Death Anniversary of John Frederick Keeble (27-viii-1855 19-ii-1939)From The Oxford Companion to Chess by Hooper & Whyld :
Problemist and chronicler who lived in Norwich all his life. He edited the chess column of the Norwich Mercury from 1902 lo 1912, contributed many significant articles elsewhere, investigated a number of chess questions, and established the burial place of several great players and arranged the tending of their graves. He lived at only two addresses for 73 years, worked for the railway company for 53 years, and was a member of the Norfolk and Norwich chess dub for 61 consecutive years. Winner of the club championship in 1884, he did not compete again until 1933 and then won it three years in succession.
BCN remembers Cyril Kipping who passed away in Walsall on February 17th 1964 at the age of 72.
Cyril Henry Stanley Kipping was born on Saturday, October 10th, 1891 in 7 Milborne Grove, South Kensington, London, SW10 9SN.
His parents were Frederick Stanley Kipping (28) and Lillian Kipping (24, née Holland) : they married in 1888. Cyril was baptised on May 8th, 1892 in West Brompton, London. Frederick died on 30 April 1949 in Pwllheli, Caernarvonshire, at the age of 85 and Lilian passed away on 4 September 1949 in Pwllheli, Caernarvonshire, at the age of 82.
Frederick was Professor of Chemistry at The University of Nottingham. He undertook much of the pioneering work on silicon polymers and coined the term silicone. He was elected a Fellow of the Royal Society in 1897.
In the 1901 census the family lived at Clumber Road West, Nottingham and brother Frederick Barry Kipping was born on April 14th 1901 and his sister Kathleen Esme was born on 3 May 1904 was also born in Nottingham. Kathleen died on 30 August 1951 in Pwllheli, Caernarvonshire.
In 1902 Cyril started at Nottingham High School excelling in mathematics and science and in 1906 he obtained the Oxford and Cambridge Board’s Lower Certificate.
On March 2nd 1908 the Sheffield Daily Telegraph published a matriculation list for London University and CHSK was listed as being in the second division from Nottingham High School. Following that in 1909 Cyril obtained a Oxford and Cambridge Higher Certificate.
As of the 1911 census the household now included Cyril’s maternal Grandmother, Florence Holland (59) plus a parlourmaid, a housemaid, a cook and a nurse. Cyril was recorded as being a 19 year old science student and they lived at 40, Magadala Road, Nottingham which appears to have been replaced by residential flats. Curiously the address on the Census record was obscured by green insulation tape but insufficiently for it to readable.
“He left school in July 1910 and went to Trinity Hall in Cambridge where he read for the National Sciences Tripos. He played tennis for his college and launched into the composition of chess problems (1).
He obtained a First in Part I of the Tripos in 1912, a First in Part II in 1913, and was awarded the degree of Bachelor of Arts on 7 June 1913. He began researching in organic chemistry at Cambridge, but in September 1914 decided instead to take a teaching appointment at Weymouth College.”
In 1914 The London Gazette announced that Cyril was promoted within the Chaplain Department of the British Army to Second Lieutenant with a service number of 10940.
On December 23rd 1914 The London Gazette announced the following :
On the 9th October 1918 The London Gazette announced :
Again, According to Stephen C. Askey :
“In January 1919 he took his Master of Arts degree at Cambridge, and joined the teaching staff of Bradfield College in Berkshire. But by the summer of that year he became an assistant master at Pocklington School in Yorkshire, where he spent five happy years.
There he used his talent for juggling in 1920 to train a troupe of jugglers who gave a display at a school concert. This popular performance was repeated annually at Pocklington. Meanwhile be continued to compose chess problems and in 1923 published a book for beginners called The Chess Problem Hobby.”
In the 1939 register Cyril was recorded as residing at 67 Wood Green Road, Wednesbury, Staffordshire, England with Martha Partridge (born 29th June 1886) who was his Housekeeper.
His probate record appears in the England & Wales Government Probate Death Index 1858-2019 as :
From The Encyclopaedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“International Master of the FIDE for Chess Compositions (1959) and International Judge of the FIDE for Chess Compositions (1957). Born on 10th October 1891. Died on 17th February 1964. Kipping was famous as a composer and an editor which he combined with is duties as Headmaster of Wednesbury High School from 1925 to 1956.
