John Upham is the founder of British Chess News, staff photographer and the IT Manager.
John performed similar roles for British Chess Magazine from 2011 until 2015.
John is an English Chess Federation accredited coach and has taught in schools and privately since 2009. John started chess relatively late(!) at the age of twelve following the huge interest in the Spassky-Fischer World Championship match in 1972.
John is Membership Secretary of Camberley Chess Club and an ordinary member of Crowthorne and Guildford Chess Clubs.
John plays for Hampshire and for 4NCL Crowthorne.
John is Secretary of the Hampshire Junior Chess Association and the Berkshire Chess Association and manages the Chess for Schools partnership.
“The Tarrasch Variation of the Queen’s Gambit Declined is a fierce counter-attacking line arising after 1 d4 d5 2 c4 e6 3 Nc3 c5. In this variation Black gains free and easy piece play but in return usually has to accept the structural weakness of an Isolated Queen’s Pawn (IQP).
In the early development of chess theory this line was somewhat frowned upon due to the vulnerability of the IQP. However, Siegbert Tarrasch, after whom the opening is named, famously declared that, “he who fears an Isolated Queen’s Pawn should give up chess”. The Tarrasch has had many powerful adherents over the years including the legendary Garry Kasparov who made much use of it in the early part of his career.
In this book Cyrus Lakdawala guides the reader through the complexities of the Tarrasch and carves out a repertoire for Black, based on a modern treatment popularised by the Russian grandmaster Daniil Dubov. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis.
Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. * A complete repertoire for Black to counter 1 d4. * The question and answer approach provides an excellent study method.”
About the author:
“Cyrus Lakdawala is an International Master, a former National Open and American Open Champion, and a six-time State Champion. He has been teaching chess for over 40 years, and coaches some of the top junior players in the U.S.”
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this is fairly obvious.
There is a helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 87 – 108.
Everyman (and Cyrus) kicks-off in Chapter 1, The Classics with its most welcome trait of laying out the historical development of an opening by detailing twelve significant games including this old favourite from 1969:
We very much like this feature of Everyman books and long may it continue!
In reviewing books from this author it is traditional to discuss his “Marmite” annotation style. In general, we are presented with a grammar and vocabulary rich narrative that gives you the impression that the author is coaching you one-to-one with a mixture of humour and superlatives. There is never a dull moment with his chatty style, of that we can be sure!
For example in discussing Larsen-Kasparov, Brussels, 1987
after Larsen’s 37 hxg7! Cyrus writes:
“Exercise (critical decision): Even the serpent from the Garden of Eden would be impressed by Larsen’s talent for manipulative deception. His last move a good practical try in an objectively lost position. Should Black play 37…Bxg7, 37…Be7. or 37…Qaa2?”
Indeed, some reviewers become so distracted by the authors idiosyncratic style that they forget to review the content of the book!
The USP (“Unique Selling Point” for our younger readers) of this foray into Tarrasch land is to promote an alternative and albeit more active deployment of Black’s King’s bishop to c5 instead of the traditional e7. This nuance was first campaigned with success by Carl Schlecter versus Milan Vidmar at Budapest 1912 a year after becoming a novelty / TN from Georg Salwe who first punted it at Karlovy Vary in 1911. Since Netanya 2019 Daniil Dubov has played this line with success along with other notables such as Nodirbek Abdusattorov, Dommaraju Gukesh and Dennis Wagner to name but a few.
We must be grateful to the author for choosing to name this variation after Dubov rather than say Abdusattorov (!) but we think we could all appreciate a Wagner Variation / Cycle or two!
So, the Dubov Variation is:
which is, in turn an offshoot of the highly popular and reliable anti-IQP Rubinstein Variation (6.g3).
Chapter Two dispenses (via Games 13 – 15) with Whites various ninth move alternatives before focussing in Chapter Three on 9 Nxc6 (seven games) followed by the more critical 9 Nb3 (nine games) in Chapter Four.
To complete Black’s Dubov-based Tarrasch repertoire there is a nine game treatment via Chapter Five of the so-called Symmetrical Variation:
followed by an examination of the popular 6 Bg5 line:
and then positions resulting from White capturing on c5. Lastly the author tidies up by discussing the usual move order issues caused by White delaying development of the Queen’s knight.
Looking at the increasing popularity of the Dubov Variation this book is about as topical as one can get and its likely there will a gradual shift from …Be7 to …Bc5 and eventually this will filter down from the top to less giddy heights.
A constant theme of the book is learning through reinforcement of ideas and the solving of multiple combinational, tactical and positional understanding exercises.
Is there a final verdict on this line? No, and even if there was I would encourage you to obtain this book to find out!
As a taster here is a very recent smooth performance from Dubov himself:
Here is the publishers blurb from the rear cover :
“The Black Lion is a thoroughly modern counterattacking system that is a nightmare to face. This wild and aggressive line attempts to take away White’s initiative from a very early stage and is guaranteed to throw your opponents off balance.
The Black Lion is essentially a contemporary and aggressive interpretation of the Philidor Defence (1 e4 e5 2 Nf3 d6). The Black Lion starts with a slightly different move order, 1 e4 d6 2 d4 Nf6 3 Nc3, and now the lion family splits into two different animals: the risky lion (3…Nbd7) or the tame lion (3…e5). Both treatments are thoroughly investigated in this book.
Simon Williams (the Ginger GM) is the ideal guide to explain how to whip up an extremely dangerous attack using either treatment. Williams is well known for his swashbuckling, attacking play and the Black Lion suits his style perfectly. His commentary and annotations are always instructive and entertaining. * The Black Lion is an unusual and dangerous system with little established theory. * White cannot rely on simple, safe moves as such a strategy is liable to be overrun. * The Black Lion is fun and exciting to play!”
About the author:
“Simon Williams is a Grandmaster, a well-known presenter and a widely-followed streamer, as well as a popular writer whose previous books have received great praise. He is much admired for his dynamic and spontaneous attacking style.”
