“Chess students love a Puzzle Rush. And solving tactics puzzles certainly helps you improve your pattern recognition and will help you find good moves in tournament games. But there is a downside to most tactics puzzles — we always know who is supposed to win!
Chess in real life is different, not just because no one taps us on the shoulder and tells us to look for a tactic. Sometimes tactics work, and sometimes they don’t. Sometimes your opponent has a few tricks up their sleeve, too.
This book shows the reality of chess tactics. It explores a chess player’s challenges over the board: attack, defense, and counterattack! It exposes the actual give-and-take nature of chess tactics.
American grandmaster Joel Benjamin, a three-time U.S. Champion, was inspired by the 20th-century classic Chess Traps, Pitfalls, and Swindles by legendary chess authors Fred Reinfeld and Israel Albert Horowitz. With modern examples, Benjamin arouses the same spirit of fun and enjoyment. With a generous amount of puzzles in quiz form, this manual will help chess students sharpen their tactical skills and be ready to strike – or counterstrike.”
About the Author:
“Joel Benjamin won the US Championship three times and has been a trainer for almost three decades. His book Liquidation on the Chess Board won the Best Book Award of the Chess Journalists of America (CJA), and his most recent book Better Thinking, Better Chess is a world-wide bestseller.”
Joel Benjamin during the Lloyds Bank Masters
I’ve recently been reviewing books on endgames and grinding, and understandably so as well.
Here’s something, as they say, completely different.
I’ve always liked the Tal quote: “You must take your opponent into a deep dark forest where 2+2=5, and the path leading out is only wide enough for one.”.
That’s what we get here. 129 thrilling games in which the tactics could go either way. The author’s main source was his ‘Game of the Week’ series which ran for several years on ICC, so if you followed that you’ll have seen some of the games before. You may well enjoy meeting them again, though. While there are a few familiar chestnuts, many of the games are likely to be new to most readers.
Chapter 1 is Strike, Counterstrike, ‘the fundamental give-and-take nature of chess tactics’.
Chapter 2 tells us that The King is a Fighting Piece, and bears some similarities to the Steel Kings chapter of one of my all-time favourite chess books, Tim Krabbé’s Chess Curiosities.
Take this position, from Spassky – Polugaevsky (USSR Championship 1961).
White could have mated by marching his king further up the board, to f7, but instead played Kh5. This should have led to a draw, but he later blundered and lost.
Here’s the complete game. Click on any move for a pop-up window.
Chapter 3, Dodging Defenses, is much shorter, looking at how the attacker with a plethora of tempting continuations might choose the one that negates the opponent’s attempt to escape.
Chapter 4, Staying Alive, is more David Smerdon than John Travolta. Here, we look at how to maximise our chances of a successful defence, perhaps by looking for swindles.
Here’s a position from a game in which an amateur threw all his pieces at his 500 point higher rated GM opponent.
It proved effective, as Black erred with 29… Qc8, after which White demonstrated the win, as you’ll see below. The winning move would have been 29… Nxd4, but these things are never so easy over the board, even against a massively lower rated player.
Chapter 5 is another short one: Trying Too Hard to Win. In a complex position you sometimes have to decide whether to take a draw (for instance by repetition) or try for more. If you’re too ambitious it might well backfire.
It can work the other way as well.
In this position England’s new No. 1 Vitiugov missed a snap mate against Svidler, taking a perpetual with 26… Nf3+?, when he might have preferred 26… Qa5+! 27. b4 Qxb5!! 28. Qxb5 Nc2+ 29. Ke2 f3#.
The complete game again:
Chapter 6 looks at Back Rank Tactics, which might be the key to a winning combination, or provide an unexpected defence. All players at all levels should be familiar with these ideas.
Chapter 7, In the Beginning … and in the End, considers two very different topics. First, we’re shown a couple of openings which often lead to tactical mayhem: the King’s Indian Defence and the Marshall Attack in the Ruy Lopez. Engines now consider the former close to unplayable and the latter more or less a forced draw, but at anything below GM level they’re worth playing – and often a lot of fun. Then we look briefly at some endgame tactics.
Finally, or almost finally, Chapter 8, Whoops!, looks, as you might expect, at blunders, in particular the nature of mistakes and the misconceptions that cause them.
The book concludes with Chapter 9, Tactical Tips, 30 useful suggestions to help you improve your tactical play.
The first eight chapters open with some puzzles based on the games in that chapter: a total of 78 in all, to provide interactive content for those who wish to avail themselves.
The examples throughout have been expertly chosen, although I suppose another author might have chosen different chapter headings or placed some of them in different chapters. In a book of this nature there will be considerable overlap. The annotations are excellent: Benjamin does a first class job in getting the balance right between computer and human assessments, which, in complex positions can be very different from each other. I’m pleased that the complete games are always given, rather than just the tactics at the end.
The production is well up to this publisher’s customary high standards, although, as everyone does, they fail the Yates test (he was Fred, not Frederick).
You might not consider this an essential purchase, but, if you like games of this nature, and who doesn’t?, you’ll enjoy and perhaps learn from this book. It’s certainly enormous fun for all lovers of red-blooded tactical chess. The names of the author and publisher are guarantees of excellence, and I’d consider it suitable for everyone of average club standard or above.
If you’d like to see more before deciding whether it’s for you, you can read some sample pages here.
“Magnus Carlsen’s brilliant endgame play is one of the key reasons for his success. The World Chess Champion can win positions which look drawn to anybody else. And more than any other player, he is able to save bad endings.
For this second volume of Magnus Carlsen Endgame Virtuoso, International Master Tibor Karolyi has selected Carlsen’s best endgames from 2018-2022, whereas the first volume covered 1999-2017. Reviewing these new games and explaining what Magnus was doing, the author was thoroughly impressed. Even Carlsen, who in 2017 was already the best endgame player of all time with Anatoly Karpov, had managed to improve his skills further.
Carlsen has it all. He can find deep ideas, play very technically, and is exceptionally well-versed in strategic and tactical endgames. The author is convinced that this new selection contains even better and more instructive games than Volume one.
Karolyi explains the general ideas in the games and gives concrete variations. Exploring these annotated endgames, you will soon get a good sense of what is happening. You will find out that Carlsen does not rush unless it is necessary. You will learn how Carlsen increases the pressure and uses all available resources. And you will see that sooner or later, his opponents will start playing second-best moves, feeling uncomfortable, following up with some dubious decisions, and, finally, cracking.
Endgame Virtuoso Magnus Carlsen – Volume 2 is a highly instructive, inspiring and entertaining book. It will help you appreciate Magnus’ endgame magic and improve your skills in this important game phase.”
About the Author:
“International Master Tibor Károlyi was Hungarian Champion in 1984 and is renowned as both an author and a trainer. He won the Guardian Chess Book of the Year prize in 2007.”
You will probably agree that endings are increasingly important – at all levels – in chess today, and that Magnus Carlsen is the strongest human endgame player in the history of chess. So everyone will benefit from studying his endings.
It’s not quite as simple as that, though. The problem is that today’s top GM games are played at a level way beyond the comprehension of average club players. If you’re looking for a book that will do more to improve your endings, I’d recommend this book which was the subject of my last review.
On the other hand, studying the games of the world’s leading players will give you a wider appreciation of chess culture, and, with the guidance of a skilled instructor to provide excellent annotations, you’ll undoubtedly learn something as well as being inspired, in a more general way, to improve your chess.
In this book you’re in the safe hands of IM Tibor Karolyi, one of the best and most experienced annotators in the business, and one who has a particular gift for making difficult positional concepts comprehensible to the average player.
The first volume of this series covered Carlsen’s earlier career. Here we have 104 endgames from 2018 up to 2022, taken from games played at all time controls. As in my last review, the author takes a pretty broad view of what constitutes an ending.
Here, for example, is a position where Magnus missed the best continuation.
This is taken from the first play-off game in the 2018 Carlsen – Caruana World Championship match.
Carlsen played the obvious 24. Bxe6+, winning a pawn and, eventually, the game, although Caruana missed drawing chances on a few occasions.
He missed the very difficult 24. Rxd4!! Kf7 25. Kh1!!, a great prophylactic move according to Karolyi, so that an eventual Nxf3 won’t be check, when Black would have had no defence to Red1 followed by Rd6. This fascinating ending is analysed extensively over 3½ pages.
Black against Vallejo Pons (Karlsruhe/Baden-Baden 2019), Carlsen reached a pawnless ending with RB against BN.
You might think this is drawn, but Carlsen knew that, with the opposing bishops on different colour squares, Black is winning. If you buy this book you can see for yourself how he brought home the full point – and how his opponent could have made it harder for him.
Karolyi tells us that Fischer could have reached a similar ending against Browne (Rovinj/Zagreb 1970), but his annotations suggested that he believed the ending to be drawn.
This game, from move 12 to its conclusion 60 moves later, is covered in 4½ pages here.
It’s striking how often Magnus plays for mate with very limited material on the board.
Here, our hero was black in an Armageddon game against Nepomniachtchi (Stavanger 2021).
Nepo erred by playing 52. Bg7? here (Ke2 would have held), which Magnus met with 52… Rh1, with Rh2+ to follow.
Along with the games you also get a running commentary on Carlsen’s tournament performances over the period, helpfully putting the games into context as well as providing some gripping reading.
At the end of the book there’s an informative interview with Carlsen’s long-term second Peter Heine Nielsen, along with a useful Endgame Classification index and the expected index of names.
What you don’t get here is the opportunity for interactive learning. Unlike in many books from this publisher, there are no quizzes at the start of each chapter, nor does the author stop every few moves to ask you questions. You might well consider this not to be a problem in a book of this nature.
As usual from New in Chess, the production values are excellent. The English, although not always totally idiomatic, reads fluently. If you’re looking for a book on Carlsen’s endgames, and there are many reasons why you should be, you won’t be disappointed with this volume. You might also want to buy Volume 1 as well, and, in a few years time, Volume 3.
I consider this a first class book written by one of the best annotators in the business. While players of, say, 2000+ strength will perhaps learn most from it, all club standard players will find Carlsen’s endgames, especially as explained here, both instructive and inspirational.
