Minor Pieces 78: John Edward (Jack) Redon

Jack Redon was one of the elder statesmen at Richmond & Twickenham Chess Club for the first 20 years or so of my membership. On completing my studies in 1972 I joined the committee and got to know him well.

Jack was a pretty strong player who was known for his artistic interests. He was a commercial artist by profession, designing things like LP sleeves, but had a particular interest in amateur dramatics and seemed to be involved with every artistic society in the area.

He seemed to live a life of some affluence, sharing a large Victorian house near Richmond Bridge with his wife and sister. Richmond Junior Chess Club would later spend many years in another large house on the same estate, which had been converted into a community centre.

(I also visited the house regularly years later, to teach a chess pupil whose name, coincidentally, was also Jack.)

If you have an interest in 19th century domestic architecture it’s well worth a stroll round these roads. You can also read more about the Twickenham Park estate here and here.

The distinguished poet John Greening also knew Jack very well at about this time, describing him well in a memoir.

He was indeed an extraordinary man, full of wise saws and anecdotes. He did tend to repeat them time and time again at every committee meeting, but, given his age and seniority within the club, we forgave him his eccentricities. He generously made his residence available for these meetings in the mid 1970s, and, when one of our younger members suggested we might meet in a pub instead, he didn’t take kindly to the idea.

While John Greening recalls the unperformed playscripts, I recall the skirting boards being lined with paintings, which, like his plays, were created for his own pleasure rather than for profit. My recollection is that they may well have been in the style of Odilon Redon: and he also told us that he was Odilon’s great nephew. But was it true?

Almost certainly not. Odilon (Wiki) came from a wealthy slave-trading family and, although born in Bordeaux, was conceived in New Orleans, like Paul Morphy the son of a Creole mother. Jack’s family background was very different. It has little to do with chess, so if you want to see some moves you’ll have to jump ahead, but if you’re interested in social history you’ll want to read on. Or even Redon!

Redon is a rather unusual French surname specifically associated with the South West of the country. But let me take you back more than 300 years, to 1722. We have a record of a clandestine marriage for one Peter Redon, a weaver living in Stepney. If you see a weaver with a French surname in that part of London at that time you’ll probably assume that he was a Huguenot. Maybe, but Jack’s ancestors later embraced the Jewish religion, calling their children Elias, Abraham and Reuben, Leah, Esther, Rachel and Rebecca.

By 1798 the Redons had crossed the river to Southwark, where Elias (a labourer) and his wife Rachel were accused of running a brothel. In 1839 Abraham Redon, perhaps a son of Elias and Rachel, was on the other side of the law, a victim of a crime. He was working as a toll collector at the Cambridge Heath tollgate in Hackney and, while he was sleeping, two of his assistants, Henry Walker and John Hollingshead, stole his takings. Both were found guilty at the Old Bailey and sent to prison.

In the 1841 census we have John and Leah Redon, along with their children Alfred (20) and Esther (15), living in Woolwich, with John working as a toll collector. Alfred’s occupation is not legible, but certainly not ‘toll collector’. Woolwich is not all that near Hackney. Alfred was actually Abraham Alfred, so was John actually Abraham John, or were Abraham and John brothers sharing an occupation?

Esther, who had an illegitimate daughter, spent much of her later years in and out of the workhouse, their records describing her as a Jewess. Abraham Alfred, showing the first sign of artistic talent in the family, worked as a painter and signwriter. He married Rose Sawyer in about 1854 (or perhaps he didn’t: I haven’t been able to find a marriage record), but, tragically, none of their first six children lived to see their seventh birthday. Their two youngest sons did survive, though: John Edward, born in 1867 (baptised in the Church of England) and Reuben Alfred, born in 1869. Rose died in 1887, and by the time of the 1891 census Abraham Alfred, unable to look after himself in old age, was in the workhouse, where he died the following year.

So far, the Redon family history is one of poverty and tragedy, very different from the affluent environment in which their namesake Odilon grew up. But Jack gave the impression of being fairly affluent himself. What happened to change the family’s fortunes?

