“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukranian grandmasters. He was the winner of several strong tournaments, including the Ukranian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author.”
Perhaps, especially if you’re in the UK where evening league chess is still relatively popular, you’ve found yourself captaining a team.
It’s not too demanding as long as you have a pool of reliable and communicative players to choose from.
Maybe you’ve wondered what it would be like to captain a team in the Chess Olympiad: a really strong team such as Ukraine, Azerbaijan or the Netherlands. Or perhaps a star-studded team like SOCAR in the European Club Championship.
It’s a very different experience from captaining Ambridge C in Division 5 of the Borsetshire League, where all you have to do is get the right number of players to the right place at the right time and report the result, these days probably through the league website.
If you’re captaining a top international team, you’re probably dealing with large egos as well as large Elos. You have to decide on your board order, who to rest in each round, how to get everyone working well together and playing in the interests of the team. You really need to excel at interpersonal as well as chess skills.
This, then, is the subject of the first half of Vladimir Tukmakov’s new book. You’ll read about the triumphs, disasters, and, sadly, tragedies behind the teams he captained.
There’s a lot of chess as well: 37 games or extracts with fairly light annotations, which, by and large, seem to stand up well to modern engine analysis.
Here, for example, is what happens when two of the most imaginative players in 21st century chess meet. The opening, and indeed the whole game, seems to come from another planet.
It’s from the match between Ukraine and Georgia from the 2010 Chess Olympiad (Khanty-Mansiysk)
Tukmakov comments here: “Formally, White has a big material advantage, but the remaining Black pieces are tremendously active. In addition, don’t forget that even though the white king is standing on its original square, White has lost the right to castle.”.
Tukmakov awards ‘?!’ to Black’s 13th and 17th moves: Stockfish 11 is happy with 13… Nd7 but agrees that Black should have preferred 17… Nd5.
It’s the second half, though, which gives the book its title. Coaching a world class grandmaster who plays even better than you do is very different from giving an occasional lesson to the top board from your local primary school.
Here, Tukmakov relates his experiences of one-off collaborations with Geller, Tseshkovsky, Korchnoi (Wijk aan Zee & Brussels 1991) and Karpov (match with Anand, 1998). More recently, he’s acted as coach to Anish Giri (2014-2016) and Wesley So (2016-2017).
In this section of the book you’ll find another 46 games or extracts, so you get a lot of interesting chess for your money.
In complete contrast to the previous game, here you can see an example of impressively deep opening preparation.
Shirov had reached the position after 21… Bh4+ before, but had met Kd2 rather than Kf1. Tukmakov claims that 25. Qh5 was a novelty: in fact it had been played twice before, with Black replying Ne5 and, although standing worse, scoring 1½/2.
An excellent book, then, fascinating and, at times, brutally honest. Tukmakov offers a different insight into top level chess from two perspectives: a captain and a coach.
If your main aim is improving your chess you might not consider it an essential purchase, but if the subject matter appeals, don’t hesitate. You won’t be disappointed.
Richard James, Twickenham, 29th February 2020
Book Details :
Paperback : 352 pages
Publisher: Thinkers Publishing; 01 edition (2 April 2019)
John Nunn has written around thirty books on chess and many of these are some of the finest chess books published in any language : Secrets of Pawnless Endings (1994, Batsford) easily is a candidate for the all time list. John is a director of Gambit Publications Ltd. together with Murray Chandler and Graham Burgess.
This workbook is a follow-up to the original (2015) and much liked Chess Endgames for Kids by Karsten Müller :
From the rear cover :
“This is a book for those who have started to play chess and want to know how to win from good positions and survive bad ones.
The endgame is where most games are decided, and knowing all the tricks will dramatically improve your results. Endgame specialist John Nunn has drawn upon his decades of experience to present the ideas that are most important in real games. Step by step he helps you uncover the key points and then add further vital knowledge.
Chess Endgame Workbook for Kids is the third in a new series of books that help players gain chess skills by solving hundreds of carefully chosen exercises. The themes are similar to those in Gambit’s best-selling ‘Chess for Kids’ series, but the focus is on getting hands-on experience. Many positions build on ones given earlier, showing how advanced ideas are normally made up of simpler ones that we can all grasp.
Each chapter deals with a particular type of endgame and features dozens of exercises, with solutions that highlight the key points. For each endgame we are given tips on the themes that are most important and the strategies for both sides. The book ends with a series of test papers that enable you to assess your progress and identify the areas that need further work.
Dr John Nunn is one of the best-respected figures in world chess. He was among the world’s leading grandmasters for nearly twenty years and won four gold medals in chess Olympiads. In 2004, 2007 and 2010, Nunn was crowned World Chess Solving Champion, ahead of many former champions.”
To get some idea Gambit (via Amazon) provide a “Look Inside” at their Kindle edition.