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this is fairly obvious.
There is a helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 128 – 141.
(One thing to note is that despite being published in August 2022, the most recently played cited games are dated from 2019 and, essentially, we have a Chessable course migrated into physical book form. I can’t imagine that this task was straightforward for editor IM Richard Palliser.)
Overall, this book offers a repertoire for Black (against 1.e4 essentially but 1.d4 d6 2.e4 Nf6 could transpose of course) after White has played 3.Nc3 as follows:
and from here on in offering Black the choice of two main continuations which are closely related but which Black can make distinctly different.
We have
which most would characterise as The Modern Philidor rather than a Black Lion (so named in the wonderful The Black Lion: The Chess Predator’s Choice Against Both 1.e4 and 1.d4 by Jerry Van Rekom and Leo Jansen (New in Chess, 2008).
Alternatively Black can essay the more provocative
which you could also term a Modern Philidor or a Lion Defence depending on Black’s subsequent handling of the position.
The Black Lion and Modern Philidor diverge based on what Black does with the Queen’s knight. If Black castles short and leaves the knight on d7 (initially) then we probably have a Modern Philidor. Deferring castling, re-routing the d7 knight to f8, playing h6 and g5 and then the knight goes to g6 and then f4 really is The Black Lion proper.
Anyway, enough of my pedantic nomenclature rambling…
As implied the transpositional possibilities are numerous so organising the material cannot have been easy. One thing to note is that the author advocates 5…Be7 in the main line which is a move order improvement over the older 5…h6 Lion move order. The Introduction lays out the ‘philosophy’ of the approach clearly differentiating the 3…e5 and 3…Nbd7 choices and together with early games provides background knowledge for those new to this …d6 dark square system.
Chapter One: Key Concepts and Lines essentially clothes the skeleton created by the Introduction and includes ideas such as the once feared Shirov Attack:
which is detailed in Chapter 11.
Chapter Two: Common Ideas is the first real exposé of the key Lion idea and spends pages 65 – 128 and 14 full games detailing the really quite profound idea of rerouting the d7 knight to f4. Anyone new to the Lion should study this chapter carefully before moving on.
Chapter Three: The Standard Set-up with Bc4 takes as its starting position
in which Black has deferred castling to allow the knight relocation manoeuvre.
Chapter Four: The Standard Set-up with 5.Be2 allocates twelve pages on a line that probably will never be seen by most second players but will be of interest nonetheless.
A consequence of the move order advocated in Chapter three is that White may attempt various ‘capturing on f7 type hacks’ and these are treated in detail in Chapters Five and Six.
Arguably the most obvious attempt to refute the 3…Nbd7 move order is the aggressive 4.f4 dealt with in Chapter Four: The Risky Lion: 3…Nbd7 4 f4
and then …e5
As indicated Black may chose to go down the “Modern Philidor” (although the author refers to this as “The Tame Lion) route as in Chapter Eight with
covering in detail the queenless middlegame variations. The more common White choice of 4.Nf3 is assumed to be covered elsewhere such as Chapters Three to Six, or is it…?
Coverage is completed with Chapters on various g4 ideas by White plus insipid ideas such as g3 and f3.
In summary, The Black Lion is a welcome take on an increasingly popular dark square defence to 1.e4 with the accent on the trademark knight manoeuvre and deferred castling providing many lessons learnt from the 2008 book which introduced the idea.
I would argue that a chapter is missing on the so-called Tame Lion / Modern Philidor move order making Qc7 less desirable and I am thinking of
arising from a typical move order such as 1.e4 d6 2.d4 Nf6 3.Nc3 e5 4. Nf3 Nbd7 5.Bc4 Be7 6.00 00 7.a4 c6 which has 3465 games in MegaBase 2023. No doubt the author will argue that this position where White has tried around 20 (!) different 8th moves deserves an entire book in its own right and I would agree with that.
As a consequence of the migration of the contents from Chessable course to book (which cannot have made life easy for the editor!) there is degree of repeated déjà vu as one reads the same comments. Presumably this is measure of the Chessable philosophy of learning through reinforcement and would not normally happen in a “normal” physical book.
Bearing in mind my earlier comments regarding 2019 this book is a valuable addition to opening literature. Enjoy!
“The Barry Attack is a highly aggressive system that arises after 1 d4 Nf6 2 Nf3 g6 3 Nc3 d5 4 Bf4. Although the concept of the Barry Attack has been known for a century or so, the modern interpretation (as with a number of other dynamic white systems) has mainly been developed by English grandmasters over the past couple of decades. This “modern interpretation” is often not very subtle.
If Black provides a target by castling early on the kingside, White will often let rip with moves such as Qd2, Bh6, 0-0-0 and h4-h5, playing very directly for a quick checkmate. If this strikes you as too crude to have a chance against a sophisticated and competent defender, then a quick glance through this book will undoubtedly change your mind. You will witness countless games where very strong players are destroyed on the black side in less than 30 moves. Sometimes a lot less.
This makes the Barry an ideal weapon for those who love to attack. Black’s defence has to be very accurate. If not, a quick annihilation is on the cards. Play the Barry Attack is the ideal guide to this fascinating opening. Anyone who reads this book carefully and studies all White’s attacking ideas will have a fearsome weapon in their armoury.”
About the author:
“Andrew Martin is a FIDE Senior Trainer and International Master. He teaches in twelve schools, is an experienced chess writer and has produced numerous chess DVDs.”
And now on with the review:
As with every recent Everyman Chess publication high quality paper is used and the printing is easy to read. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this should be fairly obvious.
The cover of the paperback appears to be of thinner material than usual: We miss the versions with built-in book markers at each end.
There is a most helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 118 – 137.
At this point we feel the need to make a couple of small confessions: we have played the Barry (and 150/1800) Attacks with the White pieces (but not the Black side) for some years and and share an emotional bond with the opening. We have been friends with the author since we were both members of the famous CentYMCA chess club in Tottenham Court Road, London between 1978 and 1983.
