Grandmaster Thomas Luther, born in 1969, is the first player with a disability to have entered the FIDE Top 100 rating list. In 2001 he was ranked 80th in the world. He has won the German Championship three times and is well known as an experienced and successful coach. In 2014 his achievements were recognised by being granted the title of FIDE Senior Trainer. In his career to-date he has published several books and DVDs. This is his fourth book for Thinkers’ Publishing, after a co-production with Jugend Schach Verlag entitled ‘Chess Coaching for Kids – the U10 Project‘ and the current series
This is the third volume in Thinkers’ Chess Academy (TCA), an ever-growing series written by Grandmaster and FIDE Senior Trainer Thomas Luther intended for beginners through to club standard players.
John Upham has previously reviewed the first volume, First Steps in Tactics, although I note a negative review on Amazon which considered the examples were too hard for the target market. Volume 2, From Tactics to Strategy – Winning Knowledge, which, I believe, hasn’t been submitted for review by BCN, covers more advanced tactics along with an introduction to strategy.
Volume 3 is designed as a workbook for readers of the two previous volumes, while also providing more challenging exercises for ambitious students.
From the author’s introduction (it’s also on the publisher’s website):
Not every reader is ambitious enough or has enough time to work very hard on his chess. That’s quite understandable and nothing to be ashamed of. You can enjoy chess very well without being a strong tournament player. You could just entertain yourself by playing through interesting combinations. In this case don’t try too hard to solve the Advanced Lessons or Master Class exercises. Have a look to make yourself familiar with the position, than look at the solution and enjoy the surprising combinations. You won’t learn as much as you would by racking your brain to crack the hard nuts. But some knowledge and experience will certainly rub off and increase your understanding of chess. I hope this book will help you to work towards your goals and let have you fun with chess.
The book has an unusual structure. We have 20 chapters alternately easier and harder, with the answers at the end of each chapter. Less experienced players are advised to work through the odd numbered chapters first before tackling the odd numbered chapters, while stronger players could work through the book in order, using the odd numbered chapters as ward-up exercises.
An interesting concept, but does it work? Let’s take a look inside. All the odd numbered chapters are billed simply as ‘Quick Test’, although their specific themes are discussed in the chapter introductions. The first Quick Test, which corresponds to Chapter 7 of TCA1, features mates in up to 2 moves. Other tests involve winning material in various ways. There is a gradual increase in length and complexity, until, by Chapter 19 you’ll be able to find wins (material or mate) in up to 5 moves.
I enjoyed Chapter 9 (Quick Test 5): From The Good Old Times!
Can you find this mate in 3 (Napier – Amateur 1904)?
Ng5+ is only a mate in 4: it’s quicker and more spectacular to play 1. Qg6+ Bxg6 2. Ng5+ hxg5 3. hxg6#
This, for example is Q12 in Chapter 19.
If you can solve this within a few seconds you’re a pretty good tactician: quite a jump forward from the simple positions in Chapter 1.
In case you haven’t spotted it yet: 1. Bxf6 Bxf6 2. Qxe6+ Kg7 3. Qxf6+ Kxf6 4. Nxd5+ followed by 5. Nxb6.
The even numbered chapters, apart from Chapter 2, have more specific titles, Chapters 4-12 being Advanced Lessons and Chapters 14-20 being Master Classes. We have (from 4 in steps of 2): Easy Tactics in the Endgame, Chess History, Checkmate in Up to 5 Moves, Advantage or Mate in Up to 5 Moves, All Kinds of Draws, Advantage in 5 or More Moves, The Classics, Studies and finally The Long Way to Checkmate. Yes, of course some two move combinations can be much harder to spot than some five move combinations, but the author has been very careful in his choice of material.
This is from Chapter 10: Mohammad Fahad – Vatsal Mumbai 2018.
White won by continuing 17. fxe6 fxe6 18. Nxe5 dxe5 19. Nxe6 Bxe6 20. Bb5+ Kf7 21. Qf2+ Bf6 22. Rxd8. A nice example of a clearance; very difficult to see, according to Luther.
Like many leading chess teachers these days, Thomas Luther is very keen on endgame studies. “Don’t be frightened or repulsed by the studies”, he says in the introduction to Chapter 4. “They are not like problem chess but very practical and instructive. You can learn a lot by trying to solve them.”
Here, from Chapter 18, is an 1851 study by Horwitz and Kling.
Instructive, I think, because you need to know basic KP v K theory as well as being able to spot knight forks.
The book is beautifully produced and the author has clearly put a lot of thought into both the selection of the puzzles and the structure of the chapters.
If you’re following the Thinkers’ Chess Academy series you’ll definitely want this book. If you’re looking for a book, with puzzles you probably haven’t seen before, this book would also be an excellent choice. I would place this volume high up in my list of recommended puzzle books for club standard players.
Of course many players these days prefer to solve puzzles online, but there’s also much to be said for the old-fashioned method of using a book. Although I’d guess the main target market would be roughly 1250-1750 rated players, anyone between, say, 1000 and 2000 strength would find this book both instructive and enjoyable. Lower rated players should work through the odd numbered chapters first, while higher rated players will prefer to start at the beginning and work through sequentially.
If you want to make sure the book’s for you, you can read the first three chapters here.
“We are pleased to release another book in the Fred Reinfeld Chess Classics series. The Immortal Games of Capablanca was – and continues to be – one of Reinfeld’s most popular books. A detailed biography of the third world chess champion introduces the 113 games. They are presented chronologically, with clear and instructive annotations.
This 21st century edition has been revised and reformatted to meet the expectations of the modern chessplayer. This includes:
(a) The original English descriptive notation has been converted to modern figurine algebraic notation;
(b) Over 200(!) diagrams have added, along with more than a dozen archival photos; and
(c) The Index of Openings now has ECO codes.
Reinfeld’s annotations were also cross-checked by Stockfish 14, one of the most powerful engines available. When Stockfish had a different, meaningful evaluation from that of Reinfeld’s, the engine’s suggestion is indicated by “S14:” followed by the specific line.
As in our other “21st Century Editions,” and with the exception of the occasional supplement by Stockfish, Reinfeld’s original text has been preserved.
Follow the life and games of the brilliant Cuban world champion in Reinfelds’s timeless classic The Immortal Games of Capablanca.”
“Fred Reinfeld (January 27, 1910 – May 29, 1964) was an American writer on chess and many other subjects. He was also a strong chess master, often among the top ten American players from the early 1930s to the early 1940s, as well as a college chess instructor.”
In July 2019 Richard James reviewedFred Reinfeld: The Man Who Taught America Chess, with 282 Games and perhaps you might like to read this to get a better feel for FRs legacy.
Russell Enterprises (via New In Chess) with this new edition have, to date, added a total of eight titles to their Fred Reinfeld Classic Series: the more the merrier!
Over the years many have looked down their noses at publications from Reinfeld, Chernev, Schiller and others but if we are completely honest then Reinfeld and Chernev have brought a huge amount to the chess buying public and many have found much benefit from their publications.
The Immortal Games of Capablanca by Russell Enterprises is (to use a modern phrase) a “re-imagining” of a timeless classic. Most of us reading this review would have almost certainly had one of the previous versions. The first edition dates from 1942 and, interestingly, the copyright lies with Beatrice Reinfeld rather than Fred, himself. Published by Horowitz and Harkness, New York here is an original first edition copy from the collection of Jose Font:
Betts (Chess: An Annotated Bibliography of Works Published, 1850-1968) informs us that this very edition was re-issued in 1953 by the same publisher. In 1974, Collier Books (A Division of Macmillan Publishing Co., Inc. New York) brought out their own edition and added an Introduction by Robert Byrne, Chess Editor of The New York Times. This had the following appearance front and rear:
and, for the sake of completeness, and because it is worth reading, here is the Introduction from Robert Byrne:
Introduction
I joined the Manhattan Chess Club a year or so after Capablanca’s death, and the afterglow of the great Cuban’s presence still filled his favourite haunts. There was an old white-haired patzer, Richard Warburg, who would collar me, my brother Donald, and several other young high school players to tell us the “compliment” Capa had once paid him. What Capa had said was, “Warburg, nobody plays the Rinky-Dink the way you do!” So overcome with pride and delight was Warburg that the great man had deigned to remark on his play that he never stopped to think why Capa had dubbed his Accelerated Dragon Variation the “Rinky-Dink.” Needless to say, the ironic joshing of Capablanca’s remark was totally lost on him.
Moreover, it would not have mattered, for Capablanca was so idolized that it was deemed a privilege to breathe the same air he did. Not only did his fans feel that way about him, but the man from whom he won the world championship, Emanuel Lasker, said of him, “I have known many chess players, but only one chess genius.” Capablanca’s successor, Alexander Alekhine, also termed him “a very great genius whose like we shall never see again.”
What lent Capablanca the glamour that was denied to his fellow champions of the game was the incredible speed of his play. Hard work at the board, consuming the full two and one half hours for forty moves, was unknown to him at the peak of his career. Brilliant strategic plans, marvellous com binational possibilities, scintillating turns in the play came tumbling out of him in response to his extraordinarily quick sight of the configuration before him.
He did not consider what he achieved as coming under the head of thinking, scandalizing his colleagues by insisting that chess was not an intellectual game. For him it was nothing remotely resembling problem solving, but rather flashes of intuition in which he grasped the essential pattern governing each individual position. That is why he looked upon chess playing as an aesthetic activity.
Quite obviously, no greater natural player ever lived. At the age of four, Capablanca learned the moves by watching his father play and, years later, he declared that he had never bothered to study the game. Of course, growing up in the fertile chess climate of Havana and later New York, he honed himself on very strong opposition. Watching the games of his competitors could hardly have failed to serve as an education in itself.
