Rook Endgames from Morphy to Carlsen: Valentin Bogdanov
From the publisher:
“So, you want to improve your rook endings? Good choice, as they occur more often in your games than your favourite opening lines!
Allow vastly experienced trainer Valentin Bogdanov to assist. However, we are not headed for the classroom, but to the tournament hall! We shall witness tense moments as the greatest champions in chess history battle their way through all manner of rook endings: tactical, strategic and technical. Your coach will be whispering in your ear, explaining what is happening and giving the theoretical background. You will also be getting the benefit of modern computer analysis, which X-rays these classic games for errors and missed resources in a way that was not possible even a few years ago. A feast of astonishing analysis awaits!
We shall see that even the best players make a surprising number of errors in rook endings. This should give us heart to fight even in the most desperate of situations, and motivate us to study these endgames so we can pick up the many half-points and even full points that our opponents will surely offer up to us.
By emphasizing the most common themes and areas where players go astray, Bogdanov helps us determine which parts of those technical endgame manuals that are sitting on our shelves are most worth thumbing through. This book can also simply be enjoyed as a stroll through chess history – you will be amazed how many key turning-points occurred in rook endgames!
The players featured in this book include all 17 official world champions, the 3 ‘uncrowned kings’ who preceded them, and a selection of 8 other outstanding players. There are 384 examples in total. The book is completed with a selection of 68 exercise positions, and detailed indexes of themes and players.”
About the author, Valentin Bogdanov
“International Master Valentin Bogdanov has vast experience as a chess trainer, and is from Ukraine. His pupils include Moskalenko, Savchenko and Drozdovsky, and he has acted as a second for the well-known grandmaster and theoretician Viacheslav Eingorn since the late 1970s. For more than 50 years he has been a teacher at the chess school in Odesa (Ukraine), and in 2016 won the European Over-65 Championship. In the same year he also qualified as an International Arbiter and has since then officiated over a great many chess events in his country. This is his fifth book for Gambit.”
Here, on YouTube John Nunn gives the reader an introduction to the book:
This book is an excellent publication on rook endgames. It is packed full of an instructive examples from practical games which makes the material more accessible than a book of purely theoretical positions. There are a lot of fresh examples that are new to the reviewer which makes the book particularly novel. The book is probably aimed at 2000+ players although any aspiring player would glean lots of useful guidelines on playing rook endings from this tome. There is an excellent “Index Of Themes” at the back.
The reviewer will show six examples from the book.
Position 10
There are many positions with R+2P v R with a and c pawns that are drawn. This position is winning with care. Steinitz inexplicably played 81.a7+? believing that seizing c7 for the king would win. 81…Kxa7! 82.Kc7 Rh1! 83.c6 Rh7+ drawing with flank checks.
The natural 81.Kd7! wins easily, for example 81…Rh1 82.c6 Rh7+ 83.Kd6 Rh6+ 84.Kc5 Rh1 85.Kb6 Rb1+ 86.Rb5
Black hurries to force a drawn R+P v R endgame, but is mistaken. 52…b3? 52…Rh2 or Re2 is much better 53.axb3! Rxb3 54.Kd6 Rd3+
White played 55.Ke6? throwing away the win, 55.Ke7! wins controlling d8, after 55…Rh3 intending flank checks 56.Ra4 Rh7+ 57.Kf6 Rh6+ (57..Kd8 58.Ra8+) 58.Kg5
58…Rd6 otherwise, white will cut black’s king off with Rd4 59.e5 Rd1 60.Kf6! winning because black’s rook can only work on the short side as his king is on the long side
Position 116
This position is deceptive 47…Rb6 (47…Rb5 allows 48.Rd6 and the rook gets behind the pawn and white probably draws) 48.Ra4 Ra6? for once placing the rook behind the pawn does not win as the a-pawn is only on the fourth rank! 48…Rb5! 49.Rc4 Kf6! and black’s active king wins the game as it can support the a-pawn quickly
49.Kf3? natural but 49.f3! and 50.g4! seeking counterplay draws 49…Kf6 50.Ke4 Ke6 natural, but 50…Re6+ and Re5 activating the rook wins 51.f3! white advances the kingside pawns to get counterplay which draws with accurate play.
White has defended well but now makes a fatal mistake 63.Rc1+ draws as the black king has to retreat, 63.Kf4? Kc3! The a-pawn is too strong 64.Kg5 Kb2 65.Re1 f4+! 66.Kxf4 a4! 67.Ke4 a3 68.f4 a2 winning
Position 131
Bisguier had an appalling record against Fischer, gaining a single win and a single draw against the young Bobby. He lost the other thirteen games including this one.
White has an edge as black’s king is a long way from the b-pawn, but he can draw with careful defence. 70…d4? (Sloppy, black can draw easily with 70…Rb3! 71.Kc5 Rb1 72.Rd2 Ke6!) 71.Kd5! a clever switchback probably missed by Black 71…Rd1 72.Rf2+! The point forcing the black king further away 72…Kg4
Now Fischer goes astray, 73.Kc4? White can win with 73.b5! Kg3 (73…Rb1 74.Kc4 d3 75.Rd2! Rc1+ 76.Kc5! Rc1+ 77.Kb6 Rc3 78.Ka5 and Black loses the d-pawn and the game) 74.Rb2! winning
After 73.Kc4? played in the game:
Bisguier came up with a faulty plan 73…d3?74.Kc3! winning the pawn after Rd2 and as the Black king is cut off by two files, the ensuing R+P v P is easily won
73…Kg3! draws 74.Rf5 (74.Rb2 Kf4 75.b5 Ke3 draws), 74…d3! 75.Kc3 d2! 76.b5 Kg4! 77. Rd5 Kf4! draws as capturing the d2-pawn allows a drawn K+P v K ending.
So much play with only 6 pieces!
Position 200
Aronian played the cunning waiting move 73.Rd6 testing the young Magnus. This trap is also covered in Rook Endings by Levenfish & Smyslov. Black played the natural check 73…Ra7+? which loses. After 74.Ke8! Carlsen resigned. Only 73…Kg6! draws.
Position 293
White won here using a famous systematic manoeuvre called Lasker’s steps. 67.Rxc2? throws away the win as Black’s flank checks with the rook draw, so 67.f7! Rg4+ 68.Kh8 Rf4 69.Rc6+ Kh5 70.Kg7 Rg4+ 71.Kh7 Rf4 72.Rc5+ Kh4 73.Kg7 Rg4+ 74.Kf6 Rf4+ 75.Ke6 Re4+ 76.Kf5 Re2 77.Kg6 Rg2+ 78.Kh6 Rf2 79.Rc4+ Kh3 80.Kg6 Rg2+ 81.Kh5 Rf2 82.Rc3+ Kh2 83.Rxc2! queening the pawn. Now White just has to win Q v R.
This short review cannot really do justice to this book. I do highly recommend it. The graded exercises at the end are tricky , even the so called easy ones!
FM Richard Webb, Chineham, Hampshire, 6th July 2024
The Art of the Endgame
My Journeys in the Magical World of Endgame Studies
Revised Edition – with 14 New Studies
by Jan Timman
From the publisher, New in Chess:
“All through his career Jan Timman has been captivated by the mystery and splendour of endgame studies. Even during his most successful and busy years as a world-class player, Timman continued to compose studies and admire those of others. For him, there has never been any doubt that his journeys in this magical world helped him to grow as a player.
In this fascinating book, first published in 2011, Timman has collected studies by other composers and explains in his lucid style how they inspired him to create dozens of brand-new studies.
Timman has revised the book for this new edition. With the help of engines, Timman discovered that a few studies needed to be corrected or had alternative solutions. He removed six studies and replaced another six with better versions. And fourteen new studies have been added, two of which are published here for the first time.”
About the Author, Jan Timman:
“Jan Timman is a former world championship candidate who rose to number two on the FIDE world rankings. He is the author of several highly acclaimed bestsellers, such as Timman’s Titans and Max Euwe’s Best Games. He was awarded the title of FIDE Master of Composition in 2022.”
This book is a gem and I do remember perusing the first edition at a bookstall a while back, now I have a copy of the second edition.
There is no doubt that familiarity with ideas from endgame studies improves a player’s overall chess ability and imagination.
The reviewer was introduced to endgame studies at a tournament in London when he was junior: I was having lunch in the analysis room, when an older gentlemen showed some Harold Lommer studies involving knight promotions which got me hooked. The acquisition of Test Tube Chess by John Roycroft soon followed.
Jan Timman’s book has a variety of positions some of which are really “game like” whilst others are artistic beauties involving for example multiple promotions.
The book is divided into fourteen themed chapters viz:
Chapter 1: Miniature studies
Chapter 2: Rook versus bishop
Chapter 3: Preventing pawn promotion
Chapter 4: Various promotion combinations
Chapter 5: Knight promotions
Chapter 6: Bishop promotions
Chapter 7: Mating patterns
Chapter 8: Stalemate patterns
Chapter 9: Mutual zugzwang
Chapter 10: Building a fortress
Chapter 11: Systematic manoeuvres
Chapter 12: The disappearing trick
Chapter 13: Three themes
Chapter 14: Various endgame studies
The reviewer will show a variety of positions from various subsections.
Chapter 1: Miniature studies
These are positions with no more than seven pieces. This one is particularly beautiful with a mutual zugzwang.
Position 1
White is a pawn up with black’s king close to the passed pawn, so white needs something special here. 1.Kd1 pins the knight forcing 1…Kf5 2.Ke2 threatening to win the knight. Black bishop’s impedes his king, so he goes after the h-pawn with 2…Bf6 3.Kf3 Bxh4
If white takes the bishop 4.Nxh4+ Kg5 attacking the knight saves black. So 4.Bxe4+ Kg5 5.Bd5!Kh5 6.Bf7+ Kg5 7.Be8
Black is zugzwang and loses the bishop and the game. Note this is a position of mutual zugzwang as white has no good waiting move and cannot win with the move! Very pretty.
Chapter 2: Rook versus bishop
This is the most practical chapter with studies in the complex endgame of R+P v B+P.
Position 18
This is a celebrated position where Reshevsky played 53.Kf3? with Fischer missing a clear win by exchanging rooks and occupying g4 with his king. Instead Fischer kept the rooks on. White draws with 53.Kh3!
This study was created to show this:
Position 19
1.Kg2! Kf5 2.Kh3 Rc4 3.Be7! the only move 3…Rc1 4.Bf8! (The bishop hides itself to prevent a rook check followed by attacking the bishop to allow black to get in Kg4) 4…Rb1 5. Bg7 or 5.Bh6 draws
Chapter 3: Preventing pawn promotion
This is a famous promotion combination from a game which resembles the elegance of a study:
Position 44
Black played 30…Rd2 31.Na4 (31.a4 was better) 31…Rxb2! 32.Nxb2 c3 33.Rxb6 c4!! 34.Rb4 a5!! winning
White cannot prevent the coronation of a new queen.
The great composer, Pogosyants composed a study with a very similar theme:
Position 46
The solution is 1.Bg3 dxc4 2.Rxg7! Nxg7 3.f6 Rxg3 4.f5!! Rg5 5.f4! Nxf5 6.f7 wins
Chapter 4: Various promotion combinations
Position 69
A game like position. 1.d6 Be5 2.Bb8 threatening d7 winning the bishop, so 2…Bf6 3.d7 Bd8 apparently saving the bishop, but 4.Bg3! a4 5.Bh4! Bxh4 6.g4+ and wins
Chapter 5: Knight promotions
Here is a superb Harold Lommer study with multiple promotions:
Position 96
White is threatened with a brutal discovered mate by the black monarch. So 1.d8N Bd5 2.g8B!! (2.g8Q allows black a brilliant defence 2…Ke3+ 3.Qxd5 stalemate!) 2… Be4 3.e8R!! (3.e8Q allows another fantastic defence 3…Kg3+ 4.Qxe4 stalemate!) and wins
A brilliant study has with stunning counterplay.
Position 97 shows a famous Lommer involving 5 knight promotions, but unfortunately after the fourth promotion, there is alternative prosaic win promoting to a queen.
Chapter 6: Bishop promotions
Position 112
White has an army of far advanced pawns against 3 minor pieces and a well placed black king.