Reuben Edward Redon, continuing the family’s artistic tradition, making a living first as a glass embosser (in 1901 he was living in the road running alongside my old school, Latymer Upper), and later as a designer of showcards, running a business in Harrow for several years.

Harrow Observer 22 September 1911

He was married, but had no children, and died, by that time living near his brother in Peckham, in 1927.

We need to follow John Edward Redon and see what happened in his life. In 1871 he was in Manor Place, Walworth (just south of Elephant and Castle) with his parents, brother and aunt. In 1881 the family were still at the same address: John had left school and was working as an office boy. In 1891, his mother having died and his father in the workhouse, the two brothers were living in a boarding house near the Old Kent Road, the cheapest place on the Monopoly board. John was now, following in his father’s footsteps, working as a signwriter.

By the 1901 census John was working as a clerk for London County Council, and boarding just south of Waterloo Station, right by Westminster Bridge. Also there was a dressmaker named Bessie Emma Varney, and, in October that year they married. Bessie’s family seems to have been London working class, and, her mother having died when she was only 5 years old, she and her younger sister were brought up by relatives. John and Bessie had three children, René Bessie (1902), John Edward, named after his father, who would always be known as Jack (1905) and Reuben Ernest (1908-1912).

At some point, I’d guess from circumstantial evidence, round about 1903, John left his job with the council and formed a partnership with Danzig born Charles Ernest Rokicki. They started two companies, a moneylending business based at John’s home address in Lambeth, and a shop in the Old Kent Road.

In 1907, John, like his grandfather before him, fell victim to a robbery when a habitual criminal named Reuben Vaughan (there are a lot of Reubens in this story) paid for a gramophone and 46 records using a forged cheque, receiving a sentence of six years penal servitude.

Their partnership was dissolved in 1910, with John apparently buying his partner out.

London Gazette 5 July 1910

The family business of Musical Instrument and Cycle Factors and General Furnishers must have been successful. In 1911 they were living above their Old Kent Road shop. John, perhaps no longer involved in the moneylending business, was described as a Dealer in Musical Instruments (Gramophones), while Bessie was assisting in the business. They were able to afford to employ a Domestic Servant (Mother’s Help) to give Bessie a hand in looking after the children. Young Reuben, sadly, would die the following year.

Within the space of two decades the family had gone from workhouse poverty to employing a servant. At some point between 1911 and 1921 they moved their shop to 185 Queen’s Road, Peckham.

During the First World War John was called upon to serve his country as a clerk in the Admiralty: he was still there in 1921. Bessie, who seems to have been a remarkably strong and ambitious woman, was running the business on her own, describing herself in the 1921 census as a Music Seller. René had no occupation recorded, although I’d guess she was helping out in the shop, while 16-year-old Jack was a part-time art student.

As well as studying art, Jack was becoming interested in the Art of Chess, joining Battersea Chess Club.

Richmond Herald 29 September 1923

Here he is, in 1923, becoming the second ever winner of the Wernick Cup, which is still, more than a century on, the fourth division of the Surrey individual championship. In 1962 the name of another promising young player, RD Keene would be engraved on the trophy. It’s easy to forget that, in these days of preteen grandmasters, a century ago it was relatively unusual for teenagers to take part in competitive chess against adults.

His would be a solid rather than a meteoric chess career, though, developing into a strong club player who, by 1926, was good enough to be selected for an important county match.

Birmingham Daily Post 11 October 1926

He lost his game, but Surrey’s greater strength on the higher boards saw them through. Crossword addicts will notice an anagram on the other side.

While he continued playing chess, Jack soon took up a new interest, in amateur dramatics, setting up a group in his local church. (By now the family were very much Church of England.)

South London Observer 02 November 1929

You’ll note the name Florence Warden, also known, from what I recall, as Flossie, who was living with her grandmother and step grandfather, having lost her mother in childbirth when she was only one year old.

John died in early 1931, and it’s quite possible that Jack now had to take a greater role in running the family business. He still had time to play chess, though, and by 1935 had reached top board for Battersea.

South Western Star 29 November 1935

He had also reached the top section of the county championship, but in this game from 1937 he was out of his depth against a strong opponent. (For this and all games in this article, click on any move for a pop-up window.)