It is worth noting that this book follows-on from the publication (July 2021) of a ChessBase DVD entitledThe Barry Attack (by the same author) which (we don not have but) is likely to provide a useful compliment to this book. However, the book contains more recent content.
We were disappointed not to find a bibliography of sources since we have a particular interest in the development of this opening. For example, there was not a single mention of Aaron Summerscale’s superb A Killer Chess Opening Repertoire, 1998, Everyman Chess, which was one of the first (if not the first) books to discuss The Barry in detail: never mind! Aaron also recorded a superb DVD for Foxy Openings (#7, Anti King-Indian & Grunfeld System) which is still worth watching even in 2023.
Chapter 1, A Barry Timeline is an in-depth history lesson on how the Barry (what was it called before George Hodgson named it? We presume the usual “Queen’s Pawn Opening” type label) developed by examining thirty games spanning from Tartakower – Wahltuch, 1922 to Sadhwani-Jones from 2022, one hundred years later. Fascinating stuff! If only more opening books bothered to do this it would give them a USP over their rivals.
The first real foray in explicit theory is via Chapter Two and the unlikely named Tarzan Attack (whoever gave it this epithet? Mark Hebden or Julian Hodgson perhaps?)
The Tarzan (or Lord Greystoke) is as subtle as a brick (rather akin to the 150 / 1800 Attack) and forms the basis for Chapter Two. We remember for some years that the Barry Attack section of GM Tony Kosten’s ChessPublishing.com and its associated forum had many posters swooning over 5.Qd2 and it soon became the line de rigeur. Of course, adequate resources were found for Black and these are examined in detail. The author tries his best to make 5.Qd2 playable and, of course, at club level (where anything goes according to Lombardy) it is worth a punt. Nineteen games are analysed and the most plausible and critical lines covered so you should be well prepared with either colour.
Chapter three (The Modern 5. Nb5) must be one of the first serious studies of what first appears to be “a bit of a patzer” line with the ambitious
which in 2023 is “all the rage” amongst Barry experts. Thirty-two pages are used to examine eleven games in detail and 5.Nb5 would appear to be a most playable and intriguing line. Almost certainly the first player will be more up-to-date than the second so well worth a try!
For many Barry die-hards Chapter Four (The Original Barry Attack) will be their first port of call to refresh their knowledge. At Seventy-Five pages and thirty-four examined games this is the most substantial chapter covering the most interesting struggles starting with
The author provides a balanced approach showing reliable methods for Black’s defence. Conclusions: you will have to purchase the book to find out what these are!
Chapter Five (Other fifth moves for White) tidies things up with seventeen pages and seven games. This material will mainly be of interest to the second player but there are some idea based around early h4 attempts by White.
The sixth Chapter (4…c6 and Others) will be of interest to the first player since it contains arguably less critical tries for Black where an early …c5 is punted. All good for completeness of course.
Chapter Seven (Transposition to a Pirc) might at first glance be discussing the 150 / 1800 Attack that a Barry move order can become.
However, appearences are deceptive and it contains forty-six pages and twenty-one games where White continues with 5. Bf4 against a Pirc type structure.
(whereas the more common approach would be
which is subtly different)
This is likely to be a good choice against a King’s Indian / Pirc player who is likely not to be familiar with the set-up. I’m not sure these positions have been given a detailed treatment such as this in the literature previously. Interesting stuff!
All in all “Play the Barry Attack” is a welcome and fresh treatment with much original analysis from real games. The author has and continues to be a supporter of lines developed by British players such as the Barry.
We remember Raaphy(i) Persitz who passed away on Wednesday, February 4th, 2009.
From British Chess Magazine, Volume CXXIX (129, 2009), Number 3 (March), pp. 130-134 by John Saunders we have this detailed obituary:
Raaphy Persitz
A tribute to a great friend of British chess, by John Saunders
Raphael Joseph Arie (Raaphy) Persitz (26 vii 1934, Tel Aviv – 4 ii 2009, Tel Aviv)
Raaphy Persitz, one of the strongest players resident in Britain in the 1950s and 1960s and also one of BCM‘s most popular contributors, has died aged 74. Raaphy was born in Tel Aviv, the grandson of Shoshana Persitz (1893-1969), a publisher who became an early member of the Knesset, the Israeli parliament. Raaphy became Israel’s first junior champion in 1951 and shortly afterwards came to study PPE (Philosophy, Politics and Economics) at Oxford University where he was a member of their very strong chess team and a close friend of Leonard Barden and others.
One of his most publicised feats was to win his Varsity match game and also a county match against Hugh Alexander on the same day (see the May 1954 or March 2004 issues of the magazine for further details). Raaphy played three times in the Varsity match and also represented England in three Students Olympiads in the mid-1950s. He represented Israel in the 1960 Leipzig Olympiad on board four, and also played twice in the Hastings Premier, in 1955-56 and 1968-69, the latter being his swansong in competitive chess as he turned his attention to a career in banking which took him first to Switzerland and eventually to his home town of Tel Aviv. As a player his best result was probably finishing third behind Reshevsky and Szabo at the first major international tournament held in Israel, Haifa/Tel Aviv 1958.
Despite giving up competitive play, Raaphy never lost his love of the game and remained an avid reader of magazines and follower of the game until the end of his life. And, of course, he remained a perceptive and humorous writer on the game though his output was much lower than in the 1950s. The news of his death came as a particular shock to me as, only a couple of weeks previously, he had sent me a fax saying how moved he had been by the tribute I had writ- ten to Bob Wade in the January 2009 issue of BCM. That was typical of his kindness to wards me which dated back to when I took my first tottering steps as BCM editor in 1999. We never actually met in person but spoke occasionally on the telephone and exchanged faxes (Raaphy didn’t seem to communicate by email).