If you want to look further before making up your mind you can find some sample pages here.
Richard James, Twickenham 18th October 2024
. Richard James
Book Details:
Softcover: 256 pages
Publisher: New In Chess; 1st edition (23 March 2023)
“Sergei Tiviakov was unbeaten for a consecutive 110 professional chess games as a grandmaster, a record that has only been broken by World Champion Magnus Carlsen. Who better to teach you rock-solid chess strategy than Tiviakov. He was born in Russia and trained in the famous Russian chess school. In his first book, he explains everything he knows about the fundament of chess strategy: pawn structures.
If chess players trust that their knowledge of opening theory and tactics is enough to survive in tournament play, they are mistaken. Once you settle down for your game and the first moves have been played, you will need a deeper understanding of the middlegame. And one of the most challenging questions is: how to navigate different pawn structures?
Sergei Tiviakov gives you all the answers in this first volume of his highly instructive series on chess strategy. ‘Tivi’ is famous for his deep chess knowledge and rock-solid positional play. He has gathered a rich collection of strategic lessons he has been teaching worldwide, drawing mainly from his personal experience. The examples and exercises will improve your chess significantly and are suitable for any reader from club player to grandmaster level.”
About the Author:
“Sergei Tiviakov is a grandmaster, winner of an Olympic Gold Medal, three times Dutch Champion, and European Champion. Yulia Gökbulut is a Women’s FIDE Master, chess author and sports writer from Turkey.”
GM Sergei Tiviakov drawn by Rupert van der Linden in 1995
Before we start, you might liked to inspect sample pages
This book has its origins in a recent series of lectures given by Tiviakov. His co-author was responsible for shaping the material into a book.
We start with a long introduction about the difference between human and computer chess, which is interesting in itself, but not directly relevant to the subject of the remainder of the book.
What you don’t get is a complete guide to pawn structures: if you want that you’ll need to look elsewhere. Instead, you get something very much based on Tiviakov’s own repertoire. In general you’d expect positional players to prefer queen’s pawn openings, just as Tivi’s hero Tigran Petrosian did, while tactical players will be more likely to choose king’s pawn openings. Tiviakov, though, has been almost exclusively a 1. e4 player throughout his career. With White he makes little attempt to secure an advantage, just aiming to reach a pawn formation he understands better than his opponent.
In the first chapter we look at positions with a pawn majority on one flank. Something like this formation, which Tiviakov often reaches after 1. e4 c5 2. c3, or 1. e4 e6 2. d4 d5 3. Nd2 c5 4. exd5 Qxd5.
He comments that he’s unaware of any book dealing specifically with this sort of position, and neither am I. If you’re likely to reach this sort of pawn formation in your games you’ll find this material very helpful and instructive.
In this position, from a game Tiviakov – Romanov (White to play), he discusses the idea of deciding, even this early in the game, which pieces you want to trade off for the ending. His conclusion is that ideally you should retain the dark squared bishops, so that you can attack Black’s queenside pawns, and try to trade everything else off. He managed to realise his plan successfully in this game, where he compared his style to that of Petrosian, Karpov and Carlsen.
I’ve thought for many years that perhaps the topic which, more than anything else, needed a book was that of doubled pawns. Naturally, I was delighted to see that Tiviakov devotes two chapters to this. Some of the examples were an eye-opener for me.
Here, he uses his game against Igor Efimov (Imperia 1993: it’s not in MegaBase) to demonstrate how he plays against the Trompowsky.
At first glance you might think that Black’s bishop on e6 looks like a rather useless Big Pawn, but Tiviakov explains that it’s actually more useful than its white counterpart.
But it’s important to understand that in chess a piece is labelled ‘bad’ or ‘good’ not by how it stands, whether it is blocked by pawns or not, but on its role in the actions that its army will carry out.
He explains that Black plans to swing his knight to e4, followed by b6 and c5, and, if White does nothing, by c4, b5, b4, Qd6 and Rb8.
A very instructive game, he claims, but you’ll have to buy the book to find out why.
It’s grandmasterly insights such as this, sprinkled liberally throughout, which make this book worthwhile.
Here’s another example. Tiviakov used to favour the Scotch against 1… e5, but dropped it after a loss against Mamedyarov in 2006.
Black has gone in for a deterioration of his pawn structure. From the viewpoint of classical chess strategy, he should stand worse, because of the doubled pawns, the isolated pawn on e6 and in general the three ‘islands’ against two for White. But in concrete dynamic play, Black is not worse. This is something you should understand.
We now move on to positions with semi-open files in the centre.
This sort of pawn formation can arise from very many openings, for example the Caro-Kann or Tiviakov’s favourite Scandinavian.
Here’s another instructive example, with White to play in the 2006 game Godena – Tiviakov. A Qd6 Scandi has resulted in an equal position. Now White chose the apparently natural (to me anyway) 22. c4.
It is possible to place the pawns side by side on c4 and d4, if White has definite dynamic prospects or if the opponent cannot organize an attack on them. In this concrete example, I can prevent the pawn advancing to d5 and organize an attack on it.
After White’s 32nd move this position was reached. Objectively it’s completely equal, but in practice it’s Black who’s pressing.
Tiviakov again:
After the exchange of rooks, the queen and knight are stronger than the queen and bishop team, because Black has certain secure squares available to him. For example, the queen can come to d4 and then manoeuvre such that he can switch the attack between the white king, the queenside pawns and the pawn on f2.
White’s position is very unpleasant.
Another insight into how a strong grandmaster will perceive a position which a club player like me would think of as just being equal.
The next chapter is about positions with seven pawns each and an open d or e-file.
In this position from a Tiviakov – Kasimdzhanov game, we can deduce from a piece comparison that White stands slightly better. His dark squared bishop is clearly superior, especially after a future f3 and Bf2. It’s perhaps less immediately obvious that his light squared bishop is also better than its opposite number as it’s looking at Black’s slightly vulnerable queenside, while the bishop on b7, once White’s played f3, will be ineffective. Furthermore, White has a potential square on d5, while Black doesn’t have an equivalent square on d4.
Moving on again, we have, logically enough, Two Open Files in the Centre.
Here’s a position from Tiviakov – Ibrahim (2015), with White to play.
If I had a position like this I’d be thinking about offering a draw and heading to the bar, but in fact White is much better here. Black already has a weakness on d5, and by playing Bg4+ now (as it happens Stockfish thinks the immediate Re1 is preferable) and provoking f5, he creates additional weaknesses on e5 and e6.
The final chapter is rather different, looking at the way Tiviakov defends against flank openings, using a double fianchetto system. Again, interesting, but it doesn’t quite fit in.
Summing up, we have four chapters, 1, 4, 5 and 6, which fit together logically, and three chapters, 2, 3 and 7, which, although equally instructive and interesting, don’t really fit in, as well as a long introductory chapter of only tangential relevance. Although it might not make a coherent whole, the quality of the material is very high.
However, contrary to Tiviakov’s claim in his preface that the book is aimed at players of all strengths, from beginner to Grandmaster, it really isn’t. At lower levels games are usually decided by tactical oversights rather than subtle positional advantages of the type we see in this book. I’d say it was suitable for players of, say, 1750 upwards. Again, if you favour kingside attacks, sharp tactics or heavy opening theory this might not be the book for you. But if you’re a strong player with a preference for positional chess, and especially if you share some of his opening choices, this is a book you really don’t want to miss. A second volume has now been published, which I look forward to reading in due course.
Production values are well up to this publisher’s usual high standards, even though a final read through by a native English speaker might have helped. As usual with books for New in Chess, active learning is encouraged: the reader is asked questions every few moves.
Perhaps this isn’t a book for everyone, but the content is excellent throughout, and, if you’re strong enough to appreciate grandmaster level positional concepts, the book can be highly recommended.
Richard James, Twickenham 12th August 2024
. Richard James
Book Details:
Softcover: 264 pages
Publisher: New In Chess; 1st edition (31 Jan. 2023)
“The astounding success of How To Study Chess on Your Own made clear that there are thousands of chess players who want to improve their game – and do (part of) their training on their own. The bestselling book by GM Kuljasevic offered a structured approach and provided the training plans. Kuljasevic now presents a Workbook with the accompanying exercises and training tools a chess student can use to immediately start his training.
Kuljasevic wanted his exercises to mimic the decision-making process of a real game. His focus is on training methods that encourage analytical thinking. Most workbooks offer puzzles and puzzles only. But with this book, you will be challenged by tasks like:
Solve positional play exercises
Find the best move and find the mini-plan
Play out a typical middlegame structure against a friend or an engine
Simulation – study and replay a strategic model game
Analyze – try to understand a given middlegame position
The Workbook is designed for self-study, but is also useful for chess coaches and teachers and can be applied in one-on-one lessons, as well as in study groups in chess clubs, schools or online classes. This first volume is optimized for chess players with an Elo rating between 1800 and 2100 but is very accessible and useful for any ambitious chess player.”
About the Author:
“Davorin Kuljasevic is an International Grandmaster born in Croatia. He graduated from Texas Tech University and is an experienced coach. His bestselling books Beyond Material: Ignore the Face Value of Your Pieces and How To Study Chess on Your Own were both finalists for the Boleslavsky-Averbakh Award, the best book prize of FIDE, the International Chess Federation.”
GM Davorin Kuljasevic
Before we continue you might like to inspect this preview from the publisher’s website (product page here), which will give you an idea of the layout and show you some of the exercises. If you prefer, you can see sample pages from the Kindle edition here.
A quick word first. I have a large backlog of books to review and little time in which to review them, so, in an attempt to catch up, I will be writing much shorter critiques on the titles in my in-tray than I have done in the past.
I reviewed the author’s previous volume with some enthusiasm here, so was eager to see this workbook, especially given that, in terms of rating, but not interest in improving my game, I’m within the book’s target range.
The main body of the book comprises fifteen sets of eight puzzles. We start with five sets on tactics, gradually increasing in difficulty, each set including six ‘find the hidden tactic’ exercises, followed by two ‘tactical analysis’ exercises.
