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2020, Advanced, Books, Endgame, Quality Chess, Richard Webb

Decision Making in Major Piece Endings

November 16, 2020 Richard Webb 2 Comments

Decision Making In Major Piece Endings : Boris Gelfand

From the Publisher’s Foreword:

“This is the fourth book in the Decision Making In Chess series. It was written over the last couple of years. A lot of work has gone into this book and the accompanying volume Technical Decision Making In Chess, which deals with a wider range of technical topics, whereas this book focuses on positions without minor pieces.

It has been four years since the publication of Dynamic Decision Making in Chess and certainly there will be one person out there wondering what happened to us and why the third volume was taking so long to complete. I hope that the content alone of these two books will answer that question.”

From the back cover:

“In Decision Making in Major Piece Endings former World Championship Challenger Boris Gelfand discusses his path to decision making in endgames involving rooks or queens, as well as the neglected “4th phase”. Countless games are decided by good or bad technique in such endgames, so readers are certain to benefit from the insights of a word-class Grandmaster on this vital topic.

Grandmaster Boris Gelfand has been an elite player for over 30 years, winning the World Cup, Olympiad Gold, the Candidates and many other top tournaments. Grandmaster Jacob Aagaard is the only chess writer to have won all the major awards for chess writing. ”

Boris Gelfand, FIDE Grand Prix, London, 2013, Courtesy of John Upham Photography

Reaction to previous volumes in the series:

In 2015 Positional Decision Making In Chess won the ECF Book of the Year award.

“The most interesting chess book I have read in the last quarter-century.” Mikhail Shereshevsky on Positional Decision Making in Chess.

This new Quality Chess publication Decision Making In Major Piece Endings uses high quality paper and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each major diagram has a “to move” indicator. Where a “to move” indicator is not present, it is obvious which colour is to move from the accompanying moves in a variation.

Each chapter is introduced with a contemporary photograph of a player or players or a tournament scene which launches each chapter in a engaging manner. This is followed by a Diagram Preview page which shows the critical analytical diagrams in the following chapter and invites the reader to practise their analysis and decision making! If you can work out most of the variations you are a world champion.

The introduction of this book makes it clear that this book is not an endgame primer or manual on basic major piece endgames as there are plenty of these theoretical works already in existence. Knowledge of very basic rook and pawn endgames such as the Lucena and Vancura positions is assumed. This book is “about decision making at the board and learning from your games – and those of others. In this book I will discuss topics that have arisen in some of the most interesting games without minor pieces during my career. We will encounter rook endings, queen endgames and games in what Romanovsky called the fourth phase, which is essentially later middlegames/early endings where only major pieces remain.”

The introduction also guides the reader on how to study the endgame: 1. knowledge of basic positions and their key variations and ideas must be known; 2. improving deep analytical skills; 3. development of intuition. This book concentrates on improving items 2 & 3 above. The author suggests how to best use the book by first analysing the endgames without a chess engine and/or tablebases to prevent lazy thinking by relying too heavily on engine assessments without understanding.

Despite the fact that the introduction claims that this book is not an endgame primer, there are a couple of excellent chapters on theoretical endgames. They are covered from a practical point of view and Gelfand draws out the key defensive ideas by concentrating on patterns and key positions. More on these chapters later. There are other basic endgame positions interspersed in other chapters which are reached from long variations but are nevertheless didactic as the theoretical endgames are shown in context within the whole endgame and the reader is clearly shown how these positions can be reached in practice.

Here is an critical position from the game Julian Hodgson – Boris Gelfand played at Groningen 1996. Both players misevaluated this ending as they both thought that black was easily winning. At the time, endgame theory agreed with them. Modern tablebases give this as a clear draw as black cannot hide his king from the checks with accurate defensive play from white.

The game continued 86.Qe8+? The losing mistake. The black king escapes the checks by stepping in front of the pawns. 86.Qe6!, the most natural waiting move was still drawing. (86.Qd7! also draws). 86…Qf8 87. Qe2+ g4 88. Qe5+ Kh6 89. Qe6+ Kg5 90. Qe5+ Qf5 91.Qg7+ Kf4 92. Qc7+ Qe5 93. Qf7+ with a draw. 86… Kg4 87. Qe6+ Qf5 88.Qc4+ Kg3 89. Qc7+ Qf4 0-1

The author makes the point that if white had known that the endgame was a draw, and knew a few general ideas, he would have probably drawn the game. But when you think it is lost, psychologically it is impossible to hold it, particularly in an increment finish. A lot of the top players do not think in terms of lost or not: they concentrate on looking for ideas (to make life difficult for the opponent).

Chapter 1 – The Importance of Analysis

The title of the chapter is self explanatory and Gelfand stresses the need to study complicated endgames in depth and understand all the nuances. There are some superb examples of brilliant analysis. Here is one such position where Gelfand did not discover the right idea until 2018:

It is black to play, clearly 60…d1=Q 61. Rxd1 Kxd1 62. Kf3 is not good enough to win. Black to play can win with 60…Rc4!! 61. Rb1 Rc1 62. Rb2 Rf1!! cutting the king off from the e-file (62…Ke3? 63. Rxd2 Kxd2 64.Kf4 draws shouldering the black king) 63. Kg4 Ke3 64. Rxd2 Kxd2 65. Kg5 Ke3 wins as black’s king is now available to hunt the pawns down.

Chapter 2 Do Not Hurry

The “Do not hurry” concept is a key concept that I first encountered in Shereshevsky’s classic Endgame Strategy. In the position below, this principle can be demonstrated aptly.

Converting this position is covered in detail with a key discussion on exchanges which is enlightening.

This rook ending could have occurred and black’s winning’s manoeuvre is instructive:

Gilberto Hernandez Guerrero-Gelfand Merida 2003 — Gilberto Hernandez Guerrero-Gelfand Variation

63…Rc5 64. Rc7 Rc3+ 65. Kf2 Rc4 66.Kg3 Now the black rook has been optimally placed, it is time to improve the king to the maximum, while keeping the best possible pawn structure, which is to keep the pawn on g7 and play …f6, so that White does not have Rc8 followed by c6-c7. If the pawn would be on g6 in that position, Rg8 would eventually come and save a draw. The best black would achieve is f- and h- pawns, but not in favourable circumstances. With the pawn on g7, …Rxc7 will always come as a response to Rg8 and black wins trivially. 66…Kf6 67.Kh3 Kg6 68.Kg3 f6 And black wins after either 69.Kh3 Kh6! followed by the advance of the g-pawn, or 69.Rc8 Kf5! and the advance of the king.

Chapter 3 – Three Surprisingly Complicated Rook Endgames

This is a variation from an interesting rook and pawn endgame Boris Gelfand – Lars Bo Hansen Wijk aan Zee 1993:

White wins with the instructive 64.Rc7!! preparing to cut black’s king off along the fifth rank 64…Rh1 65.Rc5! and if 65…Kd6 66.Rc6+, white can then simply queen the b pawn winning black’s rook whilst black’s king is unable to support his own pawn.

Here is another common type of position taken from a variation in the game Gelfand-Vladimir Kramnik Zurich 2017. White is clearly much better as his king supports his pawn and black’s king is not in the game. But how does white win?

The answer is simple once you see it. 48.Rc3!! Kf6 49. Rc2! and wins

Chapter 4 Two Defensive Methods in Rook Endings

This chapter is one of the theoretical chapters which covers rook and four against three all on one side and rook against three connected passed pawns. This section is well constructed with coverage of all the major positions and ideas in the 4 v 3 ending.

