Are any members of your chess club rated below 1500?
Do you have any students rated below 1500?
If so, you’ll really want to take a look at my Chess Heroes books: a unique series of volumes taking players from learning the basics through to club standard and beyond. There’s nothing else like these books on the market. They’re based on 50 years experience teaching chess, using my private RJCC database of almost 17000 games played at this level. Every word and every position is there for a reason.
No gimmicks. No short cuts. No idle promises. Just simple no-nonsense instruction providing all the knowledge and skills you need, along with hard work and seriousness of purpose, to succeed at chess.
This is the starter book (0-500 range) explaining what a game of chess is really about. If you just want to learn the basics, this is for you.
If you want to take the game further, these four books, designed to be read in parallel, are what you require.
Written for players of about 500-1000 strength, if you’ve understood everything here you’ll be able to go along to your local chess club and play some social games without being totally outclassed. You might even be able to play lower level competitive chess if you want.
By now you may be eager to learn more. If you’re around 1000-1500 level, these books will help you make further progress. The Puzzles book is exactly what it says on the cover, while the Games book uses the ‘How Good is Your Chess’ format where you play through the games guessing the next move. I’ll soon be starting work on the second books for publication towards the end of 2024.
You can order them from Amazon here. You’ll see that I also have free downloads available if you want to have a look before you buy, or if, for instance, you want to print off some of the puzzle pages for your own or your students’ use.
I’d recommend you also read this blog post explaining some of the theory behind my teaching and writing.
Please do take a look, and if you like what you see, support me by purchases and 5* reviews!
“50% Tactics – 50% Opening Book – 100% Enjoyment! Enter the world of chess miniatures where games are decided in 20 moves or less! Marvelous Modern Miniatures features the largest collection of miniatures chess games played in the last half-century. Over 500 pages of cut and thrust! Although every player is rated at least 2100, the overwhelming majority are strong masters or grandmasters. You will follow them as they do battle with tactical fireworks raging around them. The surprising depth of the annotations (each one of the 2,020 games has meaningful comments) turns this book into a virtual course on tactics. Looking for traps and pitfalls in your favourite openings? You’ll probably find them here. Marvelous Modern Miniatures will improve your tactical skills and alertness and sharpen your opening play. As a bonus, the entire collection is immensely enjoyable!”
Cartsen Hansen is a Danish FIDE Master, FIDE Trainer and author of twenty-eight chess books on all phases of the game. He is a columnist for American Chess Magazine and Shakbladet.
This action packed book is an entertaining selection of opening/early middlegame disasters which includes some miniatures with world class players being crushed in twenty moves or less.
This book is naturally arranged by opening: on starting this book, I went straight to the section on my favourites. I offer four games from the fiery Dragon Variation.
The following game is a celebrated game which features a rare crushing loss for Dragon expert Jonathan Mestel against the late John Littlewood who was a fine feisty attacking player.
John Littlewood (2375) – Jonathan Mestel (2475)
British Championship Chester 1979
1.e4 c5 2.Nf3 d6 3.d4 Nf6 4.Nc3 cxd4 5.Nxd4 g6 6.f4 The Levenfish variation which is a decent alternative to the highly theoretical Yugoslav Attack. Bg7!? (Better is the standard 6…Nc6) 7.e5 Nh5 8.Bb5+ Bd7 9.e6!? (A dangerous line which must be handled carefully, but 9.Qe2 is better and leads to a white advantage) 9…fxe6 10.Nxe6 Bxc3+ 11.bxc3 Qc8 12.Bxd7+ Kxd7 13.Ng5 Qc4?! (13…Qxc3+ 14.Bd2 Qc4 15.Rb1 b6 16.Rb4 Qd5 17.Qg4+ Qf5 18.Qf3 Nc6 black is slightly better, for example 19.g4 Qc5 20.gxh5 Nxb4 21.Qb7+ Qc7 22.Qxc7+ Kxc7 23.Bxb4 gxh5) 14.Rb1 Kc7
15.Rb4! Qxa2 The queen is very poorly placed here 16.Qe2 Nc6 17.Ne6+ 1-0 (Hopeless is 17…Kc8 18.Rxb7! Qa4 19.Rc7+ Kd8 20.0-0 Rc8 21.Rxc8+ Kxc8 22.f5 Nc6 23.Bg5 with a huge advantage)
The second featured game in the Dragon variation features a well concealed mistake in the quiet g3 line, which the reviewer had not seen before despite having played the line with both colours.
