Tag Archives: 2023

What Chess Coaches Don’t Tell You

Here is the publishers blurb from the rear cover:

“Are you a parent of a junior chess player who feels that because you don’t know how to play chess, you can’t help your child? Or are you an adult or junior chess player who has taken private chess lessons for years, but feels you haven’t been progressing? In both cases, there can be a lot of reliance on a chess coach who has been given free rein with lesson content and direction. They probably have some sort of plan but it is likely to be a plan used for all their students. This is not ideal.

More important is a well-thought out, individualized plan, that focuses on a specific player’s unique strengths and weaknesses. Formulating such a plan is crucial for making improvements. Victoria Doknjas and her son John Doknjas are an ideal writing partnership to tackle this topic. John is a FIDE Master who has already established himself as an excellent and highly-respected author who understands the improvement process very well. Victoria has over a decade of experience navigating the competitive chess arena with her three master-level sons, including also running her own chess academy. Together they offer a unique and informative insight to those wanting to get more out of their chess studies, as well as presenting practical advice in areas including:

* Identifying important goals and how to work towards them.

* Understanding how to objectively analyse your games.

*Maximising the efficiency of software and engines for learning.

Reading this book can broaden your horizons in the essential areas of chess study, and ideally let you better evaluate what your chess coach is teaching you. And if you don’t have a chess coach, this book will provide you with an excellent foundation for serious chess study.”

and about the authors:

John Doknjas is a FIDE Master who has won several strong tournaments in British Columbia, Canada, including the Grand Pacific Open. John is a chess teacher with over eight years of experience and is a highly respected author. Victoria Doknjas has over a decade of experience navigating the competitive chess arena, including also running her own chess academy.

As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.

Before we begin, here is a sample

 

A rather provocative title, I think. Here are two chess coaches telling you what chess coaches (presumably apart from them) don’t tell you. You can read their introduction in the sample linked to above.

As I have a rather large pile of books still to review and much else to do I hope you’ll excuse me being rather less detailed than in the past.

Of course there’s a big difference between coaching players with, say, ratings of 0, 500, 1000, 1500, 2000 and 2500. Or between coaching players aged, say, 5, 10, 15, 20 or 25, not to mention 50 or 95. Or between coaching players who have, say, 5 hours a day, 1 hour a day or 1 hour a week to devote to chess.

I can summarise the chapters fairly quickly.

Chapter 1 (3 pages): Working Hard with a Set Purpose. Or, if you like, Deliberate Practice.

Chapter 2 (5 pages): Defining Goals and Developing a Plan to Achieve Them.  All great in principle, but the problem is that, for most of us, life (work, studies, family or whatever) usually tends to get in the way.

Now we move on to the meat of the book.

Chapter 3 (57 pages): Analyzing Your Games.

The authors recommend that when you’ve played a game you enter it into your database (without having an engine on), annotate it with specific reference to the critical moments, write down what you learnt from the game, and only then look at it using an engine and/or show it to your coach.

You’re provided with three exercises: one game by each of the authors and a grandmaster game, each of which is presented five times: without annotations, with the possible critical moments highlighted, with some variations at the critical moments, with further explanations at the critical moments, and finally with engine-based analysis.

With jumbo sized diagrams used liberally, this takes up a lot of space for a lot of repetition.

Here’s the GM game: you might want to see how you get on. Click on any move for a pop-up window.

Analysing a Karpov game would, I’m sure, be a good exercise for a 2000+ player, but it would be pretty hard for a 1500 player and futile for a 1000 player. We’re perhaps looking at this point at a book for very strong and ambitious players, along with their parents and coaches.

This level seems to be continued in Chapter 4: Creating an Opening Database (30 pages). Using as an example the closed Italian Game (with c3 and d3) for White, the authors show you how you might go about this using ChessBase.

When we’re trying to find moves for our opponent to use in our opening repertoire, we should try to find the most popular moves (since these are what we’re most likely to face in a game). However, when we’re trying to find a move to play ourselves, often it’s useful to choose a rare move over a popular move (as long as the engine is fine with it). 

Again, this sounds like excellent advice for, say a 2000 player.

Moving on, then.

Chapter 5 clocks in at a chunky 85 pages on Will to Win: Essential Endgames. All reputable chess coaches will agree that Essential Endgames are, well, essential.

But here we’re taught how to play baby positions like this…

.. which is one of the first lessons I give beginners, followed by pages on RP v R (Philidor, Lucena) and Q v P on the 7th rank, again material more suited to 1000 players than 2000 players.

This all left me rather confused as to the purpose and target market of the book.

We’re still in endgame territory in Chapter 6, Tactics and Studies (32 pages). As well as solving tactics puzzles online the authors recommend, like most chess coaches these days, solving endgame studies. They present five rather difficult studies here, much more suited to 2000 rather than 1000 strength players.

This one, unlike some of their other choices, has a short solution.

White to play and draw (Jan Timman 1981)

The main line runs 1. Nd2 Bf7 2. Kg5 Ng2 3. Nf3 Kf8 4. Ne5 Kg7 5. Nxg6 Bxg6 with stalemate.

Chapter 7 is Slowing Down (another 32 pages). Good advice for novices, yes, but do you need to tell experienced players to slow down? We seem to be back with advice for 1000 players now, telling you to play more slowly and consider basic principles (control the centre squares, develop your pieces etc). We then have a few exercises where you have to use basic principles to find the best plan in some GM games.

The final long chapter, Chapter 8 (88 pages), is on Training Games. I was very pleased to see this chapter as I consider training games to be an invaluable method of improving your chess which is often ignored. We’re first advised to play training games against stronger players if we can. We’re then given 41 positions which can be played out against a training partner or a computer. These range from typical opening positions, through a variety of middlegame positions through to endings. Each of the positions is then repeated along with the game continuation and some analysis, explaining the length of the chapter.

Chapter 9 (22 pages) covers the important topic of To Exchange or not to Exchange  in rather perfunctory fashion: a brief introduction followed by four examples including games from Kasparov and Karpov.

Finally, Chapter 10 (12 pages) gives you some FAQs for Parents or Those New to Competitive Chess – useful, I suppose, but parents and adult newcomers will have rather different questions, and some of the answers are USA/Canada-centric, which may not be helpful for UK readers.

What to make of this book, then?

The question I always ask is whether the publishers commissioned the book, or whether the authors wrote it and submitted it on spec. Perhaps the former, although I may be wrong. It’s clear that the authors are great chess coaches and the book is full of excellent ideas and advice, some of which is not readily available elsewhere. But it doesn’t seem coherent to me, though, switching between advice tailored for budding masters and instruction more suitable for novices. There was, for my taste, rather too much analysis of fairly random examples, and the layout, with the very large diagrams favoured by this publisher, could have been more economical.

While I get that the chess book market, unless your name is Levy Rozman, is relatively small, and publishers want their books to appeal to as wide a range of readers as possible, trying to please everyone at the same time results in a book which will only be useful in parts for most purchasers. A more proactive approach from the publishers to produce a book with a more specific target market could easily have resulting in something half the size and twice as useful (which would perhaps have sold half as many copies).

Although I can only recommend the book with reservations, you might find it fills a gap in the market and at least some of the material will give you some fresh ideas about how to improve your, or your students’ rating.

And, if you’re interested in publishing a book about what chess coaches don’t tell parents of kids rated under 1000, I know just the person to write it.