In chess style, Capablanca was the master par excellence of reduction, stripping positions down to the bare backbone by exchanging off all irrelevant material. In what were for others
positions of unfathomable complexity, he could, with uncanny lucidity, expose the genuinely dominant but often hidden theme that dictated the strategy to be pursued.
It is this astonishing clarity in Capablanca’s conceptions that makes his games a gold mine for the aspiring student. The elements of chess strategy can all be seen here purged of the confusion introduced by side issues. The late Fred Reinfeld has made an excellent selection of 113 Capablanca games which give a rounded picture of the scope and invention of Cuba’s greatest genius. These are the wonderful performances that have so heavily shaped the play of current world champion Bobby Fischer, Capablanca’s spiritual descendant.
One of my favourites, which I have replayed many times, is game 6, from Capablanca’s match with Frank Marshall (see page 39 ). It is not too much to say that this is the indispensable stem game for the understanding of how White develops a kingside attack in the Ruy Lopez. Another lesson in the Ruy Lopez, this time in the exchange variation by transposition, is given by game 17 against David Janowski (see page 83). Capablanca’s handling of the pawn structure and his fine rook play in the ending beautifully illuminate a formation reintroduced into current practice by Bobby Fischer.
In the realm of bishops-of-opposite-colour play, the drawing chances of the defence can only be defeated by the kind of positional mastery Capablanca evinces in game 2L against Richard Teichmann (see page 97 ) and in game 25 against Aron Nimzovich (see page 111). Capablanca’s terrifically coolheaded defensive play shows up in his defeat of Frank Marshall’s anti-Ruy Lopez gambit in game 36 (see page 157), which the American champion kept under wraps for eight years to spring on him. I could go on and on, but, if I must limit myself to just one more, Capablanca’s best-played-prize-winning Caro-Kann Defense in game 63 against Aron Nimzovich (see page 276) would be my choice. It is a wonderfully instructive masterpiece of infiltration tactics to undermine a passive position and score with Zugzwang.
Fred Reinfeld’s annotations are clear and schematic and give a dramatic portrayal of these epic battles. Fred, the epitome of the hero-worshipper, is a little too harsh in fastening on the very human foibles that brought about Capablanca’s loss of the world championship to Alekhine. With the ease of success Capablanca enjoyed, it was all but impossible for him to have taken Alekhine’s challenge seriously, especially since Capablanca had a 6-O record against him going into the match. No one could have guessed the fanatic zeal that Alekhine put into his preparation for the struggle.
Moreover, the last word on Capablanca’s enormous capacity can be gleaned from Alekhine’s behaviour. He sought lesser opponents rather than give the awesome genius a return match.
-Robert Byrne”
In 1990 Dover did their usual “reprint” thing and re-issued the Horowitz and Harkness, New York, 1942 version with this cover:
and in 2011 Sam Sloan put on his anti-copyright Ye-Ha! cowboy spurs and re-issued his version with the original 1942 cover.
So, in 2022, what do we have that is new in this 21st century edition?
Firstly, we have FAN or figurine algebraic notation which should help to bring in those for whom English Descriptive is old hat (their words not ours).
Secondly, thirteen photographs of of Capa and his opponents liven up the pages that once contained a single image of Capa giving a simultaneous display at the Imperial Chess Club in London, 1911. Printing quality could have been improved but welcome they are nonetheless.
The format has transitioned from the old style single column with diagrams few and far between to a double column format with a liberal sprinkling of diagrams of greater printed clarity than the originals. Each game has been allocated an ECO code (or Rabar Index for our more mature readers). Indeed, the font is a little smaller than it was in 1942 but quite readable all the same.
The authors pithy annotation style has been retained for the modern student to enjoy and engine worshippers (“I cannot read a chess book that has not been engine checked”) are acknowledged using supplemental comments indicated by a Stockfish (S14) label.
We carried out a detailed edition comparison with the Collier edition and found some subtle differences. As noted previously the Robert Byrne Introduction is not present but then again, it wasn’t in the original. Game 2a, Corzo-Capablanca is now Game 3 and the comment “This game discovered just as the book was going to press” is no longer present.
Capablanca-Voight, Philadelphia, 1910 is labelled as a Team Match between Manhattan CC and Franklin CC in 1942 and in 2022 as a simultaneous display game. Both Megabase 2023 and Chessgames.com concur with the recent verdict: any Capa scholars (EGW) out there with definitive knowledge?
Game 15 is now identified as Capablanca – Bacu Arus from a blindfold simul whereas Black was listed simply as “Amateur” in the original.
Through out this fresh, new edition there are subtle additions of detail together with corrections to the original which are to be admired.
The Stockfish (S14) comments are sparse and unobtrusive but of value. For example, from Capablanca- Janowski we have reproduced the comments to Black’s 24th move only:
In summary it was an absolute pleasure to be re-united with this timeless classic and Russell Enterprises are to be congratulated on producing this fresh new edition with added value.
John Upham, Cove, Hampshire, 2nd March 2023
Book Details :
Softcover : 256 pages
Publisher: Russell Enterprises (September 12, 2022)
Then Ellis comes with rapid transit, And few there are who can withstand it; Some day soon he’s bound to land it.
So said the bard of Richmond Chess Club at their 1911 AGM. Arthur Compton Ellis was a man who lived his life, as well as playing his chess, with rapid transit. Although he spent little more than two years in the area, he flashed like a meteor across the Richmond and Kew chess scene.
Let’s find out more.
Our story starts on 20 September 1887, with the marriage between George Frederick Ellis, a surveyor aged 39 and Margaret Fraser, aged 31. Rather late for marriage in those days. Their only child, Arthur Compton Ellis’s birth was registered in the Pancras district of London in the first quarter of 1889.
In the 1891 census the family are living in Kentish Town. George is working as a Surveyor of Roads and Sewers, and they’re doing well enough to employ a servant. By 1901 they’ve moved a mile to the north, close to Parliament Hill Fields: George is now, just like James Richmond Cartledge would be a few years later, a Deputy Borough Engineer and Surveyor. Margaret is, perhaps unexpectedly, working as a Physician and Surgeon, while Arthur is at school. There were no domestic staff at home.
Arthur moved from school to the University of London, where he graduated with a BA in 1909, at the age of only 20. In the same year his father died: the death was registered in Camberwell, South London.
Perhaps he discovered the game of chess at university. He may also have discovered religion. In 1908 he was baptised at St Luke’s Church, Kew, with his address given as 40 West Park Road, right by Kew Gardens Station. At this point the family appeared to have connections, then, with both the Richmond/Kew area and South London.
He first turns up playing for Richmond Chess Club in December 1908, losing his game on bottom board in a London League match against Ibis. It looks like he joined the club on the completion of his studies. Although he seemed to be struggling in match play at this point, in April 1909 he finished second in a lightning tournament, which, that year, replaced the annual club dinner.
In 1910, now styling himself A Compton Ellis, he was advertising his tuition services in the Daily Telegraph. LCP was a teaching qualification.
By Summer 1910 he felt confident enough to take part in a tournament. The British Championships took place that year in Oxford, and Arthur was placed in the 3rd Class C section.With a score of 10½/11, it was clear that he was improving fast, and should have been in at least the 2nd Class division. The prizes were presented by none other than William Archibald Spooner.
A handicap tournament also took place there, in which he won first prize: a model of the earth with a clock inside, enabling him to ascertain the time of day in any part of the world. This prize was donated by its inventor, James Haddon Overton, a schoolmaster from Woodstock.
In September that year, not content with only playing at Richmond, where he had now reached top board in a match against Acton, he was one of the founders of a new club in Kew.
Richmond and Kew weren’t his only clubs, either. He was also a member of South London Chess Club, about which there’s very little information online.
In this London League game he fell victim to a brilliant queen sacrifice. Click on any move in any game in this article for a pop-up window enabling you to play through the game.
Arthur Compton Ellis was infectiously enthusiastic, ambitious and seemed to have contacts with a number of strong amateur players, mostly from the Civil Service, as is demonstrated by this event.
A win against our old friend Wilfred Hugh Miller Kirk was also evidence that Arthur was developing into a formidable player.
The 1911 census found Arthur and his mother still living at 40 West Park Road, Kew Gardens. Arthur gave his occupation as ‘Tutor’ while there was no occupation listed for Margaret.
By then it was time for another tournament. The Kent and Sussex Chess Congress, run by the Kent County Chess Association took place over Easter at this time. It’s little written about today, but it attracted some of the country’s top players. The top section in the 1911, for example, played in Tunbridge Wells, was won by Yates ahead of Gunsberg. The organising committee, coincidentally, included the Kent secretary Rufus Henry Streatfeild Stevenson, and the Sussex secretary, Harold John Francis Spink Stephenson. Arthur Compton Ellis took part in the third section down, the Second Class Open, where he was again too good for the opposition, finishing on 8½/10, half a point ahead of Battersea veteran Bernard William Fisher (1836-1914), who had been a master standard player back in the 1880s. Visitors included Frank Marshall, who gave a simul and a talk, and Joseph Blackburne, who gave simuls and played consultation games. Horace Fabian Cheshire gave a talk, with lantern slides, on chess players past and present, and also an exposition of the game of Go. It sounds like a good time was had by all.
Arthur persuaded Frank Marshall to visit Richmond and give a simul against members of local chess clubs, and that was duly arranged.
The AGM in September would report as follows:
Always eager to play in any event, he won the Dalgarno-Robinson chess trophy, competed for by members of local branches of the Association of Young Men’s Clubs, and played on top board when Richmond Chess Club visited Hastings, drawing his game against the aforementioned Mr Stephenson.
He decided to give the 1911 British Championship, held in Glasgow, a miss, though. Perhaps he wasn’t prepared to travel that far.
The Richmond Herald was now carrying less chess news, but we know from a report from the other end of Surrey that Kew Chess Club were becoming even more successful.
