The idea of the move 1. Nc3 is to confuse the second player, as White plays a supposedly unambitious move to mislead Black. This is why we found the name “Trojan Horse” very appropriate for the move 1. Nc3, just as the gift from Ulysses to the Trojans appeared to be a tricky and poisoned gift. The appropriate term for chess will, therefore, be the Trojan Knight to refer to the Trojan Horse.
1. Nc3 became popular among professional players, and many grandmasters have added it to their repertoire or played it occasionally in official games: Nakamura, Morozevich, Rapport, Bauer, Vallejo Pons… However, it is especially in rapid games that it has reached the world elite, and the very best players in the world have tried it: Carlsen, Mamedyarov, Andreikin and Firouzja for example. I truly hope that seeing the very best players in the world playing it will convince even the most sceptical critics.
About the Author:
The author Bruno Dieu is a FIDE Master and became French Correspondence Chess Champion in 2000. He has a rich experience in chess, having participated in various chess tournaments, both over the board and in correspondence. It’s fascinating that he has competed with notable experts and writers on the 1 Nc3, such as Dick Van Geet, Anker Aasum, and Harald Keilhack. The mention of a book being a token of his experience suggests that he has documented his insights and knowledge about this opening.
FM Bruno Dieu
This absorbing and well-thought tome is a delight and covers a wealth of material after White’s opening salvo with 1.Nc3.
First encounters
As a junior, the reviewer knew this opening as the Dunst opening. I first met the Dunst on 18 January 1975 in a simul in London against the late and great Tony Miles, a year before he became the first UK-born, over-the-board chess GM. The game transposed into the Four Knights opening and I was inevitably steadily outplayed by Miles, who won a pawn with a neat back rank combination in a major piece middlegame. Unexpectedly, Miles faltered in a winning rook and pawn endgame at move 47, wasting a vital tempo, allowing an excited junior to escape with a draw. My next encounter with the Dunst was a few months later against another strong Birmingham player. This time, booked up, I played the so called refutation with 1…d5 reaching this position:
Ball-Webb After10.Nh4
The inexperienced junior, as Black, came up with the positional howler 10…f5? but managed to draw again when my opponent blundered by opting to exchange into an optically good, but drawn king and pawn endgame. This line is covered in the book, 10…f6 is certainly a better move, although the author prefers 10.Nd2 for White.
A callow player as Black may regard the Trojan Knight as just another unusual opening move which aims to avoid main line theory. On the contrary, as the author points out, 1.Nc3 is a cunning move full of transpositional possibilities whereby the second player can end up in an unfamiliar opening.
I have faced the Trojan Knight on 15 occasions replying 1…e5 in my first game, 1…d5 in my second outing and 1…c5 in subsequent encounters.
The reviewer has opted for the Trojan Knight as White in a total of 15 games; the transposition statistics are of interest:
Sicilian (4 games)
French (2 games)
Caro-Kann (1 game)
Vienna (1 game)
Czech Pirc (1 game)
Irregular queen’s pawn (1 game)
1…b6 1 (game)
Trojan Knight main line 1…d5 2.e4 d4 (1 game)
Trojan Knight main line 1…e5 2.Nf3 Nc6 3.d4 (3 games)
This small sample shows the variety of branches available.
The book is logically divided into 6 parts:
PART I – 1…e5
PART II – 1…d5 2.e4 d4
PART III – 1…d5 2.e4 dxe4
PART IV – 1…d5 – Caro-Kann, French & Alekhine Style
PART V – 1…c5 – Sicilian Style
PART VI – Other First Moves
PART I – 1…e5
This is the natural response which was the move played by the reviewer on first meeting 1.Nc3.
After the following natural moves 1.Nc3 e5 2.Nf3 Nc6 3.d4 exd4 4.Nxd4 this position is reached:
1…e 5 Main Line
This position obviously has affinities with the Scotch Game and of course can transpose if both players acquiesce. Black can can get into difficulties very quickly here with a sloppy move. A few examples given are:
4…Qf6? (played in some lines of the Scotch) 5. Ndb5! winning as c7 collapses.
4… Qh4? 5.Ndb5! (winning)
4…g6? (looks natural to fianchetto, akin to Larsen’s fianchetto variation of the Philidor Defence) 5.Nd5! a6 (5…Bg7 6. Nb5 Be5 7.f4 wins) 6.Bg5! (6.Bf4 is also excellent) 6…f6 7.Bf4 d6 8.e4 Bg7 9.h4 with a clear advantage
4…d5?! (looks natural) 5.Bf4! a6 (5…Bb4 6.Nxc6 Bxc3+ 7.bxc3 bxc6 8.Qd4! with a big plus) 6. e4 with a definite edge
4…Bb4!? is interesting, White can gain an edge with the Scotch like move 5.Nxc6! bxc6 (5…dxc6 is obviously weaker) 6. Qd4! winning the bishop pair or forcing the horrid 6…Bf8?!
Black should interject the capture on c3 in the last line, after 4…Bb4!? 5.Nxc6 Bxc3+ 6. bxc3 bxc6 7.Qd4! Nf6 8.Bg5
PositionAfter8.Qd4
White has a small edge. A typical continuation could be 8…h6 9.Bxf6 Qxf6 10.Qxf6 gxf6 11. g3 Rb8 12.Bg2 Ke7 13.Kd2 Ba6
Larsen-Christiansen Denmark 2000
Now 14.Rhb1! with a slight edge to White in a complex endgame.
