All posts by Richard James

The Power of Defence and the Art of Counterattack in 64 Pictures

The Power of Defence and the Art of Counterattack in 64 Pictures : Nikola Nestorović and Dejan Nestorović

The Power of Defence and the Art of Counterattack in 64 Pictures, Nestor Nestorovic and Dejan Nestorovic
The Power of Defence and the Art of Counterattack in 64 Pictures, Nestor Nestorovic and Dejan Nestorovic

From Nikola’s web site :

“My name is Nikola Nestorović and I have been playing chess for more than 20 years. During that time I managed to accomplish most of my playing career goals. The most important fact is that I became a Grandmaster at the end of 2015 and officially I became FIDE Chess Trainer in 2018. As I was growing up I realized that I really enjoy teaching so I decided that I am going to pursue that kind of a profession. Whether at school or at home I was always in the mood for teaching others and that feeling was very important in my chess coaching career. The connection between teacher and student need to be professional but friendly because only with this trust student can improve in a special way. So first, I want to make a special connection with my student – and then, chess will be very easy to learn! For years I worked on my special chess materials, so I can adjust my lessons to any type of player! And one very important thing – your age is not important, you can ALWAYS improve your chess play! So, If you love chess and you want to learn and improve in this beautiful game – I am sure that together – we can achieve your (our) goals! I am waiting for you! Cheers! Nikola”

From the publisher’s website :

“A tale of 64 magical squares in 64 shrewdly created pictures. Many a book delved deep into the vast oceans of tactics, positional play and strategy, but very few dared to enter and master a notoriously elusive realm of defence in chess.

In this highly instructive tome the authors tried to accomplish several demanding goals. To uncover many of the secrets that remain hidden so very often, to tackle the most difficult area of chess skill – defence, and finally to teach a great number of ambitious chess-players helping them to improve their knowledge in this important area of chess expertise.

We present you the book by GM Nikola Nestorović, and his father IM Dejan Nestorović with firm belief that you will appreciate many hours of their hard work and devotion to this intriguing topic. The games presented in this tome are both recent and older ones, played by the chess elite and their lower rated peers, but without exception instructive, deeply and diligently analysed for your reading and learning pleasure.

You learned to attack – now it is time to sharpen your defensive tools!”

 

The first thing to notice is that this is a handsome hardback, complete with a bookmark, and enhanced by photographs of some of the players featured within. Unlike the previous book I reviewed from this publisher, it uses orthodox fonts for both text and diagrams.

When turning to the first game you’ll see a game from a tournament that is still, at the time of writing this review, unfinished. This is Grischuk – Alekseenko from the 2020 Candidates Tournament. The first section, Modern gladiators, features 19 games or positions from recent tournaments, working backwards from 2020 to 2017, featuring many of today’s leading players.

Knights of XXI century takes us back from 2016 to 2007 with another 19 examples. Then, Pearls don’t lose their luster offers ten more positions going back to Savon – Tal in 1971. A moment of glory gives us seven specimens from slightly less celebrated players, and finally, From the maker’s mind treats us to nine games from the authors themselves.

This is an advanced book covering a difficult topic, that of defence and counterattack, and probably most suitable for players above, say, 2200 strength. You’ll find a lot of exciting, double-edged games, demonstrating all that is best in contemporary chess. Many of the games feature positional sacrifices, so if you’ve read and enjoyed Merijn van Delft’s recent book, this might be a useful follow-up. But the analysis here is much denser: lots of presumably computer generated tactical variations for you to work your way through.

Let’s look at one of the shorter and simpler examples.

We join the game Kožul – Stević (Nova Gorica 2007) with White about to play his 31st move. (Informator’s house style is to omit capture and check signs: I’m following that here, but using letters for pieces instead of the book’s figurines.)

31. g3

“Kožul is resigned to the fact that he has to wait for his opponent’s mistake in the realisation because Black’s extra pawn on b4 along with excellent placement of his pieces don’t bode well for White.”

31… Rd3?!

“A mistake that wouldn’t have needed to drastically affect assessment and events in the game had the danger alarm made a sound in good time.

“31… Qd3!? After simple exchange of queens Black would have only minor technical problems in the realisation of his material advantage. 32. Qd3 Rd3 33. Rc6 Ba5 34. Rc8 Kh7 35. Kg2 g5 With further strengthening of the position.”

32. Rc8

“The only way to create a chance, of course. White is still waiting for his opponent’s help.”

32… Kh7?

“After Rd3 one could surmise that Stević overlooked his opponent’s threat and that he only expected a passive defence. 32… Rd8! after the rook returned to the eighth rank, the chance for salvation disappeared, at least at this moment.”

33. Ng5!

“A nice tactical stroke which immediately changed the situation on the board. This was an absolute shock for Stević! All of a sudden he had to deal with concrete problems. And as it is usually the case, one mistake follows another.”

33… Kg6

“33… hxg5?? 34. Qh5#”

34. Qe4

“After Qe4 good defence is required in order not to lose the game.”

34… f5?

“Now a fatal error which brings White closer to victory. Black has two responses after which his opponent would be forced to draw.”

(Now there’s some analysis of Black’s drawing moves Kg5! and Kh5!, along with a diagram after Kh5, which I’ll omit here.)

35. ef6 Kg5 36. fg7!?

“36. Qe5! The safest path to victory. 36… Kg4 37. Qf4 Kh5 38. fg7+-”

36… Bf2

“A good attempt to create a counter-chance. 36… Qb1! The best practical chance. 37. Kg2 Rg3! 38. hg3 Qe4 39. Kh2 Qh7 40. g8Q Qg8 41. Rg8 Kf6 42. f4 There would still be some play here, although it can be said that White only needs to resolve some technical problems in the realisation of his material advantage.”

37. Kg2!

(There’s another diagram here: rather redundant as we’re only two half moves away from the previous one.)

“The game can still be lost for White: 37. Kf2?? Rd2 38. Kf1 Qd1 39. Qe1 Qf3 40. Kg1 Qg2#”

37. Rg3 38. Kf2 1:0

“Dangerous checks have disappeared. Black resigns due to the simple capture of the rook followed by promotion of the pawn to queen. Certainly, the key moments happened in time-trouble which is the period of the game when the side experiencing problems in the position should be concentrated and should seek its chance carefully.

“Kožul seized his chance while for Stević it can be said that he first missed a huge opportunity to win and then when he had to calculate where to go with his king and how o do it, he made incorrigible mistakes and suffered defeat.”

Here’s one of the authors in action in a very recent game: Todorović – N Nestorović (Smederevska Palanka (rapid) 2020).

“The position on the board shows us the moment when White has the opportunity to prevent a counterattack with a simple bc3 or enter calculations by playing tactical Ne8 where, at first glance, he wins material and easily promotes the e-pawn to queen.”

29. Ne8?

“29. bc3! (I’ve omitted the diagram) The simplest move! Now White is threatening to capture the rook on e8 and create the best defensive setup. 29… Qc4! 30. R4e3! After two simple defensive moves, Black’s hope vanishes. 30… Rc7 (30… Re7 31. Qa8! Capturing material.) 31. Qc7 And Black doesn’t have any possibility to create threats. 31… Qa2 32. cd4 Qa1 33. Kd2 Qb2 34. Kd1 Qb1 35. Ke2+-

“The king goes to the part of the board where there are no more checks and so the last threats will disappear.”

29… Qc4!!

(There’s another diagram here.) “The only way to create threats and shift the focus of play to the other side of the board.”

30. Qb8

“The most logical way to defend the white castling.”

(There’s a long note here demonstrating that 30. Nd6!? and 30. Qa5!? both lead to perpetual check, and again there’s a diagram after each of these moves.)

30… cb2 31. Kb2 Qc2 32. Ka1 Qc3

33. Qb2?

“Our desire to win sometimes gets us off the right path. 33. Kb1=

33… Nc2 34. Kb1

(Surely this diagram should be after, rather than before Black’s next move.)

34… Rb6!!

“A phenomenal way to end a counterattack!

“White resigns due to his inability to defend from checkmate!”

35. Qb6 Na3# 0:1

 

These extracts should give you some idea of the strengths and weaknesses of this book. There’s a lot of great chess here: exciting, creative and imaginative, as well as, as you’d expect in games of this nature, even at the highest level, a lot of mistakes as well. You certainly get a feeling of the inexhaustible riches of our beloved game. The subject of defence and counter-attack is not an easy one to teach, but the main point is well made. If you’re under attack you must meet immediate threats, but, beyond that, you should, if possible, avoid passive defence and look for opportunities to create active counterplay, even if this involves taking risks. Don’t be afraid to consider moves which may not be objectively best but will put your opponent under pressure.

The authors clearly have a keen eye for games of this nature and all readers will enjoy playing through and studying them.

