“If you had to choose a single luxury chess item to take to a desert island, then how about this: a superb selection of 400 puzzles to solve? Each author has carefully chosen 100 original positions, graded by difficulty and theme into four sections of 25. The emphasis throughout is on entertainment, instruction and inspiration. The solutions pinpoint lessons to be learnt and explain why plausible but incorrect solutions fail.”
“This book is written by an all-star team of authors. Wesley So is the reigning Fischer Random World Champion, the 2017 US Champion and the winner of the 2016 Grand Chess Tour. Michael Adams has been the top British player for the last quarter of a century and was a finalist in the 2004 FIDE World Championship. John Nunn is a three-time winner of both the World Solving Championship and the British Chess Federation Book of the Year Award. Graham Burgess is Gambit’s Editorial Director and the author of 30 books.”
Each author supplies 100 puzzles broken up into four chapters which progressively get harder. There are a few specialist chapters such as Graham Burgess’ Opening Themes which is one of my favourite parts.
The reviewer will kick-off by demonstrating some of the puzzle posers from Michael Adams’ section.
Black has just moved his to queen to h5 to offer the exchange of queens. What did he miss?
Solution: Black overlooked the stunning rejoinder: 14.Nd5! winning the bishop on e7. Black cannot move his queen to defend the bishop. If black tries 14…Qxd1, the intermezzo 15.Nxe7+ followed by recapturing the queen, wins a piece. Black cannot retreat the bishop with 14…Bd8 as 15.Nxf6+ followed by 16.Qxh5 wins black’s queen.
The next position reminds the reviewer of a game he won with this tactical idea in an early club match as a junior.
White has just played Ra5 going after the a-pawn. What did he overlook?
Adams unleashed the devastating 37…Ne3+ exploiting the seventh rook for his rook. After 38. fxe3 Rb2+ white resigned because of 39. Kh3 Qxf3 40. Qc8+ Kh7 followed by a quick massacre of the white king.
In the next position, white has a clear advantage with a big lead in development. White played 20.Qd7 and won easily. Can you spot a quicker and more elegant route to victory?
20. Re8+ Bxe8 21.Qg3+ kills black prettily on the diagonals 21…Qe5 22.Qxe5#
In the next position, black is threatening the brutal Rc1#. How does white get the knife in first?
White wins with a common mating pattern: 42.Rh7+ Kxh7 43.Nf6+ Kh8 44.Rg8#
This next position was from a marathon blitz game. White has slowly edged his pawns forward and has just played 215. Re4. What was black’s response to abruptly end the game?
Peter Leko found the incisive 215…Qf7+ 216.Kxf7 stalemate, ending the torture.
In the next puzzle, black has just played Rd8. What was white’s crisp response?
Nigel Short, a brilliant tactician, missed a golden opportunity here. What is white’s best move?
The rampant white knights stomp all over black with 19.Nd6! threatening 20.Nxc6+ and Nf7+ 19…Nd5 (19…Qxd6 20. Nf7+ wins the queen, or 19…cxd6 20.Nc6+ Kd7 21.Nxb8+ also captures the queen) 20.Nxc6+ Kd7 21.Nxb8+ Kxd6 22. Qa3+ c5 23. Bd2 white has a material advantage and a virulent attack.
The next position shows a classic over press in a drawn ending. White has just played his queen from b8 to b2. How did black punish this careless move?
Black used the power of his centralised steed to fork the queen with the knight 65…Re3+! 0-1 After 66.Qxe3 Nc4+ snares the lady, 66. Kd1 Re1+ also captures the queen, similarly 66.Kf1 Re1+ wins
Black has just played the active Rd2. How did white exploit this?
26. Rxe6! exploits the weak back rank. 1-0 as 26…Rxf2 27.Re8# & 26…fxe6 27.Qf8#
In this next position white baled out with a perpetual. How could white win with a beautiful geometrical sequence?
47.Qd7+ Kg6 48.f5+ Qxf5 black’s queen blocks his own king 49.Qg7+ Kh5 50.g4+ Qxg4 once again the queen gets in the way 51.Qh7# Very pretty
The next section is by John Nunn who is a brilliant problem solver having won the world problem solving championship three times. I shall show a couple of beautiful studies from his chapter on Advanced Tactics, Endings And Studies.
White to play and win.
1.Rc1+! The obvious 1.a8=Q+ loses to 1…Kg1 2.Rc1+ Qf1+! 3.Rxf1+ Kxf1 4.Qa6+ Kg1 5.Qg6+ Rg2 6.Qf6 otherwise the pawn queens 6…Rf2+ skewers the queen and wins
1…Qf1+!! (1…Kg2 2.a8=Q+ Qf3+ 3.Qxf3+ Kxf3 4.Rc3+ Ke2 5.Ra3 and white wins the rook ending) 2.Rxf1+ Kg2
3.Rh1!! (Deflecting either the black king or rook to an inferior square, 3.a8=Q+ loses as above) 3…Kxh1 (3…Rxh1 4. a8=Q+ Kh2 5. Qh8+ followed by Qg8+ winning the dangerous black pawn and the game) 4.a8=Q+ Kg1 (4…Rg2 5.Qh8+ Kg1 6.a6 wins) 5.Qg8+ Rg2 6. Qh8 stopping the pawn and white wins
Here is another brilliant problem. I could not solve this one, but just sit back and enjoy!
e7 cxb1=Q 2. e8=Q Nf3+! (To give access to h7 for a black queen) 3. Nxf3 Qh7+ 4. Kg3 b1=Q Black seems to have everything under control with the two queens poised to kill
5.Qe4!! Putting white’s queen en prise and forking the two queens. Black cannot take the queen because of a deadly rook check. 5…Qg1+ (5…Qg7+ 6.Ng5+ Qxe4 7.Rd1+ mates) 6.Nxg1 Qxe4 7.Nf3 black has no decent check to avoid mate. 7…Qxf3+ 8.Kxf3 with an easy RvN winning ending as black’s king is stuck in the corner, separated from the knight, for example 8…Nb7 9.Rd7 Nc5 10.Rd5 Ne6 11.Kg3 mating.
Section three is by Graham Burgess. The Opening Themes chapter is an instructive set of puzzles based on tactical possibilities in the opening. The reviewer had not seen these exact positions before, but a lot of the themes are common ideas and traps in the opening.
Black has just played the active and provactive Nb4. How should white deal with the threat to the d-pawn?
9.c3! Nbxd5 10. e4 and the knight is lost. 9.e4 is also good based on the same idea.
A typical position from the Sicilian. Black has just kicked the bishop with h6, before deciding how to complete his development. How does white cut across this plan?
10.Ndxb5! axb5 11.Nxb5 threatening Nd6# d5 12.Bf4! targeting the weak d6 and c7 squares 12…e5 13.exd5 exf4 14.dxc6 Nxc6 15.Re1+ Be7 16.Nd6+ Kf8 17.Nxb7 winning a couple of pawns
Black has just left his d-pawn en prise. Can white take it?
No. After 6.Nxd5?? Nxd5 7.Qxd5 c6! white cannot prevent Qa5+ picking up the bishop on g5. Strange error considering that this was a postal game!
This is a Modern Defence. Black has just unmasked his fianchettoed bishop with Nfd7. White can refute this outright. How?
Finally an old trap in the Slav Defence. White has just played 12.e4. What is black’s surprising reply?