4…Bc5 is the best move along with 4…Nf6.
4…Bc5
The author offers three decent alternatives for white:
5.Be3
5.Nxc6
5.Nf5
5.Nb3 Bb6 6.e4 transposes a Scotch Game main line.
After 5.Nf5 Qf6, the author offers two interesting alternatives 6.g4 and 6.e4. He claims that 6.g4 is very strong, but the author’s analysis has a significant hole. After 6.g4 Bb4 7.Bd2 Nge7 8.e4:
8.e4
The author offers the anaemic 8…Nxf5 for Black, after 9.gxf5 Qh4 10.Qf3 Black is in real trouble. The reviewer smelt a rat here as Nxf5 looks too compliant: a quick check with Stockfish reveals 8…d5! equalising. This is a rare significant oversight by the author. Clearly the reviewer has not checked 450+ pages of dense variations but intuition has to be used to choose the positions to use the engine.
6.e4! is better as the author points out leading to Scotch positions where White has a space advantage and although the position is only fractionally better for White, it is easier to play for the first player.
4…Nf6 seems to be the most natural developing move. 5.Bg5! keeps the game in lesser known channels and is better than 5.e4.
5.Bg5
Black has to be careful here, not to slip into an inferior position.
The passive 5…Be7 allows 6.Nf5! and White has a definite advantage.
The natural 5…d5? allows 6.Bxf6! and White has a distinct edge.
The natural 5…Bc5! is ok setting up veiled threats against f2. 6.e3! Nxd4 (6…0-0 7.Nd5! and white is a little better) 7.exd4 Be7 Now 8.Qd2 is an improvement on the author’s 8.Qf3 leading to a small advantage to White.
The pin 5…Bb4 is certainly playable, 6.Nxc6 leads to a small White edge.
PART II – 1…d5 2.e4 d4
If there is a problem with 1.Nc3, it is definitely this variation which is critical as Black gains space and time. One of the crucial lines is 1.Nc3 d5 2.e4 d4 3. Nce2 (3.Nb1 Nf6!) 3…e5 4.Ng3 (4.f4 Nc6! 5.Nf3 Bg4!) Be6! 5.Nf3 (5.c3 Nc6!) 5…f6!
Best 5…f6
This line is the reason that the reviewer gave up on 1.Nc3.
White can try 6.Bb5+ c6 7.Be2!? (7.Ba4 Na6! 8.Bb3 Bxb3! 9.axb3 d3! 10.0-0 Nb4 11.cxd3 Nxb4 12.Ne1 Nh6 and Black has an edge.) 7…g6 (keeping the knight out of f5) 8.0-0 Qd7 9.b4!? Nh6 (9…Bxb4 10.c3! dxc3 11.d4 is better for White as Black’s development is lacking.) and Black is slightly better.
I hope that this short review gives the reader a glimpse into the complexities of this opening. My only small criticism of the book is that the author sometimes puts the best moves in an editorial side line but I realise this is to keep the featured game as the main line.
In summary, this is an excellent book.
FM Richard Webb, Basingstoke, Hampshire, 28th April 2024
FM Richard Webb
Book Details :
Hardcover : 475 pages
Publisher:Thinkers Publishing; 1st edition (1 Mar. 2024)
“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.
The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.
This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”
IM Thomas Engqvist (SWE)
Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.
Material is divided into an Introduction and eight chapters covering all of White’s possible options.
The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.
Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.
Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.
For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:
There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.
This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach (of some other authors) to only consider “top engine choices”. This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.
For example, 5.Bd3!?
is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).
Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after
TE quotes renowned theoretician Max Euwe as follows:
Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out
There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.
In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.
Last time, I introduced you to Edward Wallis, a Quaker chess player, problemist, writer and organiser from the Yorkshire seaside resort of Scarborough.
I gave you the chance to read his book 777 Chess Miniatures in Three, for which A Neave Brayshaw BA LLB provided hints for solvers. Who, I wondered, was A Neave Brayshaw?
It transpires his story is rather interesting. Like Edward Wallis he was a Scarborough Quaker, but, much more than that, he was also one of the best known Quakers of his time.
Alfred Neave Brayshaw was born on 26 December 1861, the first child of Alfred Brayshaw, a Manchester grocer, and Jane Eliza Neave. It was the custom of the time for Quaker families to intermarry, and to use surnames as Christian names. Hence, young Alfred was often referred to as Neave, and he had brothers named Stephenson and Shipley.
Neave was educated at Sidcot School in Somerset, and then at Owens College back home in Manchester, where he was awarded an external London University BA. He decided on a career in law, working in a solicitor’s office while continuing his studies, obtaining a Bachelor of Law degree in 1885.
He worked as a solicitor in Manchester between 1885 and 1889, while spending his evenings tutoring some of the younger students at Owens College. This experience convinced him that his real vocation was not law, but teaching, and he became an assistant master at Oliver’s Mount, a (preparatory?) Quaker boarding school in Scarborough.
It would likely have been in Quaker meetings in Scarborough that Alfred Neave Brayshaw met Edward Wallis and discovered a shared interest in chess.
