“An informative guide to understanding and implementing the fundamentals of the Caro-Kann, the easy way.
The Caro-Kann defence, named after the German chess players Horatio Caro and Marcus Kann, is notorious for its simple solidity and is a popular chess opening that players of all levels benefit from having in their arsenal. It is a firm favourite of grand masters past and present, including Karpov, Petrosian, Capablanca and Anand.
This is the fifth book from International Master Thomas Engqvist, and it avoids overcomplicated details and endless computer variations, focusing instead on key variations of the Caro-Kann that can be committed to memory. Examining classic games to demonstrate key moves in action, Engqvist brings the defence to life and provides you with the knowledge you need to put strategy into practice.”
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.”
Previously we have reviewed 300 Most Important Chess Exercises and Chess Lessons from a Champion Coach making this November 2023 title the first of the authors opening books examined in this place. We were keen to take a look especially as our reviewer has a fondness for c6 & d5 structures.
Material is divided into an Introduction and eight chapters covering all of White’s possible options.
The author kicks-off with a contemporary look at four historically instructive games putting anyone new to the CK at ease straight away. “The Easy Way” is a repertoire book from Black’s perspective rather than an encyclopaedic academic tome about the entire CK defence. Each chapter also contains model games examined in detail of which there are 43 in total.
Thomas commences his “theoretical” material with the Classical Variation from White selecting Capablanca’s 4…Bf5 for Black as the first significant repertoire suggestion.
Engqvist makes zero assumptions about the reader’s knowledge of the CK apart from wanting to learn the defence from scratch. Explanations are clear without getting bogged down in reams of variations making the text easy to follow.
For each of his suggestions there is discussion of statistics in term of what move options get played, their order of significance, order of success and what standards of players employ them. These details are quite a novel approach and long way from the lists of variations of older publications TE goes on to write:
There are five variations the second player should know about, even though strictly speaking some of them are not so good and you will probably never encounter them, at least not in a serious game.
This perspective gives one confidence that plausible opponent choices are considered rather than the rather boring modern approach (of some other authors) to only consider “top engine choices”. This helps to reinforce our suggestion (to students) to study the so-called side-lines first and then progress to the main dish afterwards.
For example, 5.Bd3!?
is considered but experienced CK players might turn their nose up at even reading about this. The student new to the CK will meet this try many times online and Over-the-Board (OTB). Not only that but 5.Bd3!? was suggested by no less than Siegbert Tarrasch (the “Jolly Doctor”).
Another feature that endears one to the authors approach is his liberal sprinkling of significant and interesting quotations from yesteryear. For example, after
TE quotes renowned theoretician Max Euwe as follows:
Many masters of the opinion that the 6 h4 move merely denotes a weakening and would be better left out
There are a number of novel suggestions throughout the text and many spring from the authors long time experience with the Caro-Kann.
In summary, The Caro-Kann the Easy Way is an excellent primer for any second player starting out or refreshing their knowledge of this venerable and reliable defence to the King’s pawn.
Lessons, motivation and coaching to make you a better chess player.
In an ideal world, any aspiring chess player, at almost any level, would get better with a coach. If that’s not possible, having chess champion coach Thomas Engqvist’s book at your side is the next best thing.
In his series of lessons, Engqvist guides you through not only the most important elements of chess to master but also the psychology, how to marry knowledge with imagination, and how to stay motivated.
Suitable for older children through to adults, the lessons are drawn from chess games through history, from the 16th century to Magnus Carlsen and latest Alpha Zero computer chess. (Reviewer’s note: it doesn’t actually include Alpha Zero, stopping at Carlsen.) It features a range of key players, including Steinitz, Lasker, Nimzowistch, Botvinnik (Soviet chess school), and Fischer. With clear and accessible annotations to give clarity, the games highlight the most important lessons to learn and, just as importantly, how to ‘practise’ chess.
International Master Thomas Engqvist has travelled the world teaching and coaching chess to a very high level for decades – and with this book, he can be your coach too.”
About the Author (updated from the publisher’s website):
“Thomas Engqvist is an International Master from Sweden. He has 45 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions,300 Most Important Tactical Chess Positions and 300 Most Important Chess Exercises, all published by Batsford.
From the back cover:
Chess Lessons from a Champion Coach gives you the opportunity to assimilate the most important chess principles and concepts by following a study plan based on key encounters by over 30 great players.
With lessons from more than 60 instructive games in chronologically arranged chapters, this is the perfect guide for players who want to gain a broad knowledge of chess history and its evolution, but don’t have time to spend hours in what can be unproductive reading.
Featured in each chapter is a highly influential grandmaster who has played his part in developing chess into what it is today. There can be no more enjoyable way to improve your own play than to absorb your personal coach’s explanatory commentaries to exemplary games of past and present chess heroes, including Magnus Carlsen. In this way centuries of accumulated understanding of chess can be learned in just a few weeks.
By adopting the same tactics and strategies as demonstrated by these champions, you can also keep track of your own chess development by comparing it with the overall historical development of chess – and climb the ladder to success.
Swedish International Master Thomas Engqvist has approximately 45 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess.
What we have here is a book covering the history of chess ideas in chronological fashion, starting with Ruy Lopez and finishing with Magnus Carlsen. It’s hardly an original idea: the first book of this type was Richard Réti’s Masters of the Chessboard, and there have been quite a few others since then: off the top of my head I’ve reviewed a couple of them here myself. The second Chess Heroes: Games book will take a similar approach (using some of the games from Move Two!), but pitched at a much lower level.
I’d say from the outset is that if you’re knowledgeable about the subject, and have read similar books before, you’re probably already familiar with many of the games displayed by Engqvist here.