12…Nc5!! 13.dxc5 dxe4 14.Qxd8 (14.Qe3 exf3 is bad for white as well) Rfxd8 white loses back the piece and will be a pawn down 15.Na4 (15.Nxe4 Nxe4 16.Be3 Nxc5 and 15.Be3 exf3 16.gxf3 Rd3 leave black in a superb position) 15…exf3 16.Rfd1 Rd3 with a huge plus.
Finally, I will show a complex king and pawn ending given by Wesley So. Black to play – how does he capitalise on his better pawn structure and better king?
The first few moves are obvious 31…Kg6 32.Ke2 Kg5 33.Kf3 f5 34.gxf5
Now what should black play?
Buy the book to find out.
In summary, this is a superb puzzle book with a varied pot-pourri of problems such as opening traps, pure tactics, attacking ideas, defensive ideas, endings, and studies with a varying degree of difficulty to suit all standards. An excellent book for not just junior training but for players of all standards to hone their tactical skills.
FM Richard Webb, Chineham, Hampshire, 30th April 2021
Book Details :
Hardcover :320 pages
Publisher: Gambit Publications Ltd (16 Dec. 2020)
Product Dimensions: 17.15 x 1.65 x 24.77 cm
This physical book is also available as an eBook and as an App book from Gambit.
BCN remembers Cyril Kipping who passed away in Walsall on February 17th 1964 at the age of 72.
Cyril Henry Stanley Kipping was born on Saturday, October 10th, 1891 in 7 Milborne Grove, South Kensington, London, SW10 9SN.
His parents were Frederic Stanley Kipping (28) and Lillian Kipping (24, née Holland) : they married in 1888. Cyril was baptised on May 8th, 1892 in West Brompton, London. Frederic died on 30 April 1949 in Pwllheli, Caernarvonshire, at the age of 85 and Lilian passed away on 4 September 1949 in Pwllheli, Caernarvonshire, at the age of 82.
Frederic was Professor of Chemistry at The University of Nottingham. He undertook much of the pioneering work on silicon polymers and coined the term silicone. He was elected a Fellow of the Royal Society in 1897.
In the 1901 census the family lived at Clumber Road West, Nottingham and brother Frederic Barry Kipping was born on April 14th 1901 and his sister Kathleen Esme was born on 3rd May 1904 also in Nottingham. Kathleen died on 30 August 1951 in Pwllheli, Caernarvonshire.
In 1902 Cyril started at Nottingham High School excelling in mathematics and science and in 1906 he obtained the Oxford and Cambridge Board’s Lower Certificate.
On March 2nd 1908 the Sheffield Daily Telegraph published a matriculation list for London University and CHSK was listed as being in the second division. Following that in 1909 Cyril obtained a Oxford and Cambridge Higher Certificate.
As of the 1911 census the household now included Cyril’s maternal Grandmother, Florence Holland (59) plus a parlourmaid, a housemaid, a cook and a nurse. Cyril was recorded as being a 19 year old science student and they lived at 40, Magadala Road, Nottingham which appears to have been replaced by residential flats. Curiously the address on the Census record was obscured by green insulation tape but insufficiently for it to readable.
“He left school in July 1910 and went to Trinity Hall in Cambridge where he read for the National Sciences Tripos. He played tennis for his college and launched into the composition of chess problems.
He obtained a First in Part I of the Tripos in 1912, a First in Part II in 1913, and was awarded the degree of Bachelor of Arts on 7 June 1913. He began researching in organic chemistry at Cambridge, but in September 1914 decided instead to take a teaching appointment at Weymouth College.”
In 1914 The London Gazette announced that Cyril was promoted within the Chaplain Department of the British Army to Second Lieutenant with a service number of 10940.
On December 23rd 1914 The London Gazette announced the following :
On the 9th October 1918 The London Gazette announced :
Again, according to Stephen C. Askey :
“In January 1919 he took his Master of Arts degree at Cambridge, and joined the teaching staff of Bradfield College in Berkshire. But by the summer of that year he became an assistant master at Pocklington School in Yorkshire, where he spent five happy years.
There he used his talent for juggling in 1920 to train a troupe of jugglers who gave a display at a school concert. This popular performance was repeated annually at Pocklington. Meanwhile be continued to compose chess problems and in 1923 published a book for beginners called The Chess Problem Hobby.”
In the 1939 register Cyril was recorded as residing at 67 Wood Green Road, Wednesbury, Staffordshire, England with Martha Partridge (born 29th June 1886) who was his Housekeeper.
His probate record appears in the England & Wales Government Probate Death Index 1858-2019 as :
From The Encyclopaedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“International Master of the FIDE for Chess Compositions (1959) and International Judge of the FIDE for Chess Compositions (1957). Born on 10th October 1891. Died on 17th February 1964. Kipping was famous as a composer and an editor which he combined with is duties as Headmaster of Wednesbury High School from 1925 to 1956.
His editorial duties extended over more than forty years, and included the problem sections of Chess, Chess Amateur, and, for 32 years, the specialist magazine The Problemist from 1931. He was noted for his encouragement of beginners. His pamphlet ‘The Chess Problem Hobby‘ is an excellent beginner’s introduction. His other books included Chess Problem Science, The Chessmen Speak and 300 Chess Problems.
Kipping was one of the most prolific composers of all time, with over 7,000 problems to his credit. Many of his strategic three-movers have become classic. He was leading authority on halfpin two-movers. In his latter years, Kipping affectionately known as CSK – was Chairman of the International Problem Board which is now the FIDE Problem Commission.”
From British Chess Magazine, Volume LXXXIV (84, 1964), Number 4 (April), pp. 122-123 by John Rice:
“CS Kipping, one of the most famous of all British problemists, died during February at the age of seventy-two. As a composer, editor, writer and critic Kipping was without equal. It is impossible to do justice in only a few lines to his vast and unique contribution to chess problems: a few factual notes. most of them kindly supplied by RCO Matthews, must suffice.
Kipping was born in London on October 10th, 1891, After completing his studies, he took up teaching as a career, and in 1924 he was appointed the first headmaster of the newly-opened Wednesbury High School, which post he held until his retirement in 1956. He was a bachelor, and, especially during the later years of his life, his interests were centered mainly on the school and on chess problems.
Most readers will know of Kipping as the editor of The Problemist, the bi-monthly journal of the British Chess Problem Society. Before he took over The Problemist in 1931, he had been in charge of the problem section of the Chess Amateur, which he edited with great energy and enthusiasm. As well as The Problemist, he edited the problem pages of Chess from its first appearance. in 1936 until the section was suddenly discontinued without warning or explanation a few years ago. He also edited other columns at various times. He always took great care to help and encourage beginners, and it is probably true that every composer in this country below the age of about fifty came under his influence at one time or another.
As a young man, Kipping was a fierce avant-garde controversialist, championing the the cause of strategy in the three-mover in opposition to the then dominant model-mate school in this country. His attitude to the two-mover, as readers of The Problemist will know, was always a good deal more conservative; he would not tolerate at any price what he called ‘camouflage force,’ even in the modern problem. Yes, he appreciated the aims of the modern two-move composer much more than his writings on the subject suggest, being always ready to applaud excellence in any type of problem.
Kipping’s output numbered over 7,000 problems, probably a record. Many of his two-moves especially his ‘aspect’ tasks, were published under pseudonyms, of which the best was known was C.Stanley. He concerned himself little with artistic finish : once he had found a workable setting of a them he was engaged on, he would take little trouble over economy and presentation. Themes in which he interested himself include half-pin (in the two-mover), white King themes, interferences, and the grab theme (in the three-mover), and maximum tasks of all kinds, the subject of one of his books, Chess Problem Science. His other books include 300 Chess Problems (1916), and The Chessmen Speak (1932), in the AC White Christmas series.