Some famous games are included which must be present in every treatise on rook endings. Here is one such ending from: Mikhail Botvinnik v Miguel Najdorf Moscow 1956:

White is winning here because he can create a passed e-pawn and he has fixed the pawn structure with h5 leaving an entry point for the king on g6. The game continued 61…Kf7 62. Ra5 Rc7 63. Rd5 Ra7 64. e5 fxe5 65. fxe5 Ke7 66.e6 Ra4 67. g5! providing cover for the king 67…hxg5 68.Rd7+ Kf8 69.Rf7+ Kg8 70.Kg6 g4 71.h6! gxh6 72.e7 Ra8 73.Rf6 There is no defence to Rd6 and Rd8 with mate.

The celebrated endgame Capablanca-Yates Hastings 1930 is of course covered in great detail. The analysis of the famous position is covered in great depth showing the defender’s best defence which is tricky to crack. It is revealing to note that even the great Cuban World Champion let the win slip at one point. I suggest that the reader buys the book to study this superb analysis.

The position below is the celebrated game Piket-Kasparov Internet 2000 because Kasparov misplayed a drawn endgame so badly. We must not be too hard on the former World Champion as it was a rapid game and Kasparov is a superb endgame player.

The game continued: 42.Kh3 Re3 43.Kh4 Kg7?! Black does not have to let the white king into g5. 43…Kh6! 44.Rc7 Re2! 45h3

Now, 45…Rxe5! 46.Rxf7 Re4 47.g4 Rxf4! forces a quick draw.

The game continued: 44.Kg5 Re1? (The final mistake: black can hold with 44…Ra3 45.Rc7 Ra5 and white is stymied) 45.Rc7 Re2 46.Re7 Ra2 The following variation is the key to why white is winning: 46…Re1

47.e6! Rxe6 48.Rxe6 fxe6 49.h3 Despite material equality, black is lost as he is in zugzwang. 49…Kf7 50.Kh6 Kf6 51.g4 h4 52.g5+ Kf5 53.Kg7 Kxf4 54.Kxg6 e5 55.Kf6 e4 56.g6 e3 57.g7 e2 58.g8=Q e1=Q 59.Qg4+ Ke3 60.Qe6+ exchanging queens and winning

In the game, black lost in a similar manner to Botvinnik-Najdorf:

47.f5! gxf5 48.e6 h4 49.Rxf7+ Kg8 50. Kf6 1-0

The final two positions in this chapter concern Rook v 3 connected passed pawns.

White to move wins with 1.Rf8, black to move draws only with 1…Kg7! preventing the rook from moving behind the base of the chain.

Similarly in the mirror position, white to move wins with 1.Rh8, black to move draws with 1…Kg7!

The core of the book (chapters 5 to 8) is a series of four chapters deeply analysing three rook and pawn endgames of Gelfand’s against world class opposition. The games are shown in their entirety which is the modern way to study endgames in relation to the opening and middlegame.

This position from a variation in the game Gelfand-Kasimdzhanov from Baku 2014 caught my eye. Black to play – what should he do? 59…Kf5!! The obvious move is to push the pawns with 59…g4. Let’s see what happens: 60.Rc6! f5 61.Rxa6 Kg5 62.Rb6 h3 63.Kg3 f4+ 64.Kh2 Kf4 65.Rh6+ Kg5

66.Rh8! Kf5 67. Rg8! Black is in zugzwang and loses all the pawns.

60.Rc6 a5 61. Rc5+ Kg6 62.Rxa5 f5 and black prevents the rook from reaching f8. This is obvious when one has knowledge of the basic endgame rook v 3 connected pawns shown above! The author has shown an excellent example of knowing your basics being applied to a real live game.

Chapter 9 Queen Endings with a g- or h- pawn

This is one of the reviewer’s favourite chapters as it combines endgame theory with practical examples showing that even strong GMs do not know how to defend these endings correctly. Even when players know where to put their defending king, choosing the correct check to draw is not obvious!

Here is a position from Gelfand-Jobava from Dortmund 2006.

The reviewer loves this endgame.

This king and pawn ending is clearly drawn but white is pressing with a more advanced king. White played 50.h4 setting a subtle trap. 50…h5?? losing, incredible to believe but it is true. 50…Kd7 draws, for example 51.g4 f6+ 52.Kd5 e6+ 53.Kc5 h6 54. e5 fxe5 55.fxe5 Kc7 seizing the opposition and drawing 51.f5! f6+ 52.Ke6 gxf5

Now white played 53. e5!! which had been completed missed by black (automatic recapture syndrome) fxe5 54.Kxe5 Kd7 55.Kxf5 Kd6 56.Kg5 Ke5 57.Kxh5 Kf4

Now white can enter a winning queen endgame with 58.Kg6!

White did not play the endgame perfectly, and after many adventures this position was reached at move 87. Black is drawing here if he places his king in the drawing zone which is the far corner diagonally opposite where the g pawn is hoping to queen i.e. a1.

87… Ka5? was played which loses. I am surprised that a strong GM moved his king the wrong way. 87…Ka3 draws but the draw is not simple. 88.g7 and now black can draw with an accurate sequence of moves that are not obvious. 87… Qe5+ (the obvious 87… Qg3+ loses in 41 moves) 89.Kg6 Qe6+ 90.Kh7 reaching the drawn position below.

Gelfand-Jobava (Move 90) — Gelfand-Jobava (Variation Move 90)

90…Qf5+ 91.Kg8 Qf4! (only move) draws, 90…Qh3+ 91.Kg8 Qf5! (91…Qe6+ loses) also draws

The game continued 88.g7 Qe5+ 89.Kg6 Qe6+ 90.Kh7 Qf5+ 91.Kg8 Ka4 92. Qh1 Qc8+ 93. Kh7 Qf5+ 94. Kh8 Qe5 reaching the position below:

Now 95.Qh3! wins cutting off he black king from the drawing zone. Gelfand won the game easily after another 18 moves. The best defence involves white winning by transitioning through the two diagrams below exploiting black’s king position to misplace the black queen. Absolutely fascinating stuff.

Chapter 10 – Multiple Queens

This section is entertaining with some really exciting and amusing positions. Here is one such position:

David Anton Guijaro-Alejandro Franco Alonso

This looks like a fairly standard queen and pawn ending. Black is a pawn down but is to play and played the obvious capture 55…Qxb2? which is simply too slow. 55…b4! was the drawing move. White has two tries: 56.axb4 is the only real winning attempt but falls short: 56…Qxb2 57. Qh7+ Ke6 58. Qxh6 a3 59. Qg6 a2 60.h6 a1=Q 61.h7 Qe2! forcing white to take a perpetual. Or 56. Qh7+ Ke6 57. Qxh6 Qxe4+ 58. Kh2 Qe2 with sufficient counterplay against the white king to draw. The game continued: 56.Qh7+ Ke6 57. Qxh6 b4 58. Qg6 bxa3 59. h6 a2 60. h7 a1=Q reaching the position below.

61. Qf5+? Driving the king towards safety: 61.h8=Q wins instantly, with a quick mate.) Kd6 62. h8=Q Kc5! 63. Qf8+ Kc4 64. Qe6+ Kd3 65. Qfxf6 Qd4 66.Qf3+ Kd2 67. Qh6+ Kc2 68.Qc6+ (the computer prefers 68.Qe2+ Kc3 69.Qc6+ Kb4 70. Qb7+ Ka3 71. Qe7+ Kb3 72. Qf7+ Kb4 73.g4 and white is winning) Kb1 69. g4 Qab2 70.g5 a3 71. g6 a2 72. g7 a1=Q 73. g8=Q Qaa3 74. Qgg3 ? (74. Qcf6 keeps the advantage) reaching this position:

This is the beautiful but sad moment of the game. Black played 74…Qxf3+? and went on to lose quickly. 74…Qdxf2+!! draws by sacrificing all three queens for stalemate, for example 75. Qfxf2 Qxg3+ 76. Kxg3 Qc3+ 77. Qxc3 stalemate. Fantastic! Who says there is no humour in chess ?

