The King’s Indian According to Tigran Petrosian : Igor Yanvarjov
International Master Igor Yanvarjov is a professional chess coach. He has been a coach at the Moscow Chess Club “Spartak,” and has been on the coaching staff of a number of chess schools, including those of Petrosian, Geller, Karpov and Garry Kasparov. Grandmasters he has worked with include Lembit Oll, Rustem Dautov, Yury Piskov, among others. He currently teaches chess at the Anatoly Karpov Chess School in Moscow.
Tigran Petrosian, the ninth world chess champion was born to Armenian parents on June 17, 1929 in Tiflis Georgia. He was known as one of the deepest thinkers the chess world has ever seen. His handling of complex strategic positions was legendary. His play combined deft tactical awareness with an acute sense of prophylaxis, so that opponents had the greatest difficulty in laying a finger on him. For his own part, he often seemed content holding the margin of the draw rather than undertaking any heroics in pursuit of a win. In the analysis room, and in blitz games, Petrosian’s abundant tactical skills were apparent to everyone, but to the spectator of his tournament games, these were far from obvious, and he was regarded as dull. Petrosian responded to this criticisms by saying: “They say my games should be more ‘interesting’. I could be more ‘interesting’—and also lose.” Petrosian still remains one of the greatest players in the history of chess and if you were to consult the now defunct Chessmetrics Website, Tigran Petrosian was listed in the top 20 players of all time and was ranked at No 8 in the 20 year peak range category (1954 – 1973). He was an expert against the King’s Indian Defence and played the system that now bears his name (although he was far more successful with the Samisch variation).
This is the first book by Russian international master Igor Yanvarjov. He has put together a superb collection of virtually all the known games played by Tigran Petrosian – with both colours – in the King’s Indian Defence and other closely related Indian structures. He does this with the presentation of almost 300 deeply annotated, complete games. Although the material is organised by variations and tabias this is not an opening manual but it demonstrates the skill and nuanced handling of positions that Petrosian was known for. The author’s objective was to reveal the richness of Petrosian’s chess world and to follow the strategic development of the King’s Indian Defence through the prism of Petrosian’s creative work.
The book is divided into three parts with each part being split into several chapters. preceded by a preface from Levon Aronian a forward from Igor Zaitsev and a note from the author.
They are as follows :
Part 1 Tabiyas (Tabia number in brackets)
Chapter 1 Classical Variation (A1 – A7)
Chapter 2 The Samisch System (B1 – B10)
Chapter 3 The Fianchetto Variation (C1 – C10)
Chapter 4 The Benoni (D1 – D10)
Chapter 5 Other Systems (E1- E10)
Part 2 Elements of Success
Chapter 6 Portrait of a Chess Player
Chapter 7 Lessons from Petrosian
Chapter 8 The Problem of the Exchange
Chapter 9 “Furman’s Bishop”
Chapter 10 “Pawns are the Soul of Chess”
Chapter 11 Playing by Analogy
Chapter 12 Manoeuvring Battle
Part III Experiments
Chapter 13 Realist or Romantic?
Chapter 14 The King’s Indian with Colours – and Flanks – Reversed
The bibliography in this book contains nearly 80 entries which will give the reader some idea of the amount of research that the author has carried out for the preparation of this book.
The games are all annotated to varying degrees of depth. Some have only light notes, whereas others have very detailed analytical variations. It is in this area Yanvarjov has done an excellent job. Many of the games contain quoted historical analysis or comments, whether by Tigran himself or his contemporaries. In addition the author goes into great analytical detail where it makes sense to do so. I also thought that IM Yanvarjov did an excellent job in getting the right balance between prose and variations to describe the action taking place within the positions. In some cases a verbal description is given which should be helpful to players of club level in particular.
The following game is considered to be one of Petrosian’s finest achievements
In my opinion this is a superb book, written as a labour of love to showcase the player who appears to have made the biggest impression on the author. It contains a splendid collection of annotated games that will have enormous appeal to King’s Indian players. Not only will it appeal to anyone who wishes to increase their strategic understanding of the game but also to anyone who wants a superb games collection from which any reader will derive a great deal of benefit and enjoyment.
Tony Williams, Newport, Isle of Wight, 17th April 2020
Book Details :
Softcover : 424 pages
Publisher: Russell Enterprises, Inc. (June 17, 2019)
“This book marks the start of a series of four on 1.d4 in which Ivan will share the secrets from two decades spent analyzing and playing it at the pinnacle of world chess. This volume in particular deals with two of the most popular replies Black can play after 1.d4: the King’s Indian Defense and Grünfeld Defense. Ivan presents the cutting-edge theory with his personal refinements as well as explanations of the deep strategical nuances that arise after his recommendations.”
The author has divided the content into four chapters as follows :
Early Sidelines
Benoni Structures
The Grünfeld
The King’s Indian Sämisch
As mentioned previously, this book is Volume 1 of a four volume series for White to play 1.d4 and 2.c4. Volume 1 presents a repertoire for White to play against the Kings’s Indian, Grünfeld and Benoni defences based around 3.f3, building (or attempting to) a strong centre as follows
The Early Sidelines chapter covers reasonable third move alternatives for Black such as a Benko Gambit style attempt, 3…e6, 3…Nc6 and some lesser alternatives. The author then spends some time on Benoni (but not Benko) type structures suggesting that this approach is one of the best for Black.
The main meat and potatoes of this book is naturally taken up with the Grünfeld and King’s Indian type responses from Black. Each of these are analysed exhaustively using a discursive style that compels the reader to look further into these interesting ideas.
