Here is the publishers blurb from the rear cover :
“The Black Lion is a thoroughly modern counterattacking system that is a nightmare to face. This wild and aggressive line attempts to take away White’s initiative from a very early stage and is guaranteed to throw your opponents off balance.
The Black Lion is essentially a contemporary and aggressive interpretation of the Philidor Defence (1 e4 e5 2 Nf3 d6). The Black Lion starts with a slightly different move order, 1 e4 d6 2 d4 Nf6 3 Nc3, and now the lion family splits into two different animals: the risky lion (3…Nbd7) or the tame lion (3…e5). Both treatments are thoroughly investigated in this book.
Simon Williams (the Ginger GM) is the ideal guide to explain how to whip up an extremely dangerous attack using either treatment. Williams is well known for his swashbuckling, attacking play and the Black Lion suits his style perfectly. His commentary and annotations are always instructive and entertaining. * The Black Lion is an unusual and dangerous system with little established theory. * White cannot rely on simple, safe moves as such a strategy is liable to be overrun. * The Black Lion is fun and exciting to play!”
About the author:
“Simon Williams is a Grandmaster, a well-known presenter and a widely-followed streamer, as well as a popular writer whose previous books have received great praise. He is much admired for his dynamic and spontaneous attacking style.”
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this is fairly obvious.
There is a helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 128 – 141.
(One thing to note is that despite being published in August 2022, the most recently played cited games are dated from 2019 and, essentially, we have a Chessable course migrated into physical book form. I can’t imagine that this task was straightforward for editor IM Richard Palliser.)
Overall, this book offers a repertoire for Black (against 1.e4 essentially but 1.d4 d6 2.e4 Nf6 could transpose of course) after White has played 3.Nc3 as follows:
and from here on in offering Black the choice of two main continuations which are closely related but which Black can make distinctly different.
which most would characterise as The Modern Philidor rather than a Black Lion (so named in the wonderful The Black Lion: The Chess Predator’s Choice Against Both 1.e4 and 1.d4 by Jerry Van Rekom and Leo Jansen (New in Chess, 2008).
Alternatively Black can essay the more provocative
which you could also term a Modern Philidor or a Lion Defence depending on Black’s subsequent handling of the position.
The Black Lion and Modern Philidor diverge based on what Black does with the Queen’s knight. If Black castles short and leaves the knight on d7 (initially) then we probably have a Modern Philidor. Deferring castling, re-routing the d7 knight to f8, playing h6 and g5 and then the knight goes to g6 and then f4 really is The Black Lion proper.
Anyway, enough of my pedantic nomenclature rambling…
As implied the transpositional possibilities are numerous so organising the material cannot have been easy. One thing to note is that the author advocates 5…Be7 in the main line which is a move order improvement over the older 5…h6 Lion move order. The Introduction lays out the ‘philosophy’ of the approach clearly differentiating the 3…e5 and 3…Nbd7 choices and together with early games provides background knowledge for those new to this …d6 dark square system.
Chapter One: Key Concepts and Lines essentially clothes the skeleton created by the Introduction and includes ideas such as the once feared Shirov Attack:
which is detailed in Chapter 11.
Chapter Two: Common Ideas is the first real exposé of the key Lion idea and spends pages 65 – 128 and 14 full games detailing the really quite profound idea of rerouting the d7 knight to f4. Anyone new to the Lion should study this chapter carefully before moving on.
Chapter Three: The Standard Set-up with Bc4 takes as its starting position
in which Black has deferred castling to allow the knight relocation manoeuvre.
Chapter Four: The Standard Set-up with 5.Be2 allocates twelve pages on a line that probably will never be seen by most second players but will be of interest nonetheless.
A consequence of the move order advocated in Chapter three is that White may attempt various ‘capturing on f7 type hacks’ and these are treated in detail in Chapters Five and Six.
Arguably the most obvious attempt to refute the 3…Nbd7 move order is the aggressive 4.f4 dealt with in Chapter Four: The Risky Lion: 3…Nbd7 4 f4
and then …e5
As indicated Black may chose to go down the “Modern Philidor” (although the author refers to this as “The Tame Lion) route as in Chapter Eight with
covering in detail the queenless middlegame variations. The more common White choice of 4.Nf3 is assumed to be covered elsewhere such as Chapters Three to Six, or is it…?
Coverage is completed with Chapters on various g4 ideas by White plus insipid ideas such as g3 and f3.
In summary, The Black Lion is a welcome take on an increasingly popular dark square defence to 1.e4 with the accent on the trademark knight manoeuvre and deferred castling providing many lessons learnt from the 2008 book which introduced the idea.
I would argue that a chapter is missing on the so-called Tame Lion / Modern Philidor move order making Qc7 less desirable and I am thinking of
arising from a typical move order such as 1.e4 d6 2.d4 Nf6 3.Nc3 e5 4. Nf3 Nbd7 5.Bc4 Be7 6.00 00 7.a4 c6 which has 3465 games in MegaBase 2023. No doubt the author will argue that this position where White has tried around 20 (!) different 8th moves deserves an entire book in its own right and I would agree with that.
As a consequence of the migration of the contents from Chessable course to book (which cannot have made life easy for the editor!) there is degree of repeated déjà vu as one reads the same comments. Presumably this is measure of the Chessable philosophy of learning through reinforcement and would not normally happen in a “normal” physical book.
Bearing in mind my earlier comments regarding 2019 this book is a valuable addition to opening literature. Enjoy!
“The Barry Attack is a highly aggressive system that arises after 1 d4 Nf6 2 Nf3 g6 3 Nc3 d5 4 Bf4. Although the concept of the Barry Attack has been known for a century or so, the modern interpretation (as with a number of other dynamic white systems) has mainly been developed by English grandmasters over the past couple of decades. This “modern interpretation” is often not very subtle.
If Black provides a target by castling early on the kingside, White will often let rip with moves such as Qd2, Bh6, 0-0-0 and h4-h5, playing very directly for a quick checkmate. If this strikes you as too crude to have a chance against a sophisticated and competent defender, then a quick glance through this book will undoubtedly change your mind. You will witness countless games where very strong players are destroyed on the black side in less than 30 moves. Sometimes a lot less.
This makes the Barry an ideal weapon for those who love to attack. Black’s defence has to be very accurate. If not, a quick annihilation is on the cards. Play the Barry Attack is the ideal guide to this fascinating opening. Anyone who reads this book carefully and studies all White’s attacking ideas will have a fearsome weapon in their armoury.”
About the author:
“Andrew Martin is a FIDE Senior Trainer and International Master. He teaches in twelve schools, is an experienced chess writer and has produced numerous chess DVDs.”
And now on with the review:
As with every recent Everyman Chess publication high quality paper is used and the printing is easy to read. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this should be fairly obvious.
The cover of the paperback appears to be of thinner material than usual: We miss the versions with built-in book markers at each end.
There is a most helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 118 – 137.
At this point we feel the need to make a couple of small confessions: we have played the Barry (and 150/1800) Attacks with the White pieces (but not the Black side) for some years and and share an emotional bond with the opening. We have been friends with the author since we were both members of the famous CentYMCA chess club in Tottenham Court Road, London between 1978 and 1983.
It is worth noting that this book follows-on from the publication (July 2021) of a ChessBase DVD entitledThe Barry Attack (by the same author) which (we don not have but) is likely to provide a useful compliment to this book. However, the book contains more recent content.
We were disappointed not to find a bibliography of sources since we have a particular interest in the development of this opening. For example, there was not a single mention of Aaron Summerscale’s superb A Killer Chess Opening Repertoire, 1998, Everyman Chess, which was one of the first (if not the first) books to discuss The Barry in detail: never mind! Aaron also recorded a superb DVD for Foxy Openings (#7, Anti King-Indian & Grunfeld System) which is still worth watching even in 2023.
Chapter 1, A Barry Timeline is an in-depth history lesson on how the Barry (what was it called before George Hodgson named it? We presume the usual “Queen’s Pawn Opening” type label) developed by examining thirty games spanning from Tartakower – Wahltuch, 1922 to Sadhwani-Jones from 2022, one hundred years later. Fascinating stuff! If only more opening books bothered to do this it would give them a USP over their rivals.
The first real foray in explicit theory is via Chapter Two and the unlikely named Tarzan Attack (whoever gave it this epithet? Mark Hebden or Julian Hodgson perhaps?)
The Tarzan (or Lord Greystoke) is as subtle as a brick (rather akin to the 150 / 1800 Attack) and forms the basis for Chapter Two. We remember for some years that the Barry Attack section of GM Tony Kosten’s ChessPublishing.com and its associated forum had many posters swooning over 5.Qd2 and it soon became the line de rigeur. Of course, adequate resources were found for Black and these are examined in detail. The author tries his best to make 5.Qd2 playable and, of course, at club level (where anything goes according to Lombardy) it is worth a punt. Nineteen games are analysed and the most plausible and critical lines covered so you should be well prepared with either colour.
Chapter three (The Modern 5. Nb5) must be one of the first serious studies of what first appears to be “a bit of a patzer” line with the ambitious
which in 2023 is “all the rage” amongst Barry experts. Thirty-two pages are used to examine eleven games in detail and 5.Nb5 would appear to be a most playable and intriguing line. Almost certainly the first player will be more up-to-date than the second so well worth a try!