Chapter 11 – Full Circle

This chapter covers the famous game Botvinnik-Minev Amsterdam 1954 which goes into a celebrated Q + g pawn v Q ending which Botvinnik won from a drawn position. As Boris Gelfand points out, once we know that an article written by Paul Keres in the 1947-1949 Soviet Yearbook recommended that black place the king on a4, black’s moves become completely understandable.

56.Qg4+ Ka5? This is still a draw but modern knowledge recommends Ka3 heading towards the opposite corner. 57.Qxe6 Qh8+ 58.Kg6 Qc3 59.g4 Qd2 60.g5 Qd4? Centralisation looks good, but in fact loses. 60…Ka4! was best, several other moves also draw.

Now 61. Qf5+? allowing black to draw. 61. Kh7! Qh4+ 62.Qh6 followed by g6, the black king is too far from the a1 corner 61…Ka4 62. Kh5 Qh8+ 63. Kg4 Qh1? The final mistake, after this Botvinnik wins with no slip-ups. Buy the book to find out how. 63…Ka3! was correct.

Chapter 12 – Conversion in the 4th Phase

This chapter covers a complex Q and double rook late middlegame which reveals the complexities of such positions. The game clearly shows that a sustained initiative is so potent.

This is a critical position from the game Gelfand-Edouard. Black is under the cosh but can defend with 35…Qxe5! 36. Qxa7 Rg6! 35.Qb7 Rxg3+! 36.fxg3 Qe3+! 37. Kh2 Qh6+ with a perpetual check.

The penultimate chapter is a series of studies which are elegant and instructive. There is a particularly beautiful study by Darko Hlebec. Buy the book to appreciate the beauty of chess.

The final chapter is a series of rook exercises which are extremely didactic. If you can solve all of these, you are a World Champion.

I heartily recommend this superb book on major piece endgames which is a labour of love and hard work. It combines practical examples with coverage of basic endgame positions.

FM Richard Webb, Chineham, Hampshire, 16th November 2020

Paperback : 320 pages
Publisher:Quality Chess UK LLP (28 April 2021)
Language: English
ISBN-10: 1784831395
ISBN-13: 978-1784831394
Product Dimensions: 17.2 x 1.55 x 24.43 cm

Official web site of Quality Chess

2020, Art, Books, HereLove, History, Reviews

Chess in Art : History of Chess in Paintings 1100 – 1900

November 15, 2020 John Upham Leave a comment

Chess in Art : History of Chess in Paintings 1100 – 1900 : Peter Herel Raabenstein

From the publisher :

“Chess has been very important skill of human mind, part of many intellectual arguments, and a vital part of social life, for more than 1000 years. It has also mesmerized Peter Herel Raabenstein, who around 2003 craved to immerse himself deep into the story of chess. On that occasion, he was looking for a gift for his uncle, who shared the same passion for chess, art and history. He was aiming to buy a special book focused on chess and art. Unfortunately, he found out there was no such book. He decided to create the gift himself. After collecting 12 paintings with chess theme, he used them to create a calendar.

Peter’s uncle was amazed by the gift and proposed making a whole book with chess as a main theme. Later whilst living in Amsterdam and studying at local art school to master painting skills, Peter kept his interest in chess. He regularly visited chess museums and cafes. He was persistent in pursuit of creation of his own book, all thanks to his dedication and passion for art and chess, and also his uncle’s excitement about the idea. The book that was also finished as a result of many coincidences.

He shared his idea with a friend during a chess tournament in Wijk aan Zee in 2009. Peter’s friend was so passionate about the idea that he immediately wrote a prologue for the book and motivated Peter even more. Soon after they parted their ways Peter sadly realized that he has not got his friends contact details. However, he continued writing and collecting materials remembering his uncle’s and his friend’s supportive words.

Now, after 10 long years, Peter can offer his collection of chess themed paintings by more than 700 artists during 1000 year long period, including 20th century. Peter hopes to meet his Greek friend again to thank him for motivation to finish the book. He would also like to thank everyone who supports his art projects and follows his work. ”

When Chess in Art arrived at the BCN office it was clear we needed one thing to go with it : a coffee table! Together with The Thinkers by David Llada this is not a book you would fail to notice or ignore. You are drawn to pick it up and leaf through the pages.

Weighing in at an impressive 1.8 pounds this is a beautiful volume. One thing we cannot possibly convey via this review is another (generally ignored) dimension : its olfactory qualities! The smell is absolutely wonderful, it lingers and combined with the additional high qualities of paper, production and printing it is a simply a gorgeous book. Eat your heart out Mr. Kindle or any pdf scan and upload merchants.

For your amusement you might like to guess how many chess books include the word “Art” in their title. As usual with this type of question the answer is larger than you might think…Try it! Apart from that books on the same subject as this one are few and far between so this title makes a welcome appearance.

For those interested in perusing this subject then

Marcel Duchamp: The Art of Chess Hardcover, May 2009

may be of interest. Prices are high for this volume.

Despite binge watching BBC One’s excellent Fake or Fortune? (our knowledge of art is superficial) we felt a strong degree of fear and trepidation in starting this review. We could not possibly review this book from an art perspective and so we settled on a chess player’s point of view.

The book is divided into eight main sections / chapters with five main sections covering eras from 1100 AD onwards :

- Prologue
- 1100 – 1500

38 colour plates

- 1500 – 1600

17 plates

- 1600 – 1700

21 plates

- 1700 – 1800

38 plates

- 1800 – 1900

186 plates

Artists
Epilogue

which is a total of around 300 plates most of which are in full colour. These five sections are followed by a listing of all of the artists with brief biographical details. Finally there is an index to all the artist’s works to be found in this book.

The prologue may well be (for chess enthusiasts) the most interesting section of the book. For example we have (page 9) “The lack of chess paintings in the beginning of the sixteenth century is attributed to the difficulty of establishing chess rules.” Quite how true this is we are not sure but it is worth considering. Maybe a more detailed study of HJR Murray is in order?

Here is an example of a double page layout from the 1100 – 1500 era section :

From pages 42 and 43 : Israhel van Meckenem (1445 - 1503) — From pages 42 and 43 : Israhel van Meckenem (1445 – 1503)

To whet your appetite further from page 55 we have this work by Caravaggio :

CARAVAGGIO (Michelangelo Merisi da) (1571 – 1610) Schachspieler.

(By a strange coincidence in the BCN office we had recently watched Caravaggio via Amazon Prime!)

and there is this famous work depicting Faust on page 102 by Friedrich Moritz August Retzsch 1779-1857 :

and finally (but not least) this work from 1818 by Johann Erdmann Hummel :

HUMMEL Johann Erdmann (1769 – 1852) Die Schachpartie. 1818

We found ourselves becoming engrossed in the book wanting to know more about the individual art works. Indeed, this was the most frustrating and disappointing aspect. For almost all of the images we did not need the skills of Anthony Blunt (can we mention this name?) or Tom Keating to discover the chess background via Wikipedia or other online sources. So why not provide even a few lines of description for each or most of the images. These extras would have made reading this book even more of a joy. Perhaps space reasons provided a restriction? Surely both the art and chess lover would like to read more.

There were a couple of trivial typos : “editrorial” but nothing substantive. Almost certainly not caused by the author.