However, you can probably also see some negatives. The translation, while mostly making sense, is a long way below professional standards. The layout of the book is poor and makes the games difficult to follow. You’d certainly need two boards and even then it wouldn’t be easy. There are lots of long tactical variations with embedded diagrams the same size as those in the main text. In some cases the game continuation is in the annotations while the book follows a more interesting line that wasn’t played. It all gets rather confusing, and the translation, along with the lack of capture and check signs, doesn’t help. It’s especially confusing when the actual game continuation is in the notes, while another variation, which would have led to a different result, is given as the main line.

Speaking as a 1900 strength player, I thought the book was pitched rather above me. I’d have preferred annotations with fewer computer generated variations and less verbose prose, and perhaps a puzzle section at the end to reinforce the lessons learnt from the examples, along with an improved layout and a better translation. The van Delft book mentioned above handles a similar subject in a much more appropriate way for players of my level, in terms of a more logical structure and more helpful annotations.

A qualified recommendation, then, for lovers of thrilling tactical games with vacillating fortunes played, mostly, at the highest level.

 

Richard James, Twickenham 22nd November 2020

Richard James
. Richard James

Book Details :

  • Hardback : 352 pages
  • Publisher: Sahovski Chess (aka Chess Informant or Informator) 2020
  • Language: English
  • ISBN-10: ?
  • ISBN-13: ?
  • Product Mass : ?

Official web site of Sahovski Chess

The Power of Defence and the Art of Counterattack in 64 Pictures, Nestor Nestorovic and Dejan Nestorovic
The Power of Defence and the Art of Counterattack in 64 Pictures, Nestor Nestorovic and Dejan Nestorovic

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess : Merijn van Delft

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft
Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft

From the publisher :

“Merijn van Delft is an International Master from the Netherlands. He has been a chess trainer for more than two decades and created instructional material both online and offline.”

IM Merijn van Delft
IM Merijn van Delft

From the book’s rear cover :

“Most chess games of beginners and post-beginners are decided by fairly straightforward tactics. Anyone who wants to progress beyond this level and become a strong club player or a candidate master, needs to understand that somewhat mysterious-looking resource, the positional sacrifice.

International Master Merijn van Delft has studied and loved positional sacrifices for as long as he can remember. This non-forcing tool is not just a surprising and highly effective way of creating a decisive advantage during a game. Positional sacrifices are also instruments of superior beauty.

Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills.

Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.”

 

 

Dutch IM Merijn van Delft introduces readers to one of the most complex and fascinating aspects of chess: the positional sacrifice. He’s not the first author to tackle this subject: previous books by McDonald and Suba, which I haven’t read are discussed in the bibliography.

A few quotes from the introduction will give you some idea of what this book is about, and who the target readership is.

“I am trying to write for as broad a readership as possible, but let me give a mild warning to beginning chess players: this book may not be the best place to start for you. … Here is a mild warning for very experienced players as well: you may come across a fair amount of examples you already know. I considered it my job to combine the most impressive classical games with new material, and to find a nice balance there.

“A feel-good book is what this is meant to be. It should be fun to play through the games and the book can easily be used for entertainment purposes only. If you are simply seeking inspiration, feel free to open it at a random page and check the diagrams. The most exciting moments are always covered with a diagram and described in the text that follows.

“Having said that, my main intention has been to present the material as systematically as possible. My goal was to create a unique framework of positional sacrifices. The structure should have an inner logic and should help the reader to build up his knowledge systematically.”

Let’s look inside and see whether or not the author has achieved his aim. There are 115 complete games in the main body of the book, ranging from Morphy to Wijk aan Zee 2020, so it’s nothing if not up to date. All but the first two (in the introduction) feature positional sacrifices. All games are fully annotated, mostly verbally, with variations only given when necessary. It’s particularly good to see the complete games, so that readers can witness how the positional sacrifices arose from the opening.

The first part of the book deals with the four basic reasons for positional sacrifices: piece play, pawn structure, colour complexes and domination.

Chapter 1 teaches us how we can use positional sacrifices to create play for our pieces: by opening files, opening closed positions or opening diagonals.

Here, for example, is a position from Leko – Vachier-Lagrave (Batumi Ol 2018), with Black just about to use a positional sacrifice to open some files on the queen side.

“For now White seems to have everything under control, but what follows is a true thunderbolt.

23… Nxa4!

Vachier-Lagrave’s handling of the opening stage may have been unfortunate, but now he displays very deep understanding of the position with a truly amazing piece sacrifice.”

The game continued 24. Bxa4 b5 25. Bxb5 a4 26. Nd4 a3 and Black won on move 71.

Chapter 2 looks at how we can use positional sacrifices to help our pawns. We can create a Perfect Pawn Centre, a Pawn Steamroller or a Mighty Pawn Chain.

This is Gemy Vargas – Fier Sao Paolo 2019. White’s f-pawn has just moved two squares, and van Delft points out the alternative 30… exf3, which is the engine recommendation. But instead…

30… e3!

“The artist is taking over. Black sacrifices a piece to increase the size of his pawn steamroller. As Alexandr said at the Masterclass he gave recently at Apeldoorn, during his early years as a chess player he was heavily influenced by Kasparyan’s book with endgame studies on the theme of domination.”

By move 41 he’d reached this position, where White resigned.

“A pretty picture, the ultimate pawn steamroller, minding a bit of the famous McDonnell – De la Bourdonnais finish with black pawns on d2, e2 and f2.”

Chapter 3 moves onto the idea of positional sacrifices to control colour complexes. As van Delft explains, because this is a more abstract concept than pieces and pawns, it’s harder to understand.

Chapter 4 then puts everything together: we can play a positional sacrifice to achieve domination of the entire board.

In Wojtaszek – Hracek (Aix-les-Bains 2011) White, who had already sacrificed a pawn,  now gave up the exchange to dominate the board.

17. Rxc5! “The key move, a strong positional exchange sacrifice.”

Now we understand the reasons why we might want to play a positional sacrifice, we can move onto Part 2, where we can learn about typical sacrifices and store the ideas in our long-term memory. Many of them, though, will already be familiar to experienced players.

Chapter 5 concerns pawn sacrifices: as you might expect the Benko and Marshall Gambits are among the openings considered. Chapter 6, concluding Part 2, moves onto typical exchange sacrifices.

Part 3 goes way beyond this, to more difficult and dangerous ideas. Chapter 7, Extreme Sports, asks how much you can get away with sacrificing. You’ll find double exchange sacrifices, queen sacrifices for a couple of minor pieces, and even positional rook sacrifices.

In Firouzja – Karthikeyan (Xingtai Asian Championship 2019) Black sacrificed his queen on move 9:

9… Qxc3+! “A great positional queen sacrifice.”

10. bxc3 dxe3

“Black now has two minor pieces and a pawn for the queen. White has many weak pawns and squares, which makes Black’s position much easier to play.”

In Chapter 8, Heroes, van Delft introduces us to some of the games that have inspired him over the years, played by the likes of Shirov, Aronian and Carlsen.

Finally, Chapter 9 goes beyond human positional sacrifices to the Superhuman, including recent games by Leela Chess Zero and Stoofvlees.

Now it’s time to put your new found knowledge and skills into action with a final chapter of Exercises.

“In total there are 48 exercises, on four different levels, with 12 exercises each. Every reader should have a fair chance at Level 1, while at Level 2 things are already becoming more difficult. Level 3 is serious business, and at Level 4 most people will be running into a wall. Level 4 is mainly there to remind us how rich chess is, and that we will not easily be done learning.”

The answers always include the play up to the question, and in some cases the complete game as well.

As you’ll realise, there’s a lot of great chess in this book. The author has also achieved his aim of treating a difficult subject in a logical and well structured way. But what really appeals to me is van Delft’s style of writing. There are many strong players who excel at writing or talking about chess, but not all of them understand how their readers or viewers might learn. He is at pains to differentiate between material which provides specific lessons you can employ in your own games and more difficult material which might serve as an inspiration.  Although the English isn’t always totally idiomatic, the meaning is never less than totally clear. Not for him the fanciful analogies and flowery language preferred by some authors to make their books fun: for van Delft the fun comes from the moves themselves. Although the intent is serious, his approach is warm, friendly and encouraging. Enjoy your chess and don’t be afraid to try out new ideas: this is how you improve. He comes across to me as, above all, an excellent teacher. I look forward to reading whatever he writes about in future.

Personally, I’d have liked a broader historical perspective. Those 19th century favourites the King’s Gambit and Evans Gambit are positional sacrifices for, amongst other things, an Ideal Pawn Centre, and many other 19th century gambits have aims relating to themes in the book. While there are a few 19th century games along with some discussion of the Steinitz Gambit and a brief mention of its context, a chapter on the history of positional sacrifices would have been interesting.

Nevertheless,, this is yet another outstanding book from New in Chess in what has been an exceptional year for chess literature. Very highly recommended: I’m sure you’ll find it both enjoyable and instructive, and, if you’re rated, say, 1800+, this book will add a new dimension to your chess.