In addition to all his other problem activities, Kipping was chairman of the International Problem Board, and curator of the half-pin section of the White-Hume Collection, which he took over on Hume’s death in 1936.
The majority of Kipping’s best problems were three-movers, three of the most famous of which are quoted here.”
Manchester City News, 1911
Mate in three
Dutch East Indies Chess Association Tourney, 1928
Mate in three
BCM, 1939 (II)
Mate in three
The first problem above was given in The Complete Chess Addict by Mike Fox and Richard James in the Desert Island Chess chapter. It is also given in a discussion of the Steinitz Gambit by ASM Dickins and H Ebert in 100 Classics of the Chessboard. Colin Russ on page 138 of Miniature Chess Problems from Many Countries gives the first problem as does John Rice on page 44 of Chess Wizardry : The New ABC of Chess Problems.
CS Kipping, strictly speaking, was not the founder of the club, but was involved immediately at the formation of the club, which was originally called The Kipping Chess Club*. [*By March 1945, the club had 3 branches and only then did it formally split into 3 -Walsall, Wolverhampton, and a school (Municipal Secondary School Wolverhampton?) for the purpose of playing in the newly formed Wolverhamton League. Walsall Kipping Chess Club only formally took its name in May 1948, and was separated by then from The Wolverhampton Kipping Chess Club!] The Walsall Club’s minute book contains clippings from a local newspaper of 1942 reporting on the formation of the club. Here are copies:-
‘Walsall’s New Chess Club.-The new chess club, members of which will meet in the evenings for play and social intercourse, already promises to be very successful. The organiser, Mr.A.E.Parsons, of England & Sons, The Bridge (where meetings will be held for the time being) is acting as secretary pro tem, and he has secured as the first president Mr.C.S.Kipping, Headmaster of the Wednesbury High School for Boys, well known as an expert and for the innovation of chess in the curriculum of his school. Mr.Kipping has given valued assistance by the initial provision of boards and pieces. Members will meet on Monday evenings at 6.30 and the club will rely, in the first place, on voluntary subscriptions’. [5.9.42]
‘Walsall Chess Club.-Members of the recently formed Chess Club in Walsall had their first meeting on Monday [7th Sept 1942]. They decided to call the club “The Kipping [Chess] Club,” after their president, Mr.C.S.Kipping. Mr. F.D.Fox was appointed chairman, Mr.Gordon Farrell treasurer, and Mr.A.E.Parsons honorary secretary. Mrs.Wright and Miss Powell provided refreshments and were warmly thanked for their contribution to the success of the launching of the club. Mr.H.Lee was subsequently appointed vice-president after occupying the chair for the evening.’ [12.9.42]
Also, here is a copy of a brief sketch of CSK’s chess involvement, penned by David Anderton, for the Club’s Jubilee Chess Tournament:-
C S KIPPING, PRESIDENT 1942-1964
C S Kipping was the editor of the Problemist between 1931 and his death on 17th February 1964 at the age of 72 years. He also edited a problem column in Chess between 1935 and 1960. He [was] one of the most prolific of composers with some 7,000 problems to his name. He pioneered the introduction of strategic three movers in Great Britain and was the leading authority on half pin two movers. He was the Headmaster of Wednesbury Boys High School and introduced chess into the curriculum there in 1927. He gave evidence in the Chancery Division in the case of Re: Dupree’s Trusts in 1944 to the effect that chess teaches concentration, self reliance and reasoning and is a most useful training for the mind. Relying on this evidence, the Court upheld a bequest to establish a junior tournament as charitable and the case still forms the basis of English law on this point.
On a web site now only accessible via the WayBack Machine there is a treasure trove of reminisces and memories of CHSK from himself, friends and pupils.
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, enormous output of over 6,000, mainly three-movers but also many two-movers, some published under pseudonyms (e.g. C. Stanley, of Nottingham). Editor of The Problemist, 1931-64. Elected international master honoris causa (1959).”
Edith Elina Helen Winter-Wood was born, probably in 1859*, to Thomas Winter-Wood, a writer and poet, and Eliza Ann (née Sole) Winter-Wood in Boulogne, France.
(*Despite 22nd February 1859 appearing in Wikipedia we are unable to locate a primary source for this date. Contemporary secondary sources always just gave 1859 as her year of birth. Census records imply that she was born between April 1859 and March 1860. Her marriage record from 1st December 1880 describes her as being ‘of full age’: at least 21 years old, so born before December 1859. However, her death record from 1st February 1924 gives her age as 63, implying that she was born between February 1860 and January 1861. Either her death record is incorrect or she added a couple of months to her age when she married. )
Many secondary and tertiary sources incorrectly give the Winter-Wood family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed: both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was himself a strong player having been educated at Plympton Grammar School (now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means, with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas taught all of his family to play chess and Edith learnt at an early age. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“(Edward) played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
According to F. R. Gittins (in The Chess Bouquet 1897):
“The moves came to her, as she says, by a kind of instinct before she was out of her first decade. She did not, however, commence composing problems until some years after her marriage, which took place in 1880, to Deputy Inspector-General W. J. Baird, M.D., R.N., whose distinguished services have been mentioned in despatches and rewarded with four medals and two clasps. Eight years later she composed her first problem, and commenced a wonderful series of successes, having gained eleven first, nine second, and six third prizes, and been honourably mentioned nine times.”
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize (1):
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The problem solutions may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published by Henry Sotheran Ltd in 1902 and took her 14 years to complete.”
Edith also had a brief career in chess competitions in the 1890s, winning the 1897 Sussex Ladies Championship without losing a game.
Few samples of her play survive, but they show her to be a proficient player with, as you might expect from a problemist, a keen tactical eye. In this game she finishes neatly with a queen sacrifice.
In this game, from a blindfold simul against the London-based Dutch organist and chess master Rudolf Loman (1861-1932), she uses a tactic to reach an equal ending.
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (‘of full age’) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy, in the parish church of St George Hanover Square. (You’ll see that she married under the surname Wood rather than Winter-Wood.) William was almost thirty years her senior, having been born in Londonderry in 1831. The 1881 census found them in lodgings in Durham House, Hotspur Street, Tynemouth, North Tyneside: presumably William was there in connection with his work. Later the same year, their only child, Lilian Edith Baird, was born in the same place.
Lilian would become a child prodigy whose first problem was published before she was 10 years old. She was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
(Lilian merits a full article in this place in her own right : added to ToDo list!)
By 1891 William had retired and the family had settled in Brighton living at 14 College Terrace, where they employed a servant, Louisa Howard (23). In 1901 the census enumerator found them at the same address, their servant now being Lilian Millard (25).
William died in 1907, and Lilian had married in 1910: the 1911 census found Edith living in a boarding house named Mountcoombe in Surbiton. The house no longer exists, but its name, minus a letter, survives in Mountcombe Close, now a location for residential flats. Shortly afterwards, she joined her brothers in Paignton, Devon, close to her family’s ancestral roots.
Returning to Edith’s family, by the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestead”, Netley Abbey, Southampton and had shrunk to Thomas, Eliza and a mere two servants. Edith gave this address when she married William Baird.
