. Wyvill was primarily an enthusiastic amateur of chess, yet in his sole tournament appearance at London 1851 he took second prize behind Anderssen, but ahead of Williams, Staunton, Horwitz, Szen, etc.
In the course of this event Wyvill defeated Lowe by +2-0, Kennedy by +4-3=1 and Williams by +4-3. In the final he succumbed to Anderssen by the honourable score of +2-4=1. At the time of the tournament Wyvill was Member of Parliament for Richmond, Yorkshire.
An adherent of the same playing style as Staunton and Williams, Wyvill possessed a fine appreciation of the English Opening and the Sicilian Defence, both of which he employed to deadly effect in the London tournament.
Long after he had retired from competitive play he retained a great interest in the game and his name appears as one of the members of the General Committee in the book of the London 1883 tournament, together with his contribution to the tournament funds of the sum of £100. £100 in 1883 would be worth £2,500 today.
Here is an example of the Wyvill pawn formation :
The Wyvill formation is a name given by Tarrasch to a pawn formation with doubled pawns as shown above. This formation was not unfamiliar to Wyvill but could with more justification have
been named after Winawer who so frequently doubled his opponent’s c-pawns that this and similar formations became known as his trademark. The technique for attacking the Wyvill formation was also understood by Neumann and before him by Carl Hamppe (1814-76), the leading
Viennese player of the 1850s.
“Alan Phillips, joint British Champion in 1954, was born in England in 1923. He was the author of Chess: 60 Years on with Caissa and Friends (Caissa Editions, 2003) and The Chess Teacher (Cadogan, 1995).”
Here is an item from the Shropshire Chess web site
Here is Alan Phillips autobiography from his own book, Chess: Sixty years on with Caissa & Friends
“Born in Stockport in 1923,I was playing pontoon in an air-raid shelter in the autumn of 1940 with a friend from our school, Stockport Grammar, when he suddenly announced that he knew a better game, being the school chess champion. Ostensibly studying for a Cambridge Scholarship with a view to reading Classics, I played about 200 games with Norman Stephens, emerging the victor perhaps because I studied Alekhine’s and Euwe’s games, obtained from the Public Library, whence I had been borrowing difficult piano works for the previous two years. When I got up to Magdalene in 1941, I found standing next to me in the University Chess Club Wykehamist James Lighthill, destined to become, arguably, our greatest applied mathematician of the second half of the last century; I played chess with him one evening a week and piano duets another, and as Match Captain and Hon.Sec. in my second year – shared top board, while now supposedly reading Italian, as a War Office scheme, and French, languages I unfortunately then considered beneath contempt, compared with the glory that was Greek.
Enrolled but not commissioned – the War Office having ratted on its promise to a large bunch of first-class linguists – in the Army Intelligence Corps from August 1943 to October 1946,I spent nearly three years abroad in Sicily and Palestine, riding a motor-bike – our American equivalents in the CIC were mostly majors or colonels and rode in Cadillacs – and playing, when stationary, much music with singers and violinists, especially in Palestine, and chess with the Captain of the Harbour in Sicily, a charming moustached Neapolitan who got about three draws in 300 games, and then in Haifa, Hadera and Jerusalem chess clubs, beating the youth champion of Palestine and Aloni when he played simultaneously, but losing to Porath, and enjoying ‘skittles’ in cafes with many other players of near-master rank. Demobilised and put, like the Goons, on the Z-reserve in autumn 1946, I went back to Cambridge to read Classics Pt II and found Peter Swinnerton-Dyer, as far as I know our best number theorist of the past fifty years, waiting for me – we tied for the University Championship having begun a series of trips to Hastings with Alan Truscott, and later continued to Birmingham for the Midland Championship, which I won in 1951.
I usually won prizes in increasingly strong sections at Hastings except in two Premiers, 1950-1 and 1954-5, when my emotions were otherwise engaged, as happened in the British Championship in 1952, when, after I had beaten all the best players and scored 7/8 with three rounds to go, a girl-friend turned up and I lost my last three games, refusing a draw in round nine in a not superior position, not out of arrogance, but in order to clinch the title.
