“Are you a parent of a junior chess player who feels that because you don’t know how to play chess, you can’t help your child? Or are you an adult or junior chess player who has taken private chess lessons for years, but feels you haven’t been progressing? In both cases, there can be a lot of reliance on a chess coach who has been given free rein with lesson content and direction. They probably have some sort of plan but it is likely to be a plan used for all their students. This is not ideal.
More important is a well-thought out, individualized plan, that focuses on a specific player’s unique strengths and weaknesses. Formulating such a plan is crucial for making improvements. Victoria Doknjas and her son John Doknjas are an ideal writing partnership to tackle this topic. John is a FIDE Master who has already established himself as an excellent and highly-respected author who understands the improvement process very well. Victoria has over a decade of experience navigating the competitive chess arena with her three master-level sons, including also running her own chess academy. Together they offer a unique and informative insight to those wanting to get more out of their chess studies, as well as presenting practical advice in areas including:
* Identifying important goals and how to work towards them.
* Understanding how to objectively analyse your games.
*Maximising the efficiency of software and engines for learning.
Reading this book can broaden your horizons in the essential areas of chess study, and ideally let you better evaluate what your chess coach is teaching you. And if you don’t have a chess coach, this book will provide you with an excellent foundation for serious chess study.”
and about the authors:
John Doknjas is a FIDE Master who has won several strong tournaments in British Columbia, Canada, including the Grand Pacific Open. John is a chess teacher with over eight years of experience and is a highly respected author. Victoria Doknjas has over a decade of experience navigating the competitive chess arena, including also running her own chess academy.
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
A rather provocative title, I think. Here are two chess coaches telling you what chess coaches (presumably apart from them) don’t tell you. You can read their introduction in the sample linked to above.
As I have a rather large pile of books still to review and much else to do I hope you’ll excuse me being rather less detailed than in the past.
Of course there’s a big difference between coaching players with, say, ratings of 0, 500, 1000, 1500, 2000 and 2500. Or between coaching players aged, say, 5, 10, 15, 20 or 25, not to mention 50 or 95. Or between coaching players who have, say, 5 hours a day, 1 hour a day or 1 hour a week to devote to chess.
I can summarise the chapters fairly quickly.
Chapter 1 (3 pages): Working Hard with a Set Purpose. Or, if you like, Deliberate Practice.
Chapter 2 (5 pages): Defining Goals and Developing a Plan to Achieve Them. All great in principle, but the problem is that, for most of us, life (work, studies, family or whatever) usually tends to get in the way.
Now we move on to the meat of the book.
Chapter 3 (57 pages): Analyzing Your Games.
The authors recommend that when you’ve played a game you enter it into your database (without having an engine on), annotate it with specific reference to the critical moments, write down what you learnt from the game, and only then look at it using an engine and/or show it to your coach.
You’re provided with three exercises: one game by each of the authors and a grandmaster game, each of which is presented five times: without annotations, with the possible critical moments highlighted, with some variations at the critical moments, with further explanations at the critical moments, and finally with engine-based analysis.
With jumbo sized diagrams used liberally, this takes up a lot of space for a lot of repetition.
Here’s the GM game: you might want to see how you get on. Click on any move for a pop-up window.
Analysing a Karpov game would, I’m sure, be a good exercise for a 2000+ player, but it would be pretty hard for a 1500 player and futile for a 1000 player. We’re perhaps looking at this point at a book for very strong and ambitious players, along with their parents and coaches.
This level seems to be continued in Chapter 4: Creating an Opening Database (30 pages). Using as an example the closed Italian Game (with c3 and d3) for White, the authors show you how you might go about this using ChessBase.
When we’re trying to find moves for our opponent to use in our opening repertoire, we should try to find the most popular moves (since these are what we’re most likely to face in a game). However, when we’re trying to find a move to play ourselves, often it’s useful to choose a rare move over a popular move (as long as the engine is fine with it).
Again, this sounds like excellent advice for, say a 2000 player.
Moving on, then.
Chapter 5 clocks in at a chunky 85 pages on Will to Win: Essential Endgames. All reputable chess coaches will agree that Essential Endgames are, well, essential.
But here we’re taught how to play baby positions like this…
.. which is one of the first lessons I give beginners, followed by pages on RP v R (Philidor, Lucena) and Q v P on the 7th rank, again material more suited to 1000 players than 2000 players.
This all left me rather confused as to the purpose and target market of the book.
We’re still in endgame territory in Chapter 6, Tactics and Studies (32 pages). As well as solving tactics puzzles online the authors recommend, like most chess coaches these days, solving endgame studies. They present five rather difficult studies here, much more suited to 2000 rather than 1000 strength players.
This one, unlike some of their other choices, has a short solution.
White to play and draw (Jan Timman 1981)
The main line runs 1. Nd2 Bf7 2. Kg5 Ng2 3. Nf3 Kf8 4. Ne5 Kg7 5. Nxg6 Bxg6 with stalemate.
Chapter 7 is Slowing Down (another 32 pages). Good advice for novices, yes, but do you need to tell experienced players to slow down? We seem to be back with advice for 1000 players now, telling you to play more slowly and consider basic principles (control the centre squares, develop your pieces etc). We then have a few exercises where you have to use basic principles to find the best plan in some GM games.
The final long chapter, Chapter 8 (88 pages), is on Training Games. I was very pleased to see this chapter as I consider training games to be an invaluable method of improving your chess which is often ignored. We’re first advised to play training games against stronger players if we can. We’re then given 41 positions which can be played out against a training partner or a computer. These range from typical opening positions, through a variety of middlegame positions through to endings. Each of the positions is then repeated along with the game continuation and some analysis, explaining the length of the chapter.
Chapter 9 (22 pages) covers the important topic of To Exchange or not to Exchange in rather perfunctory fashion: a brief introduction followed by four examples including games from Kasparov and Karpov.
Finally, Chapter 10 (12 pages) gives you some FAQs for Parents or Those New to Competitive Chess – useful, I suppose, but parents and adult newcomers will have rather different questions, and some of the answers are USA/Canada-centric, which may not be helpful for UK readers.
What to make of this book, then?
The question I always ask is whether the publishers commissioned the book, or whether the authors wrote it and submitted it on spec. Perhaps the former, although I may be wrong. It’s clear that the authors are great chess coaches and the book is full of excellent ideas and advice, some of which is not readily available elsewhere. But it doesn’t seem coherent to me, though, switching between advice tailored for budding masters and instruction more suitable for novices. There was, for my taste, rather too much analysis of fairly random examples, and the layout, with the very large diagrams favoured by this publisher, could have been more economical.
While I get that the chess book market, unless your name is Levy Rozman, is relatively small, and publishers want their books to appeal to as wide a range of readers as possible, trying to please everyone at the same time results in a book which will only be useful in parts for most purchasers. A more proactive approach from the publishers to produce a book with a more specific target market could easily have resulting in something half the size and twice as useful (which would perhaps have sold half as many copies).
Although I can only recommend the book with reservations, you might find it fills a gap in the market and at least some of the material will give you some fresh ideas about how to improve your, or your students’ rating.
And, if you’re interested in publishing a book about what chess coaches don’t tell parents of kids rated under 1000, I know just the person to write it.
Secrets of Queen Endgames: Ferenc Berkes and Tibor Karolyi
From the publisher:
“A revolutionary new work on a notoriously challenging type of chess endgame
Queen endgames can seem unfathomably complicated. Computers have provided complete information for some of the basic queen and pawn endings, but human understanding has proved elusive.
In this ground-breaking work, two Hungarian authors have gone to extraordinary lengths to explain strategies and methods in queen endgames. Rather than a random series of checks, we can now understand king and queen triangulations that gradually bring the pieces to the squares they need to be to engineer the killer tactic that completes the process. Berkes and Karolyi have devised guidelines that help us judge what we need to aim for, and provided a broad set of tools to help us achieve these goals.
Going beyond previous texts, the authors have used not just seven-man tablebases and modern engines, but the specialized program FinalGen to delve with the same certainty into endgames with many more pawns. But most of all, they have spent thousands of hours seeking to present the whole truth about queen endings in human terms. Their wide-ranging discussion of shelters is especially instructive.”
A definitive guide to a fundamental class of endgames
Explains all types of endings with queens and pawns
A wealth of guidelines for handling positions with many pawns
Spectacular and previously unpublished endgame studies
Thoroughly up to date, with more than 1000 chess diagrams
Ferenc Berkes is a grandmaster from Hungary. A former World Under-18 Champion, he was won the championship of his country on eight occasions. He plays team chess in several European leagues. IM Tibor Karolyi is also from Hungary. His many pupils have included super-GMs Peter Leko and Judit Polgar, and he is a highly experienced chess writer.
To get some idea of the book Gambit (via Amazon) provide a “Look Inside” at their Kindle edition. As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. A previous criticism (ibid) has been addressed in that each diagram has a W or B “whose move it is” indicator.
The book is divided into 9 chapters as follows :
Extreme Tactics in Queen Endings
Tools in Queen Endings Technical Queen Endgames
Queen and Pawn vs Queen
All the Pawns on the Same Side
Extra Outside Passed Pawn Practical and Strategic Queen Endgames
The Pawn
The Queen
The King
Complex Queen Endgames
Here on YouTube John Nunn gives the reader an introduction to the book :
This book is a superb tour de force covering a complex subject that has not been covered so extensively before. My short review cannot really do justice to this magnus opus.
The book is aimed at expert players, probably 2200 and above. The vast majority of GMs would learn a lot from this book. Despite these comments, it is the reviewer’s opinion that any aspiring, improving player would benefit from reading the more general chapters 1, 2, 5, 6, 7, 8. The pure technical chapters 3 and 4 are certainly more abstruse but very instructive: the authors don’t just give long variations but intersperse these with pithy, useful comments.
The short first chapter really introduces the power of the queen with a mixture of studies and over the board positions.
Chapter 1: Extreme Tactics in Queen Endings
Here is an amazing and stunning study by Rusz:
Rusz 2022 White to play and win
Black is threatening to mate with Qa1+, so white plays 1.Qf6!!