In this county match game from the same period against an electrician from Brighton, he played an opening gambit and probably didn’t have enough for the pawn, but when he threatened a queen sacrifice his opponent carelessly overlooked it.

and probably didn’t have enough for the pawn, but when he threatened a queen sacrifice his opponent carelessly overlooked it.

The amateur dramatics must have been going well too, as in 1938 he married his fellow thespian Florence Warden.

You’ll immediately note Jack’s artistic signature, appropriately for a member of a family involved in signwriting. There are two other things to note as well. The marriage took place not locally but in the City of London, at St Michael Paternoster Royal, a church associated with Dick Whittington, which had been rebuilt by Sir Christopher Wren after the Great Fire. He gave an address nearby, which, I suspect, was a dummy address enabling him to marry there. You’ll also see that his late father’s occupation was given as Accountant, which doesn’t tie in with other records. Perhaps he did the accounts for the family shop, or maybe it was a euphemism for Moneylender.

His marriage certainly didn’t stop his chess career: at this point he was very active in both club and county chess, winning a prize for one of the best performances in the Battersea first team. If you look at some of the other names here you’ll observe that it was a very strong club at the time.

Streatham News 08 September 1939

Although marriage didn’t stop Jack playing chess, the war did. Just three days before this report appeared, and with war just having broken out, a national registration of the civilian population was taken.

Bessie, now in her late 60s, was still running her shop in Peckham, selling gramophone records, musical instruments and cycles. Jack and Florence were living there as well, as was Florence’s elderly grandmother Matilda, an old age pensioner. Florence had a temporary job operating an Elliott-Fisher bookkeeping machine. Jack was described as a designer of sight tests on glass, etching and stencil cutting.

Most of London’s chess clubs, including Battersea, closed for the duration, so there was little opportunity now for Jack to play chess. Matilda died in 1942, and Bessie in 1943. I presume Jack and René would have inherited the business, selling it and moving, along with Florence, to their new home in Twickenham. They must have done pretty well for themselves: not only were they able to afford a large house in a desirable area, but it seems that they no longer needed to work for a living. Not quite Old Kent Road to Mayfair, but still pretty impressive.

Jack threw himself enthusiastically into his theatre and chess hobbies, which would dominate the rest of his life. In 1944 he was a member of the Twickenham Community Players, writing and producing plays for them, just as he had done back in Peckham. They even met for rehearsals at his house (was he the founder, I wonder), but sought larger premises at the new Georgian Club in Richmond.

Jack joined Kingston and Thames Valley Chess Club, which, like Barnes Village, continued meeting during the war. He also rejoined Battersea, who resumed their activities in 1945, where he would win their club championship in 1960.  There was now no active chess club in Richmond or Twickenham, though, and this was something he wanted to change. He started a chess section at the Georgian Club, which had modest beginnings.

Richmond Herald 02 June 1945

Retired schoolmaster Phillip Flower, who lived round the corner from Jack, had been strong enough to play in the Major Open at the 1911 British Championships, as well as the First Class in 1921 and 1922, where his victims included future stars Fairhurst and Buerger. Jacob Zafransky ran (or at least he did in 1939) a radio and cycle shop again just round the corner from Jack: there might have been a work connection as his business was very similar to that of Jack’s family.

By the following year they were able to raise a dozen players for a match against an established club.

Richmond Herald 08 December 1945

Jack had managed to recruit two very strong players for the top boards: eccentric philosopher, schoolteacher and much else Dr JD (John David) Solomon, and civil servant Geoffrey Ashcroft, who, although he lived in East Sheen, was a friend and colleague from Battersea Chess Club. It’s pleasing to see that Reginald Tarrant (and it was lovely to hear from his son-in-law recently) provided a link with the ‘Old Richmond and Kew Club’.

The following March, Jack gave a simultaneous display, which proved very successful.

Richmond Herald 30 March 1946

The prizewinning Miss Nesbitt must have been Violet Ella Nesbitt Kemp, an architect’s daughter, who would, some three decades later, rejoin what was by that point Richmond & Twickenham Chess Club. Remarkably, being born in 1888 and dying in 1992, she lived to the age of 103 . I was led to believe she was an actress, but perhaps only on an amateur basis, which might have been where she met Jack.