For many Barry die-hards Chapter Four (The Original Barry Attack) will be their first port of call to refresh their knowledge. At Seventy-Five pages and thirty-four examined games this is the most substantial chapter covering the most interesting struggles starting with
The author provides a balanced approach showing reliable methods for Black’s defence. Conclusions: you will have to purchase the book to find out what these are!
Chapter Five (Other fifth moves for White) tidies things up with seventeen pages and seven games. This material will mainly be of interest to the second player but there are some idea based around early h4 attempts by White.
The sixth Chapter (4…c6 and Others) will be of interest to the first player since it contains arguably less critical tries for Black where an early …c5 is punted. All good for completeness of course.
Chapter Seven (Transposition to a Pirc) might at first glance be discussing the 150 / 1800 Attack that a Barry move order can become.
However, appearences are deceptive and it contains forty-six pages and twenty-one games where White continues with 5. Bf4 against a Pirc type structure.
(whereas the more common approach would be
which is subtly different)
This is likely to be a good choice against a King’s Indian / Pirc player who is likely not to be familiar with the set-up. I’m not sure these positions have been given a detailed treatment such as this in the literature previously. Interesting stuff!
All in all “Play the Barry Attack” is a welcome and fresh treatment with much original analysis from real games. The author has and continues to be a supporter of lines developed by British players such as the Barry.
“Silman’s Chess Odyssey is International Master Jeremy Silman’s homage – part instruction, part history, part memoir – to the game he loves. The book opens with with behind-the-scenes tales of tournament life. Then it profiles the lives and careers of eleven legendary players-Adolf Anderssen, Ignatz Kolisch, Johannes Zukertort, Siegbert Tarrasch, Wilhelm Steinitz, Emanuel Lasker, Frank Marshall, Rudolf Spielmann, Alexander Alekhine, Salo Flohr, and Efim Geller-with the help of diagrams and analysis of over 275 games. After that it delves into accounts of criminals who were talented chess players, discusses a memorably odd series of games in a historic interzonal tournament, and memorializes some of Silman’s friends in the chess world. It concludes with material on openings, imbalances, tactics, and psychology, and FAQs”
About the Author:
“Jeremy Silman is an International Master and a world-class teacher, writer, and player who has won the American Open, the National Open, and the U.S. Open. Considered by many to be the game’s preeminent instructive writer, he is the author of over thirty-seven books, including Silman’s Complete Endgame Course, The Amateur’s Mind, The Complete Book of Chess Strategy, and The Reassess Your Chess Workbook. His website (www.jeremysilman.com) offers fans of the game instruction, book reviews, theoretical articles, and details of his work in the creation of the chess scene in the movie Harry Potter and the Sorcerer’s Stone.”
From the author’s preface:
As I sit down to write this preface I find myself at a loss for words. Why? I’ve been writing about chess for over fifty years (as well as teaching and playing), but every paragraph I start to write seems as f I’ve written or said it a thousand times before.
I ask myself what are my current thoughts on chess. For example, computer chess engines are monsters. Humans have no way to beat them, and they will get better and better.
Chess continues to be a part of everyday as I must feed my habit? I very much enjoy the game when I play blitz against other masters. Sadly, several of my close friends (my chess posse) have died: Igor Ivanov, Walter Browne, Pal Benko, Steve Brandwein (I can still hear Steve chanting, “I came, I ate, and I left”), and John Grefe, and I miss there banter. I enjoy chess teaching (if the student is really engaged) and I have a handful of students. But mostly I love, love, love chess books.
Fantastic: so do I. Wait a minute, though. ‘I miss THERE banter’? While I’m at it, I’m not sure what that question mark is doing at the end of the first sentence in that paragraph. Although I share Jeremy’s love of chess books, I hate, hate, hate spelling, grammatical and factual errors (especially those in my own books and reviews).
To be fair, it does get a lot better: perhaps the preface was written after the grammar checker had read the rest of the book.
Jumping forward a bit:
I love chess history. For example, Gioacchino Greco – he was the best chess player in the world circa 1620. You must look at his games (see part four)! Greco was a master of tactics, positional play, and openings – he did everything! I Greco knew “imbalances” (which I created) he would be a chess god. As for Philidor (in the 1700s), Greco would destroy him.
Interesting, and perhaps a controversial opinion, quite apart from the question as to whether Greco actually played the games in his book. If you’re a historian of early chess, what do you think?
And I am constantly amused by the endless stories. One of my favorites is the account Steinitz wrote following his physical battle with the hard-drinking Joseph Henry Blackburne (who was also known as the Black Death).
“After a few words Blackburne pounced upon me and hammered at my face and eyes with fullest force about a dozen blows … but at last I had the good fortune to release myself from his drunken grip, and I broke the windowpane with his head, which sobered him down a little.”
I laugh every time I look at this, as I hope you do when you read some of the stories squeezed in between the history and instruction within these pages.
There are so many sides to chess: You can have fun with it. You can study for long hours every day and become a strong player (that was my path). You can be a bad player, but just love the game and feel joy when you sit down at the board. You can be a five-year-old kid (boy or girl), or a ninety year old that plays every day.
I hope that every chess player will find some part of this book that speaks to them.
Here we have, then, an author with a distinguished record of writing instructional books, but who also has a passionate love of chess. If you share that passion you’ll want to read this book.
The first part, taking you up to page 56, offers Cracked Grandmaster Tales, amusing anecdotes which Jeremy himself either witnessed or was part of.
Here’s Filipino GM Balinas drinking a cup of honey mixed with tea – and losing horribly. Here’s Tal visiting Disneyland (his favourite ride was Pirates of the Caribbean). Here’s Najdorf, well, being Najdorf. Here’s Larsen, well, being Larsen and telling his favourite stories. All great fun, although I’m not sure everything would pass a sensitivity reader.
The bulk of the book, up to page 376 is taken up by Part 2, where Silman introduces you to his 11 favourite players of all time, mostly from the 19th and early 20th centuries. A pretty eclectic bunch they are as well, but with tacticians predominating: Anderssen, Kolisch, Zukertort, Tarrasch, Steinitz, Lasker, Marshall, Spielmann, Alekhine, Flohr, Geller). There’s a lot of variance in the number of pages allotted to them. Poor Zukertort only gets six pages, compared to Lasker’s 50, Marshall’s 67 and Alekhine’s 72.
Marshall’s chapter is, as you would expect, hugely entertaining. Silman offers us a lot of games, a few with Marshall’s annotations, some lightly and often amusingly annotated by Silman, and others without annotations, as well as a run-through of his career record.
He describes this rather inaccurate game, against Janowski, as a thrilling battle. As always in my reviews, click on any move for a pop-up window.
The annotations aren’t entirely accurate, either, if you consult Stockfish, or, for the last few moves, tablebases. The rook ending is certainly worth your attention if you like that sort of thing.
The chapter on Alekhine is also fun, although some readers will have seen some of the games many times before.
This game has a British interest, although I have a slight quibble. Milner-Barry was usually known by his middle name: Silman only gives his first name here.
There’s a more serious problem when we reach 1938.
Silman presents this Famous Miniature, but mistakenly attributes the black pieces to Rowena rather than her future husband Ronald Bruce.
This mistake still appears in some online sources, and earlier versions of MegaBase had it wrong, but it’s correct in the current version. This article sets the record straight.
Silman also fails the Yates test: he was just Fred, not Frederick (and MegaBase, frustratingly, still hasn’t picked this up). Silman is a lover of chess history, but, like many others, not a historian. You might equally well argue, I suppose, that not all chess historians actually love chess history, being interested in facts at the expense of character.
Part 3 is entitled Portraits and Stories. Here we have some chess-playing criminals such as Norman Whitaker and Claude Bloodgood, who will be familiar to readers of The (Even More) Complete Chess Addict.
Silman also pays tribute to a few of his departed friends. Here, I was struck by his memories of Steve Brandwein, an exceptionally strong blitz player who played very little over the board.
Here’s one of his games.
Part 4 is a real miscellany: Musings, Theory, Instruction, and FAQs. You’ll find all sorts of things here, including this classic game. It taught me a lot in my early teens, and improved my positional understanding by leaps and bounds. Perhaps, with Silman’s annotations, it will improve your positional understanding as well.
There’s so much more here: the aforementioned Greco games, chess psychology, some opening theory, answers to questions such as ‘Can Anyone Become a Grandmaster?’ – and the Greatest Amateur Game of All Time.
You might think there are at least two books struggling to escape from this heavy, well produced, entertainingly written and beautifully illustrated (a wide range of great photographs throughout the book) volume. Part 2, Silman’s First Eleven, might be compared with Chernev’s Golden Dozen, while Parts 1, 3 and 4 would make a great collection of Wonders and Curiosities of Chess. And, yes, I think I can see the great Irving’s shade smiling down in approval.
You might see it as a bran tub, a lucky dip. Turn to any page at random and you’ll find something to amuse, inform or instruct.
Despite some avoidable errors, which will probably annoy you less than they annoy me, this book is highly recommended to all true chess enthusiasts, whatever their rating. It’s Jeremy’s love letter to the game that has meant so much to him throughout his life, a paean to the beauty and excitement of chess. If anyone out there thinks chess is a dull game, or chess players are dull people, this is the book to disabuse them.
In his chapter on Geller, Silman writes:
In my mind, if you don’t know all the greats from the past, then you’re missing the heart and soul of what chess is about. So many wonderful games. So many stories; some funny, some crazy, some very, very sad.