The book has been widely reviewed : one of our favourites is from Carl “Chess in Prisons” Portman who hits the nail neatly on the head with an enjoyable piece.

If you are still not convinced then see this ChessBase review by André Schulz.

Finally we come to the price of €111. You might, at first, baulk at this: “I could buy five books on the Sveshnikov instead”.

However, this book is a real beauty, definitely a collectors item with a volume to cover 1900 to the present day in the pipeline. If you have a coffee table and want to cheer it up at Christmas then this book is for it and you!

We’d recommend you visit the Chess in Art web site If this review does not convince you then their web site just might.

John Upham, Cove, Hampshire, 15th November, 2020

Book Details :

Hardback : 317 pages
Publisher: HereLove
Language: English
ISBN-13: 978-8090577657

Official web site of Chess in Art

2020, Books, Middlegame, New in Chess, Reviews

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess

November 13, 2020 Richard James 4 Comments

Mastering Positional Sacrifices : A Practical Guide to a Vital Skill in Chess : Merijn van Delft

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess.New In Chess, August 2020, Merijn van Delft

From the publisher :

“Merijn van Delft is an International Master from the Netherlands. He has been a chess trainer for more than two decades and created instructional material both online and offline.”

From the book’s rear cover :

“Most chess games of beginners and post-beginners are decided by fairly straightforward tactics. Anyone who wants to progress beyond this level and become a strong club player or a candidate master, needs to understand that somewhat mysterious-looking resource, the positional sacrifice.

International Master Merijn van Delft has studied and loved positional sacrifices for as long as he can remember. This non-forcing tool is not just a surprising and highly effective way of creating a decisive advantage during a game. Positional sacrifices are also instruments of superior beauty.

Van Delft has created a unique thematic structure for all types of positional sacrifices. He shows the early historical examples, explains which long-term goals are typical for each fundamental theme and presents lots of instructive modern examples. He then concentrates on those sacrifices that have become standard features of positional play. Solving the exercises he has added will further enhance your skills.

Playing a positional sacrifice will always require courage. Merijn van Delft takes you by the hand and not only teaches the essential technical know-how, he also helps you to recognize the opportunities when to take the plunge. Mastering Positional Sacrifices is bound to become a modern-day classic.”

Dutch IM Merijn van Delft introduces readers to one of the most complex and fascinating aspects of chess: the positional sacrifice. He’s not the first author to tackle this subject: previous books by McDonald and Suba, which I haven’t read are discussed in the bibliography.

A few quotes from the introduction will give you some idea of what this book is about, and who the target readership is.

“I am trying to write for as broad a readership as possible, but let me give a mild warning to beginning chess players: this book may not be the best place to start for you. … Here is a mild warning for very experienced players as well: you may come across a fair amount of examples you already know. I considered it my job to combine the most impressive classical games with new material, and to find a nice balance there.

“A feel-good book is what this is meant to be. It should be fun to play through the games and the book can easily be used for entertainment purposes only. If you are simply seeking inspiration, feel free to open it at a random page and check the diagrams. The most exciting moments are always covered with a diagram and described in the text that follows.

“Having said that, my main intention has been to present the material as systematically as possible. My goal was to create a unique framework of positional sacrifices. The structure should have an inner logic and should help the reader to build up his knowledge systematically.”

Let’s look inside and see whether or not the author has achieved his aim. There are 115 complete games in the main body of the book, ranging from Morphy to Wijk aan Zee 2020, so it’s nothing if not up to date. All but the first two (in the introduction) feature positional sacrifices. All games are fully annotated, mostly verbally, with variations only given when necessary. It’s particularly good to see the complete games, so that readers can witness how the positional sacrifices arose from the opening.

The first part of the book deals with the four basic reasons for positional sacrifices: piece play, pawn structure, colour complexes and domination.

Chapter 1 teaches us how we can use positional sacrifices to create play for our pieces: by opening files, opening closed positions or opening diagonals.

Here, for example, is a position from Leko – Vachier-Lagrave (Batumi Ol 2018), with Black just about to use a positional sacrifice to open some files on the queen side.

“For now White seems to have everything under control, but what follows is a true thunderbolt.

23… Nxa4!

Vachier-Lagrave’s handling of the opening stage may have been unfortunate, but now he displays very deep understanding of the position with a truly amazing piece sacrifice.”

The game continued 24. Bxa4 b5 25. Bxb5 a4 26. Nd4 a3 and Black won on move 71.

Chapter 2 looks at how we can use positional sacrifices to help our pawns. We can create a Perfect Pawn Centre, a Pawn Steamroller or a Mighty Pawn Chain.

This is Gemy Vargas – Fier Sao Paolo 2019. White’s f-pawn has just moved two squares, and van Delft points out the alternative 30… exf3, which is the engine recommendation. But instead…

30… e3!

“The artist is taking over. Black sacrifices a piece to increase the size of his pawn steamroller. As Alexandr said at the Masterclass he gave recently at Apeldoorn, during his early years as a chess player he was heavily influenced by Kasparyan’s book with endgame studies on the theme of domination.”

By move 41 he’d reached this position, where White resigned.

“A pretty picture, the ultimate pawn steamroller, minding a bit of the famous McDonnell – De la Bourdonnais finish with black pawns on d2, e2 and f2.”

Chapter 3 moves onto the idea of positional sacrifices to control colour complexes. As van Delft explains, because this is a more abstract concept than pieces and pawns, it’s harder to understand.

Chapter 4 then puts everything together: we can play a positional sacrifice to achieve domination of the entire board.

In Wojtaszek – Hracek (Aix-les-Bains 2011) White, who had already sacrificed a pawn, now gave up the exchange to dominate the board.

17. Rxc5! “The key move, a strong positional exchange sacrifice.”

Now we understand the reasons why we might want to play a positional sacrifice, we can move onto Part 2, where we can learn about typical sacrifices and store the ideas in our long-term memory. Many of them, though, will already be familiar to experienced players.

Chapter 5 concerns pawn sacrifices: as you might expect the Benko and Marshall Gambits are among the openings considered. Chapter 6, concluding Part 2, moves onto typical exchange sacrifices.

Part 3 goes way beyond this, to more difficult and dangerous ideas. Chapter 7, Extreme Sports, asks how much you can get away with sacrificing. You’ll find double exchange sacrifices, queen sacrifices for a couple of minor pieces, and even positional rook sacrifices.

In Firouzja – Karthikeyan (Xingtai Asian Championship 2019) Black sacrificed his queen on move 9:

9… Qxc3+! “A great positional queen sacrifice.”

10. bxc3 dxe3

“Black now has two minor pieces and a pawn for the queen. White has many weak pawns and squares, which makes Black’s position much easier to play.”

In Chapter 8, Heroes, van Delft introduces us to some of the games that have inspired him over the years, played by the likes of Shirov, Aronian and Carlsen.

Finally, Chapter 9 goes beyond human positional sacrifices to the Superhuman, including recent games by Leela Chess Zero and Stoofvlees.

Now it’s time to put your new found knowledge and skills into action with a final chapter of Exercises.

“In total there are 48 exercises, on four different levels, with 12 exercises each. Every reader should have a fair chance at Level 1, while at Level 2 things are already becoming more difficult. Level 3 is serious business, and at Level 4 most people will be running into a wall. Level 4 is mainly there to remind us how rich chess is, and that we will not easily be done learning.”

The answers always include the play up to the question, and in some cases the complete game as well.