 

Richard James, Twickenham 11th July 2024

Richard James
Richard James

Book Details :

  • Paperback: 384 pages
  • Publisher: Everyman Chess (10 July 2023)
  • Language: English
  • ISBN-10: 178194654X
  • ISBN-13: 978-1781946541
  • Product Dimensions: 17.25 x 2.16 x 23.37 cm

Official web site of Everyman Chess

What Chess Coaches Don't Tell You, John Doknjas and Victoria Doknjas, Everyman Chess, ISBN-13 ‏ : ‎ 978-1781946541
What Chess Coaches Don’t Tell You, John Doknjas and Victoria Doknjas, Everyman Chess, ISBN-13 ‏ : ‎ 978-1781946541

Grind Like a Grandmaster: How to Keep Pressing until Your Opponent Cracks

From the publisher:

“It is amazing how much play you can create in a seemingly equal chess position – if you persevere. In this book, the greatest chess player of all time, Magnus Carlsen, and his friend, Grandmaster David Howell, explain how to win these kinds of chess games.

Carlsen and Howell show how you can keep a game alive, how you can keep posing problems to your opponent, how you can recognize the first small mistakes, and how you can grind your opponent down until he cracks.

New In Chess has converted this book from a popular Chessable video and MoveTrainer ® course with the help of Carlsen and Howell. The lively conversations of the two friends translate very well into a highly instructive chess manual. It is top-level chess, using grandmaster games as examples, but the insights are accessible to players of all levels.

Magnus Carlsen won the World Chess Championship in 2013 and gave up his title in 2023. He is regarded as the greatest player of all time and holds the #1 spot in the world ranking. He has read dozens of books published by New In Chess, but this is the first book with Carlsen as an author. Carlsen (1990) lives in Oslo, Norway.

David Howell is an elite chess Grandmaster with a 2700+ peak rating and an individual gold medal winner at the Olympiad. He is a well-known and popular commentator on live chess streams. Howell (1990) is two weeks older than Carlsen, was born in Eastbourne, United Kingdom, and lives in Oslo, Norway.”

David Howell, London Chess Classic, 2013, courtesy of John Upham Photography

David Howell, London Chess Classic, 2013, courtesy of John Upham Photography. For more about David Howell see here

 

This book is essentially a transcript of a Chessable course which you can find here. If you prefer book learning, or you just like the idea of having something written by Magnus Carlsen on your bookshelf you’ll be interested in this title.

David has written a two page preface:

A quick swashbuckling attack full of sacrifices may appeal to some, but a long endgame grind can lead to the same result. Arguably, while one approach is more spectacular and may ensure that games end quicker, the other approach comes with less risk attached.

Magnus provides a shorter preface:

Nothing quite compares to the thrill of pressing a minute advantage and converting it into victory. The excitement of outmanoeuvring and outlasting your opponent. The realisation that – although your first punch may not have landed – there is no need to despair. Try, try and try again. You will very often succeed.

Which are you? A hacker or a grinder? A sprinter or a marathon runner? To become a strong player, of course, you have to master both styles of play, but many will have a preference for either hacking or grinding.

Grinders require qualities such as patience and stamina as well as an outstanding knowledge of both technical and practical endings. If you’d like to become a better grinder, or even if you’d like to be better at defending against grinders, this course is for you.

It’s standard practice these days to have two commentators working together in live broadcasts, sharing ideas, asking each other questions. It’s something that usually works very well, making the broadcast more interactive, more friendly, more accessible, and, for me at least, it’s also effective in book form.

There could be no one better to demonstrate by example how to become a grinder than Magnus Carlsen, not only the highest rated human player of all time, but also a leading exponent of grinding. David Howell, also a strong grandmaster who enjoys grinding, as well as being an excellent commentator, is Magnus’s ideal partner. They are also good friends, and this is something that comes across well, adding to the enjoyment of the book.

Having said that, the contents themselves seem rather slight. Apart from the introductory material to each of the eight chapters you only get twelve games, seven played by Magnus and six played by David. If you’re good at maths you might have noticed that 7+6 is 13: one of the games is between the two authors, played in the final round of the 2002 World Under 12 Championship. It resulted, since you asked, in a draw.

This is one of Magnus’s lesser known games. He admits that it was an ‘awful game’ but still managed to grind down his lower rated opponent. Click on any move for a pop-up window.

The book is beautifully produced, although I guess the, er, colourful cover might not be to everyone’s taste. If this sort of thing bothers you, you might also think that, while a wide sans serif font is best for screens, a narrower serif font might be preferable for books.

The quality of the annotations, if you like the conversational style, is, of course, of the highest quality. At one level the games are more suited to players of, say, 2000+ strength, but some of the more general insights into the nature of grinding will be of interest and value to all players.

If you like the idea of grinding and you’d rather study the material from a book than from an interactive course or videos (or perhaps you’d like the book as well as the interactive course) it can be highly recommended.

Daniel King interviews David Howell about the book here, and if you can’t afford an hour to watch this, Daniel also provides a summary here.

You can read some sample pages from the book, which will enable you to decide whether or not it’s  for you, here.

Richard James, Twickenham 14th May 2024

Richard James
. Richard James

Book Details:

  • Hardcover: 208 pages
  • Publisher: New in Chess; 1st edition (31 Aug. 2023)
  • Language: English
  • ISBN-10:9083328465
  • ISBN-13:978-9083328461
  • Product Dimensions: 17.6 x 2 x 24.2 cm

Official web site of New in Chess.

Grind Like a Grandmaster: How to Keep Pressing until Your Opponent Cracks, David Howell and Magnus Carlsen, New in Chess; 1st edition (31 Aug. 2023), 978-9083328461
Grind Like a Grandmaster: How to Keep Pressing until Your Opponent Cracks, David Howell and Magnus Carlsen, New in Chess; 1st edition (31 Aug. 2023), 978-9083328461

The Caro-Kann the Easy Way

From the Batsford web site:

“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.

The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.

This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”

International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”

About the Author (from the publisher’s website):

“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”

IM Thomas Engqvist (SWE)
IM Thomas Engqvist (SWE)

Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.

Material is divided into an Introduction and eight chapters covering all of White’s possible options.

The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.

Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.

Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.

For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:

There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.

This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach  (of some other authors) to only consider “top engine choices”.  This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.

For example, 5.Bd3!?

is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).

Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after

TE quotes renowned theoretician Max Euwe as follows:

Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out

There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.

In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.

Highly recommended!

John Upham, Cove, Hampshire 25th April 2024

Book Details :

  • Paperback: 288 pages
  • Publisher: Batsford; 1st edition (9 Nov. 2023)
  • Language: English
  • ISBN-10:184994816X
  • ISBN-13:978-1849948166
  • Product Dimensions: 15.29 x 2.54 x 23.37 cm

Official web site of Batsford Chess

The Caro-Kann the Easy Way, Thomas Engqvist, Batsford Chess, Batsford; 1st edition (9 Nov. 2023), ISBN-13 ‏ : ‎ 978-1849948166
The Caro-Kann the Easy Way, Thomas Engqvist, Batsford Chess, Batsford; 1st edition (9 Nov. 2023), ISBN-13 ‏ : ‎ 978-1849948166

Chess Lessons from a Champion Coach

From the Batsford web site:

Lessons, motivation and coaching to make you a better chess player.

In an ideal world, any aspiring chess player, at almost any level, would get better with a coach. If that’s not possible, having chess champion coach Thomas Engqvist’s book at your side is the next best thing.