This seems excellent to me. My impression has always been that, at my level, games are much more often decided by spotting or missing exactly this sort of tactical point than by brilliant combinations and sacrifices. The Hidden Tactic exercises present a position and a three-move sequence, in which you have to find the tactical opportunity that was sometimes missed over the board. The analysis questions invite you to analyse several different lines and decide which is best.
Then we have five sets on Middlegame Training. Here we have six positions where you have to find the correct mini-plan, followed by two simulation exercises where you play through part of a game and are awarded points, in the style of Daniel King’s How Good is Your Chess feature in CHESS, for finding good moves.
Finally, there are five sets on Endgame Training to test you on this most important phase of the game. Here, each set gives you four endgame analysis questions where you have to analyse several lines. Then you have two endgame simulation exercises, followed by two positions for you to play out against a training partner, coach or engine. I’m very much in favour of this and believe that playing out endgame positions should be an important part of every player’s training.
In my day, 50-60 years ago, reading books was, for most of us, just about the only option for chess improvement. Now, of course, there are many more options. As was clear from his previous book, Kuljasevic has put a lot of thought into the most efficient training methods, and into what works best within the framework of a book, and has done an excellent job in selecting material appropriate for his target market.
If you think this book might appeal to you, again I’d refer you to the previews linked to above.
As is usual from this publisher, production values are high. The layout could have been more generous and easier to follow, but this would have necessitated more pages and cost you more money.
If you’re rated between 1800 and 2100, ambitious to improve your rating, are prepared to take time out for serious study and enjoy reading books, I can strongly recommend adding this to your library. Further volumes for lower and higher rated players are promised: I look forward to reading these in due course.
Richard James, Twickenham 26th July 2024
. Richard James
Book Details:
Softcover: 224 pages
Publisher: New in Chess; Workbook edition (31 Jan. 2023)
“Are you a parent of a junior chess player who feels that because you don’t know how to play chess, you can’t help your child? Or are you an adult or junior chess player who has taken private chess lessons for years, but feels you haven’t been progressing? In both cases, there can be a lot of reliance on a chess coach who has been given free rein with lesson content and direction. They probably have some sort of plan but it is likely to be a plan used for all their students. This is not ideal.
More important is a well-thought out, individualized plan, that focuses on a specific player’s unique strengths and weaknesses. Formulating such a plan is crucial for making improvements. Victoria Doknjas and her son John Doknjas are an ideal writing partnership to tackle this topic. John is a FIDE Master who has already established himself as an excellent and highly-respected author who understands the improvement process very well. Victoria has over a decade of experience navigating the competitive chess arena with her three master-level sons, including also running her own chess academy. Together they offer a unique and informative insight to those wanting to get more out of their chess studies, as well as presenting practical advice in areas including:
* Identifying important goals and how to work towards them.
* Understanding how to objectively analyse your games.
*Maximising the efficiency of software and engines for learning.
Reading this book can broaden your horizons in the essential areas of chess study, and ideally let you better evaluate what your chess coach is teaching you. And if you don’t have a chess coach, this book will provide you with an excellent foundation for serious chess study.”
and about the authors:
John Doknjas is a FIDE Master who has won several strong tournaments in British Columbia, Canada, including the Grand Pacific Open. John is a chess teacher with over eight years of experience and is a highly respected author. Victoria Doknjas has over a decade of experience navigating the competitive chess arena, including also running her own chess academy.
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
A rather provocative title, I think. Here are two chess coaches telling you what chess coaches (presumably apart from them) don’t tell you. You can read their introduction in the sample linked to above.
As I have a rather large pile of books still to review and much else to do I hope you’ll excuse me being rather less detailed than in the past.
Of course there’s a big difference between coaching players with, say, ratings of 0, 500, 1000, 1500, 2000 and 2500. Or between coaching players aged, say, 5, 10, 15, 20 or 25, not to mention 50 or 95. Or between coaching players who have, say, 5 hours a day, 1 hour a day or 1 hour a week to devote to chess.
I can summarise the chapters fairly quickly.
Chapter 1 (3 pages): Working Hard with a Set Purpose. Or, if you like, Deliberate Practice.
Chapter 2 (5 pages): Defining Goals and Developing a Plan to Achieve Them. All great in principle, but the problem is that, for most of us, life (work, studies, family or whatever) usually tends to get in the way.
Now we move on to the meat of the book.
Chapter 3 (57 pages): Analyzing Your Games.
The authors recommend that when you’ve played a game you enter it into your database (without having an engine on), annotate it with specific reference to the critical moments, write down what you learnt from the game, and only then look at it using an engine and/or show it to your coach.
You’re provided with three exercises: one game by each of the authors and a grandmaster game, each of which is presented five times: without annotations, with the possible critical moments highlighted, with some variations at the critical moments, with further explanations at the critical moments, and finally with engine-based analysis.
With jumbo sized diagrams used liberally, this takes up a lot of space for a lot of repetition.
Here’s the GM game: you might want to see how you get on. Click on any move for a pop-up window.
Analysing a Karpov game would, I’m sure, be a good exercise for a 2000+ player, but it would be pretty hard for a 1500 player and futile for a 1000 player. We’re perhaps looking at this point at a book for very strong and ambitious players, along with their parents and coaches.
This level seems to be continued in Chapter 4: Creating an Opening Database (30 pages). Using as an example the closed Italian Game (with c3 and d3) for White, the authors show you how you might go about this using ChessBase.
When we’re trying to find moves for our opponent to use in our opening repertoire, we should try to find the most popular moves (since these are what we’re most likely to face in a game). However, when we’re trying to find a move to play ourselves, often it’s useful to choose a rare move over a popular move (as long as the engine is fine with it).
Again, this sounds like excellent advice for, say a 2000 player.
Moving on, then.
Chapter 5 clocks in at a chunky 85 pages on Will to Win: Essential Endgames. All reputable chess coaches will agree that Essential Endgames are, well, essential.
But here we’re taught how to play baby positions like this…
.. which is one of the first lessons I give beginners, followed by pages on RP v R (Philidor, Lucena) and Q v P on the 7th rank, again material more suited to 1000 players than 2000 players.
This all left me rather confused as to the purpose and target market of the book.
We’re still in endgame territory in Chapter 6, Tactics and Studies (32 pages). As well as solving tactics puzzles online the authors recommend, like most chess coaches these days, solving endgame studies. They present five rather difficult studies here, much more suited to 2000 rather than 1000 strength players.
This one, unlike some of their other choices, has a short solution.
White to play and draw (Jan Timman 1981)
The main line runs 1. Nd2 Bf7 2. Kg5 Ng2 3. Nf3 Kf8 4. Ne5 Kg7 5. Nxg6 Bxg6 with stalemate.
Chapter 7 is Slowing Down (another 32 pages). Good advice for novices, yes, but do you need to tell experienced players to slow down? We seem to be back with advice for 1000 players now, telling you to play more slowly and consider basic principles (control the centre squares, develop your pieces etc). We then have a few exercises where you have to use basic principles to find the best plan in some GM games.
The final long chapter, Chapter 8 (88 pages), is on Training Games. I was very pleased to see this chapter as I consider training games to be an invaluable method of improving your chess which is often ignored. We’re first advised to play training games against stronger players if we can. We’re then given 41 positions which can be played out against a training partner or a computer. These range from typical opening positions, through a variety of middlegame positions through to endings. Each of the positions is then repeated along with the game continuation and some analysis, explaining the length of the chapter.
Chapter 9 (22 pages) covers the important topic of To Exchange or not to Exchange in rather perfunctory fashion: a brief introduction followed by four examples including games from Kasparov and Karpov.
Finally, Chapter 10 (12 pages) gives you some FAQs for Parents or Those New to Competitive Chess – useful, I suppose, but parents and adult newcomers will have rather different questions, and some of the answers are USA/Canada-centric, which may not be helpful for UK readers.
What to make of this book, then?
The question I always ask is whether the publishers commissioned the book, or whether the authors wrote it and submitted it on spec. Perhaps the former, although I may be wrong. It’s clear that the authors are great chess coaches and the book is full of excellent ideas and advice, some of which is not readily available elsewhere. But it doesn’t seem coherent to me, though, switching between advice tailored for budding masters and instruction more suitable for novices. There was, for my taste, rather too much analysis of fairly random examples, and the layout, with the very large diagrams favoured by this publisher, could have been more economical.
While I get that the chess book market, unless your name is Levy Rozman, is relatively small, and publishers want their books to appeal to as wide a range of readers as possible, trying to please everyone at the same time results in a book which will only be useful in parts for most purchasers. A more proactive approach from the publishers to produce a book with a more specific target market could easily have resulting in something half the size and twice as useful (which would perhaps have sold half as many copies).
Although I can only recommend the book with reservations, you might find it fills a gap in the market and at least some of the material will give you some fresh ideas about how to improve your, or your students’ rating.
And, if you’re interested in publishing a book about what chess coaches don’t tell parents of kids rated under 1000, I know just the person to write it.
Secrets of Queen Endgames: Ferenc Berkes and Tibor Karolyi
From the publisher:
“A revolutionary new work on a notoriously challenging type of chess endgame
Queen endgames can seem unfathomably complicated. Computers have provided complete information for some of the basic queen and pawn endings, but human understanding has proved elusive.
In this ground-breaking work, two Hungarian authors have gone to extraordinary lengths to explain strategies and methods in queen endgames. Rather than a random series of checks, we can now understand king and queen triangulations that gradually bring the pieces to the squares they need to be to engineer the killer tactic that completes the process. Berkes and Karolyi have devised guidelines that help us judge what we need to aim for, and provided a broad set of tools to help us achieve these goals.
Going beyond previous texts, the authors have used not just seven-man tablebases and modern engines, but the specialized program FinalGen to delve with the same certainty into endgames with many more pawns. But most of all, they have spent thousands of hours seeking to present the whole truth about queen endings in human terms. Their wide-ranging discussion of shelters is especially instructive.”