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Truman (just 12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property, it would appear. By 1901, the family had moved again, to “Kenwick”, Paignton, Devon. They were back down to two servants: Florence Gagg (18) was the housemaid and Sarah Chambers (59) the cook. Thomas died in 1905, and the 1911 census gives their address as “Hareston”, Totnes Road, Paignton. Eliza, Edward and Carslake’s servants were now Laura Ellen Gagg (25 – presumably related to Florence) and Sarah Tulley.
In an interview with the Westminster Gazette (1st September 1894) Edith was asked why chess has always been a man’s game.
“Frivolous and fashionable women would begrudge the time and thought it requires; busy mothers of families could not, of course, spare time for it, and the great majority of unmarried girls have not, I’m afraid, the necessary patience. Then, too, it is, I must confess, an unsociable game. It is most suitable for quiet and reflective people, and for invalids. It seems always to have attracted clever strategists like military and naval commanders, and also great politicians. I wish girls would take to it more, because it is such excellent mental discipline, and brings out one’s patience. It would also be a useful corrective to the tendency to jump at conclusions which many women have. The great charm is that it is a home accomplishment. A woman is not expected to leave her fireside for the sake of chess. It is a stable kind of amusement for which she never need sully her womanliness or her good reputation. Many of the outdoor sports, innocent and healthy enough, lead to a great deal of flirtation and general frivolity.”
F.R. Gittins (op. cit.) described her as follows:
“Mrs. Baird, however, is something more even than the Queen of Chess-problem composers. She is, for example, an enthusiastic and skilful archer, and, living as she does in Brighton, has for some time been a prominent member of the Furze Hill Archery Club, of which she is a member of the committee, and in which, she has, for two years in succession, taken the medal for the highest aggregate score of the season. She also paints and illuminates charmingly, and has a pretty inherited talent for writing verse. Her book of illuminations, in fact, is described as “so chaste and delicate in design as to recall the ancient illuminated books which are treasured in museums and art galleries.” In politics she is a staunch Liberal, while the modern movement against all cruelty to animals – whether inflicted under the name of sport or in the interests of science – finds in her one of its most ardent champions. Besides the déclassement derived from chess, she is also a great believer in girls making themselves independent of marriage, from a monetary point of view, by having a definite occupation. When it is added that she never allows chess, painting, or any other favourite pursuit to occupy her time until all the domestic matters of home have been seen to, we have said sufficient to show how finely-rounded and complete a life this brilliantly clever woman leads. It is only left to add that her manner is kind and charming, and that she is thoughtfulness and considerateness itself to all her friends. She is, moreover, the most loving of mothers, and has been heard to declare that if anything were to happen to “Lily”, she would never compose another chess problem.”
Edith was also an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was Lilian’s husband. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists.
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
The Twentieth Century Retractor may be read online here.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924) we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was given the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as a prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two (2)
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two (3)
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three (4)
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent. being cooked after leaving her hands, evidence of painstaking application!
Mate in Three (5)
There is now, since the decease of Mrs. Baird’s father, Mr. T. Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three (6)
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
White retracts his last move; then plays. Black moves so that White can mate at once. (7)
(Please note that there are factual errors in most of the sources quoted below.)
Cyrus Lakdawala is an IM and former US Open Champion who teaches chess and has written over 25 books on chess openings.
The ever prolific Cyrus Lakdawala’s latest book offers a collection of endgame studies and problems aimed primarily at players who are not all that familiar with the world of chess compositions.
Much of the material is taken from the Facebook group Chess Endgame Studies and Compositions which Lakdawala runs with Australian GM Max Illingworth. I should declare an interest here as I’m a member of, and a very occasional contributor to, this group.
The first half of the book introduces the reader to the world of endgame studies. After a brief preliminary chapter taking us on a journey of almost a thousand years up to 1750 (though I’m not sure how Al Adli was composing in both 800 and 900), we move onto a collection of studies with the stipulation ‘White to play and draw’. Like this one (the solutions are at the end of the review).
Frédéric Lazard L’Échiquier de Paris 1949
(Lazard’s first name is anglicized to Frederick in the book. He died in 1948: perhaps this was first published in a posthumous tribute.)
The next, and longest, chapter is, you won’t be surprised to hear, devoted to ‘White to play and win’ studies.
Another short example:
Mikhail Platov Shakhmaty 1925
Then we move on from studies to problems. After a brief excursion to Mates in 1 in Chapter 4, Chapter 5 deals with mates in 2, like this one from the ever popular Fritz Giegold.
Fritz Emil Giegold Kölnische Rundschau 1967
(The first word of the newspaper is given as Kolner, without an umlaut: Wikipedia tells me the correct name.)
Another composer to feature heavily in this book is the great Puzzle King himself: Sam Loyd. Here’s an example from Chapter 6: Mates in Three Moves.
Sam Loyd Cleveland Voice 1879
Chapter 7 brings us some mates in four or more moves. Chapter 8 looks at some eccentric problems, Chapter 9 looks at study like themes in real games (yes, Topalov-Shirov, as you probably guessed, is there), and finally Chapter 10 presents us with some studies composed by young American IM Christopher Yoo.
On a personal level, I’d have liked some helpmates, which are often very attractive to practical players, and perhaps also problems with other stipulations: serieshelpmates or selfmates, for example. A short introduction to fairy pieces and conditions would also have been interesting. Something for a sequel, perhaps?
Cyrus Lakdawala has a large and devoted following, and his fans will certainly want this book. Those who don’t like his style will stay well clear. As for me, I find Everyman Cyrus a far more congenial companion than NiC Cyrus: do I detect a firmer editorial hand in removing some of the author’s more fanciful analogies? Given the nature of the book I think it works quite well: entertaining positions can take ‘entertaining’ writing but more serious material demands more serious writing.
The studies and problems are well chosen to be attractive to the keen over the board player who is not very familiar with the world of chess compositions. If you don’t know a lot about this aspect of chess and, perhaps enjoying the examples in this review, would like to investigate further, this book would be a good place to start.
The current Zeitgeist seems to demand that chess books are marketed as being good for you rather than just enjoyable and entertaining, and here it’s claimed that solving the puzzles in this book will ‘without question, undoubtedly improve the ‘real world’ tactical ability of anyone attempting to do so. Well, possibly. Solving endgame studies has been considered by many, Dvoretsky for one, to be beneficial for stronger players, and I quite understand why. I’m less convinced, though, that solving problems is the most effective way to improve your tactical skills, but it may well give you an increased appreciation of the beauty that is possible over 64 squares, and inspire you to find beautiful moves yourself.
My issue with the book concerns lack of accuracy, particularly in the problem sources. Puzzle 190 was composed by (the fairly well known) Henry D’Oyly Bernard, not by (the totally unknown) Bernard D’Oily. Frustratingly for me, I seem to remember pointing this out to the author on Facebook. Puzzle 242, a much anthologised #3 by Kipping, is given as ‘Unknown source 1911’. It took me 30 seconds (I know where to look) to ascertain that it was first published in the Manchester City News. As Fritz Giegold was born in 1903, it seems unlikely that he was precocious enough to compose Puzzle 237 in 1880. Again, a quick check tells me it was actually published in 1961. And so it goes on.
It’s not just the sources: the final position of puzzle 203 has three, not four pins. Someone with more knowledge of chess problems might have pointed out that in Puzzle 164 Sam Loyd displays an early example of the Organ Pipes Theme.
Even the back cover, which you can see below, is remiss, in claiming that ‘In a chess puzzle, White has to force mate in a stipulated number of moves’. No – you mean ‘chess problem’, not ‘chess puzzle’.