As a long-time reader of the magazine I had enjoyed his Student’s Corner column contributions. The column had been initiated by Abe Yanofsky in the early 1950s and Raaphy had inherited it in 1958. I was particularly delighted when, in 2004, after I had written about his 1954 feat in winning his Varsity match game and a county match against English number one CHO’D(Hugh) Alexander on the same day, Raaphy consented to write another column (which appeared in the May 2004 issue of BCM). I never succeeded in getting him to write another one but it was such a pleasure to have him write for the magazine during my spell as editor.
Raaphi Persitz agreed to play for Oxford v Cambridge in London and also on the same day for Oxon v Gloucester in a county match in Swindon.
This is the second game, he won both games.
Be aware that Bruce Hayden in ‘Cabbage Heads and Kings’, which is where I got this game from, mentions this but also added that these games took place on the same day as the 1954 Grand National (won by Royal Tan). This is wrong as the Grand National that year was run on the 10 April.
I think that maybe Bruce saw the score of the games with the two games a day story in a Sunday newspaper covering Saturdays Grand National and perhaps got the dates mixed up.
)
The fax he sent me on 7 January 2009 seems particularly poignant now but it is a good example of Raaphy’s kindness and self-deprecating humour. Here is the full text:
“Dear John, I was moved by your wide-ranging obituary of Bob Wade in the BCM[January 2009, p34l. I dare say you did justice to his contributions and devotion to chess, spanning well over half a century. I have several pleasant recollections of conversations and over-the-board encounters with Bob. One such tussle, a hard-fought draw, was reproduced by Bob, with comments (in the Student’s Corner) in a book containing his eventful games.
Another, somewhat less felicitous, recollection harks back to a game we contested at Ilford, where, in extreme time trouble, I blithely played Rxh7+, expecting …Qxh7, but overlooking the simple …Kxh7, leaving me a whole rook down with no compensation, whereupon I duly resigned. What impressed me at the time was the lightning speed with which Bob reacted to my ill-fated blunder – as if it were nothing but inevitable…
With warmest wishes for a healthy,
happy, fruitful 2009. Raaphy.”
I had hoped to publish the above as a Letter to the Editor but, sadly, it must now appear as part of Raaphy’s obituary. The draw with Bob Wade referred to in the fax was played in Dublin in 1962 and featured in Student’s Corner in BCM in the December 1966 issue on page 356. It seems appropriate to reproduce the game here in tribute to these two recently departed and much-loved chessplayers.
Notes by Persitz
Unlike the majority of games that have, over the years, appeared in the Student’s Corner, the following dour struggle between Bob Wade (White) and myself (Black), from Dublin, 1962, is in no way outstanding: it does not contain any brilliant combinations; it is not a positional masterpiece; it is certainly not devoid of mistakes. Nor is it amusing, or original, or of theoretical interest or particularly instructive. Yet (with the aid of the interspersed comments) it ought to give the student a pretty shrewd and realistic idea of the stuff competitive chess is made of: the endless number of laborious variations that have to be examined; the annoying little threats that must be attended to; the treacherous pitfalls to be sidestepped; the technical hurdles to be surmounted; the frustrating little details, indifference to which may be fatal; in brief, the drudgery that has become part and parcel of contemporary tournament practice, without which success is unimaginable.
Raaphy Persitz Tributes
Leonard Barden: Raaphy was probably my best friend at Oxford – certainly so among chessplayers. We played hundreds of blitz games in the junior common room at Balliol and later for some months in 1957 we shared a London flat, analysing Russian championship games over breakfast. He was a wonderful man to know, bright, witty, gentle, sympathetic and knowledgeable.
A tribute by Amatzia Avni: Ordinary people have a mixture of good qualities and bad ones. After 20 years of friendship with the late Raaphy Persitz I can attest that he was a distinct type: one sided, positive-only; pure gold.
I first met him in 1989. I had just written my first chess book (in Hebrew) and was searching for someone to write me an introduction. The word was that Persitz was back in town, after long years abroad. Having seen glimpses of his amazing linguistic skills, I contacted him and he agreed immediately. He didn’t know me, hadn’t read a single sentence of the book, yet he didn’t hesitate: “yes, sure, I’ll be glad to”.
That was typical Persitz: always ready to help, unconditionally. The introduction, needless to say, was a sheer delight, a class or two above the rest of the book. In later years he gave me a hand several times polishing my texts and making them more reader-friendly to English-speaking readers. Somehow he seemed to know what I wished to express better than I did. His suggestions enabled me to convey my meaning in a clear and precise manner.
Raaphy was modest and reserved. Once I called him and realized he was upset. “My mother had passed away some weeks ago,” he said. I was puzzled why he didn’t tell me the sad news at the time. “I didn’t want to bother you” was his reply.
A couple of years ago I stumbled upon Bruce Hayden’s old book Cabbage Heads and Chess Kings. One of the book’s chapters was headed “Raaphy Persitz star or comet?”. I learned that, in the 1950s, Persitz gained bright victories in England, against Penrose, Alexander, Milner-Barry and others. Searching a Chessbase database I found out that he also done battle with some out- standing international players. Yet, in all our meetings and hundreds of hours of conversation, he never said a thing about that!
Persitz was a master of understatement. I learned that if I wrote “very fine” or “extremely strong”, the ‘very’ and ‘extremely’ would fly out of the window. If I made a firm stand on a certain issue, he would add “probably”, “apparently’ or “it may be argued that”, because it was indeed only an opinion, not a fact. Over time, following his line of thought made me improve the way I expressed myself and thought about chess.
Persitz’s distinctions in chess, in linguistics and in journalism are evident to anyone who ever read his chess books and articles. He also excelled at economics, but I am unqualified to comment on this.
God bless you, Raaphy. I feel privileged to have known you. Amatzia Avni.
BCN wishes Happy Birthday to IM Andrew P Horton (15-i-1998)
Andrew became a FIDE Master in 2015 and an International Master in 2018 following the 89th FIDE Congress 2018, 26 Sep – 6 Oct, Batumi, Georgia.