Chess Endgame Workbook for Kids is robustly (!) hardbound in a convenient size such that weights are not need to keep it propped open (unlike some A5 paperbacks) meaning studying with this book is more convenient than with many books. The layout and printing is clear (as you would expect with Gambit) with numerous diagrams at key moments in each, relatively short, game. In essence, players under 18 (for whom this book is intended) will find it easy to dip in out of and it can be used without a board (although BCN and most chess teachers and coaches would always recommend following each game on a “proper” board).
As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. A previous criticism (ibid) has been addressed in that each diagram has a symbolic “whose move it is” indicator. Each diagram does have coordinates which are very welcome for the younger junior reader.
The book is divided into 8 chapters as follows :
The Lone King
King and Pawn Endings
Minor Piece Endings
Rook and Minor Piece Endings
Each chapter has an introduction to the type of ending examined, followed by a good number (at least 20 – 40 ) of exercises followed by “Tougher Exercises”. Each chapter concludes with Solutions (and excellent explanations) to each exercise.
Here is an example (#39) from Chapter 2 :
“Should White play 1 a5 or 1 Kc6, and what is the result ?”
The solution is at the foot of this review.
Just as for Chess Tactics Workbook for Kids, it was clear when working through the easier set of exercises that the author had thought carefully about their sequence since the reader should (we did for sure !) notice the level of difficulty increasing slowly but surely. The solutions are remote from the puzzles nicely avoiding the “accidentally seeing the solution” issue one gets with lesser books. The solutions themselves are clear and concise and instructional in their own right.
We found chapters 7 & 8 particularly rewarding and Test Papers puts the previous chapters into context. Precise calculation is order of the day rather then intuition.
One negative comment we would make (and we are struggling to make any!) concerns the cover. “Never judge a book by its cover” we are told and you might look at this book cover and think it was suitable for say primary aged children. We would say not but we would suggest it suitable from secondary aged children. We would say strong juniors from 12 upwards would read this book and enjoy it.
As we previously mentioned in our review of Chess Opening Traps for Kids, The title and cover might, perhaps, put off the adult club player market. However, the content is totally suitable for adult club players upto say 180 ECF or 2000 Elo.
In summary, we recommend this book to any junior or adult who wishes to improve their core endgame skills and results. It makes an excellent book for the new year for young players and the young at heart !
39) At the moment White’s g-pawn holds back all three enemy pawns. The winning idea is to stalemate Black’s kings and use zugzwang to force Black to push a pawn : 1 a5! (1 Kc6? Ka7 2 Kd6 doesn’t work because White will not promote with check if Black’s king is not on the back rank; then 2…h5! 3 gxh5 g4 4 h6 g3 5 h7 g2 h8Q g1Q leads to a drawn ending with equal material) 1…Kc8 2 a6 Kb8 3 a7+ Ka8 4 Ka6 (forcing Black to self-destruct on the kingside) 4…h5 5 gxh5 f5 6 h6 f4 7 h7 f3 8 h8Q#.
“Grandmaster Gata Kamsky, five times US champion, has one of the most extraordinary career trajectories of any chess player. In 1989 he arrived in New York, at the age of 15, with his father from his home country Russia. Just two years later he became for the first time US champion. He reached the top 10 at the very young age of 16 and played a World Championship match at the age of 22, losing to the reigning World Champion Anatoli Karpov. He then decided to stop playing chess for 8 years, studying Medicine and Law. In 2004 he reappeared as a full-time player, became again a world-elite player winning many international tournaments and supporting the US team for many successes.”
What we have here is 22 annotated games (mostly wins, but there are a few draws as well) played by Gata Kamsky between 2004 and 2013, during which period he harboured aspirations towards the world championship.
Kamsky had White in 18 of the 22 games: perhaps it would have been good to learn more about his approach to playing the black pieces. His opponents included the likes of Carlsen, Anand, Aronian, Topalov, Karjakin and Grischuk.
22 games in 450 pages? Yes, that’s an average of about 20 pages per game, often with two or three pages devoted to just one move. There are annotations almost every move: lots of words, and lots of variations as well. Bobby Fischer managed to cram 60 Memorable Games into a lot less space, but then he didn’t have computers to help him.
To give you some idea of what to expect, let’s take a fairly random example: this is Kamsky-Carlsen from the 2007 World Cup in Khanty-Mansiysk.
In this position Carlsen played 17… Re6?
“Probably Black’s only big mistake, but one that costs him the game. The rook is not the best blockader, and once I have figured out how to remove it (by re-routing the knight from g3 to h5, it will only help White accelerate his initiative on the kingside.
“17… Qb3! was perhaps the only move to stop White’s ambitious plans. Black gives up his weak d-pawn in order to open up the position for the rest of his pieces, especially the blocked-in f8-bishop, thus making the rest of his pieces much more effective.”