You’ll see that Ellis didn’t stand for re-election as captain. This seems to have been because Arthur and Margaret had moved from Kew to South London.
Over Easter 1912, though, he returned to Tunbridge Wells for the Kent and Sussex Easter Congress, this time promoted to the top (First Class Open) section. Now against stronger opposition, this time he found the going tough, only scoring 2½/8.
The winner was the future Sir George Thomas, who wasted little time of disposing of Ellis, who misplaced his queen’s knight on his 11th move.
However, he did have the satisfaction of defeating Fred Brown, one of two chess playing brothers from Dudley. (He had a brother Frank, who was also a strong player. Understandably, in the days when newspapers only gave players’ initials, they were often confused.) Fred shared second place with future BCM editor Julius du Mont in this tournament.
It seems that he was lucky here: his opponent resigned what may well have been a drawn position as he would have had chances of a perpetual check if he’d continued with 32… Kf7!. What do you think?
At the same event, Arthur and his friend from Kew, Montague White Stephens, played in a consultation simul against Blackburne. They were successful after the great veteran uncharacteristically missed a simple mate in 3 on move 19.
Montague White Stevens (1881-1947) was only a club standard player, but he edited the 1914 Year Book of Chess and produced a revised edition of EA Greig’s Pitfalls on the Chess-Board.
In April 1912 a new Chess Divan opened in the Strand, replacing Simpson’s Chess Divan, which had closed a few years earlier, and Gunsberg was appointed its manager. Arthur, who would go almost anywhere for a game of chess, was soon involved. With lightning tournaments a regular feature, a devotee of rapid transit chess would be in his element.
In May’s lightning tournament there was a full house, with the participants ‘mostly first-class amateurs’. Arthur shared first place with future British Champion Roland Henry Vaughan Scott and future writer and historian Philip Walsingham Sergeant. Lightning chess was proving increasingly popular, and I would assume this tournament was played using a buzzer. But there was an announcement that the following week there would be a five-minute tournament ‘which affords such amusing play’. If you think five-minute chess is amusing, you should try bullet. Arthur would have loved that.
In June there were only 12 players in the lightning tournament, with Arthur Compton Ellis sharing first place with Harold Godfrey Cole, who had played in the previous year’s Anglo-American cable match and would, a couple of months later, take second place in the British Championship. It’s evident from these results that he was a formidable speed player.
He was, inevitably, involved in administration as well.
A strong and interesting line-up, you’ll agree, with players such as former World Championship candidate Isidor Gunsberg and top lady player Louisa Matilda Fagan amongst many well-known participants.
This wasn’t a standard all-play-all tournament: rather you could play as many games as you wanted against as many opponents as you wanted, with the player with the best percentage score of those who played at least 20 games winning. It sounds like you could improve your chances by playing lots of games against weaker players. On 22 June the London Evening Standard reported that Ellis had beaten Mrs Fagan and drawn with Scott.
There was further news in three weeks time, when some players had made a lot of progress with their games.
In this game against Scotsman John Macalister, a shorthand writer in the Admirality Court, he was winning but went wrong on move 19 in a complex position, eventually falling victim to a queen sacrifice.
By the end of August, Loman and Scott were both on 13/16, with 18 games now required for your score to count, but after that the trail goes dead. It looks to me like the whole concept was rather too ambitious to succeed.
But meanwhile, the 1912 British Championships had taken place in Richmond, familiar territory for Arthur Compton Ellis. This time he was placed in the 1st Class Amateurs A section.
He made a strong showing with 7/11, sharing 3rd place behind Surbiton ophthalmic surgeon Thomas Wilfrid Letchworth (Wilfred Kirk won the parallel 1st Class Amateurs B section), but at this point he seemed to be a stronger lightning player.
This game shared the prize for the best game played in the 1st, 2nd and 3rd class sections, judged by Thomas Francis Lawrence. The winning move seems pretty obvious to me, though. There is some doubt as to the exact identity of his opponent: three possibilities were put forward in a recent online debate, and you could perhaps add a fourth. I’ll discuss this further in a future Minor Piece.
He later provided brief annotations for the press, where it appeared immediately above a Very Famous Miniature which had been played a few days earlier. I’m sure you’ll recognise it.
This thrilling game against music professor Edward Davidson Palmer (he taught singing), in which Arthur ventured the King’s Gambit, is a good demonstration of his fondness for tactical play. His opening failed to convince and Palmer missed several wins, but he ultimately escaped with the full point.
Over the next few months there’s little news of his chess playing, but then something unexpected happens. He turns up in, of all places, Stoke on Trent, or, to be precise, nearby Hanley.
Why Stoke on Trent? What was he doing there?
There are two possibilities. On Board 2 for Hanley was schoolmaster Joshua Walter Dixon, whom he had met in Oxford back in 1910: they were in different sections of the main event, but both competed in the handicap tournament. Perhaps he had been in touch to offer him employment there, either in a school or as a private tutor.
But look also at Arthur’s opponent from Mecca: George Tregaskis. It appears that Arthur and George were very close friends. They may well have met earlier: George was originally from South London before moving to Stoke for business reasons, so could well have been a member of the South London Chess Club at the time. He also visited the Divan in 1912 when returning to London to visit his family, so, again, they might have known each other from there. Who knows?
Here they are, in the same team, playing for Hanley in a whitewash over Walsall. Their top board, Joseph William Mellor, was a particularly interesting chap.
Here’s Arthur’s win. He was in trouble most of the way until his opponent went wrong right at the end.
The Kent and Sussex tournament took place over Whitsun at Hastings in 1913. Arthur and George travelled down together, and were both placed in the First Class A tournament.
In his first round game against Inland Revenue man David Miller, Arthur switched from his usual e4 to d4, essaying the Colle-Zukertort Opening. It didn’t go well.
Arthur had beaten George in a club match, and, when they were in the same team, played on a higher board, but here it was Tregaskis who came out on top after his opponent miscalculated a tactical sequence.
Here’s how it ended up.
Unsurprisingly, the masters, Yates and Thomas, outclassed the opposition, who were mostly, with the exception of Middleton and Sugden, strong club players.
A remarkable performance, though, by George Tregaskis in his first tournament, but perhaps slightly disappointing for Arthur Compton Ellis, whose progress seemed, temporarily, to have slightly stalled. Perhaps he needed, as chess teachers always tell their young pupils, to slow down and control his impulses.
With two young and talented new players in their ranks, the future for Staffordshire chess was looking bright. Hanley, after a lapse of three years, won the North Staffordshire League, ‘due in no small measure to the fact that the usual team was greatly strengthened by the inclusion of Mr. A. Compton Ellis, whose enthusiasm for the royal game is unlimited’, according to the Staffordshire Sentinel (4 June 1913).
But then, on 9 July: ‘Local players will hear with much regret that, owing to professional and business reasons, Messrs. A. Compton Ellis and G. Tregaskis have found it necessary to sever their connection with this district.’
George’s work took him to Bristol, as you’ll find out in a future Minor Piece. Arthur returned home to South London. Had he not wanted to remain in Stoke with his friend? Had his teaching work not gone as he’d hoped? We’ll never know.
The two friends kept in touch, playing two correspondence games, one with each colour, over the summer. Although he’d now left the area, Arthur kept in touch with the local paper, followed their chess columns, and submitted these games for publication.
In his game with White, Arthur experimented on move 6, unwisely following a Blackburne game, and, by the next move had a lost position. George concluded brilliantly.
In the game with colours reversed, Tregaskis improved on an Alapin game from the previous year, but went wrong in the ensuing complications. He then resigned a drawn position, missing the saving clause. Ellis’s opponents seemed to have a habit of resigning level positions!
The 1913 British Championships took place in Cheltenham. Arthur Compton Ellis took part again, playing in the First Class B section, where he scored a half point more than the previous year.
This left him in second place behind his Lancashire contemporary Norman Boles Holmes. George Tregaskis wasn’t playing, but you’ll see his other Hanley friend, Joshua Walter Dixon, there in First Class A. Unfortunately, the BCM failed to publish crosstables of these events.
Both Dixon and Ellis scored other successes there: Joshua won two problem solving competitions, while Arthur, although he only finished 7th in the handicap tournament, won a prize in a Kriegspiel (‘a peculiar, and modern, form of chess, unknown to more than 99 per cent. of chess players’) event.
Returning to London, Arthur Compton Ellis submitted two puzzles based on his games to the Staffordshire Sentinel. (The chess editor preferred to remain anonymous: perhaps it was Joshua Walter Dixon.)
It shouldn’t take you too long to find the mate in 4 here.
Two weeks later he offered a mate in 3, which has, although he seemed not to notice, two solutions, both involving attractive (but different) queen sacrifices. Can you find them both?
On 13 September Alekhine, on a brief visit to London, agreed to play a simul at the Divan in the Strand. Arthur, of course, was there.
He lost a pawn and was slowly ground down, but did anyone spot he had a fleeting opportunity for a draw in the pawn ending?
The following Monday he left London. He had a new job as an Assistant Master at Laxton Grammar School, part of the same foundation as Oundle School, but catering for local boys.
He soon encountered problems there, coming into conflict with the Headmaster, Rev Thomas Harry Ross. In November he was asked to hand in his notice.
What a tragic end to a short but eventful life. A life that promised much but ended far too soon. A man of great power and considerable ability. An impulsive young man. I think you can see that in his chess as well: at times brilliant, at times speculative, but almost always entertaining. You can also see how well he was thought of by his chess friends. Great power and considerable ability, yes, and also enthusiasm, energy and charisma. Looking back from a 2020s perspective you can perhaps see elements of ADHD and bipolar disorder, which tends to manifest itself between the ages of 20 and 25. Could Laxton have treated him better? Undoubtedly. You can only hope that, these days, someone like Arthur Compton Ellis would be better understood.