Richard James, Twickenham 13th November 2020

Richard James
. Richard James

Book Details :

  • Paperback : 320 pages
  • Publisher: New in Chess (1st June 2020)
  • Language: English
  • ISBN-13: 978-9056918835
  • Product Dimensions : 6.82 x 0.82 x 9.3 inches

Official web site of New in Chess

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess. New In Chess, June 2020, Merijn van Delft

Steinitz in London : A Chess Biography with 623 Games

Steinitz in London: A Chess Biography with 623 Games
Steinitz in London: A Chess Biography with 623 Games

Steinitz in London : A Chess Biography with 623 Games : Tim Harding

Timothy D. Harding
Timothy D. Harding

Tim Harding played for Ireland at the 1984 FIDE chess Olympiad in Thessaloniki. He is a FIDE Candidate Master and a Senior International Master of correspondence chess. A well-known writer on many aspects of chess, Tim is a former editor of Chess Mail magazine and for almost 20 years he contributed monthly articles in “The Kibitzer” series. He lives in Dublin, Ireland.”

From the publisher’s blurb :

“Drawing on new research, this first biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson’s Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventual drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.”

 

Collectors of McFarland’s chess biographies will know exactly what to expect.

A handsome, beautifully produced hardback book based on extensive and exhaustive research, in this case concerning William Steinitz (Harding prefers to use the anglicized spelling of his name), the first official world champion.

He was born under the name Wolf Steinitz into a Jewish family in Prague in 1836, making him a year older than Morphy. He moved to Vienna to study mathematics in 1858, and it was there that he started playing chess seriously.  In 1862 he travelled to London to play in an international tournament, and remained there, living the life of a chess professional, for 20 years.

Wilhelm Steinitz
Wilhelm Steinitz

Here’s Harding, in the Preface:

“This is not just a game collection but also an important biographical work. Subsequent to his triumphant comeback at the Vienna international tournament and his resignation as chess editor of The Field, Steinitz left England for a long tour of America.  In the spring of 1883 he returned to play in the London 1883 tournament, after which he spent some more time in London; Chapter 12 deals with this. Steinitz then left England permanently and did not set foot in the country for another 12 years. The final chapter deals with his last visits to Britain which included two major tournaments, Hastings 1895 and London 1899. There is much less biography than chess in those two chapters but some information about his European tours is included. The tasks of writing a new biography of the final phase of Steinitz’s life after he left England, and of providing an authoritative game collection of his post-London period, are left for future scholars.

“The primary motivation for embarking on the research for this book was to present a chronological account of Steinitz’s two decades as an English resident, covering both the development of his chess career and significant life events. The chapter about Steinitz in this author’s earlier work, Eminent Victorian Chess Players, may be seen as a first essay in that direction but the present book goes much deeper, including appendices that document various controversies in which Steinitz became embroiled. The book also includes background sections about chess life in London going back to the earlier nineteenth century, dealing with London’s early chess clubs and public places where the game was played, before and during Steinitz’s time.”

Harding chose to include all available games from Steinitz’s time in London, some of which have only recently been rediscovered in old newspaper and magazine columns, so you have in total 623 games, mostly with some annotations from contemporary sources, occasionally, where appropriate, with interjections from Stockfish 10. In those days, of course, there were few tournaments, so he made a living, apart from journalism and teaching (one of his pupils was Lord Randolph Churchill, Winston’s dad), by giving simultaneous displays and playing against amateurs, who would pay for the privilege. If the games were particularly interesting or brilliant, they would find their way into print. In the early part of his career, Steinitz was renowned for his tactical acumen, so the book is crammed full of romantic King’s Gambits and Evans Gambits. Lovers of this style of chess won’t be disappointed.

In his preface, Harding draws the reader’s attention to two games in particular:

 

All the games have been checked using every primary source with discrepancies noted. So if you want a full and accurate record of every currently available Steinitz game from his time in London, along with some earlier games from his time in Vienna and those from his later English tournaments, look no further.

But what you also get is a lot of background information about chess in London during that period. The clubs, the events, the personalities, the disputes: everything is there. One of my personal interests is the changing position of chess within society over the past 200 years, and the changing demographics of the people who were attracted to the game over the years. In Steinitz’s time, as you would expect, chess clubs were entirely male and largely upper middle class. Most readers will be aware that chess was a particularly popular pastime amongst Church of England clergymen well into the 20th century. Helpfully, at least to me, Harding will often provide the full name and a one sentence biography of Steinitz’s amateur opponents. Although he is very thorough when researching Steinitz and his games, he tends only to consult one source for his opponents.

I decided to follow up a few random names through a quick search of genealogical websites: I found one or two mistakes and was also to provide probable identification in several cases where only the initial and surname were given. I also came across some fascinating stories which I’ll relate another time.

But this is just me: none of this will matter to most readers, who will be more interested in Steinitz than his opponents. It’s unrealistic to expect Harding to research these minor figures with the same diligence afforded to his protagonist.

Make no mistake about it: this is a major addition to the literature of our game, marked by scholarly research and historical accuracy, and, as such, deserves a place in the library of anyone with an interest in chess history. McFarland and their authors are doing an enormous service to the chess community by publishing books of this nature: this volume will sit alongside several other Harding works, notably his biography of Blackburne, Renette’s biography of Bird and Forster’s biography of Burn on your shelf devoted to 19th century British chess history.

But it’s not just a dry as dust history book. It’s a gripping read as well. Harding tells his story with panache, leaving the reader eager to turn the page and find out what happened next, helped, in part, by his subject’s disputatious nature. Whatever you do, don’t miss out on the appendices, in particular where Steinitz describes how he was allegedly assaulted by Blackburne on two occasions: “… he pounced upon me and hammered at my face and eyes with fullest force about a dozen blows, until the bedcloth and my nightshirt were covered with blood.”.

It is to be hoped that a future volume will appear, perhaps written by an American chess historian, covering the latter stages of Steinitz’s career. A Best Games collection, looking at his play through both 19th and 21st century eyes, would also be a valuable edition to chess literature.

A large book with high production values and a niche market is never going to come cheap, but, even if you’ve never read anything of this nature before, you might want to give it a try. With chess clubs closed and pubs offering restricted services, what better way could there be to spend your winter evenings?

Very highly recommended: 2020 has been an excellent year for chess books and this is certainly one of the best.

Richard James, Twickenham 21st October 2020

Richard James
Richard James

Book Details :

Format: library binding (8.5 x 11)
Pages: 421
Bibliographic Info: 84 photos, 623 games, appendices, notes, bibliography, indexes
Copyright Date: 2020
pISBN: 978-1-4766-6953-3
eISBN: 978-1-4766-4061-7

Official web site of McFarland

Steinitz in London: A Chess Biography with 623 Games
Steinitz in London: A Chess Biography with 623 Games

Timman’s Triumphs : My 100 Best Games

Timman’s Triumphs : My 100 Best Games : Jan Timman

Timman's Triumphs : My 100 Best Games
Timman’s Triumphs : My 100 Best Games
GM Jan Timman
GM Jan Timman

From the publisher :

“Jan Timman is the author of highly acclaimed books such as Curacao 1962 and The Art of the Endgame. His best-selling Timman’s Titans won the 2017 English Chess Federation Book of the Year Award. His previous book, The Longest Game, is a riveting account of the epic rivalry between Garry Kasparov and Anatoly Karpov.”

From the book’s rear cover :

“Jan Timman is one of the greatest chess players never to win the world title. For many years ‘the Best of the West’ belonged to the chess elite, collecting some splendid super tournament victories. Three times Timman was a Candidate for the World Championship and his peak in the world rankings was second place, in 1982. For this definitive collection, Timman has revisited his career and subjected his finest efforts to fresh analysis supported by modern technology. The result is startling and fascinating. From the games that he chose for his Timman’s Selected Games (1994, also published as Chess the Adventurous Way), only 10(!) made the cut. Some games that he had been proud of turned out to be flawed, others that he remembered as messy were actually well played. Timman’s Triumphs includes wins against greats such as Karpov, Kasparov, Kortchnoi, Smyslov, Tal, Spassky, Bronstein, Larsen and Topalov. The annotations are in the author’s trademark lucid style, that happy mix of colourful background information and sharp, crystal-clear explanations. Once again Jan Timman shows that he is not only one of the best players the game has seen, but also as one of the best analysts and writers.”

GM Jan Timman
GM Jan Timman

Jan Timman (b 1951) has had an active chess career lasting over half a century. For much of the 1980s he was considered the strongest player in the West, with only Karpov and Kasparov clearly his superior. He also has an enviable reputation as an excellent writer and annotator, as well as an expert on endgame studies.

Here, we have a collection of Timman’s 100 best games. In fact, that’s not quite true. The introduction includes two games which just missed the cut, plus another three extracts where he played a study-like move.