This book will be of considerable interest not only to the White player but also to Grünfeld and King’s Indian players who are keen to stay on top of attempts to stop them doing their thing.
As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.
There is no index which, unfortunately, is a standard omission of Thinkers Publishing books. Also missing, as usual, is a bibliography.
However, despite these shortcomings this is an excellent addition to White’s armoury and Black players should take note. We look forward to volumes 2,3 and 4 in this series from Cheparinov !
John Upham, Cove, Hampshire, 4th April, 2020
Book Details :
Hardcover : 192 pages
Publisher: Thinkers Publishing; 1 edition (19 Mar. 2020)
Side-Stepping Mainline Theory : Gerard Welling and Steve Giddins
From the book’s rear cover :
“Spend more study time on what’s really decisive in your games!
The average chess player spends too much time on studying opening theory. In his day, World Chess Champion Emanuel Lasker argued that improving amateurs should spend about 5% of their study time on openings. These days club players are probably closer to 80%, often focusing on opening lines that are popular among grandmasters.
Club players shouldn’t slavishly copy the choices of grandmasters. GMs need to squeeze every drop of advantage from the opening and therefore play highly complex lines that require large amounts of memorization. The main objective for club players should be to emerge from the opening with a reasonable position, from which you can simply play chess and pit your own tactical and positional understanding against that of your opponent.
Gerard Welling and Steve Giddins recommend the Old Indian-Hanham Philidor set-up as a basis for both Black and White. They provide ideas and strategies that can be learned in the shortest possible time, require the bare minimum of maintenance and updating, and lead to rock-solid positions that you will know how to handle. By adopting a similar set-up for both colours, with similar plans and techniques, you will further reduce study time.
Side-stepping Mainline Theory will help you to focus on what is really decisive in the vast majority of non-grandmaster games: tactics, positional understanding and endgame technique.
Gerard Welling is an International Master and an experienced chess trainer from the Netherlands. He has contributed to NIC Yearbook and Kaissiber, the freethinker’s magazine on non-mainline chess openings.
Steve Giddins is a FIDE Master from England, and a highly experienced chess writer and journalist. He compiled and edited The New In Chess Book of Chess Improvement, the bestselling anthology of master classes from New In Chess magazine.”
The authors have divided up the content into six chapters as follows:
The keys to successful opening play
The Old Indian against 1.d4
The Old Indian against Flank Openings
The Philidor against 1.e4
The System as White
Tables of the main variations
So, what we have here is somewhat unusual : this is a complete repertoire book for the same player of both the Black and White pieces using essentially the same structure. Precedents have been previously set using similar approaches with a combination of the Pirc and King’s Indian Defences combined with the King’s Indian Attack or reversed King’s Indian Defence but, nonetheless, this is an unusual and welcome approach to building a repertoire.
So the structure for Black is essentially :
which could be so-called Modern Philidor when white plays 1.e4 and The Old Indian when White defers e4
and the structure for White is :
which is essentially a Reversed Modern Philidor / Old Indian or more correctly An Inverted Hanham.
All of these structures are sound, resilient and reward manoeuvring play where the better play will win. More importantly a player familiar with these structures will enjoy understanding of the plans and ideas is likely to enjoy a considerable advantage on the clock. This is particularly true for the first player based on the rarity of the Inverted Hanham.
The authors have organised their material very logically showing the reader firstly the way to play for Black against almost anything and only then (when the structures are familiar) do they demonstrate the way for the first player. I’m sure players will be more comfortable playing these lines for Black since it might seem somewhat unnatural to play 1.e4 and then play slowly after that.
The authors use a standard model to explain these systems : they take 92 high quality games and analyse each one in detail. Combined with this is a clear description of the themes and ideas contained within the Black and White structures. This is very much an ideas based opening book rather than based on rote memorisation. One of the issues analysing these lines is that they are very transpositional compared to say the sequential and forcing lines of the Sicilian Dragon or Slav Defence. Chapter six helps enormously the reader to navigate their way through the transpositions especially for the Inverted Hanham.
Here is a game from Istvan Csom, an expert on this system :
As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
In summary, Welling and Giddins have produced an out-of-the-ordinary book which fills a gap in the market : complete opening book not based on rote memorisation. The middlegame starts very early in these lines and the ideas for White are particularly intriguing. if you adopt these suggestions then your middlegame play will benefit hugely. This is probably not a book for hackers or those who have no patience : highly recommended !
FIDE Master Graham Burgess needs no introduction to readers of English language chess books ! Minnesota, USA based, Graham has authored more than twenty five books and edited at least 250 and is editorial director of Gambit Publications Ltd. In 1994 Graham set a world record for marathon blitz playing and has been champion of the Danish region of Funen !
Readers may remember “101 Chess Opening Surprises” published in 1998, also by Gambit Publications, was well received and added to GKBs reputation for originality, accuracy and encyclopedic knowledge of openings.
Chess Opening Traps for Kids is the ninth in a series of “for Kids” books and is robustly (!) hardbound in a convenient size such that weights are not need to keep it propped open (unlike some A5 paperbacks) meaning studying with this book is more convenient than with many books. The layout and printing is clear (as you would expect with Gambit) with numerous diagrams. In essence, players under 18 (for whom this book is intended) will find it easy to dip in out of and it can be used without a board (although BCN would always recommend following each game on a “proper” board).
As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. Each diagram has coordinates and a “whose move it is indicator” (thank-you Gambit !); welcome for the intended junior readership.