In 1947 a match was played against Twickenham Chess Club, which had recently reformed, the previous club of that name having folded some years previously. Richmond seem to have dropped ‘Georgian’ from their name, now established as Richmond Chess Club.

Richmond Herald 01 February 1947

Captain Samuel Ould (a civil servant in 1939, although he always used his military rank from the First World War) provided another link with the previous Richmond and Kew Chess Club, while Ted Fairbrother would remain a member into the 1970s.

A few months later Kingston and Thames Valley Chess Club staged a megamatch against a combined Richmond and Twickenham team (just as they did again in 2022). The Teddington club would have been the NPL, the Sunbury club British Thermostat and the Whitton club perhaps Old Latymerians.

Richmond Herald 14 June 1947

You’ll see that Jack, as their club champion, represented Kingston on this occasion. By beating Blake, who had, many decades earlier, beaten Rev John Owen, who had beaten Morphy, this gave him a Morphy Win number of 3.

Being a member of three chess clubs wasn’t enough for Jack Redon. He also played for Twickenham in the London and Middlesex Leagues. (I haven’t found any online information about the founding of the post-war Twickenham Chess Club, but I suppose he might have been involved.)

Here he is, playing in a match against Uxbridge in 1950.

Uxbridge & W. Drayton Gazette 08 December 1950

His opponent here, Harry Bogdanor, was a rather dodgy pharmacist (see discussion here) and the father of political scientist (and David Cameron’s tutor) Vernon Bogdanor. FG (Griff) Griffiths was still involved with Richmond & Twickenham Chess Club into the early 1970s. I also have an interest in SA Lester, who, I hope, was precision tool maker and amateur musician Sydney Arthur Lester. At any rate he was the only SA Lester I’ve been able to find in the Twickenham area at the time. Perhaps I’ll tell you more in a future article.

Richmond and Twickenham Chess Clubs were clearly working closely together, in 1952 sending a combined team down for a friendly match at Hastings. Jack scored a fortuitous win on top board against an English international.

Hastings and St Leonards Observer 06 September 1952

You’ll notice endgame study expert John Roycroft on Board 2. I ‘m sure AL Fletcher was L Elliott Fletcher, author of Gambits Accepted, and Miss Fletcher his daughter Lesley, who would later marry Richmond & Twickenham Chess Club’s Robert Pinner. I lose to George Anslow in the corresponding fixture in 1974.

In 1954 the team visiting Hastings, although billed just as Twickenham, was quite a lot stronger, seeming to have recruited some players from other Middlesex clubs rather than Richmond for the match.

Hastings and St Leonards Observer 11 September 1954

I don’t know much about Edgar Brown, whose club was sometimes billed as Wembley & Hampstead. He won the RAF Championship and 1944 and shared 1st place in the 1950-51 British Correspondence Championship. Another Twickenham player in this match was was chess administrator and bigamist Alan Stammwitz (see this thread).

Playing on second board in the 1956 Hastings v Twickenham match he defeated a highly respected opponent with an original sacrifice in the Max Lange Attack. Although it wasn’t quite sound, his opponent, a bank official who, like all the best chess players at the time, had retired to Hastings, was unable to cope, rapidly going down in flames.

Throughout this time, Jack remained very active in amateur dramatics. He never had the looks of a leading man, but excelled in comic and character roles. In 1946 his portrayal of Sir Andrew Aguecheek in Twelfth Night was ‘handled with a delightful touch and never over-played’, while in 1949 he was ‘well cast as the cowardly Oswald’ in King Lear. I’m not sure whether that was a compliment or an insult.

Although he was an enthusiastic participant in club and county chess, tournaments were, with one exception, not for him. In 1957 he successfully entered the qualifying tournament for the British Championship, held that year in Plymouth.

In 1956 he’d appeared in the BCF Grading List at 5a, about 2050 Elo, and remained round about that level for several years – a pretty strong amateur who could – and did – hold down a high board in club matches and a low board in county matches.

Here, he found the going tough, finishing on just 3 points out of 11.

He was well beaten in this game, where his opponent exploited his space advantage with a central breakthrough.