Brayshaw’s particular interest was in chess problems, and his compositions were soon being published in the Illustrated London News. You can play through the solutions to the problems at the foot of this article.
Problem 1. #3 Illustrated London News 20 December 1890
Problem 2. #3 Illustrated London News 18 July 1891
In 1892 Brayshaw moved to Bootham School in York, which is still thriving today, remaining there for 11 years. Old Boys include historian AJP Taylor, farceur Brian Rix, and, briefly, drag artist Lady Bunny, along with many scions of the Rowntree family, with whom he was very much connected. Along with the Rowntrees – and Edward Wallis – he was part of the movement towards liberal Quakerism.
His next problem was a two-mover rather than a three-mover.
Problem 3. #2 Illustrated London News 27 May 1893
At this point, it seems that he embarked on a very short but successful career in over the board chess.
Yorkshire Evening Press 20 April 1894
Here he is, visiting his former home town, for an away match. You’ll notice, if you’ve been paying attention, that there was a Scarborough player, CE Simpson, in the Ebor team. One wonders if Brayshaw and Wallis, perhaps along with Simpson, were involved in setting this match up.
Perhaps he stayed in Scarborough for a bit: a few days later he represented them in a match against Whitby, again winning both his games.
York Herald 26 April 1894
Later that year he had a problem published in the Hackney Mercury.
Problem 4. #3 Hackney Mercury September 1894
But it seems that his brief involvement in chess playing and composition came to an end at about this time.
Alfred Neave Brayshaw remained in York until 1903, when George Cadbury established Woodbrooke, a new Quaker college in Birmingham, appointing him as a lecturer there. He still maintained his links with Bootham, though, and would do so for the rest of his life.
In 1906 he left Woodbrooke, moving back to Scarborough, re-uniting with Edward Wallis, temporarily returning to chess to help his friend with his book, to which he contributed three problems.
Problem 5. #3 777 Miniatures in Three #88
Problem 6. #3 777 Miniatures in Three #89
Problem 7. #3 777 Miniatures in Three #90
Alfred Neave Brayshaw, by this point, was working for the Society of Friends, based on the Yorkshire coast, but travelling the country lecturing on various aspects of his faith. The 1911 census found him visiting Southampton, and in 1921 he was in Chelmsford, where he would surely have lectured to some of Edward Wallis’s family friends. When he wasn’t lecturing he was writing: The Personality of George Fox was published in 1919 and The Quakers, their Story and Message in 1921, with revisions in 1927 and 1938. If you’re in the United States you can read them here.
A lifelong bachelor, from at least the end of the war onwards he was based in a central Scarborough apartment owned by Edmund (until his death) and Fanny Pearson. I wonder if he was aware that Pearson wasn’t their real name: they were actually Edmund Proctor and Fanny Anthony. After his wife disappeared Edmund had a relationship with Fanny, his housekeeper which produced three children.
In the 1920s, by now in his 60s, he also crossed the Atlantic to lecture in the United States on several occasions. He was a very busy man who probably spent little time in Scarborough.
Throughout all this time he visited Bootham School regularly to lecture to the older boys, and, every year from 1895 to 1939, broken only by the First World War, he took a party of boys from Bootham and other Quaker schools to Normandy for a summer holiday.
Here’s a caricature of him from 1930.
And here he is again, paddling in the sea, probably in Normandy.
By the time of the 1939 Register he was still lecturing regularly, and still living at the same address in Scarborough. But a few months later, during a blackout, he was hit by a car and died of heart failure a few days later.
Daily News (London) 05 February 1940
30 years? More like 40 years, even if you exclude WW1. A Quaker “Mr Chips” sums him up well.
Alfred Neave Brayshaw was a remarkable man who devoted his life to his faith as a teacher, lecturer and writer. He was a pioneer of liberal Quakerism who had personal connections with both the Rowntree and Cadbury families, much respected and revered throughout the Quaker community both in Britain and abroad, and by generations of young men from Quaker schools across the country. It’s good that we can also count him a chess player and composer.
I’m particularly grateful to acknowledge this highly informative post by Quaker blogger Gil S of Skipton: many thanks.
Other sources and acknowledgements:
ancestry.co.uk
findmypast.co.uk/British Newspaper Archive
Wikipedia
Yet Another Chess Problem Database (Brayshaw here)
Yorkshire Chess History (Steve Mann) (Brayshaw here)
Solutions to problems (click on any move to play them through):
Problem 1.
You might consider this slightly unsatisfactory because there’s a short mate after 1… Kd6.
Problem 2.
Problem 3.
Problem 4.
I don’t quite see the point of this. White just creates a threat which Black has no sensible way of meeting.
Problem 5.
There’s a short mate here after 1… Ke6.
Problem 6.
Problem 7.
It’s rather unfortunate that, after 1… Kf4, there are two ways to mate in two more moves.
“Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history. In the Soviet Union chess was developed into an ideological weapon that was actively promoted by the country’s leadership during the Cold War. Starting with Mikhail Botvinnik, their best chess players grew into symbols of socialist excellence. Sosonko writes from a privileged dual perspective, combining an insider’s nostalgia with the detachment of a critical observer. He grew up with legendary champions such as Mikhail Tal and Viktor Korchnoi and spent countless hours with most of the other greats and lesser chess mortals he portrays.