This book follows on from the highly regarded (2018) Chess Opening Traps for Kids from the same author and reviewed here
The author divides the material into 11 chapters titled as follows :
Warm-Ups
Mate
Double Attack
Trapped Pieces
General Tactics
Hunting the King
Development and the Centre
Castling
Does Bxh7+ Work?
Advanced Exercises
Tests
This is not a book about openings per se. It focuses more on tactics and traps and tactical ideas that happen very early in many games. It is not organised on a per opening variation basis and neither is there an index of openings. If that is what you want then this is not the right book for you.
However, this is much, much more than a book about openings…
Chapters 2 – 9 each kick-off with an introduction to the chapter’s theme followed by (in some cases) 60 example test positions where the theme can be exploited by an accurate move sequence : the student is invited to work-out this sequence. The chapter ends with detailed solutions to each test position.
Chapter 10 are exercises using any of the themes in the previous chapters but randomised and without any clue as to what the theme is. In general these are more challenging and serve as a test of what should have been learnt so far !
Chapter 11 contains 40 test positions some according to theme and rest without a clue. Following the solutions the student is invited to assess their strength at these exercises using a simple score table.
Here is an example from Chapter 3, Double Attack :
Example #5
White has just played 6c4?? Why was that a blunder ?
See the foot of this review for the solution should you need to.
For further insight you may use the “Look Inside” feature from Amazon here. Of course there are many worthy book retailers to be your supplier !
In summary, this is an excellent book with much original material presented in a clear and friendly way and therefore to be recommended. It is an ideal follow-up to Chess Opening Traps for Kids and we would advise studying Chess Opening Traps for Kids first and then move on to this workbook.
One negative comment we would make concerns the cover. “Never judge a book by its cover” we are told and you might look at this book cover and think it was suitable for say primary aged children. I would say not but I would suggest it suitable from secondary aged children. I would say strong juniors from 12 upwards would read this book and enjoy it.
We would like to see an index of openings from which the theme examples were obtained.
The title and cover might, perhaps, put off the adult club player market. However, the content is totally suitable for adult club players upto say 180 ECF or 2000 Elo.
John Upham, Cove, Hampshire, March 30th 2020
Book Details :
Hardcover : 128 pages
Publisher: Gambit Publications Ltd. (15th November 2019)
Solution to Example#5
The problem is similar to the Cambridge Springs Trap : 6…dxc4! wins a piece. After 7 Bxc4 Qa5+ the queen check picks up the loose bishop. This has even cropped up at super grandmaster level. The other key point is that White can’t unload his bishop with 7 Bxf6 because 7…cxd3 leaves two white pieces attacked.
BCN remembers Gerald Abrahams who passed away in Liverpool on Saturday, March 15th 1980. He was buried in the Allerton Cemetery in the Jewish Springwood plot.
Gerald Abrahams was born in Liverpool on Monday, April 15th 1907. On this day the Triangle Fraternity was formed at the University of Illinois at Urbana–Champaign.
His parents were Harry (b. 10th September 1880) and Leah (b. 12th March 1884) Abrahams (née Rabinowitz) who married in West Derby in the third quarter of 1903.
Gerald learnt chess at the age of ten during the first world war. He obtained an Open Scholarship to Wadham College, Oxford in 1925 reading PPE and earning himself an MA in Law in 1928. He became a practising barrister at Law.
From the 1939 register we learnt that Harry was a Drapery manufacturer and Leah carried out “unpaid domestic duties”. Gerald was not an only child: the first born was Winnie (b. 22nd November 1903) who was a Secretary and Clerk Typist and factory assistant. Elsie Abrahams (b. 14th April 1905) helped her mother with “unpaid domestic duties”. Blanche was Gerald’s older sister and she was “General Assistant In Fathers Business Drapery Manufacturer”. Gerald is listed (aged 32) as a Barrister at Law and author. The family resided at 51 Prince Alfred Road, Liverpool, Lancashire (now L15 6TQ) and their original property has been since replaced.
The full list of people present seems to have been largely or entirely Jewish in religion or ethnicity: it included a famous chess-playing barrister from Liverpool, Gerald Abrahams, representing himself, who had taken a First in P.P.E. at Oxford, and later married Elsie Krengel, who had also been present, and with Leslie Black representing the rest of the defendants, apart from the hosts and Captain Lionel Husdan, who sent a letter to the court.
The full list of those present, charged with “resorting and playing in a common gaming house,” and bound over was as follows:- Mott Alexander, Fannie Finn, Maxwell Glassman, Kate Lippa, Myer Lister, Gertrude Mannheim, Joseph Mannheim, Rita Mannheim, Simon Mannheim, Harry Peters, Sadie Peters, Lily Leah Ross, Harry Sapiro, Benjamin Stone. Those charged with “resorting in a common gaming house” and bound over, were:- Gerald Abrahams, Joseph Appleton Bach, Samuel Myer Barnett, Herbert Solomon Isaacson, Elsie Krengel, Manuel Mannheim, Louis Michaelson, Abraham Ross, Bernard and Elsie Ross.
“Gerald Abrahams, the barrister charged, said he was interested to protect his reputation from being stigmatised by a conviction, and asked Sergeant Laycock about alcohol: the latter replied that none was being consumed. He submitted that the club was not a gaming house, and that draw poker had not been proved other than as a game of skill. Charges were dismissed against Henry, Eva and Marjorie Black, Myer Waldman, and Captain Lionel Husdan, of Ryde, Isle of Wight, all of whom had said that they were merely taking refreshments in the club, and had not played. David Platt said that he had not the slightest idea that they were breaking the law, and Mrs Platt said that it had not been a paying venture.”