He demonstrated his tactical skills in this game, winning with a powerful kingside attack.

You can see him here, the bald-headed gentleman standing in the centre, with Milner-Barry and Franklin seated in front of him

1958 saw a merger between Richmond and Twickenham Chess Clubs. The result, Richmond & Twickenham Chess Club, is still thriving today. I’m not sure what part Jack played in the merger, but he must surely have been involved and given his blessing.

I’m not sure whether or not he was playing for Richmond & Twickenham in this game, a clash between the 1923 and 1962 winners of the Wernick Cup.

A few years later, Ray would treat the opening in more restrained fashion. Here, he gave Jack some difficult chances, but he was unable to take advantage.

It was only a few years later that Keene would publish his first book, Flank Openings, which I bought and eagerly devoured. It influenced my choice of opening when I faced Jack in the 1969 Richmond & Twickenham Club Championship. I called this system, a cross between a Réti and an Orangutan, the Yeti Opening.

It worked well here (I think the opening was never Jack’s strong point) and soon won a piece, but didn’t want to win hard enough against such an illustrious opponent and let him escape with a perpetual check. (If I’d won, as I should have done, it would have given me a Morphy Win number of 4, although I may well have beaten him in a casual game at some point.)

You might assume that chess players with artistic interests would play artistic chess, while those with scientific interests would prefer scientific chess. It doesn’t always work, but it was certainly true of Jack Redon. From the small sample of games here we can see someone who, at least with the white pieces, favoured dashing gambits and sacrifices, which, while not always sound, often worked over the board.

By now well into his sixties, there was inevitably some decline in his playing strength, but he continued to take part in club matches as well as serving on the club committee. In 1981 he designed a new logo for what was then the British Chess Federation.

His beloved wife Florence died in 1985, but he remained on the grading list until 1988, his clubs listed as Richmond Community Centre as well as Richmond & Twickenham. Suffering from dementia, he eventually moved to a care home in nearby Hampton Hill, where he died in 1994 at the age of 89. It appears, although there are some inconsistencies in the records, that his sister René died in Hastings in 1996, bringing an end to that branch of the Redon family.

Jack may not have been, as he believed, or wanted us to believe, the great nephew of Odilon, but I think he was something far more interesting. A man who was fortunate enough to be able spend the last fifty years of his life indulging in his favourite hobbies. He was a very good, but perhaps not brilliant, actor, playwright and artist, but he wrote plays and painted pictures not with the intention of making money but for the sheer joy of doing so. He played chess for many decades for the same reason: not a great player, but certainly a good enough player: champion of Kingston and Battersea, British Championship contender, achievements not to be taken lightly. Perhaps many of us can learn from the way Jack lived his life.

But more than that, he contributed an enormous amount to the local community in Richmond and Twickenham by founding and organising clubs and societies so that others had the opportunity to share his passions, and, through them, form friendships and enhance their lives. I believe that hobby clubs, whether chess, theatre or a thousand and one other wonderful things, are of vital importance for social cohesion, mental health and many other reasons. All of us at Richmond & Twickenham Chess Club have reason to be grateful to Jack Redon, who might justifiably be seen as the club’s founder. I hope he’s looking on benignly, delighted that, many years later, the club is still thriving.

Sources and Acknowledgements:

ancestry.co.uk
findmypast.co.uk/British Newspaper Archives
chessgames.com
BritBase
ChessBase/MegaBase
Surrey County Chess Association website
Battersea and Kingston Chess Club websites
Brian Denman
John Saunders

Rock Solid Chess: Tiviakov’s Unbeatable Strategies: Pawn Structures

From the back cover:

Sergei Tiviakov was unbeaten for a consecutive 110 professional chess games as a grandmaster, a record that has only been broken by World Champion Magnus Carlsen. Who better to teach you rock-solid chess strategy than Tiviakov. He was born in Russia and trained in the famous Russian chess school. In his first book, he explains everything he knows about the fundament of chess strategy: pawn structures.

If chess players trust that their knowledge of opening theory and tactics is enough to survive in tournament play, they are mistaken. Once you settle down for your game and the first moves have been played, you will need a deeper understanding of the middlegame. And one of the most challenging questions is: how to navigate different pawn structures?