Chess problem and study enthusiasts are, by their nature, very much concerned with accuracy. It’s unfortunate that this book doesn’t meet the high standards they’d expect.
To summarise, then: this is a highly entertaining book which will appeal to many players of all levels, especially those who’d like to find out more about studies and problems. It’s somewhat marred by the unacceptable number of mistakes, which might have been avoided with a bit of fact checking and a thorough run through by an expert in the field of chess composition.
(Apologies for the repeated diagrams in the solutions: it’s a function of the plug-in used by British Chess News.)
We remember Harold Lommer who passed away on December 17th, 1980.
Harold Maurice Lommer was born on Friday, November 18th 1904 in Islington, London to German parents. Curiously his birth entry was missing from the original record and has been inserted manually as an after-thought. Anyone know the reason for this?
He left England aged 4 in 1908 to live in Switzerland and returned to England in 1926.
In the 1939 Census Harold was a resident at 16a Gwendwr Road, Barons Court, Hammersmith, London.
According to the census record HML was living in a household of three persons and his occupation was that of Foreign Correspondent.
In 1949 Harold married Valija S Linkuns in Fulham.
He died in Valencia, Provincia de València, Valenciana, Spain.
“International Judge of Chess Compositions (1958), International Arbiter (1962), International Master for Chess Compositions (1974), the greatest British study composer. Born in Islington of German parentage, he moved to Switzerland when he was four and returned to England 18 years later.
Inspired in his youth by the Saavedra study, he became the leading specialist on promotion tasks, and in 1933 was the first to show allumwandlung in a study, which Rinck had declared was impossible. Lommer also showed in studies six consecutive promotions to rooks (1935) and a minimal with concurrent promotions to queen, bishop, and knight.
After the Second World War he became proprietor of a Soho club, where players and composers often met; in 1949 the club organized a small international tournament, won by Bernstein, Lommer retired in 1961 and went to live in Valencia, where he died.
In 1939 Lommer and the English player Maurice A. Sutherland (d.1954), who backed the project, published 1,234 Modern End-game Studies. In 1975 Lommer compiled a sequel, 1,357 End-game Studies. These two collections, catholic in taste, made by a composer who was above all an artist, have become standard works. Besides his studies, the best of which are in these books, he composed fairy problems.”
From The Encyclopedia of Chess (Robert Hale 1970&1976), Anne Sunnucks :
“FIDE Judge of Endgame Studies since 1958. Born on 18th November 1904 in London, Harold Lommer’s parents were German and he was educated mainly in Switzerland. Since the late 1950s he has lived in Spain. He has composed about 1000 endgame studies and is joint author with MA Sutherland, of the anthology 1234 Modern End-Game Studies, published in 1938. He is particularly well-known for his under-promotion tasks, but would prefer to be known for his other work as well.
For some 10 years up to 1957, he was joint owner and manager of the Mandrake Club in Soho, London, used by many well-known chess players, journalists and theatre personalities.”
From British Chess Magazine, Volume CI (101, 1981), Number 3 (March), pp. 86-88 we have this obituary from CM Bent :
We remember Anthony Dickins who passed away this day (Wednesday, November 25th) in 1987.
Anthony Stewart Mackay Dickins was born at 1 Rivers Street, Bath, Somerset on Sunday, November 1st, 1914. On this day was the Battle of Coronel — The Royal Navy suffered its first defeat of World War I, after a British squadron commanded by Rear-Admiral Sir Christopher Cradock met and was defeated by superior German forces led by Vice-Admiral Maximilian von Spee in the eastern Pacific.
Anthony’s parents were Frederick and Florence Dickins (née Mackay) Frederick was a Captain in the Royal Artillery and was born on 25th November 1879, commissioned on May 26th 1900. He became a Colonel on 26th May 1930 and retired November 25th 1936. He was alive in 1972 (aged 92) and living in Bexhill passing away aged 101/102. He was awarded the CIE which is “Companion, Order of the Indian Empire in 1914”.
Anthony was baptised on December 29th in Seend, Wiltshire. Anthony had a brother Frederick James Douglas born in 1907 who married Nellie or Peggie Moist (records are unclear).
It would appear that Florence and Anthony (aged 5) travelled to Bombay from Plymouth on board the SS City of York (Ellerman Lines) departing December 26th, 1919 presumably to visit his father in India. The ships master was J. McKellan.
At the time of the 1939 Census Anthony was residing in the Tavistock Hotel in Tavistock Square. His occupation was given as journalist and editor and described as single.
From the Hull Daily Mail (extant and renamed Hull Live) of March 4th, 1939 we have this part review of a magazine called The Joys of Poetry. Anthony was the editor :
He died in Lambeth Wednesday, November 25th) in 1987. We have yet to determine where he was buried or cremated.
“Anthony Dickins wrote A Guide to Fairy Chess (1967) and other books about fairy chess. He edited the column of non-original fairy problems for “The Problemist”. He was specialized in constructional problems and was also an International Judge.”
From British Chess (Pergamon Press, 1984), Botterill, Levy, Rice and Richardson :
“Chess first entered my life seriously about 1950 at the well-known Mandrake Social and Chess Club in Meard Street, Soho, run by Harold Lommer and Boris Watson. Purely literary connections took me there in the first place, as it was a rendezvous for the literary fraternity, such as Dylan Thomas, David Gascoyne and others.
After the war Harold converted a small wine-vault into a tiny cramped chess-room, with some dozen tables and boards. Many well-known
personalities in the world of Chess were occasional visitors, such as Grandmasters Ossip Bernstein, Paul Keres, Jacques Mieses and Friedrich Sämisch; British Champions Willy Winter, Bob Wade and Dr. Fazekas; M. J. Franklin, now a British Master, and the Problemists, Dr. E. T. O. Slater and B. J. da C. Andrade. Mieses was then in his late eighties and charged a fee of half-a-crown (12.5 pence) for a game. When his name was mispronounced ‘Mister My-ziz’ he would say ‘I am Meister Mieses, not Mister My-ziz’.
Sämisch once played fourteen of us blindfold, defeating all except one, a very strong Indian player, Atta, who obtained a draw. My regular ‘partners’ were Vicki Weiss, the famous cartoonist, his brother Oscar, Richard Crewdson, Mr Keller (a professional who played sharply for a shifty shilling), Brian Mason, Colin ‘Puffer’ Evans, (whose strategy was to puff cigarette ash and smoke all over the board to bemuse the opponent) and Bob Troy (who always fell fast asleep immediately after making each move and had to be wakened on his next turn to play). There was a juke-box in the next room constantly blaring forth pop and bop. Most of all I played with Alex Distler, and with him always’variants of the game’ like Cylindrical Chess, Rifle Chess, Progressive Chess, or the Losing Game.
In this colourful and inspiring, if rather smoky and noisy, atmosphere I composed my first six chess problems, helpmates and cylindricals, though I did not then know of the existence of Problem books or magazines, nor had I heard of Sam Loyd, Max Lange, or T. R. Dawson when the Mandrake closed in the late fifties and Harold Lommer retired to Spain to write his two monumental works on Endgame Studies.
For the next 10 years or so I played at the West London and Athenaeum Chess Clubs, for Middlesex County and at Hastings congresses, meanwhile regularly solving the problems in the two evening newspapers for practice.