Otherwise, with one or two exceptions, I only lost to the strongest players in the British Championships I played in, i.e. 1949-55 and 1961, tying for first place at Nottingham 1954 and coming third equal in a very strong Championship at Aberystwyth 1955, which earned me a place as Board 6 on the English team at the Moscow Olympiad in 1956, where I only drew against Luxembourg, and lost to Geller, but drew in two cases from bad positions with Johner, Sanguinetti and Ghitescu.
In l96l I moved up to Derbyshire, where – though playing top board for Manchester as well as the county – having switched to Maths teaching after several years part-time study at Birkbeck and acquired offspring as well as promotion, I also started annual visits to Dartington Summer School of Music, now totalling 38 out of a possible 40, all of which made it virtually impossible for me to play in tournaments, apart from the odd visit to Hastings or fairly strong week-end tournaments, e.g. Ilford, which I won for the second time in 1973, beating Basman. My responsibilities on my return to London as Head of Charlton School in 1967, where I got Bob Wade to teach chess as part of mathematics in the Lower School, and then of Forest Hill School, where we organised many tournaments, although I played generally as top board for Kent, whom I led twice to victory in the County Championship in 1975 and 1976, meant that I had even less time for tournament chess, except at Islington and in the Challengers, so that my real heyday ended there, with a final move to a ‘quiet’ county, Shropshire – as far as chess was concerned – as Adviser for Secondary Education and Area Adviser, 1976-82, in which capacity I avoided as much paper-work as I could and taught chess in the lunch-hour to all the primary and handicapped pupils I visited. I should say most of my successes at chess have been at County Level, where I played top board for Cambridgeshire and London University, as well as the counties mentioned, and in the very strong London League, as far as I can estimate I had a success rate of some 70% in those contests. In general the games in this book, with one or two exceptions for historical or anecdotal reasons, were played at high levels, and won by the right player, not suddenly lost by a blunder, like some games published nowadays because the blunder is perpetrated by a famous player.
With regard to the general assessment of players and tournaments, I have only one comment “Look at the games!” When even, or especially, David Bronstein wails “They give me a number”, I think it time to end a spuriously precise system and revert to the earlier English practice or the traditional Soviet one of putting players in classes, preferably according to a sufficiently large number of results in tournaments or strong club or county matches. And when players are inhibited, when the match is won, from offering an opponent, who has played well, a draw, that is a diminution of sportsmanship, so a draw, even with Kasparov, should not count in grading. Finally the use of seconds or computers once a game is started should be
regarded as totally unsporting, and players should be put on their honour, as bridge-players are in matters of cheating, not to use them.
I should like to dedicate this book to the memory of my good friends, David Hooper, Stuart Milner-Barry, and A.R.B.Thomas, men of integrity, humour, and many other talents, who brought to their chess the same qualities of courage and sportsmanship they showed in the rest of their lives.
British Master, Joint British Champion 1954
Thorn Cottage, Appleton Thorn, Warrington, Cheshire
BCN remembers Howard Staunton (??-iv-1810 22-vi-1874)
From The Oxford Companion to Chess by Hooper and Whyld :
The world’s leading player in the 1840s, founder of a school of chess, promoter of the world’s first international chess tournament, chess columnist and author, Shakespearian scholar. Nothing is known for certain about Staunton’s life before 1836, when his name appears as a subscriber to Greenwood Walkers Selection of Games at Chess , actually played in London, by the late Alexander McDonnell Esq. He states that he was born in Westmorland in the spring of 1810, that his father’s name was William, that he acted with Edmund Kean, taking the part of Lorenzo in The Merchant of Venice, that he spent some time at Oxford (but not at the university) and came to London around 1836. Other sources suggest that as a young man he inherited a small legacy, married, and soon spent the money.