Rusz 2022 Position after 1.Qf6 mutual zugzwang Black to move
Amazingly, this is a position of mutual zugzwang as White to play only draws, whereas Black to play loses. It is hard to believe that in an open position with three queens each, having the move is a disadvantage!
Black can try 1…Qad8_ 2.Qaxd8 Qxd8+ 3.Qxd8 Qf1+ 4.Kc2 Qf2+
Rusz 2022 Position after 4…Qf2+ White to move
5.Qd2 (The careless 5.Kb3? allows a standard trick 5…Qg3+ 6.Qxg3 stalemate, always watch out for this type of idea in queen endings) 5…Qc5+ 6.Kd1 Qc2+
Rusz 2022 Position after 6…Qc2+ White to move
7.Ke2! Black has run out of useful checks, so white wins
Here is a practical example showing many important principles in queen and pawn endings:
Percivaldi – Thybo Danish League 2021-2 Position after 42.Qd5+ Black to move
White has three pawns for a bishop, but the most important feature of the position is black’s far advanced passed a-pawn. In queen endgames, it’s the degree of advancement of passed pawns that is all important, not the number of pawns. Black correctly shed the bishop with his next move:
42…Kc7! 43.Qf7+ Kb6 44. Qxf8 Kb5!
Percivaldi-Thybo Danish League 2021-2 Position after 44…Kb5 White to move
White is three pawns up but is totally lost. White’s only potentially useful pawn is the d-pawn as it’s closest to queening, but white is just too far behind in the race. Black’s king will shelter behind the white’s pawns, there is no chance of a perpetual check.
45.Qe8+ Kb4 46.Qb8+ Ka4 47.Qg8 Trying to bar the king’s progress, but to no avail. 47…Qc2! (47…Qb3 also wins) 48.Qe8+ Kb4 49.Qb8+ Kc3 50.Kg2 a2 51.d5 Using a little tactic to prevent queening and putting black under a little pressure
Percivaldi-Thybo Danish League 2021-2 Position after 51.d5 Black to move
51…Qb2? A poor move deactivating the queen allowing white an amazing draw which he misses, the obvious 51…Qe4+ 52.Kh3 Qxd5 eliminating white’s counterplay, followed by putting the king behind white’s pawns wins easily, 51…Qd1! also wins watching White’s d-pawn and preparing to promote, after 52.Qe5+ Kc2 53.Qe4+ Kb3 54.d6 a1=Q wins as does 54…Qxd6
White missed a clever draw and black won after a slugfest in a four queen ending. Buy the book to see this entertainment.
Chapter 2: Tools in Queen Endings
This is an excellent toolbox chapter that covers the follows topics:
The Queen Triangulates
Cutting Off the King
Batteries and Discovered Checks
Pinning Down a Piece
Exploiting the Opponent’s Harmful Pawn
Zugzwangs
These ideas are absolutely key themes in queen endings. This section is definitely worthy of examination.
The reviewer will show examples from many of the themes in turn:
The Queen Triangulates
The author explains the concept concisely:
“In queen endings, there are more zugzwangs than most players would assume. We shall see many examples where the attacker’s king manoeuvres to give up the right to move – a familiar theme from pawn endings, but more surprising with queens on the board. But the queen itself can also lose a tempo by a form of triangulation. It usually happens when the defender’s king is in danger.”
Here is another Rusz study showing this idea:
Rusz 2022 Queen Triangulation White to play and win
This positions look ok for black as he has White’s passed pawn under control. 1.Qg5+ Ke8 2.Qc5! 2…a3! 3.Qe3+! Kd8 4.Qg5+ Ke8 5.Qc5! completing the first triangulation
Rusz 2022 Queen Triangulation Position after 5.Qc5 Black to play
Rusz 2022 Queen Triangulation Position after 14.Qc5 Black to play
14…Qc8+ (14…Kd8 15.Qf8# ends the suffering) 15.Ka7 Qc7+ 16.Ka6 wins black’s pawns and the game
Cutting Off the King
This principle can be used by the stronger side or the weaker side to prevent the opposing king getting to a desirable area. For example, the stronger side can use this technique in Q+P v Q to cut off the defender’s king from a drawing zone. The example below shows the defending side successfully using this theme in an over the board game:
Lupulescu – Sarakauskas After move 46.Qxg5 Black to play
White has just taken the pawn on g5, black can now draw with an accurate sequence of checks: 46…Qb1+ 47.Kh2 Qb8+ 48.Kg1 Qb1+ 49.Kh2 Qb8+ 50.Kg1 Qb1+ 51.Kf2 Qc2+ 52.Kf3
Lupulescu – Sarakauskas After move 52.Kf3 Black to play
Black must choose the right check here to draw: 52…Qd1+! (the sloppy 52…Qd3+ 53.Kg4! allows white to approach the h-pawn and win the game) 53.Ke4 Qa4+! not allowing the king to cross the fifth rank 54.Ke3 Qb3+ 55.Kd2 Qb2+ 56.Ke1 Qb1+ 57.Ke2 Qe4+ 58.Qe3 Qxg2+ Black has regained his pawn and drew comfortably
In this famous ending, Black is winning with an extra pawn and centralised queen. He played 62..f5? mobilising the pawn majority
Pillsbury – Burn Vienna 1898 Position after 62.Qe2 Black to move
Better was 62…Kd6! activating the king trying to cross over to white’s queenside pawns: white cannot defend against the twin threats of the king invasion and the advance of the kingside pawn majority. After 62…f5? white took the opportunity to make Black’s life very difficult 63.Qb5! cutting the king off from white’s queenside. White missed a probable difficult draw and black eventually won.
Batteries and Discovered Checks
From the author: “Powerful ideas in queen endings include forcing an exchange of queens and launching an attack on the enemy king. Usually the queen harasses the enemy ling by giving checks, but sometimes setting up a battery is stronger than the immediate check. Players often miss such an opportunity, or the potential to play for it. The attacker typically uses a battery to attack the opponent’s king or to win a tempo and stop the opponent’s queen from continuously checking by stepping out the check with a cross check.”
This practical example is instructive:
Ni Hua – Berkes Taiyuan 2006 Position after 56…Kh6 White to move
White played 57.Qxd5 winning a pawn, 57… Qe3+ (black can also draw with the flashy 57…Qf6+ or 57…Qg4+ or 57…Qa4+) 58.Kf6 Qf2+ (58…Qf3!+ draws easily, 59.Qxf3 is stalemate, and 59.Kf6 Qc3+ draws) 59. Qf5 Qh4+ 60.Ke6 Qc4+ 61. Qd5 This position is getting difficult for black, but there are still six drawing moves, Black choose a terrible check 61…Qa6??+ 62.Qd6! setting up a deadly battery 62…Qe2+ 63.Kd5+1-0 as white exchanges queens
Ni Hua – Berkes Taiyuan 2006 Position after 61.Qd5 Black to move
Pinning Down a Piece
Portisch – Morovic Dubai Olympiad 1986 Position after 103…Qe6 White to move
White played 104.Kc2? and lost . Portisch missed a brilliant move here 104.Qd4!! which amazingly draws, after 104…b3 105.Qd3! attacks the pawn and paralyses the Black queen.
Exploiting the Opponent’s Harmful Pawn
There are many example in the ending Q+P v Q+P where the defending side (player with the pawn that’s least advanced) loses because the extra pawn is harmful blocking defender’s queen checks and/or providing shelter to the stronger side’s king. An example is given below:
Boleslavsky – Taimanov Zurich Candidates 1953 Position after 42…c1Q White to move
White played 43.Qb8+ which wins but Boleslavsky messed up later on. In some ways 43.h4 is simpler. A possible line is 43.h4 Qc2+ 44. Qg6 Qxa4 45.h5 Qxa2 reaching this position:
Boleslavsky – Taimanov Zurich Candidates 1953 Variation position after 45…Qxa2 White to move
Without Black’s b-pawn this is a tablebase draw but not easy in practice. With the b-pawn, Black is losing after 46.Kg7!! The pawn blocks the g1-a7 diagonal.
The next huge section of the book is all about Technical Endgames.
Chapter 3: Queen and Pawn vs Queen
This is in some ways the core of the book with 65 pages devoted to this basic ending. But it is anything but basic!
Each pawn is covered in turn starting with the rook’s pawn working towards the centre pawn. Within each pawn’s section, positions are covered from the second rank to the seventh rank. It is certainly a systematic approach.
It is clear that the least favourable pawn is the rook’s pawn, followed by the knight’s pawn. It may surprise some readers to know that the bishop’s pawn is the most favourable.
Rook’s Pawn
These are the authors’ conclusions:
“The closer the pawn get to promotion, the harder it becomes to hold.
In the case of a white a7-pawn:
Black’s safest option is to get really close to the pawn, at least to the d-file.
The h1-corner is a draw for black’s king, but in practice the defence will require a lot of concentration.
The a1-corner is the second least difficult location for the defender’s king.
In case the black king gets trapped in the h8-corner, there is only one mutual zugzwang position that might save the defender.”
The reviewer will show a few positions:
Honfi – Toth Budapest Ch 1966 Position after 89…Qd1+ White to play
This position is a tablebase draw particularly as black’s king is fairly close to the h1 corner.
White played 90.Kb4 The author adds a didactic comment: “Ever since the famous Minev -Botvinnik game in 1954, we know the player with the extra pawn should look to put his king on the same or neighbouring file or rank as the opponent’s king. This creates chances for a cross check or to set up a battery.”
The game continued for another 61 moves until this position was reached:
Honfi – Toth Budapest Ch 1966 Position after 151.Kc7 Black to play
Black’s king is not ideally placed, but he can draw with the correct check. Black played 151…Qe7+? (151…Qf7+ draws as 152.Kc8 is met by 152…Qf5+ drawing, Gelfand has made an observation, if in doubt check on the opposite colour square to your king, obviously this not a hard and fast rule) 152.Kc8! Black has run out of checks because of the king on h4. White now plays superbly to bring home the full point fully exploiting the badly placed black king 152…Qe4 153.Qc5!
Honfi – Toth Budapest Ch 1966 Position after 153.Qc5
153…Qe6+ 154.Kc7 Qf7+ 155.Kb6 Qb3+ 156.Ka5!