Vladimir Georgiev (2564) – Evgeni Janev (2487)
Elgoibar 22.12.2001
1.Nf3 c5 2.e4 Nc6 3.d4 cxd4 4.Nxd4 g6 5.Nc3 Bg7 6.Nde2 Nf6 7.g3 0-0 8.Bg2 d6 9.0-0 a6 10.a4 Rb8 11.h3 b5 12.axb5 axb5 13.Be3 b4 14.Nd5 Nd7! 15.Nd4? A natural, but it is a well known mistake that is also seen in this setup with the colours reserved in the English Opening.
15…Bxd4! 16.Bxd4 e6 Winning a piece 17.Ne3 e5 18.Ba7 Rb7 Winning the bishop 0-1
The next struggle features the Classical Variation of the Dragon. White essays the sharp Stockholm Attack which was venomous in its early days, but the theory was worked out many decades ago.
Perez,Robert M (2210) – Esserman,Marc (2453)
US Open Orlando 04.08.2011
1.e4 c5 2.Nc3 d6 3.f4 Nc6 4.Nf3 g6 5.d4 cxd4 6.Nxd4 Bg7 7.Be3 Nf6 8.Be2 0-0 9.Nb3 Be6 10.0-0 Rc8 11.g4 Na5 12.Nxa5 Qxa5 13.Bd4? [13.f5 Is better but black is at least equal after 13…Bc4]
13…Bxg4! 14.Bxg4 Nxg4 15.Nd5 (15.Bxg7 Qh5! The main point: protecting the knight and threatening mate, before recapturing on g7) 15…Bxd4+ 16.Qxd4 e5 17.Qd1 Qc5+ 18.Kg2 Qxd5 0-1 (Black wins the queen back with Ne3+ followed by a crushing rook invasion on c2 a which gives an easily winning double rook ending.)
My last example Wyvern offering is from a main line in the highly theoretical Soltis Variation of the Yugoslav Attack.
18.h7+ (18.Bd5 is really interesting.) Kxh7?? A bad blunder [18…Nxh7 leads to a complex struggle] 19.h5 Kg8 20.hxg61-0 (Black’s kingside is crumbling with no hope of support: catastrophe on the h-file follows imminently with the black king meeting a grisly execution.)
My next featured game is from an good old fashioned slugfest in the King’s Gambit, Double Muzio Variation and features the refutation to this Victorian romantic opening.
Stephen Brady (2320) – Mark Heidenfeld (2280)
Irish Championship Limerick, 1991
1.e4 e5 2.f4 exf4 3.Nf3 g5 4.Bc4 g4 5.0-0 gxf3 6.Qxf3 Qf6 7.e5 Qxe5 8.Bxf7+ Kxf7 9.d4 Qf5! (The bust, which leads to a large black advantage) 10.g4?? Much too weakening (10.Bxf4 Nf6 11.Nc3 Bg7 12.Rae1 d6 13.Qe2 Nc6 14.Be5 Qg4 15.Bxf6 Bxf6 16.Qxg4 Bxg4 17.Nd5 h5 18.Nxf6 Kg6 19.Nxg4 hxg4 20.Re4 Rhf8 with a winning endgame but black must still display some technique) 10…Qe6?! [10…Qg6! is even better] 11.d5? (Accelerating the loss, 11.Bxf4 is better still much better for black) 11…Bc5+ 12.Kg2 Qg6 13.Bxf4 Nf6 14.Be5
d6! The point of black’s play, the g4-pawn is targeted 15.Bxf6 Bxg4 16.Qf4 Bf3+! 0-1 (Forcing the exchange of queens, leaving black a clear piece to the good.)
The next game features the dangerous Max Lange Attack in the Two Knight’s Variation for the Italian Game.