If black plays 4…Ndxf6 5.Kb8 gets the king out of the mating trap, so 4…Nexf6 5.a8B!! (5.a8=Q? Nd5 followed by Ne7#)
White is attempting a self stalemate, so black must release this and rearrange his pieces. 5…Ne5 (5…Bf1 6.b8N! draws) 6.Kb8 Nc6+ 7.Kc8 Bf1 threatening Bh3# 8.b8R!! (8.b8Q? Ba6+ 9.Qb7 Ne4 10.Qxa6 Nd6#, or 8.b8N? Ne7+ 9.Kb7 Bg2+ 10.Ka7 Nc8+ wins the bishop on a8 and the game)
8…Ba6+ 9.Rb7! with a draw
Scintillating promotion play.
Position 124
This is a creation of genius and very amusing.
The great Troitzky is involved here. Black threatens a brutal Ng3 mate. 1.Qc3!! (Threatening the key g7 pawn, 1.Qa3? is met by f1N reinforcing the threat on g3 winning for black) 1…Nxc3 2.d8B!! (Not 2.d8Q? Nde4 3.Qxc7 f1N 4.Bf4 Ne2 followed by sacrificing all the knights ending with Qxg3 stalemate) 2…Ne2 3.Bxc7 f1N 4.b8B!! (4.b8Q allows black to sacrifice all the knights on g3 ending with Qg3 stalemate) 4…Ne4 5.B1f4 winning as the three white bishops control the three knights.
Who says there is no humour in chess?
Chapter 7: Mating patterns
Here is an elegant study by the author, Jan Timman:
Position 163
1.h5 preventing Bxa2 as Rd7+ would win easily 1…Kh6 2.Rd8! Bxa2 3.Rh8! Bg8! great counterplay
4.Kc3 a2 5.Kb2 a3+ 6.Ka1 Kg7 7.h6+
7…Kxh8 8.g7 mate
Chapter 8: Stalemate patterns
Position 167
Stalemate looks unlikely here. 1.b6 must be played as white is two pieces down 1…Rf5 2.b7! Rf7+ 3.Kd6 Nc4+ 4.Ke6 Bxb7 5.Rh3+ Kg7 6.Rf3+ Kf8
7.Rg8+! Kxg8 stalemate!
Chapter 9: Mutual Zugzwang
Position 189
Here is an entertaining position:
1.Rc8+ Kxc8 2.b7+ Kb8 3.d5 Kc7
Now only 4.bxa8B! Kb8 5.Bb7 wins with a position of mutual zugzwang
Chapter 10: Building a fortress
Position 203
The elderly former World Champion, Smyslov, composed this amusing study in his eighties. 1.Nb8 Rd6 2.Nd7+! Rxd7 3.Rxg7! Kxg7 4.h4
After 4…Rd6 5.Kg2 Rg6+ 6.Kh3! black has to move the rook off the g-file to avoid stalemate, so white draws!
Chapter 11: Systematic manoeuvres
The reviewer assumes this is the Mitrofanov of Qg5!! fame.
The disappearing trick is a kind of systematic manoeuvre whereby white plays to achieve a particular position without a certain white piece. This is demonstrated below with a neat study.
From the publisher, Gambit Publications “Understanding the endgame is fundamental to playing good chess, and at its heart lie positions where just kings and pawns remain on the board.
Even when a pawn ending is not actually reached, the players must often assess ones that could arise from an exchange of pieces. And an error calculating a pawn ending is normally fatal. Questions of pawn-structure, and thus decisions made early in the game, can be fully understood only when we appreciate how they impact the possible pawn endings.
This book takes a practical angle, so is the perfect complement to Secrets of Pawn Endings, which examines their theory in detail. Experienced trainer Bogdanov examines a wealth of pawn endings where strong players made significant errors, and draws lessons and rules of thumb from them.
While we are enjoying the entertaining material in this book, we are painlessly absorbing endgame principles and improving our intuitive decision-making skills. We learn how to calculate and identify key positional elements, and appreciate the beautiful tactics and paradoxical ideas that are unique to the world of pawns.
The Nunn Convention is used throughout the book, and all the material has been checked in detail with modern NNUE-based engines with access to seven-man tablebases.”
International Master Valentin Bogdanov has vast experience as a chess trainer, and is from Ukraine. His pupils include grandmasters Moskalenko, Savchenko and Drozdovsky, and he has acted as a second for the well-known grandmaster and theoretician Viacheslav Eingorn since the late 1970s.
For 50 years he has been a teacher at the chess school in Odesa (Ukraine), and in 2016 won the European Over-65 Championship. In the same year he also qualified as an International Arbiter and has since then officiated over a great many chess events in his country.
This is his fourth book for Gambit.
Before we start our review it is worth watching this video preview from John Nunn and Gambit Publications:
This is a excellent book that has an emphasis on practical king and pawn endgames. All the examples are taken from 1981 onwards which means that the reader will see novel positions rather than a rehash of old favourites. The other fresh approach is the structure of the ten chapters based on themes rather than the number of pawns. This book is not for beginners or very inexperienced club players as it assumes a basic knowledge of elementary pawn endgames. It is aimed at 1750+ chess enthusiasts but ambitious lower rated readers will benefit from some of the easier examples. The more difficult positions will tax GMs. This book would be ideal material for a coach for training purposes to give the students a toolkit of ideas.
The chapter structure is as follows:
Chapter 1: Obvious Errors Chapter 2: Breakthrough Chapter 3: Zugzwang Chapter 4: Opposition and Corresponding Squares Chapter 5:Spare Tempi Chapter 6: The Fight To Promote Chapter 7: Changing the Pawn-Structure Chapter 8: Calculation Chapter 9: Evaluating the Resulting Queen Endings Chapter 10: Positional Play
The reviewer will show examples distributed from all the chapters to give the reader a flavour of this instructional idyll.
Chapter 1: Obvious Errors
Position 21
White, Movsesian, a 2600+ GM played the dreadful blunder 59.Kc6? (throwing away a totally winning pawn endgame. 59.Kc5! wins as the threat is to play Kb4 which will preserve white’s remaining pawn as a b-pawn with the king in front and a reserve tempo move of b3, if 59…a3 60.bxa3! Ke7 61. Kc6 Kd8 62.Kb7! and the a-pawn promotes) 59…Ke6 60.Kb5 reaching this position:
Now, black drew with a common, but nevertheless neat idea: 60…a3! (transforming white’s pawn into a now useless a-pawn, as black’s king is just close enough to draw) 61.bxa3! Kd7! 62.Kb6 Kc8! reaching c8 with an elementary draw
Position 22
This position is simpler than the last one. Both players are rated well over 2500! Black is to play here and after the obvious 83..b3, it is crystal clear to a novice player that both sides are going to promote with a draw, even though white promotes first. If 83…Kb7 trying to impede the advance of the d-pawn, white can play 84.Kf6 making sure that the d-pawn does promote with a stone cold draw. Black played 83…Kb8? (Placing the king on the back rank presumably in the mistaken belief that he could stop the white pawn from promoting. 84.Kf6! b3 85.d7! followed by promoting with check, winning the game, thanks to black’s foolish Kb8 move!
Chapter 2: Breakthrough
This is a key topic in pawn endings and there are many beautiful examples. Sometimes, the threat of a breakthrough can limit the opponent’s king manoeuvres, thus winning the game indirectly. Once a player has seen some pretty examples of this theme, they are never forgotten.
Position 33
White missed a chance for a standard breakthrough against black’s mangled pawns viz: 35.h5 Kd7 36.g5 reaching this key position:
Now there are two main variations:
A) 36…Ke8 37.gxh6! Kf8 38.Kc2 Kg8 39.Kb3
and white wins the race to get a new queen for example: 39… Kh7 (39…a5 40.a4 breaks through) 40.Kb4 Kxh6 41.Kc5 Kxh5 42.Kxd5 Kg4 43.Kc6 Kxf4 44.d5 wins easily
B) 36…fxg5 37.fxg5! Ke8 38.gxh6! Kf8 39.Ke3
39…Kg8 40.Kf4 Kh7 41.Kg5 winning
Back to the original position: white played 35.Kc2? f5! 36.g5 h5! 37. Kb3 draw agreed
Position 36
White has an outside passed a-pawn and was probably dreaming of swapping his a-pawn for black’s c-pawn, leaving black to deal with an outside passed b-pawn, while white’s king mops up the king side pawns winning the game, hence his next move 53.Kc3?
A more alert white player would have spotted the danger of black’s advanced kingside pawns. It might look as though black can only create a passed e-pawn as his extra kingside pawn is on the e-file, but this an illusion: black can now breakthrough creating a pawn configuration that ties down the white king permanently, thus allowing black to win on the queenside. Once seen never forgotten! 53…e4! would have won threatening e3 or f3 winning, if 54.Kd2 f3! 55.gxf3 exf3 reaching a position similar to the game
53…Kd5? 54.a4? Pursing his faulty plan, 54.Kd2! would have drawn 54…e4! 55.Kd2 (55.gxf4 allows an immediate breakthrough 55…e3! 56.fxe3 h4! and the h-pawn queens) 55…f3! 56.gxf3 exf3! reaching this position:
White’s king is tied down and cannot cross to the c-file as this allows a decisive breakthrough of h4! Therefore black’s king can invade on the queenside with decisive gains viz: 57.Ke3 Kc5 58.Ke4 Kb4 59.Kd4 Kxa4 60.Kxc4 h4 61.b3+ Ka3 62.gxh4 g3! 63.Kd40-1
Position 38
White missed the elegant 59.f5! b3 60.Kc3! Kd5 61.e6 fxe6 62.f6 62…gxf6 63.h5! and the h-pawn queens.
White played 59.Kc4? and still won after black missed a draw.
Chapter 3: Zugzwang
Here is a subtle example, but nevertheless didactic:
Position 56
This ending looks like an easy win for black with a extra passed pawn. But be careful! Black played the natural 52…Kg5? which throws away the win. This won’t become clear for a few moves. 52…Kg6! wins 53.f4+ exf3 54.Kxf3! h5 55.Kg3! reaching a position of mutual zugzwang:
If black had played 52…Kg6, white would be on move here and would be lost as 56.Kh3 or 56.Kf3 would be met by 56…h4 and any other king move would allow 56…Kg4 winning easily.
The game continued 55…h4+ 56.Kf3! Kh5 57.Kf4! Kh6 58.e4! h3 59.Kg3 drawn
Chapter 4: Opposition and Corresponding Squares
The introduction to this chapter is excellent explaining the concept of the opposition, the distant opposition, corresponding squares and triangulation.
Here is a simple example from a game between players rated in the 2400s:
Position 70
White played the “active” 55.Ke4? (55.Kf2! maintaining the distant opposition draws a textbook ending) 55…Ke6! winning the opposition 56. Kf3 Kd5 bypassing 57.Ke3 Ke5! 58.Kf3 Kd4 (another bypass) 59.Kf2 Kd3 60.Kf3 g4+ and white threw in the towel
Chapter 5: Spare Tempi
Position 105
The author’s explanation of black’s defensive plan here is pithy and pedagogical:
“Black’s defensive plan is to let White take the a7-pawn and then block the king in permanently in front of his own a-pawn. For this idea to work, Black needs a spare tempo on the kingside, as otherwise he will be forced to release the white king from its a-file prison. Immediately fixing the kingside pawns by 43…g5!? secures two such tempi and is the simplest path to a draw viz: 44.Kc6 Ke5 45.Kb7 Kd6! 46.Kxa7 Kc7! 47.h3 h6 48.a6 h5!”
White does not enough tempi to release his imprisoned king.
In practice Black played 43…Kd7 which retains the draw but mis-defended on the next move and lost.
Interestingly, I had a similar position in a game many decades ago with reversed flanks. I won the game and proudly showed the endgame to a friend, who promptly demonstrated a drawing plan for my opponent identical to this game.
Chapter 6: The Fight To Promote
White totally mis-assessed the resulting king and pawn endgame after the exchange of queens here. He probably thought that his connected passed pawns on the kingside were at least a match for black’s queenside majority.
What white missed was that black can create a passed a-pawn and a passed d-pawn (separated by two files) and these pawns can reach the fifth rank safely which means they are unstoppable.
White played the desperate 39.c4 dxc4+ (39…bxc4+ also wins) 40.Kc3 a3 41.h4 Kg6 42.g5 h5 43.Kd2 b4 44.Kc2 c3 white resigned
7: Changing the Pawn-Structure
This is one of the most complex chapters and the hardest to evaluate in practice.