But if you’re a club standard player with little knowledge of the history of your favourite game you should certainly read on.
Most of the subjects are represented by just one game, so we quickly whizz through the likes of Greco (‘the first tactical player’), Philidor (‘the first positional player’) and even Morphy until we reach Steinitz (‘the scientific player’), the first of four players to be considered in rather more detail.
According to Engqvist:
The basis of Steinitz’s teachings is to construct a plan which is in accordance with the requirements of the position. These requirements could be an advantage in development, a strong centre, open files etc. One should gather such advantages, one by one, as preparation for an attack. This is the so-called theory of accumulation.
This theory is demonstrated by the following game. As always, click on any move for a pop-up window.
Engqvist adds after the game:
This is why such classic games are much more instructive than modern games. Steinitz’s opponents didn’t realise or didn’t want to realise what he was doing, whereas today’s more knowledgeable players do know – because they have studied such “one-sided” but very instructive classic games.
You might disagree – but I don’t.
Lasker (‘pragmatism and psychology’), the star of the next chapter, also receives special treatment.
In this instructive game, where he defeats Rubinstein’s IQP, he uses the ‘pivot square’ d5 in a variety of ways.
It is indeed a game to be understood in depth and learned by heart, because the idea of a pivot being a source of energy can be used in an untold number of situations.
Engqvist quotes Nimzowitsch’s comments on this game with approval, and makes it very clear throughout the book that Nimzo is one of his chess heroes.
Although he only gets one game (yes, it’s the Immortal Zugzwang game), the author has this to say:
Nimzowitsch is just as important as Steinitz, since his principles do complement those of his predecessor, However, to appreciate Nimzowitsch’s precepts in depth one needs to also properly understand Steinitz’s classical principles, otherwise the true meaning of Nimzowitsch’s theories will be lost.
and:
In my opinion (reading Nimzowitsch) is much more important than learning from computers, which are very bad teachers indeed, and sometimes incomprehensible. Nimzowitsch must be regarded as one of the greatest, if not the greatest ever, teachers…
Controversial, perhaps, and you might well think he’s overstating his case.
The other two subjects awarded more extensive treatment are, predictably, Capablanca (‘The Chess Machine’) and Alekhine (‘The Complete Chess Artist’).
From then on it’s just one game each, even for giants such as Botvinnik, Fischer, Karpov and Kasparov. right the way through to Carlsen.
Here’s the game used to illustrate Fischer (‘The Aggressive Classical Player’).
Engqvist:
This game is one of Fischer’s best and it is remarkable that he was only 16 years old when it was played. It proves that he was a genius. The good news is that Fischer’s style is possible to emulate, because it it largely based on positional technique à la Capablanca, which to a high degree can be learned.
It’s clear from this book, as well as from the author’s earlier volumes, that Thomas Engqvist is an exceptional writer, teacher and annotator. He has also made extensive use of a wide range of secondary sources (but, sadly, he fails the Yates test: he was Fred (Dewhirst), not Frederick Dewhurst). Each chapter is prefaced by a series of quotes by or about its subject, which in itself makes fascinating reading. Computer analysis has been used to correct analytical errors made by earlier authors, but this is done judiciously: he doesn’t go over the top in providing reams of engine generated variations. You might, I suppose, disagree with some of his views, especially on Nimzowitsch, but that’s part of the enjoyment you’ll get from the book. You might also think there’s some simplification and generalisation, but that’s inevitable in a book of this nature.
The production values are, of their type, excellent. The book, like others from this publisher, has a reassuringly old-fashioned look about it. While younger readers may well prefer something glossier and glitzier, it’s not likely to be a problem for those, like me, of the Batsford generation.
Many publishers these days prefer more interactivity, with puzzles at the start of each chapter, or, with annotated games, stopping every few moves to ask you a question. There’s none of that here, just solid, accurate and instructive comments. Different readers will prefer different styles of annotation. The one concession to interactivity is a couple of quizzes with questions like What was Ponziani’s opinion of the theories of Philidor and del Rio?, which I could really do without as they’re testing memory rather than understanding.
I had two other thoughts when reading this book. I often wonder whether chess authors are writing the book they wanted to write or the book the publishers thought would sell. Perhaps I’m mistaken, but my impression was that Engqvist really wanted to write something like The 60 Most Instructive Positional Games rather than a book with a historical perspective offering, for the most part, one game per star player.
I also wonder what exactly the market is for this book. Younger readers, if they want a book at all, might prefer something with a more modern feel, while older readers might have seen many of the games before.
But, if you’re, say, 1500-2000 strength, you’re serious about improving your chess and you’re happy with the style and contents, you won’t go wrong with this excellent book from one of the best authors and teachers around.
“Following on from the enduring success of one of the most important chess books ever written, Bobby Fischer: My 60 Memorable Games, and the recently released Magnus Carlsen: 60 Memorable Games, celebrated chess writer Andrew Soltis delivers a book on Fabiano Caruana, the Grandmaster set to rival current world champion Magnus Carlsen.
This book details Caruana’s remarkable rise from chess prodigy to one of the best chess player in the world, exploring how he acquired the skills of 21st-century grandmaster chess over such a short period of time.
This book dives into how he wins by analysing 60 of the games that made him who he is, describing the intricacies behind his and his opponent’s strategies, the tactical justification of moves and the psychological battle in each one.”
About the Author:
“International Grandmaster Andrew Soltis is chess correspondent for the New York Post and a very popular chess writer. He is the author of many books including What it Takes to Become a Chess Master, Studying Chess Made Easy and David Vs Goliath Chess.”
