😐😕😱 ‘The Moves That Matter’ – Jonathan Rowson (Bloomsbury 2019). HB. p 352. cp £20.
Subtitled ‘A Chess Grandmaster on the Game of Life’, this is a chess publication like no other. To draw comparisons I would have to wander into other fields which is hardly the idea hereabouts and beyond my experience anyway. Having spent about seven or eight hours with this remarkable tome what follows is more of a reaction than a deadpan review.
When I bought my copy in Waterstone’s in Reading the lady said it was not shelved with other chess books and I am not surprised. It merits its own glass case as this is special but not to my taste. How the sales will pan out I have no idea. I imagine quite well as with ‘The Rookie’ by Stephen Moss, also a Bloomsbury. Moss’s book was an outsider’s view looking inwards. Rowson writes as an insider yet jumps (outside!) around seemingly not getting over himself. International travel, tournament success, marriage, maturity and great academic success have failed to bring him the answers he seemingly requires, the reader will bleed with him. His pain is now ours.
In a closing chapter, putting flesh on very intricate bones, he gives 19 annotated games. No diagrams that I spotted but should that matter? Here is philosophy offered in scholarly form, a life journey, as all the best autobiographies try to be. But I just was not entertained or instructed. It did, however, tell me all about this chess master.
The author is a largely retired Scottish Grandmaster.
31 Clyde Road, Croydon, England (Fairy Chess Review, issues from 1946 to 1949*).
From The Oxford Companion to Chess (OUP, 1984 & 1996)by Hooper & Ken Whyld :
“English composer, pioneer of both fairy problems and retrograde analysis. His problems in these fields form the greater part of his output (about 6,500 compositions) and are better remembered than his studies and orthodox problems. For fairy problems he invented new pieces: grasshopper (1912) LEO (1912), NEUTRAL MAN (1912) NIGHT RIDER (1925), and VAO (1912); he codified new rules such as the maximummer (1913) and various kinds of series-mover; and he used unorthodox boards.
In 1915 he wrote Retrograde Analysis, the first book on the subject, completing the project begun several years earlier by the German composer Wolfgang Hundsdorfer (1879-1951).
From 1919 to 1930 Dawson conducted a column devoted to fairy problems in the Chess Amateur, In 1926 he was a co-founder of The Problemist , which he edited for its first six years and he founded and edited The Problemist Fairy Supplement (1931-6) continued as The Fairy Chess Review (1936-51).
Besides conducting columns in several newspapers and periodicals, one of them daily and one in the Braille Chess Magazine, Dawson edited the problem section of the British Chess Magazine from 1931 to 1951; he devised and published in its pages (1947-50) a systematic terminology for problem themes in the hope that it would supplant the extensive jargon then and now in use, Dawson wrote five hooks on fairy problems: Caissa’s Wild Roses (1935); C. M. Fox, His Problems (1936); Caissa’s Wild Roses in Clusters (1937); Ultimate Themes (1938); and Caissa’s Fairy Tales (1947).
Charles Masson Fox (1866-1935) was a patron whose generosity made possible the publication of four of these books and the two fairy problem magazines founded by Dawson. Ultimate Themes deals with tasks, another of Dawson’s favourite subjects. In 1973 all five books were republished in one volume. Five Classics of Fairy Chess.
Dawson found it difficult to understand the problemist’s idea of beauty because it is not susceptible to precise definition. The artist talks of “quiet” moves, oblivious that they are White’s most pulverizing attacks! This aesthetic folly, reverence, response thrill to vain-glorious bombast runs throughout chess.(See Bohemian for a problem showing 16 model mates, a task Dawson claimed as a record but a setting Bohemian composers would reject.) His genius did not set him apart from his fellows; he could find time for casual visitors and would explain his ideas to a tyro with patience, modesty, and kindness. Although he won many tourney prizes much of his work was designed to encourage others, to enlarge the small band of fairy problem devotees, He composed less for fame than to amuse himself, confessing to another composer ‘We do these things for ourselves alone.’
A chemistry graduate, Dawson took a post in the rubber industry in 1922 and rose to be head of the Intelligence Division of the British Rubber Manufacturer for which he founded, catalogued, and maintained a technical library. Unwell for the last year of his life, he died from a stroke. K. Fabel and C. E. Kemp, Schach ohne Grenzen or Chess unlimited (1969) is a survey, written in German and English, of Dawson’s contribution to the art of fairy problems.”
From The Encyclopedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“British problemist. Born on 28th November 1889. Died on 16th December 1951. Universally known as TRD., the great master of Fairy problems. His wealth of invention held the chess world enthralled. His output comprised about 6,400 problems and 150 studies.
Dawson was a nephew of the late James Rayner, himself a noted chess problemist . From as early as about 1910, TRD had conducted the ‘Chess Endings‘ section in the Chess Amateur, and its Fairy section from 1919. He worked with BG Laws from Mark 1930 conducting the problem pages of the British Chess Magazine, and following Laws’ death he assumed complete charge of the section from October 1931 to February 1951 when ill health forced him to relinquish the work.