The reviewer will show an excellent example to show a typical idea:
Position 153
Black played the automatic 46…Kc6? White won with a well known technique exploiting the fact that his king is one move ahead in the race to the kingside 47.h4! f5 48.g3! Kc5 (48…Kc7 49.Ka7 Kc6 50.Kb8 wins) 49.Kb7! and black resigned because of this variation: 49…b5 50.axb5 Kxb5 51.Kc7 Kc4 52.Kd6 Kd3 53.Ke6 Ke3 54.Kf6 Kf3 55.Kxg6! Kxg3
56.Kg5! winning
Going back to the original position:
Instead of the passive 46…Kc6? black can actively rearrange the kingside pawn structure to draw as follows:
Black draws here with 57…Ke4! 58.Kg5 Ke5! 59.Kxh4 Kf4! 60.g4 (60.g3 Ke3 draws) 60…Ke5! 61.g5 f4! 62.Kg4 Ke4! leads to a drawn Q + h-pawn v Q endgame
Position 158
The reviewer loves this endgame.
This king and pawn ending is clearly drawn but white is pressing with a more advanced king. White played 50.h4 setting a subtle trap. 50…h5? losing, incredible to believe but it is true. 50…Kd7 draws, for example 51.g4 f6+ 52.Kd5 e6+ 53.Kc5 h6 54. e5 fxe5 55.fxe5 Kc7 seizing the opposition and drawing 51.f5! f6+ 52.Ke6! gxf5
Now white played 53. e5! which had been completed missed by black (automatic recapture syndrome) 53… fxe5 54.Kxe5! Kd7 55.Kxf5! Kd6 56.Kg5 Ke5 57.Kxh5! Kf4
Now white can enter a winning queen endgame with 58.Kg6! e5 59.h5! e4 60.h6! e3 61.h7! e2! 62.h8Q e1Q
This looks drawn as the white g-pawn is only on the second rank and the black king is close to it. However, white has a series of checks to exploit the poor position of the black pieces viz:
63. Qb8+ Kg4 64. Qc8+ Kf4 (64…Kg3 65.Qh3! is the same as the game) 65. Qf5+ Kg3 66.Qh3+ Ke5 67.g4!
Surprisingly this is a tablebase win even though the g-pawn is only on the fourth rank. Looking more closely at the position, black’s pieces are badly placed with the king interfering with the queen. If the black king was in the south west corner, he would draw.
Gelfand did win this game about 50 moves later after mistakes by both sides.
Chapter 8: Calculation
Clearly this is absolutely critical in king and pawn endings. Here is a relatively simple example:
Position 172
Black played the obvious exchange 47…hxg5? which loses trivially 48.hxg5! Kf1 49.Kf3! Kg1 50.Kg3 (50.g6 Kh2 51.Kg4! also wins) 50…Kg1 51.g6! Black resigned as white’s king travels to f7 and black’s cannot get to h6 in time.
Going back to the start:
Black can draw with 47…h5! After 48.g6 viz:
As soon as white plays Kxh5, black will answer Kf4 stalemate! If white goes after the g-pawn, black draws by going after the h-pawn, for example 48…Kf1 49.Kf4 Kg2 50.Ke5 Kh3 51.Ke6 Kxh4 52.Kf7 Kg3 53.Kg7 h4 54.Kf6 h3 55.g7 h2 56.g8Q+ Kf2 drawing
Chapter 9: Evaluating the Resulting Queen Endings
The introduction to this chapter by the author is a superb summary of the intricacies of these transitions. The reviewer has already given an example from Chapter 7 (position 158), so I will leave the reader to buy the book to sample this chapter.
Chapter 10: Positional Play
Position 259
This looks very difficult for black as not only does white have a potential outside passed pawn but also a better king. He played 52…Kc6? and lost. Buy the book to find out how black can draw or work it for yourself!
In summary, this is a really good book and close study will reap rewards. The book is very well laid out and is easy to read with lots of diagrams. Thoroughly recommended.
FM Richard Webb, Chineham, Hampshire, 30th May 2021
I have a parochial interest in any book on Reginald Pryce Michell because he ended his playing career as a member of Kingston Chess Club of which I have the privilege to be President. His main career was in the first third of the twentieth century. Other notable contemporary club members from the 1930s include the legendary Pakistani player Mir Sultan Khan, the chess author Edward Guthlac Sergeant and Joseph Henry Blake against whom we show some Michell games below.
Updated and Expanded Edition
This new book from Carsten Hansen is a welcome addition to the coverage of an important player who represented England. It is an update and expansion of the book originally published in 1947 by Pitman, London and compiled by Julius du Mont, the former editor of British Chess Magazine.
The original book has long been out of print so the new book allows players to familiarise themselves with an almost-forgotten former luminary of English chess.
Reginald Pryce Michell
I share some background on R. P. Michell from my article on the history of Kingston Chess Club.
Michell (1873-1938) was the British amateur chess champion in 1902 and played for Great Britain in the inaugural 1927 Olympiad in London and the 1933 Olympiad in Folkestone. He played in eight England v USA cable matches between 1901 and 1911. He participated in the Hastings Premier over 20 years, defeating both Sultan Khan and Vera Menchik in 1932/33. He finished second, third and fourth in the British championship (officially constituted in 1904), beating the multiple champion H.E. Atkins on several occasions. Modern estimates have placed him at the level of a strong international master.
Michell’s track record is all the more remarkable because he worked in a senior position at the Admiralty throughout his career which left him little time to study chess theory or enter competitions. He had a “wide knowledge of English and French literature, and a book of essays in either language was his standby for any unoccupied moment.” He died aged 65 which was the official retirement age at that time.
Michell excelled in the middle game and could hold his own in the endgame as attested by his draws against endgame maestros Capablanca and Rubinstein. In the only article he ever wrote about chess, he singled out books on the endgame as the most useful for practical purposes.
E.G. Sergeant wrote of him: “Michell’s courtesy as a chess opponent was proverbial, and on the rare occasions when he lost he always took as much interest in playing the game over afterwards as when he had won, and never made excuses for losing. Of all my opponents, surely he was the most imperturbable. Onlookers might chatter, whisper, fall off chairs, make a noise of any kind, and it seemed not to disturb him; even when short of time, he just sat with his hands between his knees, thinking, thinking.”
Michell’s wife Edith (maiden name Edith Mary Ann Tapsell) was British women’s champion in 1931 (jointly), 1932 and 1935, and played alongside him for Kingston & Thames Valley chess club.
A Master of British Chess – what’s new?
The original book covered 36 games; the new book has been expanded considerably to 67 games. Moreover, the additional games are against some of the most notable players of the era including several world champions. Chess historians should be grateful for the revival of the original game selection, which du Mont described as “characteristic games”, by the addition of another 31 “notable games”.
Self-published books are a labour of love because the subject lacks the mileage to justify the attention of a conventional publisher. The author lacks the quality assurance tasks typically carried out by a publisher such as proofreading and fact-checking. This is apparent in the first part of the book which reproduces the text from the original, presumably using a scanner which hiccoughed over some obscure passages. The spelling has been converted to American which grates for a book on a quintessentially English player.
A frustrating omission in the new book is a list of games to navigate the collection; the original book contained a list showing game numbers, players, event locations and dates. In mitigation, the new book does have a useful index of openings and ECO codes as well as an index of opponents. Hansen claims that the first book had 37 games whereas it had 36. Perhaps we can take comfort that later Amazon printings will correct these infelicities.
The new book has some significant improvements over the original. As one might expect, the moves are now in algebraic rather than the descriptive format with which most players under 50 are now unfamiliar. In the text, whilst d-pawn is the modern equivalent of the queen’s pawn, I still hanker after naming the pawn according to the name of the file; it would be a comforting continuity with descriptive notation. The openings are given their modern names with ECO classifications. Casual readers will appreciate the increased number of diagrams accompanying each game. For example, for the game Blake v Michell, Caterham 1926, the original book only had one diagram compared to a generous five for the new book. Many of the original games did not appear in any commercial database. No doubt this situation will be remedied in short order.
The most frequent opponents listed in the revised book include his strong English contemporaries: Sir George Thomas, William Winter and Fred Yates with four games apiece. Hansen added notable opponents who should have been included in the first book on account of their elevated status in the chess world including five world champions: Alekhine, Botvinnik, Capablanca (two games), Euwe, Menchik (woman world champion) as well as Maroczy, Marshall, Rubinstein and Sultan Khan who were posthumously recognised as grandmasters.
The Edited First Part
The first part of the book carries the concise game summaries of the original which were proofread by the precocious Leonard Barden whilst still at Whitgift School who lived a short cycle ride from du Mont in Thornton Heath. The book came out a year later in 1947 when Barden started his National Service.
The editor of Chess Magazine, Baruch Wood, was scathing in his book review:
“Britain is far from the top of the chess tree and there must be a hundred British players with better justification for the publication of a book of their games than Michell. Mr du Mont’s graceful pen has made the most of his subject. The price of the book (10/6 for 108pp, 36 games) is so extraordinarily high that one feels some appeal is being made to sentiment.”
No doubt the fact that du Mont was the editor of a rival magazine may have diluted Wood’s objectivity. England did not have a surfeit of players and Michell would have been in the first rank.
Hansen has added his comments as italicised notes in the text in the contemporary rather dry style redolent of engine and database analysis. Inevitably, he has identified some improvements and errors which were not noticed in the original. These include not only outright blunders but also the missed opportunities. The logic of this approach is harsh and sits somewhat uncomfortably with the convention that the chess public is more forgiving of a failure to play the best move than of making a blunder. Treating both these types of inaccuracy symmetrically makes the world feel less tolerant.
Misattribution
The most significant discovery by Hansen is that one of the games (game 27) had been misattributed regarding who played White. du Mont had Michell defeating Max Euwe (World Champion 1935-1937) at Hastings 1931 whereas Michell had lost.
Hansen surmises that the game intended for the collection was the game they played in the following year’s Hastings tournament when Michell had Euwe on the ropes but the game ended in a draw. We don’t know exactly how this error occurred but confusion sometimes arises when quoting games at Hastings. This famous long-running annual tournament traditionally takes place in the period between Christmas and the New Year and is described according to the year it starts and the year it ends. Michell lost the game played in 1930/31 but drew the game they played in 1931/32.
Biography Untouched
Carsten Hansen is a chess analyst rather than a professional biographer so it is perhaps wise that he has not attempted to update the biographical sketch provided by du Mont. When the chess analyst Daniel King wrote a book on Sultan Khan, he got into hot water regarding his contested account of the life of the grandmaster.
Modern Analysis Compared
We may compare annotations between the original and the revised version of the book regarding the above-mentioned game. Here we have (courtesy of CH) an excerpt of the new book on the game Blake v Michell, Caterham, 1926. Blake, although half a generation older than Michell, was described by du Mont as “one of the brilliant band of British amateurs of which R. P. Michell was one.”
and
and
and finally
We may briefly examine the new analysis. The original text by du Mont / Barden criticises Blake’s choice of opening: “This method of development in the Queen’s Pawn game has its disadvantages in that the dark squares on White’s queenside become temporarily weak, and White will have to spend some time on remedying this defect (e.g., 6.a3). That is why the Colle system has come into favour, the basic idea of which is the quiet development of all the white forces with pawns at c3, d4, and e3, starting an attack at the proper time with the move characteristic of the system: e3-e4.”
Hansen gives short shrift to this perspective:
“There is nothing wrong with the text move; in fact, it is a popular set-up for White, played by countless strong grandmasters.”
This blunt contradiction is based upon a century of games played thereafter. However, the original comment may have seemed plausible in the era in which Colle popularised the system and it had yet to be fully proven.
After black’s 18th move (diagram above), the original annotation prefers an alternative to the move played 19. Bxc4: “Undoubtedly, White should play 19. bxc4. His game will now deteriorate due to this weak centre and the backward d-pawn.”
Hansen is again blunt:
“Indeed, the text move is a blunder, whereas after 19. bxc4, White would have had the upper hand.”
According to Deep Hiarcs (running for one minute), the difference in evaluation between 19. bxc4 and 19. Bxc4 is the difference between +0.2 and -0.3. So at worst, this “blunder” puts Blake a third of a pawn behind instead of being a fifth of a pawn ahead. Whilst masters thrive on small measures, it seems an exaggeration to describe capture by the bishop as a blunder. The original narrative merely says that the pawn capture would have been preferable without overstating the difference. Perhaps there is a tendency when aided by an engine to lose sight of the natural uncertainties felt by chess players when ruminating on which piece to recapture with.