Honfi – Toth Budapest Ch 1966 Position after 156.Ka5
A standard winning technique in Q+P v Q The author comments thus: “White approaches the rank of Black’s king. Now 156…Qa2+ would be the last check, as it is met by 157.Kb5. from this point, the win is easy, as White can promote after some checks.”
156…Qf3 157.Qc4+ Kh5 158.Kb6 Qf6+ 159.Qc6 Qd8+ 160.Kb7 Qe7+ 161.Ka6 Qa3+ 162.Kb6 exploiting black’s king position again, there are no more checks, so 1-0
Honfi – Toth Budapest Ch 1966 Position after 162.Kb6
The reviewer adds an observation: when the black king is in or near the h1-corner, it is much harder for White to manoeuvre his king to an adjoining rank/file and keep his pieces coordinated as well as the pawn safe.
Gligoric – Timman Bugojno 1980 Position after 60…g1Q White to play
This is a tablebase draw as white’s king is close to the best corner (a8) but an experienced top GM still lost this position thirty moves later. This shows how hard it is in practice. The book has some excellent coverage of this endgame viz:
Gligoric – Timman Bugojno 1980 Position after 84…Kc3 White to move
This position is still a draw.
“White should also wait with 85.Ke5, or he could move closer to the corner with 85.Kf7 or 85.Kf6”
White played the obvious centralising check 85.Qe5+? which loses, black replied with the 85…Kc2? (85…Kd2! wins: the analysis is worth looking at just to see the process as Black uses triangulation and White’s poorly placed king to escape the checks, get the book to find out)
Gligoric – Timman Bugojno 1980 Position after 85…Kc2 White to play
In this position White can draw. Over to the authors: “86.Qf4!! is the right move. But why? If it Black’s turn to move in the diagram, Qf3 would cut off the white king and win. The queen on f4 stops that. If 86…Kd1 87.Kf7!= (87.Kf6 also draws) 87…Qe2 88.Qd4+ only move 88…Kc2 89.Qa4+ holds or 89.Qc5+ or 89.Qf4! h2 90.Qa4+ draws”
This subtle, underlying battle of the cut off is amazing. The game continued with 86.Qh2+? Kd1! Once again the king approaches the neighbouring file of the enemy king 87.Qh1+ Kd2 88.Kf6 (the authors note that if white’s king could move to the c-file he would draw, the win after 88.Ke7 is very instructive as black triangulates again, get the book to find out how)
Gligoric – Timman Bugojno 1980 Position after 88.Kf6 Black to move
Timman misses a fairly simple idea to win quickly here 88…Qg3! He played 88…Qe3? This throws away all the hard work. White can draw with 89.Qh2+ and then run with the king towards the h8 corner. White blundered with 89.Kf5? A fatigue blunder allowing 89…Qf2+ 90.Ke5 Qe1+ exchanging queens 0-1
Knight’s Pawn
This is the authors’ observations:
“This situation occurs more often in practice than Q+P v Q with other pawns. This type of pawn has some unique features. for example, the attacker’s king has more scope for hiding near the pawn then it does behind a rook’s pawn, but less room compared to a bishop’s pawn. There is a drawing zone that often exists for the defender’s king in the far corner from the promotion square.”
The reviewer adds the proviso: but even this depends on the exact position of the queens of course.
Lenart position after 19…Qxh3
This is position from an unknown composer/player. Surprisingly White wins here even with the black king so close. White plays 20.Qc6! which is a standard cut off move. The winning process here takes 75 moves with perfect defence. There are some mind boggling triangulations with white’s king to wrong foot the black queen. Buy the book to find out how.
Here is a position with a knight’s pawn on the fifth rank.
Zurakhov – Boleslavsky Riga 1955 Position after 73…e1Q White to play
White wins here with the brilliant 74.Qf8+ Kg4 75.Qa3!! cutting black’s king off from the drawing zone. Zurakhov played 74.Qc8? throwing away the win but he won anyway on move 119.
Once the knight’s pawn reaches the seventh rank, the defender’s king has to stay in the opposite corner. This is the type of position the attacking side should aim for:
Cheron 1968 Black to play loses
Apparently with a g-pawn on g7, the d4 is vitally important for the stronger side’s queen.
Bishop’s Pawn
There is no drawing zone for the defender’s king (unless of course the king can get in front of the pawn).
Velimirovic – Uhlmann Arandjelovac Zonal play-off 1976 Position after 55.Kxa6
This is a technical win for Black: 55…Qg4! is an excellent cut-off preparing to activate the king. Uhlmann played this ending well not letting the win slip at any point. This ending is worth close study.
Centre Pawn
Jevtic – Vujacic (analysis) Belgrade 2008
1.Qxf7+ Ke3! the only winning move.
If white’s king was on h1, he would draw as his king would be in the small drawing zone on the short side of the pawn. 2.Qg8 Qd5+ (a series of queen checks to force white’s king to the unfavourable long side of the pawn) 3. Kc1 Qh1+ 4.Kb2 Qe4!
Jevtic – Vujacic (analysis) Belgrade 2008 Position after 4…Qe4 White to move
5. Qg1+ Ke2 6.Qh2+ Kc3 7.Qg3+ Qe3! 8.Qg6+ Kd2 9.Qc2 Ke1 10.Qb1+ Kf2 stopping the checks, notice how white’s own king impedes his own queen 11.Qh7 e5
Jevtic – Vujacic (analysis) Belgrade 2008 Position after 11…e5 White to move
Nunn comments: “The general theory of queen and pawn against queen tells us that this position is probably winning, because with the centre pawn there is no drawing zone for the white king in a remote corner, and if the defender’s king cannot move in front of the pawn then his chances are grim.”
Chapter 4: All the Pawns on the Same Side
This is a systematic analysis of all the different pawn configurations and is a really technical. For mortals like me, this will take many months to take in, but is nonetheless really interesting.
One surprising conclusion is that a two pawn advantage Q and rook’s pawn + knight’s pawn [gh-0] v Q is drawn in many positions if the defender’s queen and king are actively placed.
Here is a practical example:
Atanasov – Spiridonov Ruse 1978 Position after 68…Kg8 White to move
How should White capture the Black pawn? On general principles, it looks better to capture with the queen retaining two connected passed pawns. Here both captures win, but generally Q+f+h pawns v Q is a win unless there is an immediate perpetual. Q+g+h pawns v Q is drawn in many cases. After 69.Qxf4?! Qc5+ 70.Kg4? White has thrown the win away:
Atanasov – Spiridonov Ruse 1978 Position after 70.Kg4
Black played 70…Qc8+ which draws as does 70…Qa7, 70…Qc3, 70…Qc6
The game was drawn after both sides made mistakes. Instead of 70.Kg4?, 70.Kg6! wins.
This ending is truly complex and worthy of study. Buy the book to find out more.
Chapter 5: Extra Outside Passed Pawn This is divided into four natural subsections:
Passed Rook’s Pawn
Passed Knight’s Pawn
Passed Bishop’s Pawn
Passed Centre Pawn
The author concentrates on the passed rook’s pawn:
“Firstly, they occur more often than other passed pawns, as is also the case in rook endings. Secondly, the defender has much better drawing chances compared to positions with a c-pawn for example, because the stronger side’s king can’t find shelter around the rook’s pawn. If the attacker’s queen is busy defending the king from checks, there is little capacity left to help the rook’s pawn advance. On the opposite wing from the passed rook’s pawn, exchange of pawns tend to favour the defending side for several reasons:
1) They increase the chance of perpetual check.
2) Less frequently, it may even be possible to simplify to a queen and pawn versus queen endgame by exchanging off all the kingside pawns.”
Here is an excellent demonstration by the strongest player in the world:
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 32…Kg7 White to play
Carlsen played the neat 33.Bd5! (33.Qb2+ Kg8 34.a3 Qd3 black is very active and white cannot make progress) 33…Bxd5 34. Qe5+ f6? A serious mistake from a top player as it weakens the king’s shelter. Chapter 8 gives lots of advice and examples about shelters. Much better was 34…Kg8 35.Qxd5 Qa3 36.Qb3 Qc1+ 37.Kg2 h5 38.gxh5 Qg5+ 39.Kh2 Qxh5 and black can hold. 35.Qxd5 h5 (Trying to weaken White’s kingside) 36.gxh5 gxh5 37.Qd7+ Kg6 38.a4
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 38.a4 Black to play
Although both Kings’ shelters have been partially wrecked, Black’s exposed king is more significant as the game continuation shows. 38…Qe2 39.Qd5! Centralisation 39…f5 Black is trying to block in the White king, but this move exposes his own king even more 40.a5 f4 41.Kg2! Kh6 42.Qf5
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 42.Qf5 Black to play
42…Qc4 43.Kf3 winning another pawn, so 1-0
Notice how Black’s pawn advances brought down his downfall.
The last four chapters are in a section of the book on Practical and Strategic Queen Endgames
Chapter 6: The Pawn
The following ideas are discussed:
Breakthrough
Promoting With Check
Reducing the Number of Pawns in Order to Hold the Draw
Pushing a Pawn to Force an Exchange of Queens
Connected Passed Pawns
Gaining Space
Races
Races when Both Sides Have Only One Pawn
Quality vs Quantity
Doubled Pawns
An example from the Quality vs Quantity subsection is given below.
The author states “It’s a well-known and common saying that in queen endgames, ‘it’s not the number of pawns that counts, but their quantity!’ In other types of endgames, the principle of strength in numbers map apply more often, but less so in queen endings.”
This ending has been quoted often:
Stahlberg – Euwe Stockholm Olympiad 1937 Position after 41.Kh2 Black to play
Euwe played the natural centralising move 41…Qd4? which is multi functional, but surprisingly throws away the win. The h4-pawn is not important here. There is a win with a very subtle move 41…Qd6!!+ which looks like a superfluous check, but forces white to weaken his position.