Andrew represents the 3Cs club in the Manchester League and in the Four Nations Chess League (4NCL) (as well as Wood Green) and, in addition, Wotton Hall, Durham City (during his University years) and Northumberland CA for county matches.
Andrew made regular appearences at the Delancey UK Chess Challenge and was placed 1st in the 2014 Terafinal, Challengers section.
In 2021 Andrew was invited and played in the London Chess Classic at the Cavendish Conference Centre.
Andrew’s ECF standard play rating at January 2023 is 2452K.
The 6th Keith Richardson Memorial Tournament took place on Saturday, September 24th at Camberley Baptist Church and was organised by Camberley Chess Club.
BCN remembers Ken Messere who passed away on Thursday, March 31st 2005 aged 76 in Paris-16E-Arrondissement, Paris, France.
Kenneth Charles Messere was born on Monday, April 16th, 1928 in Richmond-on-Thames, Surrey. His father was Charles (George) Messere (1901-1974) or Eisenberg and aged 26. His mother was Gertrude Marie Newman (1899-1978) and aged 29.
Ken had three siblings: Barbara Marie Messere (1930–2005), Hugh Martin Messere (1932–1985) and Derek R Messere (1934–2012)
Ken attended St. Peter’s College, Oxford from 1946 – 1951 to read philosophy and is reported in the 1951 St. Edmund Hall Magazine, as a member of the Trillick (debating) Society as follows:
‘ That this House would rather be a live Communist than
a dead Democrat.’ The proposer established to his own satisfaction that democracy was founded on ‘selfishness, capitalism and bourgeois hypocrisy.’ He did not satisfy J. F. R. Bonguard of St. Peter’s Hall who opposed, using arguments taken from Hindu philosophy. K. C. Messere of St. Peter’s Hall, spoke third and added some able arguments.
In June 1954 Ken married Mary Elizabeth Humphrey (1929-2003) in Ealing. They had a son Miles Jonathan Messere born in 1964 who passed away in 1965.
Prior the time of his passing his wife Mary was living at 142B, Herbert Road, Woolwich, London, SE18 3PU.
In 1991 he was awarded the OBE (Civil Division) in the Queen’s Birthday honours list. The citation reads: Kenneth Charles Messere, lately Head of Fiscal Affairs Division, OECD, Paris.
Ken appears each year from 1953 to 1967 in the noted publication Britain, Royal And Imperial Calendars the function of which is to list entries for those engaged in UK public service. He worked for HM Customs and Excise. Prompted by this we consulted the venerable A History of Chess in the English Civil Service by Kevin Thurlow (Conrad Press, 2021) on page 447 and found
“He played for Customs. In 1964, he went to work for the Organisation for Economic Cooperation and Development and was head of fiscal affairs from 1971 – 1991. In 1954 he began playing postal chess and became a leading player. He won a semi-final of the 5th World Correspondence Championship (1961 – 64) and became the first English player to compete in a World Championship Final.”
There are 31 games listed at his personal entry at chessgames.com starting with games from 1965.
Chessbase’s Correspondence Database 2020 records 69 games the earliest being from 1958 listing Ken’s federation as being France.
From British Chess (Pergamon Press, 1983) we have this lengthy contribution from Ken himself:
“Between the ages of 6, when I learnt to play and 23 (ed: 1951), when I ceased to be a student, chess had a relatively low priority among various time-competing interests and activities, so I never got around to studying theory. Things changed when I became a civil servant and needed a replacement for philosophy as an intellectually absorbing subject which could be argued about with friends over beers, and for the next 12 years chess became my main interest.
Since 1964 I have been working for the OECD in Paris, where my friends are not chess enthusiasts and, although chess remains a major pleasure, my commitment to it has lessened. Nowadays, out-side correspondence chess, I play only occasional blitz games.
Coming late to serious chess has probably had at least some influence on my deficiencies and stylistic preferences. The deficiencies include an inability to visualize ahead with sufficient clarity to support accurate analysis, slow sight of the board which leads to silly errors through time trouble or failing stamina and less familiarity with theory than my better opponents. As to chess style, I have had to play romantically and subjectively to get good results.
If a game takes the form of a clear-cut position, where strategical objectives are clear and superior technique prevails, then mine generally does not. Consequently I have tended to play either sharp gambits or counter-gambits or to try to render the position sufficiently obscure for imagination and intuition to assume maximum importance. In keeping, my chess heroes have been Alekhine, Bronstein and Tal who revel in fantasy, however much Alekhine may claim that it is logically based.
When I took up competitive chess seriously in 1952, I made some progress and won a few minor tournaments, but in view of the defects already mentioned, it soon became clear that my potential for improvement was limited and that nearly all my games were aesthetically flawed. Fortunately, these defects represent no great handicap at correspondence chess, where I found myself pleased with a reasonable proportion of the game I played, and in addition, capable on the day (or more accurately over the years) of winning against almost anyone. Thus, against world champions I have two wins and one loss, (see below). I also have 80 per cent from five games against Russian grandmasters, even if a meagre 28 per cent from my eighteen games against all correspondence grandmasters. In 1954 when I began playing postal chess competitively, I did sufficiently well in a few British Postal tournaments to be accepted at a reasonably high level in the official international tournaments.
Not without luck (see Diagram l), I secured the 75 per cent necessary in two seven-player tournaments to qualify for the fourteen player preliminaries, the winner of which was to qualify for the following world championship. In the 1961-64 preliminaries, I played the best chess of my life, including valid opening innovations, imaginative pawn and piece sacrifices and even a technically efficient win in a queen and pawn end-game. I won the tournament with eleven wins, one draw and one loss, 1.5 points ahead of Maly of Czechoslovakia and two points ahead of Masseev, the Russian favourite, thereby obtaining my first norm towards the International Master title. My first annotated game is the win against Maly (ed: to be inserted once we have tracked down the game score!) which was typical stylistically and also crucial, since if he had won it, he would have qualified for the World Championship instead of me: the second against Bartha of the United States is the most compulsive and difficult tactical game I have ever played, the last five moves alone requiring over 100 hours of analysis.