Drama at Hastings 1934-35
The foreword on the original book noted that the most dramatic moment of Michell’s career occurred at the annual Hastings Premier 1934-35. He was pitted in the last round against Sir George Thomas, who was then half a point ahead of Dr Euwe, having beaten Capablanca and Botvinnik. Some observers felt that the decent and patriotic course of action was to give Sir George an easy game.
As one later commentator remarked, “In almost any other country, at any other time, the result would have been foreordained: a friendly draw and Thomas finishes no worse than a tie for first. Indeed, many players had to be rooting for the universally beloved Thomas to win and come in sole first.” [1]
There had not been a home winner since Henry Ernest Atkins in 1921, the first year the annual tournament was held. Thomas and Michell were England teammates. However, Thomas slipped up and Michell pressed home his advantage. Thomas lost the game but tied for first place with Euwe and Flohr. Curiously, the original book did not include this crucial game. Hansen includes the game and praises Michell for his principled stance: “But there was a happy ending; Max Euwe, in a better position against tail-ender Norman, made a sporting gesture of his own by offering a draw unnecessarily and settling for a first-place tie with Thomas and Flohr.” [1]
The Second Part
Hansen annotates the games in the new second part of the book in a readable style and does not let Stockfish intrude too much. He even offers his thoughts on some moves rather than taking the engine recommendations. The prose is functional: the game introductions lack the charm of the original game summaries. Whilst sometimes providing some background information on the opponent, there is little attempt in the header to identify the key points from each game.
Hansen is consistent with the narrative style in the first part by avoiding long algebraic variations. Even if his move criticisms are sometimes anachronistic, he has been considerate in generally referring to older games when citing continuations. It must have been tempting to have referred to games played in the database era.
The original book held to the hagiographic compiler’s conceit of not showing any losses save for the aforementioned misattribution. The reader would perhaps have gained more of an understanding of the subject’s character if presented with some games in which he struggled or indeed blundered. For example, Michell was crushed in 21 moves by Atkins at Blackpool in 1937 when he was still in his prime, even if he died a year later.
Hansen does not resist presenting Michell’s loss to the great Capablanca at Hastings in the Victory Congress 1919. It was clear even then that Capablanca would be one of the next holders of the World Championship. The game’s introductory text is misleading: “You don’t often get chances to play the best players in the world, let alone take points from them, even if it is ‘just’ a draw.” The implication is that this game (No. 41) is drawn whereas it is a win for Capablanca. In total the book contains two losses, 14 draws and 51 wins for Michell.
In the majority of the games in the second part, Hansen focuses on blunders by Michell or his opponent. There is no doubt that the top players from a century ago were not as strong as the top players of today but it seems churlish to show so many games with blunders. Comparatively few moves have been awarded an exclamation mark. Perhaps the book should have been shorter with higher-quality games. However, on closer inspection, the “blunders” are treated in the modern sense as discussed above. They are not the traditional blunders, bad moves losing the game, that would have been described by a contemporary annotator. Rather, they are blunders in which the game evaluation has switched by a certain margin.
Michell, a follower of Nimzovich, focused on positional advantages; tactical skirmishes and sacrifices were few and far between. A slight exception to this style was found in the game Blake v Michell, Hastings, 29 December 1923:
Conclusion
R. P. Michell should be an inspiration to amateur players with a full-time career. He made a mark in the chess world using solid play, eschewing theoretical or sharp lines. He held his own against the strongest players in the world. Carsten Hansen has brought welcome attention to this forgotten English master. The new book nearly doubles the number of games covered and introduces modern engine analysis. The reader will find many examples of successful middle-game strategies. Above all, we learn that chess is a struggle: one should keep trying to improve the position and make things difficult for the opponent. I recommend this book, especially to club players looking for new chess ideas.
John Foley, Kingston-upon-Thames, 27th May 2024
Kingston won the Alexander Cup, the Surrey team knockout tournament, in 1931/32 with Michell.
Book Details :
Hardcover : 318 pages
Publisher: CarstenChess (16 Mar. 2024)
Language: English
ISBN-10:8793812884
ISBN-13:978-8793812888
Product Dimensions: 15.24 x 1.83 x 22.86 cm
“Carsten Hansen, a Danish FIDE Master at Chess, was born in 1971. At age 14, he became the youngest master player at chess in Denmark at the time. In 1995, Carsten was contacted by Peter Heine Nielsen to co-author a chess book on the “Sicilian Accelerated Dragon”. Peter had been offered a contract but felt that he wouldn’t be able to write the book on his own and since Hansen had played the opening his entire life, it was a natural fit. The book was released in 1998 to high acclaim and near universal positive reviews. From 1999 to 2013, Hansen was a columnist for the very popular website, ChessCafe.com. He has been a contributor to Skakbladet, Chess Life, and New In Chess”. Hansen is based in New Jersey, and still enjoys playing and writing about chess. He has now authored over 40 chess books. He has made a speciality of reviving old books.
“The Grunfeld Defence is one of the most dynamic openings for Black.
The opening was developed by two famous World Champions, namely Bobby Fischer and Garry Kasparov.
While theory is far from being exhausted and still developing, our author Grandmaster Milos Pavlovic made a strange case and found new alternatives to battle White’s setups. On top this book cuts through the dense theory that surrounds this opening and establishes a total new repertoire based around consistent strategies, concepts and novelties.
This is a fully revised and seriously extended edition of the original book published in 2017.”
About the Author:
“Grandmaster Milos Pavlovic was born in Belgrade in 1964. He has won many chess tournaments worldwide including becoming Yugoslav Champion in 1992. A well-known theoretician, he has published many well-received chess books and numerous articles in a variety of chess magazines. This is his 14th book for Thinkers Publishing.”
This theoretical tome is certainly a comprehensive guide to the contemporary opening theory of the Gruenfeld Defence from black’s point of view . It is certainly a repertoire book for black. There are pithy paragraphs that explain the ideas behind the moves but these are few and far between the dense variations. In my opinion, it is aimed at active 2000+ tournament players. This is in no way a criticism, but an inexperienced player wanting to learn the opening with just this book may be lost in a sea of variations without a mentor and/or a Gruenfeld primer book to explain the ideas.
In terms of layout, the book is easy to read, has sufficient accompanying text and plenty of diagrams to be able to get a good grasp of the lines. The chapter structure is logical with a strong bias toward the contemporary lines played at the top. This slant is perfectly reasonable as trendy lines trickle down to all levels.
This review will briefly summarise the suggested repertoire and highlight a few interesting variation choices from the author.
Chapter 1 covers the “old” Exchange after these moves:
The author has recommended the modern 10…b6 which is the key line now. This supersedes the old 10…Qc7 of Fischer-Spassky days.
The last line covered in this chapter is 11…Bb7 12.Bb3!?
The main move here is 12…cxd4 but the author suggests 12…Na5!? as an improvement. 13.d5 e6 14.c4 exd5 15.exd5 Re8
The author gives 16.h3 (Stockfish suggests the irritating 16.Ba4 when 16…Re5 17.Qd3 17…a6 looks to equalise) 16…Bc8 a neat manoeuvre to rearrange black’s minor pieces to better posts 17.Ng3 Nb7 18.Qd2 Nd6 =
Back to the main line after 12…cxd4 13.cxd4 Na5 14.d5 reaching this position:
I like the author’s didactic comment on this position, explaining white’s positional idea with 14.d5:
“That’s the idea. White doesn’t care about his bishop on b3; he wants to trade the dark-squared bishops on d4 and play a middlegame with a strong knight against a poor bishop on b7”
14…Qd6 15.Re1!?N (15.Bd4 Ba6! ridding black of his poor bishop by exploiting the pin on white’s e2 knight which equalises as played by Gruenfeld expert Grischuk)
15…Rac8 16.Rxc8 (16.Qd2 Nxb3 17.axb3 f5! striking in the centre to equalise) 16…Rxc8 17.Bd4 Ba6 activating the prelate 18.Bxg7 Kxg7 19.Nd4!
White has achieved his goal of centralising his horse although black has activated his bishop and rook. White’s plan is now to advance the h-pawn: black must not faff about. Hence 19…Qb4 20.h4 Qc3! 21.h5 Bd3 with equality.
Chapter 2 covers the “sidelines” other than 11.Rc1 from Diagram 1 above. Sidelines is a slight misnomer as these lines are all important.
The three moves covered are the solid 11.Qd2, the greedy 11.bxc5 and the aggressive 11.h4.
After 11.Qd2 a main line continuation with typical Gruenfeld moves is: 11…Bb7 12.Rad1 cxd4 13.cxd4 Rc8 14.Bh6 Na5! 15. Bxg7 Kxg7 16.Bd3 Nc4 17.Bxc4 Rxc4 reaching a balanced tabiya position where both sides have their trumps:
The greedy 11.bxc5 is obviously critical as it wins a pawn but black has good positional compensation.
After 11…Qc7! the obvious 12.cxb6 axb6 winning a pawn is dismissed briefly with a couple of variations. I do not disagree with the author that this line gives white no advantage, but black players should study this line in more detail, as it is common response from white players.
After 11…Qc7 12.Nd4 Ne5 13.Nb5 Qb8! reaches a key position:
There are two critical lines, the greedy 14.Bd5 and the more popular, solid 14.Be2
Both lines are covered in detail showing adequate play for black to equalise.
11.h4 is extremely interesting and in the author’s opinion, the critical test of 10…b6.
Black should respond 11..e6 12.h5 Qh4
White has two main moves here, the reviewer will show a pretty line after the natural 13.hxg6 hxg6 14.f3 cxd4 15.cxd4 Rd8 16.Qd2
Black looks to be in trouble with 17.Bg5 threatened, however black calmly develops with 16…Bb7 offering a poisoned exchange, after 17.Bg5 17…Qh5 18.Bxd8 loses, after 18…Rxd8, the two bishops and white’s gapping black squares lead to defeat, for example 19.d5 Ne5 20.Rac1 Nxc4 21.Rxc4 Ba6 22.Ra4 Bh6 wins
13.Qc1 is much more dangerous, buy the book to find out how black neutralises this enterprising continuation.
Chapter 3 is all about the Modern Exchange variation with 8.Rb1.
As the author points out, this is a well-known weapon, and for a while, a few decades ago, created massive problems for the Gruenfeld opening. Its fangs have now been drawn; at the moment there are at least two decent variations that equalise for black. Several recent Gruenfeld books such as those by Delchev and Kovalchuk recommend 8…0-0 9.Be2 Nc6 (with 13…Bc7!) which has been known for a while to be perfectly viable for equality. The reviewer thinks that line is perhaps simpler for black, but both that line and the author’s suggestion require a significant amount of theoretical knowledge.
Pavlovic recommends the “old fashioned” Qa5+ taking the a2 pawn.
11.Qd2 is rather anaemic, leading to an equal ending.
After 11.Bd2!? Qxa2 12.0-0 Bg4! Quick development to put pressure on the d4 pawn, not worrying about the b7 pawn.
13.Rxb7 leads to equality although black has to be careful.
Now 13…Bxf3 14.Bxf3 Bxd4 15.e5 Na6! 16.Rxe7 Rad8 is ok for black, the pressure on the d-file makes it hard for white to generate a serious initiative.
The last two sub-variations in this chapter are in a very sharp line:
The author gives two lines for black to achieve equality: 14..g5! and 14…a5! The fact there are two good lines indicates that the line is clearly satisfactory for black.
This is a large chapter and one of the major white systems. There are many subtleties in the placing of white’s rook on c1 or b1. The author has 15 principal lines.
This is the position in the 10.Rb1 line viz:
Pavlovic recommends two different variations for black here:
10…cxd4 going into the queenless middlegame
10…a6 waiting and preventing Rb5
After 10…a6 white’s main move is 11.Rc1: white argues that 10…a6 has weakened black’s queenside.
Black again has two alternatives:
11…cxd4 going into the queenless middlegame
11…Bg4 keeping the queens on
If instead of 10.Rb1 white plays 10.Rc1, Pavlovic unequivocally recommends 10…cxd4 11.cxd4 Qxd2+ as this ending is definitely ok for black.
White can play Be3 and Qd2 before Nf3:
In this, the recommended line is to exchange queens with 10…cxd4 11.cxd4 Qxd2+ which lead to an interesting ending where black is holding his own.