Stahlberg – Euwe Stockholm Olympiad 1937 Position after 41…Qd6+ White to play
White now has an invidious choice on how to spoil his position, g3 weakens the king’s shelter and both king moves have their disadvantages. Let’s look at each alternative.
a) 42. g3? Qd4! Now this move gains in strength as white would like to take the f2 pawn exposing White’s king fatally 43.Qb5 Qxf2+ 44.Kh3
Stahlberg – Euwe Stockholm Olympiad 1937 Variation A Position after 44.Kh3 Black to play
Black has two different wins here 44…Qf3! (44…Qf5+ also wins) 45.Kh2 (45.Qxb4? Qh1+ 46.Kg4 Qf1! forcing mate or win of queen) 45…b3 46.a5 Qf2+ 47.Kh3 Qg1! winning
Stahlberg – Euwe Stockholm Olympiad 1937 Variation A Position after 47…Qg1 White to play
48.Qxb3 Qh1+ 49.Kg4 f5+ 50.Kf4 Qe4#
b) 42.Kh3 b3 43.Qb5 (43.Qc3 Qd7+ exploits White’s wins exposed king, winning the a-pawn) Qa3!! This is unconventional move, putting the queen on the side, but it exploits the exposed White king: the threat of a discovered check is fatal for white.
Stahlberg – Euwe Stockholm Olympiad 1937 Variation B Position after 43…Qa3 White to play
If 44.Qb7 a2+ 45.Kh2 Qa2 wins
If 44.a5 b2+ 45. g3 Qa2 wins as well as 45…Qf3
If 44.h5 b2+ 45.f3 g5 46.Qf5+ Kg7 47.Qe5+ Kg8 48.Qb8+ Kh7 49.Qb7 Qa2 wins
c) 42.Kg1 b3 43.Qb5 Qa3 44.Qc4! b2!!
Stahlberg – Euwe Stockholm Olympiad 1937 Variation C Position after 44…b2 White to play
Black gives up three pawns to get his king out of the checks. This is a brilliant example of quality over quantity. 45. Qxf7+ Kh8 46.Qf6+ Kg8 47.Qxg6+ Kf8 48.Qxh6+ Ke7 49.Qg7+ Ke6 50.Qg8+ Kd5 51.Qg7+ Kd5 52.Qf7+ Kg4 53.Qg7+ Kc4 54.Qf7+ Kc3 55.Qf3+! Kb4 56.Qb7+ Kxa4 57.Qa6+ Kb3 58.Qe6+ Kc2
Stahlberg – Euwe Stockholm Olympiad 1937 Variation C Position after 58…Kc2 White to play
Now after the obvious 59.Qe2+ black plays 59…Kb1!!
The author explains why this wins: “Although Black is two pawns down and apparently has no shelter, he can win. The white king has to give up the back rank due to threats of crosschecks, after which the black king can find shelter on f1! For this reason, sacrificing the f2-pawn is inevitable. Then, in marvellous variations, White, can be forced into zugzwang where he either loses his h-pawn or is force to play Kh3, which means that the black king can find a shelter on g1, which decides the battle.”
Back to the game continuation, after 41…Qd4? 42.Kg3? White defends a pawn with little value and exposes his king fatally. 42.Qb5! draws easily viz: 42…Qxh4+ 43.Kg1 Qe4 44.a5 Qb1+ 45.Kh2 b3 46.Qb7 Kg7 47.a6 Qa2 48.a7 b2= The best Black can achieve here is Q+3 v Q+2 all on one side which is a draw.
Stahlberg – Euwe Stockholm Olympiad 1937 Missed draw in game Position after 48…b2 White to play
After 42.Kg3? this is the position:
Stahlberg – Euwe Stockholm Olympiad 1937 After fatal mistake 42.Kg3 Black to play
Black exploited the exposed white king as follows: 42…b3 43.Qb5 b2 44.Qb3 Kg7! winning 45.f4 (Other moves lose as well, for example 45.a5 Qe5+ 46.Kf3 Qf5+) 45… Qd2 0-1
A really instructive game.
Chapter 7: The Queen
The following ideas are discussed:
Exchanging Queens
Zwischenzugs
Passive and Active Queens
Neutralizing Queens
The Queen has Multiple Tasks
Restraining an Enemy Passed Pawn from Behind
Superfluous Checks
The reviewer will show an example on the topic of superfluous checks. The author explains: “In many positions there is no clear plan to implement, and in this case having the move in an over-the-board game creates tension. Rather than finding something constructive to do, or at least find a move that doesn’t compromise their position, players often insert an exchange or a pointless check. Either can harm their position.”
Miron – Lupulescu Romanian Team Ch Sovata 2018 Position after 36…Qf6 White to play
This position is objectively equal, although Black’s position looks slightly superior as his pawn majority has been mobilised. White’s pieces are well placed. 37.b4 is equal, but simpler is probably 37.exf5 Qxf5+ 38.Ke2 Qc2+ 39.Qd2 Qe4+ 40.Qe3 is equal, Black has no realistic winning chances.
White played 37.Ke2?! So Black responded with the obvious 37..f4 gaining space and creating a passed pawn 38.Qa7+? The superfluous check that loses. The author quotes John Nunn here: “Nunn pinpoints the basic truth that many people think they must keep giving checks in queen endings. this is one of the most common conceptual mistakes.” 38.Qd3! holds 38…Kg6 39.b4! getting the queen side pawns going draws 38…Kh6
Miron – Lupulescu Romanian Team Ch Sovata 2018 Position after 38…Kh6 White to play
After two poor strategic moves, White is totally lost. After 39.Qd7? (39.Qf2 is more resilient but still loses after 39…Kg5) 39…fxg3! won easily as Black’s king can shelter near his passed pawn.
Chapter 8: The King
These topics are covered:
Attacking The King
Stalemate
Avoiding Stalemate
Perpetual Check
Shelters
The section on Shelters is really important and is broken down into 9 further sub-sections:
The Importance of a Good Shelter
Weakening Our Own Shelter
Failing To Reach a Shelter
Invading and Destroying Shelters
Unusual Shelters
Leaving The Shelter to Support Pawns on the Other Wing
Leaving the Shelter to Exchange Queens
Leaving The Shelter to Win a Pawn
Breaking Open The Shelter with Pawn Sacrifices
Here is an example from the Weakening Our Own Shelter section.
Tal – Tseshkovsky Riga 1981 Position after 39…Qg4 White to play
The great Tal made a serious mistake here in a winning queen endgame 40.f3? Voluntarily weakening his king’s shelter: a poor move from a great player. 40.Qd5 centralising the queen wins easily 40…Qc8 41.Qd2 b5 42.Qb4 wins or 40…b5 41.a4 wins 40…Qd7 41.Qd5 Qc7 42.Qd2 b5 43.a3 (43.a4 bxa4 44.bxa4 Qc4 45.a5 Kg6 holding) Qc5 44.Qa2 Qc1 draw agreed
Chapter 9 Complex Queen Endgames rounds off the book with the study of some intricate endings.
This is a great book and is thoroughly recommended. Be prepared to put in some hard work.
FM Richard Webb, Chineham, Hampshire, 17th June 2024
The Art of the Endgame
My Journeys in the Magical World of Endgame Studies
Revised Edition – with 14 New Studies
by Jan Timman
From the publisher, New in Chess:
“All through his career Jan Timman has been captivated by the mystery and splendour of endgame studies. Even during his most successful and busy years as a world-class player, Timman continued to compose studies and admire those of others. For him, there has never been any doubt that his journeys in this magical world helped him to grow as a player.
In this fascinating book, first published in 2011, Timman has collected studies by other composers and explains in his lucid style how they inspired him to create dozens of brand-new studies.
Timman has revised the book for this new edition. With the help of engines, Timman discovered that a few studies needed to be corrected or had alternative solutions. He removed six studies and replaced another six with better versions. And fourteen new studies have been added, two of which are published here for the first time.”
About the Author, Jan Timman:
“Jan Timman is a former world championship candidate who rose to number two on the FIDE world rankings. He is the author of several highly acclaimed bestsellers, such as Timman’s Titans and Max Euwe’s Best Games. He was awarded the title of FIDE Master of Composition in 2022.”
GM Jan Timman
This book is a gem and I do remember perusing the first edition at a bookstall a while back, now I have a copy of the second edition.
There is no doubt that familiarity with ideas from endgame studies improves a player’s overall chess ability and imagination.
The reviewer was introduced to endgame studies at a tournament in London when he was junior: I was having lunch in the analysis room, when an older gentlemen showed some Harold Lommer studies involving knight promotions which got me hooked. The acquisition of Test Tube Chess by John Roycroft soon followed.
Jan Timman’s book has a variety of positions some of which are really “game like” whilst others are artistic beauties involving for example multiple promotions.
The book is divided into fourteen themed chapters viz:
Chapter 1: Miniature studies
Chapter 2: Rook versus bishop
Chapter 3: Preventing pawn promotion
Chapter 4: Various promotion combinations
Chapter 5: Knight promotions
Chapter 6: Bishop promotions
Chapter 7: Mating patterns
Chapter 8: Stalemate patterns
Chapter 9: Mutual zugzwang
Chapter 10: Building a fortress
Chapter 11: Systematic manoeuvres
Chapter 12: The disappearing trick
Chapter 13: Three themes
Chapter 14: Various endgame studies
The reviewer will show a variety of positions from various subsections.
Chapter 1: Miniature studies
These are positions with no more than seven pieces. This one is particularly beautiful with a mutual zugzwang.
Position 1
Liburkin, ’64’ 1933 White to play and win
White is a pawn up with black’s king close to the passed pawn, so white needs something special here. 1.Kd1 pins the knight forcing 1…Kf5 2.Ke2 threatening to win the knight. Black bishop’s impedes his king, so he goes after the h-pawn with 2…Bf6 3.Kf3 Bxh4
Liburkin 1934 After 3…Bxh4
If white takes the bishop 4.Nxh4+ Kg5 attacking the knight saves black. So 4.Bxe4+ Kg5 5.Bd5!Kh5 6.Bf7+ Kg5 7.Be8
Liburkin 1934 After 7.Be8
Black is zugzwang and loses the bishop and the game. Note this is a position of mutual zugzwang as white has no good waiting move and cannot win with the move! Very pretty.
Chapter 2: Rook versus bishop
This is the most practical chapter with studies in the complex endgame of R+P v B+P.