He is supposed to have been brought up by his mother, his father having left home or died. He never contradicted the suggestion that he was the natural son of the fifth Earl of Carlisle, a relationship that might account for his forename, for the Earl’s family name was Howard: but the story is almost certainly untrue, not least because in all probability Howard Staunton was not his real name. A contemporary, Charles Tomlinson (18O8- 97), writes: ‘Rumour . . . assigned a different name to our hero [Staunton] when he first appeared as an actor and next as a chess amateur.
At the unusually late age of 26 Staunton became ambitious to succeed at chess; a keen patriot, his motivation may in part have sprung from a desire to avenge McDonnell’s defeat at the hands of a Frenchman. A rook player in 1836 (his own assessment), Staunton rose to the top in a mere seven years. In 1838 he played a long series of games with W. D. Evans and a match of 21 games with Alexandre in which he suffered ‘mortifying defeat’ during the early sittings; but he continued to study and to practise with great determination.
In 1840 he was strong enough to defeat H. W. Popert, a leading German player then resident in London. In the same year he began writing about the game. A short-lived column in the New Court Gazette began in May and ended in Dec. because, says G. Walker, there were ‘complaints of an overdose’. More successful was his work for the British Miscellany which in 1841 became the Chess Player’s Chronicle, England’s first successful chess magazine, edited by Staunton until 1854, Throughout 1842 Staunton played several hundred games with John Cochrane, then on leave from India, a
valuable experience for them both.
In 1843 the leading French player Saint-Amant visited London and defeated Staunton in a short contest -(+3 = 1—2), an event that attracted little attention; but later that year these two masters met in a historic encounter lasting from 14 Nov. to 20 Dec. This took place before large audiences in the famous Café de la Régence. Staunton’s decisive victory ( + 11 = 4—6) marked the end of French chess supremacy, an end that was sudden, complete, and long-lasting.
From then until the 1870s London became the world’s chess centre. In Oct. 1844 Staunton travelled to Paris for a return match, but before play could begin he became seriously ill with pneumonia and the match was cancelled.
Unwell for some months afterwards, he never fully recovered: his heart was permanently weakened. In Feb. 1845 he began the most important of his journalistic tasks, one that he continued until his death: in the Illustrated London News he conducted the world’s most influential chess column. Each week he dealt with a hundred or more letters; each week he published one or more problems, the best of the time. In 1845 he conceded odds of pawn and two moves and defeated several of his countrymen and in 1846 he won two matches playing level: Horwitz (+14=3 — 7) and Harrwitz (+ 7). In 1847 Staunton published his most famous chess book, the Chess Player’s Handbook, from which many generations of English-speaking players learned the rudiments of the game: the last of 21 editions was published in 1939. He published the Chess Players Companion in 1849.
In 1851 Staunton organized the world’s first international tournament, held in London. He also played in it, an unwise decision for one burdened with the chore of organization at the same time. After defeating Horwitz (+4=1—2) in the second round he lost to Anderssen, the eventual winner.
Moreover he was defeated by Williams, his erstwhile disciple, in the play-off for places. Later that year Staunton defeated Jaenlsch ( + 7=1 — 2) and scored +6 = 1—4 against Williams, but lost this match because he had conceded his opponent three
games’ start. In 1852 Staunton published The Chess Tournament, an excellent account of this first international gathering. Subsequently he unsuccessfully attempted to arrange a match with Anderssen, but for all practical purposes he retired from the game at this time.
Among his many chess activities Staunton had long sought standardization of the laws of chess and, as England’s representative, he crossed to Brussels in 1853 to discuss the laws with Lasa, Germany’s leading chess authority. Little progress was made at this time, but the laws adopted by FIDE in 1929 are substantially in accordance with Staunton’s views. This trip was also the occasion of an informal match, broken off when the score stood +5=3-4 in Lasa’s favour. Staunton took the match seriously, successfully requesting his English friends to send him their latest analyses of the opening.