The Complete Chess Addict (Faber& Faber, 1987), Fox & James notes: that Gerald Abrahams as authority on bridge cast doubt on assertions that Emanuel Lasker “was good enough to represent Germany”
Gerald’s comparisons of chess and bridge are discussed by Edward Winter in Chess Facts and Fables (McFarland, 2005) page 130 in GAs 1962 book Brains in Bridge:
Gerald eventually married Elsie Krengel (born 15th January 1909) in the fourth quarter of 1971 in Liverpool at the age of 64. Elsie had lived in the Southport area for most of her life and her family was associated with the manufacture of handbags. They had known each other for many years (at least since 1942 as mentioned previously).
Leonard Barden modestly recounts :
“At the end of Nottingham 1954 Gerald claimed that Alan Phillips had accepted his draw offer so tieing Gerald for the British championship with some rabbit whose name escapes me. When Phillips strongly denied having accepted the draw, Gerald collapsed on the floor and had to be aided by his old enemy Dr. Fazekas.”
From The Anglo-Soviet Radio Chess Match (1946) by Klein and Winter:
“G. Abrahams was born in Liverpool in 1907. He learned chess at the age of ten, and showed an early aptitude for tactical complications. He has played with varying success, his best performances being third and fourth with Rossolimo, behind Klein and Najdorf, but head of List at Margate, 1938, and fourth, fifth and sixth with Sir George A. Thomas and König in London, 1946. He has made two valiant bids for the British Championship.
A graduate of Oxford, he is a barrister by profession and has written several books, including some fiction. He has solidified his chess without allowing it to become dry. Indeed, most of his games sparkle with interesting complications.”
Harry Golombek OBE wrote (in The Encyclopaedia of Chess (Batsford, 1977)):
“Brilliant British amateur who in the 1930s was playing master-chess. In that period he was the most dangerous attacking player in England.
He was in the prize-list (i.e. in the first four) in the British championship on three occasions 1933, 1946 and 1954. His best international performance was in the Major Open at Nottingham in 1936 where he came =3rd with Opocensky. Another fine result was his score of 1.5-0.5 against the Soviet Grandmaster Ragozin, in the 1946 Anglo-Soviet radio match.
He is the inventor of the Abrahams variation in the Semi-Slav Defence to the Queen’s Gambit: 1.P-Q4, P-Q4;2.P-QB4, P-QB3;3.N-QB3, P-K3;4.N-B3, PXP;5.P-QR4, B-N4;6.P-K3,P-QN4;7.B-Q2, P-QR4; 8.PxP, BxN;9.BxB,PxP;10.P-QN3,B-N2;
This is sometimes known as the Noteboom variation after the Dutch master who played it in the 1930s, but Abrahams was playing it in 1925 long before Noteboom.
He is a witty and prolific writer on many subjects: on law (he is a barrister by profession), philosophy, and chess; he also writes fiction. His main chess works are: The Chess Mind, London 1951 and 1960
and here is a later cover:
and Not Only Chess, London 1974.
Edward Winter in Kings, Commoners and Knaves, cites the subtitle of the above book in his page 235 list of chessy words: “A selection of Chessays”.
From Not Only Chess we learn that GAs favourite game was played in 1930 against Edmund Spencer of Liverpool. “Edmund Spencer was a man who is remembered with affection by all players who ever met him, and who is remarkable in that his strength developed in what should have been hid middle life. When he died, lamentably early, in the 1930s, at about 53 he was at his best, and of recognised master status.
This game was played in 1930.”
and for an alternative view of the same game:
GA is amongst a rare breed of game annotators claiming the title of An Immortal for one of his own games. Edward Winter devotes a couple of column inches discussing exactly which year the game was played between 1929 and 1936. Here is the game:
For more of GAs excellent games see the superb article further on by Steve Cunliffe. Also, Not Only Chess in Chapter 28 (“A Score of my Scores”) contains a veritable feast of entertaining games of GAs).
Gerald famously fell out with Anne Sunnucks when he discovered she had omitted him from her 1970 Encyclopaedia of Chess. Despite this the 1976 edition was also devoid of a mention.
From The Oxford Companion to Chess (OUP, 1984 & 1996), Hooper & Whyld:
“The English player Gerald Abrahams (1907-80) introduced the move when playing against Dr. Holmes in the Lancastrian County Championship in 1925 (ed: January 31st in fact) . Abrahams played the variation against his countryman William Winter (1898-1955) in 1929 and in the same year Winter played it against Noteboom, after whom it is sometimes named. (Dr, Holmes was the favourite pupil of Amos Burn and a leading ophthalmologist).
The precursor, known from a 16th-century manuscript, was published by Salvio in 1604:
Writing in 1617, Carrera made his only criticism of Salvio’s analysis in this variation. He suggested 8…Bd7 instead of 8…Nd7, or 9.Qa4 instead of 9.Nf3. Salvio nursed his injured pride for seventeen years and then devoted a chapter of his book to a bitter attack on Carrera. The argument was pointless: all these variations give White a won game.”
GA famously wrote :
Chess is a good mistress, but a bad master
and also
The tactician knows what to do when there is something to do; whereas the strategian knows what to do when there is nothing to do.
and
In chess there is a world of intellectual values
and
Good positions don’t win games, good moves do
and
Why some persons are good at chess, and others bad at it, is more mysterious than anything on chess board.