If you’ve read and enjoyed the companion volume on Carlsen, you’ll want this as well. Many readers collect games collections, and will be eager to add a book on one of today’s leading practitioners to their shelves. This isn’t the only book on Caruana available: there’s one, for example, by Lakdawala, a writer with a very different style. If you like Soltis’s annotations you may well not like Lakdawala’s, and vice versa. They’ve both been doing what they do for a long time and understand their readership.
Here, then, we have sixty of Caruana’s most interesting games, not all of them wins, mostly from the last decade, but a few earlier, starting with a game from 2002. Most are standardplay games, but there are also a few rapid, blitz and internet encounters.
In his introduction, Soltis looks at what makes Caruana different from other top players.
And if he had a celebrity personality – that of a Magnus Carlsen, a Bobby Fischer or a Garry Kasparov – his story would be known well beyond chess circles. But Caruana is Caruana. “He is shy and modest, like a conservatory student”, one of his teachers said. He is content to let his moves do most of the talking.
He identifies several traits in Caruana’s play.
He’s a concrete player, relying on calculation more than intuition.
He doesn’t only rely on computer analysis, using curiosity and self-discipline to investigate the secrets of a position.
He believes the board and the pieces, playing the way the pieces tell him to play regardless of the tournament situation.
He is able to manage his nerves and emotions.
He chooses moves that push his opponents out of their comfort zone.
He is very patient, often playing quiet ‘little moves’ which slightly improve his position.
He employs deep opening preparation, much more than, for example, Carlsen.
An occasional flaw in his play is that he sometimes fails to deliver the knockout blow.
He has emotional stamina: he can deal with his mistakes and knows how to react when things go wrong.
The introduction also tells about Caruana’s early life in New York, and about the influence of the Soviet Chess School on his studies there.
Then we have, yes, sixty memorable games, each prefaced with a catchy title and a brief introduction. Just like another book of 60 Memorable Games.
The best way to describe this book, is, perhaps, to show you a few examples of Soltis’s style of annotations.
This is from Caruana – Aronian (Sao Paulo 2012).
Members of Caruana’s generation grew up with computers and Kasparov games. Many of them had little interest in games played before 1990.
Hikaru Nakamura called the classic books “a waste of time” and complained to his father, “Why do I have to study dead people?”.
Caruana studied them. He understood how White can benefit from d4-d5 in this pawn structure, as Bobby Fischer had in a celebrated game against Viktor Korchnoi.
16. d5
But in another textbook game (Tal – Panno Portoroz 1958) White scored with the alternative plan e4-e5. Here 16. e5! dxe5 17. dxe5 opens the b1-h7 diagonal. This does a better job than 16. d5 of exploiting the diversion of Black’s bishop to h5.
Black cannot protect his knight after 17… Nd5 18. Be4! with Be6.
Also unfavourable for him is 17… Nd7 18. axb5 axb5 19. Be4.
What do you think? Helpful? Informative? Instructional? Interesting?
This is from another Caruana – Aronian game, this time played in the Sinquefield Cup in 2014. Caruana has just played 13. Bd2.
The pawn structure created by 11. Bxe6 gave Black a choice of four basic policies:
(a) Leaving the pawn structure intact. He could pursue a kingside plan such as 13… Qe8 and … Qh5/… Ng6.
(b) Change it by trading knights with 13… Nd4. His pieces would be freed a bit by 13… Nd4 14. Nxd4 exd4 15. Ne2 c5. This would expose his queenside to greater pressure after 16. a4 and Qb1 – b3.
(c) Attack the queenside. Thanks to 13. Bd2, White can respond to 13… Qd7 14. Na2 a5 with 15. c3. Black can add 15… d5 into the mix, with uncertain prospects.
13… d5
Aronian chooses (d), Gain space with this move, followed by … Qd6 or … Bd6 and potentially … d4/… a5.
The reader learns from this how to create plans based on the pawn formation, specifically with regard to this position, and perhaps also more generally.
Do you like this style of annotation, or would you prefer something rather less dry? Perhaps you’d go to the other extreme, hoping to sees long computer-generated variations to demonstrate these plans.
Finally, another Sinquefield Cup game, this time with Caruana playing white against Nakamura in 2018, and considering his 26th move.
It was time for long-range thinking:
White could try for e4-e5 after offering an exchange of queens: 25. Qf4.
But even after 25… Qe7 26. e5 Bd5 it is not clear he is making progress.
For instance, 27. Nxd5 exd5 28. Rxd5 c3 or 28… Qb4.
If e4-e5 isn’t a good plan, what about a kingside pawn march?
This would show promise after 25. g4 Be8 26. h4.
For example, 26… Bc6 27. g5! hxg5 28. hxg5 and Qh4/Rh1.
But the attack abruptly halts if Black swaps rooks, 26… Rd8! 27. g5 Rxd2 28. Rxd2 hxg5 29. hxg5 Rd8 30. Rxd8 Qxd8.
Then White’s knight has few good squares. But Black’s queen does (31. Qc5 Qd2 or 31. Qf4 Qd4).
25. Qc5!
Psychologically, the best move.
It gives Black a choice of playing an inferior endgame – which is likely to be drawn – or giving up a pawn he might lose anyway.
Nakamura mistakenly went for the inferior ending and eventually lost.
Did you find this clear and easy to follow, or confusing and hard to follow? Or just about right?
Whether you’ll enjoy this book, then, is very much about whether you like Soltis’s style of annotation. Me, I’ve been a long-term fan so I enjoyed the book very much, but it’s very much a matter of taste, isn’t it?
If you appreciate annotations of this nature, you won’t want to miss this. You can, of course, be sure that you’ll get 60 top class games from recent elite GM praxis, expertly selected and with commentary from one of the most experienced writers in the business.