The quality of my chess in the 1965-68 World Championship was much inferior. The tournament began disastrously. I went in for three losing variations as Black and made a suicidal clerical error in the opening so that after 3 months I had four losses from four games. Later, there were compensations. I won against V. Zagarovsky, the reigning world champion (the third annotated game) and obtained just (but only just) the necessary 33.3% per cent to obtain the correspondence chess international master title. For this I needed a win and draw from my last two games which
after 3.5 years, had to be adjudicated.
Fortunately, the win and draw were relatively clear, though this would not have been so a few moves earlier. An an illustration of how the threat of adjudication breeds irrationality, Diagram II gives the closing stages of my win against J.Estrin of the USSR – a more recent correspondence chess world champion. My only other game against a world champion was against the winner of this tournament, Hans Berliner of the United States, with whom I collaborated on a book of the tournament. The collaboration was stimulating but not without friction, since I had to write 75 per cent of the book to see it ever finished. It took a year to complete, 3 years to appear (published by BCM) but in the end was well-reviewed, sold over 2000 copies and royalties are still (gently) drifting in.
In the early seventies, in order to reduce numbers of games, I retreated altogether from individual tournaments, just playing twice for England in the Olympiads. Whether team play did not suit my style, or whether my technique had improved but imagination withered, I drew nine of my seventeen games from the two tournaments, winning four and losing four. As England looked likely to aspire to medals for the first time ever, my 50 per cent would not help matters and I gladly retreated to first reserve, which to my dismay required taking over five unfinished games of Hugh Alexander, who died during the tournament, and who, for me, has always been England’s most attractive player and writer. My most uncomfortable decision in correspondence chess was a rejection of Hugh’s intended continuation in one of these games, {Diagram III). Of these five games, I lost one and drew four and England won a bronze medal.
In 1974 was invited to compete in the Potter Memorial Tournament of four postal grandmasters and nine international masters. After so many years of responsible’ team chess for England, I went beserk and sacrificed a pawn in ten of the twelve games, trying later to salvage inferior end-games. Result 33 % per cent. B. H. Wood invited me to write a book of the tournament, to which a number of the players contributed and this was published in 1979.
Also in 1979 I began to play in another invitation tournament of thirteen players organised by the Australian Correspondence Chess League, which became a memorial to CJS Purdy, its president and the first world postal champion, who died soon after the tournament began. At the time of writing, this tournament, comprising four grandmasters (including one former world champion and two runners-up) and eight international masters, is still in its early stages.”
From British Chess Magazine, Volume CXXV (125, 2005), Number 5 (May), page 226 we have this obituary:
“Kenneth Charles Messere (16 iv 1928, Richmond – 31 iii 2005, Paris) was one of Britain’s strongest correspondence players (he held the correspondence IM title) and well-known author of books on the subject. After graduating from Oxford University, Ken Messere went to HM Customs and Excise, and thence to the Organisation for Economic Development (OECD) where he became head of the fiscal affairs division and a world expert on fiscal law. He reached the final of 1965-8 world correspondence championship, beating world champions Zagorovsky and Estrin, and wrote the book of the tournament with Hans Berliner (published by BCM)”
From The Potter Memorial by Ken Messere, CHESS (Sutton Coldfield), “Chess for Modern Times” Series, 1975 we have this potted biography:
“Compiler of this book, took 3rd place in 1957 and 2nd in 1968 in the championship of the Postal Chess Club. Scores of 4.5 out of 6 in the ICCF Masters 1957-8 and 4/6 in the 1959-61 Championship took him to victory with 11/5 out of 13 in the 1961-3 semi-finals, securing him his first international master norm and qualifying him for the 5th World Championship 1964-7 in which he scored 5.5, just enough for the IM title, with wins over Zagorovsky, then world champion and Estrin, world champion now. Ken Messere collaborated with Berliner, who won it, in a book on the tournament.
He then switched to play exclusively as a member of the British Olympiad team, taking over 2nd board when Alexander died.
The switch back from rather cautious team play to enterprising individual games in 1974-7 provides some of the subject matter of this book.”
Here is the publishers blurb from the rear cover :
“A highly adventurous repertoire designed to meet 1 e4 with 1…e5 and take the initiative! The main problem Black faces in answering 1 e4 with 1…e5 is the plethora of opening systems available to White: the Ruy Lopez, Giuoco Piano, Scotch, Ponziani, King’s Gambit, Vienna, Bishop’s Opening and so on.
Each is likely to be White’s pet line, which usually means conducting the chess battle on the opponent’s turf. One solution is to study the main lines of all these openings and hope to remember what to do if they appear on the board. Another, more enterprising approach is to turn the tables and make White fight on your territory.
Adopting the latter course, CC-SIM Jonathan Tait shares their investigations into a myriad of disregarded, “disreputable” responses, which can set White thinking as early as move three. These lines are greatly under-estimated by contemporary theory and include weird and wonderful variations such as the Calabrese Counter-Gambit (1 e4 e5 2 Bc4 f5), the Wagenbach Defence to the King’s Gambit (1 e4 e5 2 f4 exf4 3 Nf3 h5), the Romanishin Three Knights (1 e4 e5 2 Nf3 Nc6 3 Nc3 Bc5), the Two Knights Ulvestad Variation (1 e4 e5 2 Nf3 Nc6 3 Bc4 Nf6 4 Ng5 d5 5 exd5 b5) and ultra-sharp lines of the Jaenisch Gambit (1 e4 e5 2 Nf3 Nc6 3 Bb5 f5).
The theory of the variations in this book is generally poorly understood. This has made them successful at all forms of play, including against online computer-assisted assault.”
About the author :
“Jonathan Tait is a Senior International Correspondence Chess Master (2002) and editor for Everyman Chess. He has been investigating and writing about opening theory for over 30 years.”
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this is fairly obvious.
There is a helpful Index of Variations but no Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 242 – 259.