In the recently (February 25th, 2020) published “Attacking with g2 – g4” by GM Dmitry Kryakvin writes about Abrahams as follows :
“It is believed that the extravagant 5.g2-g4 was first applied at a high level, namely in the British Championship by Gerald Abrahams. Abrahams was a truly versatile person – a composer, lawyer, historian, philosopher, politician (for 40 years a member of the Liberal Party) and the author of several books. Of his legal work, the most famous is the investigation into the murder of Julia Wallace in 1931 in Liverpool, where her husband was the main suspect. As an alibi, William Herbert Wallace claimed he was at a chess club. Dozens of books and films have been devote to the murder of Mrs. Wallace – indeed, this is a script worthy of Arthur Conan Doyle or Agatha Christie!
Abrahams played various card games with great pleasure and success, but the main passion of the Liverpool resident was chess. Abrahams achieved his greatest success in the championships of Great Britain in 1933 and 1946, when he won bronze medals. The peak of his career was undoubtedly his participation in the USSR-Great Britain radio match (1946) where on the 10th board Abrahams beat Botvinnik’s second and assistant grandmaster Viacheslav Ragozin with a score of 1.5-0.5
Gerald Abrahams had a taste of studying opening theory, and made a distinct contribution to the development of the Noteboom Variation, which is often known as the Abrahams-Noteboom.
Ten years after he introduced the move 5.g2-g4 to the English public (1953), the famous grandmaster Lajos Portisch brought it into the international arena.”
Gerald was also a keen studies composer. Here are some examples of his work:
Gerald Abrahams contributed to opening theory in the Queen’s Gambit Declined / Semi-Slav Defence with his creation of the Abrahams-Noteboom Defence as discussed in the following video :
Here is a nine page article (Gerald Abrahams – Talent without Discipline) written by Steve Cunliffe that appeared in British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 292-300:
In the March issue of CHESS for 1963, (Volume 28, Number 427, pp.147-155) William Winter wrote this:
Colourful Gerald Abrahams
I cannot leave this group of players without reference to G. Abrahams, who, though less successful than the others, is much the most colourful of all both in play and personality. He is a player whom I would
always like to have on my side against the very best opposition, e.g. the Russians’ His unbounded optimism preclude any possibility of that consciousness of inferiority which infects nearly all our players when they come up against the very great and at his best he is capable of beating anyone.
It is true that his worst games are very bad indeed, but that does not matter. A loss is equally a loss after seventeen moves or seventy. I had a good deal to do with his selection for the Anglo-Soviet Radio match of 1946, and he thoroughly justified my confidence with a win and a draw against Ragosin, being the only English player to score
a majority. In the match over the board he failed, and was promptly dropped, a great mistake in my opinion. Abrahams is always capable of beating a grand master, the majority of English players are not.
A man of versatile talent, he is a successful barrister shining particularly on advocacy, an author of novels and essays as well as chess books, and he gave a striking example of his optimism standing as Liberal candidate for Parliament. I wish he had been elected. He would certainly have enlivened the house.
Of his chess books I must say a good word for Teach Yourself Chess. The title of course suggests an impossibility one cannot teach oneself chess, but none the less it is an excellent work of instruction which players of all grades including its author, might study with advantage.
BCN remembers John Cochrane who passed away on March 2nd 1878.
From The Oxford Companion to Chess by Hooper & Whyld :
Scottish player, barrister, called to the bar in 1822. If the so-called romantic style existed then Cochrane has a claim to be regarded as its founder. A dashing player, he attacked at all costs often sacrificing pieces with abandon, a style that was successful in the England of the 1820s; but when in 1821 he went to Paris, then the world’s chess centre, he was beaten by both Deschapelles and Bourdonnais. Subsequently he studied the game but he did not change his style. In 1822 he published A Treatise on the Game of Chess, a popular book largely based on Traite des Amateurs (see Verdoni) and Lolli but with a few contributions of his own.
Although Cochrane came from an old Scottish family he led the London team in the famous correspondence match against Edinburgh, 1824-8. He persuaded his team to play the Scotch Gambit, but when London had obtained a fine position Cochrane left for India. Although the Londoners, led by Lewis, failed to carry the attack, the Scotch Gambit became fashionable for more than 15 years, and other lively attacking openings were developed.
Cochrane stayed in India until his retirement in 1869 except for one visit to England, 1841-3, when he played hundreds of friendly games against Staunton, who began by winning a large majority, Wilhelm Steinitz knew both contestants and states that their last encounter was a match of 12 games. Staunton conceding pawn and move for the first six- and that Cochrane made an even score when receiving odds but won (-1-3—2— !) when playing on even terms, John Cochrane should not be confused with James Cochrane (c, 1770-1830), co-author of a book on the Muzio gambit.
“Half the variations which are calculated in a tournament game turn out to be completely superfluous. Unfortunately, no one knows in advance which half..” – Jan Timman
The value for any practising chess player of a coherent opening repertoire when playing with the white pieces is key to success, enjoyment and efficient use of study time. Books with “Opening Repertoire” in the title are many and varied and we were intrigued to what the emphasis in this latest book from New in Chess would be.
From the books rear cover :
After the success of his award-winning book ‘Keep it Simple 1.e4’ International Master Christof Sielecki is back. His new repertoire based on 1.d4 has a similar profile: variations that are straightforward and easy to remember, and require little or no maintenance.