He then goes on to explain that he was planning to meet 17… Qb3! with 18. Qd2! We then have three pages of notes on this position, with one line ending up with White a pawn ahead on move 42 and another where White wins with a queen sacrifice on move 33.
Eventually returning to the game, we reach this position.
Carlsen has just given up the exchange hoping to set up a fortress. Kamsky explains:
“Black is down a whole exchange, but his structure looks very solid, and if he somehow manages to re-route his knight to f5, while building a strong pawn blockade on the queenside, he might stand a chance. However, White is an exchange up, which means he only needs to open one file for his rooks to infiltrate to win the game. And that is something that Black cannot prevent.”
Kamsky eventually managed, with some help from his opponent, to open the h-file for his rooks, winning on move 46.
The verbal explanations of positions and plans are, as you can tell, models of clarity but you might well think there are too many variations. You’re going to need at least two, more likely three chess sets to find your way through some of the thickets.
The games are not all you get for your money, though. Each game is put into context, and, Kamsky warns us in the introduction: “I must also caution that some of the views and comments expressed on subjects other than chess will sometimes be found to be quite controversial and not ‘correct’, in which case I would invite the reader to draw his or her own conclusions.”.
We are, perhaps fortunately, spared Kamsky’s views on Donald Trump and Brexit, but we do get his opinions of his opponents along with some flashbacks to his childhood.
You may well be aware of the reputation of his father, Rustam Kamsky. Gata’s descriptions of their relationship doesn’t make comfortable reading:
“… I had no education and was under the complete domination, in both body and soul, of my father. He literally threatened to kill me many times, including chasing me with a knife on numerous occasions after a terrible tournament…
“When I came home from the one and only occasion I went to the authorities for help, my father burned my hand to the bone and told me that if I told the authorities about him again, he would kill me. Being physically beaten was an everyday occurrence; it was the psychological attack with his words that made me feel very old and not want to live.”
Given this background it’s perhaps understandable that he has a jaundiced view of some of his fellow grandmasters, even including the universally respected Vishy Anand. He has the rather strange habit of referring to some of them, particularly, it seems, those with whom he has come into conflict in the past, as, for example, Mr Topalov.
In some respects, then, this is a very personal book: much more than just a games collection.
Every one of the games is fascinating, the annotations are superb, but you probably need to be round about 2200 strength to gain full benefit from following all the variations. Below that level, you might find yourself shouting “too much information, Mr Kamsky” and perhaps prefer to spend your money on something with more games and fewer variations.
The production standards, as usual from this publisher, are excellent. I noticed very few typos (a redundant check sign and Jeffrey rather than Jeffery Xiong). If you’re looking for a collection of grandmaster games with exceptionally detailed annotations, along with some very personal insights into the world of top level chess, this is the book for you.
“David Simon Charles Goodman was awarded the IM title in 1983. He was World Under 18 Champion in 1975. He played #10 on the English national team in Moscow.
He currently resides in New York City where he is a chess trainer for promising young students.”
“Mark Dvoretsky (1947-2016) is considered one of the greatest chess instructors in the modern era. He left behind a great legacy of many books and publications. At the time of his passing, there were two unpublished manuscripts he had finished (and one other co-authored with study composer Oleg Pervakov).”
And from the Foreword by Artur Yusupov :
“Chess Tests offers chess players material of very high quality for working on various themes, from training combinative vision to techniques of realizing advantages. I recommend using those materials for in-depth work in the directions mentioned in the book. If you follow this advice, then this volume will become a valuable addition to your chess studies and will help you reinforce skills and knowledge you have already obtained. “And here is probably the most important point. Dvoretsky wanted to write a book that would not only teach some intricacies of chess, but would also be simply a pleasure to read for aficionados of the game, so he tried to amass the ‘tastiest’ of examples here. I hope that this last book by him is going to achieve this, presenting its readers with many chess discoveries and joy of communication with the great coach and author.”
This book (also available as an eBook) is divided into seven chapters as follows :
Training Combinational Vision, 32 tests
Candidate Moves, 38 tests
Calculating Variations, 18 tests
Attack and Defense, 28 tests
Positional Play, 52 tests
Realizing an Advantage, 24 tests
Endgame Tests, 35 tests
and each of these is further sub-divided. Above we have indicated a number of tests for each chapter. Each of these tests comprises a position diagram with a whose move it is indicator.
Unusually, the tests sections comprise the first 62 pages and pages 63 – 206 are the solutions. So, this book is a little unusual for a standard “tactics” book in that the bulk of the text is in form of solutions and explanations.