Chapter 5 covers 7.Nf3 c5 sidelines
These variations include:
8.h3
8.Be2
8.Bb5+
I have never faced 8.h3 and have rarely met 8.Bb5+.
On the other hand, I have faced 8.Be2.
There is an exciting exchange sacrifice in this line viz:
1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.cxd5 Nxd5 5.e4 Nxc3 6.bxc3 Bg7 7.Nf3 c5 8.Be2 Nc6 9.d5 (9.Be3 is inept 9…Bg4! and black is at least equal) 9…Bxc3+ 10.Bd2 Bxa1 11.Qxa1 Nd4 12.Nxd4 cxd4 13.Qxd4
Black has two moves, the obvious 13…f6 preserving the material advantage and the probably safer 13…0-0
After 13…f6, the author is of the opinion that 14.Bc4! is exciting and dangerous
After 13…0-0 white can regain the exchange with the obvious 14.Bh6 but loses time and forfeits castling rights after 14…Qa5+ 15.Kf1 f6 16.Bxf8 Rxf8 – this is equal
14.0-0 is more ambitious when 14…Qb6! 15.Qa1!? Bd7 16.Bh6 f6 17.Bxf8 Rxf8 18.Rb1 (18.Qb1 leads to a drawn bishop endgame) 18…Qc7 leads to approximate equality
Chapter 6 covers alternatives on move 7 in the Exchange Variation:
The book shows the following four alternatives:
7.Ba3
7. Bg5
7.Bb5+
7.Qa4+
These moves are rare: in full length games, the reviewer only recalls facing 7.Ba3 once, 7.Bg5 once and has never faced the other two.
Pavlovic handles these lines well. It is interesting that his recommendation against Bb5+ is to play 7…c6 and then play for e5. Many books have suggested rapid queenside expansion for black.
The super trendy 5.Bd2 which is played at all levels
After 5.Na4
Pavlovic recommends the dynamic 5…e5 striking in the centre which is the top engine suggestion. This draws the teeth of this extravagant knight move. (5…Nf6 6.Nc3 Nd5 7.Na4 has been played as a silly repetition draw).
5.Bd2 is a different kettle of fish, the idea is to recapture the knight on c3 with the bishop:
The author recommends a straightforward approach from black viz:
5…Bg7 6.e4 Bxc3 7.Bxc3 0-0 maintaining flexibility & waiting to see which setup white adopts.
The two main lines here are 8.Bc4 and 8.Qd2 which the author covers in great detail. Shirov’s idea of 8.h4!? is covered very briefly with a variation given that is far from best play for white.
In the reviewer’s opinion this is a very important chapter, as this variation is so popular to avoid main line theory. Ironically, this setup now has a large body of practice.
Chapter 8 covers the Russian System. Pavlovic recommends the Prins Variation which is 7..Na6.
As the author points out, black can play this variation against many of white’s tricky move orders involving Qb3. The Prins Variation was often used by Garry Kasparov, so has an excellent pedigree. The reviewer loves this part of the repertoire as black avoids the Hungarian 7…a6 and 7…Nc6 which are both decent systems but very topical. Avoiding the most popular lines does have its advantages.
Chapter 9 covers Qa4+ ideas which is a short chapter. Qa4+ ideas are usually used as a move order trick to get black out of main line theory.
There are two really important positions in this chapter.
and after 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.Nf3 Bg7 5.Qa4+ Bd7 6.Qb3 dxc4 7.Qxc4 0-0 8.e4
White has played a move order to disrupt black’s development by giving him an extra move of Bd7. However, black can exploit the bishop on d7, to play 8…b5! in both positions gaining good play with this energic pawn sacrifice.
Chapter 10 covers the 4.Bf4 line which is very popular at club level and was played by Karpov against Kasparov.
The author gives three major sub-variations in the main line:
14.g4
14.Nxe4
14.Nd5
All these lines are well known and black has equality with care.
Pavlovic suggests a really interesting idea early in one of the main lines which I had not seen before:
Chapter 11 is all about Bg5 ideas which occur on move 4 or 5.
Against 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.Nf3 Bg7 5.Bg5, Pavlovic suggests the traditional 5…Ne4 and against 4.Bg5 he also approves of the knight move to e4.
The solid repertoire here is pretty well known and respectable.
Chapter 12 is a brief chapter on 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.Nf3 Bg7 5.h4!?
The author recommends 5…c6 which is solid and sensible. The author states this is an important new line: it has been around for decades.
After these sensible developing moves 6.cxd5 cxd5 7.Bf4 0-0 8.e3 Nc6 9.Be2 Bg4 resembles a Slav Defence.
White has absolutely nothing here. A draw was soon agreed.
Chapter 13 is about 4.e3 which is a solid continuation, not generally played by the top players. It covers a topical line:
1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.e3 Bg7 5.cxd5 Nxd5
Now white draws the black queen into the centre with 6.Nxd5 Qxd5 only to manoeuvre his other knight to gain time 7.Ne2 0-0 8.Nc3 8…Qd6
But it’s all too slow really. After 9.Be2 black can play 9…c5! sacrificing a pawn for loads of play 10.Nxe4 (10.d5 is the main line but leads to nothing for white) 10…Qc7 11.Nxc5 e5 12.0-0 Rd8 13,Nb3 Nc6 reaching this position:
White can retain his extra pawn with 14.d5, but 14…e4! gains space and after 15.Qc2 Rxd5 16.Qe4 Be6 black has excellent play for a pawn.
The author fails to cover 6.Be2:
This is a solid line that can lead to a reversed Queen’s Gambit, Tarrasch after 6…c5 7.0-0 cxd4. I have faced this as black, against an an IM, so perhaps it should have been covered. Of course, the author has to make a decision on what to include: as this is not a fashionable line, I can understand why the line was omitted.
The final chapter covers 3.f3, a popular anti-Gruenfeld system.
The author recommends the “old” main line with 3…d5 which some authors have eschewed in favour of other systems such as 3…c5 transposing into a kind of Benoni or simply going into a King’s Indian Defence.
The key tabiya is this:
The analysis given by the author is an excellent coverage of all the critical lines from this position and happens to very largely agree with my own investigations.
Here is one fascinating endgame that results after 16.d6 e4! 17.fxe4 Ng4 18.Bg5 Qe8 19.Nf3 Rf7! 20.Qe1 Bxc3! 21.bxc3 Na4 22.Rc1 Nc5 23.Bc4 Be6 24.Bxe6 Qxe6 25.Be7 Nd3 26.Qd2 Nxc1 27.Ng5 Qxa2+ 28. Qxa2 Nxa2 29.Nxf7 Nxc3+ 30.Ka1 Kxf7 31.d7 Ra8 32.d8Q Rxd8 33.Bxd8 Nxe4 34.Rxb7 Ne3 35.Rb2 Kd5
This is a draw as white’s rook and king are passive. This occurred in a correspondence game and the reviewer has had it in an on-line blitz game: white allowed a perpetual with the two knights in a few moves.
The only major variation that has been missed from the book is the Fianchetto Variation which is pretty popular as a solid, positional line. In the reviewer’s last game with the Gruenfeld, he did indeed face a Fianchetto Variation. This is a significant omission but does not spoil an excellent publication on the Gruenfeld Defence.
The reviewer notes a fair few typos in the book.
FM Richard Webb, Basingstoke, Hampshire, 12th May 2024
Book Details :
Hardcover : 404 pages
Publisher:Thinkers Publishing; 2nd edition (2 May 2024)
“The book you have just started reading is about a very interesting and difficult concept: the exchange sacrifice. This is the moment in chess when basic mathematics breaks down, the moment when 3 counts equal to or even more than 5. So let us leave the mathematics aside and try to figure out why this simple calculation is so difficult to understand.
The answer is largely hidden in psychology, as the ninth World Champion, Tigran Petrosian, has often told us, as the man who brought this strategic-tactical chess concept to its first peak. Chess beginners were taught the value of pieces by their teachers (parents, grandparents, perhaps at school or even later in the beginners’ sections of chess clubs).
We explain the difference between piece values to children in the simplest way possible, with the help of a unit of measurement, and in chess those units are the pawns. They tell us that a rook is worth five pawns (units) and a knight and a bishop are worth about three each. They also tell us to always be careful, especially during exchanges, to ensure we take at least as much from our opponent as he or she took from us. So, one rook at a time, perhaps for a bishop and a knight next to two pawns. This “chess thinking” is done quickly and very strongly subconsciously in most, one could even say all. Therefore, when choosing moves, we will automatically reject unfavourable exchanges. But who trades a queen for a knight, a bishop for a pawn, and the like? We know from our own life experience that it is better to have ten coins in our pocket than three, and I prefer three to one!
This psychological barrier is the most difficult step in making the decision to sacrifice. And so it is with the sacrifice of an exchange. Five for three, that is! Even five for four, if we get a pawn for the rook along with the knight or the bishop. “I am not stupid,” you think. The Exchange Sacrifice Unleashed brings different games or coaches try to explain this and that to us, we see that a material advantage is not always something to celebrate about.”
About the Author:
“Georg Mohr was born in Maribor, Slovenia in 1965 becoming a Grandmaster in 1997. He joined as a member of the FIDE Trainers Commission from 2002, becoming a FIDE Senior Trainer in 2004 and a FIDE International Organizer in 2011. Georg has been a professional chess trainer for many years. He was coach and captain of Slovenian national team from 2003 – 2010 and since 2011 he has been Turkish national youth trainer. He is a chess writer and was editor of Slovenian chess magazine Šahovska Misel from 1999 and editor of Fide Trainers Commission trainers’ surveys. He is also an organiser of chess events acting as tournament director of the European Club Cup (Rogaška Slatina 2011), the World Youth Championship (Maribor 2012) and the World Senior Championship (Bled 2018). This is his third book for ‘Thinkers Publishing’.”
Chapter 1 – The Exchange Sacrifice for the Attack
Chapter 2 – Defence!
Chapter 3 – Ending
Chapter 4 – Exchange Sacrifice in the Opening
Chapter 5 – Critical Squares
Chapter 6 – The Positional Exchange Sacrifice
Chapter 7 – World Champions and the Exchange Sacrifice
Chapter 1 is divided into seven themed subsections, each with plenty of entertaining and didactic examples of exchange sacrifices for the attack.
Here is a splendid finish from the “King in the centre” segment:
Karpov, who was crowned World Champion, in 1975, had played a rather inept French Defence, Winawer variation. The great theoretician, Efim Geller finished him off neatly with a exchange sacrifice removing a key defender:
21.Rxb8+! Qxb8 (21…Bxb8?? 22.Qxc6+ wins quickly) 22.Qxc6+ Kf8 23.Nf4 Ra7 24.Nh4 (The knights close in to stomp on Black) 24… Qe8?! (Allowing a lovely combination)
Here is a very famous defensive exchange sacrifice from Chapter 2.
Black, Petrosian is some trouble as White dominates the centre, has more space and good attacking chances on the kingside with h4, h5 etc.
Black played 25…Re6! If White takes the exchange straightaway with 26.Bxe6 fxe6, he cannot prevent Black’s knight moving to d5, a possible continuation is 27.Rf3 Ne7 28.Bc1 Nd5 29.Qg3 Rc8 30.Bd2 b4! reaching this position:
Black has plenty of play with very active pieces and White’s rooks defensively placed. This is a Petrosian blockade at its best. Modern analysis suggests 26.h4! as best.
The game continued 26.a4 Ne7! 27.Bxe6 fxe6 reaching this celebrated position:
Black is almost equal, Reshevsky bailed out with a draw on move 41.
Chapter 3 is an excellent chapter about exchange sacrifices in the ending.
Here is an instructive position with a pawn up in a rook and opposite colour bishop ending:
White has just played 79.Kh3 and at first glance appears to be holding. Black played 79…Rxc5! 80.bxc5 Kd5 winning another pawn: the passive rook dooms White and Black won by pushing the b-pawn supported by the king.