Sielecki has created a reliable set of opening lines for chess players of almost all levels. The major objective is to dominate Black from the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines.
His main concept is for White to play 1.d4, 2.Nf3, 3.g3, 4.Bg2, 5.0-0 and in most cases 6.c4. Sielecki developed this repertoire while working with students who were looking for something that was easy to understand and easy to learn.
This new 1.d4 repertoire may be even easier to master than his 1.e4 recommendations, because it is such a coherent system. Sielecki always clearly explains the plans and counterplans and keeps you focused on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.
So, what is Keep it Simple 1.d4 about ?
This is a weighty (427 pages) tome advocating a repertoire for white based on a “delayed Catalan” development approach against almost any line that black chooses.
Originally the content was provided on the popular training site Chessable. Its popularity caused New in Chess to publish in paper format. See Chessable version
From the successful series by Boris Avrukh (and many others) we know that the conventional Catalan System (1.d4, 2.c4, 3.g3) is a highly respected opening system played at the very highest levels by the worlds top players. So, a normal Catalan would see
appear fairly promptly allowing Black various options that White might like to avoid.
By delaying c4 to say move 6 then White is denying Black some of these sharper continuations and maybe allowing White to focus more on middlegame plans rather than engaging in theoretical skirmishes at move 2, 3, 4, 5 or even.
This is the kind of opening philosophy that has encouraged the London System (and the Colle System before that) “pandemic” to dominate club chess : “We show a system that allows you to get your pieces onto sensible squares without allowing your opponent to distract you”. Of course this is a gross over simplification but many club players want an easy life !
So, something typical might be :
where White’s last move was 6.c4
which is covered in chapter 8 and 9 depending if Black captures on c4.
There is one major difference with the approach Sielecki suggests in that we get to a principled set-up via a slower move order.
The book is divided into four main parts as follows :
Black’s …g7-g6 based set-ups : 1.d4 Nf6 2.Nf5 g6 3.g3
Black’s flexible set-ups : 1.d4 Nf6 2.Nf3 e6 3.g3
Black’s sharp and offbeat defences
The author states he has three “KIS” guidelines :
The chosen lines are simple to learn;
It must be possible to find your way if you forget your lines;
Choose lines that may not be most critical, but uncomfortable for the opponent
All the usual (and many unusual) structures from Black are given a detailed treatment :
Chigorin, Tarrasch, Grunfeld, King’s Indian, various forms of Benoni, Modern, Queen’s Indian, Benko b5 ideas, Dutch, Old Indian, Wade Defence and other odds and ends.
An interesting comment we noted elsewhere was from IM John Donaldson : “A worthy follow-up with the author achieving the near impossible in carving out a cohesive repertoire based on 1.d4 2.Nf3 and 3.g3 against all but a handful of Black replies. The most amazing magic trick is how the author makes the Slav and Queens Gambit Accepted disappear – namely by adopting the sequence 1.d4 d5 2.Nf3 Nf6 3.g3. This reviewer gives two thumbs up for for Keep It Simple 1.d4. It is full of interesting variations and ideas for players rated 2200 on up who are looking for a positionally oriented repertoire that is not overly theoretical.”
and “As promised, the repertoire is simple, but not so simple that it is not of practical value. IM Sielecki has taken great pains to research the material carefully and package it into a repertoire that is relatively consistent throughout.”–Carsten Hansen “American Chess Magazine ”
and “I like this particular repertoire very much as it’s one which could probably hold the reader in good stead for many years to come. His introductions, conclusions and textual explanations are instructive and ones that a human can readily appreciate, learn from and understand. As I think that I should keep my advice ‘simple’, then I would say ‘just get it’!”–Glenn Flear, Grandmaster “Yearbook 134”
So, who what is the most suitable audience for this book ? We would say that a club player of 2000 plus who wishes to upgrade their white opening into a Queen’s Gambit style structure would enjoy the content. Maybe they have been playing the London, Colle, Stonewall or Veresov systems and want to progress their chess : this book is ideal for that upgrade. It is also good for those who play a conventional move order looking for a more positional repertoire.
As a bonus for the observant, this book provides material for those wishing to kick-off with 1.Nf3 although you will need to deal with 1.Nf3 c5 of course !
As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
At the rear is the customary detailed Index of Variations and following that there is an Index of Players where the numbers refer to pages.
In summary this book provides a pragmatic and positional repertoire for White against most of the all the commonly encountered responses to 1.d4 and 2.Nf3, 3.g3 and an eventual c4. There is a host of interesting new and dangerous ideas that help you fight for the whole point with the white pieces : recommended !
Cyrus Lakdawala is an IM and former US Open Champion who teaches chess and has written over 25 books on chess openings.
As a treat for our readers we allow you to download this review in Portable Game Notation (pgn) format. We suggest ChessBase Reader as a means of opening the file.
You may also download this review in ChessBase (.cbv) format.
This is the Modern Defence, which has been described both as a fighting opening, based on counterattack and a masochistic paradise, where Black has to sit with less space for the whole game and then loses.
Having played the Modern for some 40 years now, I can testify that the truth is somewhere between the two views.
You either like the Modern or you don’t and you have to get into the right frame of mind in order to play it properly. Black has to suck up early pressure and time his counterattack to perfection to break up the enemy position. If this is your thing and you have an independent character, you will find what you want after 1…g6.
I think I have most of the Modern Defence books in my library, stretching back to Keene and Botterill, through Norwood and Tiger Hillarp Persson and now complimented by the latest work from Cyrus Lakdawala : ‘ Opening Repertoire’ The Modern Defence.