In 1965, in my 51st year, I discovered chess-problem magazines and the British Chess Problem Society, and was soon asked by John Rice to join the Fairy
Chess Correspondence Circle, whose director, W. Cross, perhaps the greatest solver of all time, guided my early footsteps in fairyland. At this point I compiled for my own use a summary of all the usual rules and conventions in Fairy Chess, as these were numerous and complicated. It occurred to me that a few other people might also welcome such a summary, so I put it into book form as A Guide to Fairy Chess, which I published by myself in 1967 under the imprint ‘The O Press’, a pun on the name ‘Kew’ where I was then living.
To my amazement it had rave reviews (‘the comprehensive work, so long awaited’, ‘more like an encyclopaedia’, ‘the bible of Fairy Chess’) and sold like hot cakes, going into three editions, each one enlarged and revised, the third produced by Dover Publications, New York, in 1971. Two years later I edited Dover’s publication of T. R. Dawson’s Five Classics of Fairy Chess.
In 1970 I flew to the States to spend a few days in the J. G. White collection in Cleveland, Ohio, researching historical material on Fairy Chess. This Ohio collection has the largest chess library in the world, and to my surprise I found that it contains also ‘every book or article ever written on or about ‘Omar Khayyam and Alice in Wonderland . To find oneself suddenly and unexpectedly transported, as if by magic carpet, into a superbly organised library with the most complete collections in the world of the three subjects that happen to be one’s own three principal literary interests is an experience that must approach closely to entering Nirvana, and I am happy to have had it. This visit enabled me to write A Short History of Fairy Chess (1975) and to give the lecture Alice in Fairyland to the Lewis Carroll Society in London, published in their journal Jabberwocky and reprinted by myself in 1976 (2nd edn 1978) .
In 1972 I decided to present my (by then) extensive collection of Fairy Chess books and magazines to my old university library at Cambridge to prevent the possible break-up of the collection as a single unit, and to ensure that at least one fairly complete Fairy Chess collection was retained in Britain.
In 1968 I was invited to open a Fairy Chess section in The Problemist, organ of the BCPS, which I handed over to Dr. C. C. L. Sells in 1970, and from 1974 to 1981 I ran another column in that magazine called ‘Other Types’. This chess journalism has brought me into touch with many problemists, and made many friends for me, in foreign countries.
In 1967, on a visit to Mannheim for the Schwalbe annual meeting, I met Wilhelm Karsch, then editor of Feenschach, and in 1968 in Munich I again met Dr. Karl Fabel, whom I first came to know in London in 1967, and also Peter Kniest, one of the two present editors of Feenschach. In 1969, on a visit to Paris, a meeting was arranged for me at the late Jean Oudot’s flat, with Pierre Monr6al, J. P. Boyer, F. de Lionnais (author of the Dictionnaire des Echecs) and other French problemists, and altogether I have attended twenty three major problemist meetings in various countries, including FIDE meetings in The Hague, Wiesbaden, Canterbury and Helsinki. It has been my constant aim to try to encourage and cultivate the practice and study of Fairy Chess and to keep alive the great legacy that T.R. Dawson left to the world when he died in 1951.
In recent years I have developed close relations with the younger generation of West German problemists, who are very active in Fairy Chess, centred round 29-year-old Bernd Ellinghoven, who helps Peter Kniest to edit Feenschach and who printed my last booklet, Fairy Chess Problems (1979), containing poems as well as problems, combined in a new kind of fairy technique, for I believe that Fairy Chess represents in many ways the ‘poetry’ of Chess.
For the 50th birthday of T. R. Dawson on the 28th November 1939 a certain Dr Lazarus of Budapest wrote in Fairy Chess Review: ‘T. R. D. these three letters represent a conception in the Poetry of Chess which is amongst the most ingenious of all its turns, one of its most strange and interesting phases… Without T.R.D. human culture would lack a factor in its development’. Those people (and there are some) who would banish Fairy Chess altogether from Caissa’s realm resemble the iron-hearted Mr. Gradgrinds who would abolish romance, mystery, poetry, invention, discovery and imagination from human life.
Elsewhere I have written: ‘The Game for Murderers, The Problem for Philosophers, Fairy Chess for Sufis’, because the aim of the game-player is to ‘mate’ (kill) the opponent (from Arabic, mat _ dead), while the problemist has no personal opponent to kill, but merely a philosophical problem to resolve. In Fairy Chess, however, the adept is transported to another plane of existence, to an ‘undiscovered country from whose bourne no traveller returns’,to new’dimensions’ of thought (as in 3- and 4-dimensional problems) – in short, to Fairyland, to Nirvana.
The three problems represent my early, middle and later compositions. The helpmate in three moves (Black plays first in a helpmate) is a miniature culminating in an ideal Mate. C. H. O’D. Alexander was much tickled by what he called ‘the deceptive pawn’ on a2, which unexpectedly does not promote.
The Construction Task with 113 White moves, all ‘maintaining’ the legal stalemate position in which Black finds himself, is a standing record that defeated the previous record of 112 such moves obtained independently by six problemists in six countries, one of them an lnternational Master of FIDE.
The Knight’s Tour is one of the oldest genres of Fairy Chess, dating from the earliest days of chess, and in TR Dawson’s Fairy Chess Review he published many of them., including some that showed the ‘square numbers’ (1,4,9,16,25,36,49,64) all on one rank – in the present example I have added the extra strict condition that as many as possible of the numbers 1 to 16 must be in the SW corner and as many as possible of the numbers 1 to 32 must be in the W half of the board.
For two reasons the perfect ideal in this task cannot be attained, firstly because of the given position of the number 25, and secondly because it is not possible to make a Knight’s tour on a 4 x 4 board in the SW corner.
1. Helpmate, Evening News, 20th February 1957 dedicated to Harold Lommer
Helpmate in 3 moves
1. Kd5 Nb1
2. Kc4 e8=Q
3. Kb3 Qb5 mate
2. Construction Task Record, Feenschach 9341 Sep/Oct 1969 dedicated to Karl Fabel
113 unforced stalemate maintenances with Promotion in Play (Pawn promotions count as 4 moves) unforced as W has some moves that do not maintain stalemate, so he is not ‘forced’ to maintain it.
3. Knight’s Tour Chessics 5(180) July, 1978 dedicated to D. Nixon.
Knights tour with
a) All square number on 4th rank
b) maximum of 1-16 in SW quad
c) maximum of 1-32 in W half
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, Founder of Q Press (1967) to publish books on fairy problems: A Guide to Fairy Chess (1967); An Album of Fairy Chess (1970); The Serieshelpmate (co-author, 1971). Has presented a large collection of problem books to Cambridge University Library. International Judge (1975).”
We remember Mary Rudge who passed away one hundred and one years this day on Saturday, 22-xi-1919.
She was born in Leominster, Herefordshire on February 6th, 1842. Her father was Henry Rudge (born 1794 in Gloucestershire) who was a surgeon and General Practitioner. Her mother was Eliza Rudge (née Barrett) who was born in Ledbury, Herefordshire in 1802.
Mary was part of a typically large household and according to the 1851 census she had sisters Sarah (23), Caroline (18), Emily H (12), brothers Henry (14) and Alfred (10). Assisting Henry with medical matters was William S Boyce and acting as a “General Servant” was Thomas Rotheroe (18). Their address is given as “21, Middle Marsh, Leominster, Herefordshire, England” (HR6 8UP). According to HM Land Registry : “Middlemarsh is in the Leominster North & Rural ward of Herefordshire, County of, Herefordshire, Worcestershire and Warwickshire.”
By 1861 the household had relocated to 62, Broad Street, Leominster and the servants were James Price (18) whose occupation is given as a Groom and Sarah Gardener (21) who was the House Servant.