Position 18
Reshevsky-Fischer, Los Angeles match (11) Position after 52…Ra2+
This is a celebrated position where Reshevsky played 53.Kf3? with Fischer missing a clear win by exchanging rooks and occupying g4 with his king. Instead Fischer kept the rooks on. White draws with 53.Kh3!
This study was created to show this:
Position 19
Study based on Reshevsky-Fischer game White to play and draw
1.Kg2! Kf5 2.Kh3 Rc4 3.Be7! the only move 3…Rc1 4.Bf8! (The bishop hides itself to prevent a rook check followed by attacking the bishop to allow black to get in Kg4) 4…Rb1 5. Bg7 or 5.Bh6 draws
Chapter 3: Preventing pawn promotion
This is a famous promotion combination from a game which resembles the elegance of a study:
Position 44
Ortueta-Sanz Madrid 1933 Position after 30.h3
Black played 30…Rd2 31.Na4 (31.a4 was better) 31…Rxb2! 32.Nxb2 c3 33.Rxb6 c4!! 34.Rb4 a5!! winning
Ortueta-Sanz Madrid 1933 Position after 34…a5
White cannot prevent the coronation of a new queen.
The great composer, Pogosyants composed a study with a very similar theme:
Position 46
Pogosyants, ‘Themes-64’ 1977 White to play and win
The solution is 1.Bg3 dxc4 2.Rxg7! Nxg7 3.f6 Rxg3 4.f5!! Rg5 5.f4! Nxf5 6.f7 wins
Chapter 4: Various promotion combinations
Position 69
Wotawa Schach Magazin 1951 White to play and win
A game like position. 1.d6 Be5 2.Bb8 threatening d7 winning the bishop, so 2…Bf6 3.d7 Bd8 apparently saving the bishop, but 4.Bg3! a4 5.Bh4! Bxh4 6.g4+ and wins
Chapter 5: Knight promotions
Here is a superb Harold Lommer study with multiple promotions:
Position 96
Lommer, ‘Feuille d’Avis de Lausanne’ 1933 White to play and win
White is threatened with a brutal discovered mate by the black monarch. So 1.d8N Bd5 2.g8B!! (2.g8Q allows black a brilliant defence 2…Ke3+ 3.Qxd5 stalemate!) 2… Be4 3.e8R!! (3.e8Q allows another fantastic defence 3…Kg3+ 4.Qxe4 stalemate!) and wins
A brilliant study has with stunning counterplay.
Position 97 shows a famous Lommer involving 5 knight promotions, but unfortunately after the fourth promotion, there is alternative prosaic win promoting to a queen.
Chapter 6: Bishop promotions
Position 112
Rusinek ‘New Statesman’ 1971 White to play and draw
White has an army of far advanced pawns against 3 minor pieces and a well placed black king.
If black plays 4…Ndxf6 5.Kb8 gets the king out of the mating trap, so 4…Nexf6 5.a8B!! (5.a8=Q? Nd5 followed by Ne7#)
Rusinek 1971 after 5.a8B
White is attempting a self stalemate, so black must release this and rearrange his pieces. 5…Ne5 (5…Bf1 6.b8N! draws) 6.Kb8 Nc6+ 7.Kc8 Bf1 threatening Bh3# 8.b8R!! (8.b8Q? Ba6+ 9.Qb7 Ne4 10.Qxa6 Nd6#, or 8.b8N? Ne7+ 9.Kb7 Bg2+ 10.Ka7 Nc8+ wins the bishop on a8 and the game)
Rusinek 1971 after 8.b8R
8…Ba6+ 9.Rb7! with a draw
Scintillating promotion play.
Position 124
This is a creation of genius and very amusing.
Troitzky, Korolkov 1938-1939 White to play and win
The great Troitzky is involved here. Black threatens a brutal Ng3 mate. 1.Qc3!! (Threatening the key g7 pawn, 1.Qa3? is met by f1N reinforcing the threat on g3 winning for black) 1…Nxc3 2.d8B!! (Not 2.d8Q? Nde4 3.Qxc7 f1N 4.Bf4 Ne2 followed by sacrificing all the knights ending with Qxg3 stalemate) 2…Ne2 3.Bxc7 f1N 4.b8B!! (4.b8Q allows black to sacrifice all the knights on g3 ending with Qg3 stalemate) 4…Ne4 5.B1f4 winning as the three white bishops control the three knights.
Troitzky, Korolkov 1938-1939 Position after 5.B1f4
Who says there is no humour in chess?
Chapter 7: Mating patterns
Here is an elegant study by the author, Jan Timman:
Position 163
Timman 2010 White to play and win
1.h5 preventing Bxa2 as Rd7+ would win easily 1…Kh6 2.Rd8! Bxa2 3.Rh8! Bg8! great counterplay
Timman 2010 Position after 3…Bg8
4.Kc3 a2 5.Kb2 a3+ 6.Ka1 Kg7 7.h6+
Timman 2010 Position after 7.h6+
7…Kxh8 8.g7 mate
Chapter 8: Stalemate patterns
Position 167
Rusinek 1973 White to play and draw
Stalemate looks unlikely here. 1.b6 must be played as white is two pieces down 1…Rf5 2.b7! Rf7+ 3.Kd6 Nc4+ 4.Ke6 Bxb7 5.Rh3+ Kg7 6.Rf3+ Kf8
Rusinek 1973 position after 6…Kf8
7.Rg8+! Kxg8 stalemate!
Chapter 9: Mutual Zugzwang
Position 189
Here is an entertaining position:
Kliatskin 1924 White to play and win
1.Rc8+ Kxc8 2.b7+ Kb8 3.d5 Kc7
Kliatskin 1924 Position after 3…Kc7
Now only 4.bxa8B! Kb8 5.Bb7 wins with a position of mutual zugzwang
Chapter 10: Building a fortress
Position 203
Smyslov 2005 White to play and draw
The elderly former World Champion, Smyslov, composed this amusing study in his eighties. 1.Nb8 Rd6 2.Nd7+! Rxd7 3.Rxg7! Kxg7 4.h4
Smyslov 2005 Position after 4.h4
After 4…Rd6 5.Kg2 Rg6+ 6.Kh3! black has to move the rook off the g-file to avoid stalemate, so white draws!
Chapter 11: Systematic manoeuvres
Kotov, Mitrofanov 1976 White to play and draw
The reviewer assumes this is the Mitrofanov of Qg5!! fame.
The disappearing trick is a kind of systematic manoeuvre whereby white plays to achieve a particular position without a certain white piece. This is demonstrated below with a neat study.
Position 260
Sochniev, Gurgenidze JT 2004 White to play and win
“It is amazing how much play you can create in a seemingly equal chess position – if you persevere. In this book, the greatest chess player of all time, Magnus Carlsen, and his friend, Grandmaster David Howell, explain how to win these kinds of chess games.
Carlsen and Howell show how you can keep a game alive, how you can keep posing problems to your opponent, how you can recognize the first small mistakes, and how you can grind your opponent down until he cracks.
New In Chess has converted this book from a popular Chessable video and MoveTrainer ® course with the help of Carlsen and Howell. The lively conversations of the two friends translate very well into a highly instructive chess manual. It is top-level chess, using grandmaster games as examples, but the insights are accessible to players of all levels.
Magnus Carlsen won the World Chess Championship in 2013 and gave up his title in 2023. He is regarded as the greatest player of all time and holds the #1 spot in the world ranking. He has read dozens of books published by New In Chess, but this is the first book with Carlsen as an author. Carlsen (1990) lives in Oslo, Norway.
David Howell is an elite chess Grandmaster with a 2700+ peak rating and an individual gold medal winner at the Olympiad. He is a well-known and popular commentator on live chess streams. Howell (1990) is two weeks older than Carlsen, was born in Eastbourne, United Kingdom, and lives in Oslo, Norway.”
David Howell, London Chess Classic, 2013, courtesy of John Upham Photography. For more about David Howell see here
This book is essentially a transcript of a Chessable course which you can find here. If you prefer book learning, or you just like the idea of having something written by Magnus Carlsen on your bookshelf you’ll be interested in this title.
David has written a two page preface:
A quick swashbuckling attack full of sacrifices may appeal to some, but a long endgame grind can lead to the same result. Arguably, while one approach is more spectacular and may ensure that games end quicker, the other approach comes with less risk attached.
Magnus provides a shorter preface:
Nothing quite compares to the thrill of pressing a minute advantage and converting it into victory. The excitement of outmanoeuvring and outlasting your opponent. The realisation that – although your first punch may not have landed – there is no need to despair. Try, try and try again. You will very often succeed.
Which are you? A hacker or a grinder? A sprinter or a marathon runner? To become a strong player, of course, you have to master both styles of play, but many will have a preference for either hacking or grinding.
Grinders require qualities such as patience and stamina as well as an outstanding knowledge of both technical and practical endings. If you’d like to become a better grinder, or even if you’d like to be better at defending against grinders, this course is for you.
It’s standard practice these days to have two commentators working together in live broadcasts, sharing ideas, asking each other questions. It’s something that usually works very well, making the broadcast more interactive, more friendly, more accessible, and, for me at least, it’s also effective in book form.
There could be no one better to demonstrate by example how to become a grinder than Magnus Carlsen, not only the highest rated human player of all time, but also a leading exponent of grinding. David Howell, also a strong grandmaster who enjoys grinding, as well as being an excellent commentator, is Magnus’s ideal partner. They are also good friends, and this is something that comes across well, adding to the enjoyment of the book.
Having said that, the contents themselves seem rather slight. Apart from the introductory material to each of the eight chapters you only get twelve games, seven played by Magnus and six played by David. If you’re good at maths you might have noticed that 7+6 is 13: one of the games is between the two authors, played in the final round of the 2002 World Under 12 Championship. It resulted, since you asked, in a draw.
This is one of Magnus’s lesser known games. He admits that it was an ‘awful game’ but still managed to grind down his lower rated opponent. Click on any move for a pop-up window.
The book is beautifully produced, although I guess the, er, colourful cover might not be to everyone’s taste. If this sort of thing bothers you, you might also think that, while a wide sans serif font is best for screens, a narrower serif font might be preferable for books.
The quality of the annotations, if you like the conversational style, is, of course, of the highest quality. At one level the games are more suited to players of, say, 2000+ strength, but some of the more general insights into the nature of grinding will be of interest and value to all players.