Sergei Tiviakov gives you all the answers in this first volume of his highly instructive series on chess strategy. ‘Tivi’ is famous for his deep chess knowledge and rock-solid positional play. He has gathered a rich collection of strategic lessons he has been teaching worldwide, drawing mainly from his personal experience. The examples and exercises will improve your chess significantly and are suitable for any reader from club player to grandmaster level.”

About the Author:

“Sergei Tiviakov is a grandmaster, winner of an Olympic Gold Medal, three times Dutch Champion, and European Champion. Yulia Gökbulut is a Women’s FIDE Master, chess author and sports writer from Turkey.”

GM Sergei Tiviakov drawn by Rupert van der Linden in 1995
GM Sergei Tiviakov drawn by Rupert van der Linden in 1995

Before we start, you might liked to inspect sample pages

 

This book has its origins in a recent series of lectures given by Tiviakov. His co-author was responsible for shaping the material into a book.

We start with a long introduction about the difference  between human and computer chess, which is interesting in itself, but not directly relevant to the subject of the remainder of the book.

What you don’t get is a complete guide to pawn structures: if you want that you’ll need to look elsewhere. Instead, you get something very much based on Tiviakov’s own repertoire. In general you’d expect positional players to prefer queen’s pawn openings, just as Tivi’s hero Tigran Petrosian did, while tactical players will be more likely to choose king’s pawn openings. Tiviakov, though, has been almost exclusively a 1. e4 player throughout his career. With White he makes little attempt to secure an advantage, just aiming to reach a pawn formation he understands better than his opponent.

In the first chapter we look at positions with a pawn majority on one flank. Something like this formation, which Tiviakov often reaches after 1. e4 c5 2. c3, or 1. e4 e6 2. d4 d5 3. Nd2 c5 4. exd5 Qxd5.

He comments that he’s unaware of any book dealing specifically with this sort of position, and neither am I. If you’re likely to reach this sort of pawn formation in your games you’ll find this material very helpful and instructive.

In this position, from a game Tiviakov – Romanov (White to play), he discusses the idea of deciding, even this early in the game, which pieces you want to trade off for the ending. His conclusion is that ideally you should retain the dark squared bishops, so that you can attack Black’s queenside pawns, and try to trade everything else off. He managed to realise his plan successfully in this game, where he compared his style to that of Petrosian, Karpov and Carlsen.

I’ve thought for many years that perhaps the topic which, more than anything else, needed a book was that of doubled pawns. Naturally, I was delighted to see that Tiviakov devotes two chapters to this. Some of the examples were an eye-opener for me.

Here, he uses his game against Igor Efimov (Imperia 1993: it’s not in MegaBase) to demonstrate how he plays against the Trompowsky.

At first glance you might think that Black’s bishop on e6 looks like a rather useless Big Pawn, but Tiviakov explains that it’s actually more useful than its white counterpart.

But it’s important to understand that in chess a piece is labelled ‘bad’ or ‘good’ not by how it stands, whether it is blocked by pawns or not, but on its role in the actions that its army will carry out. 

He explains that Black plans to swing his knight to e4, followed by b6 and c5, and, if White does nothing, by c4, b5, b4, Qd6 and Rb8.

A very instructive game, he claims, but you’ll have to buy the book to find out why.

It’s grandmasterly insights such as this, sprinkled liberally throughout, which make this book worthwhile.

Here’s another example. Tiviakov used to favour the Scotch against 1… e5, but dropped it after a loss against Mamedyarov in 2006.

1. e4 e5 2. Nf3 Nc6 3. d4 exd4 4. Nxd4 Bc5 5. Nxc6 Qf6 6. Qd2 dxc6 7. Nc2 Bd4 (obligatory to prevent Qf4 according to Tivi) 8. Bc4 Be6! 9. Bxe6 fxe6

Black has gone in for a deterioration of his pawn structure. From the viewpoint of classical chess strategy, he should stand worse, because of the doubled pawns, the isolated pawn on e6 and in general the three ‘islands’ against two for White. But in concrete dynamic play, Black is not worse. This is something you should understand.