Games collections such as this are popular with many readers, and all chess book collectors with an interest in contemporary grandmaster chess will want at least one book about Caruana on their shelves. If that describes you, you’ll certainly want to consider this book.
You might well ask how much a club standard player can learn from the games of someone 1000 or so points stronger. It’s a good question, but I think Soltis does a pretty good job of making the games both accessible and instructive.
The book is well produced to Batsford’s usual standards, although one or two diagram and notation errors escaped the proofing. I don’t care much for the title of this or the companion Carlsen book, which some might consider disrespectful to Fischer, but I guess the publishers choose the title they think will sell most copies.
If the extracts I’ve presented appeal, you won’t be disappointed. An excellent book from a highly respected author recommended for competitive players of all standards, for connoisseurs of fine chess, and for all interested in chess culture.
“An informative and accessible new book by Thomas Engqvist, the practical follow up to his previous two authoritative chess books: 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions.
Filled with 300 engaging chess exercises and complete solutions in the end of the book, this book will allow you to apply and consolidate your newfound knowledge. The book is divided into four key sections: ·75 exercises practising positional ideas in the opening/middlegame ·75 exercises covering the endgame ·75 tactical exercises in the opening/middlegame ·75 tactical endgames.
The exercises featured in the book are taken from real game positions from various renowned chess players, including Capablanca and Magnus Carlsen.”
About the Author:
“Thomas Engqvist is an International Master from Sweden. He has over 30 years’ experience as a chess coach and teacher. He has worked with players at world championship level in both junior and correspondence chess. He is the author of 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, both published by Batsford.
From the back cover:
In-depth analysis of the 300 most important exercises according to the famous principle “less is more”. The less you study the less you forget.
Practice the most important positional and tactical ideas in all phases of the game by solving just five positions every week for one year.
Find out if the positional or tactical idea crops up in your mind, regardless of whether you have seen the idea before or not.
Well, if you solve five positions every week it will take you 60 rather than 52 weeks to complete the book, but never mind. The claim that you’ll improve more by studying less is also rather silly: the real point is that the quality rather than the quantity of your study is important.
It continues:
In this highly instructive exercise book, International Master and experienced chess coach Thomas Engqvist outlines the 300 most important chess exercises. A sequel to 300 Most Important Chess Positions and 300 Most Important Tactical Chess Positions, this is the perfect manual for players who want to reach a higher level but don’t have the time to spend hours every week on less productive study.
Each numbered position is a test-yourself quiz to help cement the positional and tactical understanding that you have acquired. This book can be your life-long companion, enabling you to apply and solidify your positional and tactical chess knowledge.
Swedish International Master Thomas Engqvist has almost 40 years experience as a chess coach, teacher, writer and player. He has successfully worked with players at world championship level in both junior and correspondence chess. He works as a teacher at a school outside Stockholm. He is the author of eight chess books. This is his third book for Batsford Chess.
Yes, I get the point. Not everyone who wants to improve has the sort of time to spare that would be required to benefit from a book like this. Most of us have other commitments: just solving five exercises a week might be ideal. And what about the title? Are these exercises more important than the positions in the previous books? Who is to determine importance anyway. An exercise that’s important to me might not be important to you.
Let’s see what the author has to say in his introduction.
300 Most Important Chess Exercises starts off with 150 opening and middlegame positions to solve and the quota is 75 exercises where you practice positional ideas, and 75 exercises where the focus is on tactics. The other half of the book deals with 75 positional endings and 75 tactical endings. This is the only hint the solver will get.
This, then, is the final volume of a trilogy, with exercises based on the material in Engqvist’s two earlier Batsford books. If you’ve read and enjoyed them (sadly, I haven’t) you’ll undoubtedly want this as well. However, the author points out that it’s not necessary to have read them to read and benefit from this book.
The back cover claims that it’s a Universal book – suitable for players of all strengths.
No, it’s not. There’s an assumption that readers are proficient players with a good understanding of the game – say about 1500 strength. At the same time, some of the exercises will be familiar to more experienced players. I’d put the target range for this book, then, as in the region of 1500-2000 rating, although slightly weaker and slightly stronger players may also benefit.
I found Engqvist’s comments on the very first position in the book particularly interesting.
This is from a Morphy – Schulten game (New York 1857) with White to play.
White played 10. Bf4 here, but was it best? What would you suggest?
Engqvist:
Morphy claimed his 10th move was an improvement on 10. Qxd6 which was given in the leading treatises of the day (Hanstein – von der Lasa in Staunton’s “Handbook”). However this is not true if one consults the computer programs Komodo and Stockfish. It’s good to capture the d6-pawn as long as White can maintain pressure on the d-file. What’s more is that there is an even better move, suggested by both computers, namely 10. Nc3!. This is very interesting since Komodo makes good evaluations and Stockfish is good at deep calculations, but they still come up with the same move!
This simple Knight move also follows Lasker’s principle that a knight should be developed before the bishop. The idea is to prepare Bf4 next move without allowing the d-file to be closed after …d5 . Morphy played according to the principle of development so his move is understandable, but the computers’ choice is the most precise. Even if we do know that development is on the agenda, we must also think carefully which piece to move first.
This tells you a lot about the author. Here we have someone who is well versed in chess history and culture, but also able to use modern technology effectively. Beyond that he has the ability to explain abstact concepts clearly and unambiguously.
Although that example may have been familiar to you if you’ve studied Morphy’s games, there are other exercises which you almost certainly won’t have seen before. Like this one, number 79, so it’s a tactical puzzle.
What would you play for White here?