A famous Fischer finish is very instructive:
White has just played 30.Re1? which Fischer ruthlessly exploited with a neat simplification:
30…Rxc3+! 31.bxc3 Rxe5+ 32.Kd2 Rxe1 33.Kxe1 Kd5 34.Kd2 Kc4 35.h5 b6! creating an outside passed pawn which won easily:
Chapter 4 covers some exchange sacrifices in the opening. I shall give two examples, one of which I fell into as a junior player:
White has just played 13.Qf3? winning material which was met with the excellent 13…Nd4! 14.Nc7+ Qxc7 15.Qxa8+ Ke7 with a nasty threat of b4! 16.c3 b4! 17cxb4 Qb6 18.Bxa6 Qb4 19.Kf1
Now, the engine gives 19…Bh6! which wins prettily. The game continued with the tempting 19…Qd2 20.h3 (20.h4! limits White disadvantage, 20.Re1?? is a gross blunder as played by the reviewer, losing to 20…Bd3+ followed by a smothered mate) 20…Bd3+ 21.Bxd3 Qxd3+ 22. Kg1 Bh6! 23. Qb7 (23.Qxh8 Ne2+ 24.Kf1 Ng3+ 25.Kg1 Bf4! winning)23…Kf6 and Black won
There is a special section on some Gruenfeld exchange sacrifices:
Buy the book to see a couple of exciting Gruenfeld games.
There are of course, plenty of Sicilian Rxc3 examples which is the most famous and important exchange sacrifice. Here is an example from the Dragon Variation in an old variation which is rare nowadays:
White’s attack looks powerful, but the well-known sequence starting with 16…Nxe4! leads to equality which modern engines confirm. 17.Qe3! Rxc3! removing the key attacker 18.bxc3 Nf6! Although Kasparov won, Black’s opening was a success.
A pretty example from a Sicilian Paulsen is given showing an offering for black square domination:
Black has just played the risky 6…Bb4 against one of the best theoreticians
which is ruthlessly punished: 7.e5! Nd5 8.0-0! Nxc3 9.bxc3 Bxc3 10.Ba3!
Throwing in an exchange as well, Black is now in real trouble as his king is trapped in the with a weak colour complex on the black squares.
Chapter 5 Critical Squares has plenty of traditional Sicilian exchange sacrifices on c3.
Here is an example from the Sicilian Defence, Sozin Variation:
Black played the natural 16…Rxc3! and won a nice game. The reviewer has played Rxc3 is a very similar position and also won a good game.
Chapter 6 – The Positional Exchange Sacrifice is really the heart of the book with 22 themes.
Here is a good example from the Exchange sacrifice to dominate the black squares section:
Adams has played a rather insipid Classical Variation against the Dragon. Black played 17…Rxd4! 18.Rxd4 Rb8! (activating the black rook, also preventing white from playing Rb4) 19.f4?! (19.Rb1 with equality according to the engines, but black is having all the fun) 19…exf3 20.Bxf3 Bxe5 and Black won a lovely game.
The final chapter shows many didactic examples from the World Champions.
I would suggest that the book is aimed at 1750+ players. The book is well produced in an easy to read style with plenty of diagrams and themes to learn from.
However, there are more than a few typographical errors/grammatical errors and the reviewer has spotted an incorrect diagram at the top of page 31. Although this does not detract from the many merits of the book, perhaps future publications should address this.
FM Richard Webb, Basingstoke, Hampshire, 10th May 2024
“Matthew Sadler is the world’s greatest expert in computer chess – and what it brings to us humans in new insights. In this book, the authors have unleashed the collective power of Leela, Komodo and Stockfish to look at 35 classic games played by fan favourites such as Boris Spassky, Mikhail Tal, Bent Larsen and Bobby Fischer. The authors have re-engineered a wonderful collection of classic games. Their findings illustrate the richness and beauty of chess. But they have also generated dozens of positional chess lessons that will help every club player and expert to improve their game.”
From the back cover:
“Are you ready for new strategic insights about thirty-five of the most fascinating and complex chess games ever played by World Champions and other top grandmasters? Grandmaster Matthew Sadler and renowned chess writer Steve Giddins take a fresh look at some classic games ranging from Anderssen-Dufresne, played in 1852, to Botvinnik-Bronstein (1951) and Geller-Euwe (1953). They unleashed the collective power of Leela, Komodo and Stockfish to help us humans understand what happened in games of fan favourites such as Boris Spassky, Mikhail Tal, Bent Larsen and Bobby Fischer.
“The first chess engines improved our appreciation of the classic games by pointing out the tactical mistakes in the original, contemporary game notes, But the expertise of Matthew Sadler is to uncover the positional course of a game with the help of the second generation of chess engines that emerged after 2018.
“This book will change your perception of these games’ strategic and technical patterns. You will, for example, learn to appreciate and understand a classic Capablanca endgame. And a classic Petrosian exchange sacrifice. And a winning, and then losing, king-hunt endgame between Spassky and Tal. You will see how Larsen already understood the strength of the h-pawn march far before AlphaZero’s revelation. The engines offer new strategic ideas and plans that human players have yet to consider. Even ‘the best even anti-King’s Indian player’, Viktor Korchnoi, would be amazed by the engine’s unique ideas about White’s breakthroughs on the queenside.
The most instructive games are often those which are more strategic and technical. Using modern engines, the authors have re-engineered a wonderful collection of classic games, generating dozens of positional chess lessons that will help every club player and expert improve their game.”
About the authors:
Matthew Sadler (1974) is a Grandmaster and a former British Champion. He has been writing the famous Sadler on Books column for New In Chess magazine for many years. With his co-author Natasha Regan, Sadler twice won the prestigious English Chess Federation Book of the Year Award. In 2016 for Chess for Life and in 2019 for their worldwide bestseller Game Changer: AlphaZero’s Groundbreaking Chess Strategies and the Promise of AI.
Steve Giddins is a FIDE Master from England, and a highly experienced chess writer and journalist. He compiled and edited The New In Chess Book of Chess Improvement, the bestselling anthology of master classes from New In Chess magazine.
What we have here is a collection of 35 games annotated in depth using the latest technology. In their introduction the authors mention 40 games, and Matthew, in his technical note, refers to Korchnoi – Van Wely (Game 34) as Game 39. It seems, then, that five games were removed at the last minute to save space and keep the cost of the book down.
The games all predate the modern computer age, dating from Anderssen – Dufresne (the Evergreen Game) in 1852 to Portisch – Chiburdanidze in 1998. All the World Champions up to Karpov with the exception of Smyslov are featured. It’s noticeable that five of the games feature at least one female player.
It’s a lovely (to use Matthew’s favourite word) collection as well. We have some wild tactical games as well as strategic and technical masterpieces, and many games with both elements. While some will be perhaps over-familiar there will be others you probably haven’t seen before.
What the authors have done is subjected their chosen games to extensive computer analysis, playing engine v engine matches (mostly involving versions of Stockfish, Leela and Komodo) from critical positions in an attempt to discover the objective truth about at what point the winner reached a decisive advantage. Some of these games have been included in the notes, indicated by a vertical line to the left of the column, so that you can easily skip them if you don’t want to play them through. You can see how this works by referring to the sample pages here.
One game that interested me was Znosko-Borovsky – Alekhine (Paris 1933).
Ever since the days of Capablanca, there has been a tendency to assume that a small advantage somehow automatically leads to a win, in the hands of a great technical master such as Capablanca or Karpov.
If you’re familiar (as you should be) with Alekhine’s best games collections, you may recall that in this position he formed a six-point plan which would by force lead to a winning position.
By this point Alekhine had completed his plan, reaching a position where his king is more active and his rook can infiltrate via the open a-file. Znosko-Borovsky erred here by playing 33. c4?, after which he was definitely losing, but the engine games where White remained passive with something like Be1 were all drawn.
Of course you have to factor in the human element as well. The position was easier for Black to play, and the black pieces were handled by a player of extraordinary ability, but one of the lessons you learn from this book is how many positions that appear bad can be defended successfully.
A game I really enjoyed was that between two future World Champions, Spassky and Tal, from the final round of the 1958 Soviet Championship. Spassky, playing white, had to win to guarantee qualification for the Interzonal later that year. A rook ending was reached in which both players promoted. Spassky started chasing Tal’s king round the board, but, tragically for him, blundered away first the win and then the draw, and found himself out of the world championship cycle. As you know, Tal went on to win first the Interzonal, and then the Candidates before taking the title off Botvinnik (the 6th game from this match also features here).
The analysis of the queen and rook ending provided by the authors here is some of the most extraordinary I’ve seen. If, like me, you find positions with major pieces on the board and both kings in danger extremely scary you’ll want to see this.
Here’s the complete game, without annotations. Click on any move to play it through.
The Korchnoi-Van Wely game mentioned above (Antwerp 1997) reached this typical Mar del Plata King’s Indian position.
Korchnoi played 17. a6, and suggested that, instead of the game continuation of bxa6, 17… b6 18. cxb6 cxb6 should have been played.
The engines disagree, thinking that White is a lot better in that variation, and continuing 19. Nb4, Nc6, Na4, with Nxa7 and Nxb6 to follow.
“So many things about this game were new, unexpected and instructive for me, and so many things are now memorable for me too”, says Matthew in his technical note.
It’s a fascinating book, I think you’ll appreciate, which will be of interest to most chess players. Stronger players in particular will find a lot to learn from the games demonstrated here as well. The names of the authors, along with that of the publisher, are a guarantee of excellence, and the production is up to their customary high standards.
If, like one prominent UK chess book reviewer, you think pre-computer games should be left as they are rather than taken apart like this, you should perhaps turn away. I’m also not sure how many readers will actually play through the engine v engine games. I certainly haven’t done so, and, from a purely personal perspective, would have preferred rather fewer of them in the book, with perhaps a download available so that I could play through them on my computer at my leisure. This might have made room for the mysteriously missing five games.
I do have one other problem, which probably won’t matter to you, but does to me, but the authors fail the Yates test. His first name was plain Fred, not Frederick as given in the book.
The short final chapter sums up what you can learn from the engines:
1. Avoid passive pieces!
2. Grab space!
3. Use your rook’s pawns!
4. Small advantages don’t always win!
5. Use the whole board!
6. Be an absolute tactical genius, who never misses anything!!
Read this book, learn these lessons, and perhaps you too will be able to play as well as Stockfish!
Highly recommended if you like the concept of the book (I’d suggest you look at the sample page first). I’d be more than happy to see a second volume.
The idea of the move 1. Nc3 is to confuse the second player, as White plays a supposedly unambitious move to mislead Black. This is why we found the name “Trojan Horse” very appropriate for the move 1. Nc3, just as the gift from Ulysses to the Trojans appeared to be a tricky and poisoned gift. The appropriate term for chess will, therefore, be the Trojan Knight to refer to the Trojan Horse.
1. Nc3 became popular among professional players, and many grandmasters have added it to their repertoire or played it occasionally in official games: Nakamura, Morozevich, Rapport, Bauer, Vallejo Pons… However, it is especially in rapid games that it has reached the world elite, and the very best players in the world have tried it: Carlsen, Mamedyarov, Andreikin and Firouzja for example. I truly hope that seeing the very best players in the world playing it will convince even the most sceptical critics.
About the Author:
The author Bruno Dieu is a FIDE Master and became French Correspondence Chess Champion in 2000. He has a rich experience in chess, having participated in various chess tournaments, both over the board and in correspondence. It’s fascinating that he has competed with notable experts and writers on the 1 Nc3, such as Dick Van Geet, Anker Aasum, and Harald Keilhack. The mention of a book being a token of his experience suggests that he has documented his insights and knowledge about this opening.
This absorbing and well-thought tome is a delight and covers a wealth of material after White’s opening salvo with 1.Nc3.
First encounters
As a junior, the reviewer knew this opening as the Dunst opening. I first met the Dunst on 18 January 1975 in a simul in London against the late and great Tony Miles, a year before he became the first UK-born, over-the-board chess GM. The game transposed into the Four Knights opening and I was inevitably steadily outplayed by Miles, who won a pawn with a neat back rank combination in a major piece middlegame. Unexpectedly, Miles faltered in a winning rook and pawn endgame at move 47, wasting a vital tempo, allowing an excited junior to escape with a draw. My next encounter with the Dunst was a few months later against another strong Birmingham player. This time, booked up, I played the so called refutation with 1…d5 reaching this position:
The inexperienced junior, as Black, came up with the positional howler 10…f5? but managed to draw again when my opponent blundered by opting to exchange into an optically good, but drawn king and pawn endgame. This line is covered in the book, 10…f6 is certainly a better move, although the author prefers 10.Nd2 for White.
A callow player as Black may regard the Trojan Knight as just another unusual opening move which aims to avoid main line theory. On the contrary, as the author points out, 1.Nc3 is a cunning move full of transpositional possibilities whereby the second player can end up in an unfamiliar opening.