In the late 1980s he began to write about the champions he knew and their remarkable lives in New In Chess magazine. First, he wrote primarily about Soviet players and personalities, and later, he also began to portray other chess celebrities with whom he had crossed paths. They all vividly come to life as the reader is transported to their time and world. Once you’ve read Sosonko, you will feel you know Capablanca, Max Euwe and Tony Miles. And you will never forget Sergey Nikolaev.
This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess magazine. The stories have been published in his books: Russian Silhouettes, The Reliable Past, Smart Chip From St. Petersburg and The World Champions I Knew. They are supplemented with further writings on legends such as David Bronstein, Garry Kasparov and Boris Spassky. They paint an enthralling and unforgettable picture of a largely vanished age and, indirectly, a portrait of one of the greatest writers on the world of chess.
Genna Sosonko (1943) was born in Leningrad, where he was a leading chess trainer. Following his emigration from the Soviet Union in 1972, he settled in The Netherlands. He won numerous tournaments, including Wijk aan Zee in 1977 (with Geller) and 1981 (with Timman) and an individual gold medal at the Olympiad in Haifa 1976. After his active career, Sosonko discovered a passion for writing.
GM Gennadi Borisovich Sosonko
‘Each new story of Genna Sosonko is the preservation of grains of our chess life’ — from the foreword by Garry Kasparov”
Gennadi Borisovich Sosonko
If you’re a lover of chess culture and literature you’ll be familiar with the writings of Genna Sosonko, whose essays chronicle, in particular, chess life in the former Soviet Union in the post-war period.
What we have here is a compendium of his biographical essays: 58 of them plus a short foreword by Kasparov. Most of them have appeared twice before, in New in Chess magazine, and in previous collections of his essays. In addition to the books mentioned above, some of them appeared, in some cases with different titles, in Genna Remembers, published by Thinkers Publishing and previously reviewed here. One of the essays is based on extracts from Sosonko’s book on Bronstein, published by Elk and Ruby. But, in the case of the books, you only get the biographies, not everything.
If you’re a Sosonko fan you’ll have read it all before. If not, and you’re attracted to the subject matter, this might be a good place to start.
You don’t just get Soviet players, though. English readers will be drawn to the chapter on Tony Miles, billed as The Cat That Walked By Himself, whose mental health problems are treated sympathetically.
But, for me, the lesser known figures are of the most interest. Take, for instance, the stories of two players whose lives both ended in tragic circumstances in 1997.
The brilliant Latvian theorist and tactician Alvis Vitolins was born in 1946. ‘Naïve, unusual and absorbed in himself’, had he been born a few decades later, he would undoubtedly have been diagnosed with Asperger Syndrome, or, today, with ASD, and later developed schizophrenia. “He did not have any close friends. He avoided other people, especially strangers, especially those who were not chess players.” He never fulfilled his potential, his mental health declined and, in 1997, he threw himself from a railway bridge onto the ice of a frozen river.
Then there was Evgeny Ruban, from what is now Belarus, born in 1941. A positional player with a classical style who excelled with the white pieces, but another man with his own demons. Ruban was an alcoholic, permanently broke, and also gay, living in a small apartment with his elderly mother. Like Vitolins he also had problems with his mental health. In autumn 1997, in a state of inebriation, he was hit by a car, dying as a result of his injuries. His mother couldn’t afford the cost of his funeral, which was paid for by the car driver.
Two poignant stories which serve as a salutary reminder that, as well as the grandmasters and champions, we need to hear about those who had the talent but not the good fortune, those who fell through the cracks. You might wonder whether chess was a cause of their problems or provided solace in difficult times. It would have been good if their chapters had included a few of their games, but this wouldn’t have fitted into the format of the book.
On the other hand you may well be inspired by the life of Abram Khasin ((1923-2022): he played at Hastings in 1963-64), who lost both legs in the Battle of Stalingrad, but lived to within ten days of his 99th birthday, playing chess right until the end.
There’s also the exotically named Lidia Barbot-de-Marny (1930-2021), born in Shanghai but with French, German and Russian family roots. She eventually settled in Estonia, where she became one of their leading woman players. “Chess has given me a colossal amount of good things, everything you could say.” Although she never became a master, she was a much loved chess teacher, working with young children in the Tallinn House of Chess.
There are always stories, some happy, others sad, all of which need to be told. The stories of the failures are as important as those of the successes, the stories of the lesser players as important as those of the world champions.
Much of the book is, as you’d expect, concerned with the great Soviet players of that era, but, for me, the real value of Sosonko’s work is in his writing about those you don’t read about elsewhere.
He writes beautifully as well, and the translations, mostly by Ken Neat, Steve Giddins and Sarah Hurst, are exemplary. But at some point you start to realise that Sosonko is, up to a point, playing on your emotions. There are no sources or references, just his memory, which is undoubtedly extraordinary, but perhaps, like everyone’s, fallible. At the start of his essay on Ludek Pachman, he writes about visiting London for the first time to play in the 1972 Islington Congress. He took the ferry from Hook of Holland and then, apparently, had his papers checked in Brighton. If you take the ferry from Hook of Holland now you’d end up in Harwich, on the east coast, nowhere near Brighton, on the south coast, and, as far as I can tell, it was the same in 1972. Once I find something I don’t believe, I start to question everything else.