Lakdawala’s book is comprehensive, brimming with ideas and gives lines for Black after all sensible opening first moves, based on complete games.
His suggestions differ from Hillarp Persson, in that whereas the Swedish GM recommends that Black plays an early …-a7-a6 in most lines, Lakdawala goes back to the Norwood repertoire of old, where 1 e4 g6 2 d4 d6 3 Nc3 c6!? was one of the key pillars of the Black counterattacking reply.
It’s an approach which seems to stand up in the present day.
Let’s dive in and take a look at a few recent games that are not in the book, but which align with the recommendations therein.
I enjoyed the book and I think you will too. Focus on the ideas and the originality of Lakdawala’s thought and you will get a lot from it. I guess the book could have been shortened by 20/30 pages with a more economical writing style, but that is the way he does things and you like it or lump it.
Lakdawala’s book is an important addition to the available chess literature on the Modern. As such, it comes with my strong recommendation.
Andrew Martin, Bramley, Surrey, 6th February, 2020
Book Details :
Paperback : 416 pages
Publisher: Everyman Chess (22 Oct. 2019)
Language: English
ISBN-10: 1781945306
ISBN-13: 978-1781945308
Product Dimensions: 17 x 7.5 x 24 cm
The book is available as a physical book and as a Kindle version.
The Club Player’s Modern Guide to Gambits : Nikolai Kalinichenko
Nikolai Kalinichenko is an ICCF (correspondence) grandmaster and renowned theoretician.He has published no less than 50 books on various chess aspects in Russia, Germany, France, Spain, the U.K., USA, China and other countries. His most acclaimed English-language titles include “Vassily Ivanchuk: 100 Selected Games”; “A Positional Opening Repertoire for the Club Player”; “An Aggressive Opening Repertoire for the Club Player”; and “King’s Gambit”
This is an unusual book : the theme is sacrificing a pawn (or more) in the opening for various types of compensation such as initiative, development, control of squares or perhaps simply surprise !
Those with long memories will recall the diminutive Counter Gambits by Tim Harding published by British Chess Magazine in 1974.
This new book could be seen (to some extent) as a successor to the above and details forty eight or so opening pawn sacrifices for both Black and White organised along the following lines :
Open Games – White Gambits
Open Games – Black Gambits
Semi-open Games – White Gambits
Semi-open Games – Black Gambits
Closed Games – White Gambits
Closed Games – Black Gambits
Opening Variations Featuring Material Imbalances
Here is an excerpt from the publisher, Russell Enterprises, Inc. :
This is no ordinary opening book. This practical guide describes only such openings in which White or Black sacrifices material at an early stage of the game. They are called gambits (in Old Italian, gambetto means tripping).
The justification for such sacrifices can differ quite a lot. In most cases, the side that sacrifices material tends to get ahead of the opponent in development and/or opens lines to attack the enemy king. However, there are also gambits aimed at the occupation of the center (Blumenfeld Gambit), depriving the opponent of castling (Cochrane Gambit or Traxler Variation), weakening the opponent’s pawn structure (Anti-Moscow Variation), luring an opponent’s piece to an unfavorable position (sacrificing the b2-pawn), obtaining a certain positional compensation (Volga Gambit), etc.
Gambits are often associated with the romantic chess of the 19th century. Indeed, that was the heyday of such sharp openings as the King’s Gambit or Evans Gambit, but even nowadays, many games begin with one of the well-known or even innovative gambits. This should come as no surprise: gambits help to reveal the true essence of chess, “the triumph of spirit over matter.”
The concept of this book is to examine practical games and give theoretical insights in the notes rather than in stand-alone articles. Practice has shown this to be the most effective way of mastering new material. More often than not, recent games by the world’s top players have been chosen as an illustration, played in the last few years in particular. However, the most important classic games are mentioned as well. The present book analyzes almost 50 of the major gambit lines and systems. Almost 140 games are given in full, with many game fragments selected to illustrate the important deviations. And there is a special section about types of sacrificial themes, such as sacrificing the b2-pawn, sacrificing on f7, etc.
Readers who may wish to employ one of the examined gambit variations on a regular basis should, no doubt, study the specific books on that very opening, although in most cases the lines and ideas given are sufficient for a beginner or club player to include the system in his or her opening repertoire and give it a try.
One of the features of this book (which is a little unsual these days) is a potted history of each gambit, how it got its name and some idea of early adopters. This is most welcome.
For each gambit the author provides detailed analysis (which has been engine checked) plus from two to five illustrative games (usually) between strong players with copious notes.
Almost all (probably 90%) of the gambits are lines played at serious tournament level, possibly more likely in games with shorter times control and on-line where anything goes. Of the 48 probably only perhaps 3-4 would be considered suitable for the coffee-house or following a visit to the bar! These might be the Englund Gambit, The Latvian Gambit and the Blackmar-Deimer Gambit but don’t tell Tim Sawyer or any other BDG fan !
Amongst the most sound we have :
The Geller, Morra, Evans, Marshall (in the Ruy Lopez), Marshall (in the Semi Slav), Icelandic, Benko, Blumenfeld, Volga, From, Winawer Counter, Staunton, Albin Counter, Budapest, von Hennig-Schara, Krause (in the Slav) and Botvinnik gambits with the balance falling somewhere in between.
We were surprised not to find coverage of the Elephant (Queen’s Pawn Counter) gambit in the open games section but maybe the author considers it unsound :
We learnt a new name (The Been-Koomen Variation) for a familiar gambit :
that you might not have encountered previously.