The Problemist Fairy Chess Supplement subsequently renamed The Fairy Chess Review was started by TRD in August 1930. TRD was concerned in a number of other chess publications ; chess for the Blind, several books of the AC White Christmas series, BCPS Honours 1926-29, and the CM Fox series.
He was largely instrumental in the publication of the first issue of The Problemist on 1st January 1926, and was editor until May 1931. He was President of The British Chess Problem Society from September 1931 to 1943.
Apart from chess, Thomas Dawson, MSc, FRIC, FIRI was an international authority on rubber, and was responsible for the creation of the world-famous rubber library at Croydon, as well as its ‘Dawson’ system of rubber literature documentation. A Guide to Fairy Chess and The Problemist March 1952 detail the remarkable life-time accomplishments of TRD.”
From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:
“British problemist, output over 6,000, 5,000+ being fairies . Dawson is remembered especially for his enormous contribution to fairy chess, of which he was the world’s leading exponent. Not only did he invent new pieces (e.g. Grasshopper, Nightrider) and new forms (e.g. Serieshelpmate), he also popularised fairy ideas with unparalleled enthusiasm through his writing and editing.
Books include Caissa’s Wild Roses (1935), Caissa’s Wild Roses in Clusters (1937), Ultimate Themes (1938), and Caissa’s Fairy Tales (1947); and in collaboration Retrograde Analysis (1915) and Asymmetry (1928).
Editor of The Problemist (1922-31), fairy secretary of Chess Amateur (1919-30, Fairy Chess Review (previously Problemist Fairy Supplement) (1930-51) and problem pages of the British Chess Magazine (1931-51). Of these, the Fairy Chess Review was probably his greatest achievement.
President of British Chess Problem Society 1931-43.”
When TRD stepped down as Endings editor of British Chess Magazine in December 1947 he wrote this:
“With this page I reluctantly terminate on health grounds some forty years of work in the Endings field, and my contributions to this corner of the “British Chess Magazine”. To the many readers of these pages, a Merry Christmas and steadily improving years.”
From British Chess Magazine, Volume LXXI (71, 1951), Number 3 (March) pp. 78-80 we have notice of the retirement of TRD written by Brian Reilly :
Following that we have this appreciation from the incoming Problem Editor, Stanley Sedgwick of 337 Strone Road, Manor Park, London E12 :
Unfortunately TRD was to pass away not much more than a year after the retirement notice and in British Chess Magazine, Volume LXXII (72, 1952), Number 4 (April) pp. 107 – 108 we have this obituary also from Stanley Sedgwick :
According to Edward Winter in Chess Explorations (Cadogan Chess, 1996) page 106, Chess Note 457, :
“George Jellis suspects that a chess man has been named after a street:
Just south of St. Paul’s Cathedral in London is a private gated road called Nightrider Street which, I believe belongs to the Post Office and presumably derives its name from the night mail coaches of earlier days. It is only a short walk from the St. Bride’s Institute, where the British Chess Problem Society has held its meetings since its foundation in 1918. Among the founder members was TR Dawson, who published his first Nightrider problem in 1925.
“Thomas Rayner Dawson (28 November 1889 – 16 December 1951) was an English chess problemist and is acknowledged as “the father of Fairy Chess”. He invented many fairy pieces and new conditions. He introduced the popular fairy pieces grasshopper, nightrider, and many other fairy chess ideas.
Dawson published his first problem, a two-mover, in 1907. His chess problem compositions include 5,320 fairies, 885 directmates, 97 selfmates, and 138 endings. 120 of his problems have been awarded prizes and 211 honourably mentioned or otherwise commended. He cooperated in chess composition with Charles Masson Fox.
Dawson was founder-editor (1922–1931) of The Problemist, the journal of the British Chess Problem Society. He subsequently produced The Fairy Chess Review (1930–1951), which began as The Problemist Fairy Chess Supplement. At the same time he edited the problem pages of The British Chess Magazine (1931–1951).
Caissa’s Playthings a series of articles in Cheltenham Examiner (1913) Retrograde Analysis, with Wolfgang Hundsdorfer (1915) Fata Morgana, with Birgfeld, Nanz, Massmann, Pauly (1922) Asymmetry, with W. Pauly (1928) Seventy Five Retros (1928) Caissa’s Wild Roses (1935) C. M. Fox, His Problems (1936) Caissa’s Wild Roses in Clusters (1937) Ultimate Themes (1938) Caissa’s Fairy Tales (1947)
The last five titles were collected as Five Classics of Fairy Chess, Dover Publications (1973), ISBN 978-0-486-22910-2.”
We send birthday wishes to IM Ian Lloyd Thomas born this day (December 14th) in 1967.
Ian was a member of London Central YMCA (CentYMCA).
Ian played top board for Watford Grammar School in the (Sunday Times) National Schools Competition.