If you like the idea of grinding and you’d rather study the material from a book than from an interactive course or videos (or perhaps you’d like the book as well as the interactive course) it can be highly recommended.
Daniel King interviews David Howell about the book here, and if you can’t afford an hour to watch this, Daniel also provides a summary here.
You can read some sample pages from the book, which will enable you to decide whether or not it’s for you, here.
Richard James, Twickenham 14th May 2024
. Richard James
Book Details:
Hardcover: 208 pages
Publisher: New in Chess; 1st edition (31 Aug. 2023)
Grind Like a Grandmaster: How to Keep Pressing until Your Opponent Cracks, David Howell and Magnus Carlsen, New in Chess; 1st edition (31 Aug. 2023), 978-9083328461
“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.
The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.
This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”
IM Thomas Engqvist (SWE)
Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.
Material is divided into an Introduction and eight chapters covering all of White’s possible options.
The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.
Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.
Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.
For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:
There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.
This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach (of some other authors) to only consider “top engine choices”. This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.
For example, 5.Bd3!?
is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).
Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after
TE quotes renowned theoretician Max Euwe as follows:
Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out
There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.
In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.
“Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history. In the Soviet Union chess was developed into an ideological weapon that was actively promoted by the country’s leadership during the Cold War. Starting with Mikhail Botvinnik, their best chess players grew into symbols of socialist excellence. Sosonko writes from a privileged dual perspective, combining an insider’s nostalgia with the detachment of a critical observer. He grew up with legendary champions such as Mikhail Tal and Viktor Korchnoi and spent countless hours with most of the other greats and lesser chess mortals he portrays.
In the late 1980s he began to write about the champions he knew and their remarkable lives in New In Chess magazine. First, he wrote primarily about Soviet players and personalities, and later, he also began to portray other chess celebrities with whom he had crossed paths. They all vividly come to life as the reader is transported to their time and world. Once you’ve read Sosonko, you will feel you know Capablanca, Max Euwe and Tony Miles. And you will never forget Sergey Nikolaev.
This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess magazine. The stories have been published in his books: Russian Silhouettes, The Reliable Past, Smart Chip From St. Petersburg and The World Champions I Knew. They are supplemented with further writings on legends such as David Bronstein, Garry Kasparov and Boris Spassky. They paint an enthralling and unforgettable picture of a largely vanished age and, indirectly, a portrait of one of the greatest writers on the world of chess.
Genna Sosonko (1943) was born in Leningrad, where he was a leading chess trainer. Following his emigration from the Soviet Union in 1972, he settled in The Netherlands. He won numerous tournaments, including Wijk aan Zee in 1977 (with Geller) and 1981 (with Timman) and an individual gold medal at the Olympiad in Haifa 1976. After his active career, Sosonko discovered a passion for writing.
GM Gennadi Borisovich Sosonko
‘Each new story of Genna Sosonko is the preservation of grains of our chess life’ — from the foreword by Garry Kasparov”
Gennadi Borisovich Sosonko
If you’re a lover of chess culture and literature you’ll be familiar with the writings of Genna Sosonko, whose essays chronicle, in particular, chess life in the former Soviet Union in the post-war period.
What we have here is a compendium of his biographical essays: 58 of them plus a short foreword by Kasparov. Most of them have appeared twice before, in New in Chess magazine, and in previous collections of his essays. In addition to the books mentioned above, some of them appeared, in some cases with different titles, in Genna Remembers, published by Thinkers Publishing and previously reviewed here. One of the essays is based on extracts from Sosonko’s book on Bronstein, published by Elk and Ruby. But, in the case of the books, you only get the biographies, not everything.
If you’re a Sosonko fan you’ll have read it all before. If not, and you’re attracted to the subject matter, this might be a good place to start.
You don’t just get Soviet players, though. English readers will be drawn to the chapter on Tony Miles, billed as The Cat That Walked By Himself, whose mental health problems are treated sympathetically.
But, for me, the lesser known figures are of the most interest. Take, for instance, the stories of two players whose lives both ended in tragic circumstances in 1997.
The brilliant Latvian theorist and tactician Alvis Vitolins was born in 1946. ‘Naïve, unusual and absorbed in himself’, had he been born a few decades later, he would undoubtedly have been diagnosed with Asperger Syndrome, or, today, with ASD, and later developed schizophrenia. “He did not have any close friends. He avoided other people, especially strangers, especially those who were not chess players.” He never fulfilled his potential, his mental health declined and, in 1997, he threw himself from a railway bridge onto the ice of a frozen river.
Then there was Evgeny Ruban, from what is now Belarus, born in 1941. A positional player with a classical style who excelled with the white pieces, but another man with his own demons. Ruban was an alcoholic, permanently broke, and also gay, living in a small apartment with his elderly mother. Like Vitolins he also had problems with his mental health. In autumn 1997, in a state of inebriation, he was hit by a car, dying as a result of his injuries. His mother couldn’t afford the cost of his funeral, which was paid for by the car driver.
Two poignant stories which serve as a salutary reminder that, as well as the grandmasters and champions, we need to hear about those who had the talent but not the good fortune, those who fell through the cracks. You might wonder whether chess was a cause of their problems or provided solace in difficult times. It would have been good if their chapters had included a few of their games, but this wouldn’t have fitted into the format of the book.
On the other hand you may well be inspired by the life of Abram Khasin ((1923-2022): he played at Hastings in 1963-64), who lost both legs in the Battle of Stalingrad, but lived to within ten days of his 99th birthday, playing chess right until the end.
There’s also the exotically named Lidia Barbot-de-Marny (1930-2021), born in Shanghai but with French, German and Russian family roots. She eventually settled in Estonia, where she became one of their leading woman players. “Chess has given me a colossal amount of good things, everything you could say.” Although she never became a master, she was a much loved chess teacher, working with young children in the Tallinn House of Chess.
There are always stories, some happy, others sad, all of which need to be told. The stories of the failures are as important as those of the successes, the stories of the lesser players as important as those of the world champions.
Much of the book is, as you’d expect, concerned with the great Soviet players of that era, but, for me, the real value of Sosonko’s work is in his writing about those you don’t read about elsewhere.
He writes beautifully as well, and the translations, mostly by Ken Neat, Steve Giddins and Sarah Hurst, are exemplary. But at some point you start to realise that Sosonko is, up to a point, playing on your emotions. There are no sources or references, just his memory, which is undoubtedly extraordinary, but perhaps, like everyone’s, fallible. At the start of his essay on Ludek Pachman, he writes about visiting London for the first time to play in the 1972 Islington Congress. He took the ferry from Hook of Holland and then, apparently, had his papers checked in Brighton. If you take the ferry from Hook of Holland now you’d end up in Harwich, on the east coast, nowhere near Brighton, on the south coast, and, as far as I can tell, it was the same in 1972. Once I find something I don’t believe, I start to question everything else.
If you’re looking for a book which will improve your rating, this isn’t for you as there are no games at all. But, if you’re attracted to human interest stories, Sosonko is essential reading. You might want to invest in all his essay collections, and, if you do so, you probably won’t need this volume. If your interest is mostly in his biographical essays, and you haven’t read them elsewhere, this will be the book for you.
As a hefty 840-page hardback it’s more suited for weight training than for putting in your pocket to read between rounds of your next tournament, so you might opt for the eBook instead. I’d have liked some games, and ideally more photographs than the 32 glossy pages we get here, but this would clearly have been impractical.
A strong recommendation, then, for anyone who’s interested in this aspect of chess and hasn’t read it all before. You can find out more and read sample pages on the publisher’s website here.
Lessons, motivation and coaching to make you a better chess player.
In an ideal world, any aspiring chess player, at almost any level, would get better with a coach. If that’s not possible, having chess champion coach Thomas Engqvist’s book at your side is the next best thing.
In his series of lessons, Engqvist guides you through not only the most important elements of chess to master but also the psychology, how to marry knowledge with imagination, and how to stay motivated.
Suitable for older children through to adults, the lessons are drawn from chess games through history, from the 16th century to Magnus Carlsen and latest Alpha Zero computer chess. (Reviewer’s note: it doesn’t actually include Alpha Zero, stopping at Carlsen.) It features a range of key players, including Steinitz, Lasker, Nimzowistch, Botvinnik (Soviet chess school), and Fischer. With clear and accessible annotations to give clarity, the games highlight the most important lessons to learn and, just as importantly, how to ‘practise’ chess.
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (updated from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has 45 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions,300 Most Important Tactical Chess Positions and 300 Most Important Chess Exercises, all published by Batsford.
IM Thomas Engqvist (SWE)
From the back cover:
Chess Lessons from a Champion Coach gives you the opportunity to assimilate the most important chess principles and concepts by following a study plan based on key encounters by over 30 great players.
With lessons from more than 60 instructive games in chronologically arranged chapters, this is the perfect guide for players who want to gain a broad knowledge of chess history and its evolution, but don’t have time to spend hours in what can be unproductive reading.
Featured in each chapter is a highly influential grandmaster who has played his part in developing chess into what it is today. There can be no more enjoyable way to improve your own play than to absorb your personal coach’s explanatory commentaries to exemplary games of past and present chess heroes, including Magnus Carlsen. In this way centuries of accumulated understanding of chess can be learned in just a few weeks.
By adopting the same tactics and strategies as demonstrated by these champions, you can also keep track of your own chess development by comparing it with the overall historical development of chess – and climb the ladder to success.
Swedish International Master Thomas Engqvist has approximately 45 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess.
What we have here is a book covering the history of chess ideas in chronological fashion, starting with Ruy Lopez and finishing with Magnus Carlsen. It’s hardly an original idea: the first book of this type was Richard Réti’s Masters of the Chessboard, and there have been quite a few others since then: off the top of my head I’ve reviewed a couple of them here myself. The second Chess Heroes: Games book will take a similar approach (using some of the games from Move Two!), but pitched at a much lower level.
I’d say from the outset is that if you’re knowledgeable about the subject, and have read similar books before, you’re probably already familiar with many of the games displayed by Engqvist here.
But if you’re a club standard player with little knowledge of the history of your favourite game you should certainly read on.