A definitive guide to a fundamental class of endgames
Explains all types of endings with queens and pawns
A wealth of guidelines for handling positions with many pawns
Spectacular and previously unpublished endgame studies
Thoroughly up to date, with more than 1000 chess diagrams
Ferenc Berkes is a grandmaster from Hungary. A former World Under-18 Champion, he was won the championship of his country on eight occasions. He plays team chess in several European leagues. IM Tibor Karolyi is also from Hungary. His many pupils have included super-GMs Peter Leko and Judit Polgar, and he is a highly experienced chess writer.
To get some idea of the book Gambit (via Amazon) provide a “Look Inside” at their Kindle edition. As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. A previous criticism (ibid) has been addressed in that each diagram has a W or B “whose move it is” indicator.
The book is divided into 9 chapters as follows :
Extreme Tactics in Queen Endings
Tools in Queen Endings Technical Queen Endgames
Queen and Pawn vs Queen
All the Pawns on the Same Side
Extra Outside Passed Pawn Practical and Strategic Queen Endgames
The Pawn
The Queen
The King
Complex Queen Endgames
Here on YouTube John Nunn gives the reader an introduction to the book :
This book is a superb tour de force covering a complex subject that has not been covered so extensively before. My short review cannot really do justice to this magnus opus.
The book is aimed at expert players, probably 2200 and above. The vast majority of GMs would learn a lot from this book. Despite these comments, it is the reviewer’s opinion that any aspiring, improving player would benefit from reading the more general chapters 1, 2, 5, 6, 7, 8. The pure technical chapters 3 and 4 are certainly more abstruse but very instructive: the authors don’t just give long variations but intersperse these with pithy, useful comments.
The short first chapter really introduces the power of the queen with a mixture of studies and over the board positions.
Chapter 1: Extreme Tactics in Queen Endings
Here is an amazing and stunning study by Rusz:
Rusz 2022 White to play and win
Black is threatening to mate with Qa1+, so white plays 1.Qf6!!
Rusz 2022 Position after 1.Qf6 mutual zugzwang Black to move
Amazingly, this is a position of mutual zugzwang as White to play only draws, whereas Black to play loses. It is hard to believe that in an open position with three queens each, having the move is a disadvantage!
Black can try 1…Qad8_ 2.Qaxd8 Qxd8+ 3.Qxd8 Qf1+ 4.Kc2 Qf2+
Rusz 2022 Position after 4…Qf2+ White to move
5.Qd2 (The careless 5.Kb3? allows a standard trick 5…Qg3+ 6.Qxg3 stalemate, always watch out for this type of idea in queen endings) 5…Qc5+ 6.Kd1 Qc2+
Rusz 2022 Position after 6…Qc2+ White to move
7.Ke2! Black has run out of useful checks, so white wins
Here is a practical example showing many important principles in queen and pawn endings:
Percivaldi – Thybo Danish League 2021-2 Position after 42.Qd5+ Black to move
White has three pawns for a bishop, but the most important feature of the position is black’s far advanced passed a-pawn. In queen endgames, it’s the degree of advancement of passed pawns that is all important, not the number of pawns. Black correctly shed the bishop with his next move:
42…Kc7! 43.Qf7+ Kb6 44. Qxf8 Kb5!
Percivaldi-Thybo Danish League 2021-2 Position after 44…Kb5 White to move
White is three pawns up but is totally lost. White’s only potentially useful pawn is the d-pawn as it’s closest to queening, but white is just too far behind in the race. Black’s king will shelter behind the white’s pawns, there is no chance of a perpetual check.
45.Qe8+ Kb4 46.Qb8+ Ka4 47.Qg8 Trying to bar the king’s progress, but to no avail. 47…Qc2! (47…Qb3 also wins) 48.Qe8+ Kb4 49.Qb8+ Kc3 50.Kg2 a2 51.d5 Using a little tactic to prevent queening and putting black under a little pressure
Percivaldi-Thybo Danish League 2021-2 Position after 51.d5 Black to move
51…Qb2? A poor move deactivating the queen allowing white an amazing draw which he misses, the obvious 51…Qe4+ 52.Kh3 Qxd5 eliminating white’s counterplay, followed by putting the king behind white’s pawns wins easily, 51…Qd1! also wins watching White’s d-pawn and preparing to promote, after 52.Qe5+ Kc2 53.Qe4+ Kb3 54.d6 a1=Q wins as does 54…Qxd6
White missed a clever draw and black won after a slugfest in a four queen ending. Buy the book to see this entertainment.
Chapter 2: Tools in Queen Endings
This is an excellent toolbox chapter that covers the follows topics:
The Queen Triangulates
Cutting Off the King
Batteries and Discovered Checks
Pinning Down a Piece
Exploiting the Opponent’s Harmful Pawn
Zugzwangs
These ideas are absolutely key themes in queen endings. This section is definitely worthy of examination.
The reviewer will show examples from many of the themes in turn:
The Queen Triangulates
The author explains the concept concisely:
“In queen endings, there are more zugzwangs than most players would assume. We shall see many examples where the attacker’s king manoeuvres to give up the right to move – a familiar theme from pawn endings, but more surprising with queens on the board. But the queen itself can also lose a tempo by a form of triangulation. It usually happens when the defender’s king is in danger.”
Here is another Rusz study showing this idea:
Rusz 2022 Queen Triangulation White to play and win
This positions look ok for black as he has White’s passed pawn under control. 1.Qg5+ Ke8 2.Qc5! 2…a3! 3.Qe3+! Kd8 4.Qg5+ Ke8 5.Qc5! completing the first triangulation
Rusz 2022 Queen Triangulation Position after 5.Qc5 Black to play
Rusz 2022 Queen Triangulation Position after 14.Qc5 Black to play
14…Qc8+ (14…Kd8 15.Qf8# ends the suffering) 15.Ka7 Qc7+ 16.Ka6 wins black’s pawns and the game
Cutting Off the King
This principle can be used by the stronger side or the weaker side to prevent the opposing king getting to a desirable area. For example, the stronger side can use this technique in Q+P v Q to cut off the defender’s king from a drawing zone. The example below shows the defending side successfully using this theme in an over the board game:
Lupulescu – Sarakauskas After move 46.Qxg5 Black to play
White has just taken the pawn on g5, black can now draw with an accurate sequence of checks: 46…Qb1+ 47.Kh2 Qb8+ 48.Kg1 Qb1+ 49.Kh2 Qb8+ 50.Kg1 Qb1+ 51.Kf2 Qc2+ 52.Kf3
Lupulescu – Sarakauskas After move 52.Kf3 Black to play
Black must choose the right check here to draw: 52…Qd1+! (the sloppy 52…Qd3+ 53.Kg4! allows white to approach the h-pawn and win the game) 53.Ke4 Qa4+! not allowing the king to cross the fifth rank 54.Ke3 Qb3+ 55.Kd2 Qb2+ 56.Ke1 Qb1+ 57.Ke2 Qe4+ 58.Qe3 Qxg2+ Black has regained his pawn and drew comfortably
In this famous ending, Black is winning with an extra pawn and centralised queen. He played 62..f5? mobilising the pawn majority
Pillsbury – Burn Vienna 1898 Position after 62.Qe2 Black to move
Better was 62…Kd6! activating the king trying to cross over to white’s queenside pawns: white cannot defend against the twin threats of the king invasion and the advance of the kingside pawn majority. After 62…f5? white took the opportunity to make Black’s life very difficult 63.Qb5! cutting the king off from white’s queenside. White missed a probable difficult draw and black eventually won.
Batteries and Discovered Checks
From the author: “Powerful ideas in queen endings include forcing an exchange of queens and launching an attack on the enemy king. Usually the queen harasses the enemy ling by giving checks, but sometimes setting up a battery is stronger than the immediate check. Players often miss such an opportunity, or the potential to play for it. The attacker typically uses a battery to attack the opponent’s king or to win a tempo and stop the opponent’s queen from continuously checking by stepping out the check with a cross check.”
This practical example is instructive:
Ni Hua – Berkes Taiyuan 2006 Position after 56…Kh6 White to move
White played 57.Qxd5 winning a pawn, 57… Qe3+ (black can also draw with the flashy 57…Qf6+ or 57…Qg4+ or 57…Qa4+) 58.Kf6 Qf2+ (58…Qf3!+ draws easily, 59.Qxf3 is stalemate, and 59.Kf6 Qc3+ draws) 59. Qf5 Qh4+ 60.Ke6 Qc4+ 61. Qd5 This position is getting difficult for black, but there are still six drawing moves, Black choose a terrible check 61…Qa6??+ 62.Qd6! setting up a deadly battery 62…Qe2+ 63.Kd5+1-0 as white exchanges queens
Ni Hua – Berkes Taiyuan 2006 Position after 61.Qd5 Black to move
Pinning Down a Piece
Portisch – Morovic Dubai Olympiad 1986 Position after 103…Qe6 White to move
White played 104.Kc2? and lost . Portisch missed a brilliant move here 104.Qd4!! which amazingly draws, after 104…b3 105.Qd3! attacks the pawn and paralyses the Black queen.
Exploiting the Opponent’s Harmful Pawn
There are many example in the ending Q+P v Q+P where the defending side (player with the pawn that’s least advanced) loses because the extra pawn is harmful blocking defender’s queen checks and/or providing shelter to the stronger side’s king. An example is given below:
Boleslavsky – Taimanov Zurich Candidates 1953 Position after 42…c1Q White to move
White played 43.Qb8+ which wins but Boleslavsky messed up later on. In some ways 43.h4 is simpler. A possible line is 43.h4 Qc2+ 44. Qg6 Qxa4 45.h5 Qxa2 reaching this position:
Boleslavsky – Taimanov Zurich Candidates 1953 Variation position after 45…Qxa2 White to move
Without Black’s b-pawn this is a tablebase draw but not easy in practice. With the b-pawn, Black is losing after 46.Kg7!! The pawn blocks the g1-a7 diagonal.
The next huge section of the book is all about Technical Endgames.
Chapter 3: Queen and Pawn vs Queen
This is in some ways the core of the book with 65 pages devoted to this basic ending. But it is anything but basic!