If he and his mother had chosen to remain in Kew, perhaps the history of chess in Richmond would have been very different. Had he devoted the next half century to playing and organising chess, you might have seen him as a British Championship contender, and perhaps an organiser of major chess events in my part of the world. If he’d lived a long life he might even have met me, and perhaps my life would have been different. I’d like to think that, as the founder of Kew Chess Club, which later merged with Richmond, some part of his spirit lives on in today’s Richmond & Twickenham Chess Club. Spare a thought for the short but frenetic life of a true chess addict: Arthur Compton Ellis.
There are a few loose ends to tie up. Arthur’s nemesis, Rev Thomas Harry Ross, in the years between the two World Wars, was Rector of Church Langton with Tur Langton and Thorpe Langton, where he would have ministered to the relations of Walter Charles Bodycoat, and perhaps to my relations as well. I’ll take up the story of Arthur’s friend George Tregaskis in a later article.
There’s one other mystery to look at.
St Albans? There’s nothing online yet about chess in St Albans at that time. He seems to have been in South London with his mother between leaving Stoke and arriving at Oundle. I suppose he might have been there late 1912/early 1913, when there was a gap of a few months in his chronology. We can also go back a few years, to May 1907, when AC Ellis, first from St Albans, then from Swindon, who was solving chess problems in the Bristol Times and Mirror. Was that our man? Was he, perhaps, in those towns for teaching practice? Who knows?
There’s an implication that the family were having some sort of financial problem. There’s also a slight mystery in that the coroner’s report gives his mother’s address as 12 Kilsworth Road Dulwich, while his probate record (he left £560 17s) gave his address as 12 Pickwick Road Dulwich Village. I can’t locate Kilsworth Road (or anything similar) so it may well be a mistake for Pickwick Road, which could also be considered to be in Herne Hill. By 1921 Margaret had returned to Kew, living on her own at 333 Sandycombe Road, just the other side of the railway from where she’d been living ten years earlier. It’s not at all clear when she died: there’s no death record close to Richmond and the family hasn’t been researched. There’s a possible death record in Islington in 1930: perhaps she’d returned to the area where she spent the first part of her life.
Join me again soon for some more Minor Pieces investigating the lives of some of Arthur Compton Ellis’s chess opponents.
Sources:
ancestry.co.uk
findmypast.co.uk/British Newspaper Library
Wikipedia
chessgames.com
BritBase (John Saunders)
Yorkshire Chess History (Steve Mann)
Various other sources quoted and linked to above
“Following on from the enduring success of one of the most important chess books ever written, Bobby Fischer: My 60 Memorable Games, and the recently released Magnus Carlsen: 60 Memorable Games, celebrated chess writer Andrew Soltis delivers a book on Fabiano Caruana, the Grandmaster set to rival current world champion Magnus Carlsen.
This book details Caruana’s remarkable rise from chess prodigy to one of the best chess player in the world, exploring how he acquired the skills of 21st-century grandmaster chess over such a short period of time.
This book dives into how he wins by analysing 60 of the games that made him who he is, describing the intricacies behind his and his opponent’s strategies, the tactical justification of moves and the psychological battle in each one.”
About the Author:
“International Grandmaster Andrew Soltis is chess correspondent for the New York Post and a very popular chess writer. He is the author of many books including What it Takes to Become a Chess Master, Studying Chess Made Easy and David Vs Goliath Chess.”
If you’ve read and enjoyed the companion volume on Carlsen, you’ll want this as well. Many readers collect games collections, and will be eager to add a book on one of today’s leading practitioners to their shelves. This isn’t the only book on Caruana available: there’s one, for example, by Lakdawala, a writer with a very different style. If you like Soltis’s annotations you may well not like Lakdawala’s, and vice versa. They’ve both been doing what they do for a long time and understand their readership.
Here, then, we have sixty of Caruana’s most interesting games, not all of them wins, mostly from the last decade, but a few earlier, starting with a game from 2002. Most are standardplay games, but there are also a few rapid, blitz and internet encounters.
In his introduction, Soltis looks at what makes Caruana different from other top players.
And if he had a celebrity personality – that of a Magnus Carlsen, a Bobby Fischer or a Garry Kasparov – his story would be known well beyond chess circles. But Caruana is Caruana. “He is shy and modest, like a conservatory student”, one of his teachers said. He is content to let his moves do most of the talking.
He identifies several traits in Caruana’s play.
He’s a concrete player, relying on calculation more than intuition.
He doesn’t only rely on computer analysis, using curiosity and self-discipline to investigate the secrets of a position.
He believes the board and the pieces, playing the way the pieces tell him to play regardless of the tournament situation.
He is able to manage his nerves and emotions.
He chooses moves that push his opponents out of their comfort zone.
He is very patient, often playing quiet ‘little moves’ which slightly improve his position.
He employs deep opening preparation, much more than, for example, Carlsen.
An occasional flaw in his play is that he sometimes fails to deliver the knockout blow.
He has emotional stamina: he can deal with his mistakes and knows how to react when things go wrong.
The introduction also tells about Caruana’s early life in New York, and about the influence of the Soviet Chess School on his studies there.
Then we have, yes, sixty memorable games, each prefaced with a catchy title and a brief introduction. Just like another book of 60 Memorable Games.
The best way to describe this book, is, perhaps, to show you a few examples of Soltis’s style of annotations.
This is from Caruana – Aronian (Sao Paulo 2012).
Members of Caruana’s generation grew up with computers and Kasparov games. Many of them had little interest in games played before 1990.
Hikaru Nakamura called the classic books “a waste of time” and complained to his father, “Why do I have to study dead people?”.
Caruana studied them. He understood how White can benefit from d4-d5 in this pawn structure, as Bobby Fischer had in a celebrated game against Viktor Korchnoi.
16. d5
But in another textbook game (Tal – Panno Portoroz 1958) White scored with the alternative plan e4-e5. Here 16. e5! dxe5 17. dxe5 opens the b1-h7 diagonal. This does a better job than 16. d5 of exploiting the diversion of Black’s bishop to h5.
Black cannot protect his knight after 17… Nd5 18. Be4! with Be6.
Also unfavourable for him is 17… Nd7 18. axb5 axb5 19. Be4.
What do you think? Helpful? Informative? Instructional? Interesting?
This is from another Caruana – Aronian game, this time played in the Sinquefield Cup in 2014. Caruana has just played 13. Bd2.
The pawn structure created by 11. Bxe6 gave Black a choice of four basic policies:
(a) Leaving the pawn structure intact. He could pursue a kingside plan such as 13… Qe8 and … Qh5/… Ng6.
(b) Change it by trading knights with 13… Nd4. His pieces would be freed a bit by 13… Nd4 14. Nxd4 exd4 15. Ne2 c5. This would expose his queenside to greater pressure after 16. a4 and Qb1 – b3.
(c) Attack the queenside. Thanks to 13. Bd2, White can respond to 13… Qd7 14. Na2 a5 with 15. c3. Black can add 15… d5 into the mix, with uncertain prospects.
13… d5
Aronian chooses (d), Gain space with this move, followed by … Qd6 or … Bd6 and potentially … d4/… a5.
The reader learns from this how to create plans based on the pawn formation, specifically with regard to this position, and perhaps also more generally.
Do you like this style of annotation, or would you prefer something rather less dry? Perhaps you’d go to the other extreme, hoping to sees long computer-generated variations to demonstrate these plans.
Finally, another Sinquefield Cup game, this time with Caruana playing white against Nakamura in 2018, and considering his 26th move.
It was time for long-range thinking:
White could try for e4-e5 after offering an exchange of queens: 25. Qf4.
But even after 25… Qe7 26. e5 Bd5 it is not clear he is making progress.
For instance, 27. Nxd5 exd5 28. Rxd5 c3 or 28… Qb4.
If e4-e5 isn’t a good plan, what about a kingside pawn march?
This would show promise after 25. g4 Be8 26. h4.
For example, 26… Bc6 27. g5! hxg5 28. hxg5 and Qh4/Rh1.
But the attack abruptly halts if Black swaps rooks, 26… Rd8! 27. g5 Rxd2 28. Rxd2 hxg5 29. hxg5 Rd8 30. Rxd8 Qxd8.
Then White’s knight has few good squares. But Black’s queen does (31. Qc5 Qd2 or 31. Qf4 Qd4).
25. Qc5!
Psychologically, the best move.
It gives Black a choice of playing an inferior endgame – which is likely to be drawn – or giving up a pawn he might lose anyway.
Nakamura mistakenly went for the inferior ending and eventually lost.
Did you find this clear and easy to follow, or confusing and hard to follow? Or just about right?
Whether you’ll enjoy this book, then, is very much about whether you like Soltis’s style of annotation. Me, I’ve been a long-term fan so I enjoyed the book very much, but it’s very much a matter of taste, isn’t it?
If you appreciate annotations of this nature, you won’t want to miss this. You can, of course, be sure that you’ll get 60 top class games from recent elite GM praxis, expertly selected and with commentary from one of the most experienced writers in the business.
Games collections such as this are popular with many readers, and all chess book collectors with an interest in contemporary grandmaster chess will want at least one book about Caruana on their shelves. If that describes you, you’ll certainly want to consider this book.
You might well ask how much a club standard player can learn from the games of someone 1000 or so points stronger. It’s a good question, but I think Soltis does a pretty good job of making the games both accessible and instructive.
The book is well produced to Batsford’s usual standards, although one or two diagram and notation errors escaped the proofing. I don’t care much for the title of this or the companion Carlsen book, which some might consider disrespectful to Fischer, but I guess the publishers choose the title they think will sell most copies.
If the extracts I’ve presented appeal, you won’t be disappointed. An excellent book from a highly respected author recommended for competitive players of all standards, for connoisseurs of fine chess, and for all interested in chess culture.