Most of the subjects are represented by just one game, so we quickly whizz through the likes of Greco (‘the first tactical player’), Philidor (‘the first positional player’) and even Morphy until we reach Steinitz (‘the scientific player’), the first of four players to be considered in rather more detail.
According to Engqvist:
The basis of Steinitz’s teachings is to construct a plan which is in accordance with the requirements of the position. These requirements could be an advantage in development, a strong centre, open files etc. One should gather such advantages, one by one, as preparation for an attack. This is the so-called theory of accumulation.
This theory is demonstrated by the following game. As always, click on any move for a pop-up window.
Engqvist adds after the game:
This is why such classic games are much more instructive than modern games. Steinitz’s opponents didn’t realise or didn’t want to realise what he was doing, whereas today’s more knowledgeable players do know – because they have studied such “one-sided” but very instructive classic games.
You might disagree – but I don’t.
Lasker (‘pragmatism and psychology’), the star of the next chapter, also receives special treatment.
In this instructive game, where he defeats Rubinstein’s IQP, he uses the ‘pivot square’ d5 in a variety of ways.
It is indeed a game to be understood in depth and learned by heart, because the idea of a pivot being a source of energy can be used in an untold number of situations.
Engqvist quotes Nimzowitsch’s comments on this game with approval, and makes it very clear throughout the book that Nimzo is one of his chess heroes.
Although he only gets one game (yes, it’s the Immortal Zugzwang game), the author has this to say:
Nimzowitsch is just as important as Steinitz, since his principles do complement those of his predecessor, However, to appreciate Nimzowitsch’s precepts in depth one needs to also properly understand Steinitz’s classical principles, otherwise the true meaning of Nimzowitsch’s theories will be lost.
and:
In my opinion (reading Nimzowitsch) is much more important than learning from computers, which are very bad teachers indeed, and sometimes incomprehensible. Nimzowitsch must be regarded as one of the greatest, if not the greatest ever, teachers…
Controversial, perhaps, and you might well think he’s overstating his case.
The other two subjects awarded more extensive treatment are, predictably, Capablanca (‘The Chess Machine’) and Alekhine (‘The Complete Chess Artist’).
From then on it’s just one game each, even for giants such as Botvinnik, Fischer, Karpov and Kasparov. right the way through to Carlsen.
Here’s the game used to illustrate Fischer (‘The Aggressive Classical Player’).
Engqvist:
This game is one of Fischer’s best and it is remarkable that he was only 16 years old when it was played. It proves that he was a genius. The good news is that Fischer’s style is possible to emulate, because it it largely based on positional technique à la Capablanca, which to a high degree can be learned.
It’s clear from this book, as well as from the author’s earlier volumes, that Thomas Engqvist is an exceptional writer, teacher and annotator. He has also made extensive use of a wide range of secondary sources (but, sadly, he fails the Yates test: he was Fred (Dewhirst), not Frederick Dewhurst). Each chapter is prefaced by a series of quotes by or about its subject, which in itself makes fascinating reading. Computer analysis has been used to correct analytical errors made by earlier authors, but this is done judiciously: he doesn’t go over the top in providing reams of engine generated variations. You might, I suppose, disagree with some of his views, especially on Nimzowitsch, but that’s part of the enjoyment you’ll get from the book. You might also think there’s some simplification and generalisation, but that’s inevitable in a book of this nature.
The production values are, of their type, excellent. The book, like others from this publisher, has a reassuringly old-fashioned look about it. While younger readers may well prefer something glossier and glitzier, it’s not likely to be a problem for those, like me, of the Batsford generation.
Many publishers these days prefer more interactivity, with puzzles at the start of each chapter, or, with annotated games, stopping every few moves to ask you a question. There’s none of that here, just solid, accurate and instructive comments. Different readers will prefer different styles of annotation. The one concession to interactivity is a couple of quizzes with questions like What was Ponziani’s opinion of the theories of Philidor and del Rio?, which I could really do without as they’re testing memory rather than understanding.
I had two other thoughts when reading this book. I often wonder whether chess authors are writing the book they wanted to write or the book the publishers thought would sell. Perhaps I’m mistaken, but my impression was that Engqvist really wanted to write something like The 60 Most Instructive Positional Games rather than a book with a historical perspective offering, for the most part, one game per star player.
I also wonder what exactly the market is for this book. Younger readers, if they want a book at all, might prefer something with a more modern feel, while older readers might have seen many of the games before.
But, if you’re, say, 1500-2000 strength, you’re serious about improving your chess and you’re happy with the style and contents, you won’t go wrong with this excellent book from one of the best authors and teachers around.
“This is what’s new in this edition: More accurate and more extensive annotations, computer-assisted. Every game has been examined under Stockfish 14, probably the best analytical engine available for home computers at this time. For the first edition we had only Fritz 4 and 5, which compare to Stockfish like a Model T Ford to a Ferrari, and many games were given no computer examination at all. Thus owners of the first edition will find most annotations here substantially different (and substantially better). However, many general assessments and heuristic notes proved valid and have been retained. ·
Torre’s own annotations to several games have been unearthed and added. These come from several sources: the American Chess Bulletin, his book of the 1926 Mexican Championship tournament, and his instructional booklet Development of Chess Ability. ·
Several games have been added. Some, frankly, are Torre losses, which we give in the interest of presenting a more complete, balanced picture of his play. The first edition, to some extent, looked at Torre through rose-colored glasses; here we aim only for untinted clarity. Also added are the six games between players other than Torre that he annotated for the Mexican Championship tournament book (see Chapter VIII). ·
There are many more diagrams and photographs than in the first edition. Also more thumbnail bios of Torre’s opponents. ·
More ancillary material about Torre’s life and career: pictures, anecdotes, interesting facts, opinions, bits of trivia etc., drawn from the ACB, the Wiener Schachzeitung, the film Torre x Torre, and other sources. ·
A 1927 interview with Torre, published in the Yucatán magazine Anahuac, in Chapter III. ·
Chapter IV, excerpts from the book 64 Variaciones Sobre un Tema de Torre by his friend Germán de la Cruz.”
About the Authors
Taylor Kingston (born 1949) has been a chess enthusiast since his teens. He holds a Class A over-the-board USCF rating, and was a correspondence master in the 1980s, but his greatest love is the game’s history. His historical articles have appeared in Chess Life,New In Chess, Inside Chess, Kingpin, and the web-site www.ChessCafe.com. He has edited and/or co-authored dozens of chess books, and translated three from Spanish, including the original Mexican edition of Vida y Partidas de Carlos Torre. He lives with his wife Emily in Paso Robles, California.
Taylor Kingston
Gabriel Velasco (born 1949 in Mexico City) is a a professor of mathematics and author of over twenty books on mathematics. He has been a chess enthusiast since age 15. Besides Vida y Partidas de Carlos Torre, he is the author of Masterpieces of Attack (Chess Digest, 1990), presenting the best games of the late GM Marcel Sisniega Campbell. Velasco lived in Kiev 1985-1987 and shared 1st-3rd prize in a tournament of Candidate Masters and First Category players, earning thereby a norm of Candidate Master of the Soviet Union. Back in Mexico, he won the championship of the state of Guanajuato. He is now retired and lives in Mexico City with his wife and his son Richard, who was was given that name in honor of Richard Réti.
You probably know a few things about Carlos Torre. (In the interests of cultural sensitivity we now refer to people from some Spanish speaking countries by their first name, father’s surname and mother’s surname, so he’s now Carlos Torre Repetto, although I’ll refer to him just as Torre in the rest of this review.)
You may know he lost a Famous Game against the otherwise unknown EZ Adams. As always, click on any move for a pop-up window.
A beautiful game, to be sure, and one which is great if you want to teach combinations based on back rank mates. But it almost certainly wasn’t lost by Torre. As explained here on pp484-485, it was quite likely to be analysis which Torre published as a loss against his first teacher, Edwin Ziegler Adams, for whom he had great affection.
The next thing you probably know about Torre is that he won a Famous Game against the not at all unknown Emanuel Lasker.
Again, the finish is a great example of a windmill combination which everyone should know. But it wasn’t, as is demonstrated here (pp356-361) a very good game. Lasker, perhaps distracted by the receipt of a telegram, could have won material with 22… f6 and 23… Qd5 was a losing error.
The third thing you might know about Torre is that he invented the Torre Attack (1. d4, 2. Nf3, 3. Bg5), as he played in this game. The opening bears his name because of his usage here and in other games, but it had been played many times before.
Carlos Torre Repetto played some much better games than this in his very short international career. If you’re eager to find out more, you’ll want to read this book.
Vida y Partidas de Carlos Torre, written by Gabriel Velasco, was published in 1993. Taylor Kingston, working with Velasco, translated and expanded this book, which was then published in 2000. I think I may have a copy somewhere, so perhaps you do as well.
Now we have a Second Edition, expanded further by Kingston.
All the games have been re-annotated using Stockfish 14, some more games have been added, we have more diagrams, photographs and biographical details of Torre’s opponents, as well as a wealth of fascinating supplementary material.
Carlos Torre Repetto was born in the Yucatán province of Mexico on 29 November 1904, and, in 1916, the family moved to New Orleans where, under the mentorship of Edwin Ziegler Adams, he made rapid progress in chess.
In 1924 he travelled to New York in search of stronger opposition. After achieving some local successes he travelled to Detroit, representing New York in the Western Chess Association Championship. Here he scored a spectacular success, finishing unbeaten on 14/16, 2½ points ahead of his nearest rivals and 3 points ahead of the even younger Sammy Reshevsky.
The following spring, Torre crossed the Atlantic to take part in the Baden-Baden congress, where, crossing swords with the likes of Alekhine and Rubinstein, he scored a creditable 10½/20. The authors comment that Carlos Torre played somewhat nervously in his international debut. While attaining a respectable 10th place (out of 21), he clearly was more concerned with not losing rather than trying to win.
He then continued, with only a few days in between the two events, to Marienbad, where he played with more confidence, sharing third place with Marshall on 10/15, half a point behind the winners Nimzovich and Rubinstein.