So, this is much, much more than a routine tactics book. As you might expect from Dvoretsky the bonuses come from the solutions. It is clear that Dvoretsky had gone to great lengths to collect the test positions, and, as we found (in the BCN office), they were an absolute delight to work on. To whet your appetite here is a pleasing example from “Tasty Tactics #2 :
And here is the solution that you may wish to cover up for now :
6. Stern-Sanakoev, corr wch 1994-99
A fine queen deflection that prepares a mating attack.
The same combination leads to a won endgame : 52…Qxh2+ 53.Rxh2 Ng3+ 54. Kg1 Bb6+ 55.Qd4 Bxd4+ 56.cd Rxe1+ 57.Kf2 Nf1 (57…Re3!?;57…Rh1!?), but a quicker way to finish the game is 52…Qf4! (there is a threat of both 53…Qxe4 and 53…Qf1+) 53.Qe8+ Kg7 54.Rxa1 Qxh2+! 55.Rxh2 Ng3+ 56.Kg1 Bb6+.
and here is a beautiful example from Tasty Tactics #4 :
but we won’t give the solution here : you will either have to solve this yourself or buy the book or both !
The general standard of these tests is high : even the tests labelled as “not very difficult” are challenging to say the least. Particularly instructive was the “Realizing an Advantage” section which includes subsections labelled “Technique”. Here is an example :
and here is a particularly tricky example :
In summary, this is a wonderful book and a great testament to the legend that is Mark Dvoretsky. We cannot recommend this book highly enough and claim that is it one of the best chess books of 2019. Please get it and enjoy it !
BCN remembers GM Jacques Mieses who passed away on February 23rd, 1954 aged 88. He was buried on the 25th of February at the East Ham Jewish Cemetery in Section J, Row 18, Grave 1100. We hope to update his burial record with these details when we are allowed to do so.
Jakob Jacques Mieses was born on Monday, February 27th 1865 in Leipzig in the German state of Saxony. He came to England in 1939 and was recorded in the UK Internees Index for 1939 – 1942 on 25th April 1939 :
At the time of the 1939 register Mieses was recorded as living at 66, Oakley Square, St. Pancras, Camden, London, NW1 and he is listed as a Professional Chess Player.
By the time of Hastings 1945 (27th December) Jacques had relocated to :
On June 7th 1947 he was granted Naturalisation Certificate AZ27326.
In 1950 he was one of the twenty-seven first players to be awarded the Grandmaster title by FIDE. He was therefore the first British National to be awarded the Grandmaster title for OTB play. The next (Tony Miles) would be twenty-six years later.
He has The Mieses Opening named after him :
which never really caught on to any significant degree.
and in the Centre Counter or Scandinavian Defence we have the Mieses Variation:
and finally, also in the Centre Counter or Scandinavian Defence we have the Mieses Gambit:
From The Encyclopaedia of Chess (Robert Hale, 1970 & 1976), Anne Sunnucks :
“International Grandmaster. Born in Leipzig on 27th February 1865, Jacques Mieses was educated at Leipzig University and in Berlin. He came to England as a refugee from Nazi Germany shortly before the 1939-1945 war and eventually became a naturalised British citizen.
The early part of his chess career was devoted mainly to the study of chess theory and to chess problems. It was not until he was 23 that his tournament career really started with a tie for 2nd place at Nuremberg 1888, followed by 3rd at Leipzig 1888.
Over the next 50 years, he played in numerous tournaments with varying degrees of success. His addiction to speculative rather than sound openings and his attempts to combine playing in tournaments with reporting them were possibly responsible for his inconsistent results. Within a few months of one of the greatest performances of his career, when he came lst at Vienna 1907, ahead of Duras, Maróczy, Tartakover, Vidmar, Schlechter and Spielmann,
he came no higher than =16th at Carlsbad. In 1923 he achieved another great success when he came lst at Liverpool, ahead of Maróczy, Thomas and Yates.
While his style of play prevented him from reaching the greatest heights as a tournament player, it was also responsible for the numerous brilliancy prizes which came his way, one of the last being at the 1945 Hastings Congress, when he was 80.
Among the many books which Mieses wrote were The Chess Pilot,
Manual of the End Game
and Instructive Positions from Master Chess.
A very popular player, Mieses had a ready sense of humour. On one occasion, when he was in New York, he was asked by an American who mispronounced his name “Sind sie Mister Meises?”, ” No sir,” he promptly replied “Ich bin Meister Mieses.” On another occasion, when submitting an article in German to a British magazine, he could not resist asking ” Don’t you think my German is very good for an Englishman?”
On his eightieth birthday, a dinner was held in his honour in London and he was presented with a cheque by his numerous chess friends and admirers. The speech he made on this occasion was later quoted in most of his obituaries:
I have been told that a good many people never reach the biblical span of three score years and 10; and those who do-so some most reliable statistics assure us-are most likely to die between 70 and 80. Hence, I dare say, ladies and gentlemen, that I for one have now passed the danger zone and may well go on living for ever.