Mary moved, “helpless from rheumatism”, at some point, to Truro and then to the British Home for Incurables, Streatham. She died in Guys Hospital, London, on 22 November 1919.
Editor of British Chess Magazine at the time of her obituary was Isaac McIntyre Brown who afforded Mary a pathetic three lines.
“As we go to press we learn with great sorrow of the death, at Streatham last month, of Miss Mary Rudge, winner of the International Ladies’ tournament in 1897.”
Golombek, Hooper&Whyld and Sunnucks are all silent on Rudge.
From Wikipedia :
“Mary Rudge (6 February 1842 in Leominster – 22 November 1919 in London) was an English chess master.
Rudge was born in Leominster, a small town in Herefordshire, England. She began playing chess in a correspondence tournament in 1872. The first mention of over the board competition is in August 1874 when she played in the second class at the Meeting of the Counties’ Chess Association at Birmingham. After the death of her father, Henry Rudge, she moved to Bristol where she started playing chess seriously.
Rudge was the first woman member of the Bristol Chess Club, which did not allow women to be members of the club until she joined in 1872. She played against Joseph Henry Blackburne, who gave a blindfold simultaneous display against ten opponents. The following year she played in another blindfold simultaneous display given by Johannes Hermann Zukertort. In March 1887 she played and drew on board six for Bristol against Bath at the Imperial Hotel in Bristol. At the beginning of 1888, Rudge played and won on board six for Bristol & Clifton against City Chess & Draughts Club. The following year, she won the Challenge Cup of Bristol & Clifton Chess Club. In 1889, she became the first woman in the world to give simultaneous chess exhibitions. She won the Ladies’ Challenge Cup at Cambridge 1890, and won the second class at the Southern Counties’ tournament at Clifton 1896.”
“First Women’s International Chess Congress
She was a winner of the first Women’s International Chess Congress under the management of the Ladies’ Chess Club of London in conjunction with the Women’s Chess Club of New York. Lady Newnes was president of the Tournament Committee, and Sir George Newnes, Baron Albert Salomon von Rothschild, Mr. Harry Nelson Pillsbury and some others offered prizes. The tournament was played at the Hotel Cecil in the Masonic Hall for six days, but the final rounds were decided at the Ideal Café, the headquarters of the Ladies’ Chess Club, from 22 June to 3 July 1897. Miss Rudge was 55 years old and the oldest of the 20 players, and had substantial experience playing chess at the time. She was a well-known English player, ranking in chess strength with the first class of the leading men’s clubs. She won the event with 18 wins and 1 draw, followed by Signorina Louisa Matilda Fagan (Italy), Miss Eliza Mary Thorold (England), Mrs. Harriet Worrall (USA), Madame Marie Bonnefin (Belgium), Mrs. F.S. Barry (Ireland), Lady Edith Margaret Thomas (England), among others.”
“Over the next years, she took part in various competitions, playing in Bristol and Dublin. In 1898, she played against world champion Emanuel Lasker in a simultaneous display at the Imperial Hotel. Lasker was unable to finish all the games in the time available, and Rudge’s was one of those unfinished. He conceded defeat because he would be lost with best play.”
BCN remembers Hugh Blandford who was a British composer.
Hugh Francis Blandford was born on Wednesday, January 24th in 1917 in South Stoneham, Southampton, Hampshire, England.
On this day Ernest Borgnine was born and an earthquake measuring 6.3 in magnitude struck Anhui Province, China, causing 101 deaths.
Hugh’s father was the Rev Albert Francis Blandford and his mother was Alice Rhoda Crumpton Evans. Hugh had two younger brothers, Philip Thomas. and Evan Arthur.
The family moved to Jamaica and he spent his early childhood there until he was nine years old when they sailed from Kingston, Jamaica with his family to Bristol on board the SS Carare (Elders & Fyffes Line) :
His mother Alice Rhoda Crumpton passed away on 19 July 1964 in Minehead, Somerset, at the age of 79.
His father Rev Albert Francis passed away in December 1967 in Somerset at the age of 79.
He had three children during his marriage to Marjorie Cox.
In 1961 he was awarded the title of “International Judge of the FIDE for Chess Composition”
CM Bent wrote the following obituary in the British Chess Magazine, Volume CI (101, 1981), Number 12 (December), page 532 :
“The modest and self-effacing composer who formerly conducted our Studies column from 1951-1972 died in September. His work as a metallurgist and his family responsibilities allowed him to make periodical contributions over a long span and to offer us many of his own original compositions.
His style, as with his manner, was essentially quiet and it was a rarity for him to compose anything other than wins.
His last voluntary labour was to compile an index for E.G. of all studies published there to date. His loss to the world of of studies will be greatly felt.
The first prize winner below is a classic of exquisite refinement and matches the immaculate handwriting which was always such an elegant feature of his work”
“British study composer and FIDE Judge of Endgame Studies. Born on 24th January 1917. Since July 1951, Hugh Blandford has conducted the Endings Section of the British Chess Magazine. By profession a metallurgist, he was married and had two children. Of his 60 or more studies he was best known for the excelsior theme.”
From Wikipedia :
“Hugh Francis Blandford (24 January 1917 – 20 September 1981) was a chess endgame composer born in Southampton, England.
He spent several years of his childhood in Jamaica with his father, the Reverend Albert Francis (Frank) Blandford, a Minister in the Congregational church, his mother and two younger brothers, Evan Arthur and Philip Thomas Blandford. All three brothers then returned to England and attended Eltham College (the School for the Sons of Missionaries) in South-east London, while their parents remained in Jamaica. He married Marjorie Cox, whom he had worked with during the Second World War.
He played chess from his schooldays and as well as playing, also started to compose original chess endings. He became known in the field of chess endgame studies for a small but elegant body of compositions, expertly edited and published after Hugh’s death by his long-standing chess endings colleague, John Roycroft.
Hugh Blandford was co-inventor with Richard Guy – and, later, with John Roycroft – of the Guy–Blandford–Roycroft code for classifying studies. In July 1951 he began as the endgame study editor for the British Chess Magazine. He was made an International Judge for Chess Composition in 1961.
A metallurgist, he continued to compose chess endgame studies until the end of his life, dying of a heart attack in early retirement in Hatfield, England, on 20 September 1981.”
BCN remembers Gerald Frank Anderson MBE, DFC (24-ii-1898 23-viii-1984)
From British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson we have an article written by John Rice :
“Gerald Frank Anderson was born in South Africa on 23 February 1898, and has published nearly 500 problems of many different types. From the start he was a versatile composer, and Weenink’s The Chess Problem (see introduction) contains two three-movers of his illustrating anticipatory half-pin (see Diagram I) a reflex-mate in two dating from 1920 and a selfmate in four from 5 years earlier, when the composer was only seventeen.
1st prize , Hampshire Telegraph & Post, 1920
White mates in 3
(All Solutions contained in scan at foot of article.)
It must have been exciting for a budding problemist to grow up in the period between 1913 and 1924 when the Good Companion Chess Problem Club of Philadelphia was publishing its Folders of original work containing outstanding examples of complex strategy such as half-pins and cross-checks. Diagram II, with its intricate battery play, won first prize for Anderson in the Folder of October 1917.
1st prize, Good Companions, October 1917
Diagram III is a justly famous two-mover, with a perfect key and beautiful line-play:
IL Secolo, 1919
White mates in 2
Between 1953 and 1961 Anderson was with the British Embassy in Washington and a close friendship developed with the American composer Vincent Eaton.