As this is a best games collection, you won’t find any losses. There are two draws, from either end of his career, and 98 wins. As you’ll see from the back cover, there’s very little overlap with Timman’s earlier best games collection, and those games now have totally different annotations.

The analysis has all been double checked using strong engines, so you can be pretty sure of its accuracy. At the same time, Timman’s annotations are resolutely old school, and, for this reviewer at least, none the worse for that. You don’t get reams of computer generated tactics, just lucid explanations, with variations only when necessary.

Take, for example, one of his quicker wins, a victory with the black pieces over Nigel Short from Linares 1992. Here’s how Timman annotates the conclusion.

But, as an endgame connoisseur, he occasionally goes into more detail when a fascinating ending appears on the board.

This position is from a game, again with Black, against Artur Yusupov (the book uses the German spelling Jussupow) played in Belgrade in 1989. This position arose just after the adjournment at the second time control. Here’s how Timman explains this position.

“The analysis during the break had taught me that a transfer to a rook ending was the most convincing path to the win. Jussupow had mainly looked at 63… b2. During the post-mortem, he told me that he had found drawing chances in that line. However, the computer is unrelenting. Black wins also here with two accurate king moves: 64. Rb1 Rd2 65. f5 Kd6! 66. Nf7+ Ke7!, and White cannot take on g6, since Black has the d3-square for his bishop.

“During the analysis, I also looked at the spectacular 63… Rd3+ 64. Kg4 Rd1. If this had worked, it would have been a study-like conclusion to the game. Alas, it doesn’t work. The main line continues as follows: 65. Rxd1 Be2+ 66. Kxh4 Bxd1 67. f5 Be2 68. f6 Kd6

and now White has the incredible finesse 69. Nc6!!. Luckily, I found this study-like save in my hotel room in Belgrade. After 69… Bc4 70. Na5! Bf7 71. Nxb3, a theoretically drawn endgame ensues.”

(The game concluded 63… Bd3 64. Nxd3+ Rxd3+ 65. Kg4 Rd4! 66. Rb1 Kb4 67. Rf1 b2 68. Kxh4 Rc4 69. Rb1 Kb3 70. Kg3 Rc3+ 71. Kg2 Kc2 and White resigned.)

These two examples will give you some idea of Timman’s annotation style.

Timman has always been a universal player who uses a wide range of openings so there’s a lot of variety in the play: no chance of getting bored by seeing the same type of position over and over again. Each game is put into its context regarding the tournament or match in which it took place. The text is also enlivened by many entertaining anecdotes, often concerning Timman’s rather hedonistic (especially in his early years) lifestyle. We read, for instance, about listening to Frank Zappa with Ray Keene, and taking the young Nigel Short to a nightclub on the eve of an important game.

There are many readers and who particularly enjoy best games collections: they will certainly revel in this excellent book. For those of you of Timman’s (and my) generation the book will also bring back many memories. For younger readers, though, much of it will be ancient history: perhaps they’ll get the same pleasure out of it that I got from studying the games of Alekhine and Capablanca many years ago.

GM Jan Timman
GM Jan Timman

You might prefer a more spacious layout for the games. You might have liked a summary of his tournament and match results. You might have liked some tournament cross tables. But of course publishers have to make hard commercial decisions. At least we get an index of players (all players mentioned in the book for any reason, rather than an index of opponents) and an index of openings.

But, most importantly, you get 100 great games from one of the best players of the past 50 years, with lucid and instructive annotations. I’m pleased to give this book a warm recommendation.

One last thought. Timman tells us that someday he might write a book of his most exciting games, which would include more draws and several losses. Yes, please!

Richard James, Twickenham 17th October 2020

Richard James
. Richard James

Book Details :

  • Paperback : 352 pages
  • Publisher: New in Chess (15 Oct. 2020)
  • Language: English
  • ISBN-10:9056919172
  • ISBN-13: 978-9056919177
  • Product Dimensions : 17.15 x 2.18 x 23.77 cm

Official web site of New in Chess

Timman's Triumphs : My 100 Best Games
Timman’s Triumphs : My 100 Best Games

Old Wine In New Bottles

Old Wine In New Bottles : Mihail Marin

Old Wine in New Bottles by Mihail Marin
Old Wine in New Bottles by Mihail Marin
GM Mihail Marin
GM Mihail Marin

From Wikipedia :

“Mihail Marin (born 21 April 1965) is a Romanian chess player and writer. He was awarded the title of Grandmaster by FIDE. Marin’s first major success in international chess was in qualifying for the Interzonal in 1987. He has won three Romanian Championships and has played in the Chess Olympiads ten times, winning a bronze individual medal in 1988. For several years he was editor of the magazine Chess Extrapress.”

From the book’s rear cover :

“I may be old-fashioned, but I keep using for my inspiration the treasure of the past. It does not make sense to speculate whether, for instance, Carlsen is stronger than Fischer or Korchnoi, as matches between players separated in time by so many decades are impossible. But this book aims to prove that some of the basic aspects of our game did not change over the generations. The same kind of brilliant ideas and mistakes are played again and again in specific situations.

I actually launch an invitation to examine the games of the classics, featuring ideas thought over only by human brains, and by no means less deep than those used today. We all use computer assistance when preparing or writing, but at the chess board we are all alone with our opponent, so educating our mind to work along the classical values is essential.It is virtually impossible to write a “complete” chess course, as the general themes and examples to each of them are practically inexhaustible. But I hope that after studying the book the reader will feel enriched, technically and aesthetically.

I remember my enthusiasm when receiving my first original copy of the Chess informant in 1987 (number 43) after having annotated some of my games from the Warsaw zonal tournament, ending in my first qualification to the Interzonal. Almost a third of a century has passed since then, but I am looking forward to hold this new book in my hands with no less excitement.”

 

You probably know how it is when your favourite singer releases a Greatest Hits compilation.  As a big fan you have them all already, but there are always a couple of new songs, so, not wanting to miss out, you have to pay for the full album.

It’s been many years since I last read an Informant, but for some time now GM Mihail Marin, one of the best annotators around, has been publishing articles under the title Old Wine in New Bottles, in which he takes a recent game and compares it with games from the past which resemble it in some way. This might be, for example, a similar opening, a similar tactical idea, the same pawn formation, a comparable ending. Sometimes the comparison is very precise, but, on other occasions, rather tenuous.

What we have here is a collection of his articles, with some new ones added to tempt regular readers who will have seen most of the material before, along with some introductory comments.

There are 25 articles, or rather chapters, in total, grouped according to the general theme: Basic Principles, Tactics, Strategy, The Attack, Middlegame Plans of Specific Openings, and, finally, The Individual and Joined Abilities of the Pieces (some, but not all of which, feature endings).

You might assume from this, and you’d be correct, that the translation into English isn’t always idiomatic. There’s also an unacceptably large number of typos.

The publishers have also made some rather strange production decisions.  They’ve chosen a non-standard diagram font with a defective symbol for a black rook on a white square, which makes a rather ugly impression. They’ve also chosen to use a sans-serif font throughout.

This is a handsome hardback, complete with a useful bookmark, which will look good on your bookshelf: it’s a pity that, internally, it doesn’t make such a good impression.

The text is punctuated by a lot of chess art, reproduced in black and white, from the Hereford Chess Club in 1814 up to the present day.  All very attractive, if not especially relevant, but I can’t find any copyright information anywhere.

None of this may bother you, as long as the content is good, and, with reservations, it is.

To give you some idea, let’s take a fairly random chapter. Chapter 4 in the section on Attack deals with sacrificial attacks beginning with the move e5xf6, taking as its starting point this game from the 2017 Sinquefield Cup, where you will observe Vishy’s 22nd move. Marin doesn’t give us the first 21 moves, which presumably appeared elsewhere.

This game brought to mind a brilliant Tal victory from the 1962 Olympiad, where the sacrificial attack started on move 19.

Tal admitted that his 19th move was inspired by a Famous Game which observant readers will have seen before.

It’s, of course, a very well known game, but observant readers will recall encountering it with different annotations in an earlier chapter on positional queen sacrifices to obtain a passed pawn. Here, the annotations are in part based on Lilienthal’s autobiography, which are, along with Hecht’s comments on his loss to Tal, readily found on MegaBase. (It’s always fun to try to identify an author’s sources!)

There are three more games in this chapter, including another Tal brilliancy, but the repetition of the Lilienthal game confirms the impression that it’s really a collection of articles rather than a particularly coherent book.

Not all the annotations are by Marin himself: in many cases they are largely taken from earlier Informants, with occasional authorial interjections. You might not mind this, but I guess you might also feel you’ve been cheated.

Nevertheless, the concept of comparing contemporary games with those from the past is a great idea. If the idea attracts you, or if you’re an admirer of Marin’s books and haven’t seen most of the articles before, you’ll find a lot to interest, inform and stimulate. As the book covers all aspects of the game, there are lessons to be learnt here about both tactics and strategy, about openings and endings.