Kacper Piorun (2457) – Piotr Staniszewski (2383)
Polanica Zdroj Open 21.08.2009
1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.0-0 Nf6 5.d4 exd4 6.e5 d5 7.exf6 dxc4 8.Re1+ Be6 9.Ng5 Qd5 10.Nc3 Qf5 11.g4 A sideline, 11.Nce4 is the main line: black is fine but must know a lot Qxf6?? A very common mistake (11…Qg6 is fine)
12.Nd5 Qd8 13.Rxe6+ fxe6 14.Nxe6 Qd7 15.Ndxc7+ Kf7 16.Ng5+ Kg6 [16…Kg8 is a slight improvement] 17.Qf3 Rad8 18.Nce6 (18.Qe4+ Kf6 19.Qf4+ Kg6 20.Nge6 also wins) 1-0
The next game shows a well known trap is the Scotch which two strong players were unaware of.
Delgado Ramirez (2620) – J. Gemy (2401)
Arica Open 2018 17.12.2018
0-0? Falling into an ancient snare known since 1892. 8.Bxc6 Bxc6 9.dxe5 dxe5 10.Qxd8 Raxd8 11.Nxe5
Bxe4? Black hopes that he can regain his pawn exploiting white’s weak bank rank 12.Nxe4 Nxe4 13.Nd3 f5 14.f3 Bc5+? 15.Nxc5 Nxc5 16.Bg5! The killer, this has happened many times
16…Rd7 [16…Rd5 17.c4 followed by Be7] 17.Be7 b6 18.Bxf8 Kxf8 19.Rad11-0
Here is a fine attacking game from the Queen’s Gambit Accepted which shows the dynamic potential in an isolated queen pawn (IQP) middlegame. Here the former world champion Anatoly Karpov is the victim, stuffed in 18 moves.
1.Nf3 d5 2.d4 Nf6 3.c4 dxc4 4.e3 e6 5.Bxc4 c5 6.0-0 a6 7.Qe2 cxd4 8.exd4 Be7 9.Nc3 b5 10.Bb3 0-0 11.Bg5 Bb7 12.Rad1 Nc6 13.Rfe1 Nb4? This is quite a difficult line for Black anyway, but his last move is a serious mistake. (13…Na5?! 14.d5! Nxb3 15.dxe6 Qb6 16.axb3 fxe6 17.Nd4 Bd6 18.Qxe6+ Kh8 19.Nf3 Rad8 20.Bf4! Bxf3 21.Rxd6 Rxd6 22.Qxd6 Qxd6 23.Bxd6 Re8 24.Rxe8+ Nxe8 25.Be5+- Boleslavsky-Kotov, Zurich, 1953.;
13…Nd5 14.Nxd5 Bxg5 15.Nb6!? Bronstein. 15…Qxb6 16.Nxg5)
14.d5! This thematic break works really well for White, due to his superior development, in fact this move was analysed long ago by Russian master V. Rauzer! 14…Nfxd5 15.Nxd5 Bxg5 16.Nxb4 Qe7 17.Nd5 Bxd5 18.Bxd5 1-0
The reviewer’s last offering shows an instructive loss by another former World Champion is just six moves. He followed a previous game Miles-Christansen where both players missed white’s sixth move winning a piece!
Alonso Zapata (2480) – Vishy Anand (2555)
Biel 1988
1.e4 e5 2.Nf3 Nf6 3.Nxe5 d6 4.Nf3 Nxe4 5.Nc3 Bf5?? This had been played by Christiansen against Miles who played 6.Nxe4? [5…Nxc3 is the main line] 6.Qe2 winning a piece 1-0 (6…Qe7 is met by 7. Nd5 whereas 6…d5 is met by 7.d3
In summary, this is a good read which revealed traps that the reviewer had not seen before. It just shows that even titled players can fall into lost positions very quickly.
I have one small criticism: the reviewer quickly spotted a couple of typos in the book but this does not detract from a didactic book. Look up your favourite openings and you may be surprised!
FM Richard Webb, Chineham, Hampshire, 31st May 2021
David Smerdon is an Australian chess grandmaster and behavioural economist. In 2015 he published the highly successful chess opening book Smerdon’s Scandinavian.