If you’re looking for a book which will improve your rating, this isn’t for you as there are no games at all. But, if you’re attracted to human interest stories, Sosonko is essential reading. You might want to invest in all his essay collections, and, if you do so, you probably won’t need this volume. If your interest is mostly in his biographical essays, and you haven’t read them elsewhere, this will be the book for you.
As a hefty 840-page hardback it’s more suited for weight training than for putting in your pocket to read between rounds of your next tournament, so you might opt for the eBook instead. I’d have liked some games, and ideally more photographs than the 32 glossy pages we get here, but this would clearly have been impractical.
A strong recommendation, then, for anyone who’s interested in this aspect of chess and hasn’t read it all before. You can find out more and read sample pages on the publisher’s website here.
DragonMasters volume 1 charts the history of the most exciting and dangerous opening known to chess – the Dragon Variation of the Sicilian Defense.
Unlike almost all other books on the Dragon, the focus is not purely on theoretical development. Instead, the author has combined the most historically important games, the famous players who chose to fight either side (sometimes both sides!) of the opening, and the most unexpected and interesting stories featuring the Dragon. World Champions, contenders of the crown, code-breakers, revolutionaries in every sense of the world – all feature in this remarkable and entirely unique look into the history of an opening variation. as the ancient may say: Here be Dragons!
About the Author:
Andrew Burnett is a Scottish FM who represented his country on several occasions. He is the author of cult classic Streetfighting Chess and his love of the Dragon opening stretches back to his teenage years when he was looking to escape 1.e4 e5! He is currently working on the second volume of DragonMasters.
This book is volume 1 of a labour of love devoted to the history, praxis, and famous players who have unleashed the fury of the Dragon Variation or fought to quench the fire of the wyvern.
Volume 1 covers the origin of the Dragon to 1973.
The front and back cover is an engaging, colourful picture.
This publication is not a theoretical treatise on the latest developments in the Sicilian Dragon, although it does give theoretical analyses in relation to historical variations and famous clashes with some references to modern variations and theory.
Many great players have had the Dragon in their regular repertoire, although the reviewer was surprised to find a game of Mikhail Tal’s on the black side, as I had the impression that Tal always preferred the white side. Perhaps the result of the game in this book influenced Tal’s choice: he got crushed. The reviewer will show this amusing brevity later.
The author, Andrew Burnett has a sub-variation in the Modern Variation 12.Kb1 named after him viz:
Chapter 1 – In the beginning
Chapter 2 – Bird’s Folly
Chapter 3 – The World’s Finest Discover The Dragon
Chapter 4 – DragonMasters and DragonAmateurs
Chapter 5 – Hypermodernism and beyond
Chapter 6 – Botvinnik’s Trilogy
Chapter 7 – The War Years
Chapter 8 – The Post-War Years
Chapter 9 – When Giants take sides
Chapter 10 – Revolution in the 60s?
Chapter 11 – The Yugoslav Attack
Chapter 12 – DragonMasters and DragonWriters
Chapter 13 – Candidates and Contenders
Chapter 14 – The English Connection
Chapter 15 – The Dragon is Dead! Long Live the Dragon?
In the preface, Andrew Burnett shows a famous Dragon game which inspired the author to take up the Dragon; it also happens to be one of my favourites viz. Plaskett – Watson from Brighton 1983:
This position had been included in some theoretical treatises of the time with the +- symbol as White’s threat of Bxf6 and Qxh7# looks unstoppable. Jonathon Mestel had looked further and spotted 18…Bxg4! which muddies the waters. (As an aside, Stockfish 16 gives 18…Bxg4! as a draw and 18…Nh5! as a draw. This just shows the richness of chess and amazing hidden resources.)
19.Bxf6 Bh5! Simply blocking the h-file, giving Black time to continue with his attack. Jim Plaskett now goes wrong which is unsurprising as he must have been shocked by Black’s revelation.
20. Bd4? losing but only 20.Rxh5! equalises
Plaskett-Watson 20.Rxh5!
Best play after 20.Rxh5! leads to an unexpected repetition draw viz:
As is so often the case in these double edged lines, the game fizzles out to an exciting draw. Brilliant stuff.
The game continuation was a massacre 20…e5! 21.Rxh5 gxh5 22. Qg5 Qb4 23.Bd3 Qxd4 24. Nd5 Qf2+ 25. Be2 Rxc2+ 26.Kxc2 Qxe2+ 27.Kc3 Qxf3+ 28.Kc4 Qb3#
Plaskett-Watson End
Chapter 1 introduces the first games featuring a Sicilian with a black, kingside fianchetto.
The reviewer was under the false impression that Louis Paulsen was the first to play a Sicilian with a kingside fianchetto. Although Paulsen did play some Dragons including beating Steinitz in London in 1862, it was Marmaduke Wyvill who played the first recorded “high-level Dragon” in 1851 at the celebrated London International tournament. We all remember Adolf Anderssen winning that tournament but do we recall whom he defeated in the final? It was Wyvill.
Some of these first Sicilian fianchetto games don’t resemble the modern Sicilian Dragon move orders and are full of basic strategic mistakes but do give insights into the development of the variation and the Sicilian defence in general. Game 3 of the book demonstrates Paulsen’s win over Steinitz with an hyper accelerated Dragon although he was lost out of the opening!