This is from the less than Famous Game Kludacz – Pavlovskaya (Hasselbacken Open (Women) Stockholm 2001).
The whole game is interesting for anyone playing the Queen’s Gambit with either colour. White has launched a Minority Attack and now continued with 21. e4? which Black met with Bxh3!?, eventually winning the game.
Did you see how she could have done better?
21. h4! Ne6 22. Nce4!!
Presumably Kludacz missed the following knight sacrifice…
22… dxe4 23. Nxe4
White exploits the tactical weaknesses on f6 and c6. Black has no effective defence.
23… Qc7
If 23… Qe7 then 24. Qxc6
24. Nf6+ Kf8
White doesn’t need to cash in on f8 but can exploit the pin on the c-file.
25. d5!
Now Black’s position collapses and White wins.
Helpfully, Engqvist provides the whole game here so that readers can see how the position arose from the opening.
The second half of the book covers endgame exercises. Like other authors such as Judit Polgar and RB Ramesh, whose books I’ve reviewed recently, Engqvist believes that solving endgame studies is a very valuable form of chess training, so here we have a mix of studies and positions from practical play. He finds pawn endings especially fascinating, so there are plenty here.
Take this one, for example.
It’s White to play here (Kalinicev – Schulz Cham 1992). What would you suggest.
I guess most players, like me, would play 1. Ke7 here without a second thought, but it’s not the correct answer.
Engqvist:
The first time I saw this endgame I wrote in my private annotations that it’s “incredible that this move doesn’t win!” From a visual point of view it certainly seems that White’s king will wipe out the whole kingside of pawns like a vacuum cleaner, but that turns out to be an optical illusion. The key move to winning is to play according to Nimzowitsch’s rule, which states that you should hem in the target before blockading it and only then destroy it!
1. g4! would have prevented Black from moving his f-pawn to f5. Then 1… Kd3 2. Ke7 f6 3. Kf7 Ke2 4. f4 Kf3 5. f5. The f-pawn is now blockaded and a future attacking target. 5… Kg3 6. Kxg7 Kxh3 7. Kxh7 (7. Kxf6 Kxg4 8. Ke6 also wins but it’s unnecessary to give Black some hope even though that would be futile.) 7… Kxg4 8. Kg6 and White’s f-pawn decides.
Instead, the game concluded:
1. Ke7? f5 2. Kf7 Kd3 3. Kxg7 f4!! 4. Kxh7 Ke2 5. g4 Kxf2 6. g5 f3 7. g6 Kg3! 8. g7 f2 9. g8=Q+ Kxh3 with a drawn position because an eventual Qg3+ will be met by Kh1.
If you mistakenly went for Ke7 here then this may well be the book for you.
It does beg a question, though. This is billed as a positional endgame exercise, which it undoubtedly is, but it’s certainly tactical as well.
Of course positional and tactical chess are inextricably entwined, and, by the time you get to the ending, they’re really the same thing. The whole idea of splitting endgame exercises into ‘positional’ and ‘tactical’ seems very artificial to me. I’d guess this was the publisher’s rather than the author’s decision.
You probably hadn’t seen that position before (it’s not even in MegaBase), but if you’ve read anything on pawn endings you’ll almost certainly have seen the Famous Ending Cohn – Rubinstein (St Petersburg 1909), which you’ll also meet here. “If you only study one endgame with many pawns this is the one”, according to Engqvist, who discusses it over two pages. Regular readers of endgame manuals will find several other old friends as well: there’s six pages devoted to another Famous Ending, Timman – Velimirović (Rio de Janeiro 1979), to take just one example. Exercises 212-214 cover the ending of RB v R: the solutions cover 11 pages: extremely useful if you want to learn this ending, but I guess it’s debatable how important it is for average club players.
Here’s a quick endgame study from the last section of the book: tactical endgame exercises. See if you can solve it yourself before reading on.
White to play and draw (Prokes 1939)
A very game-like position, you’ll agree, and you were probably brought up with the knowledge that, in the absence of kings, two pawns on the sixth rank beat a rook.
In this instructive study, White’s king, contrary to appearances, is just about close enough.
I hope you managed to solve this. But was it purely tactical or positional as well? What do you think?
To sum up, then, it’s very clear from this book that Thomas Engqvist is an exceptional teacher, who, like all exceptional teachers, knows exactly what he’s doing and why he’s doing it. Unlike some less experienced authors he doesn’t just throw a load of GM positions at you, show you a pile of computer generated variations and expect you to play like Carlsen.
To refer again to two other excellent books I’ve reviewed recently, if you find Ramesh too heavy and Polgar’s exciting enthusiasm grating, I’m sure Engqvist will hit the sweet spot for you. In that case you’ll probably want to investigate his two earlier Batsford books as well, and perhaps read them first. As the authors take very different approaches and cover different topics, ambitious club players would do well to buy both Polgar and Engqvist. Young players who are aiming for IM or GM titles and have plenty of time to study would, on the other hand, be better off with Ramesh.
I’m just not sure that the format of the book is the best way to present Engqvist’s material, especially since endgames are both positional and tactical at the same time. (What the best format actually would be is an interesting question: different readers will prefer different formats. If you really, as Engqvist does, want to make the training environment resemble a tournament game you might want to mix the positions up rather than give a clue as to whether it’s a positional or tactical exercise.) I’m also not sure that the subtitle ‘Study five a week to become a better chess player’ is particularly helpful or realistic. Some of the positions require little time and explanation while others require a lot. The author himself doesn’t suggest in his introduction that this is the best way to use his book. As I suggested above, this book, notwithstanding the claims on the back cover, is far too advanced for beginners, but would be a great choice for anyone rated in the region of 1500-2000, or perhaps a bit higher.