Staunton had married in 1849 and, recognizing his new responsibilities, he now sought an occupation less hazardous than that of a chess-player. In 1856. putting to use his knowledge of Elizabethan and Shakespearian drama, he obtained a contract to prepare an annotated edition of Shakespeare’s plays. This was published in monthly instalments from Nov. 1857 to May 1860, a work that ‘combined commonsense with exhaustive research’. (In 1860 the monthly parts ready for binding in three volumes were reissued, in 1864 a four-volume reprint without illustrations was printed, and in 1978 the original version was published in one volume.) Staunton, who performed this task in a remarkably short period, was unable to accept a challenge from Morphy in 1858: his publishers would not release him from his contract. After the proposal for a match was abandoned Frederick Milnes Edge (c. 1830-82), a journalist seeking copy, stirred up a quarrel casting Staunton as the villain. Morphy unwisely signed some letters drafted by Edge, while Staunton, continuously importuned by Edge, was once driven to make a true but impolitely worded comment about Morphy. Generally however these two great masters behaved honourably, each holding the other in high regard; but Edge’s insinuations unfairly blackened Staunton’s reputation.
Subsequently Staunton wrote several books, among them Chess Praxis (1860) and the Great Schools of England (1865), revised with many additions in 1869. At the end of his life he was working on another chess book when, seized by a heart attack, he died in his library chair.
Staunton was no one’s pupil: what he learned about chess he learned by himself. For the most part he played the usual openings of his time but he introduced several positional concepts. Some of these had been touched upon by Philidor, others were his own: the use of the ranch mo for strategic ends, the development of flank openings specially suited to pawn play. He may be regarded as the precursor of the hypermodern movement, the Staunton system the precursor of the Reti opening. In his Chess Players Companion Staunton remarks that after 1 e4 e5 Black’s game is embarrassed from the start, a remark anticipating Breyer’s ideas about the opening by more than half a century, Fischer wrote in 1964: “Staunton was the most profound opening analyst of all time. He was more theorist than player but none the less he was the strongest player of his day. Playing over his games I discover that they are completely modern.
Where Morphy and Steinitz rejected the fianchetto. Staunton embraced it. In addition he understood all the positional concepts which
modern players hold so dear, and thus with Steinitz must be considered the first modern player.
Tall, erect, broad-shouldered, with a leonine head, Staunton stood out among his fellows, walking like a king’. He dressed elegantly, even ostentatiously, a taste derived perhaps from his
background as an actor. G. A. Macdonnell describes him: “… wearing a lavender zephyr outside his frock coat. His appearance was slightly gaudy, his vest being an embroidered satin, and his scarf gold-sprigged with a double pin thrust in, the heads of which were connected by a glittering chain . . .’ A great raconteur, an excellent mimic who could entertain by his portrayals of Edmund Kean, Thackeray, and other celebrities he had met, he liked to hold the stage, ‘caring for no man’s anecdote but his own’. He could neither understand nor tolerate the acceptance of mediocrity, the failure of others to give of their best.
A man of determined opinions, he expressed them pontifically, brooking little opposition. Always outspoken, he often behaved, writes Potter, ‘with gross unfairness towards those whom he disliked, or from whom he suffered defeat, or whom he imagined to stand between himself and the sun’; ‘nevertheless’, he continues, ‘there was nothing
weak about him and he had a backbone that was never curved with fear of anyone.’ Widely disliked, Staunton was widely admired, a choice that would have been his preference. Reminiscing in 1897, Charles Edward Ranken (1828-1905) wrote: “With great defects he had great virtues; there was nothing mean, cringing, or small in his nature, and, taking all in all, England never had a more worthy
chess representative than Howard Staunton.
R. D. Keene and R. N. Coles Howard Staunton the English World Chess Champion (1975) contains biography, 78 games, and 20 parts of games.