His editorial duties extended over more than forty years, and included the problem sections of Chess, Chess Amateur, and, for 32 years, the specialist magazine The Problemist from 1931. He was noted for his encouragement of beginners. His pamphlet ‘The Chess Problem Hobby‘ is an excellent beginner’s introduction. His other books included Chess Problem Science, The Chessmen Speak and 300 Chess Problems.
Kipping was one of the most prolific composers of all time, with over 7,000 problems to his credit. Many of his strategic three-movers have become classic. He was leading authority on halfpin two-movers. In his latter years, Kipping affectionately known as CSK – was Chairman of the International Problem Board which is now the FIDE Problem Commission.”
From British Chess Magazine, Volume LXXXIV (84, 1964), Number 4 (April), pp. 122-123 by John Rice:
“CS Kipping, one of the most famous of all British problemists, died during February at the age of seventy-two. As a composer, editor, writer and critic Kipping was without equal. It is impossible to do justice in only a few lines to his vast and unique contribution to chess problems: a few factual notes. most of them kindly supplied by RCO Matthews, must suffice.
Kipping was born in London on October 10th, 1891, After completing his studies, he took up teaching as a career, and in 1924 he was appointed the first headmaster of the newly-opened Wednesbury High School, which post he held until his retirement in 1956. He was a bachelor, and, especially during the later years of his life, his interests were centered mainly on the school and on chess problems.
Most readers will know of Kipping as the editor of The Problemist, the bi-monthly journal of the British Chess Problem Society. Before he took over The Problemist in 1931, he had been in charge of the problem section of the Chess Amateur, which he edited with great energy and enthusiasm. As well as The Problemist, he edited the problem pages of Chess from its first appearance. in 1936 until the section was suddenly discontinued without warning or explanation a few years ago. He also edited other columns at various times. He always took great care to help and encourage beginners, and it is probably true that every composer in this country below the age of about fifty came under his influence at one time or another.
As a young man, Kipping was a fierce avant-garde controversialist, championing the the cause of strategy in the three-mover in opposition to the then dominant model-mate school in this country. His attitude to the two-mover, as readers of The Problemist will know, was always a good deal more conservative; he would not tolerate at any price what he called ‘camouflage force,’ even in the modern problem. Yes, he appreciated the aims of the modern two-move composer much more than his writings on the subject suggest, being always ready to applaud excellence in any type of problem.
Kipping’s output numbered over 7,000 problems, probably a record. Many of his two-moves especially his ‘aspect’ tasks, were published under pseudonyms, of which the best was known was C.Stanley. He concerned himself little with artistic finish : once he had found a workable setting of a them he was engaged on, he would take little trouble over economy and presentation. Themes in which he interested himself include half-pin (in the two-mover), white King themes, interferences, and the grab theme (in the three-mover), and maximum tasks of all kinds, the subject of one of his books, Chess Problem Science. His other books include 300 Chess Problems (1916), and The Chessmen Speak (1932), in the AC White Christmas series.
In addition to all his other problem activities, Kipping was chairman of the International Problem Board, and curator of the half-pin section of the White-Hume Collection, which he took over on Hume’s death in 1936.
The majority of Kipping’s best problems were three-movers, three of the most famous of which are quoted here.”
Manchester City News, 1911
Mate in three
Dutch East Indies Chess Association Tourney, 1928
Mate in three
BCM, 1939 (II)
Mate in three
The first problem above was given in The Complete Chess Addict by Mike Fox and Richard James in the Desert Island Chess chapter. It is also given in a discussion of the Steinitz Gambit by ASM Dickins and H Ebert in 100 Classics of the Chessboard. Colin Russ on page 138 of Miniature Chess Problems from Many Countries gives the first problem as does John Rice on page 44 of Chess Wizardry : The New ABC of Chess Problems.
On a web site now only accessible vie the WayBack Machine there is a treasure trove of reminisces and memories of CHSK from himself, friends and pupils.
Edith Elina Helen Winter-Wood was born on Tuesday, 22nd February, 1859 to Thomas Winter-Wood, a writer and poet, and Eliza Ann (Sole) Winter-Wood in Boulogne, France.
Many secondary and tertiary sources incorrectly give the Winter-Woods family home of Hareston Manor (now a venue for weddings) near Brixton, Plymouth, Devon as her birthplace.
The family was resident in Boulogne in at least 1858 (as discussed below) and a UK birth certificate for Edith does not appear to exist. Having said that, a French birth certificate has yet to be located. Both Brian Denman and Chris Ravilious are satisfied that Edith was born in Boulogne and various census records attest to this. Ed : both Richard James and myself (JEU) have examined the evidence carefully and Boulogne would appear to be correct.