But of course publishers do whatever it takes to sell copies, including resorting to unhelpful titles and unrealistic claims, and people don’t always buy chess books for rational reasons. Which is why it’s a good idea to read impartial reviews first.
The book is published to Batsford’s usual standards and appears to be free from the typos that mar books by some other publishers. The English might not always be totally idiomatic but is perfectly comprehensible throughout. I note that there is no mention of translators or proofreaders at the front of the book.
A book by an outstanding teacher, then, and, if the style and contents appeal to you, very highly recommended for club standard players ambitious to improve their rating.
“International Grandmaster Andrew Soltis is chess correspondent for the New York Post and a very popular chess writer. He is the author of many books including What it Takes to Become a Chess Master, Studying Chess Made Easy and David vs Goliath Chess.”
From the Batsford web site :
“A book by (a) stalwart chess writer on an aspect of chess that is quite common, but little is written about, swindling in chess. In chess, a swindle is a ruse by which a player in a losing position tricks his opponent, and thereby achieves a win or draw instead of the expected loss. Renown(ed) chess writers Horowitz and Reinfeld observe that swindles, “though ignored in virtually all chess books”, “play an enormously important role in over-the-board chess, and decide the fate of countless games”. Andrew Soltis, American chess journalist, says swindles are not accidental or a matter of luck. Swindling is a skill. But there has been almost nothing written about how to do it, how to make yourself lucky in chess. Swindling means setting traps that exploit an opponent’s over-confidence. It means choosing the move that has the greatest chance of winning, rather than the move that has the least chance of losing. Soltis’ new proposal will explain to players of all levels how to do just that with plenty of examples to explain along the way.”
“… there has been almost nothing written about… ” swindles. True until recently (although books by Shamkovich/Schiller and LeMoir come to mind), but perhaps it’s unfortunate that this book was published at about the same time as David Smerdon’s outstanding book on the same subject.
Soltis’ view of what constitutes a swindle seems rather narrower than Smerdon’s. Most of the examples here are longer extracts from games where the player with an advantage in a complex position failed to win.
The first three chapters define swindles and explain the difference between swindles and traps.
Chapter Four tells you how to Make Yourself Lucky.
According to Soltis you should:
(a) Identify your best tactical resources,
(b) Give your opponent choices, and,
(c) Confuse him.
There’s quite a lot of British interest in this book, and here is Rowson – Emms (Gibraltar 2004).
If you’re clearly winning, but the position is chaotic and you perhaps don’t have too much time left to calculate it’s natural to make safe, sensible moves rather than looking for the quickest win.
This policy doesn’t always work, though.
This looks grim for Rowson: he’s two pawns down and all his opponent’s forces are in ideal attacking positions, with the immediate threat of Rxb2+.
“In mutual time pressure, White found an inspired bid to confuse, 34. Nb5~.
“It is confusing because all of Black’s main options seem to win. In fact, they all do. ‘But visually there is a lot to process’, White said after the game.”
Soltis then analyses the four captures on b5 and continues:
“No human can analyze all that in time pressure. Black made the common-sense decision 34… Rxb2+ 35. Rxb2 axb5.”
The game continued 36. Qf4~ Nc3+ 37. Ka1 when we rejoin Soltis:
“Again 37… Rf8 would have won. So would 37… Qa7. But common sense says Black should not be making his pieces passive when the tactics are reaching a peak.
“They are actually pretty active after 37… Qa7 38. Rh2 Ra8! because he mates first after 39. Qh6 Nb3+! 40. Rxb3 Qxa2+!
“Black made the intuitive decision to keep his pieces more flexible with 37… Rb7.
“White still needed a miracle. He might have tried 38. Qg5, with the idea of Qd8+. But 38… Rd7 is more than adequate.
“He changed the subject of the conversation with 38. Qe3~. That gave Black something new to think about, the threat to his knight.
“(It set a delicious trap 38…. Nc6 39. Rfc2! b4 40. Rxc3! and wins.)”
Now Soltis points out that 38… Qc5 would have won (as, according to Stockfish 12 would Rc8). Instead, Emms played 38… e5??, when Soltis mentions 39. Bc4! as leading to a position with equal chances, and Stockfish 12 adds 39. Rh2 as also being equal. After 39. Qg5!, Qa5 would have won, but 39… Ra7 turned out to be a blunder. White won after 40. Qd8+ Kg7 41. Qf6+ Kd8 42. Bc4! d5 43. Rh2! and Black resigned.
You’ll notice the symbol ~, which Soltis uses to annotate a move which, although not objectively best, is the most practical.
Chapter Five looks at swindles from the perspective of the victim (swindlee) and asks why players fall for swindles. For instance ‘The swindlee believes only two results are possible’ and ‘The swindlee wants to win quickly’. You might think differently: ‘The swindlee is in time trouble’, ‘The swindlee miscalculates’ or ‘The swindlee loses concentration’.
Further chapters again take other approaches, although there seems to be some overlap between them: ‘False Narrative and Bluffing’, ‘Panic Worthy’, ‘The Swindling Process’, ‘Swindler Versus Swindlee’. ‘Royal Swindles’ looks at swindles involving kings: perpetual check, stalemate and king marches. Finally, ‘The Very Lucky’ features three great swindlers, Judit Polgar, Lasker and Carlsen.
Here’s another all British example: Norwood – Plaskett from the 1990 British Championship held in Eastbourne.
Black’s a pawn up at the moment but, as Soltis explains:
“Black can give up the Exchange, 25… Rc7 26. Be5 Qc8 27. Bxc7 Qxc7. But even with his extra pawn he would be significantly worse.