Although I have significant reservations about various aspects of the book, there is still much of value here, and anything Marin writes is always worth reading.  Recommended,  especially for serious students of the game of, say, 1800+ strength.

 

Richard James, Twickenham 7th October 2020

Richard James
. Richard James

Book Details :

  • Hardback : 384 pages
  • Publisher: Sahovski Chess (aka Chess Informant or Informator) (December 27, 2019)
  • Language: English
  • ISBN-10: 8672971043
  • ISBN-13: 978-8672971040
  • Product Mass : 1.7 pounds

Official web site of Sahovski Chess

Old Wine in New Bottles by Mihail Marin
Old Wine in New Bottles by Mihail Marin

The Complete Chess Swindler

The Complete Chess Swindler : David Smerdon

The Complete Chess Swindler
The Complete Chess Swindler
GM David Smerdon
GM David Smerdon

David Smerdon is an Australian chess grandmaster and behavioural economist. In 2015 he published the highly successful chess opening book Smerdon’s Scandinavian.

From the book’s rear cover :

“Chess is a cruel game. We all know that feeling when your position has gone awry and everything seems hopeless. You feel like resigning. But don’t give up! This is precisely the moment to switch to swindle mode. Master the art of provoking errors and you will be able to turn the tables and escape with a draw – or sometimes even steal the full point!

Swindling is a skill that can be trained. In this book, David Smerdon shows how you can use tricks from psychology to marshal hidden resources and exploit your opponent’s biases. In a lost position, your best practical chance often lies not in what the computer recommends, but in playing your opponent.

With an abundance of eye-popping examples and training exercises, Smerdon identifies the four best friends of every chess swindler: your opponent’s impatience, their hubris, their fear, and their need to stay in control. You’ll also learn about such cunning swindling motifs as the Trojan Horse, the decoy trap, the berserk attack, and ‘window-ledging’.

So, come and join the Swindlers’ Club, become a great escape artist and dramatically improve your results. In this instructive and wildly entertaining guide, Smerdon shows you how.”

As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.

 

Who doesn’t love a good swindle? Well, if you’ve just been swindled in the final of your online club championship I guess you might not, but, in truth, as long as we’re not the victim we all love a good swindle.

So it’s surprising, then, that it’s a subject which hasn’t been covered much in chess books. Australian GM David Smerdon’s new book promises to fill that gap in your library.

Here’s Smerdon’s description of a swindle:

1) The Swindler starts from an objectively lost position.

2) The Swindler consciously provokes the victim into blundering, usually by taking advantage of some psychological trait.

3) The victim squanders the advantage, allowing the swindler to escape with a draw or even the full point.

He also offers three questions to help you find swindles.

1) What does my opponent want?

2) How is he planning to do it?

3) What’s good about my position?

Let’s look at an example.

This is Shirov-Kramnik (Groningen 1993).  White launched a manic attack right from the opening, but Black defended calmly.

Now Shirov had to make a choice. He saw 18. Qh4 Nxg3 19. Bxe7 Nxf1 20. Bxd8 Qxe5 21. Bf1 Qe3+ 22. Kb1 Bc6 which he assessed as favourable to Black due to White’s uncoordinated forces.

Instead he went for the spectacular 18. Bxh6!?! when the game concluded 18… Nxf4 19. Bxg7+ Kh7 20. Rxf4 Rg8 21. Rfg4 Rxg7 22. Rxg7+ Kh6 23. Rg8 Kh7 24. R8g7+ with a draw.

However, as Smerdon points out, Kramnik could have won with the beautiful counter queen sacrifice  21… Qxc3!!, when 22, Rxc3 Rxg7 leaves Black a piece up, while 22. bxc3 Ba3+ is a pretty standard mate. (Smerdon’s ‘exquisite’ seems a bit hyperbolic to me.)

Smerdon might have mentioned that 20… Qxc3!! would also have worked, and that Black could equally well have played 19… Kg8 20. Rxf4 Qxc3!!.

All very interesting, but was it really a swindle?

It depends.  Did Shirov see Qxc3 at move 18. at move 21, or not until after the game? If he’d decided 18. Qh4 would lose, had seen the Qxc3 defence and played Bxh6 anyway, hoping Kramnik would miss it, then, yes, it was a swindle. But if he’d seen the game conclusion in advance and played it, thinking he was forcing a draw, then it was something arguably more interesting: a mutual blunder by two of the strongest players in the world.

Why, then, did Kramnik, a future world champion rated 2710 at the time of the game, miss, on two occasions, what was essentially a fairly simple two move tactic. A psychological flaw? A cognitive bias? Perhaps he was only looking at the king side, where all the action was, so missed a tactic on the other side of the board. You could say that looking at the wrong side of the board is a cognitive bias of sorts, but it’s not what Smerdon has in mind.

There are all sorts of reasons why we make the type of mistake we really shouldn’t make. Cognitive bias, yes, but also, for example, time trouble or fatigue. It’s always interesting to hear a great player explain how he made a simple oversight. Take this example.

This is Petrosian-Kortchnoi (1963) with Black to make his 32nd move. White has an overwhelming advantage in this rook ending, but he’s facing a resourceful defender.

Smerdon quotes Petrosian. “For a long time I had regarded my position as a winning one. Thus the whole opening phase of the struggle, when Kortchnoi was unable to get out of trouble, had psychologically attuned me to the idea that the ending would be favourable to me.”

Kortchnoi tried 32… Rf8 (sheer bluff: 33. Rxh6 or Re6 both win easily) 33. d6 Rh8 34. Kg4 Rf8 when the world champion fell straight into the cunning trap: 35. Rxh6?? f3!!.

Petrosian again. “I did not even see the threat f4-f3, possibly because it was in contrast to Black’s hopeless position. Personally, I am of the view that if a strong master does not see such a threat at one he will not notice it, even if he analyses the position for twenty or thirty minutes.”

This, then, unlike the Shirov-Kramnik position, is an excellent example of where Smerdon’s theory works. Petrosian was swindled because he was overconfident, convinced that nothing could possibly go wrong.

Smerdon identifies two pairs of psychological flaws which, in his view, are usually the cause of a player being swindled. Two, impatience and hubris, are caused by overconfidence, while two more, fear and kontrollzwang (the need to keep the position under control) are caused by lack of confidence.

He goes on to suggest that, if you know your opponent is impatient, you should look for a Trojan Horse: a move which seemingly offers your opponent a quicker or easier way to win, but instead sets a trap. If he’s overconfident, consider a Decoy Trap: a move which creates two threats: with any luck he’ll meet the minor threat while missing the major threat.

On the other hand, if your opponent is looking fearful, play a Berserk Attack, which will make him even more scared than he is already. If he’s a player who likes to keep control, adopt a window-ledging strategy: randomise the position so that neither player really knows what’s happening.

This is all very interesting, and great fun as well. Along the way, we meet characters such as Aussie swindling expert Junta Ikeda, and ever-optimistic German FM Olaf Steffens: in one game here we witness him window-ledging Richmond IM Gavin Wall.

But, I wonder how often you have a choice of swindles to set. In the real world, once we’re in swindling mode we’re just trying to find moves to stay in the game and pose problems for our opponent. We’re not really going to stop and take our opponent’s mindset into consideration before deciding which swindle to set up.

Understanding your cognitive biases is important, and, I’d suggest, this is rather more useful in helping to avoid being swindled yourself than in swindling your opponent. But is it really true that swindles usually exploit psychological flaws? I’m not entirely convinced.

By now we’ve reached Part IV, where the mood changes. We now look at the Core Skills swindlers need. The corollary is, of course, that if you want to avoid being swindled you also require these skills.

You can try to swindle your opponent by heading for an ending which might be difficult or impossible to win despite a large material advantage. For instance, KQ v KR is, generally speaking, a win, but notoriously difficult in practice. Knowing the defensive techniques to give your opponent the most trouble is helpful, as is knowing how to win against best defence. KRB v KR, on the other hand, is, generally speaking, a draw, but not so easy over the board (especially if you’re playing Keith Arkell). Knowing the correct technique is again useful – for both sides.

The next two chapters cover Fortresses and Stalemate, both familiar in the rarefied world of endgame studies but not often discussed in relation to competitive chess. We then continue with Perpetual Check, a very frequent guest in Swindleland.

We also look at Creativity. Here, for example, is the conclusion of the remarkable game between Detlev Birnbaum (2190) and Eloi Relange (2420) played at Cappelle-la-Grande in 1995. You’ll have to  buy the book to find out what was really happening here.

Part V demonstrates some complete games from both master and amateur chess, including Smerdon’s favourite swindle. Finally, Part VI presents 110 quiz questions, in which you have to find, or avoid, a swindle.