Here is the publishers blurb from the rear cover :
“The Black Lion is a thoroughly modern counterattacking system that is a nightmare to face. This wild and aggressive line attempts to take away White’s initiative from a very early stage and is guaranteed to throw your opponents off balance.
The Black Lion is essentially a contemporary and aggressive interpretation of the Philidor Defence (1 e4 e5 2 Nf3 d6). The Black Lion starts with a slightly different move order, 1 e4 d6 2 d4 Nf6 3 Nc3, and now the lion family splits into two different animals: the risky lion (3…Nbd7) or the tame lion (3…e5). Both treatments are thoroughly investigated in this book.
Simon Williams (the Ginger GM) is the ideal guide to explain how to whip up an extremely dangerous attack using either treatment. Williams is well known for his swashbuckling, attacking play and the Black Lion suits his style perfectly. His commentary and annotations are always instructive and entertaining. * The Black Lion is an unusual and dangerous system with little established theory. * White cannot rely on simple, safe moves as such a strategy is liable to be overrun. * The Black Lion is fun and exciting to play!”
About the author:
“Simon Williams is a Grandmaster, a well-known presenter and a widely-followed streamer, as well as a popular writer whose previous books have received great praise. He is much admired for his dynamic and spontaneous attacking style.”
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this is fairly obvious.
There is a helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 128 – 141.
(One thing to note is that despite being published in August 2022, the most recently played cited games are dated from 2019 and, essentially, we have a Chessable course migrated into physical book form. I can’t imagine that this task was straightforward for editor IM Richard Palliser.)
Overall, this book offers a repertoire for Black (against 1.e4 essentially but 1.d4 d6 2.e4 Nf6 could transpose of course) after White has played 3.Nc3 as follows:
and from here on in offering Black the choice of two main continuations which are closely related but which Black can make distinctly different.
We have
which most would characterise as The Modern Philidor rather than a Black Lion (so named in the wonderful The Black Lion: The Chess Predator’s Choice Against Both 1.e4 and 1.d4 by Jerry Van Rekom and Leo Jansen (New in Chess, 2008).
Alternatively Black can essay the more provocative
which you could also term a Modern Philidor or a Lion Defence depending on Black’s subsequent handling of the position.
The Black Lion and Modern Philidor diverge based on what Black does with the Queen’s knight. If Black castles short and leaves the knight on d7 (initially) then we probably have a Modern Philidor. Deferring castling, re-routing the d7 knight to f8, playing h6 and g5 and then the knight goes to g6 and then f4 really is The Black Lion proper.
Anyway, enough of my pedantic nomenclature rambling…
As implied the transpositional possibilities are numerous so organising the material cannot have been easy. One thing to note is that the author advocates 5…Be7 in the main line which is a move order improvement over the older 5…h6 Lion move order. The Introduction lays out the ‘philosophy’ of the approach clearly differentiating the 3…e5 and 3…Nbd7 choices and together with early games provides background knowledge for those new to this …d6 dark square system.
Chapter One: Key Concepts and Lines essentially clothes the skeleton created by the Introduction and includes ideas such as the once feared Shirov Attack:
which is detailed in Chapter 11.
Chapter Two: Common Ideas is the first real exposé of the key Lion idea and spends pages 65 – 128 and 14 full games detailing the really quite profound idea of rerouting the d7 knight to f4. Anyone new to the Lion should study this chapter carefully before moving on.
Chapter Three: The Standard Set-up with Bc4 takes as its starting position
in which Black has deferred castling to allow the knight relocation manoeuvre.
Chapter Four: The Standard Set-up with 5.Be2 allocates twelve pages on a line that probably will never be seen by most second players but will be of interest nonetheless.
A consequence of the move order advocated in Chapter three is that White may attempt various ‘capturing on f7 type hacks’ and these are treated in detail in Chapters Five and Six.
Arguably the most obvious attempt to refute the 3…Nbd7 move order is the aggressive 4.f4 dealt with in Chapter Four: The Risky Lion: 3…Nbd7 4 f4
and then …e5
As indicated Black may chose to go down the “Modern Philidor” (although the author refers to this as “The Tame Lion) route as in Chapter Eight with
covering in detail the queenless middlegame variations. The more common White choice of 4.Nf3 is assumed to be covered elsewhere such as Chapters Three to Six, or is it…?
Coverage is completed with Chapters on various g4 ideas by White plus insipid ideas such as g3 and f3.
In summary, The Black Lion is a welcome take on an increasingly popular dark square defence to 1.e4 with the accent on the trademark knight manoeuvre and deferred castling providing many lessons learnt from the 2008 book which introduced the idea.
I would argue that a chapter is missing on the so-called Tame Lion / Modern Philidor move order making Qc7 less desirable and I am thinking of
arising from a typical move order such as 1.e4 d6 2.d4 Nf6 3.Nc3 e5 4. Nf3 Nbd7 5.Bc4 Be7 6.00 00 7.a4 c6 which has 3465 games in MegaBase 2023. No doubt the author will argue that this position where White has tried around 20 (!) different 8th moves deserves an entire book in its own right and I would agree with that.
As a consequence of the migration of the contents from Chessable course to book (which cannot have made life easy for the editor!) there is degree of repeated déjà vu as one reads the same comments. Presumably this is measure of the Chessable philosophy of learning through reinforcement and would not normally happen in a “normal” physical book.
Bearing in mind my earlier comments regarding 2019 this book is a valuable addition to opening literature. Enjoy!
“The Barry Attack is a highly aggressive system that arises after 1 d4 Nf6 2 Nf3 g6 3 Nc3 d5 4 Bf4. Although the concept of the Barry Attack has been known for a century or so, the modern interpretation (as with a number of other dynamic white systems) has mainly been developed by English grandmasters over the past couple of decades. This “modern interpretation” is often not very subtle.
If Black provides a target by castling early on the kingside, White will often let rip with moves such as Qd2, Bh6, 0-0-0 and h4-h5, playing very directly for a quick checkmate. If this strikes you as too crude to have a chance against a sophisticated and competent defender, then a quick glance through this book will undoubtedly change your mind. You will witness countless games where very strong players are destroyed on the black side in less than 30 moves. Sometimes a lot less.
This makes the Barry an ideal weapon for those who love to attack. Black’s defence has to be very accurate. If not, a quick annihilation is on the cards. Play the Barry Attack is the ideal guide to this fascinating opening. Anyone who reads this book carefully and studies all White’s attacking ideas will have a fearsome weapon in their armoury.”
About the author:
“Andrew Martin is a FIDE Senior Trainer and International Master. He teaches in twelve schools, is an experienced chess writer and has produced numerous chess DVDs.”
And now on with the review:
As with every recent Everyman Chess publication high quality paper is used and the printing is easy to read. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout. The usual and reliable formatting from Brighton-based typesetter IM Byron Jacobs is employed.
The diagrams do not have a “to move” indicator or any kind of caption so you will need to work out for yourself how they relate to the text that they are embedded in. However, this should be fairly obvious.
The cover of the paperback appears to be of thinner material than usual: We miss the versions with built-in book markers at each end.
There is a most helpful Index of Variations and an Index of completed games.
The table of contents is:
Before we continue it is worth taking a look at the pdf extract which includes the Contents, Preface and pages 118 – 137.
At this point we feel the need to make a couple of small confessions: we have played the Barry (and 150/1800) Attacks with the White pieces (but not the Black side) for some years and and share an emotional bond with the opening. We have been friends with the author since we were both members of the famous CentYMCA chess club in Tottenham Court Road, London between 1978 and 1983.
It is worth noting that this book follows-on from the publication (July 2021) of a ChessBase DVD entitledThe Barry Attack (by the same author) which (we don not have but) is likely to provide a useful compliment to this book. However, the book contains more recent content.
We were disappointed not to find a bibliography of sources since we have a particular interest in the development of this opening. For example, there was not a single mention of Aaron Summerscale’s superb A Killer Chess Opening Repertoire, 1998, Everyman Chess, which was one of the first (if not the first) books to discuss The Barry in detail: never mind! Aaron also recorded a superb DVD for Foxy Openings (#7, Anti King-Indian & Grunfeld System) which is still worth watching even in 2023.
Chapter 1, A Barry Timeline is an in-depth history lesson on how the Barry (what was it called before George Hodgson named it? We presume the usual “Queen’s Pawn Opening” type label) developed by examining thirty games spanning from Tartakower – Wahltuch, 1922 to Sadhwani-Jones from 2022, one hundred years later. Fascinating stuff! If only more opening books bothered to do this it would give them a USP over their rivals.
The first real foray in explicit theory is via Chapter Two and the unlikely named Tarzan Attack (whoever gave it this epithet? Mark Hebden or Julian Hodgson perhaps?)
The Tarzan (or Lord Greystoke) is as subtle as a brick (rather akin to the 150 / 1800 Attack) and forms the basis for Chapter Two. We remember for some years that the Barry Attack section of GM Tony Kosten’s ChessPublishing.com and its associated forum had many posters swooning over 5.Qd2 and it soon became the line de rigeur. Of course, adequate resources were found for Black and these are examined in detail. The author tries his best to make 5.Qd2 playable and, of course, at club level (where anything goes according to Lombardy) it is worth a punt. Nineteen games are analysed and the most plausible and critical lines covered so you should be well prepared with either colour.
Chapter three (The Modern 5. Nb5) must be one of the first serious studies of what first appears to be “a bit of a patzer” line with the ambitious
which in 2023 is “all the rage” amongst Barry experts. Thirty-two pages are used to examine eleven games in detail and 5.Nb5 would appear to be a most playable and intriguing line. Almost certainly the first player will be more up-to-date than the second so well worth a try!
For many Barry die-hards Chapter Four (The Original Barry Attack) will be their first port of call to refresh their knowledge. At Seventy-Five pages and thirty-four examined games this is the most substantial chapter covering the most interesting struggles starting with
The author provides a balanced approach showing reliable methods for Black’s defence. Conclusions: you will have to purchase the book to find out what these are!