Each pawn is covered in turn starting with the rook’s pawn working towards the centre pawn. Within each pawn’s section, positions are covered from the second rank to the seventh rank. It is certainly a systematic approach.
It is clear that the least favourable pawn is the rook’s pawn, followed by the knight’s pawn. It may surprise some readers to know that the bishop’s pawn is the most favourable.
Rook’s Pawn
These are the authors’ conclusions:
“The closer the pawn get to promotion, the harder it becomes to hold.
In the case of a white a7-pawn:
Black’s safest option is to get really close to the pawn, at least to the d-file.
The h1-corner is a draw for black’s king, but in practice the defence will require a lot of concentration.
The a1-corner is the second least difficult location for the defender’s king.
In case the black king gets trapped in the h8-corner, there is only one mutual zugzwang position that might save the defender.”
The reviewer will show a few positions:
Honfi – Toth Budapest Ch 1966 Position after 89…Qd1+ White to play
This position is a tablebase draw particularly as black’s king is fairly close to the h1 corner.
White played 90.Kb4 The author adds a didactic comment: “Ever since the famous Minev -Botvinnik game in 1954, we know the player with the extra pawn should look to put his king on the same or neighbouring file or rank as the opponent’s king. This creates chances for a cross check or to set up a battery.”
The game continued for another 61 moves until this position was reached:
Honfi – Toth Budapest Ch 1966 Position after 151.Kc7 Black to play
Black’s king is not ideally placed, but he can draw with the correct check. Black played 151…Qe7+? (151…Qf7+ draws as 152.Kc8 is met by 152…Qf5+ drawing, Gelfand has made an observation, if in doubt check on the opposite colour square to your king, obviously this not a hard and fast rule) 152.Kc8! Black has run out of checks because of the king on h4. White now plays superbly to bring home the full point fully exploiting the badly placed black king 152…Qe4 153.Qc5!
Honfi – Toth Budapest Ch 1966 Position after 153.Qc5
153…Qe6+ 154.Kc7 Qf7+ 155.Kb6 Qb3+ 156.Ka5!
Honfi – Toth Budapest Ch 1966 Position after 156.Ka5
A standard winning technique in Q+P v Q The author comments thus: “White approaches the rank of Black’s king. Now 156…Qa2+ would be the last check, as it is met by 157.Kb5. from this point, the win is easy, as White can promote after some checks.”
156…Qf3 157.Qc4+ Kh5 158.Kb6 Qf6+ 159.Qc6 Qd8+ 160.Kb7 Qe7+ 161.Ka6 Qa3+ 162.Kb6 exploiting black’s king position again, there are no more checks, so 1-0
Honfi – Toth Budapest Ch 1966 Position after 162.Kb6
The reviewer adds an observation: when the black king is in or near the h1-corner, it is much harder for White to manoeuvre his king to an adjoining rank/file and keep his pieces coordinated as well as the pawn safe.
Gligoric – Timman Bugojno 1980 Position after 60…g1Q White to play
This is a tablebase draw as white’s king is close to the best corner (a8) but an experienced top GM still lost this position thirty moves later. This shows how hard it is in practice. The book has some excellent coverage of this endgame viz:
Gligoric – Timman Bugojno 1980 Position after 84…Kc3 White to move
This position is still a draw.
“White should also wait with 85.Ke5, or he could move closer to the corner with 85.Kf7 or 85.Kf6”
White played the obvious centralising check 85.Qe5+? which loses, black replied with the 85…Kc2? (85…Kd2! wins: the analysis is worth looking at just to see the process as Black uses triangulation and White’s poorly placed king to escape the checks, get the book to find out)
Gligoric – Timman Bugojno 1980 Position after 85…Kc2 White to play
In this position White can draw. Over to the authors: “86.Qf4!! is the right move. But why? If it Black’s turn to move in the diagram, Qf3 would cut off the white king and win. The queen on f4 stops that. If 86…Kd1 87.Kf7!= (87.Kf6 also draws) 87…Qe2 88.Qd4+ only move 88…Kc2 89.Qa4+ holds or 89.Qc5+ or 89.Qf4! h2 90.Qa4+ draws”
This subtle, underlying battle of the cut off is amazing. The game continued with 86.Qh2+? Kd1! Once again the king approaches the neighbouring file of the enemy king 87.Qh1+ Kd2 88.Kf6 (the authors note that if white’s king could move to the c-file he would draw, the win after 88.Ke7 is very instructive as black triangulates again, get the book to find out how)
Gligoric – Timman Bugojno 1980 Position after 88.Kf6 Black to move
Timman misses a fairly simple idea to win quickly here 88…Qg3! He played 88…Qe3? This throws away all the hard work. White can draw with 89.Qh2+ and then run with the king towards the h8 corner. White blundered with 89.Kf5? A fatigue blunder allowing 89…Qf2+ 90.Ke5 Qe1+ exchanging queens 0-1
Knight’s Pawn
This is the authors’ observations:
“This situation occurs more often in practice than Q+P v Q with other pawns. This type of pawn has some unique features. for example, the attacker’s king has more scope for hiding near the pawn then it does behind a rook’s pawn, but less room compared to a bishop’s pawn. There is a drawing zone that often exists for the defender’s king in the far corner from the promotion square.”
The reviewer adds the proviso: but even this depends on the exact position of the queens of course.
Lenart position after 19…Qxh3
This is position from an unknown composer/player. Surprisingly White wins here even with the black king so close. White plays 20.Qc6! which is a standard cut off move. The winning process here takes 75 moves with perfect defence. There are some mind boggling triangulations with white’s king to wrong foot the black queen. Buy the book to find out how.
Here is a position with a knight’s pawn on the fifth rank.
Zurakhov – Boleslavsky Riga 1955 Position after 73…e1Q White to play
White wins here with the brilliant 74.Qf8+ Kg4 75.Qa3!! cutting black’s king off from the drawing zone. Zurakhov played 74.Qc8? throwing away the win but he won anyway on move 119.
Once the knight’s pawn reaches the seventh rank, the defender’s king has to stay in the opposite corner. This is the type of position the attacking side should aim for:
Cheron 1968 Black to play loses
Apparently with a g-pawn on g7, the d4 is vitally important for the stronger side’s queen.
Bishop’s Pawn
There is no drawing zone for the defender’s king (unless of course the king can get in front of the pawn).
Velimirovic – Uhlmann Arandjelovac Zonal play-off 1976 Position after 55.Kxa6
This is a technical win for Black: 55…Qg4! is an excellent cut-off preparing to activate the king. Uhlmann played this ending well not letting the win slip at any point. This ending is worth close study.
Centre Pawn
Jevtic – Vujacic (analysis) Belgrade 2008
1.Qxf7+ Ke3! the only winning move.
If white’s king was on h1, he would draw as his king would be in the small drawing zone on the short side of the pawn. 2.Qg8 Qd5+ (a series of queen checks to force white’s king to the unfavourable long side of the pawn) 3. Kc1 Qh1+ 4.Kb2 Qe4!
Jevtic – Vujacic (analysis) Belgrade 2008 Position after 4…Qe4 White to move
5. Qg1+ Ke2 6.Qh2+ Kc3 7.Qg3+ Qe3! 8.Qg6+ Kd2 9.Qc2 Ke1 10.Qb1+ Kf2 stopping the checks, notice how white’s own king impedes his own queen 11.Qh7 e5
Jevtic – Vujacic (analysis) Belgrade 2008 Position after 11…e5 White to move
Nunn comments: “The general theory of queen and pawn against queen tells us that this position is probably winning, because with the centre pawn there is no drawing zone for the white king in a remote corner, and if the defender’s king cannot move in front of the pawn then his chances are grim.”
Chapter 4: All the Pawns on the Same Side
This is a systematic analysis of all the different pawn configurations and is a really technical. For mortals like me, this will take many months to take in, but is nonetheless really interesting.
One surprising conclusion is that a two pawn advantage Q and rook’s pawn + knight’s pawn [gh-0] v Q is drawn in many positions if the defender’s queen and king are actively placed.
Here is a practical example:
Atanasov – Spiridonov Ruse 1978 Position after 68…Kg8 White to move
How should White capture the Black pawn? On general principles, it looks better to capture with the queen retaining two connected passed pawns. Here both captures win, but generally Q+f+h pawns v Q is a win unless there is an immediate perpetual. Q+g+h pawns v Q is drawn in many cases. After 69.Qxf4?! Qc5+ 70.Kg4? White has thrown the win away:
Atanasov – Spiridonov Ruse 1978 Position after 70.Kg4
Black played 70…Qc8+ which draws as does 70…Qa7, 70…Qc3, 70…Qc6
The game was drawn after both sides made mistakes. Instead of 70.Kg4?, 70.Kg6! wins.
This ending is truly complex and worthy of study. Buy the book to find out more.
Chapter 5: Extra Outside Passed Pawn This is divided into four natural subsections:
Passed Rook’s Pawn
Passed Knight’s Pawn
Passed Bishop’s Pawn
Passed Centre Pawn
The author concentrates on the passed rook’s pawn:
“Firstly, they occur more often than other passed pawns, as is also the case in rook endings. Secondly, the defender has much better drawing chances compared to positions with a c-pawn for example, because the stronger side’s king can’t find shelter around the rook’s pawn. If the attacker’s queen is busy defending the king from checks, there is little capacity left to help the rook’s pawn advance. On the opposite wing from the passed rook’s pawn, exchange of pawns tend to favour the defending side for several reasons:
1) They increase the chance of perpetual check.
2) Less frequently, it may even be possible to simplify to a queen and pawn versus queen endgame by exchanging off all the kingside pawns.”