This is a unique book which covers a number of important topics not usually mentioned in text books, and does so in highly entertaining fashion. Smerdon’s writing style is lively, if sometimes loose, and he presents a lot of fascinating material. You’ll find a lot of creative and resourceful ideas here which should inspire all readers to look for ways to convert their potential losses into draws, or even wins. I would guess that, in terms of chess improvement, players in the 1800-2200 range would benefit most, but I really can’t imagine any reader not falling in love with this book. There is a lot of helpful advice – most importantly perhaps, not to give up in a lost position but to look for ways to provoke your opponent into making a mistake. Not only will it help you to find swindles in your own games: it will also help you to avoid being swindled yourself.

I do have a couple of reservations: as mentioned earlier I think Smerdon overstates the importance of cognitive bias in swindles when there are many other factors involved. What looks like a swindle might, on occasion, just be a mutual blunder: to be certain we need to know the swindler’s motive. As a behavioural economist by profession, he is naturally interested in why and how decisions are made, and this is something not very often mentioned in chess literature. Cognitive bias and psychological flaws undoubtedly affect how we study chess as well as our performance at all stages of the game. Given his academic background, Smerdon would, I think, be the ideal author for a book of this nature.

I would also have preferred a broader historical perspective, but then Smerdon, unlike some other authors, is sceptical about the value of studying the classics. Mention might also have been made of endgame studies, which frequently use many of the ideas discussed in this book: you might, at one level, see all endgame studies as the result of a swindle, and I suspect that solving studies, as recommended by a number of esteemed chess coaches, might be very beneficial in helping you to find, or avoid, swindles.

In spite of these reservations, I have no hesitation in recommending The Complete Chess Swindler to all readers. There have been some exceptionally interesting chess books published this year, and this is certainly one to add to the list.

Richard James, Twickenham 23rd September 2020

Richard James
. Richard James

Book Details :

  • Paperback : 368 pages
  • Publisher: New In chess (1 Jan. 2020)
  • Language: English
  • ISBN-10: 9056919113
  • ISBN-13: 978-9056919115
  • Product Dimensions: 17 x 2.3 x 23.6 cm

Official web site of New in Chess

The Complete Chess Swindler
The Complete Chess Swindler

In the Zone : The Greatest Winning Streaks in Chess History

In the Zone: The Greatest Winning Streaks in Chess History
In the Zone: The Greatest Winning Streaks in Chess History

From the rear cover :

“A winning streak in chess, says Cyrus Lakdawala, is a lot more than just the sum of its games. In this book he examines what it means when everything clicks, when champions become unstoppable and demolish opponents. What does it mean to be “in the zone”? What causes these sweeps, what sparks them and what keeps them going? And why did they come to an end?

Lakdawala takes you on a trip through chess history looking at peak performances of some of the greatest players who ever lived: Morphy, Steinitz, Pillsbury, Lasker, Capablanca, Alekhine, Botvinnik, Fischer, Tal, Kasparov, Karpov, Caruana and Carlsen. They all had very different playing styles, yet at a certain point in their rich careers they all entered the zone and simply wiped out the best players in the world.

In the Zone explains the games of the greatest players during their greatest triumphs. As you study and enjoy these immortal performances you will improve your ability to overpower your opponents. You will understand how great moves originate and you will be inspired to become more productive and creative. In the Zone may bring you closer to that special place yourself: the zone.

“Cyrus Lakdawala is an International Master and a former American Open Champion. He has been teaching chess for four decades and is a prolific and widely read author. His Chess for Hawks won the Best Instructional Book Award of the Chess Journalists of America (CJA). Other much acclaimed books of his are How Ulf Beats Black, Clinch It! and Winning Ugly in Chess.”

IM Cyrus Lakdawala
IM Cyrus Lakdawala

Most of you will be aware of Cyrus Lakdawala’s style of writing. You’ll know that he polarises opinions: some love his books while others hate them. From what I’d read, I’d always thought his books weren’t for me: I’ve never bought one, although a friend gave me a copy of his recent book on the French Defence last year.

So I could write a very brief review. If you’re a Lakdawala fan, and there are many around, you’ll certainly want to read this book. If you’re not a fan you should stay well clear.

I guess you’re expecting me to say more, and there’s quite a lot to say.

This is an excellent and original idea for a book. We meet some of the greatest players from Morphy onwards and look at their peak performances. You get a broad view of chess history over the past 160 or so years, witness how chess knowledge has accumulated and how styles have changed over that time. You also get to see a lot of great chess, with some very (too?) familiar games being contextualised by their juxtaposition with less familiar games played by the same player in the same event. It might even inspire you to get ‘into the zone’ yourself in your next tournament, whenever that might be.

The chapters feature:

  1. Morphy 1st American Chess Congress 1857
  2. Steinitz match v Blackburne 1876
  3. Pillsbury Hastings 1895
  4. Lasker New York 1924
  5. Capablanca New York 1927
  6. Alekhine Bled 1931
  7. Botvinnik World Championship Tournament 1948
  8. Fischer 1963/4 US Championship
  9. Tal Riga 1979
  10. Kasparov Tilburg 1989
  11. Karpov Linares 1994
  12. Caruana Sinquefield Cup 2014
  13. Carlsen Grenke Chess Classic 2019

In total there are 120 games: some complete, some just the conclusion, almost always won by the heroes of each chapter, all annotated in Lakdawala’s trademark lively style. As a highly experienced author and teacher, he knows just how to get the balance right between words and variations, and has used a modern engine to check the analysis. You’ll find lots of Exercises (for you to solve), Principles (to help you improve) and Moments of Contemplation (to think about an interesting position).

This has always been one of the author’s favourite games, but you’ll have to buy the book to read the annotations.

Cyrus Lakdawala is clearly some sort of crazy (to use one of his favourite words) genius. I’m in awe of his productivity, his work ethic, his imagination, his general knowledge, his wide range of references. It’s well worth listening to this interview on Ben Johnson’s excellent Perpetual Chess Podcast in which he explains how and why his brain doesn’t work like anyone else’s.

But – and, for me, at any rate, it’s a very big but, he comes across as a writer who rushes to complete the book without double checking everything, and who lacks any awareness as to whether or not his light-hearted asides and fanciful analogies are helpful or appropriate. He’s also, by no means uniquely among chess authors, a lot stronger writing about contemporary players than about historical figures.

There are various mistakes which might not be important, but are unnecessary and, at least for this reader, annoying. Blackburne’s first names appear at various points as ‘Joseph Henry’, ‘Henry Joseph’ and ‘Henry’. In the heading of a game between Lasker and Marshall, Emanuel’s name becomes Edward, confusing because they both played at New York 1924. In Fischer’s Famous Game against Robert Byrne the heading is correct, but a few lines further down Robert turns into his brother Donald, who, again, was playing in the same event. These errors should really have been picked up by the editor or proofreader.

Then there’s the hyperbole. “Paulsen routinely took eight full hours to make his moves.” “Marshall’s normal temperament was that of a belching, gurgling volcano…” “Alekhine destroyed every stick of furniture in his hotel room, in a near psychotic rage.” Sentences like this would induce a near psychotic rage in several chess historians I could mention.

Most seriously, many of the more frivolous asides might be considered by some to be in poor taste. We have throwaway references to Jeffrey Epstein, Michael Jackson and, on several occasions, the British Royal Family. Then, what do you make of this? “Blunders like this one are a first-rate reason why no sane person should voluntarily take up chess as a hobby. It’s basically like marrying a spouse who beats you up on a daily basis.” Or this, after mentioning that Raymond Weinstein has been in a psychiatric hospital since 1964? “Thanks a lot, Ray! This does a lot to help eradicate the stereotype that we chess players are just a touch crazy!” You might think domestic abuse and mental illness are inappropriate subjects for levity in a book of this nature.

Now I don’t want to knock the author, any more than I’d knock Reinfeld and Chernev. I’m all in favour of people whose brains work in a different way. I’m all in favour of teachers and writers whose communication skills enable them to share their passion and enthusiasm for chess. There’s always a place within the chess world for authors who can bring our game to a wider audience, and Lakdawala’s colourful writing style, although not for chess and linguistic purists like me, offers a lot of pleasure to a lot of people.

On the other hand, he can easily go over the top, and perhaps it’s the responsibility of his publishers to be more proactive. With a pair of scissors to remove the pointless and sometimes tasteless analogies and a red pen to correct the mistakes and typos this could have been an excellent and – 50 pages shorter – addition to chess literature. Nevertheless, if you’ve enjoyed Lakdawala’s previous volumes and can live with the faults, you’ll like, and perhaps learn a lot from, this book.

Caveat Emptor.