As the years have rolled by repertoire books have struggled to use attractive and eye-catching adjectives to entice readers. In the early days we have had
An Opening Repertoire for Black, for White, for Club Players and variations thereof.
Publishers became more adventurous, for example:
A Startling Opening Repertoire
An Attacking Repertoire
A Surprising Repertoire
A Killer Chess Opening Repertoire
A Busy Person’s Opening Repertoire
A Cunning Opening Repertoire
An Idiot Proof Opening Repertoire
A Simple Opening Repertoire
A Gambit Opening Repertoire
A Modern Opening Repertoire
A Blitz Opening Repertoire
An Explosive Opening Repertoire
A Rock-Solid Opening Repertoire
but never a dull, tedious or boring or even totally unsound Opening repertoire which we’d say is a matter of regret(!)
Recently, in a search for uniqueness publishers have been venturing in the opposite direction with Coffeehouse Repertoire 1.e4, Volume 1, However, this was anything but coffeehouse and really rather excellent.
So, Everyman has gone all in with “A Disreputable Opening Repertoire” which cannot help but thinking it will stand out(!) at the tournament bookstall: so, what is not to like?
This is a repertoire for the player of Black pieces who wishes to play 1…e5 against the King’s pawn and wishes to allow White to chose their poison. Black is hoping to reply with something yet more toxic.
We kick-off with with the Centre Game (and miscellaneous second moves for White including Nakamura’s 2.Qh5) but it was Chapter Two which caught our eye since we like opening names hitherto unfamiliar. The Calabrese Counter Gambit (apparently named after Greco, “Il Calabrese”) is:
and this, optically at least, fits the description “disreputable” to a tee. Curiosity almost killed the cat and we consulted page 68 of Tony Miles’s favourite opening book by Eric Schiller, Unorthodox Chess Openings who recommends 3.d3! Sadly ES does not provide one of his animal or exotic names for 2..f5.
Scoring 50.6% for Black and being listed as Black’s 7th most popular move (2…Nf6 is the top choice) it has been endorsed by Ivanesivic and 7 “top games” (according to Megabase 2022) have adopted this line. We’d probably outght to ask Bishop’s Opening guru Gary Lane what he thinks of this. There is 22 pages of analysis should you need something unusual against the Bishop’s Opening.
Next up is the Vienna Game and Tait moves away from the “Disreputable” approach and goes Captain Sensible with
and then after 3.Bc4 returns to disreputable form with
which is at least consistent with the previous chapter. Statistically (based on only eight games) this line scores 62% for White OTB and has zero adherents more than once. 3…Nf6 is the reputable move of course.
Here is an unconvincing win by Black in a game when all of Black’s choices from move 4 onwards were the engine’s top choice. It was an ICCF event after all so don’t be surprised by that. There was a recent ICCF all-play-all event populated by ICCF GMs in which every single game was drawn. Of course, in reality, it was an engine vs engine tournament for the middle game onwards once the humans had selected the opening.
Moving on to Chapter Four and Five we reach the good old King’s Gambit, and, we think we know what you are thinking… Does the author recommend
as you might expect?
Well, not exactly..
Against the King’s Bishop’s Gambit the author punts
which makes 76 appearences in MegaBase 2022 versus the 1000 odd each of 3…Nf6 and 3…Qh4+. Quite unexpectedly we find that 3…f5?! has scored 62.5% for Black with two of the four “top” games coming from 1875 and 1876 between James Mason and Henry Bird. It has not been examined at exalted levels.
Chapter Five brings us up to the King’s Knights Gambit and possibly the most disreputable suggestion of the book via the Williams-esque and wonderfully named Wagenbach Defence. If you were thinking of reaching for Korchnoi and Zak (well, mostly Zak) then we can save you the trouble of looking. The Wagenbach Defence is so-named after BBC featured Mansfield amateur player (JT team mate) János Wagenbach:
and we are treated to 47 pages of original analysis mostly based on online games from various servers. One of our favourite positions of this detailed work is:
which we hope you also will appreciate and enjoy.
Arriving at Chapter Six we enter territory after
and potentially more reputable lines in which Tait recommends 3…d5 versus the Ponziani, 4…d5 versus the Goring Gambit and 3…Bc5!? against the Three Knights Game. All very sensible.
The chapter on the Scotch game revolves around
with 29 pages of analysis.
Removing one knight we move on to the Two Knight’s Defence
for Black.
in Chapters eight and nine with 47 pages of analysis recommending the Ulvestad Variation in lieu of the Traxler Counter Attack which has apparently fallen on hard times in the exalted world of correspondence and engine chess.
For those unfamiliar with the Ulvestad this we have this position
which has had 1775 outings in Megabase 2022 compared with a whopping 12063 for 5…Na5. 5…b5 scores an encouraging 51.3% for Black whereas 5…Na5 scores 51.3% for White and has an army of highly rated exponents as you’d expect being the mainstream reply.
The books encore lies in Chapters 10 and 11 in which the author gives his recommended treatment of the Ruy Lopez by predictably promoting the Schliemann Defence or Jaenisch Gambit as JT refers.
After examining White’s lesser four move alternatives in Chapter 10 we come to Chapter 11 and 4.Nc3 in which everything is really rather mainstream and, dare we say it, reputable. Tait recommends that Black steers by way of 5…d5 and 9.f4 to the following Tabiya for 3…f5 followers and fans:
in which White has tried many 16th move alternatives with varying degrees of success.
Jonathan has amassed a massive body of games to source the material for his book. The bulk of them it would seem are from the worlds of online chess and correspondence games and a huge number are of his own making under the handle of tsmenace. The analysis is thorough and makes much use of engine analysis as well as human.
JTs prose is chatty and amusing and certainly keeps the reader engaged. We learnt a fair bit about the history and development of these lines many of which has not found its way into the mainstream literature.
The repertoire is highly pragmatic and provocative and ideal for use against opponents who become “emotional” when their opponent plays something that they consider to be “unsound”, whatever that means.