Here is an excellent demonstration by the strongest player in the world:
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 32…Kg7 White to play
Carlsen played the neat 33.Bd5! (33.Qb2+ Kg8 34.a3 Qd3 black is very active and white cannot make progress) 33…Bxd5 34. Qe5+ f6? A serious mistake from a top player as it weakens the king’s shelter. Chapter 8 gives lots of advice and examples about shelters. Much better was 34…Kg8 35.Qxd5 Qa3 36.Qb3 Qc1+ 37.Kg2 h5 38.gxh5 Qg5+ 39.Kh2 Qxh5 and black can hold. 35.Qxd5 h5 (Trying to weaken White’s kingside) 36.gxh5 gxh5 37.Qd7+ Kg6 38.a4
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 38.a4 Black to play
Although both Kings’ shelters have been partially wrecked, Black’s exposed king is more significant as the game continuation shows. 38…Qe2 39.Qd5! Centralisation 39…f5 Black is trying to block in the White king, but this move exposes his own king even more 40.a5 f4 41.Kg2! Kh6 42.Qf5
Carlsen – Vachier-Lagrave Karlsruhe/Baden-Baden 2019 Position after 42.Qf5 Black to play
42…Qc4 43.Kf3 winning another pawn, so 1-0
Notice how Black’s pawn advances brought down his downfall.
The last four chapters are in a section of the book on Practical and Strategic Queen Endgames
Chapter 6: The Pawn
The following ideas are discussed:
Breakthrough
Promoting With Check
Reducing the Number of Pawns in Order to Hold the Draw
Pushing a Pawn to Force an Exchange of Queens
Connected Passed Pawns
Gaining Space
Races
Races when Both Sides Have Only One Pawn
Quality vs Quantity
Doubled Pawns
An example from the Quality vs Quantity subsection is given below.
The author states “It’s a well-known and common saying that in queen endgames, ‘it’s not the number of pawns that counts, but their quantity!’ In other types of endgames, the principle of strength in numbers map apply more often, but less so in queen endings.”
This ending has been quoted often:
Stahlberg – Euwe Stockholm Olympiad 1937 Position after 41.Kh2 Black to play
Euwe played the natural centralising move 41…Qd4? which is multi functional, but surprisingly throws away the win. The h4-pawn is not important here. There is a win with a very subtle move 41…Qd6!!+ which looks like a superfluous check, but forces white to weaken his position.
Stahlberg – Euwe Stockholm Olympiad 1937 Position after 41…Qd6+ White to play
White now has an invidious choice on how to spoil his position, g3 weakens the king’s shelter and both king moves have their disadvantages. Let’s look at each alternative.
a) 42. g3? Qd4! Now this move gains in strength as white would like to take the f2 pawn exposing White’s king fatally 43.Qb5 Qxf2+ 44.Kh3
Stahlberg – Euwe Stockholm Olympiad 1937 Variation A Position after 44.Kh3 Black to play
Black has two different wins here 44…Qf3! (44…Qf5+ also wins) 45.Kh2 (45.Qxb4? Qh1+ 46.Kg4 Qf1! forcing mate or win of queen) 45…b3 46.a5 Qf2+ 47.Kh3 Qg1! winning
Stahlberg – Euwe Stockholm Olympiad 1937 Variation A Position after 47…Qg1 White to play
48.Qxb3 Qh1+ 49.Kg4 f5+ 50.Kf4 Qe4#
b) 42.Kh3 b3 43.Qb5 (43.Qc3 Qd7+ exploits White’s wins exposed king, winning the a-pawn) Qa3!! This is unconventional move, putting the queen on the side, but it exploits the exposed White king: the threat of a discovered check is fatal for white.
Stahlberg – Euwe Stockholm Olympiad 1937 Variation B Position after 43…Qa3 White to play
If 44.Qb7 a2+ 45.Kh2 Qa2 wins
If 44.a5 b2+ 45. g3 Qa2 wins as well as 45…Qf3
If 44.h5 b2+ 45.f3 g5 46.Qf5+ Kg7 47.Qe5+ Kg8 48.Qb8+ Kh7 49.Qb7 Qa2 wins
c) 42.Kg1 b3 43.Qb5 Qa3 44.Qc4! b2!!
Stahlberg – Euwe Stockholm Olympiad 1937 Variation C Position after 44…b2 White to play
Black gives up three pawns to get his king out of the checks. This is a brilliant example of quality over quantity. 45. Qxf7+ Kh8 46.Qf6+ Kg8 47.Qxg6+ Kf8 48.Qxh6+ Ke7 49.Qg7+ Ke6 50.Qg8+ Kd5 51.Qg7+ Kd5 52.Qf7+ Kg4 53.Qg7+ Kc4 54.Qf7+ Kc3 55.Qf3+! Kb4 56.Qb7+ Kxa4 57.Qa6+ Kb3 58.Qe6+ Kc2
Stahlberg – Euwe Stockholm Olympiad 1937 Variation C Position after 58…Kc2 White to play
Now after the obvious 59.Qe2+ black plays 59…Kb1!!
The author explains why this wins: “Although Black is two pawns down and apparently has no shelter, he can win. The white king has to give up the back rank due to threats of crosschecks, after which the black king can find shelter on f1! For this reason, sacrificing the f2-pawn is inevitable. Then, in marvellous variations, White, can be forced into zugzwang where he either loses his h-pawn or is force to play Kh3, which means that the black king can find a shelter on g1, which decides the battle.”
Back to the game continuation, after 41…Qd4? 42.Kg3? White defends a pawn with little value and exposes his king fatally. 42.Qb5! draws easily viz: 42…Qxh4+ 43.Kg1 Qe4 44.a5 Qb1+ 45.Kh2 b3 46.Qb7 Kg7 47.a6 Qa2 48.a7 b2= The best Black can achieve here is Q+3 v Q+2 all on one side which is a draw.
Stahlberg – Euwe Stockholm Olympiad 1937 Missed draw in game Position after 48…b2 White to play
After 42.Kg3? this is the position:
Stahlberg – Euwe Stockholm Olympiad 1937 After fatal mistake 42.Kg3 Black to play
Black exploited the exposed white king as follows: 42…b3 43.Qb5 b2 44.Qb3 Kg7! winning 45.f4 (Other moves lose as well, for example 45.a5 Qe5+ 46.Kf3 Qf5+) 45… Qd2 0-1
A really instructive game.
Chapter 7: The Queen
The following ideas are discussed:
Exchanging Queens
Zwischenzugs
Passive and Active Queens
Neutralizing Queens
The Queen has Multiple Tasks
Restraining an Enemy Passed Pawn from Behind
Superfluous Checks
The reviewer will show an example on the topic of superfluous checks. The author explains: “In many positions there is no clear plan to implement, and in this case having the move in an over-the-board game creates tension. Rather than finding something constructive to do, or at least find a move that doesn’t compromise their position, players often insert an exchange or a pointless check. Either can harm their position.”
Miron – Lupulescu Romanian Team Ch Sovata 2018 Position after 36…Qf6 White to play
This position is objectively equal, although Black’s position looks slightly superior as his pawn majority has been mobilised. White’s pieces are well placed. 37.b4 is equal, but simpler is probably 37.exf5 Qxf5+ 38.Ke2 Qc2+ 39.Qd2 Qe4+ 40.Qe3 is equal, Black has no realistic winning chances.
White played 37.Ke2?! So Black responded with the obvious 37..f4 gaining space and creating a passed pawn 38.Qa7+? The superfluous check that loses. The author quotes John Nunn here: “Nunn pinpoints the basic truth that many people think they must keep giving checks in queen endings. this is one of the most common conceptual mistakes.” 38.Qd3! holds 38…Kg6 39.b4! getting the queen side pawns going draws 38…Kh6
Miron – Lupulescu Romanian Team Ch Sovata 2018 Position after 38…Kh6 White to play
After two poor strategic moves, White is totally lost. After 39.Qd7? (39.Qf2 is more resilient but still loses after 39…Kg5) 39…fxg3! won easily as Black’s king can shelter near his passed pawn.
Chapter 8: The King
These topics are covered:
Attacking The King
Stalemate
Avoiding Stalemate
Perpetual Check
Shelters
The section on Shelters is really important and is broken down into 9 further sub-sections:
The Importance of a Good Shelter
Weakening Our Own Shelter
Failing To Reach a Shelter
Invading and Destroying Shelters
Unusual Shelters
Leaving The Shelter to Support Pawns on the Other Wing
Leaving the Shelter to Exchange Queens
Leaving The Shelter to Win a Pawn
Breaking Open The Shelter with Pawn Sacrifices
Here is an example from the Weakening Our Own Shelter section.
Tal – Tseshkovsky Riga 1981 Position after 39…Qg4 White to play
The great Tal made a serious mistake here in a winning queen endgame 40.f3? Voluntarily weakening his king’s shelter: a poor move from a great player. 40.Qd5 centralising the queen wins easily 40…Qc8 41.Qd2 b5 42.Qb4 wins or 40…b5 41.a4 wins 40…Qd7 41.Qd5 Qc7 42.Qd2 b5 43.a3 (43.a4 bxa4 44.bxa4 Qc4 45.a5 Kg6 holding) Qc5 44.Qa2 Qc1 draw agreed
Chapter 9 Complex Queen Endgames rounds off the book with the study of some intricate endings.
This is a great book and is thoroughly recommended. Be prepared to put in some hard work.
FM Richard Webb, Chineham, Hampshire, 17th June 2024
The Art of the Endgame
My Journeys in the Magical World of Endgame Studies
Revised Edition – with 14 New Studies
by Jan Timman
From the publisher, New in Chess:
“All through his career Jan Timman has been captivated by the mystery and splendour of endgame studies. Even during his most successful and busy years as a world-class player, Timman continued to compose studies and admire those of others. For him, there has never been any doubt that his journeys in this magical world helped him to grow as a player.
In this fascinating book, first published in 2011, Timman has collected studies by other composers and explains in his lucid style how they inspired him to create dozens of brand-new studies.
Timman has revised the book for this new edition. With the help of engines, Timman discovered that a few studies needed to be corrected or had alternative solutions. He removed six studies and replaced another six with better versions. And fourteen new studies have been added, two of which are published here for the first time.”
About the Author, Jan Timman:
“Jan Timman is a former world championship candidate who rose to number two on the FIDE world rankings. He is the author of several highly acclaimed bestsellers, such as Timman’s Titans and Max Euwe’s Best Games. He was awarded the title of FIDE Master of Composition in 2022.”