In his series of lessons, Engqvist guides you through not only the most important elements of chess to master but also the psychology, how to marry knowledge with imagination, and how to stay motivated.

Suitable for older children through to adults, the lessons are drawn from chess games through history, from the 16th century to Magnus Carlsen and latest Alpha Zero computer chess. (Reviewer’s note: it doesn’t actually include Alpha Zero, stopping at Carlsen.) It features a range of key players, including Steinitz, Lasker, Nimzowistch, Botvinnik (Soviet chess school), and Fischer. With clear and accessible annotations to give clarity, the games highlight the most important lessons to learn and, just as importantly, how to ‘practise’ chess.

International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”

About the Author (updated from the publisher’s website):

“Thomas Engqvist is an International Master from Sweden. He has 45 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions, 300 Most Important Tactical Chess Positions and 300 Most Important Chess Exercises, all published by Batsford.

IM Thomas Engqvist (SWE)
IM Thomas Engqvist (SWE)

From the back cover:

Chess Lessons from a Champion Coach gives you the opportunity to assimilate the most important chess principles and concepts by following a study plan based on key encounters by over 30 great players.

With lessons from more than 60 instructive games in chronologically arranged chapters, this is the perfect guide for players who want to gain a broad knowledge of chess history and its evolution, but don’t have time to spend hours in what can be unproductive reading.

Featured in each chapter is a highly influential grandmaster who has played his part in developing chess into what it is today. There can be no more enjoyable way to improve your own play than to absorb your personal coach’s explanatory commentaries to exemplary games of past and present chess heroes, including Magnus Carlsen. In this way centuries of accumulated understanding of chess can be learned in just a few weeks.

By adopting the same tactics and strategies as demonstrated by these champions, you can also keep track of your own chess development by comparing it with the overall historical development of chess – and climb the ladder to success.

Swedish International Master Thomas Engqvist has approximately 45 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess.

 

What we have here is a book covering the history of chess ideas in chronological fashion, starting with Ruy Lopez and finishing with Magnus Carlsen. It’s hardly an original idea: the first book of this type was Richard Réti’s Masters of the Chessboard, and there have been quite a few others since then: off the top of my head I’ve reviewed a couple of them here myself. The second Chess Heroes: Games book will take a similar approach (using some of the games from Move Two!), but pitched at a much lower level.

I’d say from the outset is that if you’re knowledgeable about the subject, and have read similar books before, you’re probably already familiar with many of the games displayed by Engqvist here.

But if you’re a club standard player with little knowledge of the history of your favourite game you should certainly read on.

Most of the subjects are represented by just one game, so we quickly whizz through the likes of Greco (‘the first tactical player’), Philidor (‘the first positional player’) and even Morphy until we reach Steinitz (‘the scientific player’), the first of four players to be considered in rather more detail.

According to Engqvist:

The basis of Steinitz’s teachings is to construct a plan which is in accordance with the requirements of the position. These requirements could be an advantage in development, a strong centre, open files etc. One should gather such advantages, one by one, as preparation for an attack. This is the so-called theory of accumulation.

This theory is demonstrated by the following game. As always, click on any move for a pop-up window.

Engqvist adds after the game:

This is why such classic games are much more instructive than modern games. Steinitz’s opponents didn’t realise or didn’t want to realise what he was doing, whereas today’s more knowledgeable players do know – because they have studied such “one-sided” but very instructive classic games.

You might disagree – but I don’t.

Lasker (‘pragmatism and psychology’), the star of the next chapter, also receives special treatment.

In this instructive game, where he defeats Rubinstein’s IQP, he uses the ‘pivot square’ d5 in a variety of ways.

It is indeed a game to be understood in depth and learned by heart, because the idea of a pivot being a source of energy can be used in an untold number of situations.

Engqvist quotes Nimzowitsch’s comments on this game with approval, and makes it very clear throughout the  book that Nimzo is one of his chess heroes.

Although he only gets one game (yes, it’s the Immortal Zugzwang game), the author has this to say:

Nimzowitsch is just as important as Steinitz, since his principles do complement those of his predecessor, However, to appreciate Nimzowitsch’s precepts in depth one needs to also properly understand Steinitz’s classical principles, otherwise the true meaning of Nimzowitsch’s theories will be lost.

and:

In my opinion (reading Nimzowitsch) is much more important than learning from computers, which are very bad teachers indeed, and sometimes incomprehensible. Nimzowitsch must be regarded as one of the greatest, if not the greatest ever, teachers…

Controversial, perhaps, and you might well think he’s overstating his case.

The other two subjects awarded more extensive treatment are, predictably, Capablanca (‘The Chess Machine’) and Alekhine (‘The Complete Chess Artist’).

From then on it’s just one game each, even for giants such as Botvinnik, Fischer, Karpov and Kasparov. right the way through to Carlsen.

Here’s the game used to illustrate Fischer (‘The Aggressive Classical Player’).

Engqvist:

This game is one of Fischer’s best and it is remarkable that he was only 16 years old when it was played. It proves that he was a genius. The good news is that Fischer’s style is possible to emulate,  because it it largely based on positional technique à la Capablanca,  which to a high degree can be learned.

It’s clear from this book, as well as from the author’s earlier volumes, that Thomas Engqvist is an exceptional writer, teacher and annotator. He has also made extensive use of a wide range of secondary sources (but, sadly, he fails the Yates test: he was Fred (Dewhirst), not Frederick Dewhurst). Each chapter is prefaced by a series of quotes by or about its subject, which in itself makes fascinating reading. Computer analysis has been used to correct analytical errors made by earlier authors, but this is done judiciously: he doesn’t go over the top in providing reams of engine generated variations. You might, I suppose, disagree with some of his views, especially on Nimzowitsch, but that’s part of the enjoyment you’ll get from the book. You might also think there’s some simplification and generalisation, but that’s inevitable in a book of this nature.

The production values are, of their type, excellent. The book, like others from this publisher, has a reassuringly old-fashioned look about it. While younger readers may well prefer something glossier and glitzier, it’s not likely to be a problem for those, like me, of the Batsford generation.

Many publishers these days prefer more interactivity, with puzzles at the start of each chapter, or, with annotated games, stopping every few moves to ask you a question. There’s none of that here, just solid, accurate and instructive comments. Different readers will prefer different styles of annotation. The one concession to interactivity is a couple of quizzes with questions like What was Ponziani’s opinion of the theories of Philidor and del Rio?, which I could really do without as they’re testing memory rather than understanding.

I had two other thoughts when reading this book. I often wonder whether chess authors are writing the book they wanted to write or the book the publishers thought would sell. Perhaps I’m mistaken, but my impression was that Engqvist really wanted to write something like The 60 Most Instructive Positional Games rather than a book with a historical perspective offering, for the most part, one game per star player.

I also wonder what exactly the market is for this book. Younger readers, if they want a book at all, might prefer something with a more modern feel, while older readers might have seen many of the games before.

But, if you’re, say, 1500-2000 strength, you’re serious about improving your chess and you’re happy with the style and contents, you won’t go wrong with this excellent book from one of the best authors and teachers around.