Richard James, Twickenham ?th September 2020

Richard James
. Richard James

Book Details :

  • Paperback : 400 pages
  • Publisher: New in Chess (7 Aug. 2020)
  • Language: English
  • ISBN-10: 905691877X
  • ISBN-13: 978-9056918774
  • Product Dimensions: 17.15 x 1.91 x 23.5 cm

Official web site of New in Chess

In the Zone: The Greatest Winning Streaks in Chess History
In the Zone: The Greatest Winning Streaks in Chess History

The Best I Saw in Chess: Games, Stories and Instruction from an Alabama Prodigy Who Became U.S. Champion

The Best I Saw in Chess: Games, Stories and Instruction from an Alabama Prodigy Who Became U.S. Champion
The Best I Saw in Chess: Games, Stories and Instruction from an Alabama Prodigy Who Became U.S. Champion

From the rear cover :

“At the U.S. Championship in 1989, Stuart Rachels seemed bound for the cellar. Ranked last and holding no IM norms, the 20-year-old amateur from Alabama was expected to get waxed by the American top GMs of the day that included Seirawan, Gulko, Dzindzichashvili, deFirmian, Benjamin and Browne. Instead, Rachels pulled off a gigantic upset and became the youngest U.S. Champion since Bobby Fischer. Three years later he retired from competitive chess, but he never stopped following the game. In this wide-ranging, elegantly written, and highly personal memoir, Stuart Rachels passes on his knowledge of chess. Included are his duels against legends such as Kasparov, Anand, Spassky, Ivanchuk, Gelfand and Miles, but the heart of the book is the explanation of chess ideas interwoven with his captivating stories. There are chapters on tactics, endings, blunders, middlegames, cheating incidents, and even on how to combat that rotten opening, the Réti. Rachels offers a complete and entertaining course in chess strategy. At the back are listed 110 principles of play–bits of wisdom that arise naturally in the book’s 24 chapters. Every chess player will find it difficult to put this sparkling book down. As a bonus, it will make you a better player.”

The best I saw in chess - by Stuart Rachels
The best I saw in chess – by Stuart Rachels

 

Stuart Rachels only had a short international career which came to an end almost 30 years ago. He’s now, like his late father James, a philosopher, specialising in ethical theory. Why, you might ask, does he deserve a 400+ page book? It seems rather like a vanity project, doesn’t it?

Let’s look inside and find out.

What you don’t get is a chronological account of the author’s career. Instead you get 24 chapters of varying length discussing a wide variety of aspects of chess and offering, in total, 124 games or extracts from his earliest efforts onwards. The book is also full of stories and anecdotes, many of which are highly entertaining. Rachels writes in a friendly style, alternating, perhaps slightly uncomfortably, between self-deprecating humour and arrogance: he might almost be sitting across the board from you explaining his games.

The first few chapter headings will give you some idea of what to expect: Losing Benonis to Kasparov, Five Stories and Their Positions, Two Rogue Sozins, Tactical Snippets, Beware the Sickly Pawns.

Yes, Rachels enjoyed tactics, favouring openings like the Sicilian Dragon and the Modern Benoni, while disliking the ‘rotten Réti’ and the English (‘Is there a Nobel Prize for Worst Opening as White?’), so you’ll see a lot of exciting play. At the same time, his trainer, Boris Kogan, played like Petrosian (‘You must play seemple chess’) and instilled in him a love of endings, again strongly represented here.

His opponents include many of his illustrious contemporaries, whom he met in international junior tournaments: you’ll find games against Anand, Ivanchuk, Gelfand, Adams and others here.

Although much of the book is US-centric, there’s also a lot to interest British readers. In 1983 Rachels spent some time in England, where, apart from playing in a simul against Kasparov, he lost a training match against David Norwood (‘the best tactician for my age I’ve ever known, aside from Anand’) which has its own chapter.

In the early 90s Rachels studied at Oxford University for two years: in the 1992 Varsity Match it was he who owned the aforementioned sickly pawns in a thrilling victory over Jonathan Wilson. After the game Ray Keene, suitably impressed, asked him to provide annotations. Rachels was surprised to see one of his sentences quoted verbatim in The Spectator. “Who would’ve suspected that the 44-year-old Brit cribbed that sentence off a 22-year-old American?”

There’s also a tense draw against Tony Miles (‘unpretentious, good-humored, and easy to be around’) from the 1989 US Championship. (Tony had satisfied the residency qualification by renting a post box in New York.) The ‘Foolish Drinker, Optimistic Patzer’ of the chapter heading is Rachels, not Miles. You’ll have to read it yourself to find out why.

In the final chapter Rachels offers his two best games. One played against his friend Kyle Therrell at the age of 11 (‘… might this have been the best game ever played by someone under the age of 12, as of March 29, 1981?’), and his win, given below, against Sergey Kudrin, again from the 1989 US Championship. If you buy the book you’ll be able to read his annotations.

The book concludes with three appendices. Appendix A explains adjournments (‘… a 20th century phenomenon, mostly occurring in high-level events’). Not in my part of the world: I had an adjournment from a local league game hanging over me at the start of lockdown: it was eventually agreed drawn via email. Appendix B, Principles of Play, offers some maxims which you may or may not find helpful, and Appendix C is what looks to me like a fairly arbitrary list of recommended books.

The format of the book does mean you miss the trajectory of his career, but at the same time the constant switching between topics will ensure you never get bored. Although Rachels is a relatively minor figure in chess history who retired nearly 30 years ago, he still has an infectious passion for chess, writes well, annotates lucidly and tells a great story. It’s often very funny too: a hugely entertaining and engrossing read which I thoroughly enjoyed. If you like games collections and biographies you shouldn’t hesitate to snap this one up.

Richard James, Twickenham 31st August 2020

Richard James
. Richard James

Book Details :

  • Paperback : 372 pages
  • Publisher: New in Chess (7 July 2020)
  • Language: English
  • ISBN-10: 9056918818
  • ISBN-13: 978-9056918811
  • Product Dimensions: 17.02 x 2.79 x 23.37 cm

Official web site of New in Chess

The Best I Saw in Chess: Games, Stories and Instruction from an Alabama Prodigy Who Became U.S. Champion
The Best I Saw in Chess: Games, Stories and Instruction from an Alabama Prodigy Who Became U.S. Champion

The Grandmaster Mindset

The Grandmaster Mindset
The Grandmaster Mindset

From the book’s rear cover :

“By going through the chapters, you will get acquainted with my way of grandmaster type thinking. I can assure you of one thing: there are better and weaker grandmasters, but you won’t find a GM who is playing without ideas or, let’s say, without his way of thinking! As you will find out, I am basically trying to detect the problem or goal of the position and then I am starting to scan factors which can lead to the solution. That process you will find in many examples in the book. GM Alojzije Jankovic, April 2020.”

“Alojzije Jankovic (1983) is a Grandmaster and FIDE trainer from Croatia. In 2010 he shared first place in the Croatian National Championship, was national champion in 2015, shared third place with Croatia in the European Team Championships 2017 and played for Croatia in the Chess Olympiad. He won several international tournaments and also hosts weekly the broadcast ‘Chess commentary’, Croatian national tv, third channel. This is his second book for Thinkers Publishing, after his successful co-edition with GM Zdenko Kozul on the ‘Richter Rauzer Reborn‘ updated version 2019.”

GM Alojzije Jankovic
GM Alojzije Jankovic

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

A bibliography of sources along with suggestions for further reading would have been helpful.

 

I was rather confused when I first saw this book. The title, The Grandmaster Mindset, suggests a book for advanced players , while the subtitle A First Course in Chess Improvement suggests a book for novices.

Let’s take a look inside and find out.

The first chapter concerns pins. We start off with Légal’s Mate, which is important for novices but hardly necessary for advanced players.

En passant, we learn what Jankovic means by the Grandmaster Mindset. First, you assess the position, just as recommended by many other authors, such as Silman. Then you look for candidate moves: you consider all checks, captures and threats, as recommended by Kotov and many others, including me, over the past half century or so. Other authors, notably Willy Hendriks, will tell you to ignore protocols of this nature, to use your intuition and ‘move first, think later’.

We soon find ourselves in deeper waters, and by the end of the chapter we’re faced with a beautiful endgame study (M Matouš 1975) which is analysed in depth.

The second chapter, Candidate Moves, only seems to repeat the lessons from Chapter 1: if you assess the position and look for forcing moves you can find brilliant queen sacrifices.

Chapter 3, the longest in the book, brings with it a change of scenery. Useful endings: we have some pawn endings, rook against pawn, queen against rook, the bishop and knight checkmate explained in some detail, and finally rook against knight, again at length.

We’re back to tactics in Chapter 4, Knight Geometry.

This is Zvjaginsev-Schwarz (Novi Sad 2016).

White won with the aesthetically pleasing 44. Rxa6!! bxa6 45. b7 Qd8 46. Qxh6+!! Kxh6 47. Nxf7+. Beautiful, to be sure, with symmetrical major piece sacrifices on a6 and h6, but the queen sacrifice wasn’t necessary: 45. f4 Rg6 46. b7 was just as effective. (Note that 44. f4 also worked, but not, in the game, 46. f4? Qa5! and Black has a perpetual.) Perhaps this might have been mentioned.