His earliest games in MegaBase 2020 are from various Lloyds Bank Opens from 1983 onwards. He played in a few British Championships and then the Washington Open in 1990. His next appearance was in the Himalayan Open in 2010.
According to ChessBase, Ian reached his highest FIDE rating of 2365 in July 1991 aged 24 although we believe he achieved 2400 at a Hastings and then withdrew.
A Startling Chess Opening Repertoire : Chris Baker and Graham Burgess
FIDE Master Graham Burgess needs no introduction to readers of English language chess books ! Minnesota, USA based, Graham has authored more than twenty five books and edited at least 250 and is editorial director of Gambit Publications Ltd. In 1994 Graham set a world record for marathon blitz playing and has been champion of the Danish region of Funen !
We previously reviewed Chess Opening Traps for Kids also by Graham Burgess.
This new book is an extensive rewrite and update of the original (1998) edition by IM Chris Baker.
Baker and Burgess have provided a complete repertoire for the White player based around 1.e4 and the Max Lange Attack with suggested lines for White against each and every reasonable reply from Black. Logically, the content is organised based on the popularity of Black’s first move and therefore the order is
2…d6 (and Modern Philidor)
1…d6 & g6
1…d5 (we might have put the Scandinavian higher up the pecking order but that is a matter of opinion)
Odds & Ends
and for each Black defence the authors have selected sharp and challenging lines for White that will definitely give Black something to think about. We have sampled some of these lines and confirm that they are variations that Black needs to tread very carefully in to stay on the board. They are all sound and not based on “coffee house gambits” or cheap traps.
Who is the intended audience of this book ? Well, clearly anyone who currently plays 1.e4 or is contemplating adding 1. e4 to their repertoire. Also, anyone who faces 1.e4 (and that is everyone who plays chess!) should be aware of of what might land on their board when they are least expecting it. As Robert Baden Powell would advise : “Be prepared !”
Unfortunately, We do not possess a copy of the original 1998 edition and we were curious as to the extent of the changes. The Introduction states :
“For this new edition, I have sought to retain the spirit and aims of the original book, while bringing the content fully up-to-date, making a repertoire that will work well in 2019 and for years to come.
In a sense it is basically a new book: wherever anything needed correcting, updating, replacing or adding, I have done so. Where material is unaltered, this is because it passed verification and nothing needed to be added. … the overall recommendations were not changed unless this was necessary. Some lines covered in this book basically didn’t exist in 1998, so I needed to decide what line against them was most in keeping with the rest of the repertoire.”
We followed up on the above and contacted the author (GB) receiving a very helpful reply as follows :
Something like 70% of the content is either new or modified so much as to be basically new. Examples of lines that essentially didn’t exist in 1998 include “Tiger’s Modern” and the 3…Qd6 Scandinavian. Lines where the old recommendation has been replaced (since it was fundamentally flawed in some way) include the Modern Philidor and the Two Knights French with 3…d4 (I briefly explain the switch from 5 c3 to 5 b4).
The whole Three Knights/Four Knights section in Chapter 10 is new, both to fill the repertoire hole and to provide an alternative vs the Petroff to those who don’t like the Cochrane.
But, almost every part of the book features fundamental changes. Little remains of the original Part 3 of the Sicilian chapter (other than the basic theme of a fianchetto set-up), for instance.
My aim was to be faithful to the aims of the original book, but only to the specifics where they still work, or where there isn’t a new possibility that fits better with the repertoire.
and furthermore :
I have attached a graph showing the years the game references come from. The number for each year shows the cumulative total up to that year. Though this doesn’t really tell the full story, as I cited game references in a very sparing way, only using them when there seemed a real purpose in doing so.
and here is that graphic (courtesy of Graham) :
Clearly we are not going to reveal all of the suggestions here as that really would be a spoiler. Suffice to say that players of the Black lines would be wise to be aware of B&Bs suggestions ! We would recommend that any of the lines are tried out in off-hand games and on-line before important games and some of the more critical ones will need a degree of memorization to a fair few moves deep.
In the BCN office we have a Caro-Kann expert who confirmed that B&Bs suggestions for White are most definitely on the cutting edge and were checked with Stockfish 10. Indeed a team mate tried the suggestion for White in a league match and the opponent (a Caro-Kann player of more than forty years) had a catastrophic loss on his hands in short order.
As a taster here is a suggested line from the book that is full of pitfalls for Black :
We consulted an experienced (and successful) player of the Elephant Gambit* and was told that he had never faced White’s fifth move suggestion in more than twenty years and that it was an excellent suggestion worthy of respect. *Some might know this as the Queen’s Pawn Counter Gambit (1.e4 e5 2.Nf3 d5!?)
In summary, this second edition is a substantial update and improvement of a first edition well received and we recommend it heartily to anyone who wants to sharpen and refresh their 1.e4 repertoire and anyone who faces 1.e4. You will not be disappointed and you might be ready for someone’s preparation and shock tactics !
Here is an excellent article from the Yorkshire Chess History site
We focus on the British Chess Scene Past & Present !
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