GM Jan Timman
This book is a gem and I do remember perusing the first edition at a bookstall a while back, now I have a copy of the second edition.
There is no doubt that familiarity with ideas from endgame studies improves a player’s overall chess ability and imagination.
The reviewer was introduced to endgame studies at a tournament in London when he was junior: I was having lunch in the analysis room, when an older gentlemen showed some Harold Lommer studies involving knight promotions which got me hooked. The acquisition of Test Tube Chess by John Roycroft soon followed.
Jan Timman’s book has a variety of positions some of which are really “game like” whilst others are artistic beauties involving for example multiple promotions.
The book is divided into fourteen themed chapters viz:
Chapter 1: Miniature studies
Chapter 2: Rook versus bishop
Chapter 3: Preventing pawn promotion
Chapter 4: Various promotion combinations
Chapter 5: Knight promotions
Chapter 6: Bishop promotions
Chapter 7: Mating patterns
Chapter 8: Stalemate patterns
Chapter 9: Mutual zugzwang
Chapter 10: Building a fortress
Chapter 11: Systematic manoeuvres
Chapter 12: The disappearing trick
Chapter 13: Three themes
Chapter 14: Various endgame studies
The reviewer will show a variety of positions from various subsections.
Chapter 1: Miniature studies
These are positions with no more than seven pieces. This one is particularly beautiful with a mutual zugzwang.
Position 1
Liburkin, ’64’ 1933 White to play and win
White is a pawn up with black’s king close to the passed pawn, so white needs something special here. 1.Kd1 pins the knight forcing 1…Kf5 2.Ke2 threatening to win the knight. Black bishop’s impedes his king, so he goes after the h-pawn with 2…Bf6 3.Kf3 Bxh4
Liburkin 1934 After 3…Bxh4
If white takes the bishop 4.Nxh4+ Kg5 attacking the knight saves black. So 4.Bxe4+ Kg5 5.Bd5!Kh5 6.Bf7+ Kg5 7.Be8
Liburkin 1934 After 7.Be8
Black is zugzwang and loses the bishop and the game. Note this is a position of mutual zugzwang as white has no good waiting move and cannot win with the move! Very pretty.
Chapter 2: Rook versus bishop
This is the most practical chapter with studies in the complex endgame of R+P v B+P.
Position 18
Reshevsky-Fischer, Los Angeles match (11) Position after 52…Ra2+
This is a celebrated position where Reshevsky played 53.Kf3? with Fischer missing a clear win by exchanging rooks and occupying g4 with his king. Instead Fischer kept the rooks on. White draws with 53.Kh3!
This study was created to show this:
Position 19
Study based on Reshevsky-Fischer game White to play and draw
1.Kg2! Kf5 2.Kh3 Rc4 3.Be7! the only move 3…Rc1 4.Bf8! (The bishop hides itself to prevent a rook check followed by attacking the bishop to allow black to get in Kg4) 4…Rb1 5. Bg7 or 5.Bh6 draws
Chapter 3: Preventing pawn promotion
This is a famous promotion combination from a game which resembles the elegance of a study:
Position 44
Ortueta-Sanz Madrid 1933 Position after 30.h3
Black played 30…Rd2 31.Na4 (31.a4 was better) 31…Rxb2! 32.Nxb2 c3 33.Rxb6 c4!! 34.Rb4 a5!! winning
Ortueta-Sanz Madrid 1933 Position after 34…a5
White cannot prevent the coronation of a new queen.
The great composer, Pogosyants composed a study with a very similar theme:
Position 46
Pogosyants, ‘Themes-64’ 1977 White to play and win
The solution is 1.Bg3 dxc4 2.Rxg7! Nxg7 3.f6 Rxg3 4.f5!! Rg5 5.f4! Nxf5 6.f7 wins
Chapter 4: Various promotion combinations
Position 69
Wotawa Schach Magazin 1951 White to play and win
A game like position. 1.d6 Be5 2.Bb8 threatening d7 winning the bishop, so 2…Bf6 3.d7 Bd8 apparently saving the bishop, but 4.Bg3! a4 5.Bh4! Bxh4 6.g4+ and wins
Chapter 5: Knight promotions
Here is a superb Harold Lommer study with multiple promotions:
Position 96
Lommer, ‘Feuille d’Avis de Lausanne’ 1933 White to play and win
White is threatened with a brutal discovered mate by the black monarch. So 1.d8N Bd5 2.g8B!! (2.g8Q allows black a brilliant defence 2…Ke3+ 3.Qxd5 stalemate!) 2… Be4 3.e8R!! (3.e8Q allows another fantastic defence 3…Kg3+ 4.Qxe4 stalemate!) and wins
A brilliant study has with stunning counterplay.
Position 97 shows a famous Lommer involving 5 knight promotions, but unfortunately after the fourth promotion, there is alternative prosaic win promoting to a queen.
Chapter 6: Bishop promotions
Position 112
Rusinek ‘New Statesman’ 1971 White to play and draw
White has an army of far advanced pawns against 3 minor pieces and a well placed black king.
If black plays 4…Ndxf6 5.Kb8 gets the king out of the mating trap, so 4…Nexf6 5.a8B!! (5.a8=Q? Nd5 followed by Ne7#)
Rusinek 1971 after 5.a8B
White is attempting a self stalemate, so black must release this and rearrange his pieces. 5…Ne5 (5…Bf1 6.b8N! draws) 6.Kb8 Nc6+ 7.Kc8 Bf1 threatening Bh3# 8.b8R!! (8.b8Q? Ba6+ 9.Qb7 Ne4 10.Qxa6 Nd6#, or 8.b8N? Ne7+ 9.Kb7 Bg2+ 10.Ka7 Nc8+ wins the bishop on a8 and the game)
Rusinek 1971 after 8.b8R
8…Ba6+ 9.Rb7! with a draw
Scintillating promotion play.
Position 124
This is a creation of genius and very amusing.
Troitzky, Korolkov 1938-1939 White to play and win
The great Troitzky is involved here. Black threatens a brutal Ng3 mate. 1.Qc3!! (Threatening the key g7 pawn, 1.Qa3? is met by f1N reinforcing the threat on g3 winning for black) 1…Nxc3 2.d8B!! (Not 2.d8Q? Nde4 3.Qxc7 f1N 4.Bf4 Ne2 followed by sacrificing all the knights ending with Qxg3 stalemate) 2…Ne2 3.Bxc7 f1N 4.b8B!! (4.b8Q allows black to sacrifice all the knights on g3 ending with Qg3 stalemate) 4…Ne4 5.B1f4 winning as the three white bishops control the three knights.
Troitzky, Korolkov 1938-1939 Position after 5.B1f4
Who says there is no humour in chess?
Chapter 7: Mating patterns
Here is an elegant study by the author, Jan Timman:
Position 163
Timman 2010 White to play and win
1.h5 preventing Bxa2 as Rd7+ would win easily 1…Kh6 2.Rd8! Bxa2 3.Rh8! Bg8! great counterplay
Timman 2010 Position after 3…Bg8
4.Kc3 a2 5.Kb2 a3+ 6.Ka1 Kg7 7.h6+
Timman 2010 Position after 7.h6+
7…Kxh8 8.g7 mate
Chapter 8: Stalemate patterns
Position 167
Rusinek 1973 White to play and draw
Stalemate looks unlikely here. 1.b6 must be played as white is two pieces down 1…Rf5 2.b7! Rf7+ 3.Kd6 Nc4+ 4.Ke6 Bxb7 5.Rh3+ Kg7 6.Rf3+ Kf8
Rusinek 1973 position after 6…Kf8
7.Rg8+! Kxg8 stalemate!
Chapter 9: Mutual Zugzwang
Position 189
Here is an entertaining position:
Kliatskin 1924 White to play and win
1.Rc8+ Kxc8 2.b7+ Kb8 3.d5 Kc7
Kliatskin 1924 Position after 3…Kc7
Now only 4.bxa8B! Kb8 5.Bb7 wins with a position of mutual zugzwang
Chapter 10: Building a fortress
Position 203
Smyslov 2005 White to play and draw
The elderly former World Champion, Smyslov, composed this amusing study in his eighties. 1.Nb8 Rd6 2.Nd7+! Rxd7 3.Rxg7! Kxg7 4.h4
Smyslov 2005 Position after 4.h4
After 4…Rd6 5.Kg2 Rg6+ 6.Kh3! black has to move the rook off the g-file to avoid stalemate, so white draws!
Chapter 11: Systematic manoeuvres
Kotov, Mitrofanov 1976 White to play and draw
The reviewer assumes this is the Mitrofanov of Qg5!! fame.
The disappearing trick is a kind of systematic manoeuvre whereby white plays to achieve a particular position without a certain white piece. This is demonstrated below with a neat study.
Position 260
Sochniev, Gurgenidze JT 2004 White to play and win
“It is amazing how much play you can create in a seemingly equal chess position – if you persevere. In this book, the greatest chess player of all time, Magnus Carlsen, and his friend, Grandmaster David Howell, explain how to win these kinds of chess games.
Carlsen and Howell show how you can keep a game alive, how you can keep posing problems to your opponent, how you can recognize the first small mistakes, and how you can grind your opponent down until he cracks.
New In Chess has converted this book from a popular Chessable video and MoveTrainer ® course with the help of Carlsen and Howell. The lively conversations of the two friends translate very well into a highly instructive chess manual. It is top-level chess, using grandmaster games as examples, but the insights are accessible to players of all levels.
Magnus Carlsen won the World Chess Championship in 2013 and gave up his title in 2023. He is regarded as the greatest player of all time and holds the #1 spot in the world ranking. He has read dozens of books published by New In Chess, but this is the first book with Carlsen as an author. Carlsen (1990) lives in Oslo, Norway.
David Howell is an elite chess Grandmaster with a 2700+ peak rating and an individual gold medal winner at the Olympiad. He is a well-known and popular commentator on live chess streams. Howell (1990) is two weeks older than Carlsen, was born in Eastbourne, United Kingdom, and lives in Oslo, Norway.”