From the book’s rear cover :
“Chess is a cruel game. We all know that feeling when your position has gone awry and everything seems hopeless. You feel like resigning. But don’t give up! This is precisely the moment to switch to swindle mode. Master the art of provoking errors and you will be able to turn the tables and escape with a draw or sometimes even steal the full point!
Swindling is a skill that can be trained. In this book, David Smerdon shows how you can use tricks from psychology to marshal hidden resources and exploit your opponent’s biases. In a lost position, your best practical chance often lies not in what the computer recommends, but in playing your opponent.
With an abundance of eye-popping examples and training exercises, Smerdon identifies the four best friends of every chess swindler: your opponent’s impatience, their hubris, their fear, and their need to stay in control. Youll also learn about such cunning swindling motifs as the Trojan Horse, the decoy trap, the berserk attack, and ‘window-ledging’.
So, come and join the Swindlers’ Club, become a great escape artist and dramatically improve your results. In this instructive and wildly entertaining guide, Smerdon shows you how.”
As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
Who doesn’t love a good swindle? Well, if you’ve just been swindled in the final of your online club championship I guess you might not, but, in truth, as long as we’re not the victim we all love a good swindle.
So it’s surprising, then, that it’s a subject which hasn’t been covered much in chess books. Australian GM David Smerdon’s new book promises to fill that gap in your library.
Here’s Smerdon’s description of a swindle:
1) The Swindler starts from an objectively lost position.
2) The Swindler consciously provokes the victim into blundering, usually by taking advantage of some psychological trait.
3) The victim squanders the advantage, allowing the swindler to escape with a draw or even the full point.
He also offers three questions to help you find swindles.
1) What does my opponent want?
2) How is he planning to do it?
3) What’s good about my position?
Let’s look at an example.
This is Shirov-Kramnik (Groningen 1993). White launched a manic attack right from the opening, but Black defended calmly.
Now Shirov had to make a choice. He saw 18. Qh4 Nxg3 19. Bxe7 Nxf1 20. Bxd8 Qxe5 21. Bf1 Qe3+ 22. Kb1 Bc6 which he assessed as favourable to Black due to White’s uncoordinated forces.
Instead he went for the spectacular 18. Bxh6!?! when the game concluded 18… Nxf4 19. Bxg7+ Kh7 20. Rxf4 Rg8 21. Rfg4 Rxg7 22. Rxg7+ Kh6 23. Rg8 Kh7 24. R8g7+ with a draw.
However, as Smerdon points out, Kramnik could have won with the beautiful counter queen sacrifice 21… Qxc3!!, when 22, Rxc3 Rxg7 leaves Black a piece up, while 22. bxc3 Ba3+ is a pretty standard mate. (Smerdon’s ‘exquisite’ seems a bit hyperbolic to me.)
Smerdon might have mentioned that 20… Qxc3!! would also have worked, and that Black could equally well have played 19… Kg8 20. Rxf4 Qxc3!!.
All very interesting, but was it really a swindle?
It depends. Did Shirov see Qxc3 at move 18. at move 21, or not until after the game? If he’d decided 18. Qh4 would lose, had seen the Qxc3 defence and played Bxh6 anyway, hoping Kramnik would miss it, then, yes, it was a swindle. But if he’d seen the game conclusion in advance and played it, thinking he was forcing a draw, then it was something arguably more interesting: a mutual blunder by two of the strongest players in the world.
Why, then, did Kramnik, a future world champion rated 2710 at the time of the game, miss, on two occasions, what was essentially a fairly simple two move tactic. A psychological flaw? A cognitive bias? Perhaps he was only looking at the king side, where all the action was, so missed a tactic on the other side of the board. You could say that looking at the wrong side of the board is a cognitive bias of sorts, but it’s not what Smerdon has in mind.
There are all sorts of reasons why we make the type of mistake we really shouldn’t make. Cognitive bias, yes, but also, for example, time trouble or fatigue. It’s always interesting to hear a great player explain how he made a simple oversight. Take this example.