Richard James, Twickenham 14th February 2024

Richard James
Richard James

Book Details :

  • Paperback: 312 pages
  • Publisher: Batsford; 1st edition (13 April 2023)
  • Language: English
  • ISBN-10:1849947511
  • ISBN-13:978-1849948043
  • Product Dimensions: 15.04 x 2.01 x 23.04 cm

Official web site of Batsford

Chess Lessons from a Champion Coach, Thomas Engqvist, Batsford, 13th April 2023, ISBN-13 ‏ : ‎ 978-1849948043
Chess Lessons from a Champion Coach, Thomas Engqvist, Batsford, 13th April 2023, ISBN-13 ‏ : ‎ 978-1849948043

The Life and Games of Carlos Torre – 2nd revised and extended edition- Gabriel Velasco & Taylor Kingston

From the publishers’ blurb:

“This is what’s new in this edition: More accurate and more extensive annotations, computer-assisted. Every game has been examined under Stockfish 14, probably the best analytical engine available for home computers at this time. For the first edition we had only Fritz 4 and 5, which compare to Stockfish like a Model T Ford to a Ferrari, and many games were given no computer examination at all. Thus owners of the first edition will find most annotations here substantially different (and substantially better). However, many general assessments and heuristic notes proved valid and have been retained. ·

Torre’s own annotations to several games have been unearthed and added. These come from several sources: the American Chess Bulletin, his book of the 1926 Mexican Championship tournament, and his instructional booklet Development of Chess Ability. ·

Several games have been added. Some, frankly, are Torre losses, which we give in the interest of presenting a more complete, balanced picture of his play. The first edition, to some extent, looked at Torre through rose-colored glasses; here we aim only for untinted clarity. Also added are the six games between players other than Torre that he annotated for the Mexican Championship tournament book (see Chapter VIII). ·

There are many more diagrams and photographs than in the first edition. Also more thumbnail bios of Torre’s opponents. ·

More ancillary material about Torre’s life and career: pictures, anecdotes, interesting facts, opinions, bits of trivia etc., drawn from the ACB, the Wiener Schachzeitung, the film Torre x Torre, and other sources. ·

A 1927 interview with Torre, published in the Yucatán magazine Anahuac, in Chapter III. ·

Chapter IV, excerpts from the book 64 Variaciones Sobre un Tema de Torre by his friend Germán de la Cruz.”

About the Authors

Taylor Kingston (born 1949) has been a chess enthusiast since his teens. He holds a Class A over-the-board USCF rating, and was a correspondence master in the 1980s, but his greatest love is the game’s history. His historical articles have appeared in Chess Life, New In Chess, Inside Chess, Kingpin, and the web-site www.ChessCafe.com. He has edited and/or co-authored dozens of chess books, and translated three from Spanish, including the original Mexican edition of Vida y Partidas de Carlos Torre. He lives with his wife Emily in Paso Robles, California.

Taylor Kingston
Taylor Kingston

Gabriel Velasco (born 1949 in Mexico City) is a a professor of mathematics and author of over twenty books on mathematics. He has been a chess enthusiast since age 15. Besides Vida y Partidas de Carlos Torre, he is the author of Masterpieces of Attack (Chess Digest, 1990), presenting the best games of the late GM Marcel Sisniega Campbell. Velasco lived in Kiev 1985-1987 and shared 1st-3rd prize in a tournament of Candidate Masters and First Category players, earning thereby a norm of Candidate Master of the Soviet Union. Back in Mexico, he won the championship of the state of Guanajuato. He is now retired and lives in Mexico City with his wife and his son Richard, who was was given that name in honor of Richard Réti.

 

You probably know a few things about Carlos Torre. (In the interests of cultural sensitivity we now refer to people from some Spanish speaking countries by their first name, father’s surname and mother’s surname, so he’s now Carlos Torre Repetto, although I’ll refer to him just as Torre in the rest of this review.)

You may know he lost a Famous Game against the otherwise unknown EZ Adams. As always, click on any move for a pop-up window.

A beautiful game, to be sure, and one which is great if you want to teach combinations based on back rank mates. But it almost certainly wasn’t lost by Torre. As explained here on pp484-485, it was quite likely to be analysis which Torre published as a loss against his first teacher, Edwin Ziegler Adams, for whom he had great affection.

The next thing you probably know about Torre is that he won a Famous Game against the not at all unknown Emanuel Lasker.

Again, the finish is a great example of a windmill combination which everyone should know. But it wasn’t, as is demonstrated here (pp356-361) a very good game. Lasker, perhaps distracted by the receipt of a telegram, could have won material with 22… f6 and 23… Qd5 was a losing error.

The third thing you might know about Torre is that he invented the Torre Attack (1. d4, 2. Nf3, 3. Bg5), as he played in this game. The opening bears his name because of his usage here and in other games, but it had been played many times before.

Carlos Torre Repetto played some much better games than this in his very short international career. If you’re eager to find out more, you’ll want to read this book.

Vida y Partidas de Carlos Torre, written by Gabriel Velasco, was published in 1993. Taylor Kingston, working with Velasco, translated and expanded this book, which was then published in 2000. I think I may have a copy somewhere, so perhaps you do as well.

Now we have a Second Edition, expanded further by Kingston.

All the games have been re-annotated using Stockfish 14, some more games have been added, we have more diagrams, photographs and biographical details of Torre’s opponents, as well as a wealth of fascinating supplementary material.

Carlos Torre Repetto was born in the Yucatán province of Mexico on 29 November 1904, and, in 1916, the family moved to New Orleans where, under the mentorship of Edwin Ziegler Adams, he made rapid progress in chess.

In 1924 he travelled to New York in search of stronger opposition. After achieving some local successes he travelled to Detroit, representing New York in the Western Chess Association Championship. Here he scored a spectacular success, finishing unbeaten on 14/16, 2½ points ahead of his nearest rivals and 3 points ahead of the even younger Sammy Reshevsky.

The following spring, Torre crossed the Atlantic to take part in the Baden-Baden congress, where, crossing swords with the likes of Alekhine and Rubinstein, he scored a creditable 10½/20. The authors comment that Carlos Torre played somewhat nervously in his international debut. While attaining a respectable 10th place (out of 21), he clearly was more concerned with not losing rather than trying to win.

He then continued, with only a few days in between the two events, to Marienbad, where he played with more confidence, sharing third place with Marshall on 10/15, half a point behind the winners Nimzovich and Rubinstein.

That autumn he took part in his third international tournament of the year, in Moscow. A score of 12/20 left him sharing 5th-6th places with Tartakower, behind Bogoljubow (his greatest tournament result), Lasker (whom he beat in the above game), Capablanca and Marshall. Here, he started strongly but faded in the last few rounds.

However, his game from the penultimate round was one of his best: a delightful minor masterpiece, according to the authors.

He stayed on in the Soviet Union over the New Year, playing in a small quadrangular tournament in Leningrad, where, still tired from his exertions in Moscow, he only managed 50%.

He then returned to Mexico for the first time in more than a decade, winning their national championship with a 100% score. His next tournament was the Western Masters in Chicago, which, as well as most of the top American players, was given an international flavour by the participation of Maroczy. With one round to go, Torre was half a point ahead of the field, facing Edward Lasker, who was in the bottom half of the field, with white in the last round. He was unable to cope with the pressure, played badly and lost. Marshall came out on top with 8½/12, half a point ahead of Torre and Maroczy.

The final thing you might know about Torre is that he once took his clothes off on a bus. Sadly, it’s true. After this tournament he returned to New York where he suffered a psychotic episode which put an end to his brief tournament chess career. He was also suffering from some sort of eating disorder, perhaps brought on by anxiety. He had always had an immoderate fondness for sweets, sometimes eating a dozen pineapple sundaes in a day, but those who knew him in New York at this time report that he was eating almost nothing but candies and fudge. He then returned to Mexico, living there quietly until his death in 1978 at the age of 73, and retaining his interest in chess to the end.