The Staunton Defence has remained a completely playable gambit versus the Dutch Defence :
From British Chess Magazine, Volume CXIX (119, 1999), Number 11 (November), page 584 :
“English Heritage unveiled a blue plaque to Howard Staunton, arguably Britain’s greatest 19th century chess player, in London on September 28. The unveiling took place at 117 Landsdowne Road, London W11, and was performed by Barry Martin, secretary of the Staunton Society, on behalf of English Heritage. Staunton lived with his wife at 117 Lansdowne Road between 1871 and 1874. He died at 27 Elgin Crescent later that year. The weather was favourable and a good crowd (including several grandmasters) was able to enjoy proceedings. BBC television covered the event for their lunch-time and evening news programme.”
BCN Remembers Sir Richard Clarke KCB OBE who passed away on June 21st 1975.
According to chess-poster.com : “Clarke died in the University College Hospital, in London, on 21 June 1975 and was cremated at Golders Green three days later. He was survived by his wife Brenda Pile (married in 1950, née Skinner) and their three sons.”
Richard William Barnes Clarke was born on August 13th, 1910 in Basford, Derbyshire. The birth was registered in Ilkeston in the district of Erewash. His parents were a secondary and technical school schoolmaster of science, William Thomas Clarke and Helen Rodway Clarke (née Barnes). Richard was baptised on October 1st 1910 in St. Lawrence (Anglican) Church in Heanor, Derbyshire.
The 1911 census records the family living at “Iona” which was a modest property in Fletcher Street in Heanor which had six rooms. Richard was seven months old and he had a three year old sister, Stella Helen Clarke. The family retained a nineteen year old domestic servant, Ada Mary Brown who has been born in Codnor, Derbyshire.
In 1944 Richard was awarded the OBE for his work as Planning Officer for the Ministry of Production followed by Companion of the Bath in 1951 for his work as Under Secretary at HM Treasury and in 1964 he was made Knight Commander of the Bath for his work as Second Secretary at HM Treasury.
According to chess-poster.com : “He was commonly known as Otto Clarke” and according to his son Mark the nickname “Otto” was possibly because of Clarke’s “forceful” personality was considered Germanic. According to Sir Sam Brittan, “it was because his round glasses and the bridge over the nose looked like OTTO.”
Creator of the British system of grading. He gave up active chess after leaving Cambridge University where he played second board between C.H.O’D. Alexander and Jacob Bronowski.
At first a financial journalist (one of the two who created the Financial Times Index), he became, at the outbreak of the Second World War, a temporary civil servant, remaining to become one of the most distinguished of them, and to receive a knighthood.
According to Arpad E. Elo in “Ratings of Chessplayers Past and Present” : “In the chess world, rating systems have been used with varying degrees of success for over twenty-five years. Those which have survived a share a common principle in that they combine the percentage score achieved by a player with the rating of his competition. They use similar formulae for the evaluation of performance and differ mainly in the elaboration of the scales. The most notable are the Ingo (Hoesskinger 1948), the Harkness (Harkness 1956), and the British Chess Federation (Clarke 1957) systems. These received acceptance because they produced ranking lists which generally agreed with the personal estimates made by knowledgeable chessplayers.”
Here is an article in full reproduced from British Chess Magazine, Volume LXXXIII, Number 2, February, 1963, pages 49 -53 :
The June 1975 issue of British Chess Magazine announces his passing and promises that a tribute would follow : it never did.
BCN Remembers Johannes Hermann Zukertort (07-ix-1842 20-vi-1888)
From the July 2012 editorial in British Chess Magazine we had this report :
“Johann Hermann Zukertort’s (1842-1888) grave was rededicated last month in London’s crowded Brompton Cemetery, largely thanks to an initiative led by Stuart Conquest. The resting place of one of the leading players of the nineteenth century was recorded but the grave had fallen into terrible disrepair. See BCM 1888, pp.307-8 and p.338-340 for the obituary of the great man. We read that his death ‘was terribly sudden’, that he was buried on 26th June, 1888 and that ‘several pretty wreaths were laid on the coffin …’”
Polish-born Jew, from about 1871 to 1886 second player in the world after Steinitz. From about 1862 to 1866 Zukertort, then living in Breslau, played many friendly games with Anderssen, at first receiving odds of a knight but soon meeting on even terms. They played two matches in Berlin, Zukertort losing the first in 1868 (+3 = 1—8) and winning the second in 1871 (+5 — 2).