I have faced the Trojan Knight on 15 occasions replying 1…e5 in my first game, 1…d5 in my second outing and 1…c5 in subsequent encounters.
The reviewer has opted for the Trojan Knight as White in a total of 15 games; the transposition statistics are of interest:
Sicilian (4 games)
French (2 games)
Caro-Kann (1 game)
Vienna (1 game)
Czech Pirc (1 game)
Irregular queen’s pawn (1 game)
1…b6 1 (game)
Trojan Knight main line 1…d5 2.e4 d4 (1 game)
Trojan Knight main line 1…e5 2.Nf3 Nc6 3.d4 (3 games)
This small sample shows the variety of branches available.
The book is logically divided into 6 parts:
PART I – 1…e5
PART II – 1…d5 2.e4 d4
PART III – 1…d5 2.e4 dxe4
PART IV – 1…d5 – Caro-Kann, French & Alekhine Style
PART V – 1…c5 – Sicilian Style
PART VI – Other First Moves
PART I – 1…e5
This is the natural response which was the move played by the reviewer on first meeting 1.Nc3.
After the following natural moves 1.Nc3 e5 2.Nf3 Nc6 3.d4 exd4 4.Nxd4 this position is reached:
This position obviously has affinities with the Scotch Game and of course can transpose if both players acquiesce. Black can can get into difficulties very quickly here with a sloppy move. A few examples given are:
4…Qf6? (played in some lines of the Scotch) 5. Ndb5! winning as c7 collapses.
4… Qh4? 5.Ndb5! (winning)
4…g6? (looks natural to fianchetto, akin to Larsen’s fianchetto variation of the Philidor Defence) 5.Nd5! a6 (5…Bg7 6. Nb5 Be5 7.f4 wins) 6.Bg5! (6.Bf4 is also excellent) 6…f6 7.Bf4 d6 8.e4 Bg7 9.h4 with a clear advantage
4…d5?! (looks natural) 5.Bf4! a6 (5…Bb4 6.Nxc6 Bxc3+ 7.bxc3 bxc6 8.Qd4! with a big plus) 6. e4 with a definite edge
4…Bb4!? is interesting, White can gain an edge with the Scotch like move 5.Nxc6! bxc6 (5…dxc6 is obviously weaker) 6. Qd4! winning the bishop pair or forcing the horrid 6…Bf8?!
Black should interject the capture on c3 in the last line, after 4…Bb4!? 5.Nxc6 Bxc3+ 6. bxc3 bxc6 7.Qd4! Nf6 8.Bg5
White has a small edge. A typical continuation could be 8…h6 9.Bxf6 Qxf6 10.Qxf6 gxf6 11. g3 Rb8 12.Bg2 Ke7 13.Kd2 Ba6
Now 14.Rhb1! with a slight edge to White in a complex endgame.
4…Bc5 is the best move along with 4…Nf6.
The author offers three decent alternatives for white:
5.Be3
5.Nxc6
5.Nf5
5.Nb3 Bb6 6.e4 transposes a Scotch Game main line.
After 5.Nf5 Qf6, the author offers two interesting alternatives 6.g4 and 6.e4. He claims that 6.g4 is very strong, but the author’s analysis has a significant hole. After 6.g4 Bb4 7.Bd2 Nge7 8.e4:
The author offers the anaemic 8…Nxf5 for Black, after 9.gxf5 Qh4 10.Qf3 Black is in real trouble. The reviewer smelt a rat here as Nxf5 looks too compliant: a quick check with Stockfish reveals 8…d5! equalising. This is a rare significant oversight by the author. Clearly the reviewer has not checked 450+ pages of dense variations but intuition has to be used to choose the positions to use the engine.
6.e4! is better as the author points out leading to Scotch positions where White has a space advantage and although the position is only fractionally better for White, it is easier to play for the first player.
4…Nf6 seems to be the most natural developing move. 5.Bg5! keeps the game in lesser known channels and is better than 5.e4.
Black has to be careful here, not to slip into an inferior position.
The passive 5…Be7 allows 6.Nf5! and White has a definite advantage.
The natural 5…d5? allows 6.Bxf6! and White has a distinct edge.
The natural 5…Bc5! is ok setting up veiled threats against f2. 6.e3! Nxd4 (6…0-0 7.Nd5! and white is a little better) 7.exd4 Be7 Now 8.Qd2 is an improvement on the author’s 8.Qf3 leading to a small advantage to White.
The pin 5…Bb4 is certainly playable, 6.Nxc6 leads to a small White edge.
PART II – 1…d5 2.e4 d4
If there is a problem with 1.Nc3, it is definitely this variation which is critical as Black gains space and time. One of the crucial lines is 1.Nc3 d5 2.e4 d4 3. Nce2 (3.Nb1 Nf6!) 3…e5 4.Ng3 (4.f4 Nc6! 5.Nf3 Bg4!) Be6! 5.Nf3 (5.c3 Nc6!) 5…f6!
This line is the reason that the reviewer gave up on 1.Nc3.
White can try 6.Bb5+ c6 7.Be2!? (7.Ba4 Na6! 8.Bb3 Bxb3! 9.axb3 d3! 10.0-0 Nb4 11.cxd3 Nxb4 12.Ne1 Nh6 and Black has an edge.) 7…g6 (keeping the knight out of f5) 8.0-0 Qd7 9.b4!? Nh6 (9…Bxb4 10.c3! dxc3 11.d4 is better for White as Black’s development is lacking.) and Black is slightly better.
I hope that this short review gives the reader a glimpse into the complexities of this opening. My only small criticism of the book is that the author sometimes puts the best moves in an editorial side line but I realise this is to keep the featured game as the main line.
In summary, this is an excellent book.
FM Richard Webb, Basingstoke, Hampshire, 28th April 2024
Book Details :
Hardcover : 475 pages
Publisher:Thinkers Publishing; 1st edition (1 Mar. 2024)
DragonMasters volume 1 charts the history of the most exciting and dangerous opening known to chess – the Dragon Variation of the Sicilian Defense.
Unlike almost all other books on the Dragon, the focus is not purely on theoretical development. Instead, the author has combined the most historically important games, the famous players who chose to fight either side (sometimes both sides!) of the opening, and the most unexpected and interesting stories featuring the Dragon. World Champions, contenders of the crown, code-breakers, revolutionaries in every sense of the world – all feature in this remarkable and entirely unique look into the history of an opening variation. as the ancient may say: Here be Dragons!
About the Author:
Andrew Burnett is a Scottish FM who represented his country on several occasions. He is the author of cult classic Streetfighting Chess and his love of the Dragon opening stretches back to his teenage years when he was looking to escape 1.e4 e5! He is currently working on the second volume of DragonMasters.
This book is volume 1 of a labour of love devoted to the history, praxis, and famous players who have unleashed the fury of the Dragon Variation or fought to quench the fire of the wyvern.
Volume 1 covers the origin of the Dragon to 1973.
The front and back cover is an engaging, colourful picture.
This publication is not a theoretical treatise on the latest developments in the Sicilian Dragon, although it does give theoretical analyses in relation to historical variations and famous clashes with some references to modern variations and theory.
Many great players have had the Dragon in their regular repertoire, although the reviewer was surprised to find a game of Mikhail Tal’s on the black side, as I had the impression that Tal always preferred the white side. Perhaps the result of the game in this book influenced Tal’s choice: he got crushed. The reviewer will show this amusing brevity later.
The author, Andrew Burnett has a sub-variation in the Modern Variation 12.Kb1 named after him viz:
Chapter 1 – In the beginning
Chapter 2 – Bird’s Folly
Chapter 3 – The World’s Finest Discover The Dragon
Chapter 4 – DragonMasters and DragonAmateurs
Chapter 5 – Hypermodernism and beyond
Chapter 6 – Botvinnik’s Trilogy
Chapter 7 – The War Years
Chapter 8 – The Post-War Years
Chapter 9 – When Giants take sides
Chapter 10 – Revolution in the 60s?
Chapter 11 – The Yugoslav Attack
Chapter 12 – DragonMasters and DragonWriters
Chapter 13 – Candidates and Contenders
Chapter 14 – The English Connection
Chapter 15 – The Dragon is Dead! Long Live the Dragon?
In the preface, Andrew Burnett shows a famous Dragon game which inspired the author to take up the Dragon; it also happens to be one of my favourites viz. Plaskett – Watson from Brighton 1983:
This position had been included in some theoretical treatises of the time with the +- symbol as White’s threat of Bxf6 and Qxh7# looks unstoppable. Jonathon Mestel had looked further and spotted 18…Bxg4! which muddies the waters. (As an aside, Stockfish 16 gives 18…Bxg4! as a draw and 18…Nh5! as a draw. This just shows the richness of chess and amazing hidden resources.)
19.Bxf6 Bh5! Simply blocking the h-file, giving Black time to continue with his attack. Jim Plaskett now goes wrong which is unsurprising as he must have been shocked by Black’s revelation.
20. Bd4? losing but only 20.Rxh5! equalises
Best play after 20.Rxh5! leads to an unexpected repetition draw viz:
As is so often the case in these double edged lines, the game fizzles out to an exciting draw. Brilliant stuff.
The game continuation was a massacre 20…e5! 21.Rxh5 gxh5 22. Qg5 Qb4 23.Bd3 Qxd4 24. Nd5 Qf2+ 25. Be2 Rxc2+ 26.Kxc2 Qxe2+ 27.Kc3 Qxf3+ 28.Kc4 Qb3#
Chapter 1 introduces the first games featuring a Sicilian with a black, kingside fianchetto.
The reviewer was under the false impression that Louis Paulsen was the first to play a Sicilian with a kingside fianchetto. Although Paulsen did play some Dragons including beating Steinitz in London in 1862, it was Marmaduke Wyvill who played the first recorded “high-level Dragon” in 1851 at the celebrated London International tournament. We all remember Adolf Anderssen winning that tournament but do we recall whom he defeated in the final? It was Wyvill.
Some of these first Sicilian fianchetto games don’t resemble the modern Sicilian Dragon move orders and are full of basic strategic mistakes but do give insights into the development of the variation and the Sicilian defence in general. Game 3 of the book demonstrates Paulsen’s win over Steinitz with an hyper accelerated Dragon although he was lost out of the opening!
Louis Paulsen was one of the great pioneers of the Sicilian Defence, not just developing the variation named after him.
Chapter 2 concentrates on Henry Bird’s contribution to early Dragon Praxis.
He was the first player to play the modern Dragon move order:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6
As the author points out, his score with the Dragon was 16 losses, 10 wins and 9 draws which is not brilliant, but taking into account he was playing against the world’s best, it is a respectable Dragon legacy.
Game 7 shows a titanic struggle with Joseph Blackburne. This is the position after the opening:
This could be a modern game with white playing a fairly inept Classical Variation, but making sensible developing moves leaving the main struggle to the middlegame. Bird played the somewhat dubious 14…Qh5?! (better is the natural 14…Nd7 which is clearly equal). Blackburne responded with the impatient move 15.Bxf6 (Simply 15.Qf2 or 15.Rd3 leaves white with a slightly more comfortable position) 15…Bxf5 16.Nd5 Qe5 is equal. The players fought out a exciting draw to move 77. Buy the book to the see the game.
Chapter 3 introduces some of the first games with top players riding the Dragon such as Emmanuel Lasker.
This chapter features some greats such as Tarrasch, Pillsbury and Emmanuel Lasker playing the Dragon at the end of the 19th century and the beginning of the 20th century. The game below shows a typical Dragon trap.
White now played a natural looking move that loses 10.Qd2?? Ne4! 11.Nc6 Qxc3! (Easy to overlook) 12.Qxc3 Nxc3 13. bxc3 Bxc6 (Black is completely winning, a pawn up with a much better pawn structure)
Chapter 4 shows some early games with masters v amateurs.
The first game in this chapter is famous tussle Lasker – Napier at Cambridge Springs 1904. This game is an extremely tactical queenless middlegame and is well worth a look.
Another game covered is a loss by Lasker to a modern idea of an exchange sacrifice on c3 in a simultaneous display. This idea had been seen before but this version is so thematic, it must be shown:
13…Rxc3! (Winning as White’s position falls apart) 14. bxc3 Nxe4 15.Bd3 Nxc3 16.Qe1 Nxd3 17.Qd3 Nc5 18.f6!? (A desperate try)
18…exf6 19.gxf6 Ne4 (19…Bxf6 wins as well) and Black won on move 34.