A sad story, then. Here was a young player of exceptional talent who lacked the temperament for competitive chess. Torre comes across as a sensitive soul who, on the one hand was more interested in the beauty of his games than the result, but, on the other hand, was hampered by anxiety which caused him on some occasions to play too cautiously, and, on other occasions, to tire easily and make mistakes.

If you’re interested in chess in the 1920s you’ll certainly want to read this excellent book. You won’t be disappointed with the production qualities either: it’s a good-looking hardback (also available in paperback) of 588 pages. The Games Section covers most of the book: here you have 110 games annotated using the latest (at the time of writing) engines to ensure accuracy.

One of Torre’s most impressive performances was his draw with the black pieces against Capablanca (Moscow 1925). Not many players were able to hold an inferior ending against the World Champion, but he was able (with one exception which Capa failed to take advantage of) to find a string of ‘only moves’.

The annotations to this game demonstrate the improvements from the first edition.

The first edition of the book offered analysis claiming that White could still win if Black played 37… b6! here, but, with the help of Stockfish, this edition demonstrates that Torre could have drawn by following a very narrow path. After the game continuation 37… Kf5?? 38. Nxb7 Ke6 39. Kd3? (Nc5+ was winning), Torre was – just about – holding.

A few moves later, this position was reached.

The game continued 41. Na6+ Kb6 with an eventual draw. Capablanca claimed after the game that 41. Kc3 was winning, but Bogoljubov, writing in the tournament book, disagreed. The first edition sided with Capa, but now, in the second edition, we learn that it was Bogo who was correct.

Here’s the complete game.

The last 100 pages or so offer a wealth of other material including articles and annotations  by Torre himself. The games included here bring the total up to 128. Anyone with an interest in chess history will relish this part of the book.

If you already have the first English language edition, then, you’ll want to know whether or not to buy this version. If you want more accurate annotations, the answer is clearly ‘yes’. If you want the fascinating additional material, the answer is again ‘yes’. If you just want Torre’s best games, or if you’re of the opinion that historical games shouldn’t be subjected to computer analysis, the answer may well be ‘no’.

Instead of the familiar Informator symbols you instead get assessments such as (+0.61/25), indicating that Stockfish 14, at 25 ply, considers that White has an advantage of .61 of a pawn. I find this interesting, but I’m sure there will be those who disagree.

There are other production issues which might divide opinion. If you’re a completist you’d expect every traceable game played by Torre, which isn’t what you get here. White spaces in the book are filled with cute little cartoons. You might like this, but here I think I prefer the white space.

If you have any interest at all in chess history, chess culture or the psychology of chess players, you shouldn’t hesitate.

Gabriel Velasco, Taylor Kingston and the team at Thinkers Publishing should be congratulated on doing an outstanding job to preserve the memory of Carlos Torre Repetto’s life and all too short chess career.

Richard James, Twickenham 12th January 2024

Richard James
. Richard James

Book Details :

  • Softcover: 588 pages
  • Publisher: Thinkers Publishing; 2nd edition (21 Mar. 2023)
  • Language: English
  • ISBN-10:‎ 9464201762
  • ISBN-13:978-9464201765
  • Product Dimensions: 23.88 x 4.06 x 17.27 cm

Official web site of Thinkers Publishing

The Life and Games of Carlos Torre – 2nd revised and extended edition- Gabriel Velasco & Taylor Kingston, Thinkers Publishing, March 21st 2023, ISBN-13 ‏ : ‎ 978-9464201765
The Life and Games of Carlos Torre – 2nd revised and extended edition- Gabriel Velasco & Taylor Kingston, Thinkers Publishing, March 21st 2023, ISBN-13 ‏ : ‎ 978-9464201765

Speed Demon: The Fascinating Games and Tragic Life of Alexey Vyzhmanavin

From the publisher:

“Almost as fascinating as chess is the community of chess players. In every major city in the world, you are guaranteed to meet interesting people when you walk into a local chess club or chess cafe. This book pays tribute to one of those characters who gave colour to the chess world, the Russian grandmaster Alexey Vyzhmanavin.

The best chance to bump into Vyzhmanavin in the 1980s and early 1990s was in Sokolniki park in Moscow, playing blitz. You could meet him at the 1992 Chess Olympiad as a member of the winning Russian team. Or in the finals of the PCA rapid events of the 1990s, frequently outplaying his illustrious opponents with his fluent and enterprising style. In Moscow in 1994, he reached the semi-final, narrowly losing out to Vladimir Kramnik, having already beaten Alexei Shirov and Viktor Korchnoi. Commentating at a PCA event, Maurice Ashley described Vyzhmanavin in predatory terms: ‘He’s a dangerous one, looking like a cat, ready to pounce’.

For this book, grandmaster Dmitry Kryakvin has talked to dozens of people, enabling him to give a complete picture of Vyzhmanavin’s life. The result is a mix of fascinating chess, wonderful anecdotes, and some heartbreaking episodes. The stories are complemented by the memories of Vyzmanavin’s ex-wife Lyudmila. They revive his successes but also reveal the dark side of this forgotten chess genius who battled with depression and the ‘green serpent’, a Russian euphemism for alcoholism. He died in January 2000 at the age of forty, in circumstances that remain unclear. The stories and games in this book are his legacy.

Dmitry Kryakvin is an International Grandmaster from Russia and an experienced chess trainer and author. For New In Chess he wrote Attacking with g2-g4: The Modern Way to Get the Upper Hand in Chess

————————————————————————————-

There’s always a demand for biographical works and games collections concerning lesser known players. Here we have a book about Alexey Vyzhmanavin, who, for a short time in the late 1980s and early 1990s, was one of the leading Soviet/Russian grandmasters.

Viorel Bologan provides the Foreword.

(Vyzhmanavin) was a very inventive and enterprising chess player, with deep and precise calculation skills. His best games featured in this book constitute great learning material. I must add that I rather liked the style of the book: it’s not a simple collection of best games – it’s a history of his life, bright and tragic. The narration of the author, Dmitry Kryakvin, is complemented by the memories of Vyzhmanavin’s ex-wife Lyudmila and stories from his friends.

Bright and tragic. This sums up Vyzhmanavin’s short life, with its highs and lows. A player of exceptional natural talent, particularly at speed chess, but his life blighted by his mental health problems and addictions to gambling and alcohol.

A fascinating book with an important story to tell – and some great chess along the way as well.

Right at the start, though, I should explain that I have one issue. Not, I suspect, to do with the book itself, but to do with what I assume was an editorial decision made by the publishers.

If I’m reading a Best Games collection I really want to see the complete games. Here, in the majority of cases, we don’t get all the moves, but only join the game after the opening, or, in some cases, at the start of the ending. This is something I find very frustrating: while it’s good to see how the winner exploited his advantage, I’d also like to know how he obtained that advantage in the first place, which might teach me something about the opening.

I appreciate that this is their house style, and that the decision was no doubt made for economic reasons, but for me it rather spoils what is otherwise an excellent book.

Vyzhmanavin had a difficult family background, with an alcoholic father. His mother was a kindergarten teacher, and he didn’t discover chess until his teens, when, accompanying his mother and her pupils to a summer camp, he chanced upon a chess book.