In 1872 a group of London players, anxious to find someone who could defeat Steinitz, paid Zukertort 20 guineas to come to England. He came, he stayed, but he failed to beat Steinitz.
Zukertort took third place after Steinitz and Blackburne at London 1872, the strongest tournament in which He had yet played, and later in the year was decisively beaten by Steinitz in match play ( + 1=4—7). Zukertort settled in London as a professional player.
He won matches against Potter in 1872 ( + 4=8—2), Rosentalis in 1880 ( + 7=11-1), and Blackburne in 1881 ( + 7=5-2), He also had a fair record in tournament play: Leipzig 1877, second equal with Anderssen after L. Paulsen ahead of Winawer:-* Paris 1878, first ( + 14=5—3) equal with Winawer ahead of Blackburne (Zukertort won the play-off, +2=2); Berlin 1881, second alter Blackburne ahead of Winawer; and Vienna 1882, fourth equal with Mackenzie after Steinitz, Winawer, and Mason.
The world’s nine best players were among the competitors in the double-round London tournament of 1883 when Zukertort achieved his greatest victory: first prize (+22—4) three points ahead of Steinitz, the second prize winner, in seven weeks and a day he played 33 games (seven draws were replayed) and towards the end he relieved the strain by taking opiates, the cause of his losing his last three games. This victory led to the first match for the world championship, a struggle between him and Steinitz, USA, 1886. After nearly ten weeks of relentless pressure by his opponent Zukertort lost (- 1 – 5=5 —10) i winning only one of the last 15 games. His spirit crushed, his health failing, he was advised to give up competitive chess, but there was nothing else he could do. I am prepared, he said, l to be taken away at any moment.’ Seized by a stroke while playing at London’s famous coffee-house, Simpson’s Divan, he died the next day.
Like Anderssen, his teacher, Zukertort had a direct and straightforward style, and in combinative situations he could calculate far ahead. Having a prodigious memory he could recollect at will countless games and opening variations, a talent which may have limited his vision. (For his match with Steinitz in 1872 his extensive opening preparations brought him only one win. Steinitz was the better player in unfamiliar situations.) As an annotator and analyst Zukertort was outstanding in his time, and much of his work in these fields appeared in the Chess Monthly which he and Hoffer edited from 1879 to 1888.
Zukertort read widely and what he read became, as he said ‘iron-printed in my head’. Hoffer recalls Zukertort holding a visitor from India spellbound with a convincing and detailed account of a tiger-hunt, although it must have been outside his experience. Zukertort’s own account of his early life was reported in the Norfolk News, 16 Nov. 1872, He claimed aristocratic (Prussian and Polish) descent, and fluency in nine languages. “He learnt one language to read Dante, another to read Cervantes, and a third, Sanskrit, to trace the origin of chess,’ Besides the study of theology, philology, and social science he is also an original thinker on some of the problems that perplex humanity , ” He is ‘an accomplished swordsman, the best domino player in Berlin, one of the best whist players living, and so good a pistol shot that at fifteen paces he is morally certain to hit the ace of hearts . , , has found time to play 6,000 games of chess with Anderssen alone … a pupil of Moscheles, and in 1862-6 musical critic of the first journal in Silesia … is also a military veteran … he served in the Danish, in the Austrian, and in the French campaign , , , he was present at the following engagements, viz, in Denmark, Missunde, Duppcl, and Alsen; in Austria, Trauienau, Koniginhof, Kdniggratz (Sadowa), and Blumcnau; in France, Spicheeren, Pange (Vionville), Gravelotte, Noisevillc, and all other affairs before Metz, Twice dangerously wounded, and once left for dead upon the field, he is entitled to wear seven medals besides the orders of the Red Eagle and the Iron Cross, . . . He obtained the degree of M.D. at Breslau in 1865, having chiefly devoted his attention to chemistry under Professor Bunsen at Heidelberg, and to physiology at Berlin under Professor Virchow … is now on the staff of Prince Bismarck’s private organ, the Allgemeine Zetiling, and is chief editor of a political journal which receives “officios’” from the Government at Berlin. He is . . . the author of the Grosses Schach Handbuck and a Leitfaden , and , . . was for several years editor of the Neue Berliner Schachzeitung. ’ There is some truth in the last sentence: he was co-author of the books, co-editor of the chess magazine.