He lived for nearly nine more years, taking his daily swim in the Serpentine in Hyde Park or some open-air swimming pool, until only a few days before his death. He died in a London nursing home on 23rd February 1954 and was buried in the East London Jewish Cemetery.”
From The Encyclopaedia of Chess (Batsford, 1977) Harry Golombek OBE we have this from Wolfgang Heidenfeld :
“Grandmaster, theorist, problemist, tournament organiser and chess journalist.
Mieses was a spectacular player who won many brilliancy prizes but suffered as many very short defeats. As a a result the German master achieved only one full success in important international tournaments (Vienna 1907), but occupied good places in such events as Breslau 1889 (3rd), Hanover 1902 (4th), Ostend 1907 (=3rd), as well as some smaller events.
In matches he showed a heavy preponderance of losses against the top-notchers, losing to Lasker, Tarrasch, Rubinstein, Marshall, Teichmann (twice) and Spielmann, but he drew with Walbrodt (1894), Janowski (1895) and Caro (1897) and beat Leonhardt, Taubenhaus, and (at the age of 81) Abrahams.
Here is the first game from October 29th 1945 annotated by Mieses from his match with Gerald Abrahams played in Glossop:
In keeping with his sharp style, Mieses preferred such openings as the Vienna Gambit, the Danish Gambit and the Centre Counter-Gambit. Among his lasting achievements are his brilliancy prize games against Janowksi (Paris 1900),
Reggio (Monte Carlo 1903),
Perlis (Ostend 1907)
and Schlechter (Vienna 1908).
Personally a very witty man (and something of a bon vivant) Mieses did not invest his writing with the same sparkle; both as a journalist and author he was rather dry and sober. He edited the eighth edition of the famous Handbuch, several editions of the ‘little Dufresne’, and published several primers as well as a treatise on blindfold play and an anthology Instructive Positions from Master Chess, London, 1938.
One of Mieses’s most important contributions to chess history was the payment of travelling and living expenses during a tournament, which he insisted on when running the famous tournament at San Sebastian 1911 – it was only thenceforth that this procedure became the norm.”
Here is an obituary written by DJ Morgan from British Chess Magazine, Volume LXXIV (74, 1954), Number 4 (April), pp. 107-108 :
Last month we made brief mention of the death, on February 23rd at a London Nursing Home, of the old grandmaster, on the verge of his eighty-ninth birthday. He was the last surviving link with a distant and largely-forgotten era. Mieses entered the international arena in the days of the great Romantics, of Zukertort, Charousek, and Tchigorin. He reached his heyday in the times of Tarrasch, Schlechter, and Maróczy. But he could never assimilate the canons of this Classical School, derived from Steinitz and codified and promulgated by Tarrasch. He preferred the dynamic to the static. He played the Scotch Game in tournaments long after it hat been
discarded by Steinitz and Blackburne; the Danish Gambit and the Vienna became in his hands instruments of great attacking potential. As Black he long favoured the Centre Counter Defence, and with it he brought off a number of thrilling victories in such great tournaments as those of Ostend, 1907, Carlsbad, 1907, Vienna, 1908, and St. Petersburg, 1909.
Jacques Mieses was born on February 27th, 1865, at Leipsic, and was educated at the university there, and in Berlin. In the capital he joined, at seventeen, one of the city’s chess clubs, and soon won the first prize in its annual tournament. Nevertheless, his earlier days were devoted mainly to the theoretical side of the game and to problems of which he was a good composer and a phenomenal solver. His public career really began with a tie for second place at Nuremberg, 1888, with the third prize at Leipsic in the same year, followed by a third, behind Tarrasch and Burn, at Breslau, 1889. His subsequent achievements span the years and are recorded in the literature of the game. He played at the famous Hastings 1895 (and was its sole survivor); fifty years later he played at a Hastings Christmas Congress. His preference for the speculative and the spectacular to the then ultra-modern-prevented him from winning the major prizes of the games. As we look up the record’s we can readily see how unpredictable his performances were. Thus, in 1907, a first at Vienna early in the year was followed later by an equal sixteenth-eighteenth at Carlsbad. But his Brilliancy Prizes were numerous: such endings as those v. Janowski, Paris, 1900; v. Reggio, Monte Carlo, 1903 (quoted, incidentally, as Diagram 52 in Fine’s The Middle Game in Chess, but without giving its source); v. Znosko-Borovsky, Ostend, 1907; and v. Schlechter, Vienna, 1908, will always be the delight of anthologists.
As well as playing incessantly in match and tournament, Mieses wrote copiously on all aspects of the game, analytically as well as in a literary manner, in books as well as in magazines. Three of his little books, The Chess Pilot, Manual of the End-game, and Instructive Positions from Master Chess, have enjoyed a long and wide popularity in English.