He had to start his playing career against much younger children, but, supported by Lyudmila Belavenets (daughter of pre-war Soviet master Sergey), he won books as prizes and rapidly became addicted to chess. As she later wrote: I am completely sure that it’s not necessary to start studying chess at the age of 4 or 6. When a teenager comes to the chess section, this means that it was his own choice.

I wholeheartedly agree with these sentiments.

Kryakvin writes:

We are all products of our childhood, and what we discuss here and now is very important in understanding what happened to Alexey Vyzhmanavin later. Alexey didn’t have any of the things that we love so much and sometimes value so little at home: warmth, loving and caring family members.

For him, much more than for most players, his childhood is the key to understanding both why and how he played chess.

He soon discovered the chess pavilion in Sokolniki Park in Moscow, where he honed his exceptional talent for blitz chess. By 1981, at the age of 20, he was beating players like Bronstein and Vaganian: you can see the games here.

By this time he had been conscripted into the armed forces. joining the sports unit, where he could pursue chess rather than military training. After his two year conscription period ended he signed up for another six years, winning the Armed Forces championship on seven occasions.

By 1985 he was approaching GM strength, winning this fine attacking game. Click on any move for a pop-up window.

By the late 1980s he was, like his father before him, experiencing problems with alcoholism and mental health, but in 1988 his life changed when he married a fellow chess player, Lyudmila Didenko, as she is now known. Soon after their marriage a daughter was born. Lyudmila’s moving recollections of Alexey play an important part in this book.

There was more good news in 1989 when Vyzhmanavin, now with a 2555 rating, finally attained the grandmaster title.

Here’s an example of his play from the following year.

He continued to progress, playing for the successful Russian Olympiad and European Championship teams in 1992, and reaching a peak rating of 2620 in 1993.

But, by the mid 1990s his problems with the ‘green serpent’ were getting worse. His results started to decline, and his marriage broke up, Lyudmila filing for divorce in 1996. He played little chess that year, and, despite sharing first place at Cappelle-la-Grande the following year, soon gave up completely.

By now his life had spiralled out of control, and, in January 2000, at the age of only 39, he was found dead in his Moscow flat.

A tragic story, then, of a talented but troubled man who was unable to control his demons.

As usual from this publisher, the book is well produced. The translation is excellent and the game annotations serve their purpose well. As is usual with New in Chess books, active learning is promoted by questions inviting readers to find the best continuation. Given that Vyzhmanavin excelled in positional chess, most of the questions involve planning rather than calculation. If you feel the purpose of this book is to inform rather than instruct,  they’re not necessary, but they don’t do any harm.

If you’re interested in the human side of chess you’ll certainly want to read this book. If you’re interested in chess life in the last days of the Soviet Union, this is also a book for you. If you enjoy powerful positional chess, particularly in queen’s pawn games, you’ll learn something from this book. I’d suspect you’d have learnt rather more, though, if you’d been able to see the complete games rather than, in the majority, just the conclusion.

Dmitry Kryakvin has done an outstanding job in producing a fine tribute to Alexey Vyzhmanavin, a man who deserves to be remembered for both his life and his games.

Before I leave you, I have one further question prompted by reading this book. Should international and national chess organisations do more to help members of their community suffering from problems in the areas of mental health and addictions? I consider this an important topic which isn’t being discussed enough. Of course it’s quite possible that Vyzhmanavin might have turned down offers of help anyway, but what do you think?

Richard James, Twickenham 30th November 2023

Richard James
. Richard James

Book Details:

  • Softcover: 224 pages
  • Publisher: New In Chess (31 January 2023)
  • Language: English
  • ISBN-10:9493257819
  • ISBN-13:978-9493257818
  • Product Dimensions: 17.15 x 1.19 x 23.09 cm

Official web site of New in Chess.

Speed Demon: The Fascinating Games and Tragic Life of Alexey Vyzhmanavin, Dmitry Kryakvin, New in Chess, ISBN-13 ‏ : ‎ 978-9493257818
Speed Demon: The Fascinating Games and Tragic Life of Alexey Vyzhmanavin, Dmitry Kryakvin, New in Chess, ISBN-13 ‏ : ‎ 978-9493257818

The Chess Memory Palace

Blurb from the publisher, Amazon:

Chess players spend hours and hours trying to memorize openings, but even Grandmasters forget their preparation.

Meanwhile, memory competitors routinely memorize thousands of facts and random digits, using special techniques that anyone can learn.

This book explains how to use these memory techniques for chess.

  • Teaches advanced memory techniques from scratch.
  • Contains full worked examples in the Ruy Lopez Exchange and Schliemann Gambit.
  • Ideal for tournament players who want to recall their opening repertoire perfectly.

CONTENTS:
Introduction
1. Picture Notation
2. Essential Memory Techniques
3. Memory Palace Architecture
4. Example Palace: The Schliemann Transit Line
5. Example Palace: The Spanish Exchange Airport
6. Bonus: Memorising Endgames
7. Miscellanea
Notes
Appendix: Picture Words for all 64 Squares

About the Author:

Author of The Chess Memory Palace (2022) and A Curious Letter from Nebuchadnezzar (2021)

 

I don’t know about you, but I like to know something about the author before I read a book. John Holden seems remarkably coy. It’s clear from the book that he’s a memory expert,  but what are his chess credentials?

He tells us in the book that he lives in London, which is a start. His website is johnden.org, and there’s a chess.com user named John Holden whose username is NEDNHOJ (johnden reversed) with a blitz rating round about 900.

There was also a Kent junior on the grading list between 2007 and 2013, when he’d reached 160 (about 1900), who played a few rapidplay tournaments last year, giving him a 1755 rating. Are these the same person? You’d expect someone of that strength to have a higher chess.com rating than 900, especially if he’d put his memory training to good effect.

Is the author, then, either, both or neither?

If you’ve read anything about memory training in the past you’ll be aware of the Memory Palace technique which top competitive memory people use to learn the digits of pi or memorise the order of a shuffled deck of cards.

Here’s the start of the introduction. I have a few questions.

Modern chess requires its players to memorise more and more. “That’s probably the number one thing,” said top grandmaster Hikaru Nakamura, “For becoming a really strong grandmaster today you have to have a really good memory because there’s so much to memorise.”

Yes, if you want to become a really strong grandmaster like Nakamura you need a really good memory. But to what extent is this necessary if you’re a 900 online rapid player like NEDNHOJ or a 1755 rapid player like Kent’s John Holden? From my own experience, playing at that level is probably not about that sort of memory at all, and learning openings in that way might even confuse you.

Most of this effort goes on the opening moves, because you have to survive the opening to demonstrate your middlegame and endgame prowess. Although chess players have a good memory for moves, even elite players can struggle to remember their preparation at the board. And it is a constant source of frustration for all of us to spend so much time rehearsing openings.

There are some (teachers as well as players) who recommend that club level players should concentrate on opening study, while others prefer the 20-40-40 rule: 20% of your time on openings, 40% on middlegames and 40% on endings. Some even think that 20% is too high: you’re better off just playing simple openings leading to playable middlegames. One of the examples here is playing White against the Ruy Lopez Schliemann (1. e4 e5 2. Nf3 Nc6 3. Bb5 f5). How often are you going to reach this variation?

Meanwhile, a new sport of competitive memory has sprung up, which reaches new heights every year. The record for most numbers memorised in five minutes stands at over 540. In 15 minutes, 1300. A man from India has recited 70,000 digits of pi.