A. Olson, J. H. Zukertort (1912) is a collection of 201 games with Swedish text.
“One of the leading players of the last century, Zukertort was born in Riga on 7th September 1842. His father was a Prussian and his mother a Pole. When he was 13, his family moved to Breslau. After studying chemistry at Heidelberg and physiology at Berlin, he obtained his doctorate of medicine at Breslau University in 1865. He served as a doctor with the Prussian Army during his country’s wars against Denmark, Austria and France and was decorated for gallantry.
Zukertort was a man of many talents. He had a prodigious memory, and it was said that he never forgot a game he had played. He spoke 11 languages, and he was an excellent pistol shot and fencer but it was journalism and chess that he chose for a career.
Zukertort learned to play chess when he was 18, and two years later he met Anderssen and became his pupil. Within three years he had become one of the strongest players in North Germany. He first drew attention to himself as a blindfold simultaneous player. In 1868, he gave a simultaneous blindfold display against seven players in Berlin. This was his first blindfold performan@, and it was so successful that he gave several further performances, almost immediately increasing the number of his opponents to 12.
Between 1867 and 1871, he was joint editor with Anderssen of the Neue Berliner Schachzeityng. In 1871 he played a match against Anderssen, probably the second strongest player in the world at that time, and beat_him by 5-2. Following this victory, he was invited to take part in the 1872 London Tournament. He came 3rd and, probably because he was disappointed at his result, immediately challenged – the winner, Steinitz, to a match for the title of World Champion. Steinitz had claimed this title after his victory over Anderssen in 1866. Zukertort lost the match by + 1 -7 :4.
Meanwhile, Zukertort had decided to make England his permanent home and became a naturalised Englishman in l878.
Zukertort tied with Anderssen for 2nd prize in a master tournament in Leipzig in 1877, but his first major international event was Paris 1878, when he tied for lst place with Winawer and won the play-oft. In 1880 he beat the French champion, Rosenthal, in a match 7-1, and the following year he beat Blackburne +7 -2 – 5. The greatest performance of his career came in 1883, when in the London Tournament he won lst prize, three points ahead of Steinitz, who came 2nd. His victory was certain two weeks before the end of the tournament when he had a score of 22 out of 23. With victory secure, he went on to lose his last three games, the strain having proved too much.
Zukertort was advised by his doctor to give up serious chess but he refused and within a short time left England for a chess tour of the United States, Canada and Europe. On his return from this tour, he left almost immediately to play a second match for the world title against Steinitz. This took place in 1886. Zukertort was in no fit state of health
for such a match, and it proved too much for him. He lost by +5 -10 =5 and returned to England a physical and nervous wreck.
Zukertort never fully recovered. He continued to play chess, but with little success. He died at Charing Cross Hospital on 20th June 1888 of cerebral haemorrhage, following a game at Simpson’s ‘Divan’.”