This is Petrosian-Kortchnoi (1963) with Black to make his 32nd move. White has an overwhelming advantage in this rook ending, but he’s facing a resourceful defender.
Smerdon quotes Petrosian. “For a long time I had regarded my position as a winning one. Thus the whole opening phase of the struggle, when Kortchnoi was unable to get out of trouble, had psychologically attuned me to the idea that the ending would be favourable to me.”
Kortchnoi tried 32… Rf8 (sheer bluff: 33. Rxh6 or Re6 both win easily) 33. d6 Rh8 34. Kg4 Rf8 when the world champion fell straight into the cunning trap: 35. Rxh6?? f3!!.
Petrosian again. “I did not even see the threat f4-f3, possibly because it was in contrast to Black’s hopeless position. Personally, I am of the view that if a strong master does not see such a threat at one he will not notice it, even if he analyses the position for twenty or thirty minutes.”
This, then, unlike the Shirov-Kramnik position, is an excellent example of where Smerdon’s theory works. Petrosian was swindled because he was overconfident, convinced that nothing could possibly go wrong.
Smerdon identifies two pairs of psychological flaws which, in his view, are usually the cause of a player being swindled. Two, impatience and hubris, are caused by overconfidence, while two more, fear and kontrollzwang (the need to keep the position under control) are caused by lack of confidence.
He goes on to suggest that, if you know your opponent is impatient, you should look for a Trojan Horse: a move which seemingly offers your opponent a quicker or easier way to win, but instead sets a trap. If he’s overconfident, consider a Decoy Trap: a move which creates two threats: with any luck he’ll meet the minor threat while missing the major threat.
On the other hand, if your opponent is looking fearful, play a Berserk Attack, which will make him even more scared than he is already. If he’s a player who likes to keep control, adopt a window-ledging strategy: randomise the position so that neither player really knows what’s happening.
This is all very interesting, and great fun as well. Along the way, we meet characters such as Aussie swindling expert Junta Ikeda, and ever-optimistic German FM Olaf Steffens: in one game here we witness him window-ledging Richmond IM Gavin Wall.
But, I wonder how often you have a choice of swindles to set. In the real world, once we’re in swindling mode we’re just trying to find moves to stay in the game and pose problems for our opponent. We’re not really going to stop and take our opponent’s mindset into consideration before deciding which swindle to set up.
Understanding your cognitive biases is important, and, I’d suggest, this is rather more useful in helping to avoid being swindled yourself than in swindling your opponent. But is it really true that swindles usually exploit psychological flaws? I’m not entirely convinced.
By now we’ve reached Part IV, where the mood changes. We now look at the Core Skills swindlers need. The corollary is, of course, that if you want to avoid being swindled you also require these skills.
You can try to swindle your opponent by heading for an ending which might be difficult or impossible to win despite a large material advantage. For instance, KQ v KR is, generally speaking, a win, but notoriously difficult in practice. Knowing the defensive techniques to give your opponent the most trouble is helpful, as is knowing how to win against best defence. KRB v KR, on the other hand, is, generally speaking, a draw, but not so easy over the board (especially if you’re playing Keith Arkell). Knowing the correct technique is again useful – for both sides.
The next two chapters cover Fortresses and Stalemate, both familiar in the rarefied world of endgame studies but not often discussed in relation to competitive chess. We then continue with Perpetual Check, a very frequent guest in Swindleland.
We also look at Creativity. Here, for example, is the conclusion of the remarkable game between Detlev Birnbaum (2190) and Eloi Relange (2420) played at Cappelle-la-Grande in 1995. You’ll have to buy the book to find out what was really happening here.
Part V demonstrates some complete games from both master and amateur chess, including Smerdon’s favourite swindle. Finally, Part VI presents 110 quiz questions, in which you have to find, or avoid, a swindle.
This is a unique book which covers a number of important topics not usually mentioned in text books, and does so in highly entertaining fashion. Smerdon’s writing style is lively, if sometimes loose, and he presents a lot of fascinating material. You’ll find a lot of creative and resourceful ideas here which should inspire all readers to look for ways to convert their potential losses into draws, or even wins. I would guess that, in terms of chess improvement, players in the 1800-2200 range would benefit most, but I really can’t imagine any reader not falling in love with this book. There is a lot of helpful advice – most importantly perhaps, not to give up in a lost position but to look for ways to provoke your opponent into making a mistake. Not only will it help you to find swindles in your own games: it will also help you to avoid being swindled yourself.