How is this possible? Is it a special photographic memory? Actually no, it’s the disciplined application of memory techniques – and the techniques are surprisingly simple! They tap into our brains’ natural ability to remember places, images and stories. We can all remember our route to work, and we can all understand a story, even when it’s told to us quite fast. The trick is to convert non-memorable information, like a number, into memorable images.

‘… our brains’ natural ability to remember places, images and stories’. You brain might well work like that but not everyone’s does. You might want to look at conditions such as aphantasia (the inability to form mental pictures) which would make techniques like this difficult, or perhaps impossible.

It’s like everything else: some people are very good at this sort of thing, others fairly average and others again will find it very difficult.

Here’s how it works.

We have eight consonant sounds representing the numbers 1 to 8. Therefore, each square can be associated with a word including the sound representing the file (a-h becomes 1-8) followed by the sound representing the rank (1-8). If more than one piece can move to the same square we deal with this through the number of consonants in the word. If more than one piece can move to the same square you use words with different numbers of syllables to determine which piece you should move.

You might possibly recognise this as a position from one of the main lines of the Schliemann.

Just out of interest, looking at some lichess stats (filtered on games with an average rating of 1400+:

  1. e4 e5 (35% in this position)
  2. Nf3 Nc6 (64% in this position)
  3. Bb5 f5 (2% in this position)
  4. Nc3 fxe4 (54% in this position)
  5. Nxe4 d5 (46% in this position: the other main line, Nf6 is slightly more popular)
  6. Nxe5 dxe4 (95% in this position)
  7. Nxg6 Qg5 (62% in this position)
  8. Qe2 Nf6 (93% in this position)
  9. f4 Qxf4 (73% in this position)

Realistically, even if you play the Lopez at every opportunity you won’t get the Schliemann very often, and, even then, many of your opponents will choose alternatives at moves 4 or 5. If you’re just a club standard player I’d advise you to play something sensible like 4. d3 instead and get on with the rest of your life.

Anyway, let’s continue. Your opponent has gone down this line and you have to dig into your memory to remember what happens next.

Black’s last move was Qxf4: your word for f4 is ‘shark’ (f/6 is represented by ch/j/tch/sh, d/4 is represented by r, so you choose a monosyllabic word including these two sounds.)

It’s a sharp variation and you want to remember what to do next so you look into your Memory Palace. There you find a shark biting a jester; a match catching fire and burning a lion’s nose, making the lion roar; and a frog chewing gum. The jester gives you lol (laugh out loud, your word for e5), telling you that you now play 10. Ne5+. Well, hang on a minute. Stockfish slightly prefers Nxa7+, and d4 is by far the most popular choice on lichess, but Ne5+ is also fine, so we’ll let it pass. Then we have the match, indicating c6, so we expect our opponent to evade the check by playing 10… c6 – the only good move. Now the lion’s roar tells us to play 11. d4, again clearly best. Then the frog chewing gum gives you 11… Qh4+ 12. g3. It’s still a complicated position so you may need to extend your story a bit.

(If you’re interested in this variation, I’d add that, although 9. f4 is usually played, Stockfish flags 9. Nxa7+ as a significant improvement.)

You see how it works, then, and if you want to play this variation with either colour it’s a sharp line which you need to know well, so, in this case, memory is important.

You should by now have some idea of whether or not this technique will work for you (if you have a strong visual memory it may well do, but if you don’t, it won’t), and whether or not you’re prepared to spend the time to develop your memory in this way and apply it to improving your chess.

The second and third chapters, if you’re still undecided, explain more about memory techniques. The author has helpfully made the first three chapters available for free here.

The next two chapters provide worked examples. Chapter 4 returns to the variation of the Schliemann we looked at earlier, looking at it in more detail, including other variations that Black might choose. John Holden sees this as resembling a train journey: he’s very familiar with the journey on the London Underground from Waterloo to West Ham,

Chapter 5 takes a very different variation of the Lopez: the exchange variation, which is considered from Black’s perspective.

We’re most likely to reach this position, where White usually retreats the knight to either b3 or e2. In either case, Black will trade queens.

This time, Holden’s setting is an airport, where Ne2 is a journey through security to a connecting flight, while Nb3 takes you through immigration to leave the airport.

Again, I have a question. Yes, I can understand you need to memorise the moves in a tactical variation like the Schliemann line discussed earlier, but in this quiet line with an early queen exchange, understanding positional ideas might be more helpful.

Chapter 6 is a bonus chapter explaining how you can use the Memory Palace idea to learn theoretical endings such as KQ v KR. Chapter 7 is a miscellany, answering some of the questions you may have and tying up some loose ends. Holden mentions other learning techniques such as flashcards and spaced repetition, which I’m aware other improvers have used with success.

I notice that this book has been one of the best selling chess books on Amazon since its publication. The book is well written, well produced and well researched, and is being strongly promoted by its author, including sending a review copy to British Chess News. I’m all in favour of supporting authors who are self-publishing on Amazon if their books have something worthwhile to say (and I hope you’ll support my Chess Heroes books as well). John Holden is clearly very knowledgeable on the subject of memory training and, if you’re interested, you’ll want to read this book. However, I remain to be convinced that his chess knowledge is sufficient to make a good case for his methods.

You might have read other chess self-help books in which authors explain the methods they used to improve their rating. If the author had been able to relate how he had improved his rating as a result of using these techniques I might have been impressed, but, as far as I can tell, his rating appears to be modest and perhaps lower than when he was a junior.

Perhaps at some point I’ll write more about the place of memory in chess and how different peoples’ memory works in different ways. I know I’m not alone in thinking very much in words rather than pictures: I have a good memory for words, facts and connections but very little visual imagination and a relatively poor memory for images (which is why I can’t play blindfold chess). For this reason the method outlined here wouldn’t work for me. But, if your brain works in a different way to mine, it might be just the book to help you improve your opening knowledge and endgame techniques. I’d certainly be very interested to hear from anyone who has made a dramatic rating gain by using the Memory Palace method. But until I’ve seen some evidence I’ll remain sceptical.

Richard James, Twickenham 17th October 2023

Richard James
Richard James

Book Details :

  • Hardcover : 206 pages
  • Publisher:  Amazon (15 July 2021)
  • Language: English
  • ISBN-13:979-8370251146
  • Product Dimensions: 15.24 x 1.19 x 22.86 cm

Official web site of Amazon Purchase location

The Chess Memory Palace, John Holden, Amazon, ISBN-13 ‏ : ‎ 979-8370251146
The Chess Memory Palace, John Holden, Amazon, ISBN-13 ‏ : ‎ 979-8370251146

Zlotnik’s Treasure Trove: Enjoyable Chess Training for Amateurs (1600-2200 Elo)

From the publisher:

“Boris Zlotnik is an extraordinary trainer and coach. He was the director of a legendary chess school in Moscow before he emigrated to Spain in 1993. Ten years later, the super talent Fabiano Caruana moved to Madrid with his entire family to live near his trainer Zlotnik.

As a former coach of U.S. Champion Caruana, Zlotnik knows how top players work on their chess improvement. And his experience with club players allows him to translate that understanding into practical lessons for amateurs about highly original subjects like creativity or ‘putting up resistance’ – topics seldom touched on in other chess manuals.

Zlotnik covers a wide variety of topics and uses a wealth of material. Readers will love this new book, as they did his first book, Zlotnik’s Middlegame Manual. ‘A brilliant, important and extraordinarily instructive book’, said Florian Jacobs, the book reviewer for the Max Euwe Center in Amsterdam. ‘This is how probing, rich and motivating studying chess can be.'”