In many ways the books title would have been more accurately titled “A Coffeehouse Opening Repertoire” as used by John Shaw for the books by Gawain Jones but they were published somewhat earlier.
If the second player studies the author’s recommendations well and is of the mindset that enjoys these kinds of positions then some amusing games will result and no doubt some unexpected scalps collected. After all, at club level chess must be fun and this book certainly encourages the second player to pump up the excitement levels. Most definitely a strong repertoire for blitz and rapid play time controls.
If you do play 1…e5 versus the King’s pawn then you could easily freshen up your repertoire with at least some of the books recommendations. Make it a late New Years resolution!
“I have aimed to find a good balance of verbal explanations without ignoring the hardcore variations you have to know. In case you find some of the analyses a bit too long, don’t be discouraged! They have been included mainly to illustrate the thematic ideas and show in which direction the game develops once the theoretical paths have been left. That’s why I have actually decided to cover 37 games in their entirety, rather than cutting off my analysis with an evaluation. I believe that model games help you to better understand an opening, but certainly also the ensuing middle- and endgames.”
“Robert Ris (1988) is an International Master from Amsterdam. He has represented The Netherlands in various international youth events, but lately his playing activities are limited to league games.
Nowadays he is a full-time chess professional, focusing on teaching in primary schools, coaching talented youngsters and giving online lessons to students all around the world. He has recorded several well received DVDs for ChessBase.
Since 2015 he has been the organizer of the Dutch Rapid Championships. This is his fourth book for Thinkers Publishing, his first two on general chess improvement ‘Crucial Chess Skills for the Club Player‘, being widely appraised by the press and his audience.”
End of blurb.
In July 2021 we reviewed The Modern Sveshnikov by the same author and publisher. Robert sees his new book as a companion volume to the Sveshnikov volume. Indeed these two volumes taken together form a Black repertoire against 1.e4 using the Sicilian Sveshnikov.
This of course raised an issue with the book’s title. When we first received this book we were puzzled that only 2…Nc6 was considered (and why not 2…e6, 2…d6 etc.) which would be odd for a book suggesting it was for the second player dealing with the non-open Sicilian lines. The Preface clarified our confusion.
As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. With this title we return to the matt paper of previous titles. (You might have noticed from previous reviews that we encourage the use of the more satisfying glossy paper!)
Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text. The diagram captions have returned.
There is no full Index or Index of Variations (standard practise for Thinker’s Publishing) but, despite that, content navigation is relatively straightforward as the Table of Contents is clear enough. However, we welcome an Index of Games.
A small plea to the publishers: Please consider adding an Index of Variations! We say this because of highly detailed level of analysis.
So, the first thing to bear in mind is that Black wishes to play the Sveshnikov Variation and therefore will play 2..Nc6 if possible. Chapter 1 therefore starts with:
which is the most popular and critical black choice in the Rossolimo. Part I is then subdivided into four chapters:
4.Bxc6
4.0-0 Bg7 5.Re1
4.0-0 Bg7 5.-
4.c3
We note an error in the above entry in the Table of Contents which has 4…g6 instead of 4…Bg7 and the publishers acknowledge this error. 4.0-0 is the most popular alternative and then the capture and 4.c3 trails in third place.
The treatment of the material (for all Parts and Chapters) is by way of 36 (the Preface states 37) complete model games analysed in depth until around move 20 – 25 at which point the remainder of the moves are given without comment. This pattern is repeated throughout and is a successful one.
It might have been entertaining to pitch these chapters against the recent Rossolimo work by Ravi Haria but you will have to buy both books to amuse yourself in this way!
(from the aforementioned title:
Section 5 covers 3…g6 which is arguably the critical continuation. The author offers two different systems against this line: either capturing on c6 immediately or playing 4.0-0 and 5.c3.
so clearly both authors agree and identify 3…g6 4.bxc6 and 4.0-0 as the lines for student study.
Having examined the Rossolimo, which occupies the bulk of the content, we move onto the perhaps less critical but popular Alapin variation in Part II which, following,
is subdivided into three chapters viz:
4.Nf3 Nc6 5.d4
4.Nf3 Nc6 5.Bc4
Other Systems
The “Other Systems” include a) d4 cxd4 5.Qxd4 and 5.Bc4 plus
b) 4.g3
Curiously the third most popular fourth move of 4.Bc4 (a favourite of Mamedyarov) is not given independent treatment but this omission is probably not too troublesome.
Part III, Anti-Sveshnikov Systems consists of four chapters:
Various Anti-Sveshnikov
Grand Prix Attack
2.Nc3 Nc6 and 3. Bb5
Closed Sicilian
with Chapter 8, Various Anti-Sveshnikov breaking down into:
a) 2.Nf3 Nc6 3.d3
b) 2.Nf3 Nc6 3.Nc3
c) 2.Nc3 Nc6 3.Nge2
of which a), The King’s Indian Attack is more likely to be seen at club level.
Again, an interesting exercise would be to take some of content of this book and put it up against the suggestions of Gawain Jones in his Coffeehouse Repertoire 1.e4 Volume 1. An exercise for the student! We’ve always imagined a tournament based on books ‘playing’ each other could have some academic merit.
Finally, we find ourselves in Part IV, Odds and Ends which covers exotic 2nd move (after 1.e4 c5) alternatives for White namely:
2.g3
2.b3
2.b4
2.a3
2.Be2
with a model game each. One could be picky and ask about 2.Ne2, 2.d3 but these are fairly transpositional.
However, for a repertoire book arguably there is at least one glaring omission and that is 2.d4, The Morra Gambit. We looked in the Alapin section for potential transpositions but without luck.
This book is a welcome addition to the author’s companion volume and provides a fine repertoire based around the Sveshnikov. As a bonus players of the Accelerated Dragon and Kalashnikov variants will also find material of benefit. More than that players of any flavour of Sicilian will find useful material in Part IV.
We focus on the British Chess Scene Past & Present !
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