“An experienced defender – not just a swindler – would try to distract White by offering a choice. After 25… e5 Black would be alive after 26. Bxe5 Qe6.
“But if White makes the right decision, 26. Bb7! Qe6 27. Bxc8 Rxc8, he again has good winning chances. (Remember this position.)
“After 28. Qe2 a6 29. Ra5, for example, it would be harder for Black to draw than for White to win.
“Black felt his situation was dire and went for 25… Nd5~. It was partially based on 26. cxd5?? Qxb5 and 26. Bxd5? exd5 27. Rxd5 Be7 with near-equality.
“He was mainly betting that he would find counterchances if White replied 26. Rxc5! Rxc5 27. cxd5.”
Soltis then spends some time analysing that position and concluding that White would have been winning.
Returning to his narrative:
“But there was one other option for White and it occurred on the board: 26. Ra1? overlooked Black’s threat, 26… Qxb5! 27. cxb5 Nxc3 (28. Qxc3?? Bxf2+).
“The position is slightly better for White. Black can anchor his bishop on d4 with …e5. He may also be able to use tactics to liquidate the queenside pawns, bringing the position closer to a draw, e.g. 28. Bc6 Bd4 29. Ra5 a6!? 30. Rxa6 Nxb5.
“But the jarring effect of a swindle took effect and play went 28. Ra6? Bb6 29. Qb3 Ne2+ 30. Kh2? Bxf2 31. Qf3? Bxg3+ 32. Kh1 Rc1+ and Black eventually won.
“So was Black’s decision to choose 25… Nd5 over 25… e5 correct?
“The experienced swindler would say ‘Yes’ because White had three ways to go wrong (26. cxd5??, 26. Bxd5? and 26. Ra1?)
“The experienced defender would say ‘No!’ because 26. Rxc5! would have given White better winning chances than after 25… e5.”
This extract exemplifies some of the slight problems I have with the annotations. Some of it, inevitably I suppose, doesn’t quite stand up to Stockfish 12, which thinks that 25… Rc7 was a better drawing chance than either Nd5 or e5, and in that variation, Qc3 was better than Bxc7. It also considers the position in the 28. Bc6 line in the game to be completely level. Perhaps, from a GM perspective, White is slightly better, but I’m not a GM so I really have no idea.
Soltis also writes as if it’s plausible that a strong player will fall for an obvious trap. Is it really likely that a strong tactician like Norwood would have considered 26. cxd5??, or would have played 26. Bxe5 rather than 26. Bb7 after 25… e5?
At the same time I felt that he sometimes reads too much into what the players might have been thinking about and how far ahead they saw. Were Norwood’s subsequent mistakes caused by ‘the jarring effect of a swindle’, by time trouble, perhaps by a combination of the two, maybe by something else entirely? You’d have to ask him to find out.
As is to be expected from Soltis, this is a workmanlike book with, as you will have seen from these examples a lot of exciting chess, as well as some helpful advice on how to play – and how to avoid -swindles. I certainly enjoyed reading it, but I’m not convinced I learnt anything new. The general appearance of the book is rather old-fashioned, and there are a few – admittedly insignificant – notation errors.
If you’re looking for a book on swindles I’d strongly advise you go for Smerdon first: it really is an excellent – and highly entertaining – read. If that book whets your appetite for more swindles, you won’t be disappointed with Soltis. Recommended for players of all levels, but not a first choice.
Richard James, Twickenham 26th January 2021
Book Details :
Paperback: 240 pages
Publisher: Batsford Ltd; 1st edition (5th March 2020)
“International Grandmaster Andrew Soltis is chess correspondent for the New York Post and a very popular chess writer. He is the author of many books including What it Takes to Become a Chess Master, Studying Chess Made Easy and David vs Goliath Chess.”
From the Batsford web site :
“Following on from the long success of one of the most important chess books ever written, Bobby Fischer: My 60 Memorable Games, renowned chess writer Andrew Soltis delivers a book on today’s blockbuster chess player Magnus Carlsen.
Magnus Carlsen has been the world’s number one player for more than a decade, has won more super-tournaments than anyone ever and is still in his prime. He is the only player to repeatedly win the world championships in classical, speed and blitz chess formats. This book details his remarkable rise and how he acquired the crucial skills of 21st-century grandmaster chess
He will defend his world championship title this autumn and if he wins, it will set a record of five championship match victories. This book take you through how he wins by analysing 60 of the games that made him who he is, describing the intricacies behind his and his opponent’s strategies, the tactical justification of moves and the psychological battle in each one.
This book is essential for chess enthusiasts, competitors and professionals of all skill sets.”
Andrew Soltis has been a prolific author of chess books over the course of several decades. I first encountered him when I read – and thoroughly enjoyed The Younger School of Soviet Chess, published by Bell, the predecessors of Batsford, back in 1976. I particularly relished his unique, story-telling style of annotation, which has been a feature of many of his books.
His titles have ranged widely, from opening monographs to serious historical works, often concerning chess in the old Soviet Union. Yet he’s never received the publicity accorded to other, more colourful and controversial, writers, nor, perhaps, the respect he deserves.
Perhaps this is because he’s never been published by today’s leading chess book publishers. His historical works are published by McFarland, while he’s written a steady stream of books for average club player under the Batsford imprint.
Ah yes, Batsford. Back in the day they were the most celebrated publisher of chess books on the planet. They can trace their chess ancestry back to Staunton’s friend and publisher Henry Bohn, whose business was later taken over by George Bell & Sons, who were in turn taken over by Batsford. But that’s a story for another time. Batsford are still publishing chess books, although, compared to their glitzier rivals, they have a rather old-fashioned appearance. Soltis is the author of many of their more recent books, but they also have the rights to a number of classic titles, most notably Fischer’s My Sixty Memorable Games.