Louis Paulsen was one of the great pioneers of the Sicilian Defence, not just developing the variation named after him.
Chapter 2 concentrates on Henry Bird’s contribution to early Dragon Praxis.
He was the first player to play the modern Dragon move order:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6
As the author points out, his score with the Dragon was 16 losses, 10 wins and 9 draws which is not brilliant, but taking into account he was playing against the world’s best, it is a respectable Dragon legacy.
Game 7 shows a titanic struggle with Joseph Blackburne. This is the position after the opening:
Blackburne-Bird
This could be a modern game with white playing a fairly inept Classical Variation, but making sensible developing moves leaving the main struggle to the middlegame. Bird played the somewhat dubious 14…Qh5?! (better is the natural 14…Nd7 which is clearly equal). Blackburne responded with the impatient move 15.Bxf6 (Simply 15.Qf2 or 15.Rd3 leaves white with a slightly more comfortable position) 15…Bxf5 16.Nd5 Qe5 is equal. The players fought out a exciting draw to move 77. Buy the book to the see the game.
Chapter 3 introduces some of the first games with top players riding the Dragon such as Emmanuel Lasker.
This chapter features some greats such as Tarrasch, Pillsbury and Emmanuel Lasker playing the Dragon at the end of the 19th century and the beginning of the 20th century. The game below shows a typical Dragon trap.
White now played a natural looking move that loses 10.Qd2?? Ne4! 11.Nc6 Qxc3! (Easy to overlook) 12.Qxc3 Nxc3 13. bxc3 Bxc6 (Black is completely winning, a pawn up with a much better pawn structure)
Brody-Pillsbury-11…Qxc3
Chapter 4 shows some early games with masters v amateurs.
The first game in this chapter is famous tussle Lasker – Napier at Cambridge Springs 1904. This game is an extremely tactical queenless middlegame and is well worth a look.
Another game covered is a loss by Lasker to a modern idea of an exchange sacrifice on c3 in a simultaneous display. This idea had been seen before but this version is so thematic, it must be shown:
13…Rxc3! (Winning as White’s position falls apart) 14. bxc3 Nxe4 15.Bd3 Nxc3 16.Qe1 Nxd3 17.Qd3 Nc5 18.f6!? (A desperate try)
Lasker-MacKay-18.f6
18…exf6 19.gxf6 Ne4 (19…Bxf6 wins as well) and Black won on move 34.
Chapter 5 features the introduction of two major Dragon lines.
They are 10…Qc8 in the Classical Variation and the DragonDorf played by another great Sicilian pioneer Miguel Najdorf.
The first variation is shown with a famous game Reti -Tartakower
Dragon-Classical-Tartakower-Var
The game continued 11.h3 Ne8 ?! (A modern master would shudder at this move, the natural 11…Rd8 is better, Reti won a good positional game)
The game Reissner – Najdorf from Warsaw 1934 introduces the Dragadorf which Simon Williams reintroduced many decades later.
The game began 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Qd2 a6? (Black cannot play this slowly after castling, if Black wishes to play this way, he must not castle early).
Dragadorf Castling too early
Stockfish already gives White a big advantage. Najdorf did win this game as White did not play incisively enough. See the book to look at these two interesting games.
Chapter 6 features the famous Alekhine-Botvinnik melee from Nottingham 1936 resulting in an exciting short draw.
10…d5!? (The modern preference is for 10…Rc8 when Black may already be better) 11.f5 Bc8 12.exd5 Nb4
Rabinovich-Attack-12…Nb4
A critical position 13.d6!? (13.Bf3! is much stronger leading to a significant White advantage) 13…Qxd6 (leading to a forced perpetual) 14. Bc5 Qf4! 15.Rf1 Qxh2 16.Bxb4 Nxg4 17.Bxg4 Qg3+ 18. Rf2 (Any winning attempt is suicidal) Qg1+ 19.Rf1 Qg3+ 20.Rf2 Qg1+ Draw agreed
Chapter 7 introduces the Levenfish Variation with Mikhail Tal falling victim.
Game 31 showcases the game that introduced the Levenfish Variation at the highest level: Levenfish – Rabinovich Leningrad 1939. The author’s commentary on this game is full of excellent analysis showing many of the traps in the Levenfish and some brilliant white victories. Two of the greatest attacking players have games in this variation including a crushing win by Nezhmetdinov and a crushing loss for Tal. First the Tal miniature:
6…Nc6! (6…Bg7!? is dangerous for Black, but just about playable with care, but 6…Nc6 equalises easily, so why play an inferior risky move?)