Chapter Five (Other fifth moves for White) tidies things up with seventeen pages and seven games. This material will mainly be of interest to the second player but there are some idea based around early h4 attempts by White.
The sixth Chapter (4…c6 and Others) will be of interest to the first player since it contains arguably less critical tries for Black where an early …c5 is punted. All good for completeness of course.
Chapter Seven (Transposition to a Pirc) might at first glance be discussing the 150 / 1800 Attack that a Barry move order can become.
However, appearences are deceptive and it contains forty-six pages and twenty-one games where White continues with 5. Bf4 against a Pirc type structure.
(whereas the more common approach would be
which is subtly different)
This is likely to be a good choice against a King’s Indian / Pirc player who is likely not to be familiar with the set-up. I’m not sure these positions have been given a detailed treatment such as this in the literature previously. Interesting stuff!
All in all “Play the Barry Attack” is a welcome and fresh treatment with much original analysis from real games. The author has and continues to be a supporter of lines developed by British players such as the Barry.
“An informative and accessible new book by Thomas Engqvist, the practical follow up to his previous two authoritative chess books: 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions.
Filled with 300 engaging chess exercises and complete solutions in the end of the book, this book will allow you to apply and consolidate your newfound knowledge. The book is divided into four key sections: ·75 exercises practising positional ideas in the opening/middlegame ·75 exercises covering the endgame ·75 tactical exercises in the opening/middlegame ·75 tactical endgames.
The exercises featured in the book are taken from real game positions from various renowned chess players, including Capablanca and Magnus Carlsen.”
About the Author:
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.
From the back cover:
In-depth analysis of the 300 most important exercises according to the famous principle “less is more”. The less you study the less you forget.
Practice the most important positional and tactical ideas in all phases of the game by solving just five positions every week for one year.
Find out if the positional or tactical idea crops up in your mind, regardless of whether you have seen the idea before or not.
Well, if you solve five positions every week it will take you 60 rather than 52 weeks to complete the book, but never mind. The claim that you’ll improve more by studying less is also rather silly: the real point is that the quality rather than the quantity of your study is important.
It continues:
In this highly instructive exercise book, International Master and experienced chess coach Thomas Engqvist outlines the 300 most important chess exercises. A sequel to 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, this is the perfect manual for players who want to reach a higher level but don’t have the time to spend hours every week on less productive study.
Each numbered position is a test-yourself quiz to help cement the positional and tactical understanding that you have acquired. This book can be your life-long companion, enabling you to apply and solidify your positional and tactical chess knowledge.
Swedish International Master Thomas Engqvist has almost 40 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess. He works as a teacher at a school outside Stockholm. He is the author of eight chess books. This is his third book for Batsford Chess.
Yes, I get the point. Not everyone who wants to improve has the sort of time to spare that would be required to benefit from a book like this. Most of us have other commitments: just solving five exercises a week might be ideal. And what about the title? Are these exercises more important than the positions in the previous books? Who is to determine importance anyway. An exercise that’s important to me might not be important to you.
Let’s see what the author has to say in his introduction.
300 Most Important Chess Exercises starts off with 150 opening and middlegame positions to solve and the quota is 75 exercises where you practice positional ideas, and 75 exercises where the focus is on tactics. The other half of the book deals with 75 positional endings and 75 tactical endings. This is the only hint the solver will get.
This, then, is the final volume of a trilogy, with exercises based on the material in Engqvist’s two earlier Batsford books. If you’ve read and enjoyed them (sadly, I haven’t) you’ll undoubtedly want this as well. However, the author points out that it’s not necessary to have read them to read and benefit from this book.
The back cover claims that it’s a Universal book – suitable for players of all strengths.
No, it’s not. There’s an assumption that readers are proficient players with a good understanding of the game – say about 1500 strength. At the same time, some of the exercises will be familiar to more experienced players. I’d put the target range for this book, then, as in the region of 1500-2000 rating, although slightly weaker and slightly stronger players may also benefit.
I found Engqvist’s comments on the very first position in the book particularly interesting.
This is from a Morphy – Schulten game (New York 1857) with White to play.
White played 10. Bf4 here, but was it best? What would you suggest?
Engqvist:
Morphy claimed his 10th move was an improvement on 10. Qxd6 which was given in the leading treatises of the day (Hanstein – von der Lasa in Staunton’s “Handbook”). However this is not true if one consults the computer programs Komodo and Stockfish. It’s good to capture the d6-pawn as long as White can maintain pressure on the d-file. What’s more is that there is an even better move, suggested by both computers, namely 10. Nc3!. This is very interesting since Komodo makes good evaluations and Stockfish is good at deep calculations, but they still come up with the same move!
This simple Knight move also follows Lasker’s principle that a knight should be developed before the bishop. The idea is to prepare Bf4 next move without allowing the d-file to be closed after …d5 . Morphy played according to the principle of development so his move is understandable, but the computers’ choice is the most precise. Even if we do know that development is on the agenda, we must also think carefully which piece to move first.
This tells you a lot about the author. Here we have someone who is well versed in chess history and culture, but also able to use modern technology effectively. Beyond that he has the ability to explain abstact concepts clearly and unambiguously.
Although that example may have been familiar to you if you’ve studied Morphy’s games, there are other exercises which you almost certainly won’t have seen before. Like this one, number 79, so it’s a tactical puzzle.
What would you play for White here?
This is from the less than Famous Game Kludacz – Pavlovskaya (Hasselbacken Open (Women) Stockholm 2001).
The whole game is interesting for anyone playing the Queen’s Gambit with either colour. White has launched a Minority Attack and now continued with 21. e4? which Black met with Bxh3!?, eventually winning the game.
Did you see how she could have done better?
21. h4! Ne6 22. Nce4!!
Presumably Kludacz missed the following knight sacrifice…
22… dxe4 23. Nxe4
White exploits the tactical weaknesses on f6 and c6. Black has no effective defence.
23… Qc7
If 23… Qe7 then 24. Qxc6
24. Nf6+ Kf8
White doesn’t need to cash in on f8 but can exploit the pin on the c-file.
25. d5!
Now Black’s position collapses and White wins.
Helpfully, Engqvist provides the whole game here so that readers can see how the position arose from the opening.
The second half of the book covers endgame exercises. Like other authors such as Judit Polgar and RB Ramesh, whose books I’ve reviewed recently, Engqvist believes that solving endgame studies is a very valuable form of chess training, so here we have a mix of studies and positions from practical play. He finds pawn endings especially fascinating, so there are plenty here.
Take this one, for example.
It’s White to play here (Kalinicev – Schulz Cham 1992). What would you suggest.
I guess most players, like me, would play 1. Ke7 here without a second thought, but it’s not the correct answer.
Engqvist:
The first time I saw this endgame I wrote in my private annotations that it’s “incredible that this move doesn’t win!” From a visual point of view it certainly seems that White’s king will wipe out the whole kingside of pawns like a vacuum cleaner, but that turns out to be an optical illusion. The key move to winning is to play according to Nimzowitsch’s rule, which states that you should hem in the target before blockading it and only then destroy it!
1. g4! would have prevented Black from moving his f-pawn to f5. Then 1… Kd3 2. Ke7 f6 3. Kf7 Ke2 4. f4 Kf3 5. f5. The f-pawn is now blockaded and a future attacking target. 5… Kg3 6. Kxg7 Kxh3 7. Kxh7 (7. Kxf6 Kxg4 8. Ke6 also wins but it’s unnecessary to give Black some hope even though that would be futile.) 7… Kxg4 8. Kg6 and White’s f-pawn decides.
Instead, the game concluded:
1. Ke7? f5 2. Kf7 Kd3 3. Kxg7 f4!! 4. Kxh7 Ke2 5. g4 Kxf2 6. g5 f3 7. g6 Kg3! 8. g7 f2 9. g8=Q+ Kxh3 with a drawn position because an eventual Qg3+ will be met by Kh1.
If you mistakenly went for Ke7 here then this may well be the book for you.
It does beg a question, though. This is billed as a positional endgame exercise, which it undoubtedly is, but it’s certainly tactical as well.
Of course positional and tactical chess are inextricably entwined, and, by the time you get to the ending, they’re really the same thing. The whole idea of splitting endgame exercises into ‘positional’ and ‘tactical’ seems very artificial to me. I’d guess this was the publisher’s rather than the author’s decision.
You probably hadn’t seen that position before (it’s not even in MegaBase), but if you’ve read anything on pawn endings you’ll almost certainly have seen the Famous Ending Cohn – Rubinstein (St Petersburg 1909), which you’ll also meet here. “If you only study one endgame with many pawns this is the one”, according to Engqvist, who discusses it over two pages. Regular readers of endgame manuals will find several other old friends as well: there’s six pages devoted to another Famous Ending, Timman – Velimirović (Rio de Janeiro 1979), to take just one example. Exercises 212-214 cover the ending of RB v R: the solutions cover 11 pages: extremely useful if you want to learn this ending, but I guess it’s debatable how important it is for average club players.
Here’s a quick endgame study from the last section of the book: tactical endgame exercises. See if you can solve it yourself before reading on.
White to play and draw (Prokes 1939)
A very game-like position, you’ll agree, and you were probably brought up with the knowledge that, in the absence of kings, two pawns on the sixth rank beat a rook.
In this instructive study, White’s king, contrary to appearances, is just about close enough.
I hope you managed to solve this. But was it purely tactical or positional as well? What do you think?
To sum up, then, it’s very clear from this book that Thomas Engqvist is an exceptional teacher, who, like all exceptional teachers, knows exactly what he’s doing and why he’s doing it. Unlike some less experienced authors he doesn’t just throw a load of GM positions at you, show you a pile of computer generated variations and expect you to play like Carlsen.