I’m in complete agreement: what sets chess apart from other games is its history, heritage and culture. If you agree as well, or if you’d just like to investigate further, then you should certainly read this book.
“An informative and accessible new book by Thomas Engqvist, the practical follow up to his previous two authoritative chess books: 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions.
Filled with 300 engaging chess exercises and complete solutions in the end of the book, this book will allow you to apply and consolidate your newfound knowledge. The book is divided into four key sections: ·75 exercises practising positional ideas in the opening/middlegame ·75 exercises covering the endgame ·75 tactical exercises in the opening/middlegame ·75 tactical endgames.
The exercises featured in the book are taken from real game positions from various renowned chess players, including Capablanca and Magnus Carlsen.”
About the Author:
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.
From the back cover:
In-depth analysis of the 300 most important exercises according to the famous principle “less is more”. The less you study the less you forget.
Practice the most important positional and tactical ideas in all phases of the game by solving just five positions every week for one year.
Find out if the positional or tactical idea crops up in your mind, regardless of whether you have seen the idea before or not.
Well, if you solve five positions every week it will take you 60 rather than 52 weeks to complete the book, but never mind. The claim that you’ll improve more by studying less is also rather silly: the real point is that the quality rather than the quantity of your study is important.
In this highly instructive exercise book, International Master and experienced chess coach Thomas Engqvist outlines the 300 most important chess exercises. A sequel to 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, this is the perfect manual for players who want to reach a higher level but don’t have the time to spend hours every week on less productive study.
Each numbered position is a test-yourself quiz to help cement the positional and tactical understanding that you have acquired. This book can be your life-long companion, enabling you to apply and solidify your positional and tactical chess knowledge.
Swedish International Master Thomas Engqvist has almost 40 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess. He works as a teacher at a school outside Stockholm. He is the author of eight chess books. This is his third book for Batsford Chess.
Yes, I get the point. Not everyone who wants to improve has the sort of time to spare that would be required to benefit from a book like this. Most of us have other commitments: just solving five exercises a week might be ideal. And what about the title? Are these exercises more important than the positions in the previous books? Who is to determine importance anyway. An exercise that’s important to me might not be important to you.
Let’s see what the author has to say in his introduction.
300 Most Important Chess Exercises starts off with 150 opening and middlegame positions to solve and the quota is 75 exercises where you practice positional ideas, and 75 exercises where the focus is on tactics. The other half of the book deals with 75 positional endings and 75 tactical endings. This is the only hint the solver will get.
This, then, is the final volume of a trilogy, with exercises based on the material in Engqvist’s two earlier Batsford books. If you’ve read and enjoyed them (sadly, I haven’t) you’ll undoubtedly want this as well. However, the author points out that it’s not necessary to have read them to read and benefit from this book.
The back cover claims that it’s a Universal book – suitable for players of all strengths.
No, it’s not. There’s an assumption that readers are proficient players with a good understanding of the game – say about 1500 strength. At the same time, some of the exercises will be familiar to more experienced players. I’d put the target range for this book, then, as in the region of 1500-2000 rating, although slightly weaker and slightly stronger players may also benefit.
I found Engqvist’s comments on the very first position in the book particularly interesting.
This is from a Morphy – Schulten game (New York 1857) with White to play.
White played 10. Bf4 here, but was it best? What would you suggest?
Morphy claimed his 10th move was an improvement on 10. Qxd6 which was given in the leading treatises of the day (Hanstein – von der Lasa in Staunton’s “Handbook”). However this is not true if one consults the computer programs Komodo and Stockfish. It’s good to capture the d6-pawn as long as White can maintain pressure on the d-file. What’s more is that there is an even better move, suggested by both computers, namely 10. Nc3!. This is very interesting since Komodo makes good evaluations and Stockfish is good at deep calculations, but they still come up with the same move!
This simple Knight move also follows Lasker’s principle that a knight should be developed before the bishop. The idea is to prepare Bf4 next move without allowing the d-file to be closed after …d5 . Morphy played according to the principle of development so his move is understandable, but the computers’ choice is the most precise. Even if we do know that development is on the agenda, we must also think carefully which piece to move first.
This tells you a lot about the author. Here we have someone who is well versed in chess history and culture, but also able to use modern technology effectively. Beyond that he has the ability to explain abstact concepts clearly and unambiguously.
Although that example may have been familiar to you if you’ve studied Morphy’s games, there are other exercises which you almost certainly won’t have seen before. Like this one, number 79, so it’s a tactical puzzle.
What would you play for White here?
This is from the less than Famous Game Kludacz – Pavlovskaya (Hasselbacken Open (Women) Stockholm 2001).
The whole game is interesting for anyone playing the Queen’s Gambit with either colour. White has launched a Minority Attack and now continued with 21. e4? which Black met with Bxh3!?, eventually winning the game.
Did you see how she could have done better?
21. h4! Ne6 22. Nce4!!
Presumably Kludacz missed the following knight sacrifice…
22… dxe4 23. Nxe4
White exploits the tactical weaknesses on f6 and c6. Black has no effective defence.
If 23… Qe7 then 24. Qxc6
24. Nf6+ Kf8
White doesn’t need to cash in on f8 but can exploit the pin on the c-file.
Now Black’s position collapses and White wins.
Helpfully, Engqvist provides the whole game here so that readers can see how the position arose from the opening.
The second half of the book covers endgame exercises. Like other authors such as Judit Polgar and RB Ramesh, whose books I’ve reviewed recently, Engqvist believes that solving endgame studies is a very valuable form of chess training, so here we have a mix of studies and positions from practical play. He finds pawn endings especially fascinating, so there are plenty here.
Take this one, for example.
It’s White to play here (Kalinicev – Schulz Cham 1992). What would you suggest.
I guess most players, like me, would play 1. Ke7 here without a second thought, but it’s not the correct answer.
The first time I saw this endgame I wrote in my private annotations that it’s “incredible that this move doesn’t win!” From a visual point of view it certainly seems that White’s king will wipe out the whole kingside of pawns like a vacuum cleaner, but that turns out to be an optical illusion. The key move to winning is to play according to Nimzowitsch’s rule, which states that you should hem in the target before blockading it and only then destroy it!
1. g4! would have prevented Black from moving his f-pawn to f5. Then 1… Kd3 2. Ke7 f6 3. Kf7 Ke2 4. f4 Kf3 5. f5. The f-pawn is now blockaded and a future attacking target. 5… Kg3 6. Kxg7 Kxh3 7. Kxh7 (7. Kxf6 Kxg4 8. Ke6 also wins but it’s unnecessary to give Black some hope even though that would be futile.) 7… Kxg4 8. Kg6 and White’s f-pawn decides.
Instead, the game concluded:
1. Ke7? f5 2. Kf7 Kd3 3. Kxg7 f4!! 4. Kxh7 Ke2 5. g4 Kxf2 6. g5 f3 7. g6 Kg3! 8. g7 f2 9. g8=Q+ Kxh3 with a drawn position because an eventual Qg3+ will be met by Kh1.
If you mistakenly went for Ke7 here then this may well be the book for you.
It does beg a question, though. This is billed as a positional endgame exercise, which it undoubtedly is, but it’s certainly tactical as well.
Of course positional and tactical chess are inextricably entwined, and, by the time you get to the ending, they’re really the same thing. The whole idea of splitting endgame exercises into ‘positional’ and ‘tactical’ seems very artificial to me. I’d guess this was the publisher’s rather than the author’s decision.
You probably hadn’t seen that position before (it’s not even in MegaBase), but if you’ve read anything on pawn endings you’ll almost certainly have seen the Famous Ending Cohn – Rubinstein (St Petersburg 1909), which you’ll also meet here. “If you only study one endgame with many pawns this is the one”, according to Engqvist, who discusses it over two pages. Regular readers of endgame manuals will find several other old friends as well: there’s six pages devoted to another Famous Ending, Timman – Velimirović (Rio de Janeiro 1979), to take just one example. Exercises 212-214 cover the ending of RB v R: the solutions cover 11 pages: extremely useful if you want to learn this ending, but I guess it’s debatable how important it is for average club players.
Here’s a quick endgame study from the last section of the book: tactical endgame exercises. See if you can solve it yourself before reading on.
White to play and draw (Prokes 1939)
A very game-like position, you’ll agree, and you were probably brought up with the knowledge that, in the absence of kings, two pawns on the sixth rank beat a rook.
In this instructive study, White’s king, contrary to appearances, is just about close enough.
I hope you managed to solve this. But was it purely tactical or positional as well? What do you think?
To sum up, then, it’s very clear from this book that Thomas Engqvist is an exceptional teacher, who, like all exceptional teachers, knows exactly what he’s doing and why he’s doing it. Unlike some less experienced authors he doesn’t just throw a load of GM positions at you, show you a pile of computer generated variations and expect you to play like Carlsen.
To refer again to two other excellent books I’ve reviewed recently, if you find Ramesh too heavy and Polgar’s exciting enthusiasm grating, I’m sure Engqvist will hit the sweet spot for you. In that case you’ll probably want to investigate his two earlier Batsford books as well, and perhaps read them first. As the authors take very different approaches and cover different topics, ambitious club players would do well to buy both Polgar and Engqvist. Young players who are aiming for IM or GM titles and have plenty of time to study would, on the other hand, be better off with Ramesh.