“One of the most talented players of all time and possibly an English Prussian Polish Jewish grandmaster, the antecedents and early career of Zukertort are shrouded in mystery, a mystery that was the more complete in that the only account of these comes from Zukertort with a lack of corroboration so great that perhaps he really was telling the truth. Whatever the truth may be it is certain that he was a great chess player, one of those who carry with them the aura of certain genius. According to Zukertort, then, he was born in Lublin of mixed Prussian and Polish descent and his mother was the Baroness Krzyzanovska. The name of his mother sounds incredibly like an invention of W. C. Fields and it is difficult to believe that his father’s name, Zukertort, was not Jewish.
Again according to Zukertort he studied chemistry at Heidelberg and physiology at Berlin, claiming to have obtained his doctorate of medicine at Breslau University. His versatility was astonishing. He spoke nine languages including Hebrew and was acquainted with several more. He had been a soldier, having fought in several campaigns for Prussia against Austria, Denmark and France; and once had been left for dead on the battlefield.
A music critic, editor of a political paper, on the staff of Bismarck’s newspaper, the Allgemeine Zeitung; gifted with a memory so colossal that he never forgot a game he played; a consummate fencer, a blindfold simultaneous player of undoubted repute (he had played as many as fifteen simultaneously blindfold) and a grandmaster with justified pretensions towards the world title: most of these attributes we have to take on Zukertort’s word. But there is enough left that is substantiated to show his great importance in the history of chess.
His early chess career had much to do with Anderssen whom he beat in a match, when Anderssen had grown old, in 1871 in Germany by +5-2, having lost a previous match to him in Berlin in 1868 by +3 -8 =1. On the strength of his win over Anderssen in the second match he was invited to play in a small but strong tournament in London in 1872 where he came 3rd below Steinitz and Blackburne. Immediately afterwards he played a match with Steinitz in which he was overwhelmingly defeated by +1-7 =4.It is unlikely that this was for the World Championship since no mention was made of the title at the time and the stakes were small, £2O for the winner and £l0 for the loser.
Despite this disastrous loss, which contained the seeds of further disasters, Zukertort felt that London was his true home and decided to stay in England, becoming a naturalized citizen in 1878. His results in tournament and match play from then on showed a steep upward curve. He was 2nd in London 1876, lst in a small tournament in Cologne 1877 and :2nd at Leipzig that year. He came lst in a big tournament at Paris 1878 where he tied with Winawer and won the play-off.
In 1880 he won a match in London against Rosenthal by +7 -l =11 and in the following year he was 2nd to Blackburne in Berlin. He was no less than 3 points behind Blackburne but he avenged this by beating him in a match in London the same year by +7 -2 =5.
A comparative setback came in a great tournament at Vienna in 1882 when he tied for fourth place with Mackenzie, below Steinitz, Winawer and Mason but in 1883 came the peak of his career when
he won lst prize in the great London tournament, 3 points ahead of Steinitz and 5.5 points ahead of Blackburne who came 3rd.
The remarkable nature of his victory is to be seen from the fact that he was sure of first prize with some two weeks still to go when he had a score of 22/23. But, ominously, his health was giving way and he had been sustaining himself by the use of drugs. He lost his last three games. It is very probable that this high point in his career was also the time when his health began to deteriorate under the excessive nervous strains by his conscious efforts to out rival Steinitz.
Thus, though he had been warned by his doctor he refused to abandon serious play and in 1886 he played his match for the World Championship against Steinitz in the USA, losing by +S -10 =5. The strain was this time too great an and he returned to England with his health completely shattered.
This was reflected in his subsequent results. =7th in London 1886 and =3rd in a smaller tournament at Nottingham that year, he had disastrous results throughout 1887: =l5th at Frankfurt-am-Main, 4th in a small tournament in London and a match loss there to Blackburne by +1-5:8.
In the last year of his life he was =7th in London in 1888 playing to the last possible moment, he died from a cerebral haemorrhage after a game at Simpson’s Divan.
Despite a career that stopped as if it were halfway, Zukertort is clearly one of the chess immortals and there is about his best game a sort of resilient and shining splendour that no other player possesses.”
We focus on the British Chess Scene Past & Present !
Privacy & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.