I do have a couple of reservations: as mentioned earlier I think Smerdon overstates the importance of cognitive bias in swindles when there are many other factors involved. What looks like a swindle might, on occasion, just be a mutual blunder: to be certain we need to know the swindler’s motive. As a behavioural economist by profession, he is naturally interested in why and how decisions are made, and this is something not very often mentioned in chess literature. Cognitive bias and psychological flaws undoubtedly affect how we study chess as well as our performance at all stages of the game. Given his academic background, Smerdon would, I think, be the ideal author for a book of this nature.
I would also have preferred a broader historical perspective, but then Smerdon, unlike some other authors, is sceptical about the value of studying the classics. Mention might also have been made of endgame studies, which frequently use many of the ideas discussed in this book: you might, at one level, see all endgame studies as the result of a swindle, and I suspect that solving studies, as recommended by a number of esteemed chess coaches, might be very beneficial in helping you to find, or avoid, swindles.
In spite of these reservations, I have no hesitation in recommending The Complete Chess Swindler to all readers. There have been some exceptionally interesting chess books published this year, and this is certainly one to add to the list.
FIDE Master Graham Burgess needs no introduction to readers of English language chess books ! Minnesota, USA based, Graham has authored more than twenty five books and edited at least 250 and is editorial director of Gambit Publications Ltd. In 1994 Graham set a world record for marathon blitz playing and has been champion of the Danish region of Funen !
Readers may remember “101 Chess Opening Surprises” published in 1998, also by Gambit Publications, was well received and added to GKBs reputation for originality, accuracy and encyclopedic knowledge of openings.
Chess Opening Traps for Kids is the ninth in a series of “for Kids” books and is robustly (!) hardbound in a convenient size such that weights are not need to keep it propped open (unlike some A5 paperbacks) meaning studying with this book is more convenient than with many books. The layout and printing is clear (as you would expect with Gambit) with numerous diagrams. In essence, players under 18 (for whom this book is intended) will find it easy to dip in out of and it can be used without a board (although BCN would always recommend following each game on a “proper” board).
As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. Each diagram has coordinates and a “whose move it is indicator” (thank-you Gambit !); welcome for the intended junior readership.
This book follows on from the highly regarded (2018) Chess Opening Traps for Kids from the same author and reviewed here
The author divides the material into 11 chapters titled as follows :
Warm-Ups
Mate
Double Attack
Trapped Pieces
General Tactics
Hunting the King
Development and the Centre
Castling
Does Bxh7+ Work?
Advanced Exercises
Tests
This is not a book about openings per se. It focuses more on tactics and traps and tactical ideas that happen very early in many games. It is not organised on a per opening variation basis and neither is there an index of openings. If that is what you want then this is not the right book for you.
However, this is much, much more than a book about openings…
Chapters 2 – 9 each kick-off with an introduction to the chapter’s theme followed by (in some cases) 60 example test positions where the theme can be exploited by an accurate move sequence : the student is invited to work-out this sequence. The chapter ends with detailed solutions to each test position.
Chapter 10 are exercises using any of the themes in the previous chapters but randomised and without any clue as to what the theme is. In general these are more challenging and serve as a test of what should have been learnt so far !
Chapter 11 contains 40 test positions some according to theme and rest without a clue. Following the solutions the student is invited to assess their strength at these exercises using a simple score table.
Here is an example from Chapter 3, Double Attack :
Example #5
White has just played 6c4?? Why was that a blunder ?
See the foot of this review for the solution should you need to.
For further insight you may use the “Look Inside” feature from Amazon here. Of course there are many worthy book retailers to be your supplier !
In summary, this is an excellent book with much original material presented in a clear and friendly way and therefore to be recommended. It is an ideal follow-up to Chess Opening Traps for Kids and we would advise studying Chess Opening Traps for Kids first and then move on to this workbook.