That autumn he took part in his third international tournament of the year, in Moscow. A score of 12/20 left him sharing 5th-6th places with Tartakower, behind Bogoljubow (his greatest tournament result), Lasker (whom he beat in the above game), Capablanca and Marshall. Here, he started strongly but faded in the last few rounds.
However, his game from the penultimate round was one of his best: a delightful minor masterpiece, according to the authors.
He stayed on in the Soviet Union over the New Year, playing in a small quadrangular tournament in Leningrad, where, still tired from his exertions in Moscow, he only managed 50%.
He then returned to Mexico for the first time in more than a decade, winning their national championship with a 100% score. His next tournament was the Western Masters in Chicago, which, as well as most of the top American players, was given an international flavour by the participation of Maroczy. With one round to go, Torre was half a point ahead of the field, facing Edward Lasker, who was in the bottom half of the field, with white in the last round. He was unable to cope with the pressure, played badly and lost. Marshall came out on top with 8½/12, half a point ahead of Torre and Maroczy.
The final thing you might know about Torre is that he once took his clothes off on a bus. Sadly, it’s true. After this tournament he returned to New York where he suffered a psychotic episode which put an end to his brief tournament chess career. He was also suffering from some sort of eating disorder, perhaps brought on by anxiety. He had always had an immoderate fondness for sweets, sometimes eating a dozen pineapple sundaes in a day, but those who knew him in New York at this time report that he was eating almost nothing but candies and fudge. He then returned to Mexico, living there quietly until his death in 1978 at the age of 73, and retaining his interest in chess to the end.
A sad story, then. Here was a young player of exceptional talent who lacked the temperament for competitive chess. Torre comes across as a sensitive soul who, on the one hand was more interested in the beauty of his games than the result, but, on the other hand, was hampered by anxiety which caused him on some occasions to play too cautiously, and, on other occasions, to tire easily and make mistakes.
If you’re interested in chess in the 1920s you’ll certainly want to read this excellent book. You won’t be disappointed with the production qualities either: it’s a good-looking hardback (also available in paperback) of 588 pages. The Games Section covers most of the book: here you have 110 games annotated using the latest (at the time of writing) engines to ensure accuracy.
One of Torre’s most impressive performances was his draw with the black pieces against Capablanca (Moscow 1925). Not many players were able to hold an inferior ending against the World Champion, but he was able (with one exception which Capa failed to take advantage of) to find a string of ‘only moves’.
The annotations to this game demonstrate the improvements from the first edition.
The first edition of the book offered analysis claiming that White could still win if Black played 37… b6! here, but, with the help of Stockfish, this edition demonstrates that Torre could have drawn by following a very narrow path. After the game continuation 37… Kf5?? 38. Nxb7 Ke6 39. Kd3? (Nc5+ was winning), Torre was – just about – holding.
A few moves later, this position was reached.
The game continued 41. Na6+ Kb6 with an eventual draw. Capablanca claimed after the game that 41. Kc3 was winning, but Bogoljubov, writing in the tournament book, disagreed. The first edition sided with Capa, but now, in the second edition, we learn that it was Bogo who was correct.
Here’s the complete game.
The last 100 pages or so offer a wealth of other material including articles and annotations by Torre himself. The games included here bring the total up to 128. Anyone with an interest in chess history will relish this part of the book.
If you already have the first English language edition, then, you’ll want to know whether or not to buy this version. If you want more accurate annotations, the answer is clearly ‘yes’. If you want the fascinating additional material, the answer is again ‘yes’. If you just want Torre’s best games, or if you’re of the opinion that historical games shouldn’t be subjected to computer analysis, the answer may well be ‘no’.
Instead of the familiar Informator symbols you instead get assessments such as (+0.61/25), indicating that Stockfish 14, at 25 ply, considers that White has an advantage of .61 of a pawn. I find this interesting, but I’m sure there will be those who disagree.
There are other production issues which might divide opinion. If you’re a completist you’d expect every traceable game played by Torre, which isn’t what you get here. White spaces in the book are filled with cute little cartoons. You might like this, but here I think I prefer the white space.
If you have any interest at all in chess history, chess culture or the psychology of chess players, you shouldn’t hesitate.
Gabriel Velasco, Taylor Kingston and the team at Thinkers Publishing should be congratulated on doing an outstanding job to preserve the memory of Carlos Torre Repetto’s life and all too short chess career.
Richard James, Twickenham 12th January 2024
. Richard James
Book Details :
Softcover: 588 pages
Publisher: Thinkers Publishing; 2nd edition (21 Mar. 2023)
The Life and Games of Carlos Torre – 2nd revised and extended edition- Gabriel Velasco & Taylor Kingston, Thinkers Publishing, March 21st 2023, ISBN-13 : 978-9464201765
One of the fun things family historians like to do is the One Name Study. You take an unusual surname and find out everything you can about all the bearers of that name.
I have an interest (I’ll explain more later) in the very rare, and now, I believe extinct, at least in that form, name BEETHOLME. I randomly typed ‘Beetholme chess’ into Google and discovered that one of their number, George Law Francis Beetholme, was a published problemist.
#3 777 Chess miniatures in three 1908
Here’s one of his problems, a mate in 3 anthologised by the very interesting E Wallis (the subject of a future Minor Piece) in his self-published collection. I don’t know where or when it was first published: if you know, do get in touch.
Beetholme is an area of Keswick, in the Lake District, and for centuries the name was common in nearby Kendal, often in variants such as Beethom. Our interest starts with John Law Beetholme, who was born in Liverpool, but moved to London where he worked as a solicitor. His eldest son, George, born in 1826, originally worked in his father’s legal practice, but, in a radical change of career, decided to become an artist. His paintings, very collectible today, were landscapes, often featuring mountains, rivers and waterfalls.
This pair of highland river scenes is, at the time of writing, on sale for £1750.
I don’t know whether or not he was a chess player, but, according to his obituary, he played an excellent game of billiards.
Islington Gazette 06 October 1904
His only child, a son, George Francis Law Beetholme, born in 1857, was, like his father, an artist. It was he who appears to have been the chess problemist. Here’s a mate in 2 from 1882, which was reprinted in the Adelaide Observer a few weeks later, so it must have been quite highly thought of.
#2 The Illustrated London News 11 Feb 1882
Sadly, there’s not much more to say. Perhaps he was already in poor health: five years later he died at the age of only 30. The cause of his death was given as Phthisis (tuberculosis) and Morbus Cordis (heart disease).
I’ve only been able to find one other problem, published later in 1882, though there may well be others around somewhere. There are a lot of duals involving discovered checks with the knight in some variations, which perhaps wouldn’t be acceptable today.
#2 The Illustrated London News 9 Sep 1882
George Law Francis Beetholme, then, was very much a Minor Piece in the world of chess problems: perhaps even, you might think, a pawn. A promising career cut short by ill health, I suppose.
You might be wondering about my interest in the Beetholme family. George the artist had a brother named John, born in about 1839, who also lived a bohemian life following artistic pursuits, although he used a pen rather than a paintbrush.
Using the nom de plume J B Lawreen (sometimes J Beetholme Lawreen) he was, from about 1869 onwards, a writer of comic sketches and sentimental music hall songs.
London and Provincial Entr’acte 14 July 1877
In the same business, then, as Noel Johnson, except that he wrote the words while Noel composed the music. There’s no evidence that they ever collaborated.
London and Provincial Entr’acte 27 October 1877
In 1879 he married a dancer named Emily Willis, but the relationship didn’t last long and he later had an affair with Mary Elizabeth Bonsor, born in 1862, who had been orphaned at the age of only 3 when, a few weeks after her mother’s death, her father, in a fit of despair, took his own life. Two children were born: a son named John, and a daughter, whose name was registered as Alice, but who was later known as Lilian or Lily. In 1924 Lilian married a 63 year old widower, John Judd Abrahams: they had two sons. One of their grandsons, Steve Abrahams, who now lives in Tonbridge, has been researching his family history.
Steve has a strong DNA link with me which suggests we’re somewhere in the region of 4th cousins. I know from my shared links that it concerns my maternal grandmother’s family, and he knows from his shared links that it concerns his paternal grandfather’s family. There’s no obvious connection from our family trees so it’s a question of identifying a point where one of my relations and one of his relations might have been in the same room at the same time.
One possible scenario is this. John Judd Abrahams was born on 31 December 1860 in Gillingham Street, very near Victoria Station. According to both birth and baptism records his parents were David Abrahams and Ann Judd, who had married in Brighton in 1855. David was a servant, presumably working in hotels or boarding houses, and it’s quite likely Ann was in the same industry. Unfortunately the relevant page from the 1861 census, which might have been very informative, is lost, but there’s no indication that David and Ann spent any time together after their marriage, or that they had any (other) children. Steve also has no Abrahams DNA connections going any further back, so it’s plausible that John’s father was someone staying at or visiting a boarding house near Victoria Station. The relevant branch of my family was, at that time, mostly in the Northamptonshire village of Croughton, but there’s one possibility.
My great great grandfather Robert Padbury (he changed his name from Badby) had a brother named William (born in 1831) who served in the 97th Regiment of Foot. He was in Canada in 1856, and in India for the Indian Mutiny in 1857-58. On 1 June 1860 he was transferred to Madras. Might he have been in London a few months before that date awaiting instructions? Might he have travelled from India by boat, and then to London by train? He wouldn’t have arrived at Victoria Station, which only opened in October 1860. Might he have been in England on leave? Might he have been staying in a boarding house in central London and looking for a good time? I don’t know: I wasn’t there: but this theory would make Steve my 3rd cousin once removed, which would be about right. It would also make the short-lived problemist George Law Francis Beetholme the paternal 1st cousin of the wife of my 1st cousin 3x removed.
(Just to conclude William’s story, he returned from India, marrying in 1864 in Croydon, served by regular trains from Victoria, and fathering two daughters, one of whom died in infancy. )
Join me again soon for another story of a chess family with an unusual surname.
Problem solutions: click on any move to play them through.
Sources and Acknowledgements:
ancestry.co.uk
findmypast.co.uk
Wikipedia
Steve Abrahams
Yet Another Chess Problem Database (yacpdb.org)
ChessBase
We focus on the British Chess Scene Past & Present !
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Save as PDF