To refer again to two other excellent books I’ve reviewed recently, if you find Ramesh too heavy and Polgar’s exciting enthusiasm grating, I’m sure Engqvist will hit the sweet spot for you. In that case you’ll probably want to investigate his two earlier Batsford books as well, and perhaps read them first. As the authors take very different approaches and cover different topics, ambitious club players would do well to buy both Polgar and Engqvist. Young players who are aiming for IM or GM titles and have plenty of time to study would, on the other hand, be better off with Ramesh.
I’m just not sure that the format of the book is the best way to present Engqvist’s material, especially since endgames are both positional and tactical at the same time. (What the best format actually would be is an interesting question: different readers will prefer different formats. If you really, as Engqvist does, want to make the training environment resemble a tournament game you might want to mix the positions up rather than give a clue as to whether it’s a positional or tactical exercise.) I’m also not sure that the subtitle ‘Study five a week to become a better chess player’ is particularly helpful or realistic. Some of the positions require little time and explanation while others require a lot. The author himself doesn’t suggest in his introduction that this is the best way to use his book. As I suggested above, this book, notwithstanding the claims on the back cover, is far too advanced for beginners, but would be a great choice for anyone rated in the region of 1500-2000, or perhaps a bit higher.
But of course publishers do whatever it takes to sell copies, including resorting to unhelpful titles and unrealistic claims, and people don’t always buy chess books for rational reasons. Which is why it’s a good idea to read impartial reviews first.
The book is published to Batsford’s usual standards and appears to be free from the typos that mar books by some other publishers. The English might not always be totally idiomatic but is perfectly comprehensible throughout. I note that there is no mention of translators or proofreaders at the front of the book.
A book by an outstanding teacher, then, and, if the style and contents appeal to you, very highly recommended for club standard players ambitious to improve their rating.
“When the Icelandic Chess Federation made a bid to host the 1972 world title match between Soviet icon Boris Spassky and American challenger Bobby Fischer, many Icelanders were rightly shaking their heads in disbelief. How could their small island country in the middle of the Atlantic Ocean with a population of less than 300 thousand people stage such a prestigious event in the first place?
“Undeterred and naively optimistic, the young President of the Icelandic Chess Federation, Gudmundur Thorarinsson, set to work and to everyone’s astonishment theirs was the winning bid. But that was only the beginning of one of the most amazing stories in chess history… Bobby Fischer’s demands and whims constantly jeopardised the match. First the American chose not to board his plane in New York, and then he came late for the first game. That game he lost after a silly blunder and the second game he lost because he didn’t turn up in a fight about noisy cameras. But next he won the third game, that was played in a back room, and the rest…. is history.
“Fifty years on, Gudmundur Thorarinsson has written a tell-all book about ‘The Match of the Century’, crammed with behind-the-scenes stories and improbable twists and turns. Reading his gripping account of probably the most iconic sports contest during the Cold War, you will understand why he prefers to call it ‘The Match of All Time’. And why reliving this most unlikely adventure he comes to the conclusion: ‘It was not possible to organise this match, nor was it possible to rescue it…but still it was done!'”
“Gudmundur Thorarinsson is a chess organizer and businessman from Iceland. In 1972, as the chairman of the Icelandic Chess Federation he organized the Match of All Time, the World Championship Match between the Russian incumbent champion Boris Spassky and the American challenger Bobby Fischer.”
Half a century on from the legendary Fischer – Spassky World Championship match, and still the books keep on coming.
From Chapter 1 (Prologue):
Why write another book about the World Chess Championship match in 1972? Approximately 140 books have been published about the match already, plus films, TV and radio programs, newspapers and magazine articles. To add another book to this list seemed too much to me. But many people have been encouraging me to write about the match, people working for radio and television, chess players and friends. But many have simply said: ‘We still do not have a book written by someone who was working behind the scenes, where the bombs were falling.
One thing is certain: a long time ago this match acquired a life of its own. Nowadays people tend to look at the course of events from a different perspective. Looking at the match from afar enables the observer to put the whole saga into another context, broadening the horizon, so to speak. It may be true that the viewpoint and experiences of those of us who were on the frontline during the planning and execution of the event have not been widely documented. Those who wrote about the match in the following months, or even years after it happened, did so mostly by annotating the games, explaining the battle from the perspective of the chess players or the audience.
If you’re looking for the games of the match you’ll be disappointed: but of course they are readily available elsewhere.
What you have instead is a source document telling the story of what was going on in the background, written by someone who was there and very closely involved at the time.
The book is designed to be interesting to the general reader as well as the chess specialist. Chapter 2, therefore, looks at the origins of chess, including a contribution from GM Fridrik Olafsson, an expert in this field, and, specifically, the early history of chess in Iceland.
Chapter 3 relates the history of the world chess championship prior to Spassky, starting with Stamma and Philidor, and taking us as far as Petrosian. There is little here that will be new to readers familiar with chess history.
Chapter 4, on the prelude to the 1972 match, is where things start getting interesting. We read about Fischer’s wins in his Candidates Matches against Taimanov, Larsen and Petrosian before being introduced to the two protagonists, with background information about their family, upbringing and chess career. Then the bidding process for the match venue is discussed, with Iceland, a small country in the Atlantic Ocean, but with a proud chess history, unexpectedly being selected.
The author of this book had, as a young man, been appointed President of the Icelandic Chess Federation in 1969. He had been proposed in his absence by his brother and not wanting to cause embarrassment, felt he had no choice but to accept. As a result, he found himself in the middle of negotiations which would have a dramatic effect on the history of chess.
Chapter 5, the longest in the book, covers the match itself in fascinating and engrossing detail. Everyone who was interested in chess at the time will have vivid memories of Fischer’s demands and conditions, and of the problems and arguments these caused. Thorarinsson was at the heart of everything that was happening, and it was to no small extent due to his diplomatic skills, often described here in a self-deprecating way, that the match eventually started and, more or less successfully, concluded with Bobby as the new World Champion. There’s a lot of documentary material here which will be new to many readers.
Chapter 6 describes the aftermath of the match. Fischer’s life over the next three and a half decades is related, including his return match with Spassky in 1992. Bobby spent the last few years of his life in Iceland, and Thorarinsson was again very much involved with expediting his journey from a Japanese detention centre, and with helping him settle in for what would be his rather sad endgame.
This and the final section, the author’s tribute to his friend, which he delivered at Fischer’s memorial service, are both intensely moving.
If you’re looking for chess moves, this won’t be the book for you. But if you want to know more about Fischer, and about the background to the 1972 match, it will be an essential purchase.
The book is, like everything from this publisher, beautifully produced and copiously illustrated with photographs and cartoons. There are many entertaining and enlightening anecdotes to keep you amused as well. It’s a great story, reminiscent of a Greek tragedy, and well told here from the author’s unique perspective. Whether or not you’re familiar with what happened half a century ago, you’ll find it a gripping read.
Do bear in mind, though, that while it may be an important source document for future historians (and we really need a fully sourced and referenced biography of Fischer) it’s a memoir with its fair share of uncertainty and speculation. You read that ‘Harry Golombek states in one of his books…’: yes, but which one? Or, to take another example, ‘According to some sources…’. Which ones?
I have a few other issues, just as I do with many New in Chess books, essentially coming down to the fact that it could have benefitted from a firmer editorial hand and a final read-through from a native English speaker. There are odd words and sentences that are not quite idiomatic. There’s also a certain amount of repetition (Fischer’s parentage is discussed on page 82, and again on pages 90-92) and one or two places where I felt continuity might have been improved.
Nevertheless, this book is essential reading for anyone with an interest in Fischer as a person, or in the 1972 Fischer – Spassky match. If the subject matter appeals to you, and, if you have any interest at all in chess culture and history, it undoubtedly will, don’t hesitate.
You’ll find pricing and other details here and sample pages here.
“Tigran Petrosian, the ninth world chess champion, was one of the deepest thinkers the chess world has ever seen. His handling of complex positions was legendary.
With his rare strategic feeling and exceptional vision, Petrosian gradually became one of the top exponents of the art of the exchange sacrifice, and perhaps the leading protagonist for the positional exchange sacrifice.
Acclaimed author Vassilios Kotronias has assembled a splendid collection of Petrosian’s games, exemplifying the artist at work. The Greek grandmaster presents 36 games – all deeply annotated – in which he puts the Tiger’s signature sacrifice under the analytical microscope. And each game has an exceptional introduction putting it into historical perspective.
As noted by American grandmaster Alex Fishbein in the Foreword:
You will find your share of positional exchange sacrifices here. But you will also see exchanges sacrificed in the midst of a crushing attack. You will see sacrifices born of desperation, to save a bad ending. You will see correct and incorrect sacrifices. In fact, Tigran Petrosian will lose some games here. This is real life; there are mistakes, and the author explains it all to you.
Vassilios Kotronias has brought you the material in a way that will enhance your appreciation of chess as an art form. He has also offered you practical lessons you can use in your own chess endeavours.
You are already familiar with the exchange sacrifice as an art form. Now enjoy the brilliant games of its greatest artist, Tigran Petrosian.”
About the Book
This is a very interesting and enjoyable book.
It is also a very unusual, or rather original, book in that it focuses on a specific facet of one great player’s handling of chess positions. Certainly there are books dedicated, say, to Tal’s attacks or Karpov’s endgame play, but it is difficult to think of other books with such a specific subject based on a single player. All of which makes Kotronias’ book all the more enticing to look at. Plus, of course, it is a facet of the game for which Petrosian was justly famous.