One negative comment we would make concerns the cover. “Never judge a book by its cover” we are told and you might look at this book cover and think it was suitable for say primary aged children. I would say not but I would suggest it suitable from secondary aged children. I would say strong juniors from 12 upwards would read this book and enjoy it.
We would like to see an index of openings from which the theme examples were obtained.
The title and cover might, perhaps, put off the adult club player market. However, the content is totally suitable for adult club players upto say 180 ECF or 2000 Elo.
John Upham, Cove, Hampshire, March 30th 2020
Book Details :
Hardcover : 128 pages
Publisher: Gambit Publications Ltd. (15th November 2019)
Solution to Example#5
The problem is similar to the Cambridge Springs Trap : 6…dxc4! wins a piece. After 7 Bxc4 Qa5+ the queen check picks up the loose bishop. This has even cropped up at super grandmaster level. The other key point is that White can’t unload his bishop with 7 Bxf6 because 7…cxd3 leaves two white pieces attacked.
FIDE Master Graham Burgess needs no introduction to readers of English language chess books ! Minnesota, USA based, Graham has authored more than twenty five books and edited at least 250 and is editorial director of Gambit Publications Ltd. In 1994 Graham set a world record for marathon blitz playing and has been champion of the Danish region of Funen !
Readers may remember “101 Chess Opening Surprises” published in 1998, also by Gambit Publications, was well received and added to GKBs reputation for originality, accuracy and encyclopedic knowledge of openings.
Chess Opening Traps for Kids is the fifth in a series of “for Kids” books and is robustly (!) hardbound in a convenient size such that weights are not need to keep it propped open (unlike some A5 paperbacks) meaning studying with this book is more convenient than with many books. The layout and printing is clear (as you would expect with Gambit) with numerous diagrams at key moments in each, relatively short, game. In essence, players under 18 (for whom this book is intended) will find it easy to dip in out of and it can be used without a board (although BCN would always recommend following each game on a “proper” board).
As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. One slight criticism is that the diagrams do not have “whose move it is” indicator. We know that many readers like to see this on all diagrams. However, each diagram does have coordinates; welcome for the junior readership.
Graham has identified and described 100 unique themes (usually tactical) that lead to relatively short wins out of the opening, many of which could be termed “miniatures”. An example theme is “Drag the King Out with Nxf7” : “Sometimes players leave f7 so weak that a knight sacrifice on that square wins by force. The signs to look out for are a queen that can invade on e6 and other pieces ready to support the raid.” Under this theme the author presents three examples (typical for each theme) from different openings plus supporting analysis and explanation.
A range of openings are demonstrated that yield a similar trap. For example, The Siberian Trap is shown from the usual perspective of the Sicilian Defence and the Queen’s Gambit Accepted. In the main, the author does not get bogged down giving details of who were the players of the games and when and where they were played but does in a few cases where the players are especially well known.
The author’s explanations and language are clear, concise and presented with a friendly and engaging style. There are numerous cross references to other themes when an idea uses a previously mentioned one. All of this contributes to the learning experience and the pattern recognition aspects of chess that are especially important for young players in their formative years. Thankfully, there is no recourse to engine evaluations and the emphasis is to use one’s personal brain engine in making an assessment. (One of our bugbears as chess teachers and coaches is juniors increasingly relying on engine assessments rather than their own brains).
Having worked through the 100 themes the student is presented with 48 exercises (with solutions) that test the students understanding (not memory) of what they hopefully have learnt.
Finally there are useful tips on further improvement and how to make progress.
In summary, this is an excellent book with much original material presented in a clear and friendly way and therefore to be recommended.
One negative comment we would make concerns the cover. “Never judge a book by its cover” we are told and you might look at this book cover and think it was suitable for say primary aged children. I would say not but I would suggest it suitable from secondary aged children. I would say strong juniors from 12 upwards would read this book and enjoy it.
Apart from the “move indicator” we would like to see an index of openings from which the theme examples were obtained.
The title and cover might, perhaps, put off the adult club player market. However, the content is totally suitable for adult club players upto say 180 ECF or 2000 Elo.
We focus on the British Chess Scene Past & Present !
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