I’m just not sure that the format of the book is the best way to present Engqvist’s material, especially since endgames are both positional and tactical at the same time. (What the best format actually would be is an interesting question: different readers will prefer different formats. If you really, as Engqvist does, want to make the training environment resemble a tournament game you might want to mix the positions up rather than give a clue as to whether it’s a positional or tactical exercise.) I’m also not sure that the subtitle ‘Study five a week to become a better chess player’ is particularly helpful or realistic. Some of the positions require little time and explanation while others require a lot. The author himself doesn’t suggest in his introduction that this is the best way to use his book. As I suggested above, this book, notwithstanding the claims on the back cover, is far too advanced for beginners, but would be a great choice for anyone rated in the region of 1500-2000, or perhaps a bit higher.
But of course publishers do whatever it takes to sell copies, including resorting to unhelpful titles and unrealistic claims, and people don’t always buy chess books for rational reasons. Which is why it’s a good idea to read impartial reviews first.
The book is published to Batsford’s usual standards and appears to be free from the typos that mar books by some other publishers. The English might not always be totally idiomatic but is perfectly comprehensible throughout. I note that there is no mention of translators or proofreaders at the front of the book.
A book by an outstanding teacher, then, and, if the style and contents appeal to you, very highly recommended for club standard players ambitious to improve their rating.
“When the Icelandic Chess Federation made a bid to host the 1972 world title match between Soviet icon Boris Spassky and American challenger Bobby Fischer, many Icelanders were rightly shaking their heads in disbelief. How could their small island country in the middle of the Atlantic Ocean with a population of less than 300 thousand people stage such a prestigious event in the first place?
“Undeterred and naively optimistic, the young President of the Icelandic Chess Federation, Gudmundur Thorarinsson, set to work and to everyone’s astonishment theirs was the winning bid. But that was only the beginning of one of the most amazing stories in chess history… Bobby Fischer’s demands and whims constantly jeopardised the match. First the American chose not to board his plane in New York, and then he came late for the first game. That game he lost after a silly blunder and the second game he lost because he didn’t turn up in a fight about noisy cameras. But next he won the third game, that was played in a back room, and the rest…. is history.
“Fifty years on, Gudmundur Thorarinsson has written a tell-all book about ‘The Match of the Century’, crammed with behind-the-scenes stories and improbable twists and turns. Reading his gripping account of probably the most iconic sports contest during the Cold War, you will understand why he prefers to call it ‘The Match of All Time’. And why reliving this most unlikely adventure he comes to the conclusion: ‘It was not possible to organise this match, nor was it possible to rescue it…but still it was done!'”
“Gudmundur Thorarinsson is a chess organizer and businessman from Iceland. In 1972, as the chairman of the Icelandic Chess Federation he organized the Match of All Time, the World Championship Match between the Russian incumbent champion Boris Spassky and the American challenger Bobby Fischer.”
Half a century on from the legendary Fischer – Spassky World Championship match, and still the books keep on coming.
From Chapter 1 (Prologue):
Why write another book about the World Chess Championship match in 1972? Approximately 140 books have been published about the match already, plus films, TV and radio programs, newspapers and magazine articles. To add another book to this list seemed too much to me. But many people have been encouraging me to write about the match, people working for radio and television, chess players and friends. But many have simply said: ‘We still do not have a book written by someone who was working behind the scenes, where the bombs were falling.
One thing is certain: a long time ago this match acquired a life of its own. Nowadays people tend to look at the course of events from a different perspective. Looking at the match from afar enables the observer to put the whole saga into another context, broadening the horizon, so to speak. It may be true that the viewpoint and experiences of those of us who were on the frontline during the planning and execution of the event have not been widely documented. Those who wrote about the match in the following months, or even years after it happened, did so mostly by annotating the games, explaining the battle from the perspective of the chess players or the audience.
If you’re looking for the games of the match you’ll be disappointed: but of course they are readily available elsewhere.
What you have instead is a source document telling the story of what was going on in the background, written by someone who was there and very closely involved at the time.
The book is designed to be interesting to the general reader as well as the chess specialist. Chapter 2, therefore, looks at the origins of chess, including a contribution from GM Fridrik Olafsson, an expert in this field, and, specifically, the early history of chess in Iceland.
Chapter 3 relates the history of the world chess championship prior to Spassky, starting with Stamma and Philidor, and taking us as far as Petrosian. There is little here that will be new to readers familiar with chess history.
Chapter 4, on the prelude to the 1972 match, is where things start getting interesting. We read about Fischer’s wins in his Candidates Matches against Taimanov, Larsen and Petrosian before being introduced to the two protagonists, with background information about their family, upbringing and chess career. Then the bidding process for the match venue is discussed, with Iceland, a small country in the Atlantic Ocean, but with a proud chess history, unexpectedly being selected.
The author of this book had, as a young man, been appointed President of the Icelandic Chess Federation in 1969. He had been proposed in his absence by his brother and not wanting to cause embarrassment, felt he had no choice but to accept. As a result, he found himself in the middle of negotiations which would have a dramatic effect on the history of chess.
Chapter 5, the longest in the book, covers the match itself in fascinating and engrossing detail. Everyone who was interested in chess at the time will have vivid memories of Fischer’s demands and conditions, and of the problems and arguments these caused. Thorarinsson was at the heart of everything that was happening, and it was to no small extent due to his diplomatic skills, often described here in a self-deprecating way, that the match eventually started and, more or less successfully, concluded with Bobby as the new World Champion. There’s a lot of documentary material here which will be new to many readers.
Chapter 6 describes the aftermath of the match. Fischer’s life over the next three and a half decades is related, including his return match with Spassky in 1992. Bobby spent the last few years of his life in Iceland, and Thorarinsson was again very much involved with expediting his journey from a Japanese detention centre, and with helping him settle in for what would be his rather sad endgame.
This and the final section, the author’s tribute to his friend, which he delivered at Fischer’s memorial service, are both intensely moving.
If you’re looking for chess moves, this won’t be the book for you. But if you want to know more about Fischer, and about the background to the 1972 match, it will be an essential purchase.
The book is, like everything from this publisher, beautifully produced and copiously illustrated with photographs and cartoons. There are many entertaining and enlightening anecdotes to keep you amused as well. It’s a great story, reminiscent of a Greek tragedy, and well told here from the author’s unique perspective. Whether or not you’re familiar with what happened half a century ago, you’ll find it a gripping read.
Do bear in mind, though, that while it may be an important source document for future historians (and we really need a fully sourced and referenced biography of Fischer) it’s a memoir with its fair share of uncertainty and speculation. You read that ‘Harry Golombek states in one of his books…’: yes, but which one? Or, to take another example, ‘According to some sources…’. Which ones?
I have a few other issues, just as I do with many New in Chess books, essentially coming down to the fact that it could have benefitted from a firmer editorial hand and a final read-through from a native English speaker. There are odd words and sentences that are not quite idiomatic. There’s also a certain amount of repetition (Fischer’s parentage is discussed on page 82, and again on pages 90-92) and one or two places where I felt continuity might have been improved.
Nevertheless, this book is essential reading for anyone with an interest in Fischer as a person, or in the 1972 Fischer – Spassky match. If the subject matter appeals to you, and, if you have any interest at all in chess culture and history, it undoubtedly will, don’t hesitate.
You’ll find pricing and other details here and sample pages here.
“The Dragon Sicilian is the perfect choice for club players searching for chaotic and imbalanced positions. This opening manual shows how Black can turn up the heat against 1.e4, and enjoy dynamic winning chances game after game. Top-10 player Anish Giri is the best tutor to bring this complicated opening across to ‘everyday’ club players. Anish serves up his super-GM lines and clearly explains the ideas and strategies behind the moves. So when game time comes, you know exactly which moves to play, at what moment, and how to deliver the knockout blow. Make no mistake: This repertoire’s take-no-prisoners-strategy means you will sometimes reach razor-sharp positions, where both sides must play ‘only moves’. But that’s why you’ll love having Anish Giri as your opening coach. Giri delivers just the right mix of cutting-edge analysis and practical guidance for players of all levels with his trademark witty and down-to-earth teaching style. The Dragon Sicilian also covers all other major systems Black could face, including what to play against Anti-Sicilians such as the Rossolimo, the 2.c3 Alapin, and the Grand-Prix Attack.”
“Anish Giri became a chess Grandmaster at the age of 14 years, 7 months and 2 days. At the time, in 2009, that meant he was the youngest grandmaster in the World. Starting from the January 2013 list, the Dutch grandmaster was the leading junior player in the FIDE World Rankings. In June 2014 he turned twenty, which ended his junior years. Giri is a top-GM with a 2700-plus ELO rating.”
I am impressed with this colourful book, which is an accessible, lucid introduction to the Sicilian Dragon. The repertoire guide is a well- produced hardback book with an attractive vibrant front cover, good quality paper and many large diagrams, typically two per page and sometimes three making the work pleasant to browse and study.
The back cover blurb on the volume states that the opening manual work is aimed as an introduction for everyday club players, and it succeeds admirably in this respect. This title does not purport to be a major theoretical treatise or a “latest developments” style of publication, however, there is some cutting-edge theory and new ideas, some of which are new to the reviewer, who is a life-long Dragon addict.
The reviewer is not going to do a detailed theoretical critique the lines chosen by Giri for several reasons: time; my knowledge of some of the lines recommended is not sufficiently well-developed yet and thirdly these surveys can often come down to a thicket of engine analysis which can be off putting for less experienced players and does not always enhance understanding: it is important to understand the typical ideas, so when your opponent deviates from the book main lines/engine main lines, you can work out a solution at the board.