As stated in the blurb above, the bulk of the book (257 of the 304 pages) is devoted to 36 annotated games, presented in chronological order spanning the years 1947-1980. Many of the games feature the strongest possible opponents from those times, eg Spassky, Botvinnik, Smyslov, Tal, Gligoric, Fischer, Hubner, Korchnoi amongst others. The book also gives the unannotated scores of a further 88 games. Kotronias does this for three reasons:
1 completeness ;
2 to give the reader food for thought (he invites readers to analyse the games without initially using computer assistance) ;
3 aesthetics! As Kotronias puts it: “Many of the examples which follow are true gems of sacrificial play and a treat for the eye”.
A nice touch is that these games, although unannotated, have a diagram near the point where the exchange sac occurs, so that readers who are too lazy for reason 2 can at least appreciate reason 3!
The book also includes:
– an Introduction by the author, which adds another annotated game (less deeply than the others) – the famous Reshevsky-Petrosian exchange sac (…Re6!)
– a nice foreword by GM Alex Fishbein ;
– an index of players ;
– an index of openings (ECO codes, not names).
Kotronias’ Style of Annotation
The annotated games, to a greater or lesser extent, follow a pattern:
– an introduction, of varying length, which puts the game into its sporting and historical context and provides an overview of the game;
– the whole game itself is analysed, especially the middlegames and most deeply around and after the exchange sac;
– a short epilogue where the author sums up the game, and often draws conclusions that can be applied more widely.
Despite his evident admiration for Petrosian, Kotronias’ annotations are objective. Indeed, some of the annotated games are losses for Petrosian, and in other games the author points out when the exchange sac was unsound (or a second-rate choice) even when Tigran prevailed.
As befits a player of Kotronias’ strength (he was regularly in the world’s top 100 players in the 2000’s, with a 2600+ rating) his analysis is sometimes very deep, but he favours explanations over lengthy variations, reserving the heavy analysis for the most complex positions. Indeed, he is a very readable annotator.
Example Game Annotation
Anyway, here is an excerpt, taken from the famous Petrosian-Spassky 1966 match, game 10:
Other quotes from the book
In the intros and epilogues to the games, Kotronias makes a number of observations, some of them quite repeatable, for example:
“Choosing the right way to attack requires perhaps a greater sense of danger than the one required to choose the best way of defence.”
“We should never forget that we are only human beings and not machines, and thus, as long as players of approximately the same level compete, psychology and energy will always play a small or bigger role for the final outcome. A trivial thought, but the exceptional depends on a number of trivial factors, do you not think?”
Conclusion
“I sincerely hope that you will find the games presented in this book not only enjoyable, but instructive.” writes the author in his introduction.
Well, this reviewer always enjoys well-annotated game collections of great players which are written by an engaging writer, and this book hits the mark in all these respects.
The theme is an interesting one (in both parts, Petrosian and the exchange sac) and the selected games are fascinating. The book isn’t a formal study of when/why exchange sacrifices work and when they don’t (perhaps the point is that knowing this comes from accumulated experience, calculation and judgement) but it is easy to believe that study of these games will help players improve their judgement in this area.
There is something in this book for a wide range of playing strengths and is highly recommended.
“The Dragon Sicilian is the perfect choice for club players searching for chaotic and imbalanced positions. This opening manual shows how Black can turn up the heat against 1.e4, and enjoy dynamic winning chances game after game. Top-10 player Anish Giri is the best tutor to bring this complicated opening across to ‘everyday’ club players. Anish serves up his super-GM lines and clearly explains the ideas and strategies behind the moves. So when game time comes, you know exactly which moves to play, at what moment, and how to deliver the knockout blow. Make no mistake: This repertoire’s take-no-prisoners-strategy means you will sometimes reach razor-sharp positions, where both sides must play ‘only moves’. But that’s why you’ll love having Anish Giri as your opening coach. Giri delivers just the right mix of cutting-edge analysis and practical guidance for players of all levels with his trademark witty and down-to-earth teaching style. The Dragon Sicilian also covers all other major systems Black could face, including what to play against Anti-Sicilians such as the Rossolimo, the 2.c3 Alapin, and the Grand-Prix Attack.”
“Anish Giri became a chess Grandmaster at the age of 14 years, 7 months and 2 days. At the time, in 2009, that meant he was the youngest grandmaster in the World. Starting from the January 2013 list, the Dutch grandmaster was the leading junior player in the FIDE World Rankings. In June 2014 he turned twenty, which ended his junior years. Giri is a top-GM with a 2700-plus ELO rating.”
I am impressed with this colourful book, which is an accessible, lucid introduction to the Sicilian Dragon. The repertoire guide is a well- produced hardback book with an attractive vibrant front cover, good quality paper and many large diagrams, typically two per page and sometimes three making the work pleasant to browse and study.
The back cover blurb on the volume states that the opening manual work is aimed as an introduction for everyday club players, and it succeeds admirably in this respect. This title does not purport to be a major theoretical treatise or a “latest developments” style of publication, however, there is some cutting-edge theory and new ideas, some of which are new to the reviewer, who is a life-long Dragon addict.
The reviewer is not going to do a detailed theoretical critique the lines chosen by Giri for several reasons: time; my knowledge of some of the lines recommended is not sufficiently well-developed yet and thirdly these surveys can often come down to a thicket of engine analysis which can be off putting for less experienced players and does not always enhance understanding: it is important to understand the typical ideas, so when your opponent deviates from the book main lines/engine main lines, you can work out a solution at the board.
Despite my comments above, it is important for any reader of an opening tome, to not blindly follow the lines and take everything as gospel: check with an engine and use other sources.
The book has a short, didactic introduction to the Sicilian Dragon introducing the ideas, and nineteen chapters.
The book is effectively divided into four sections:
Move orders, Accelerated Dragon and Drago(n)Dorf (two chapters)
Anti-Sicilians (seven chapters)
Yugoslav Attack Section
The first chapter gives a useful overview of the Yugoslav Attack main line 9.Bc4 variation.
This introductory part briefly surveys the other main systems, other than the recommended repertoire, that occur such as the Chinese Dragon, Soltis Variation, Modern Variation, Topalov Variation. This is a useful pointer for the reader to the myriad of Dragon systems.
Chapter 2 Yugoslav Attack 9.Bc4 Nxd4
This part covers the book’s suggestion against 9.Bc4 which is the rare system 9…Nxd4.
This system was popular in the late 1950s/early 1960s but fell into disuse after some high-profile white victories, such as Fischer-Larsen Portoroz 1958 and Tal-Portisch European Team Championship 1961.
The idea of the line is to reduce white’s attacking potential by exchanging some pieces. I can see the logic of recommending this line as it is a straightforward system which is not popular, so many white players won’t know how to meet it: white must be accurate to even get a small advantage. The disadvantage is that it could be regarded as passive as black defends a slightly inferior, but defensive ending in the main line.
Black’s move order in this variation is critical as Giri points out: black has just played 12…b5!
Giri offers a new twist on this ancient line with an intriguing positional pawn sacrifice in a main line, which has been played successfully in a correspondence game. Buy the book to find out.
Chapter 3 Dragon Main Line Konstantinov’s pawn sacrifice sidelines
This chapter covers the sidelines in the main line after 9.0-0-0 d5
White has a fair number of alternatives to the main line of 10.exd5 which are:
10.Bh6
10.h4
10.Nxc6
10.Kb1
10.Qe1
The last two are definitely the most important with Giri covering these with main-line recommendations which are well known and fine for black.
After 10.Kb1 Nxd4 11.e5! Nf5 12.exf6 exf6 13.Bc5 d4! 14.Bxf8 Qxf8, this position is reached:
Black has sacrificed the exchange for active play: Magnus Carlsen has played this way; a host of games has vindicated black’s approach including Short-Carlsen London 2009 which was drawn after a serious of adventures.
Chapter 4 Dragon main line 9.0-0-0 d5 10.exd5
This chapter is divided into two sections covering the greedy pawn grab and what is probably the main line of the entire Dragon at top level.
The (in)famous pawn grab leads to this position:
This position has been well known since the 1950s, black now plays 13…Qc7! with equality. White has to be accurate to hold on: as a youngster, I won many quick games in this line with black. The author covers this line well with respected well-known variations for black.
The main, main line occurs after 12.Bd4:
Here Giri offers the old main line 12…e5 which has been under pressure in recent years. He offers an interesting, rare approach which if it holds up is very important for Dragon theory. Buy the book to find out.
Chapter 5 The early 9.g4
The idea behind this line is to prevent 9…d5 whilst avoiding one of the main lines 9.Bc4. the author recommends the well-rehearsed response 9…Be6 which is fine for black.
The second section of the book, chapters 6 to 10 cover the following variations:
Classical 6.Be2
Fianchetto System 6.g3
Levenfish 6.f4
6.Bc4 system
Sixth move sidelines
These lines are perfectly respectable but do not threaten to extinguish the Dragon’s breath. Giri covers these with well-known antidotes. For example, in the Levenfish Variation:
Black has just played 6…Nc6! which neutralises white’s main idea to get in e5 to disrupt black’s development.
The third section has a couple of short chapters on the Accelerated Dragon and the Drago(n)dorf. These are really supplementary chapters which are interesting but do not detract from the main book.
The fourth section has seven chapters on the Anti-Sicilians and covers over half the book which is excellent. These systems are very popular at all levels particularly at club level with the obvious intention to avoid reams of theory: we have all got stuffed on the white side of the Sicilian facing an opponent bristling with theoretical barbs. This part is divided as follows:
The Prins system 5.f3
The Hungarian system 4.Qxd4
Moscow Variation 3.Bb5+
Various 3rd moves
Closed Sicilian
Alapin 2.c3
Other second moves
I particularly like the chapter on the Moscow Variation, which introduced the reviewer to some new lines. As well as that, the author covers some excellent points about the importance of move order in the Maroczy system.
FM Richard Webb, Basingstoke, Hampshire, 27th November 2022
Book Details :
Hardcover : 248 pages
Publisher:ChessAble / New in Chess (27 Sept. 2022)
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