The first thing you’ll notice about Soltis’s new collection of Magnus Carlsen’s games is the title: Magnus Carlsen: 60 Memorable Games. Cheeky, or what? It wasn’t difficult to get the publishers’ approval, and the original author was sadly not around to object, although I suspect his ghost is ranting and raging even now.
A misjudgement, I think: a different number of games and a different adjective would have been fine. But they say you can’t judge a book by its cover, so let’s look inside.
The format is very similar to Bobby’s book. Sixty chapters with one game to a chapter, each having a catchy title and a brief introduction putting it in context. One difference is that all the games are wins for our hero. You wouldn’t say they were necessarily his greatest games, though. They include blitz and blindfold games, and, for example, the game where he famously hung a piece in the opening against Gawain Jones. In fact you get more than 60 games for your money: there are several others in Soltis’s introduction, and more buried within the annotations.
At the start of the book Soltis asks “What made Magnus?”. The first answer is revealing: playability. The ability to judge how easy positions are to play. This is a point which is hammered home throughout the book. Carlsen excels at assessing positions, but his assessments are based on which player will find it easier to play good moves, which is often very different from computer assessment. Then there’s his versatility: he can play any type of position equally well and might play almost any opening against you. As we all know, he has an exceptional memory. He also has a very strong mindset: he is able to recover quickly from defeats and fight back from mistakes in his games. Readers of Chess Improvement: It’s all in the Mindset will know how important this is. He has exceptional stamina, which is why he will play on and on waiting for a mistake in positions which most of us would give up as drawn. He is also highly intuitive.
This is not the only anthology of Carlsen’s games on the market. Whether or not it’s the one for you will depend on how you react to Soltis’s style of annotation, which is very much based on verbal explanations. Variations are given where necessary, but what you don’t get, and many potential readers will be relieved by this, is pages of long computer-generated analysis.
This is a position from one of the earlier games in the book, Brynell – Carlsen (Gausdal 2005), with White to play his 32nd move.
If I were Black here I’d look at the equal material and bishops of opposite colours and consider offering a draw followed by heading off to the bar for a pint.
Here’s Soltis:
“Why doesn’t White have the superior winning chances? After all, he has the famous ‘queenside pawn majority’.
“Yes, but there are two factors that matter much more. One is the difference in bishops.
“White’s bishop has no offensive power. While queens are on the board it can only defend.
“Black’s bishop, on the other hand, ties White’s queen to the defense of f2.
“That’s not enough to give Black an edge. But it’s enough to keep the game going.”
32. Qf3 f5!
“This is the second factor that favors Black. Carlsen has a kingside pawn majority.
“They cannot create a useful passed pawn, as a queenside majority might.
“But they can become a powerful offensive weapon if …e5-e4 and …f4-f3+ drives the white queen from the defense of f2.
“A secondary plan is … g5-g4 and … h5-h4-h3+.
“Note that if White offers a trade of queens, even by 33. Qf4 Qxf4 34. gxf4, Black could refuse, 33… Qb2!, for example.”
What do you think? I, as a 1900 strength player, found the explanation very instructive, but I’d imagine someone of, say, 2200 strength would find it obvious and over-simplistic.
Here’s another example, this time an opening. Carlsen – Wojtaszek (Gashimov Memorial 2018).
Carlsen’s just played his 9th move in an unusual variation of the Sicilian.
“Here’s an admittedly over-simplified way of evaluating the position:
“First, just look at the top half of the diagram.
“The Black pieces and pawns are on the same squares they could be on in other balanced Sicilian positions, such as in the Richter-Rauzer or Scheveningen variations.
“Now look at the bottom half of the diagram. White’s pieces and pawns are uncommon but coordinated. The worst thing you could say is that he has no obvious plan except a kingside attack, begun by pushing his g-pawn.
“Now let’s consider specifics. After 9… Be7 White must avoid 10. g4? because 10… Nxg4! 11. fxg4? Bg5! loses his queen.
“Instead, 10. Kb1 0-0 11. g4 and then 11… Nd7, perhaps followed by … Nc5 and … b4 would have the double-edged nature of a typical Sicilian.”
Instead, Wojtaszek played 9… h5, when, because Carlsen’s knight was on g1 rather than d4, he was able to meet by Nh3 followed by Ng5, winning in short order when Black chose to keep his king in the centre.
“Over-simplified”? That word again. But top level games these days are so complicated that it’s hard to annotate them for club standard players.
I found the annotations of more tactical positions slightly confusing on occasion, but, given the nature of the games, that’s entirely understandable. By and large, Soltis does a good job in attempting to explain his selected games in terms that are readily understandable and instructive to club standard players. He’s a highly experienced journalist who really knows how to write: something that can’t be said of all chess authors.
You might have noticed that, although published in England, US spellings are favored (sic). I spotted a few notation and diagram errors: slightly annoying but there will always be one or two that slip through the net.
Games collections are rightly popular, and every chess library needs at least one volume of Carlsen’s best games. This isn’t the last word, not least because Magnus has many more years ahead of him, and there are other books on the market which I don’t have to hand for direct comparisons. It’s always a good idea to consider alternatives before making your move.
I enjoyed it: the games were well chosen and all full of interest. I found the annotations were pitched at the right level for me. While higher rated players find prefer more detailed notes, if you’re between about 1500 and 2000 strength I’m sure you’ll enjoy it too.
Here, in full, but without annotations, are the games referred to above.
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