Despite my comments above, it is important for any reader of an opening tome, to not blindly follow the lines and take everything as gospel: check with an engine and use other sources.
The book has a short, didactic introduction to the Sicilian Dragon introducing the ideas, and nineteen chapters.
The book is effectively divided into four sections:
Move orders, Accelerated Dragon and Drago(n)Dorf (two chapters)
Anti-Sicilians (seven chapters)
Yugoslav Attack Section
The first chapter gives a useful overview of the Yugoslav Attack main line 9.Bc4 variation.
This introductory part briefly surveys the other main systems, other than the recommended repertoire, that occur such as the Chinese Dragon, Soltis Variation, Modern Variation, Topalov Variation. This is a useful pointer for the reader to the myriad of Dragon systems.
Chapter 2 Yugoslav Attack 9.Bc4 Nxd4
This part covers the book’s suggestion against 9.Bc4 which is the rare system 9…Nxd4.
This system was popular in the late 1950s/early 1960s but fell into disuse after some high-profile white victories, such as Fischer-Larsen Portoroz 1958 and Tal-Portisch European Team Championship 1961.
The idea of the line is to reduce white’s attacking potential by exchanging some pieces. I can see the logic of recommending this line as it is a straightforward system which is not popular, so many white players won’t know how to meet it: white must be accurate to even get a small advantage. The disadvantage is that it could be regarded as passive as black defends a slightly inferior, but defensive ending in the main line.
Black’s move order in this variation is critical as Giri points out: black has just played 12…b5!
Giri offers a new twist on this ancient line with an intriguing positional pawn sacrifice in a main line, which has been played successfully in a correspondence game. Buy the book to find out.
Chapter 3 Dragon Main Line Konstantinov’s pawn sacrifice sidelines
This chapter covers the sidelines in the main line after 9.0-0-0 d5
White has a fair number of alternatives to the main line of 10.exd5 which are:
The last two are definitely the most important with Giri covering these with main-line recommendations which are well known and fine for black.
After 10.Kb1 Nxd4 11.e5! Nf5 12.exf6 exf6 13.Bc5 d4! 14.Bxf8 Qxf8, this position is reached:
Black has sacrificed the exchange for active play: Magnus Carlsen has played this way; a host of games has vindicated black’s approach including Short-Carlsen London 2009 which was drawn after a serious of adventures.
Chapter 4 Dragon main line 9.0-0-0 d5 10.exd5
This chapter is divided into two sections covering the greedy pawn grab and what is probably the main line of the entire Dragon at top level.
The (in)famous pawn grab leads to this position:
This position has been well known since the 1950s, black now plays 13…Qc7! with equality. White has to be accurate to hold on: as a youngster, I won many quick games in this line with black. The author covers this line well with respected well-known variations for black.
The main, main line occurs after 12.Bd4:
Here Giri offers the old main line 12…e5 which has been under pressure in recent years. He offers an interesting, rare approach which if it holds up is very important for Dragon theory. Buy the book to find out.
Chapter 5 The early 9.g4
The idea behind this line is to prevent 9…d5 whilst avoiding one of the main lines 9.Bc4. the author recommends the well-rehearsed response 9…Be6 which is fine for black.
The second section of the book, chapters 6 to 10 cover the following variations:
Fianchetto System 6.g3
Sixth move sidelines
These lines are perfectly respectable but do not threaten to extinguish the Dragon’s breath. Giri covers these with well-known antidotes. For example, in the Levenfish Variation:
Black has just played 6…Nc6! which neutralises white’s main idea to get in e5 to disrupt black’s development.
The third section has a couple of short chapters on the Accelerated Dragon and the Drago(n)dorf. These are really supplementary chapters which are interesting but do not detract from the main book.
The fourth section has seven chapters on the Anti-Sicilians and covers over half the book which is excellent. These systems are very popular at all levels particularly at club level with the obvious intention to avoid reams of theory: we have all got stuffed on the white side of the Sicilian facing an opponent bristling with theoretical barbs. This part is divided as follows:
The Prins system 5.f3
The Hungarian system 4.Qxd4
Moscow Variation 3.Bb5+
Various 3rd moves
Other second moves
I particularly like the chapter on the Moscow Variation, which introduced the reviewer to some new lines. As well as that, the author covers some excellent points about the importance of move order in the Maroczy system.
FM Richard Webb, Basingstoke, Hampshire, 27th November 2022
Book Details :
Hardcover : 248 pages
Publisher:ChessAble / New in Chess (27 Sept. 2022)
“Calculation is key to winning chess games. Converting your chess knowledge into concrete moves requires calculation and precise visualisation. The bad news: calculation is hard work. You cannot rely on feeling or intuition — you will have to turn on your brainpower.
The good news: you can improve your calculation skills by training. Set up a position on a chessboard and try to solve exercises without moving the pieces! Grandmaster Ramesh RB is the perfect coach to awaken your chess brain and feed you precisely the right exercises. ‘After only a month of intensive training with Ramesh, I could sense a seismic shift in both the precision of my calculation as well as my general level of sharpness’, says GM Daniel Naroditsky.
“GM Ramesh is one of the world’s most successful coaches. He has trained many of India’s top talents at all stages of their development on their journey to become International Masters and Grandmasters. Ramesh understands what mistakes players can make while calculating. He knows that the best move in a specific position may be the opposite of what your intuition is urging you to play. And he serves you the exercises to correct these misconceptions and start finding the right solutions. Every chess player will benefit from the hundreds of exercises in this book. Coach Ramesh will take your calculation skills from a club players level to grandmaster level.”
This is the first of what promises to be a multi-volume series of coaching books under the title of The Ramesh Chess Course. As Ramesh is perhaps the world’s most successful chess coach this promises to be a treat for all ambitious players. As calculation is the single most important skill in chess, there’s no better place to start.
Ramesh starts off by telling us how to use the book. Here are his first two paragraphs.
Have a good look at every position and try to understand what is going on behind the scenes. Compare the king positions, piece placements, pawn structure, material parity, etc., before beginning your analysis.
Before we start analysing any move, we should make a list of reasonable looking moves and only then begin analysing them.
Good advice, although 2. is Kotov’s Candidate Moves idea, which not everyone finds useful in every position. Always useful when tackling the tasks set in this book, though.
The most important paragraph here is the final one, number 10.
I have divided the material into five categories: Level 1 = Elo Rating 1200-1600 Level 2 = Elo Rating 1600-2000 Level 3 = Elo Rating 2000-2400 Level 4 = Elo Rating 2400-2600 Level 5 = Elo Rating 2600 & above
It’s always a problem for authors and publishers of multi-volume coaching courses whether to structure the material horizontally (by topic) or vertically (by difficulty of material). Ramesh and New in Chess have chosen the former rather than the latter route.
If you’re anywhere between 1200 and 2800 strength, then, you’ll find exercises pitched at the right level for you, but you’ll also find much which is either too hard or too easy. If you’re a coach working with students anywhere between 1200 and 2800 strength, likewise you’ll find plenty of great coaching material.
As you’ll see, quite a lot of the book is taken up with Level 5 exercises, which, by their nature, often involve several pages of detailed analysis.
Each exercise is labelled with the appropriate level, with the more complex exercises comprising a number of ‘tasks’. In each case we are told the amount of time the student should be allowed.
The first chapter considers the difference between dynamic and static positions: it’s the former which are the subject of this book. There are two critical areas to study: Calculation and Attack.
The first task is set at Level 1: you have 2 minutes to solve it.
This is Carlsen – Vachier-Lagrave, from a 2021 speed game. Magnus played 34. Bd4+ Rxd4 35. cxd4 Bxd4, which really should have been a draw, but he later managed to win it.
He missed the move I hope you found, 34. Rc8!, which would have forced immediate resignation as after 34… Rxc8 there’s 35. Bd4#. Ramesh points out the 34… Ra8 35. Rxa8 Rxa8 36. Bd4#. I don’t know about you, but I’d have preferred the immediate 35. Bd4# here. A slightly unfortunate start, but I guess it doesn’t really matter.
In Chapter 2 Ramesh shares with us some games and positions he’s used to train his students, aiming to recreate his training sessions and demonstrate typical mistakes. He expects you to look deeply into each position, calculate multiple variations without making mistakes and evaluate the position correctly at the end. I hope readers will find this instructive and exciting.
The first example is an endgame study (there are a lot of studies in this book) composed by Alexandr Grin in 1989.
His student gave the solution as 1. Nb5 a2 2. Na7+? Kc7 3. c6 a1Q with stalemate, overlooking that Black could win in this variation by playing 3… Kb6 instead.
As Ramesh explains over 2½ columns, it’s very easy to get over-excited when you see a beautiful idea and fail to check it through thoroughly.
The correct solution to the study is 2. c6! a1Q+ 3. Na7+ Kd8 4. c7+ Kxc7, again with stalemate. His student had the right idea but failed to execute it correctly.
Chapter 3, The Analytical Process, is the heart of the book. Ramesh explains in detail how to calculate and how to analyse, taking into account psychological as well as purely chess factors.
The advice in this chapter will be of great interest and benefit both to chess coaches and to ambitious players at all levels.
Most of the examples here are extremely complex positions, usually Level 5 (suitable for 2600+ players).
Take, for example, this complex position (Smyslov – Rubinetti Palma de Mallorca Interzonal 1970).