Chapter 5 features the introduction of two major Dragon lines.
They are 10…Qc8 in the Classical Variation and the DragonDorf played by another great Sicilian pioneer Miguel Najdorf.
The first variation is shown with a famous game Reti -Tartakower
The game continued 11.h3 Ne8 ?! (A modern master would shudder at this move, the natural 11…Rd8 is better, Reti won a good positional game)
The game Reissner – Najdorf from Warsaw 1934 introduces the Dragadorf which Simon Williams reintroduced many decades later.
The game began 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Qd2 a6? (Black cannot play this slowly after castling, if Black wishes to play this way, he must not castle early).
Stockfish already gives White a big advantage. Najdorf did win this game as White did not play incisively enough. See the book to look at these two interesting games.
Chapter 6 features the famous Alekhine-Botvinnik melee from Nottingham 1936 resulting in an exciting short draw.
10…d5!? (The modern preference is for 10…Rc8 when Black may already be better) 11.f5 Bc8 12.exd5 Nb4
A critical position 13.d6!? (13.Bf3! is much stronger leading to a significant White advantage) 13…Qxd6 (leading to a forced perpetual) 14. Bc5 Qf4! 15.Rf1 Qxh2 16.Bxb4 Nxg4 17.Bxg4 Qg3+ 18. Rf2 (Any winning attempt is suicidal) Qg1+ 19.Rf1 Qg3+ 20.Rf2 Qg1+ Draw agreed
Chapter 7 introduces the Levenfish Variation with Mikhail Tal falling victim.
Game 31 showcases the game that introduced the Levenfish Variation at the highest level: Levenfish – Rabinovich Leningrad 1939. The author’s commentary on this game is full of excellent analysis showing many of the traps in the Levenfish and some brilliant white victories. Two of the greatest attacking players have games in this variation including a crushing win by Nezhmetdinov and a crushing loss for Tal. First the Tal miniature:
6…Nc6! (6…Bg7!? is dangerous for Black, but just about playable with care, but 6…Nc6 equalises easily, so why play an inferior risky move?)
7.Nxc6 bxc6 8. e5 (This looks dangerous but is a paper tiger) Nd7! 9.exd6 exd6 10.Be3
10…Qe7?! (10…Be7 is slightly better for black already, the pawn on f4 weakens White’s position) 11.Qd4! Nf6?! (11…Bg7 is hardly better: 12.Qxg7 Qxe3+ 13.Be2 Rf8 14.Rf1 Nb6 15.Rd1 is better for white despite white’s king on e1 as Black is behind in development and has a weaker pawn structure with black squared weaknesses.) 12.0-0-0 Bg7
White has a significant lead in development which he exploits ruthlessly in the style of his opponent:
13.Qxd6! (sacrificing a piece with check) Qxe3+ 14.Kb1 Bd7? (14…Qb6! makes it harder for White but his attack is just too strong) 15.Bb5! (A classic clearance: 15…cxb5 16.Rhe1 wins the queen and although Black has a rook and two bishops for the queen and pawn, his lack of development is fatal) 15…Qb6 16.Rhe1+ Kd8 17.Bxc6 Rb8 (threatening mate but too late) 18. Qe7+ Kc7 19.Rxd7+ Kc8
20.Bb5 (20.Nb5! is quicker mating in four moves, Klavins chooses a prosaic win going into a trivially won endgame) Rb7 21.Rxb7 Qxb7 22.Qxb7+ 1-0
Now the Nezhmetdinov game:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.f4 Bg7?! (Risky) 7.e5! dxe5? (The only decent move here is the surprising 7…Nh5 with the idea 8.g4? Nxf4 9.Bxf4 dxe5 regaining the piece with interest, better for White is 8.Bb5+ Bd7 9.Qe2! with an edge as Black still has to solve the problem of the h5 knight, 9.e6!? looks good but 9…fxe6 10.Nxe6 Bxc3+ 11.bxc3 Qc8! is a mess but dynamically equal) 8.fxe5 (This is a very dangerous position for the unwary)
8…Nd5? (8…Ng4?? 9.Bb5+ wins 9…Bd7 10.Qxg4 wins a piece or 9…Kf8 10.Ne6+ wins the queen. 8…Nfd7 is relatively best 9.e6! Ne5! 10.exf7+ gives a White a pleasant edge but Black can fight) 9.Bb5+ Kf8 10. 0-0 (Black is totally lost) Bxe5 (accelerating the inevitable defeat, and allowing an attractive finish, 10…Nc6 lasts longer) 11.Bh6+ Kg8 12. Nxd5 Qxd5 13.Nf5! Qc5+ 14.Be3 Qc7 15.Nh6+ 1-0
Chapter 8 features a famous victory by a British player, William Winter over David Bronstein in the England – USSR radio match in 1946.
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Nb3!? (Not the most challenging line) 9…Be6 10.Nd5 Bxe6 (Stockfish also likes 10…Rc8 with both moves giving Black a slight edge, but removing the pesky knight now is understandable) 11.exd5 Ne5
12. Be2? (12.0-0-0 is better but Black is at least equal) Qc7 13.0-0 (13…a5! is also good but the move played is an obvious thematic Sicilian move) Nc4 14.Bxc4 Qxc4 15. Rad1?! (The wrong rook, White needs the queen’s rook on the queenside for defence, showing how badly the game is going) 15…Rfc8! 16.Rf2 Nd7 (16…a5! increases Black’s advantage to decisive proportions) 17.Bg5!? (Trying to mix things up, but 17.c3 is better, then Black has 17…a5 with a typical Sicilian initiative and advantage) 17..Bxb2 18.Bxe7 Nb6? (Bronstein’s gamble with Bg5 has paid off as Black goes wrong, much better is 18…Bc3! 19.Qd3 Qb4 maintains a big Black advantage) 19.Bxd6 Rd8
20. Na5?? (A horrible move losing the game, 20.Qb4 or 20.Qf4 holds the balance) 20…Qa6! 21.Qf4 Rxd6 22.c4 Bg7 23.Rfd2 Bh6 24. Rd3 Rad8 25.a4 Bf6 26.Qb5 Qxb5 27.axb5 R6d7 0-1
Chapter 9 introduces some giants into the mix with players such as the great Soviet theoretician Efim Geller who played the Dragon with both colours, and the great Bobby Fischer who was a veritable St George. Fischer famously lost against Cesar Munoz, a Ecuadorean National Master: this game is definitely worth a look.
This chapter also includes the famous Fischer – Larsen clash from Portoroz 1958. The game is in a line that has become topical recently:
This position used to be thought to be slightly better for White with the bishop pair and pressure along the e-file. Modern engines dispute this and reckon Black is more or less equal viz:
Chapter 10 introduces the famous Soltis Variation.
It may not be widely known, but in 1963 Heikki Westerinen introduced the Dragon Soltis Variation to the world, 8 years before Andrew Soltis popularised the variation named after him. This is the stem position:
Westerinen played this line against Bent Larsen, who was one of the protagonists who played the Dragon with both colours. He lost the game, but his opening and early middlegame were fine as he achieved a winning position by move 20: he was outplayed later by a world class player. Buy the book to see analysis of this ground breaking game.
Chapter 11 introduces Geller on the Black side and Anatoly Karpov as a chief Dragon slayer. His game against Gik in the Moscow University championship in 1968 is one of Karpov’s best games.
In this position below Gik made a fatal mistake: 16…Qxc3 no doubt expecting 17.Kb1, so 17.Ne2 came as a rude awakening gaining a crucial tempo, both 16…Nf6 and 16…Rc8 equalise comfortably.
The book analyses this theoretical scuffle in detail.
Chapter 12 is devoted mainly to famous Dragon writers: David Levy and Andrew Soltis.
David Levy, the Scottish IM famously wrote two editions of the Batsford books The Sicilian Dragon. Here Levy faces the former World Champion, Boris Spassky who is in devastating form:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Bc4 Bd7 10.0-0-0 Qb8?! (A trendy line at the time, which is almost certainly unsound, Stockfish does not rate it.)
11.h4! a5? (This is a horrible move, it loses quickly, Stockfish recommends 11..Ne5 12.Bb3 h5 trying to slow down the attack in Soltis style, but Black’s misplaced queen renders this fruitless) 12.Bh6!? (Not the very best, the simple 12.h5 is even stronger winning quickly) 12…Nxe4? (Black pushes his luck with a flawed combination, better was 12…Nxd4 13.h5! Be6 14.Bxg7 Kxg7 14.Qxd4 with a big plus for White) 13. Nxe4 Bxd4 14.h5! (With a huge winning attack)
14…d5 (Desperation, trying to get the queen into the defence) 15.Bxd5 Qxe5 16.Bxf8! (Simple and effective) 16…Qxd5 17.Qh6! Nb4 18.Rxd4! (Removing the last defender) Qxd4 19.Bxe7 1-0
An opening experiment crushed by an attacking great!
Chapter 13 is mainly devoted to two fascinating clashes between Efim Geller and Viktor Korchnoi in their Candidates match in 1971 in Moscow. It also reintroduces Anatoly Karpov who is undoubtedly one of the greatest Dragon slayers, shown in action in a famous tussle with Juergen Dueball at Skopje in 1972. It was Karpov’s endgame skill that won him that game.
The first Geller – Korchnoi shows the good old exchange sacrifice on c3 in all its glory.
White played the poor 12.Bh6?! provoking Black. 12…Bxh6! 13.Qxh6 Rxc3! 14.bxc3 a5! (14…Qc7 is fine as well)
Black is equal here and has a position that is easier and more fun to play. The game was eventually drawn, but Black achieved a winning game but threw it away in mutual time trouble.
Chapter 14 introduces one of the great Dragon specialists, the late and great Tony Miles.
Here is a exciting scrap with another future GM, Michael Stean.
Michael Stean – Tony Miles Hastings 73/74
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Bc4 Nc6 9.Qd2 Bd7 10.h4 h5 11.0-0-0 Rc8 12.Bb3 Ne5 13.Kb1 Nc4 14.Bxc4 Rxc4 15.Nde2 Qc7 !? (An attempt to avoid the main line theory, 15…b5 is the main line which equalises comfortably as played by Kasparov against Anand 16.Bh6 Qa5 =)
16.Bh6 Be6 17.Bxg7 Kxg7 18.Nf4 Qa5 (This position is equal, but Stean comes up with a faulty plan) 19.Nxe6+ (19.Nce2 is equal) fxe6 20.Rh3?! (20.Ne2 is still equal) Rfc8 21.Rg3?
Rxc3! (Now Black is better) 22.bxc3 Rc6 23.Rg5 e5! (Cutting the rook off)
Now Black is slightly better, somehow Miles contrived to lose this game.
Chapter 15 is devoted to one of the most famous gladiatorial contests in the Sicilian Dragon: Anatoly Karpov v Viktor Korchnoi Moscow 1974 game 2 of the Candidates final. The winner was to play Bobby Fischer.
At the time, the position before 16.Nde2 was a topical Dragon tabiya. Korchnoi played the natural reply which is already a mistake.
16…Qa5 (16…Re8 is much better and about equal) 17.Bh6 Bxh6 (17…Bh8 18.Bxf8 Kxf8 19.Qe3 is clearly better for White) 18.Qxh6 Rfc8 19.Rd3 R4c5? (The final mistake, 19…Be6 20. 20.g5 Nxh5 21. Nf4 Qe5 22.Nxh5 gxh5 23. Qxh5 Qg7 24.f4 with a clear advantage to White) 20.g5! (Winning) Rxg5 21.Rd5! Rxd5 22.Nxd5 Re8 23.Nef4 Bc6 24.e5!+- Bxd5 25.exf6 exf6 26.Qxh7+ Kf8 27.Qh8+ 1-0 (27… Ke7 28.Nxd5+ Qxd5 29.Re1+)
It is quite possible that the whole game was prepared analysis.
This game really knocked the Dragon for six, but the Dragoneers soon came up with an antidote 16…Re8.
In summary, this is a well thought out book and an enjoyable read with plenty of exciting, fighting chess. Although it is a history of the Dragon, that story is really a microcosm of the development of modern chess from 1850 onwards.
FM Richard Webb, Basingstoke, Hampshire, 1st April 2024
Book Details :
Hardcover : 385 pages
Publisher:Thinkers Publishing; 1st edition (5 Mar. 2024)
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