As you’ll realise, there’s a lot of great chess in this book. The author has also achieved his aim of treating a difficult subject in a logical and well structured way. But what really appeals to me is van Delft’s style of writing. There are many strong players who excel at writing or talking about chess, but not all of them understand how their readers or viewers might learn. He is at pains to differentiate between material which provides specific lessons you can employ in your own games and more difficult material which might serve as an inspiration. Although the English isn’t always totally idiomatic, the meaning is never less than totally clear. Not for him the fanciful analogies and flowery language preferred by some authors to make their books fun: for van Delft the fun comes from the moves themselves. Although the intent is serious, his approach is warm, friendly and encouraging. Enjoy your chess and don’t be afraid to try out new ideas: this is how you improve. He comes across to me as, above all, an excellent teacher. I look forward to reading whatever he writes about in future.

Personally, I’d have liked a broader historical perspective. Those 19th century favourites the King’s Gambit and Evans Gambit are positional sacrifices for, amongst other things, an Ideal Pawn Centre, and many other 19th century gambits have aims relating to themes in the book. While there are a few 19th century games along with some discussion of the Steinitz Gambit and a brief mention of its context, a chapter on the history of positional sacrifices would have been interesting.

Nevertheless,, this is yet another outstanding book from New in Chess in what has been an exceptional year for chess literature. Very highly recommended: I’m sure you’ll find it both enjoyable and instructive, and, if you’re rated, say, 1800+, this book will add a new dimension to your chess.

Richard James, Twickenham 13th November 2020

Book Details :

Paperback : 320 pages
Publisher: New in Chess (1st June 2020)
Language: English
ISBN-13: 978-9056918835
Product Dimensions : 6.82 x 0.82 x 9.3 inches

Official web site of New in Chess

Mastering Positional Sacrifices: A Practical Guide to a Vital Skill in Chess. New In Chess, June 2020, Merijn van Delft

2020, Books, Reviews, Thinkers Publishing, Tournament

Candidates Tournament 2020 : Part 1 Yekaterinburg

November 11, 2020 Colin Purdon Leave a comment

From the rear cover :

“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukrainian grandmasters. He was the winner of several strong tournaments, including the Ukrainian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author. This is his second book for Thinkers Publishing, after his major success in 2019 with ‘Coaching the Chess Stars’.”

Also from the rear cover

“The official story of the 2020 Candidates Tournament began on November the 11th, 2019 with the signing of a contract between FIDE and the Russian Chess Federation detailing the hosting duties of said tournament in Ekaterinburg from the 15th of March to the 5th of April, 2020. At that point no one could have even imagined how difficult the road to that tournament would be nor how unexpected the outcome. Yet the significance of the actual numbers in this dramatic epic is hard to overestimate which is why the author will attempt to play the role of chronicler and try to describe as accurately as possible the key moments of this historic event. Vladimir Tukmakov was our close observer, author and wrote a historically important book on the first part of the Candidates 2020.”

Tournament books, once a staple of chess literature, have been rare in recent years and books about half a tournament have always, naturally, been rarer still. This book by GM Vladimir Tukmakov is just such a book – and in my opinion it is a very welcome one.

Of course, 2020 has been an exceptional year (in a bad sense of exceptional) and the Candidates Tournament stands out as the exceptional (in a good sense of exceptional) over-the-board elite event of the year. It is unfortunate that Covid-related reasons forced the tournament to be suspended before its conclusion. (Or was the suspension necessary? The author’s comments on the decision are interesting.)

Although the tournament started on schedule in March, it was already in somewhat controversial circumstances because Teimour Radjabov had withdrawn – citing the rapid spread of the pandemic – and had been replaced by Maxime Vachier-Lagrave. The tournament was suspended exactly half way through following an announcement by the Russian government that all international air travel had been suspended indefinitely. The eight Candidates had been due to play each other twice, and seven of the fourteen rounds had been completed.

The author of this book, now aged 74, has been pretty much inactive as a player in recent years but he was a top player for a number of years, coming second in the Soviet Championship on three occasions, and reaching number 12 in the world rankings. This quality is reflected in his game annotations even if they are – as he modestly admits – sometimes helped by his “Iron Friend” (as he refers to chess engines).

The book consists of the following sections:

Introduction: Three pages of he author’s reflections on why he chose to write this book.

Prelude: Nine pages which describe the tournament itself, its participants and its occurrence in the time when the pandemic was developing.

The Play: 121 pages of games, with each of the 28 games annotated by the author and with a summary of the situation after each round.

Unexpected Conclusion: A brief two page description of the suspension.

Interim Results: An eight page summary of the tournament (so far!) including general observations of the players and their prospects for the remainder of the tournament, whenever that will be.

The Prelude and Interim Results chapters are informative and are engagingly written. They include a number of personal reflections by the author. The annotations in The Play chapter are, I think, superb, with both textual comments and given variations always hitting the spot in their relevance. An example of this is taken from his notes to the Ding-Caruana game:

12 d5!?
Another complicated decision. The position demanded 12.e3 in the hope of completing development after 12… Bb3 which was like the game. Also, worth considering was 12… Bg6!? 13.Bc4 (Although 13.Nd3 led to an even more complicated struggle. For instance, 13…Na6 14.Nxb4 Nxb4 15.dxc5 Nc2 16.Rb1 Qa5) 13… Bxc4 14.Nxc4 cxd4 15.exd4 (15.Qxd4 Qe7) 15… Nc6 with enough compensation for the pawn.
It is very revealing, that having found himself in a difficult psychological situation, the Chinese grandmaster does not rush towards simplification instead choosing a more difficult and principled continuation each time.

(The book actually uses figurines for the pieces.)

Tukmakov is generally very respectful of the great players who are taking part in the tournament (indeed he writes that the book “bears witness to my solidarity with my younger colleagues” in view of their bravery in playing under the circumstances of the pandemic), but this doesn’t stop him from criticising them. For example, their clock handling occasionally comes in for comment. On one occasion he writes:

It is difficult to understand what Giri thought about for 25 minutes.

As may perhaps be expected, Grischuk receives sterner criticism in this area – but criticism that is well reasoned (and somewhat humorous).

In summary, I really like this book. I look forward to the second instalment which I hope arises as and when the second half of the tournament is complete. Who knows, perhaps tournament books are not a thing of the past after all?

Colin Purdon, Crowthorne, Berkshire, November 11th 2020

Book Details :

Flexicover : 160 pages
Publisher: Thinkers Publishing; 1 edition (8 Dec 2020)
Language: English
ISBN-10: 9492510928
ISBN-13: 978-9492510921

Official web site of Thinkers Publishing

2020, Books, Opening Theory, Reviews, Thinkers Publishing

The Modernized Scotch Game : A Complete Repertoire for White and Black

November 5, 2020 Andrew Martin 2 Comments

Grandmaster Milos Pavlovic was born in Belgrade in 1964 and was Yugoslav Champion in 2002. He is a well known theoretician specialising in opening theory and has written many chess books and magazine articles. Previously we have reviewed The Modernized Stonewall Defence and The Modernized Colle-Zukertort Attack by this author.

This is another title in the “Modernized” series from Thinkers Publishing with this Scotch Game book being published on December 17th 2019. We first reviewed a title in this series with The Modernized Caro-Kann from GM Daniel Fernandez and then followed by The Modernised Colle-Zukertort from Pavlovic.

As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.