Two personal memories come to the writer’s mind. We first met him during the Liverpool congress-of 1923 ((1) Mieses, (2) Maróczy). one morning we took a stroll together up Dale Street, a stroll which developed into a tie-hunting expedition, ending up with a fine selection on his part to take back to a Germany emerging from recent disaster. He left the impression of a courteous and cultured man, precise in speech and with something of the military in his bearing. ln 1939, on hearing of his whereabouts, we called at his lodgings in Camden Town one Sunday morning. We were diffidently greeted by a seriously-crippled Mieses, who had recently, under great difficulties, made his exit from a Germany once more faced with disaster.
But the prim and chivalrous personality soon exerted itself. His many English friends rallied round him in his exile, all culminating in the great tribute paid to him on his eightieth birthday. Mon March 15th, 1945, at the Lud-Eagle Chess Club, a large number of friends and admirers gathered to pay their respects. A cheque, subscribed to by members of the club, was presented to the veteran master. He had, he said in his acknowledgement, sought asylum in England, and he had been shown great kindness and sympathy. The final gift was a last resting-place in the East London (Ed : we now know this to be East Ham) Jewish Cemetery. – DJM.
“Jacques Mieses was born in Leipzig. He won the chess championship of Berlin at the age of 17, and in 1888 he placed joint second at Leipzig and third at Nuremberg.
In 1889 he came third at Breslau (1889). He was, however, rather eclipsed by two great emerging talents – Emanuel Lasker and Siegbert Tarrasch. Mieses was crushed by Lasker in a match – Lasker – Mieses (1889/90) in Leipzig (December 1889 to January 1890). He also performed poorly at 8th DSB Kongress (1893) coming only 7th out of 9 against a field which was relatively weak compared to previous DSB congresses.
1894-95 was a busy period for Mieses. He drew a match with Karl August Walbrodt. (+5, =3,-5) in Berlin (May-June 1894). Mieses then played in the extremely strong 9th DSB Kongress, Leipzig (1894) (3rd-14th September, 1894) coming 10th out of 18. He had then toured Russia giving simultaneous displays, before travelling to Paris to play a match with David Janowski (8th January to 4th February 1895).
Mieses then crossed the English Channel to play a short match against Richard Teichmann in London (16th – 21st February 1895) which he lost by +1 =1 -4. A month later he played this match, Mieses next professional engagement would be (which was his first tournament outside his own country) came at the famous Hastings event of 1895. Although he finished only twentieth (in a field of 22 players), he soon adapted to this level of play and in 1907 he took first prize at the Vienna tournament scoring ten points from thirteen games.
In 1909, Mieses played a short blindfold match with Carl Schlechter, winning it with two wins and one draw. The very next year Schlechter played Emanuel Lasker for the World Championship and drew the match 5-5.
Mieses tried his hand as a tournament organiser in 1911, putting together the San Sebastian event that marked the international debut of future World Champion Jose Raul Capablanca. Mieses was defeated by one of Lasker’s title challengers, Siegbert Tarrasch, in a match in 1916 (+2 -7 =4). In 1938 Mieses resettled in England and took British citizenship. He was awarded the grandmaster title in 1950.”
German-born Jewish player and author from Leipzig, International Grandmaster (1950), International Arbiter
(1951). He never assimilated the positional ideas of Steinitz and Tarrasch; instead he preferred to set up a game with the direct object of attacking the enemy king, a style that brought him many brilliancy prizes but few successes in high-level play. His best result was at Vienna 1907, the first Trebitsch Memorial tournament, when he won first prize ( +9 =2 —2) ahead of Duras, Maróczy and Schlechter. Later in the year he shared third prize with Nimzowitsch after Bernstein and Rubinstein in a 28-round tournament at Ostend. He played 25 matches, mostly short, and won six of them including a defeat of Schlechter in 1909 (+2-1).
Mieses reported chess events, edited chess columns, and wrote several books. In 1921 he published a supplement to the eighth edition of Bilguer’s Handbuch, and he revised several editions of Dufresne’s popular Lehrbuck des Schachspiels, He also organized chess events, including the tournament at San Sebastian in 1911 for which he insisted that competitors were paid for travel and board, a practice that later became normal.
After living in Germany for 73 years he escaped the clutches of the Nazis and sought refuge in England. A prim, courteous, and dignified old gentleman, still upright in bearing, he became widely liked in his adopted country. Asked about his lameness in one leg, caused by a street accident in 1937, he merely answered ‘it was my turn to move,’ Soon after naturalization he became the first British player to be awarded the International Grandmaster title. A generation before him his uncle Samuel Mieses (1841-84) had been a German player of master strength.