We now move on to positions with semi-open files in the centre.

This sort of pawn formation can arise from very many openings, for example the Caro-Kann or Tiviakov’s favourite Scandinavian.

Here’s another instructive example, with White to play in the 2006 game Godena – Tiviakov. A Qd6 Scandi has resulted in an equal position. Now White chose the apparently natural (to me anyway) 22. c4.

It is possible to place the pawns side by side on c4 and d4, if White has definite dynamic prospects or if the opponent cannot organize an attack on them. In this concrete example, I can prevent the pawn  advancing to d5 and organize an attack on it.

After White’s 32nd move this position was reached. Objectively it’s completely equal, but in practice it’s Black who’s pressing.

Tiviakov again:

After the exchange of rooks, the queen and knight are stronger than the queen and bishop team, because Black has certain secure squares available to him. For example, the queen can come to d4 and then manoeuvre such that he can switch the attack between the white king, the queenside pawns and the pawn on f2.

White’s position is very unpleasant.

Another insight into how a strong grandmaster will perceive a position which a club player like me would think of as just being equal.

The next chapter is about positions with seven pawns each and an open d or e-file.

In this position from a Tiviakov – Kasimdzhanov game, we can deduce from a piece comparison that White stands slightly better. His dark squared bishop is clearly superior, especially after a future f3 and Bf2. It’s perhaps less immediately obvious that his light squared bishop is also better than its opposite number as it’s looking at Black’s slightly vulnerable queenside, while the bishop on b7, once White’s played f3, will be ineffective. Furthermore, White has a potential square on d5, while Black doesn’t have an equivalent square on d4.

Moving on again, we have, logically enough, Two Open Files in the Centre.

Here’s a position from Tiviakov – Ibrahim (2015), with White to play.

If I had a position like this I’d be thinking about offering a draw and heading to the bar, but in fact White is much better here. Black already has a weakness on d5, and by playing Bg4+ now (as it happens Stockfish thinks the immediate Re1 is preferable) and provoking f5, he creates additional weaknesses on e5 and e6.

The final chapter is rather different, looking at the way Tiviakov defends against flank openings, using a double fianchetto system. Again, interesting, but it doesn’t quite fit in.

Summing up, we have four chapters, 1, 4, 5 and 6, which fit together logically, and three chapters, 2, 3 and 7, which, although equally instructive and interesting, don’t really fit in, as well as a long introductory chapter of only tangential relevance. Although it might not make a coherent whole, the quality of the material is very high.

However, contrary to Tiviakov’s claim in his preface that the book is aimed at players of all strengths, from beginner to Grandmaster, it really isn’t.  At lower levels games are usually decided by tactical oversights rather than subtle positional advantages of the type we see in this book. I’d say it was suitable for players of, say, 1750 upwards. Again, if you favour kingside attacks, sharp tactics or heavy opening theory this might not be the book for you. But if you’re a strong player with a preference for positional chess, and especially if you share some of his opening choices, this is a book you really don’t want to miss. A second volume has now been published, which I look forward to reading in due course.

Production values are well up to this publisher’s usual high standards, even though a final read through by a native English speaker might have helped. As usual with books for New in Chess, active learning is encouraged: the reader is asked questions every few moves.

Perhaps this isn’t a book for everyone, but the content is excellent throughout, and, if you’re strong enough to appreciate grandmaster level positional concepts, the book can be highly recommended.

 

Richard James, Twickenham 12th August 2024

Richard James
. Richard James

Book Details:

  • Softcover: 264 pages
  • Publisher: New In Chess; 1st edition (31 Jan. 2023)
  • Language: English
  • ISBN-10:9493257851
  • ISBN-13:978-9493257856
  • Product Dimensions: 17.22 x 1.65 x 23.01 cm

Official web site of New in Chess.

Rock Solid Chess, Sergei Tiviakov, New In Chess; 1st edition (31 Jan. 2023), ISBN-13 ‏ : ‎ 978-9493257856
Rock Solid Chess, Sergei Tiviakov, New In Chess; 1st edition (31 Jan. 2023), ISBN-13 ‏ : ‎ 978-9493257856