Here, we have 16 pages of detailed analysis, broken down into 27 tasks, with nested variations given labels such as B3113242). You may well, like me, find it hard to follow, even with the copious diagrams provided.
Ramesh comments at the end:
In my training with young players for over a decade, I have seen that analysing very complicated positions without the help of moving pieces on the board is not only possible, but even essential for quicker and long-lasting improvement in a player’s analytical capabilities. This will require the coach to be patient and believe in the capabilities of his student in the long run. From the players’ part, they must put in a genuine effort to try to analyse the positions without giving in to self-defeating doubts. In my academy, even 1800-level players can follow all the analysis like this with some effort and without a chessboard. It is simply a question of patience and perseverance.
If you’re interested in the complete game, here it is. Click on any move for a pop-up window. Black’s last move was a losing blunder: the only way to draw was 44. a1Q.
It’s clear from this book that chess tuition has changed a lot in the past 20 years or so. (60 years ago, when I was learning chess, if you wanted to improve you had no choice but to read a book.) Visualisation exercises and solving endgame studies (recommended by Judit Polgar as well as Ramesh) are now common.
Later in the chapter, Ramesh has this to say.
Even though humans can probably never analyse at the level of engines anymore, it is possible to take the help and inspiration from engines to further our capabilities to previously unknown levels. I have personally trained players with ratings in the range of 1400-1800 to analyse variations that players of previous generations with a rating range of 2200-2400 were unable to do. This is one of the reasons my students in the 9 to 14 age group can quickly become International Masters or grandmasters.
Chapter 4 provides more examples of Forcing Moves. Judit Polgar, like me, uses the acronym CCTV: in her case Checks, Captures, Threats and Variations. Ramesh adds pawn breaks into his definition of Forcing Moves. If you still want to use CCTV you might try Checks, Captures, Threats and pawn leVers perhaps.
Black won this game by using a series of forcing moves: captures and threats: 20… f3 21. Nxf3 Rxf3 22. Bxf3 Nxb4 23. Bxb7 Nxc2 24. Be4 Nxa3 25. Rb3 Qa4 0-1
Ramesh mentions that 20… f3 wasn’t Black’s only strong move here: 20… Nd4 was another way to play for the win.
In Chapter 5 we learn about typical mistakes made while calculating variations.
Ramesh lists 14 types of mistake, starting with not being able to visualise the position in the mind, not seeing forcing moves and not making a list of candidate moves, giving examples and possible solutions.
In this world championship game from 2008 Kramnik, playing White, made a fatal error.
29. Nd4? was a blunder, missing 29… Qxd4 30. Rd1 Nf6! 31. Rxd4 Nxg4 32. Rd7+ Kf6 33. Rxb7 Rc1+ 34. Bf1 Ne3!, when Anand had a winning advantage.
I guess it’s debatable whether Kramnik’s error was one of calculation or evaluation, and whether he’d missed Anand’s 30th or 34th move.
Chapter 6 is devoted entirely to endgame studies.
Whenever I feel my student’s calculation skills are not up to the mark, I will make them solve studies for three to four hours a day for around three to five days in a row. Usually, the students will show significant improvement in their calculation skills.
You might like to try your hand at solving this Level 2 study, composed by the great Leonid Kubbel and published in 1911. It’s White to play and draw.
Finally, Chapter 7 offers some more general suggestions for chess improvement. As with the suggestions throughout the book, these cover many aspects of chess psychology as well as practical advice which will be beneficial for all players and teachers.
While there’s an enormous amount of helpful advice both here and elsewhere in the book, there’s also some repetition which might have been better avoided.
For instance, returning for a moment to Chapter 6, we’re told on both p258 and p260 that solving a study might take anywhere between 5 and 40 minutes. I think this might have been picked up by the publishers at editing or proofing stage.
How to summarise?
This is an important book, and, by the look of it, part of an important series. The author is arguably the most successful high level chess teacher in the world, and, reading the book, you can understand why. The positions are all well chosen and the explanations throughout the book display profound insight into the minds of chess players. Although you might think it’s aimed at stronger or at least more ambitious players, it will, for the general advice, in particular that of a psychological nature, be a great read for many players of all levels. Even though not everyone will find the book’s structure particularly helpful, it’s also esssential reading for anyone who teaches chess to students rated 1200+.
Speaking as a retired 1900-2000 strength player, the Level 4 and Level 5 examples, which take up a lot of the book, were way beyond me and not always easy to follow. At one level, it was interesting to see how deeply highly complex positions can be analysed, and how talented young players who are prepared to put in the necessary time and effort can learn to perform these tasks, but at another level I found it rather disspiriting to work through so many pages of dense analysis. To be fair, though, I’m not really part of the target market for this book.
At the same time, the market for books aimed at 2400-2600 strength players must be very limited. What I’d like to see would be a book taking a more structured approach, with, for example, 100 pages each of exercises at Levels 1, 2 and 3 (which is anyone from 1200 to 2400 strength), along with some general advice at either the beginning or the end of the book.
Instead, what we have is a book which is more about how to teach calculation and how to improve your calculation rather than one where you can start at page 1 and work your way through in sequential fashion. Ramesh also expects his students to have seriousness of purpose and a strong work ethic, as well as plenty of time to spend on chess improvement. If you’re just a hobby player looking to have fun and make a bit of progress, you might well find this rather scary.
The approach recommended here certainly isn’t for everyone, but even so, any reader who is prepared to work hard will gain a lot from this book.
I couldn’t really imagine Ramesh exclaiming ‘Awesome move!!’ and ‘Kaboom!!’ like Judit Polgar. If you’d prefer something that also covers calculation skills, but is an easier read taking a more ‘fun’ approach I’d recommend this book instead. They certainly have points in common: teaching you to look for Checks, Captures and Threats, and using endgame studies.
You can find more details here and read some sample pages here.
I’d also, by the way, recommend reading an excellent interview with Ramesh which appeared in New in Chess 2022#3, which puts his methods into context.
I look forward very much to seeing future volumes in this series.
“Rashid Nezhmetdinov (1912-1974) played fearless attacking chess. With his dazzling style, the Soviet master already was a legend during his lifetime, but international fame largely eluded him. Only once did he get permission to show his exceptional talent in a tournament abroad. Five times Nezhmetdinov was chess champion of the Russian Federation. In the 1961 Soviet Championship, he won the ‘Best Game’ prize for a spectacular win against Mikhail Tal who praised his opponent for his ‘amazing creativity.’ Other stars that ‘Nezh’ defeated in grand style included Spassky, Polugaevsky, Bronstein, and Geller.
His games, full of tactical pyrotechnics, are his legacy and have reached an ever-growing audience. Nezhmetdinov’s shocking strategic queen sacrifice, in 1962 against Chernikov, as shown on Agadmator’s YouTube channel, has become the best-watched chess video of all time with millions of views. In this book, Cyrus Lakdawala pays tribute to the genius of the enigmatic Nezhmetdinov, a Tatar who grew up as an orphan in the part of the Soviet Union that is now Kazakhstan.
In more than one hundred impressive and instructive games and positions, Lakdawala shows how Nezhmetdinov fought for the initiative, how he bluffed and sacrificed, and how he kept his cool to out-calculate his opponents. Lakdawala’s lucid writing perfectly matches the power of ‘Nezh’s’ moves. This wonderful collection celebrates Nezhmetdinov as the Greatest Attacker in Chess.”
Cyrus Lakdawala is an International Master who lives in San Diego, CA. He has been teaching chess for four decades and is a prolific and widely read author. Much acclaimed books of his are How Ulf Beats Black, Clinch It! and Winning Ugly in Chess. He twice won the Best Instructional Book Award of the Chess Journalists of America (CJA), in 2017 for Chess for Hawks and in 2020 for In the Zone: The Greatest Winning Streaks in Chess History.
We all know and love the games of the great world champions, but there are also a few players who, while not reaching the summit, have become cult figures amongst chess fans for their creativity, imagination and brilliance.
Albin Planinc is one, and another is Rashid Nezhmetdinov, the subject of this book. He has been the subject of several books over the years, and now the prolific Cyrus Lakdawala adds his name to the lists.
Here’s Lakdawala in his Preface:
If you asked the question ‘Who do you believe was the most tactically creative player of the 20th century?’ then I’m guessing that most chess players would pick either Alekhine, Bronstein, Tal or Kasparov. Now we have a new potential entry for the top spot: Rashid Nezhmetdinov. Why are so many people irrestistibly drawn to Mikhail Tal’s chess games? The spirit of Nezhmetdinov the pirate lived on in his friend’s games. Tal was merely a more powerful extension of Nezhmetdinov. Nezhmetdinov was Tal’s trainer and muse in his successful 1960 bid to dethrone Botvinnik as World Champion. Tal explained that Nezhmetdinov taught him ‘paradox’, taking risk-taking to previously unheard-of levels. Then Tal, his stylistic offspring, displayed to the world the power of this radical new style, when in 1960 he defeated the great Mikhail Botvinnik in a match for the World Championship. If you love Tal’s games, then by default you will automatically love Nezhmetdinov’s.
Who doesn’t love Tal’s games? Book collectors who enjoy brilliant tactics and sacrifices will surely have several collections of Tal’s games on their shelves. They’ll really need a collection of Nezhmetdinov’s games as well. Is this the right one for you?