Andrew Martin, Bramley, Surrey, 5th November, 2020

Book Details :

Hardcover : 280 pages
Publisher: Thinkers Publishing (17 Dec. 2019)
Language: English
ISBN-10: 9492510731
ISBN-13: 978-9492510648
Product Dimensions: 17.02 x 1.52 x 23.37 cm

Official web site of Thinkers Publishing

2020, Biographies, Books, History, McFarland Books, Player

Steinitz in London : A Chess Biography with 623 Games

October 22, 2020 Richard James 3 Comments

Steinitz in London : A Chess Biography with 623 Games : Tim Harding

“Tim Harding played for Ireland at the 1984 FIDE chess Olympiad in Thessaloniki. He is a FIDE Candidate Master and a Senior International Master of correspondence chess. A well-known writer on many aspects of chess, Tim is a former editor of Chess Mail magazine and for almost 20 years he contributed monthly articles in “The Kibitzer” series. He lives in Dublin, Ireland.”

From the publisher’s blurb :

“Drawing on new research, this first biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson’s Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventual drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.”

Collectors of McFarland’s chess biographies will know exactly what to expect.

A handsome, beautifully produced hardback book based on extensive and exhaustive research, in this case concerning William Steinitz (Harding prefers to use the anglicized spelling of his name), the first official world champion.

He was born under the name Wolf Steinitz into a Jewish family in Prague in 1836, making him a year older than Morphy. He moved to Vienna to study mathematics in 1858, and it was there that he started playing chess seriously. In 1862 he travelled to London to play in an international tournament, and remained there, living the life of a chess professional, for 20 years.

Here’s Harding, in the Preface:

“This is not just a game collection but also an important biographical work. Subsequent to his triumphant comeback at the Vienna international tournament and his resignation as chess editor of The Field, Steinitz left England for a long tour of America. In the spring of 1883 he returned to play in the London 1883 tournament, after which he spent some more time in London; Chapter 12 deals with this. Steinitz then left England permanently and did not set foot in the country for another 12 years. The final chapter deals with his last visits to Britain which included two major tournaments, Hastings 1895 and London 1899. There is much less biography than chess in those two chapters but some information about his European tours is included. The tasks of writing a new biography of the final phase of Steinitz’s life after he left England, and of providing an authoritative game collection of his post-London period, are left for future scholars.

“The primary motivation for embarking on the research for this book was to present a chronological account of Steinitz’s two decades as an English resident, covering both the development of his chess career and significant life events. The chapter about Steinitz in this author’s earlier work, Eminent Victorian Chess Players, may be seen as a first essay in that direction but the present book goes much deeper, including appendices that document various controversies in which Steinitz became embroiled. The book also includes background sections about chess life in London going back to the earlier nineteenth century, dealing with London’s early chess clubs and public places where the game was played, before and during Steinitz’s time.”

Harding chose to include all available games from Steinitz’s time in London, some of which have only recently been rediscovered in old newspaper and magazine columns, so you have in total 623 games, mostly with some annotations from contemporary sources, occasionally, where appropriate, with interjections from Stockfish 10. In those days, of course, there were few tournaments, so he made a living, apart from journalism and teaching (one of his pupils was Lord Randolph Churchill, Winston’s dad), by giving simultaneous displays and playing against amateurs, who would pay for the privilege. If the games were particularly interesting or brilliant, they would find their way into print. In the early part of his career, Steinitz was renowned for his tactical acumen, so the book is crammed full of romantic King’s Gambits and Evans Gambits. Lovers of this style of chess won’t be disappointed.

In his preface, Harding draws the reader’s attention to two games in particular:

All the games have been checked using every primary source with discrepancies noted. So if you want a full and accurate record of every currently available Steinitz game from his time in London, along with some earlier games from his time in Vienna and those from his later English tournaments, look no further.

But what you also get is a lot of background information about chess in London during that period. The clubs, the events, the personalities, the disputes: everything is there. One of my personal interests is the changing position of chess within society over the past 200 years, and the changing demographics of the people who were attracted to the game over the years. In Steinitz’s time, as you would expect, chess clubs were entirely male and largely upper middle class. Most readers will be aware that chess was a particularly popular pastime amongst Church of England clergymen well into the 20th century. Helpfully, at least to me, Harding will often provide the full name and a one sentence biography of Steinitz’s amateur opponents. Although he is very thorough when researching Steinitz and his games, he tends only to consult one source for his opponents.

I decided to follow up a few random names through a quick search of genealogical websites: I found one or two mistakes and was also to provide probable identification in several cases where only the initial and surname were given. I also came across some fascinating stories which I’ll relate another time.

But this is just me: none of this will matter to most readers, who will be more interested in Steinitz than his opponents. It’s unrealistic to expect Harding to research these minor figures with the same diligence afforded to his protagonist.

Make no mistake about it: this is a major addition to the literature of our game, marked by scholarly research and historical accuracy, and, as such, deserves a place in the library of anyone with an interest in chess history. McFarland and their authors are doing an enormous service to the chess community by publishing books of this nature: this volume will sit alongside several other Harding works, notably his biography of Blackburne, Renette’s biography of Bird and Forster’s biography of Burn on your shelf devoted to 19th century British chess history.

But it’s not just a dry as dust history book. It’s a gripping read as well. Harding tells his story with panache, leaving the reader eager to turn the page and find out what happened next, helped, in part, by his subject’s disputatious nature. Whatever you do, don’t miss out on the appendices, in particular where Steinitz describes how he was allegedly assaulted by Blackburne on two occasions: “… he pounced upon me and hammered at my face and eyes with fullest force about a dozen blows, until the bedcloth and my nightshirt were covered with blood.”.

It is to be hoped that a future volume will appear, perhaps written by an American chess historian, covering the latter stages of Steinitz’s career. A Best Games collection, looking at his play through both 19th and 21st century eyes, would also be a valuable edition to chess literature.

A large book with high production values and a niche market is never going to come cheap, but, even if you’ve never read anything of this nature before, you might want to give it a try. With chess clubs closed and pubs offering restricted services, what better way could there be to spend your winter evenings?

Very highly recommended: 2020 has been an excellent year for chess books and this is certainly one of the best.

Richard James, Twickenham 21st October 2020

Book Details :

Format: library binding (8.5 x 11)
Pages: 421
Bibliographic Info: 84 photos, 623 games, appendices, notes, bibliography, indexes
Copyright Date: 2020
pISBN: 978-1-4766-6953-3
eISBN: 978-1-4766-4061-7

Official web site of McFarland

2020, Biographies, Books, New in Chess

Timman’s Triumphs : My 100 Best Games

October 17, 2020 Richard James Leave a comment

Timman’s Triumphs : My 100 Best Games : Jan Timman

From the publisher :

“Jan Timman is the author of highly acclaimed books such as Curacao 1962 and The Art of the Endgame. His best-selling Timman’s Titans won the 2017 English Chess Federation Book of the Year Award. His previous book, The Longest Game, is a riveting account of the epic rivalry between Garry Kasparov and Anatoly Karpov.”

From the book’s rear cover :

“Jan Timman is one of the greatest chess players never to win the world title. For many years ‘the Best of the West’ belonged to the chess elite, collecting some splendid super tournament victories. Three times Timman was a Candidate for the World Championship and his peak in the world rankings was second place, in 1982. For this definitive collection, Timman has revisited his career and subjected his finest efforts to fresh analysis supported by modern technology. The result is startling and fascinating. From the games that he chose for his Timman’s Selected Games (1994, also published as Chess the Adventurous Way), only 10(!) made the cut. Some games that he had been proud of turned out to be flawed, others that he remembered as messy were actually well played. Timman’s Triumphs includes wins against greats such as Karpov, Kasparov, Kortchnoi, Smyslov, Tal, Spassky, Bronstein, Larsen and Topalov. The annotations are in the author’s trademark lucid style, that happy mix of colourful background information and sharp, crystal-clear explanations. Once again Jan Timman shows that he is not only one of the best players the game has seen, but also as one of the best analysts and writers.”