In the introduction to his published collection of Eaton’s best problems (Memorial to V. L. Eaton, 1971) Anderson describes his visits to Eaton’s house where they would work for hours on joint compositions (nine of them altogether, eight prize winners)- ‘blockbusters’, as they themselves termed them. Diagram IV is one of these, a highly complex check-prevention scheme.
1st prize, British Chess Magazine, 1953
(with V.L. Eaton)
White mates in 3
A glance through the anthologies shows how successful Anderson has always been with orthodox forms, perhaps especially with three- and four- movers and with selfmates. Diagram V is a characteristic selfmate in two, with a good deal more strategy than many composers achieve in selfmate form:
2nd prize, British Chess Federation Tournament, 1947
Selfmate in 2
Since his retirement Anderson has lived for much of the time in Italy, where the air seems to be conducive to the composition of reflex-mates, for that is the genre with which he has principally been occupied in recent years. Diagram VI is a good illustration of his style; a couple of changed continuations, and subtle play centered on the two diagonals b5-f1 and c6-h1. (A reflex-mate is a selfmate in which both sides are under an obligation to mate on the move if possible). In this problem White has to keep his active line-pieces (Q and B) well out of the way of the potential mating diagonal.
1st prize, The Problemist, 1975
Reflex-mate in 2
In addition to the Eaton anthology mentioned above, Anderson has published Adventures of my Chessmen
and Are There Any?, the latter being a fascinating collection of Kriegspiel problems. He was President of the British Chess Problem Society from 1962 to 1964, and became a FIDE International Judge in 1960 and an International Master in 1975.”
From The Encyclopedia of Chess (Robert Hale, 1970 and 1976) by Anne Sunnucks :
“International Judge of FIDE for Compositions (1960). Born on 23rd February 1898. Won the DFC in 1914-18 war. Foreign Office (Retd.) First problem published in 1912, since when he has composed nearly 500 problems, mostly 3 and 4 movers. but has latterly switched to Fairy chess problems. He is one of the the great reflex and self-mate composers. Edited a section Chess Amateur 1921, Nottinghamshire Weekly Guardian 1937-1938, Anglo-Portuguese News 1945-1946, and Self-Mate Section of The Problemist 1964-1966. Author of Are There Any? a book about Kriegspiel problems and A Memorial Volume of Chess Problems of VL Eaton.”
His MBE was awarded in the 1959 New Year Honours list. The citation reads : “Gerald Frank Anderson, DFC, Second Secretary, Her Majesty’s Embassy, Washington.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE we have this by John Rice:
“British problem composer, output about 550 problems., orthodox and fairy. Books : Adventures of My Chessmen; and Are there Any? (1959 – a fascinating collection of Kriegspiel problems); Vincent Eaton Memorial (1971 – an annotated anthology of Eaton’s work). President of British Chess Problem Society, 1962-4. International Judge (1960), international master (1975).”
From chessgames.com :
“G. F. Anderson, in 1946, was working in the British Embassy in Lisbon, and, as a highly skilled chess player (he was also known for composing chess problems as early as 1919), was nominated to deliver the challenge from Botvinnik to Alekhine. He played a game with the World Champion in the Embassy and it became the last recorded game by Alekhine.”
Here is the original article from British Chess (Pergamon, 1983) by Botterill, Levy, Rice and Richardson by John Rice :
BCN wishes happy birthday to Barry Barnes (01-viii-1937)
Barry Peter Barnes was born in Brighton and his mother’s maiden name was Simpole. (Barry is a cousin of Julian Ivan Peter Simpole, who was a Brighton school teacher and who taught Edward Gerard Winter to play chess).
Barry now lives in Halling, Rochester, Kent with his wife Jean.
From The Encyclopedia of Chess (Robert Hale, 1970 & 1976) by Anne Sunnucks :
“International Master of FIDE for Chess Compositions (1967) and International Judge of FIDE for Chess Compositions (1967).
Born on 1st August 1937, Barnes works in transport advertising. He has composed about 250 two-move problems. With Lipton and Rice, he has contributed to the advance of the modern two-mover. Problem Editor of Two-Move and Twin sections of The Problemist. Co-author with M.Lipton and JM Rice of The Two-Move Chess Problem : Tradition and Development (Faber and Faber 1966).
“A promising career as a county chess player came to an end when I was given Brian Harley’s classic book Mate in Two Moves in the belief that it would help my chess, but it had quite the opposite effect. My interest in competitive chess waned, and I was on the road to an an International Master title for problems!
Early influences in my problem career were the weekly chess problem solving competition in The Observer (my first problem published there was in 1955), a teenage friendship with J. M. Rice and M. Lipton (both now lnternational Masters), Herbert Grasemann’s book Problem Schach / with its near revolutionary post-war German problem ideas, and the expert British problemist, A. R. Gooderson who had I but known it only a few years earlier was the officiating master when my Hove Grammar School played Steyning Grammar at chess.
In the late 1950s and early 1960s, the genuinely original problems I was making in cooperation and in competition with Rice and Lipton were being published mostly abroad in such specialist problem magazines as Die Schwatbe (with its inspired two-move editor, Hermann Albrecht) where I gained the epithet the English prize-snatcher’! It was also written that the work of the avant-garde composers, Rice, Lipton and Barnes, was like a fresh two-move wind blowing from our island. It was sad but true at that time that the specialist magazine of the British Chess problem Society (founded 1918), The problemist, was unreceptive to change and our often bizarre ideas.
A milestone of sorts was reached when I won lst prize for problem I in 1958, a prize for the best new problem by a member of the British Commonwealth aged under 21. In 1966, I was invited by problemist Grandmaster Comins Mansfield, who was President of the FIDE Problem Commission, to act as Secretary at the Barcelona meeting. With Mr. Mansfield’s retirement, I became the British Member to the Commission, and at the Wiesbaden meeting, 1974, I was elected 2nd Vice-President. (1st Vice-President from 1982)
The FIDE Problem Commission meets annually to discuss matters relating to all branches of problem chess, to organize the World Chess Composing Tournament (WCCT), the World Chess Solving Competition (WCSC), and to publish FIDE Album anthologies of the best problems. It was on the strength of my success in these FIDE Albums that the Commission granted me the titles in 1967 of ‘lnternational Master of the FIDE for Chess Composition’ and ‘lnternational Judge of the FIDE for Chess Composition’. Since 1974, I have been Chairman of the Titles Sub-Committee of the Commission.
Since 1965, I have been the two-move editor of The Problemist and have served almost without break on the BCPS Committee. I have contributed to The Encyclopaedia of Chess by Anne Sunnucks (Robert Hale, 1970), I am co-author, with J. M. Rice and M. Lipton, of The Two-Move Chess Problem: Tradition & Development‘ (Faber A Faber, 1966), and I am the sole author of Comins Mansfield MBE: Chess Problems of a Grandmaster: (British Chess Problem Society, 1976) and Pick of the Best Chess Problems (Elliot Right Way Books, 1976)
To date I have made just over 300 two-movers and some helpmates.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problem composer, output about 400, nearly all modern style two-movers. Two-move sub-editor of The Problemist. Secretary of the FIDE Problem Commission during C. Mansfield’s Presidency. Co-author of The Two-Move Chess Problem: Tradition and Development (1966).”
Author of Pick of the Best Chess Problems (1976)
Comins Mansfield MBE : Chess Problems of a Grandmaster (1976).
International Judge (1967); international master (1967).
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