If you’ve read other books by Cyrus Lakdawala, you’ll know what to expect. His, shall we say, picturesque style of writing divides the critics. There are those who find his friendly approach and sometimes outrageous metaphors draw them in, and others who find this distracts them from the chess. You pay your money, or not, as the case may be, and take your choice.
The annotations, as is customary with this author, feature Moments of Contemplation, where you’re encouraged to think about the position, and Exercises, split into Planning, Combination Alert and Critical Decisions, inviting you to guess the next move. There are also Principles (in italics) offering you nuggets of general advice. All this will help less experienced readers navigate their way through the book and gain tangible benefits which they’ll be able to employ in their own games.
Here’s an early game. Click on any move for a pop-up window.
This is one of his most famous victories – against a formidable opponent. If you haven’t seen it before, do take a look.
The ChessBase score concludes here. Lakdawala adds the moves 34. Ka6 Ndb4#, commenting, in typical style: This is an overkill on par with Rasputin’s murder, where the unlucky monk was stabbed, shot, poisoned, bludgeoned, and then, for good measure, drowned.
Your opinion of the book will depend on how you react to this sort of thing. Here are another couple of examples.
Everyone knows that the Dragon, much the same as a Bond villain babe, is simultaneously beautiful and dangerous.
You are on trial for your life for a murder you committed in front of a police station and 30 witnesses, most of whom recorded you with their cell phone video cameras. Your victim fought back and your blood was found on her and on the knife you used to stab her. I just described Aronin’s position’s chance of being found Not Guilty by the jury.
You might enjoy them. You might be prepared to live with them even though you think they’re both irrelevant and bordering on tasteless, and that the publisher might have made more use of the Delete key. Or you might decide there’s no way you’d buy a book written like that. Me, I’m in the middle camp, as I am with most things.
In this game from towards the end of his career he defeats a future world champion.
Even if you don’t care for Lakdawala’s prose, you should admire his hard work and enthusiasm. He knows his audience, knows exactly what he’s doing and has perfected his art over many years. You may well think that his colourful annotations are a perfect match for Nezhmetdinov’s colourful chess.
For many readers, this will be a hugely enjoyable read, and one which may also take their play to new levels of creativity. You’ll find 116 ‘games’ (about half complete games – not all won by Nezhmetdinov – and the others just conclusions) against many of the Soviet greats of the time: Bronstein, Tal, Korchnoi and others. As you’ve seen, the book is a cornucopia of daring attacks and sacrifices, not all of which are completely sound. The book is produced to New in Chess’s customary high standards and can be highly recommended to anyone not put off by the author’s writing style.
You can read some sample pages on the publisher’s website here.
Here is the publishers blurb from the rear cover :
“Every chess player, from club level up, can improve their game by using engines. That is the message of Matthew Sadler’s thought-provoking new book, based on many years of experience with the world’s best chess software.
You may not be able to replicate their dazzling-deep calculations, but there is so much more your engine can do for you than just checking variations! Matthew Sadler, co-author of the ground-breaking bestseller Game Changer, presents some unique methods to improve by using your engine. He explains how in your opening preparation, instead of sifting through masses of computer analysis you should play training games against your engine. He also shows how to train your early middlegame play, the conversion of advantages, your positional play, and your defensive skills. And, of course: how to analyse your own games.
These generic training methods Sadler supplements with concrete techniques. He explains how the top engines tackle crucial middlegame themes such as entrenched pieces, whole board play, ‘attacking rhythm’, exchanging pieces, the march of the Rook’s pawn, queen versus pieces, and many others. He also opens your eyes to typical strategies that the engines found and fine-tuned in popular openings such as the King’s Indian, the Grünfeld, the Slav, the French and the Sicilian. Sadler illustrates his lessons with a collection of fantastic games, explained with his trademark enthusiasm. For the first time, the superhuman powers of the chess engine have been decoded to the benefit of all players, in a rich and highly instructive book.”
About the author :
Matthew Sadler (1974) is a Grandmaster and a former British Champion. He has been writing the famous ‘Sadler on Books’ column for New In Chess magazine for many years. With his co-author Natasha Regan, Sadler twice won the prestigious English Chess Federation Book of the Year Award. In 2016 for ‘Chess for Life’ and in 2019 for their worldwide bestseller Game Changer: AlphaZero’s Ground-breaking Chess Strategies and the Promise of AI.
This is the latest book by acclaimed author and 2 time British Champion Matthew Sadler. His previous book Game Changer: AlphaZero’s Groundbreaking Chess Strategies and the Promise of AI (co-authored with Natasha Reagan) won both the 2019 ECF Book of the Year and FIDE Book of the Year. Following the publication of Game Changer the authors gave many talks around the country about Alpha Zero. They were frequently asked the same two questions “what could be learnt from AlphaZero’s games and were they too advanced for us mere mortals?” This book sets out to show that there is a considerable amount that can be learnt from these computer engine games as well as discovering many new ideas that can be extracted and applied in one’s own games. The author also sets out to demonstrate that every chess player from Club level upwards can improve with the help of chess engines as the engines can do much more than just calculate variations. Chess engines can be used to enhance opening preparation and to improve your skills in the middlegame. This book can be thought of as a sequel to Game Changer but it can also be read independently as it showcases the games played by all the top computer engines rather than focusing on the radical changes brought about by AlphaZero.
The book is split into two parts. The first part provides an overview of todays top chess engines and the associated training methods recommended by the author. This covers the methods that the author has employed as a professional player as well as some new and innovative ways to using chess engines. Part 2 contains the meat of the book, 18 chapters & 484 pages analysing a wide range of opening and middlegame themes. To assist the reader, there is also some supporting Supplementary Material available to download. This includes a PGN file containing all the games included in the book together with instructions on how to set up and configure the chess engines. Having downloaded everything I found the instructions easy to follow and anyone with a moderate level of IT skills should to be able to do the same. The author has also recently created a YouTube channel: SiliconRoadChess which contains over 250 videos showing how to use chess engines and showcasing the best engine games. As well as covering topics such as Engine Openings (92 Videos) and Great Engine Games (74 videos) there are many other interesting videos to watch from TCEC events and analysis of some of the games from the recent Carlsen Nepomniachtchi match. As well as the videos there is also a PGN database available providing additional material for the channel. Currently there are over 2.21 K subscribers to Silicon Road but I am sure that this number will increase. After watching a few of these videos it is clear that Matthew’s has a passion and enthusiasm for engine chess and I shall be watching many more of these in the weeks to come.
The first two chapters in part 1 are an introduction into the world of computer chess and the Top Chess Engine Competition (TCEC) which is the source for most of the games in this book, the remainder were generated by the author himself. We are introduced to the top engines (our heroes) together with a description of their playing styles, strengths, weaknesses and associated technical notes.
In chapter 3 the author lays out the methods that he has used himself to study with chess engines during his career along with a couple of new and innovative approaches. These are as follows:
Playing Rapid Games – Good for opening and early middlegame play.
Playing against Leela Zero restricted to a one-node search. – Good for openings, positional play and conversion of winning positions.
Playing out positions with a rapid time control. – Good for conversion of advantages and developing defensive skills
Playing ‘correspondence chess’ against your engine. – Good for developing analytical skills and conversion of advantages.
Running engine matches from key opening positions. – Good for developing a feel for openings and related middlegames.
Letting your engines analyse an opening position for X hours (deep analysis). – Good for analysing a single position in great depth.
Periodic checking of your analysis against a live engine – Develops a real-time insight into a position
Like most players I have used computer engines in the past for analysing my own games and as a sparring partner, mainly using Fritz on only the lower handicap levels. Up until now I have not used the methods described above apart from the first and the last one. So I decided to try out a couple of other methods for myself. I began with method 5, playing engine matches from key positions and get an overview of specific openings. I won’t go into too much detail here as it would give away how the author has used this method but I tried out the approach on two types of openings. Firstly I used it on some lesser known gambits. The rationale being that firstly I have never played these openings and that they are difficult to learn. Not only are there are a many variations to memorise but also there are a lot of critical positions to evaluate. Secondly I chose selection of positional openings to see how the engines would get on. I used a number of different engines (Stockfish 15, Deep Fritz 13, Fat Fritz & Leela v22) running on an i5 Laptop and a time control of M20 + 5 second increments. The matches were set up to play 6 games in each opening. (I did run a number of matches with Blitz time controls but the results were not as good) Running these matches with Cloud Engines or longer time controls would of course produce better quality games. I chose the following three gambits:
The Henning-Schara Gambit (1 d4 d5, 2 c4 e6, 3 Nc3 c5. 4 cd cd )
The Marshall Gambit in the Semi Slav (1 d4 d5, 2 c4 c6 3 Nc3 e6 4 e4)
The Portsmouth Gambit (1e4 c5 2 Nf3 Nc6 3 b4)
And for the ‘positional’ openings I used:
The Ruy Lopez Exchange Variation and the Berlin Defence
Queens Gambit Accepted and Exchange variations.
Italian Game with c3 & d3
The Ruy Lopez Berlin Defence (aka Berlin Wall) has proved to be a very efficient drawing weapon since it was made ‘popular’ by Vladimir Kramnik back in 2000. It is also an opening that engines consider as best play with both colours. (For a more detailed explanation see: Engine Openings Understanding the Ruy Lopez Berlin which also includes the author demonstrating how to take on Leela Zero in the 1-node mode described above.) Once all the engine matches were completed I was pleasantly surprised to find out how much I learnt by just by playing through the engine games. This approach will not make you an instant expert and would only be a prelude to more detailed study but it will be something that I will definitely use in the future. I will also use this approach in conjunction with method 6 to examine some of the critical positions in more detail. I have not included the results of the matches are they are not important as I was not trying to determine which engine was the strongest but only interested in the games that the engines produced.