Jan Timman (b 1951) has had an active chess career lasting over half a century. For much of the 1980s he was considered the strongest player in the West, with only Karpov and Kasparov clearly his superior. He also has an enviable reputation as an excellent writer and annotator, as well as an expert on endgame studies.

Here, we have a collection of Timman’s 100 best games. In fact, that’s not quite true. The introduction includes two games which just missed the cut, plus another three extracts where he played a study-like move.

As this is a best games collection, you won’t find any losses. There are two draws, from either end of his career, and 98 wins. As you’ll see from the back cover, there’s very little overlap with Timman’s earlier best games collection, and those games now have totally different annotations.

The analysis has all been double checked using strong engines, so you can be pretty sure of its accuracy. At the same time, Timman’s annotations are resolutely old school, and, for this reviewer at least, none the worse for that. You don’t get reams of computer generated tactics, just lucid explanations, with variations only when necessary.

Take, for example, one of his quicker wins, a victory with the black pieces over Nigel Short from Linares 1992. Here’s how Timman annotates the conclusion.

But, as an endgame connoisseur, he occasionally goes into more detail when a fascinating ending appears on the board.

This position is from a game, again with Black, against Artur Yusupov (the book uses the German spelling Jussupow) played in Belgrade in 1989. This position arose just after the adjournment at the second time control. Here’s how Timman explains this position.

“The analysis during the break had taught me that a transfer to a rook ending was the most convincing path to the win. Jussupow had mainly looked at 63… b2. During the post-mortem, he told me that he had found drawing chances in that line. However, the computer is unrelenting. Black wins also here with two accurate king moves: 64. Rb1 Rd2 65. f5 Kd6! 66. Nf7+ Ke7!, and White cannot take on g6, since Black has the d3-square for his bishop.

“During the analysis, I also looked at the spectacular 63… Rd3+ 64. Kg4 Rd1. If this had worked, it would have been a study-like conclusion to the game. Alas, it doesn’t work. The main line continues as follows: 65. Rxd1 Be2+ 66. Kxh4 Bxd1 67. f5 Be2 68. f6 Kd6

and now White has the incredible finesse 69. Nc6!!. Luckily, I found this study-like save in my hotel room in Belgrade. After 69… Bc4 70. Na5! Bf7 71. Nxb3, a theoretically drawn endgame ensues.”

(The game concluded 63… Bd3 64. Nxd3+ Rxd3+ 65. Kg4 Rd4! 66. Rb1 Kb4 67. Rf1 b2 68. Kxh4 Rc4 69. Rb1 Kb3 70. Kg3 Rc3+ 71. Kg2 Kc2 and White resigned.)

These two examples will give you some idea of Timman’s annotation style.

Timman has always been a universal player who uses a wide range of openings so there’s a lot of variety in the play: no chance of getting bored by seeing the same type of position over and over again. Each game is put into its context regarding the tournament or match in which it took place. The text is also enlivened by many entertaining anecdotes, often concerning Timman’s rather hedonistic (especially in his early years) lifestyle. We read, for instance, about listening to Frank Zappa with Ray Keene, and taking the young Nigel Short to a nightclub on the eve of an important game.

There are many readers and who particularly enjoy best games collections: they will certainly revel in this excellent book. For those of you of Timman’s (and my) generation the book will also bring back many memories. For younger readers, though, much of it will be ancient history: perhaps they’ll get the same pleasure out of it that I got from studying the games of Alekhine and Capablanca many years ago.

You might prefer a more spacious layout for the games. You might have liked a summary of his tournament and match results. You might have liked some tournament cross tables. But of course publishers have to make hard commercial decisions. At least we get an index of players (all players mentioned in the book for any reason, rather than an index of opponents) and an index of openings.

But, most importantly, you get 100 great games from one of the best players of the past 50 years, with lucid and instructive annotations. I’m pleased to give this book a warm recommendation.

One last thought. Timman tells us that someday he might write a book of his most exciting games, which would include more draws and several losses. Yes, please!

Richard James, Twickenham 17th October 2020

Book Details :

Paperback : 352 pages
Publisher: New in Chess (15 Oct. 2020)
Language: English
ISBN-10:9056919172
ISBN-13: 978-9056919177
Product Dimensions : 17.15 x 2.18 x 23.77 cm

Official web site of New in Chess

2020, Books, History, Sahovski Chess

The Match of the Century USSR vs. World : 50th Anniversary Edition

October 15, 2020 John Upham Leave a comment

The Match of the Century USSR vs. World : 50th Anniversary Edition

by Douglas Griffin and Igor Žveglić.

“The match between the USSR and the Rest of the World was an epoch-defining event that featured many of the greatest names in the history of chess. Five World Champions, and all of the world’s highest-rated players – without exception – took part. Not for nothing was it billed as the “Match of the Century”.

On the 50th anniversary of that great event in the Serbian capital, we invite the reader to take a step back to those years and to re-live the match as it was experienced at the time, in the words of its participants and some of the leading journalists of the day…

This edition is revised, extended, and compiled by Douglas Griffin, chess historian and connoisseur and Igor Žveglić, Chess Informant commissioning editor.”

Chess history and book enthusiasts will doubtless know that the first edition of this book (SSSR – SVET Soviet Union vs. World) was written by Tigran Petrosian and Alexander Matanovic and published in 1970 by Chess Informant :

SSSR - SVET, SSSR - Sbornaya Mira, Soviet Union Vs World — SSSR – SVET, SSSR – Sbornaya Mira, Soviet Union Vs World

and commands reasonably high prices on the second hand book market.

Possibly more famous is the version written by Serbian FM, Dimitrije Bjelica (Димитрије Бјелица) together? with Bobby Fischer.

commanding even higher prices. Did Bobby contribute anything to this book? Another discussion for another time and another place perhaps…

The 50th Anniversary Edition is a rare thing in modern chess publishing : it is a hardback and a well-produced one. Chess Informant (along with McFarland Books and some Quality Chess titles) is known for publishing in hard back and, of course, the cover price reflects that. The book has a rather charming silk-style bookmark which is another endearing touch.

Internationally renowned chess historian Douglas Griffin and Igor ŽvegliĆ (both members of the Editorial Board) have taken the original Petrosian and Matanovic text, refreshed it and added new content not available at the time of the 1st editions publication. They have expanded the previously brief player biographies and the original Russian-language annotations have been translated.

Also, we have translations of contemporary articles from the Soviet chess press and subsequent recollections from some of the players and officials involved in the 1970 match.

Here is an article about the book from Douglas Griffin.

Initial impressions were somewhat soured by reading the Foreword to the 1st Edition : it contained typographical errors (not in the 1st edition : I checked) such as “developmet”, “chapions”. Hopefully these were not a portent of things to come!*

*It turns out my concerns were unfounded.

I conducted a careful comparison of the 1st and 2nd editions and drew several conclusions in favour of the 2nd edition. The paper and print quality is far superior, there are many more photographs and those photographs all have detailed attributions.

The player biographies are vastly more detailed and improved (and in English!). The annotations of the games appear to be the same except that all of the text is in English rather than just the comments of the World team player. Of course, the player annotations are delightful and deep and free of engine analysis : hurrah!

Here is one of the top board games annotated for ChessBase (rather than Informator) :

It is pleasing that the book was not spoilt by modern engine analysis and the players thoughts are a pleasure to study. There are additional diagrams for the 2nd edition annotations reducing the need for a board to follow the game : a board is a good idea anyway of course!. Each of the games are classified by ECO code (for example [E30]) whereas you might imagine the 1st edition would use a Rabar Index but it did not. Most people will know that Informant abandoned the use of the Rabar Index in 1981 in favour of ECO codes.