The tactical ideas continue: Back Rank Mate (Chapter 5), Lure the King (Chapter 6: sacrificing a piece to expose the enemy king to danger), Unexpected Moves (Chapter 7: a collection of fairly random examples which you can discover by looking for Checks, Captures and Threats), Power of the Rooks (Chapter 8), Sudden Attack on the King (Chapter 9).

Chapter 10  is entitled Burying, which is a new one to me. The explanation, that it’s a very important tactical element when attacking the opponent’s king,  didn’t leave me much wiser. It seems to be something to do with taking away the king’s escape squares, but who knows?

In this position (Dizdarevic-Miles Biel 1985) Tony played a classic double bishop sacrifice: 13… Bxh2+! 14. Kxh2 Qh4+ 15. Kg1. Now after the immediate and obvious 15… Bxg2, 16. f3 defends. Instead, 15… Bf3!! (‘Burying!’) 16. Nd2 Bxg2!, and as the queen can no longer defend along the second rank, Black wins in short order.

There’s more to come: Underpromotion to a Knight in Chapter 11, and Different Tactical Motives in Chapter 12, but the whole book seems to me fairly random.

If you want to see some beautiful and spectacular chess, you’ll find a lot of great examples in this book: some hackneyed (the queen sac and knight fork from the 1966 Petrosian-Spassky match must have been in almost every tactics book for the past half century, and the Topalov-Shirov bishops of opposite colours ending for the past 20 years) but many unfamiliar.

Jankovic, by and large, explains his examples well and has an attractively friendly style of writing.

However, for this reviewer at least, the whole is rather less than the sum of its parts. With its mixture of elementary and advanced examples the book’s target market is not clear. The ‘Grandmaster Mindset’ advice (assess the position and consider candidate moves looking at checks, captures and threats) is far from original and, you might think, rather too simplistic. The contents seem fairly random (showy sacrifices, with some technical endings thrown in for good measure) but typical of what appears to pass for chess tuition in some circles. I’ll be writing a lot more about this at some point in the future.

It would require quite a lot of fleshing out, but there were potentially two much more useful books here. A book on finding tactical surprises, using the examples here but with the addition of exercises for the reader to solve. And then a much expanded version of Chapter 3 dealing with technical endings.

A qualified recommendation, then, but perhaps a missed opportunity which would have benefited from a more proactive approach from the publishers.

Richard James, Twickenham 13th August 2020

Richard James
. Richard James

Book Details :

  • Hardcover : 200 pages
  • Publisher:Thinkers Publishing; 1 edition (14 July 2020)
  • Language: English
  • ISBN-10:9492510774
  • ISBN-13:978-9492510778
  • Product Dimensions: 16.8 x 1.8 x 23.4 cm

Official web site of Thinkers Publishing

The Grandmaster Mindset
The Grandmaster Mindset

Hein Donner : The Biography

Hein Donner: The Biography
Hein Donner: The Biography

Hein Donner : The Biography : Alexander Münninghoff

Alexander Münninghoff: 1944-2020
Alexander Münninghoff: 1944-2020

“Alexander Münninghoff is an award-winning author from the Netherlands. He wrote the acclaimed biography of the man that was dethroned by Hein Donner as Dutch champion: former World Chess Champion Max Euwe. His memoir The Son and Heir, which tells  the complex story of the Münninghoff family in the 20th century, is an international bestseller.”

From the rear cover :

“Hein Donner (1927-1988) was a Dutch Grandmaster and one the greatest writers on chess of all time. He was born into a prominent Calvinistic family of lawyers in The Hague.

His father, who had been the Minister of Justice and later became President of the Dutch Supreme Court, detected a keen legal talent in his son. But Hein opted for a bohemian lifestyle as a chess professional and journalist. He scored several excellent tournament victories but never quite fulfilled the promise of his chess talent.

Hein Donner developed from a chess player-writer into a writer-chess player. His provocative writings and his colourful persona made him a national celebrity during the roaring sixties. His book ‘The King’, a fascinating and often hilarious anthology spanning 30 years of chess writing, is a world-wide bestseller and features on many people’s list of favourite chess books. The author Harry Mulisch, his best friend, immortalized Hein Donner in his magnum opus The Discovery of Heaven. In 2001 the book was adapted for film, with Stephen Fry playing the part that was based on Donner. Included in Hein Donner is the interview in which Harry Mulisch tells about his friendship with Donner.

After suffering a stroke at the age of 56, Donner lived his final years in a nursing home. He continued writing however, typing with one finger, and won one of the Netherlands’ most prestigious literary awards. Alexander Münninghoff has written a captivating biography of a controversial man and the turbulent time and age he lived in.”

 

First, a bit of background. This biography was originally published in Dutch in 1994. Only now, a quarter of a century later, has it appeared in an English translation, partly in response to the success of The King, a collection of Donner’s writings.

Sadly, Alexander Münninghoff died at the age of 76 on 28 April this year, just before the publication of this book.

Johannes Hendrikus Donner (Jan Hein to the chess world, Hein to his friends) was one of the most colourful and controversial chess players of his time. His family have been for many years prominent in politics and law: his father was a government minister, his oldest brother was President of the European Court of Justice, and his nephew also a government minister. It was clear from an early age that Jan Hein was different. Troublesome and obnoxious, lazy but gifted. His father had him assessed by a professor of psychology who found him ‘very egocentric and immature/unbalanced’, with ‘a certain angst, with, in contrast, an inclination towards narcissism, and a sense of inferiority, with, in contrast, an inclination to act tough’.

Possibly the ideal combination of attributes for a chess player and journalist.

What should we make of a man who donated his prize from Venice 1968 to the Viet Cong, on the condition that the proceeds were used to buy machine guns rather than medicines? A man who wrote that women were hopeless at chess and would never learn? A man who used his chess columns to insult his fellow Dutch players, most notably a long running feud with his older contemporary Lodewijk Prins?

Someone, I think, who was deliberately provocative, who spoke and acted to gain a response more than anything else.

Like everyone else, I found The King highly entertaining, but my enjoyment was tempered by the feeling that he was someone I wouldn’t have liked had I known him.

Münninghoff, however, knew him and clearly liked him, and, as an outstanding writer and journalist, was the ideal person to tell the story of Donner’s relatively short but eventful life. This is a conventional biography, following his life from birth to death and, as you might expect, is crammed full of entertaining anecdotes. We learn a lot about his often chaotic personal life (he was married three times) as well as his career both as a chess player and a journalist. There’s also a lot of fascinating information about chess in the Netherlands during the post war decades. It’s not an academic biography, though: a rather inadequate index of names, no sources and few footnotes (I’d have welcomed more).

You might have expected a colourful and provocative player to have a similarly colourful and provocative style, but in fact his play was mostly rather dull, with a lot of short draws. His results were wildly erratic: at his best he could win strong grandmaster tournaments, but these triumphs would be interspersed with disasters. He had wins to his credit against most of the top non-Russians, even including Fischer, but an abysmal record against Soviet grandmasters. (Looking at his games in MegaBase it’s also notable how well he scored against English opponents.) He was also famous for losing a remarkable number of miniatures.

Even so, the games selection at the end is slightly disappointing. Games are sometimes discussed in the text but don’t appear in the book. One example is his 1957 win over Troianescu, which he considered one of his best:

On p128 we’re told that his 1961 loss to Korchnoi appears at the back of the book as game 23. No, it doesn’t: the index tells us Viktor is on p259, but neither he nor the game is anywhere to be seen.

I’m always happy to oblige:

What we actually get is a short collection of 18 games with brief annotations: wins, losses and draws, followed by another 16 short defeats, intended as a supplement to Tim Krabbé’s collection which you can find online here.

Donner would have been amused that his biography should contain more embarrassing defeats than brilliant victories. “I love all positions. Give me a difficult positional game, I’ll play it. Give me a bad position, I’ll defend it. Openings, endgames, complicated positions, and dull, drawn positions, I love them all and will give my best efforts. But totally winning positions I cannot stand.”

Anyone who was following international chess between the 1950s and the 1970s will undoubtedly want to read this book. For younger readers it will be ancient history, but still a highly entertaining read.

If you’ve read The King this book will need no recommendation from me, and, likewise, if you’ve read this book you certainly won’t want to miss The King.

A thoroughly enjoyable, if informal, biography of a fascinating and unusual personality which comes highly recommended, but is slightly let down by the rather perfunctory games section.

Richard James, Twickenham 6th August 2020

Richard James
. Richard James

Book Details :

  • Paperback : 272 pages
  • Publisher:New in Chess (15 July 2020)
  • Language: English
  • ISBN-10: 9056918923
  • ISBN-13: 978-9056918927
  • Product Dimensions: 14.6 x 1.9 x 21.6 cm

Official web site of New in Chess

Hein Donner: The Biography
Hein Donner: The Biography