To give you some idea of the quality of the games here is an example game from the Portsmouth Gambit match played between Stockfish 15 and Leela 0 v22.
Stockfish 15 – Lc0 v0.22.0 cpu [B30] Rapid 20.0min+5.0sec
A fascinating combination beginning with the bishop sacrifice on h6 immediately followed by pawn sacrifice on a3 then finally 21 Qd2 with a double attack on h6 & a5. There is a whole chapter in the book devoted to the concept of whole board play and this game is an excellent demonstration of this theme.
I also tried out method 2, playing some games against Leela Zero in 1-Node mode. This approach restricts Leela Zero to a single node (looking one move ahead) instead of the usual millions of nodes per move. Leela Zero is so good that its first choice move is usually good enough for high level of play. Also, when playing in 1-node mode the engine moves are made instantly. The only weakness that I found with this approach was that is that the engine does not see any tactics. However this is a blessing in disguise as it replicates ‘human’ play as the engine plays a series of good moves followed by the occasional blunder. Having played a number of games against Leela Zero in this mode I can see the benefits of using this approach. I was really impressed with the quality of play considering the engine is only looking one move ahead. You can try playing against Fritz in one of the ‘handicap’ modes and get similar results but the Leela Zero engine and Nibbler GUI are both available as free open source alternatives.
Part 2 is devoted to the author’s research into chess engine games. This covers the identification of the recurring middlegame themes and highlighting the exceptional games that contain these ideas. Sixteen different themes are covered. The games in this section have been analysed very deeply and the author explains his approach which is as follows:
An initial analysis of each game without any engine assistance.
Checking the analysis with live engine help
Identifying interesting points in the game to be investigated further (typically between 10 -15)
Run an engine match on all the positions of interest (anything from 40 -120 games)
Pick out the key games and add to the original analysis
Iterate until all above questions have been resolved
Distil and summarise all the above information into the game annotations
Also at the beginning of Part 2 there is a chapter covering the typical opening scenarios covered in the book from the following openings: Kings Indian Defence, Grunfeld, Slav & Semi Slav, English and the French Defence.
One chapter is devoted to a specific middlegame theme and each theme is discussed with a selection of annotated engine games followed by a deeply annotated illustrative game. The analysis of these illustrative games is incredibly deep and several run to over 20 pages! Amongst the topics covered here are exchanging active pieces to leave the opponent with passive ones, the march of the rooks pawn (one of the major discoveries from Alpha Zeros games), Engine Sacrifices, Whole Board Play and the Kings Indian Opposite Wing Pawn Storm. The final chapter discusses how best to apply the themes in your own games. The author also describes one of the most memorable moment in his chess career was when he first had an opportunity to play through hundreds of AlphaZero Stockfish games. Specifically the number of high quality games that were produced. He thought that this was more memorable than any of his OTB achievements (which included winning the British championship and representing England in the Olympiads).
This has been a fascinating book to review. Previously I had not paid a great deal of attention to computer chess in the past, either because I didn’t think it was relevant to OTB play or the games were far too difficult to understand. The author clearly has a very deep understanding of computer chess and has done a tremendous amount of research analysing engine games, identifying and classifying the recurring patterns contained therein, then showing how this knowledge can be applied taken to your own games. As well as reading the book I took the opportunity to watch many of the videos on the associated YouTube channel. The majority of which have been produced since the book was first published in 2021. No doubt many more videos produced in the future. Although this is a large book (560 pages) it is not ‘heavy’ book to read. Some of the topics in part 2 are very complex but the author explains them all in a clear and concise manner. The more that I find out about this subject the more interesting it becomes. So if you have ever wanted to find out more about the fascinating world of computer chess and how to use the engines to improve your own game then this is a good place to start. I highly recommend buying this book.
Tony Williams, Newport, Isle of Wight, 21st September 2022
“As late as 1950, many chess clubs in America excluded women. The Marshall Chess Club in New York City was an exception, organizing the U.S. Women’s Chess Championship beginning in the late 1930s. Since the 1980s, the average rating of the players has increased. The Saint Louis Chess Club has organized the championship since 2009, with record-setting prizes. Drawing on archives and original interviews with the living U.S. Women’s Chess Champions, this book examines their careers with biographies, photos, and 171 annotated games, most of which are from the 60 championships between 1937 and 2020.”
“Alexey W. Root, Ph.D., is a lecturer at the University of Texas at Dallas and a former United States Women’s Chess Champion. This is her eighth book.”
For many years chess was traditionally seen as a game for white males, and, in these days where representation is considered so important, there is much that needs to be written about other aspects of the game.
In particular, it’s important that the history of women’s chess is written, that stories are told, that games are published. So it’s a particular pleasure to welcome this new book by former US Women’s Champion Alexey Root, featuring every champion from 1937 to 2020.
We have 29 chapters in total, one for each champion, with winners of multiple titles granted more space. Some of the recent winners will be well known to many readers, but many of the earlier champions will have names only remembered by those who enjoy digging around in chess archives.
In each chapter you’ll learn about their lives both within and outside chess as well as seeing some of their games, all with light annotations. Each chapter also includes a photograph of its protagonist. The book has been thoroughly researched, and all living champions were asked to assist: advising on games and, on occasion, providing scoresheets and photographs.
Whereas the first British Championship took place back in 1904, with the British Ladies Championship incorporated in the congress, the first US Women’s Championship didn’t happen until 1937, hosted by the Marshall Chess Club. In fact, the first US Championship tournament only took place the previous year, the title having up to that point been decided by challenge matches.
The first champion was Adele Rivero Belcher, a new name to me, who also won in 1940, but the first few decades were dominated by two names, Gisela Kahn Gresser, who won nine titles between 1944 and 1969, and Mona May Karff, who won seven titles between 1938 and 1974. Other strong players who took part in that period included Mary Bain, winner in 1951, and Sonja Graf, Vera Menchik’s rival back in the 1930s, who took the title in 1964.
By today’s standards they weren’t amazingly strong players (Gresser was just below 2200 and Karff just below 2100 at their best in the 1950s), but as pioneers who achieved success in a male dominated field they deserve our respect and remembrance.
Here’s a game between Gresser and Karff. Click on any move for a pop-up window.
1959 champion Lisa Lane briefly caused a sensation in the chess world, appearing on the cover of Sports Illustrated in 1961.
If you’ll excuse a digression into the history of Richmond & Twickenham Chess Club, I had a particular interest in this brief encounter.
Lane’s opponent, Henry Herbst (at least I presume it’s the same one) was a member of my club for several years in the middle to late 1970s, often playing on the adjacent board to me. From what I can piece together, he was born in Germany, moved to Canada, then to the USA, where he played this game, before moving to England and then back to Germany, where I believe he died a few years ago.
I was editing the club magazine at the time and Herbst submitted his game against Bobby Fischer for publication. When I checked it out in my book of Fischer’s collected games it was played by somebody with a different name, but with a similar rating and, as far as one can tell from two short games, a similar style of play.
Assuming he wouldn’t otherwise have claimed to have played a rather indifferent game, why was my friend Henry Herbst using two names? Both names appeared occasionally in other US tournaments at the time these games were played. I have my suspicions based on something I was told in confidence many years ago, but I couldn’t possibly repeat it here.
To return to the book, perhaps the leading figure in US Women’s chess between the mid 1970s and the mid 1980s was Diane Savereide, who took the title five times between 1975 and 1984.
She nominated this, against the author of this book (Rudolph was her maiden name) as her best game from the 1981 championship.
The overall standard of play gradually improved as the 20th century reached its end, but it wasn’t until the 1990s, with an influx of players from the former Soviet Union, that players with higher ratings started to compete on a regular basis.
This game won the brilliancy prize in 1997.
The dominant competitor in recent years has been Irina Krush, who took the title for the first time in 1998 and has won on seven further occasions between 2007 and 2020, leaving her only one behind Gisela Gresser: an impressive feat considering the strength of her opposition in recent years.
This game is from the 2015 championship.
Woven into the biographies and games are occasional stories of sexism and abuse, and, although they sometimes make uncomfortable reading, it’s entirely fitting that we can read them here. This is an issue the chess world has to deal with in order to make the game more attractive and inclusive.
I have a few minor gripes about the production. There are inconsistences, particularly in the presentation of the crosstables at the back of the book, which have been produced in the format in which they appeared in print. Perhaps it’s just a personal thing, but inconsistency really annoys me. I’d prefer them to be standardised in the same format. I also found the covers too flimsy, and, a point I’ve made before with softback books from this publisher, the presentation of the games, with very few diagrams, rather unattractive. I like to be able to follow games from the book without resorting to a board and pieces. I appreciate that the solutions I’d have preferred would not have been economically viable.
Nevertheless, this is a well-researched and thoughtfully compiled book which fills an important gap in the market. We need more books about women’s chess.
Whether you’re a female chess player, you teach female chess players, you have friends who are female chess players, or you have an interest in chess history and culture, this is a book you should read. Perhaps someone should also commission a book about the British Ladies/Women’s Chess Championship as well. That, too would be a very worthwhile project.
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