David Howell, London Chess Classic, 2013, courtesy of John Upham Photography. For more about David Howell see here
This book is essentially a transcript of a Chessable course which you can find here. If you prefer book learning, or you just like the idea of having something written by Magnus Carlsen on your bookshelf you’ll be interested in this title.
David has written a two page preface:
A quick swashbuckling attack full of sacrifices may appeal to some, but a long endgame grind can lead to the same result. Arguably, while one approach is more spectacular and may ensure that games end quicker, the other approach comes with less risk attached.
Magnus provides a shorter preface:
Nothing quite compares to the thrill of pressing a minute advantage and converting it into victory. The excitement of outmanoeuvring and outlasting your opponent. The realisation that – although your first punch may not have landed – there is no need to despair. Try, try and try again. You will very often succeed.
Which are you? A hacker or a grinder? A sprinter or a marathon runner? To become a strong player, of course, you have to master both styles of play, but many will have a preference for either hacking or grinding.
Grinders require qualities such as patience and stamina as well as an outstanding knowledge of both technical and practical endings. If you’d like to become a better grinder, or even if you’d like to be better at defending against grinders, this course is for you.
It’s standard practice these days to have two commentators working together in live broadcasts, sharing ideas, asking each other questions. It’s something that usually works very well, making the broadcast more interactive, more friendly, more accessible, and, for me at least, it’s also effective in book form.
There could be no one better to demonstrate by example how to become a grinder than Magnus Carlsen, not only the highest rated human player of all time, but also a leading exponent of grinding. David Howell, also a strong grandmaster who enjoys grinding, as well as being an excellent commentator, is Magnus’s ideal partner. They are also good friends, and this is something that comes across well, adding to the enjoyment of the book.
Having said that, the contents themselves seem rather slight. Apart from the introductory material to each of the eight chapters you only get twelve games, seven played by Magnus and six played by David. If you’re good at maths you might have noticed that 7+6 is 13: one of the games is between the two authors, played in the final round of the 2002 World Under 12 Championship. It resulted, since you asked, in a draw.
This is one of Magnus’s lesser known games. He admits that it was an ‘awful game’ but still managed to grind down his lower rated opponent. Click on any move for a pop-up window.
The book is beautifully produced, although I guess the, er, colourful cover might not be to everyone’s taste. If this sort of thing bothers you, you might also think that, while a wide sans serif font is best for screens, a narrower serif font might be preferable for books.
The quality of the annotations, if you like the conversational style, is, of course, of the highest quality. At one level the games are more suited to players of, say, 2000+ strength, but some of the more general insights into the nature of grinding will be of interest and value to all players.
If you like the idea of grinding and you’d rather study the material from a book than from an interactive course or videos (or perhaps you’d like the book as well as the interactive course) it can be highly recommended.
Daniel King interviews David Howell about the book here, and if you can’t afford an hour to watch this, Daniel also provides a summary here.
You can read some sample pages from the book, which will enable you to decide whether or not it’s for you, here.
Richard James, Twickenham 14th May 2024
. Richard James
Book Details:
Hardcover: 208 pages
Publisher: New in Chess; 1st edition (31 Aug. 2023)
Grind Like a Grandmaster: How to Keep Pressing until Your Opponent Cracks, David Howell and Magnus Carlsen, New in Chess; 1st edition (31 Aug. 2023), 978-9083328461
“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.
The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.
This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”
IM Thomas Engqvist (SWE)
Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.
Material is divided into an Introduction and eight chapters covering all of White’s possible options.
The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.
Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.
Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.
For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:
There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.
This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach (of some other authors) to only consider “top engine choices”. This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.
For example, 5.Bd3!?
is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).
Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after
TE quotes renowned theoretician Max Euwe as follows:
Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out
There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.
In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.
“Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history. In the Soviet Union chess was developed into an ideological weapon that was actively promoted by the country’s leadership during the Cold War. Starting with Mikhail Botvinnik, their best chess players grew into symbols of socialist excellence. Sosonko writes from a privileged dual perspective, combining an insider’s nostalgia with the detachment of a critical observer. He grew up with legendary champions such as Mikhail Tal and Viktor Korchnoi and spent countless hours with most of the other greats and lesser chess mortals he portrays.
In the late 1980s he began to write about the champions he knew and their remarkable lives in New In Chess magazine. First, he wrote primarily about Soviet players and personalities, and later, he also began to portray other chess celebrities with whom he had crossed paths. They all vividly come to life as the reader is transported to their time and world. Once you’ve read Sosonko, you will feel you know Capablanca, Max Euwe and Tony Miles. And you will never forget Sergey Nikolaev.
This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess magazine. The stories have been published in his books: Russian Silhouettes, The Reliable Past, Smart Chip From St. Petersburg and The World Champions I Knew. They are supplemented with further writings on legends such as David Bronstein, Garry Kasparov and Boris Spassky. They paint an enthralling and unforgettable picture of a largely vanished age and, indirectly, a portrait of one of the greatest writers on the world of chess.
Genna Sosonko (1943) was born in Leningrad, where he was a leading chess trainer. Following his emigration from the Soviet Union in 1972, he settled in The Netherlands. He won numerous tournaments, including Wijk aan Zee in 1977 (with Geller) and 1981 (with Timman) and an individual gold medal at the Olympiad in Haifa 1976. After his active career, Sosonko discovered a passion for writing.
GM Gennadi Borisovich Sosonko
‘Each new story of Genna Sosonko is the preservation of grains of our chess life’ — from the foreword by Garry Kasparov”
Gennadi Borisovich Sosonko
If you’re a lover of chess culture and literature you’ll be familiar with the writings of Genna Sosonko, whose essays chronicle, in particular, chess life in the former Soviet Union in the post-war period.
What we have here is a compendium of his biographical essays: 58 of them plus a short foreword by Kasparov. Most of them have appeared twice before, in New in Chess magazine, and in previous collections of his essays. In addition to the books mentioned above, some of them appeared, in some cases with different titles, in Genna Remembers, published by Thinkers Publishing and previously reviewed here. One of the essays is based on extracts from Sosonko’s book on Bronstein, published by Elk and Ruby. But, in the case of the books, you only get the biographies, not everything.
If you’re a Sosonko fan you’ll have read it all before. If not, and you’re attracted to the subject matter, this might be a good place to start.
You don’t just get Soviet players, though. English readers will be drawn to the chapter on Tony Miles, billed as The Cat That Walked By Himself, whose mental health problems are treated sympathetically.
But, for me, the lesser known figures are of the most interest. Take, for instance, the stories of two players whose lives both ended in tragic circumstances in 1997.
The brilliant Latvian theorist and tactician Alvis Vitolins was born in 1946. ‘Naïve, unusual and absorbed in himself’, had he been born a few decades later, he would undoubtedly have been diagnosed with Asperger Syndrome, or, today, with ASD, and later developed schizophrenia. “He did not have any close friends. He avoided other people, especially strangers, especially those who were not chess players.” He never fulfilled his potential, his mental health declined and, in 1997, he threw himself from a railway bridge onto the ice of a frozen river.
Then there was Evgeny Ruban, from what is now Belarus, born in 1941. A positional player with a classical style who excelled with the white pieces, but another man with his own demons. Ruban was an alcoholic, permanently broke, and also gay, living in a small apartment with his elderly mother. Like Vitolins he also had problems with his mental health. In autumn 1997, in a state of inebriation, he was hit by a car, dying as a result of his injuries. His mother couldn’t afford the cost of his funeral, which was paid for by the car driver.
Two poignant stories which serve as a salutary reminder that, as well as the grandmasters and champions, we need to hear about those who had the talent but not the good fortune, those who fell through the cracks. You might wonder whether chess was a cause of their problems or provided solace in difficult times. It would have been good if their chapters had included a few of their games, but this wouldn’t have fitted into the format of the book.
On the other hand you may well be inspired by the life of Abram Khasin ((1923-2022): he played at Hastings in 1963-64), who lost both legs in the Battle of Stalingrad, but lived to within ten days of his 99th birthday, playing chess right until the end.
There’s also the exotically named Lidia Barbot-de-Marny (1930-2021), born in Shanghai but with French, German and Russian family roots. She eventually settled in Estonia, where she became one of their leading woman players. “Chess has given me a colossal amount of good things, everything you could say.” Although she never became a master, she was a much loved chess teacher, working with young children in the Tallinn House of Chess.
There are always stories, some happy, others sad, all of which need to be told. The stories of the failures are as important as those of the successes, the stories of the lesser players as important as those of the world champions.
Much of the book is, as you’d expect, concerned with the great Soviet players of that era, but, for me, the real value of Sosonko’s work is in his writing about those you don’t read about elsewhere.
He writes beautifully as well, and the translations, mostly by Ken Neat, Steve Giddins and Sarah Hurst, are exemplary. But at some point you start to realise that Sosonko is, up to a point, playing on your emotions. There are no sources or references, just his memory, which is undoubtedly extraordinary, but perhaps, like everyone’s, fallible. At the start of his essay on Ludek Pachman, he writes about visiting London for the first time to play in the 1972 Islington Congress. He took the ferry from Hook of Holland and then, apparently, had his papers checked in Brighton. If you take the ferry from Hook of Holland now you’d end up in Harwich, on the east coast, nowhere near Brighton, on the south coast, and, as far as I can tell, it was the same in 1972. Once I find something I don’t believe, I start to question everything else.
If you’re looking for a book which will improve your rating, this isn’t for you as there are no games at all. But, if you’re attracted to human interest stories, Sosonko is essential reading. You might want to invest in all his essay collections, and, if you do so, you probably won’t need this volume. If your interest is mostly in his biographical essays, and you haven’t read them elsewhere, this will be the book for you.
As a hefty 840-page hardback it’s more suited for weight training than for putting in your pocket to read between rounds of your next tournament, so you might opt for the eBook instead. I’d have liked some games, and ideally more photographs than the 32 glossy pages we get here, but this would clearly have been impractical.
A strong recommendation, then, for anyone who’s interested in this aspect of chess and hasn’t read it all before. You can find out more and read sample pages on the publisher’s website here.
We focus on the British Chess Scene Past & Present !
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Save as PDF