7.Nxc6 bxc6 8. e5 (This looks dangerous but is a paper tiger) Nd7! 9.exd6 exd6 10.Be3
Levenfish-Variation-10.Be3
10…Qe7?! (10…Be7 is slightly better for black already, the pawn on f4 weakens White’s position) 11.Qd4! Nf6?! (11…Bg7 is hardly better: 12.Qxg7 Qxe3+ 13.Be2 Rf8 14.Rf1 Nb6 15.Rd1 is better for white despite white’s king on e1 as Black is behind in development and has a weaker pawn structure with black squared weaknesses.) 12.0-0-0 Bg7
Levenfish-Variation-Start-of-Crushing-Attack
White has a significant lead in development which he exploits ruthlessly in the style of his opponent:
13.Qxd6! (sacrificing a piece with check) Qxe3+ 14.Kb1 Bd7? (14…Qb6! makes it harder for White but his attack is just too strong) 15.Bb5! (A classic clearance: 15…cxb5 16.Rhe1 wins the queen and although Black has a rook and two bishops for the queen and pawn, his lack of development is fatal) 15…Qb6 16.Rhe1+ Kd8 17.Bxc6 Rb8 (threatening mate but too late) 18. Qe7+ Kc7 19.Rxd7+ Kc8
Mate-in-4
20.Bb5 (20.Nb5! is quicker mating in four moves, Klavins chooses a prosaic win going into a trivially won endgame) Rb7 21.Rxb7 Qxb7 22.Qxb7+ 1-0
Now the Nezhmetdinov game:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.f4 Bg7?! (Risky) 7.e5! dxe5? (The only decent move here is the surprising 7…Nh5 with the idea 8.g4? Nxf4 9.Bxf4 dxe5 regaining the piece with interest, better for White is 8.Bb5+ Bd7 9.Qe2! with an edge as Black still has to solve the problem of the h5 knight, 9.e6!? looks good but 9…fxe6 10.Nxe6 Bxc3+ 11.bxc3 Qc8! is a mess but dynamically equal) 8.fxe5 (This is a very dangerous position for the unwary)
Levenfish after 8.fxe5
8…Nd5? (8…Ng4?? 9.Bb5+ wins 9…Bd7 10.Qxg4 wins a piece or 9…Kf8 10.Ne6+ wins the queen. 8…Nfd7 is relatively best 9.e6! Ne5! 10.exf7+ gives a White a pleasant edge but Black can fight) 9.Bb5+ Kf8 10. 0-0 (Black is totally lost) Bxe5 (accelerating the inevitable defeat, and allowing an attractive finish, 10…Nc6 lasts longer) 11.Bh6+ Kg8 12. Nxd5 Qxd5 13.Nf5! Qc5+ 14.Be3 Qc7 15.Nh6+ 1-0
Levenfish-13.Nf5!
Chapter 8 features a famous victory by a British player, William Winter over David Bronstein in the England – USSR radio match in 1946.
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Nb3!? (Not the most challenging line) 9…Be6 10.Nd5 Bxe6 (Stockfish also likes 10…Rc8 with both moves giving Black a slight edge, but removing the pesky knight now is understandable) 11.exd5 Ne5
Bronstein-Winter-11…Ne5
12. Be2? (12.0-0-0 is better but Black is at least equal) Qc7 13.0-0 (13…a5! is also good but the move played is an obvious thematic Sicilian move) Nc4 14.Bxc4 Qxc4 15. Rad1?! (The wrong rook, White needs the queen’s rook on the queenside for defence, showing how badly the game is going) 15…Rfc8! 16.Rf2 Nd7 (16…a5! increases Black’s advantage to decisive proportions) 17.Bg5!? (Trying to mix things up, but 17.c3 is better, then Black has 17…a5 with a typical Sicilian initiative and advantage) 17..Bxb2 18.Bxe7 Nb6? (Bronstein’s gamble with Bg5 has paid off as Black goes wrong, much better is 18…Bc3! 19.Qd3 Qb4 maintains a big Black advantage) 19.Bxd6 Rd8
Bronstein-Winter-20.Na5
20. Na5?? (A horrible move losing the game, 20.Qb4 or 20.Qf4 holds the balance) 20…Qa6! 21.Qf4 Rxd6 22.c4 Bg7 23.Rfd2 Bh6 24. Rd3 Rad8 25.a4 Bf6 26.Qb5 Qxb5 27.axb5 R6d7 0-1
Chapter 9 introduces some giants into the mix with players such as the great Soviet theoretician Efim Geller who played the Dragon with both colours, and the great Bobby Fischer who was a veritable St George. Fischer famously lost against Cesar Munoz, a Ecuadorean National Master: this game is definitely worth a look.
This chapter also includes the famous Fischer – Larsen clash from Portoroz 1958. The game is in a line that has become topical recently:
This position used to be thought to be slightly better for White with the bishop pair and pressure along the e-file. Modern engines dispute this and reckon Black is more or less equal viz:
Chapter 10 introduces the famous Soltis Variation.
It may not be widely known, but in 1963 Heikki Westerinen introduced the Dragon Soltis Variation to the world, 8 years before Andrew Soltis popularised the variation named after him. This is the stem position:
Soltis-Variation
Westerinen played this line against Bent Larsen, who was one of the protagonists who played the Dragon with both colours. He lost the game, but his opening and early middlegame were fine as he achieved a winning position by move 20: he was outplayed later by a world class player. Buy the book to see analysis of this ground breaking game.
Chapter 11 introduces Geller on the Black side and Anatoly Karpov as a chief Dragon slayer. His game against Gik in the Moscow University championship in 1968 is one of Karpov’s best games.
In this position below Gik made a fatal mistake: 16…Qxc3 no doubt expecting 17.Kb1, so 17.Ne2 came as a rude awakening gaining a crucial tempo, both 16…Nf6 and 16…Rc8 equalise comfortably.