The publisher have provided sample pages

 

A slightly strange title, and perhaps a contradictory subtitle. I’m not sure that Zlotnik is exactly a household name, and therefore one that would sell more copies by its appearance on the cover. Dvoretsky’s books certainly sold by virtue of having his name in the title, but will Zlotnik do the same? If you thought more chess trainers should be household names, I wouldn’t disagree with you.

Treasure Trove? Buried treasure. According to Wiki:

The term is also often used metaphorically. Collections of articles published as a book are often titled Treasure Trove, as in A Treasure Trove of Science. This was especially fashionable for titles of children’s books in the early- and mid-20th century.

So perhaps that’s  what we have here: a collection of articles about chess training. A lucky dip. A grab bag. But given Zlotnik’s reputation one that will undoubtedly be worth reading.

But then Enjoyable Chess Training for Amateurs sounds like something rather more formal and structured. Kudos to the publishers, though, for highlighting the target market (1600-2200 Elo). Regular readers of my reviews will know that I’m frequently critical of publishers who claim books are suitable for much wider target markets and much lower rated players than they really are.

I was also wondering whether anyone would buy a book promising ‘unenjoyable’ or ‘boring’ chess training. But never mind: let’s look inside.

In his preface, Zlotnik describes the book’s contents. He appreciates that most amateur chess players have other demands on their time: there are books available for ambitious young players prepared to devote several hours a day to improving their chess, but this isn’t one of them.

He concludes like this:

I share the following opinion with the sixth World Champion Mikhail Botvinnik: ‘It is not possible to teach someone to play chess well, but this is something that can be achieved through ones own efforts.’ This book is a book of reflections on chess, rather than an attempt to teach how to play well, and its aim is to demonstrate the richness and at the same time the difficulty of chess and the possible ways to get better at this game.

I also agree with Botvinnik. Many parents seem to think that if their children spend an hour a week with a strong player they’ll learn by osmosis, and that the stronger the player the more they’ll learn. You, I’m sure, will realise that this is nonsense. But that’s something for another time and place.

In Chapter 1,  Zlotnik talks about the difference between amateurs and professionals, about the nature of chess talent, and about chess itself. An interesting read, but you won’t find any chess training there.

Chapter 2 is Factors which determine success in chess. We look at the different thought processes required for tactical and positional play. What they have in common is calculation: in tactical play you calculate forced variations while in positional play you calculate unforced variations.

In this position (Groningen 2013) IM Sergio Estremera Panos (2365) miscalculated against Jasel Lopez (2179). Rb7! would have won, but instead he blundered with Qe5?, when Ng7 gave the lower rated player a winning attack.

Chapter 3 provides advice on Training in tactical play.  Like many chess coaches today, Zlotnik is very keen on training visualisation skills through blindfold play and other exercises. He also looks at Kotov’s views on tactical training outlined in Think Like a Grandmaster.

Here’s Zlotnik with another recommendation:

It is beyond doubt that chess problems and studies, by their very nature, present us with many more possibilities of encountering something original and are useful for us in training our combinative vision.  … I think that a good criterion is to assess the ability to solve ‘mate in two’ problems, although exceptionally some of them are difficult even for GMs. Among especially creative puzzle composers, Samuel Loyd stands out, well-known above all for his mathematical puzzles.  

Again, solving compositions of this nature is something now recommended by most leading chess coaches.

If you’re a tactical star (and that’s a big hint) you’ll be able to solve this mate in two composed by Sam Loyd in 1891.

Zlotnik also recommends, again following in Kotov’s footsteps, playing through a complex game, stopping at interesting points to analyse the position, and then comparing your analysis with that of the annotator or your computer. He then offers you Kramnik – Topalov (Skopje 2015), with ten questions for you to answer.

After training in tactical play, we have, naturally enough, Training in positional play in Chapter 4. Inevitably, given the nature of the subject, the advice here is of a rather more nebulous nature.

Something I don’t recall seeing before is this:

… usually you should attack your opponent’s most advanced piece or pawn, and if you cannot do so directly, then you should attack its base of support. Curiously, and in my experience, this very simple piece of advice is valid in many cases.

The next two chapters are what makes this book unusual. Chapter 5 tackles Creativity in chess.  Zlotnik shows us some endgame studies, along with some games by Nezhmetdinov and the less well-known Konstantin Chernyshov. Click on any move for a pop-up window.

The exercises at the end of the chapter include some Proof Game puzzles, which are always fun. I used one of them here.

Chapter 6 then tells us how to put up Maximum resistance in practical situations.

If you’re in the target market for this book you’ll reach a bad position at some point in about half your games, so you might think this is an important subject which should be discussed more than it is. In 1967 Zlotnik asked Bronstein about the difference between masters and non-masters. He was surprised by the reply: a master knows how to fight against another human being!

In this extract, a dangerous tactician turns the tables on her strong opponent in a time scramble.

We then have 20 pages, plus two pages of exercises, on Studying the opening.

In this game the amateur playing white, unlike his opponent, was aware of a sharp tactical variation, but Black’s superior practical skill soon told.

Zlotnik concludes the chapter:

The main advice I can give to an amateur player is to seek a balance between specific knowledge of opening lines and typical ideas. Also, whatever the opening being studied, it is useful to  have as a model an active high-level player who is an expert in the variation/opening we plan to play. From their games we can receive specific answers to any questions we might have and also learn a number of typical methods for this variation in the middlegame and perhaps also in the endgame.

Finally, the book wouldn’t be complete without Zlotnik’s ideas on Studying the endgame, which take up 18 pages along with three pages of exercises. As an example of what an amateur needs to know he devotes seven pages to some theory in the important ending of rook and pawn against rook.

His conclusion:

The endgame is a difficult science and it requires the investment of a great deal of work to master this aspect of the game.

This is a rather unusual coaching book, then, and I’m not sure whether either the title or subtitle does it justice. ‘Reflections of a Chess Coach” might give the prospective purchaser a better idea of what to expect. If you’re in the target market, an amateur rated between about 1600 and 2000 with a limited amount of time to spend on the game, it might be just what you’re looking for to help you put on another 100 points or so. But, while the examples and exercises have been chosen with exemplary care, this relatively slim volume will serve more as a guide to the sort of work you should be doing to make that improvement rather than something which will, in itself, bring it about.

For anyone with any interest at all in chess coaching, whether as an instructor or as a student, the opinions of one of the world’s most experienced and distinguished chess teachers will undoubtedly be both fascinating and inspiring. The book is produced to this publisher’s customary high standards and, if you’ve enjoyed the examples demonstrated in this review, it deserves a warm recommendation.

Richard James, Twickenham 19th September 2023

Richard James
. Richard James

Book Details:

  • Softcover: 248 pages
  • Publisher: New In Chess (31 Mar. 2023)
  • Language: English
  • ISBN-10:9493257894
  • ISBN-13:978-9493257894
  • Product Dimensions: 17.25 x 1.6 x 22.91 cm

Official web site of New in Chess.

You can read some sample pages here.

Zlotnik's Treasure Trove: Enjoyable Chess Training for Amateurs (1600-2200 Elo) , Boris Zlotnik, New In Chess (31 Mar. 2023), ISBN-10 ‏ : ‎ 9493257894
Zlotnik’s Treasure Trove: Enjoyable Chess Training for Amateurs (1600-2200 Elo) , Boris Zlotnik, New In Chess (31 Mar. 2023), ISBN-10 ‏ : ‎ 9493257894