In the various publications of Edward Winter there are many and varied references to Mieses. We recommend you consult : Kings, Commoners and Knaves, Chess Facts and Fables and Chess Explorations to read them.
According to Edward Winter in Chess Notes JM lived at the following addresses :
Tauchaerstrasse, Leipzig, Germany (Wiener Schachzeitung, July 1904, page 211).
Neil McDonald is an English GM, an active player, a FIDE Trainer and a coach to the England junior teams. Neil has authored thirty-seven books for The Chess Press, Batsford and, most recently, Everyman Chess. One of his most recent works, The King’s Indian Attack : Move by Move, impressed considerably.
“One of the most challenging tasks in a chess game is to find the correct strategy. It is far easy to attack too randomly, to miss a vital opportunity, or even choose the wrong plan altogether. These are all mistakes frequently seen by even quite strong players.
Your Chess Battle Plan focuses on how Magnus Carlsen and other great masters decide on the best strategy in a position and then find the right ways to implement it. Clear advice shows you how to hone in on the most relevant features of a position in order to decide what your general plan needs to be. Factors that are addressed include when to exchange pieces, when to make long-range manoeuvres, when to offer sacrifices and how to identify and focus on key squares. Your Chess Battle Plan will get you thinking along the right strategic lines and using your pieces and pawns in a much more efficient and skilful manner.
A complete self-improvement programme.
Advice to evaluate the current level of planning in your own games.
Utilizes a structured approach, making the most of your study time.”
The content is divided into ten chapters as follows :
Improving the Activity of your Pieces
Stopping the Opponent Playing Good Moves
Full Grovel Mode
Punishing Faulty Freeing Moves
Exploiting a Hole
Manoeuvring Against Pawns
Promoting a Pawn
Using a Pawn as a Battering Ram
Sacrificing to Gain the Initiative
Deciding the Character of the Game in the Opening
For each of these themes the author selects a dozen or so games between high quality opponents. He fast forwards to the key moment, sets the scene and then analyses the play from this moment onwards.
Each of the game fragments is analysed with a friendly and candid style emphasizing the key elements not only in the position but, more importantly, in the tactics and strategy implied by the chosen plan. To get most benefit from the authors text it would be best to set-up the start position of the fragment on the board and cover the following text. Spend some time getting “into the zone” of the position and try and decide the best plan for yourself. Having done that then reveal the authors notes and see how much you have predicted. Do this time and time again in a give chapter / theme then the ideas should start occurring to yourself with less prompting.
For a little context here is the full game (up to White 46th) that is discussed below :
From the Promoting a Pawn chapter there is the game (49) Demchenko – Gukesh, 2019 that reached this position after white’s 46th move :
and this is the instructional text from the author :
“Question : Can you see killer blow White had missed?
it looks as if Black is going to have to resign in view of the unstoppable mate, but :
Answer : 46…Qxf5+!
A horrible surprise for White. If he takes the queen it is mate on h1.
47 Kh2 Qc2+ 0-1
It will be mate on g2.
It feels as white was somewhat unlucky in that the logical course of his plan required him to find the ‘only’ move 45.Rf3!, without which he was lost. When the opponent queens first, the stakes on he accuracy of your moves become very high. Meanwhile, Black had to find the tricky 44…Qb7+! and hope that White would overlook the deadly idea behind it. Gukesh was a 12-year old Grandmaster at the time of this game, and not likely to miss such a tactical chance!”
In total 76 games are examined either in full or partly. This book provides a rich pot pourri of well selected examples that demonstrate the ideas of the chapter / theme.
We think this that book will get the student thinking about his or her own potential plans for a position hopefully adding dimensions that would not normally have been considered. The rewards from studying this book are likely to be much greater confidence in middle game positions and perhaps even less fear of murky or unclear positions. Many previous middle game books examine superb examples of play from Capablanca and others where perhaps the positions are less “messy” and not as “lifelike”. These 76 examples from the author are very down to earth and will benefit the student from study.
A couple of small gripes with the production are : the diagrams do not have a “to move” indicator. Secondly, some Everyman books (but not this one) have an extra folding part to the front and rear covers. These we find protect the book from damage and also can be used as an emergency book mark !
In conclusion we like this book a great deal and hope to find the time to study all of it in depth : highly recommended !
“Half the variations which are calculated in a tournament game turn out to be completely superfluous. Unfortunately, no one knows in advance which half..” – Jan Timman
The value for any practising chess player of a coherent opening repertoire when playing with the white pieces is key to success, enjoyment and efficient use of study time. Books with “Opening Repertoire” in the title are many and varied and we were intrigued to what the emphasis in this latest book from New in Chess would be.
From the books rear cover :
After the success of his award-winning book ‘Keep it Simple 1.e4’ International Master Christof Sielecki is back. His new repertoire based on 1.d4 has a similar profile: variations that are straightforward and easy to remember, and require little or no maintenance.