The book analyses this theoretical scuffle in detail.
Chapter 12 is devoted mainly to famous Dragon writers: David Levy and Andrew Soltis.
David Levy, the Scottish IM famously wrote two editions of the Batsford books The Sicilian Dragon. Here Levy faces the former World Champion, Boris Spassky who is in devastating form:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 Nc6 8.Qd2 0-0 9.Bc4 Bd7 10.0-0-0 Qb8?! (A trendy line at the time, which is almost certainly unsound, Stockfish does not rate it.)
Spassky-Levy
11.h4! a5? (This is a horrible move, it loses quickly, Stockfish recommends 11..Ne5 12.Bb3 h5 trying to slow down the attack in Soltis style, but Black’s misplaced queen renders this fruitless) 12.Bh6!? (Not the very best, the simple 12.h5 is even stronger winning quickly) 12…Nxe4? (Black pushes his luck with a flawed combination, better was 12…Nxd4 13.h5! Be6 14.Bxg7 Kxg7 14.Qxd4 with a big plus for White) 13. Nxe4 Bxd4 14.h5! (With a huge winning attack)
Spassky-Levy-14.h5
14…d5 (Desperation, trying to get the queen into the defence) 15.Bxd5 Qxe5 16.Bxf8! (Simple and effective) 16…Qxd5 17.Qh6! Nb4 18.Rxd4! (Removing the last defender) Qxd4 19.Bxe7 1-0
An opening experiment crushed by an attacking great!
Chapter 13 is mainly devoted to two fascinating clashes between Efim Geller and Viktor Korchnoi in their Candidates match in 1971 in Moscow. It also reintroduces Anatoly Karpov who is undoubtedly one of the greatest Dragon slayers, shown in action in a famous tussle with Juergen Dueball at Skopje in 1972. It was Karpov’s endgame skill that won him that game.
The first Geller – Korchnoi shows the good old exchange sacrifice on c3 in all its glory.
Geller-Korchnoi-Moscow-1971
White played the poor 12.Bh6?! provoking Black. 12…Bxh6! 13.Qxh6 Rxc3! 14.bxc3 a5! (14…Qc7 is fine as well)
Black is equal here and has a position that is easier and more fun to play. The game was eventually drawn, but Black achieved a winning game but threw it away in mutual time trouble.
Chapter 14 introduces one of the great Dragon specialists, the late and great Tony Miles.
Here is a exciting scrap with another future GM, Michael Stean.
Michael Stean – Tony Miles Hastings 73/74
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6 6.Be3 Bg7 7.f3 0-0 8.Bc4 Nc6 9.Qd2 Bd7 10.h4 h5 11.0-0-0 Rc8 12.Bb3 Ne5 13.Kb1 Nc4 14.Bxc4 Rxc4 15.Nde2 Qc7 !? (An attempt to avoid the main line theory, 15…b5 is the main line which equalises comfortably as played by Kasparov against Anand 16.Bh6 Qa5 =)
Stean-Miles-15.Qc7
16.Bh6 Be6 17.Bxg7 Kxg7 18.Nf4 Qa5 (This position is equal, but Stean comes up with a faulty plan) 19.Nxe6+ (19.Nce2 is equal) fxe6 20.Rh3?! (20.Ne2 is still equal) Rfc8 21.Rg3?
Rxc3! (Now Black is better) 22.bxc3 Rc6 23.Rg5 e5! (Cutting the rook off)
Stean-Miles-23…e5
Now Black is slightly better, somehow Miles contrived to lose this game.
Chapter 15 is devoted to one of the most famous gladiatorial contests in the Sicilian Dragon: Anatoly Karpov v Viktor Korchnoi Moscow 1974 game 2 of the Candidates final. The winner was to play Bobby Fischer.
At the time, the position before 16.Nde2 was a topical Dragon tabiya. Korchnoi played the natural reply which is already a mistake.
16…Qa5 (16…Re8 is much better and about equal) 17.Bh6 Bxh6 (17…Bh8 18.Bxf8 Kxf8 19.Qe3 is clearly better for White) 18.Qxh6 Rfc8 19.Rd3 R4c5? (The final mistake, 19…Be6 20. 20.g5 Nxh5 21. Nf4 Qe5 22.Nxh5 gxh5 23. Qxh5 Qg7 24.f4 with a clear advantage to White) 20.g5! (Winning) Rxg5 21.Rd5! Rxd5 22.Nxd5 Re8 23.Nef4 Bc6 24.e5!+- Bxd5 25.exf6 exf6 26.Qxh7+ Kf8 27.Qh8+ 1-0 (27… Ke7 28.Nxd5+ Qxd5 29.Re1+)
It is quite possible that the whole game was prepared analysis.
This game really knocked the Dragon for six, but the Dragoneers soon came up with an antidote 16…Re8.
In summary, this is a well thought out book and an enjoyable read with plenty of exciting, fighting chess. Although it is a history of the Dragon, that story is really a microcosm of the development of modern chess from 1850 onwards.
FM Richard Webb, Basingstoke, Hampshire, 1st April 2024
FM Richard Webb
Book Details :
Hardcover : 385 pages
Publisher:Thinkers Publishing; 1st edition (5 Mar. 2024)
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