Here is an example game that is analysed by the author but here analysed by Michael Kransekow :
So, in summary we have a book that is most suitable for club players and those perhaps looking for ideas for rapidplay or blitz games. Almost all of these gambits are considered to be “sound” (whatever this means in these engine dominated days) and most definitely practical and playable.
Snooty theoreticians might look down their noses at some choices forgetting that chess is a game (for most people) and to be enjoyed. This book is certainly not a rehash of “Unorthodox Chess Openings” by the late Eric Schiller and many of these gambit suggestions will liven up a dull repertoire.
Aleksander Delchev (Bulgarian: Александър Делчев; born 15 July 1971) is a Bulgarian chess player and writer. He was awarded the title of Grandmaster by FIDE in 1997. Delchev won the Bulgarian Chess Championship in 1994, 1996 and 2001. He played for the Bulgarian national team in the Chess Olympiads of 1994, 2000, 2002, 2004, 2006, 2008, 2010 and 2012 with a performance of 64.6% (+36=34-12).[1]
Selected tournament victories include the European Junior Chess Championship (1991–1992), the 47th Reggio Emilia chess tournament (2004–2005),[2] the 4th Open Master at the Sixth International Chess Festival in Benidorm (2007),[3] the International Open Championship of Croatia (2007)[4] and the Open International Bavarian Chess Championship in Bad Wiessee (2005[5] and 2013).[6] In 2011 he tied for 2nd-7th with Julio Granda, Ivan Šarić, Pablo Almagro Llamas, Maxim Turov and Mihail Marin at the 31st Villa de Benasque Open.[7]
This new book is an extensive rewrite and update of the original (2011) edition by GM Delchev going from 348 to 352 pages.
From the Foreword we have :
This book is a completely new edition of the original The Safest Grünfeld of 2011. I rechecked all the lines and changed my recommendations according to latest developments of theory and my new understanding. Especially the anti-Grünfeld chapters are basically new. In my opinion top players have long lost hope to find advantage in the main lines and try early deviations. Anand chose 3.f3 against Gelfand and 5.Bd2 against Carlsen. So I devoted special attention to the Sämish approach with two different propositions. 3…Nc6 is less studied and probably more rewarding from a practical standpoint, while 3…d5 is in perfect theoretical shape, but requires more memorization. Every too often White players try to avoid the Grünfeld by refraining from d4 or c4. I added an additional chapter on the very topical lately Trompowsky and Barry/Jobava attack. The 7.Bc4 system in the Exchange Variation, and the Russian System have also underwent a major reconstruction
According to the author “The material in this book is up to date to the end of July, 2019”.
Chess Stars publications have earned themselves a prestigious place amongst publishers of opening theory books and “The Safest Grünfeld Reloaded” reinforces this reputation for sure. Their books are definitely not for beginners and moreover they are for serious players who want to know an opening deeply and in much detail. You can be sure that the analysis is at the sharp end of tournament practice by an author that plays the opening rather then just writes about it.
We have a total of fourteen chapters as follows :
The Fianchetto System
The Bf4 System
The Bg5 System
The e3 System
The Russian System 5.Qb3
Rare Lines. Deviations on move 5
Rare Lines. Deviations on move 7
The Exchange System 7.Be3
The Exchange System 7.Nf3
The Exchange System 7.Bc4
SOS Systems
The Sämisch Anti-Grünfeld – 3.f3
The English Anti-Grünfeld
The Queen’s Pawn Anti-Grünfeld
(The “SOS Systems” chapter is coverage of somewhat speculative lines for White that have appeared in the New in Chess SOS series such as lines with h4, g4 and the like.)
For completeness there is a Bibliography, an Index of Variations, a Table of Contents but no Index or List of Games.
The treatment of each chapter more or less follows the same pattern and structure throughout : Each chapter is divided into sub-chapters as follows :
Main Ideas : Objectives, Move Orders, Basic Plans & Structures, and Typical Tactical Motifs
Step by Step : detailed analysis of the line(s)
Complete Games : a handful of high quality games are analysed in detail
and this is pretty much the pattern for each chapter.
As a taster we delved into Chapter 5 on the topical Russian System
since this includes some of the sharpest and most highly analysed positions. The first main starting position is :
at which point Black has sensible choices such as 7…a6 (The Hungarian Variation), 7…Na6 (The Prins Variation), 7…Bg4 (The Smyslov Variation), 7…c6 (Boleslavsky) and 7…Nc6 (un-named but first employed in 1957 by Donald Byrne versus Reshevsky). Out of these the author recommends The Hungarian Variation as the Black’s primary weapon and failing that Black should consider 7…Nc6 (the “fallback” line) and an implied pawn sacrifice giving Black huge activity whilst White’s centre is under siege. Indeed, 7…Nc6 is labelled as “Hot” in Megabase 2020 and features regularly in current GM practise by such Grünfeld specialists as Peter Svidler and Maxime Vachier-Legrave.
Here is one of the example games (annotations not included here) :
The author is quite candid about his recommendations giving their strengths and weaknesses and there is definitely no “Winning with the Grünfeld” flavour to this objective tome. Generally the student can make their own choices to suit their own style.
In summary, this second edition is a substantial update and improvement of a first edition and we recommend it heartily to the serious player who finds themselves on the White or Black side of one of the most interesting defences to d4 & c4.
We focus on the British Chess Scene Past & Present !
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