Sielecki has created a reliable set of opening lines for chess players of almost all levels. The major objective is to dominate Black from the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines.
His main concept is for White to play 1.d4, 2.Nf3, 3.g3, 4.Bg2, 5.0-0 and in most cases 6.c4. Sielecki developed this repertoire while working with students who were looking for something that was easy to understand and easy to learn.
This new 1.d4 repertoire may be even easier to master than his 1.e4 recommendations, because it is such a coherent system. Sielecki always clearly explains the plans and counterplans and keeps you focused on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.
So, what is Keep it Simple 1.d4 about ?
This is a weighty (427 pages) tome advocating a repertoire for white based on a “delayed Catalan” development approach against almost any line that black chooses.
Originally the content was provided on the popular training site Chessable. Its popularity caused New in Chess to publish in paper format. See Chessable version
From the successful series by Boris Avrukh (and many others) we know that the conventional Catalan System (1.d4, 2.c4, 3.g3) is a highly respected opening system played at the very highest levels by the worlds top players. So, a normal Catalan would see
appear fairly promptly allowing Black various options that White might like to avoid.
By delaying c4 to say move 6 then White is denying Black some of these sharper continuations and maybe allowing White to focus more on middlegame plans rather than engaging in theoretical skirmishes at move 2, 3, 4, 5 or even.
This is the kind of opening philosophy that has encouraged the London System (and the Colle System before that) “pandemic” to dominate club chess : “We show a system that allows you to get your pieces onto sensible squares without allowing your opponent to distract you”. Of course this is a gross over simplification but many club players want an easy life !
So, something typical might be :
where White’s last move was 6.c4
which is covered in chapter 8 and 9 depending if Black captures on c4.
There is one major difference with the approach Sielecki suggests in that we get to a principled set-up via a slower move order.
The book is divided into four main parts as follows :
Black’s …g7-g6 based set-ups : 1.d4 Nf6 2.Nf5 g6 3.g3
Black’s flexible set-ups : 1.d4 Nf6 2.Nf3 e6 3.g3
Black’s sharp and offbeat defences
The author states he has three “KIS” guidelines :
The chosen lines are simple to learn;
It must be possible to find your way if you forget your lines;
Choose lines that may not be most critical, but uncomfortable for the opponent
All the usual (and many unusual) structures from Black are given a detailed treatment :
Chigorin, Tarrasch, Grunfeld, King’s Indian, various forms of Benoni, Modern, Queen’s Indian, Benko b5 ideas, Dutch, Old Indian, Wade Defence and other odds and ends.
An interesting comment we noted elsewhere was from IM John Donaldson : “A worthy follow-up with the author achieving the near impossible in carving out a cohesive repertoire based on 1.d4 2.Nf3 and 3.g3 against all but a handful of Black replies. The most amazing magic trick is how the author makes the Slav and Queens Gambit Accepted disappear – namely by adopting the sequence 1.d4 d5 2.Nf3 Nf6 3.g3. This reviewer gives two thumbs up for for Keep It Simple 1.d4. It is full of interesting variations and ideas for players rated 2200 on up who are looking for a positionally oriented repertoire that is not overly theoretical.”
and “As promised, the repertoire is simple, but not so simple that it is not of practical value. IM Sielecki has taken great pains to research the material carefully and package it into a repertoire that is relatively consistent throughout.”–Carsten Hansen “American Chess Magazine ”
and “I like this particular repertoire very much as it’s one which could probably hold the reader in good stead for many years to come. His introductions, conclusions and textual explanations are instructive and ones that a human can readily appreciate, learn from and understand. As I think that I should keep my advice ‘simple’, then I would say ‘just get it’!”–Glenn Flear, Grandmaster “Yearbook 134”
So, who what is the most suitable audience for this book ? We would say that a club player of 2000 plus who wishes to upgrade their white opening into a Queen’s Gambit style structure would enjoy the content. Maybe they have been playing the London, Colle, Stonewall or Veresov systems and want to progress their chess : this book is ideal for that upgrade. It is also good for those who play a conventional move order looking for a more positional repertoire.
As a bonus for the observant, this book provides material for those wishing to kick-off with 1.Nf3 although you will need to deal with 1.Nf3 c5 of course !
As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
At the rear is the customary detailed Index of Variations and following that there is an Index of Players where the numbers refer to pages.
In summary this book provides a pragmatic and positional repertoire for White against most of the all the commonly encountered responses to 1.d4 and 2.Nf3, 3.g3 and an eventual c4. There is a host of interesting new and dangerous ideas that help you fight for the whole point with the white pieces : recommended !
Remembering SIM Graham Mitchell (04-xi-1905 19-xi-1984)
We focus on the British Chess Scene Past & Present !
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