Following the annotated games we have a new section – “Reactions to the Match” Any chess enthusiast will find this fascinating and this section is followed by a Postscript which discusses the match in the context of the modern game. Enthralling stuff!

As a bonus feature there is an extensive list of References at the rear. Since Douglas Griffin was the main writer of this 50th Anniversary Edition you would his expect superb attention to detail and historical accuracy and that is what you are given.

In summary, this is a delightful book both from the visual perspective and from its content. You will not be disappointed – even the other books on your shelf will be pleased by this new edition.

If you would like to get an idea of the book before purchasing (and please do!) then try these sample pages. Personally, I’d rather read the words from the book than a screen.

John Upham, Cove, Hampshire, 15th October, 2020

Book Details :

Hardback : 255 pages
Publisher: Sahovski Chess (aka Chess Informant or Informator) (December 27, 2019)
Language: English
ISBN-10: 8672971086
ISBN-13: 978-8672971088
Product Mass : 1.5 pounds

Official web site of Sahovski Chess

2020, Books, Fiction, Reviews, The Conrad Press

The Greenbecker Gambit

October 12, 2020 James D Pratt Leave a comment

‘The Greenbecker Gambit’ – Ben Graff

Ben Graff : writer, journalist and Corporate Affairs professional

This is a novel rich in content.

Everything is surely here! The author has bitten off more than he can chew but (but!) this is surely deliberate. He just loves what he does. As a reviewer I probably never have been written to by the actual author. Until now! Ben Graff dropped me a line last March sending me, quite unbidden, a copy of this well produced book. He has written stuff before, see ‘Find Another Place’ (Matador 2018). He is a journalist, Corporate Affairs professional and clearly knows his chess.

From the blurb cover:
Tennessee Greenbecker is bravely optimistic as he sets out to claim what he sees as rightfully his – the title of world chess champion. But who is he really? Is he destined to be remembered as a chess champion or fire-starter? Either way, might this finally be his moment?

If you like your novels nice and straightforward: standard stories, boy meets girl, old befriends young, the anti-hero learns a painful lesson and emerges a better, reformed, person. All well and trusted formats. I am sure you can think of other, hopefully better, examples.

Well, this is nothing like that! Arson mixes with match chess. Real players – Fischer and Kasparov for example – mix in with the fictitious. Donald Trump even appears, Brian Eley gets mentioned and who is Dubrovnik who ‘has elected not to press charges’? I’ve got you hooked haven’t I? And the narrator – that’s Greenbecker, of course (do keep up) – plays the London System.

See CHESS 04/20, pp 36-37 for extract, chapter and verse.

Having read 75% of this story I gave up, confused, though I did skip to the end.

I hope you’ll like this ambitious thriller more than I did.

James Pratt, Basingstoke, Hampshire, October 12th, 2020

Paperback : 355 pages
Publisher: The Conrad Press (2020)
Language: English
ISBN-10 : 1913567028
ISBN-13 : 978-1913567026
Product Dimensions: 12.9 x 2.6 x 19.8 cm

2020, Books, Endgame, Ginger GM, Reviews

Arkell’s Endings

October 9, 2020 John Upham 1 Comment

Keith Arkell is an English grandmaster active on the national and international scene for more than forty years and very much still going strong.

GM Keith Arkell (ENG), Courtesy of John Upham Photography

Arkell’s Endings is his second book and this is the first book (as opposed to DVD) from Ginger GM

Arkell’s Odyssey was published in 2012 by Keverel Chess Books; hugely popular and in high demand on abebooks, Amazon, eBay and other reselling platforms.

From the rear cover of Endings we have the following publishers blurb :

“With chess booming online and time controls becoming ever faster, mastery of the endgame has never been so important. A few positions can be memorised; most rely on feel. How would you go about converting an extra pawn in a rook endgame and would you have any idea how to even try to win bishop and knight against knight and pawn? In Arkell’s Endings, acclaimed endgame expert Keith Arkell guides you through some of his finest games – and grinds. Making good use of clear explanation, not a wealth of variations, he should convince even the most ardent of opening theoreticians and attacking experts that endgames can be enjoyable, as well as beautiful on occasion.

Not only will readers enhance their intuition in the final stages of the game, they will never again write off an endgame as dull or a draw. Along the way, the reader will also learn plenty about the Minority Attack and Arkell’s Scale of Pawns, which may mean you will no longer look favourably on trading an e-pawn for a d-pawn. As becomes clear in Simon Williams’ Afterword, there is so much more to Keith Arkell’s chess prowess than just his endgame mastery. Throughout, his creativity and sheer resourcefulness shine through, with the Ginger GM demonstrating that one should never allow Arkell to advance his g-pawn as Black, or even to attack.

Grandmaster Keith Arkell has been one of Britain’s most prolific players since turning professional in 1980. His rivalry on the weekend circuit with fellow GM Mark Hebden is the stuff of legend, but he has also thrived on the bigger stage. He has finished first as many as 25 times at the Paignton International Congress and in 2008 tied for first in the British Championship at Liverpool’s iconic St George’s Hall. 2014 was another highly successful year, as Arkell became the European Over-50 Champion, following that up with the silver medal at the World Senior Championships.”

Keith has developed a reputation for working hard at the board and not being afraid to grind out a position maybe with a small edge or even no edge at all and just keep on plugging away (Carlsen style). His long time choice of the Smyslov Variation of the Caro-Kann as Black is deal for this approach.

White to play and loose !

To demonstrate that this is a book of note there is a foreword by acknowledged endgame analyst and World Championship Candidate, GM Jonathan Speelman whose expertise on endings and the theory of corresponding squares is respected world-wide. Interestingly enough, JS also selects the Smyslov Caro-Kann as a weapon of choice.

Arkell’s Endings contains 33 games spanning the period from 1983 to the present day against a vast range of player strength and experience.

Keith introduces his games with a preamble / Introduction that sets out his rather unique playing philosophy. Keith describes his “Hierarchy of Pawns” which makes complete sense and yet is rarely (if at all) spelt out in training and coaching literature. Keith sets out his enthusiasm for the Carlsbad (pawn) structure which I learnt much about from Kevin Wicker in his golden nugget of a book, “How to play the Queen’s Gambit Exchange Variation“. This Introduction itself is more instructional than you might at first imagine.

Keith provides each game in full and rarely makes any comment on the opening except when its choice leads to particular kind of endgame structure. The middlegame comments indicate plans and ideas to reach a superior ending and the endgame comments are quite specific.

We are grateful to IM Richard Palliser (in charge of the book’s production) for permission to reproduce game 14 as an excerpt :

and there is a downloadable excerpt here

Settling down with this book is a real pleasure. It very much feels that Keith is in the room with you explaining his thought processes and giving you confidence in your decision making. Keith’s writing style is much like Keith in person : friendly and affable and not attempting to score any points.

The book concludes with an Afterword by Ginger GM Simon Williams.

The Afterword itself is of interest since Simon presents three tremendous games of Keith that are not endgame grinds but great tactical slugfests modestly including Williams – Arkell from Torquay, 1998.

The book concludes with a welcome Index of Opponents.

If you are wondering just how many of these games conclude with Keith’s signature Rook + Bishop versus Rook then you will have to buy the book to find out : I hope you will !

This book has been reviewed elsewhere including this one by Ben Graff

John Upham, Cove, Hampshire, 10th October, 2020

Book Details :

Softcover : 159 pages
Publisher:GingerGM; 1st Edition (3 Aug. 2020)
Language: English
ISBN-10: 1527265595
ISBN-13: 978-1527265592

Official web site of Ginger GM

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