Thomas Winter-Wood was born in Har(e)ston, Devon in 1819 and was, himself a strong player having been educated at Plympton Grammar School(now known as Hele’s School). Thomas was the son of John Wood-Winter who, in 1824, reversed the order of the family surname. Thomas sold the family estate leaving the Winter-Woods with substantial means with each family member able to pursue their leisure interests whilst retaining a number of domestic staff.
Thomas taught all of his family to play chess and Edith learnt at the age of 5. Both Edward J and Carslake W also learnt early on, Edward (aged 11 in 1858) played members of Boulogne Chess Club giving them rook odds and ten years later Edward joined London Chess Club.
According to Tartajubow :
“He played in several tournaments and in blindfold simuls he drew two games against Lowenthal and one against Blackburne. In 1878 he joined the Croydon Chess Club and once in one of their tournaments scored 23-7. He also enjoyed success in many other club tournaments, correspondence chess and problem solving tournaments. Many of his problems appeared in leading publications of the day.”
and, also according to Tartajubow :
“Her other brother, Carslake W. Wood (1849 – 1924), lived with his mother’s brother, Major Sole of the 5th Militia of West York, in Torquay. While travelling Europe with the Soles, he also developed a taste for painting and on many occasions donated his paintings as prizes in chess tournaments.”
Again, according to Tartajubow :
“As for Mrs. Baird, at the time, she was without rival in British ladies chess. Her first problem was composed at the age of 8 and was published in the Western Magazine and Portfolio. It was not deep or brilliant, but editors were attracted to her quaint notes that accompanied her submissions. One such note to the editor of Pictorial World read, ‘I like composing very much and do my problems all myself; in fact I would rather my mother never saw them, for she generally cooks them and that gives me a lot of trouble.’
According to the old ChessDevon web site (sadly only available via the WayBack Machine)
“In 1893, for instance, she entered The Hackney Mercury 3-mover tournament, with a limit of 6 pieces. Most of the great composers of the time had entered, – B. G. Laws, P. H. Williams and James Raynor among them, but she won 1st prize. As one American critic observed, ‘The fact that the tourney assumed an almost international character rendered the triumph of the distinguished lady victor as noteworthy as it was creditable’.”
Here is this first prize:
Baird, Edith Elina Helen Hackney Mercury, 1893 1st Prize
The solution may be found at the foot of this article.
She very quickly progressed and was soon producing problems that were described as being “exceedingly pretty” and which ‘displayed unmistakable aptitude for the intricacies of chess.’ Her work 700 Chess Problems was published in 1902 and took her 14 years to complete.”
According to the 1871 census the Winter-Wood household lived at “Hareston”, Tavistock Road, Croydon, Surrey and consisted of Thomas (52 and Landowner), Eliza (44) plus Edith’s brothers Edward J (23 and Banker) and Carslake W (22 and retired banker), Marie A (17), Edith (11) plus three (!) domestic servants.
In 1880 (aged 21) Edith married the Deputy Inspector-General of Fleets and Hospitals, William James Baird, MD, of the Royal Navy. In 1881 their only child Lilian was born in Tynemouth, North Tyneside.
Lilian was a child prodigy whose first problem was published before she was 10 years old. Lilian was also an accomplished poet and painter like her mother. Although she had over 70 problems published by the age of thirteen, Lilian gave up chess composing while still in her teens.
Edith, William and Lilian settled in Brighton living at 14 College Terrace, Brighton, East Sussex. BN2 0EE :
(Lilian merits a full article in this place in her own right : added to ToDo list!)
According to the 1911 census the Baird family had relocated to Mountcoombe in Surbiton which appears, in 2021, to be Mountcoombe Close, Surbiton : a location for residential flats.
By the time of the 1881 census the Winter-Wood household (bar Edith) had relocated to “Mariestad(?)”, Hound, South Stoneham, Hampshire and had shrunk to Thomas, Eliza and a mere two servants.
In the 1891 census the Winter-Wood household consisted of Thomas (72), Eliza (64) plus Edith’s brothers Edward (43) and Carslake (42) all of whom were described as “living on means”. They had returned to three domestic servants : Mary Scoble (65), Carrie Stephens (22) and Kate Fruman (12). They lived at 14, The Crescent, Plymouth, PL8 2AP. Nothing remains of this property it would appear.
Edith was also a “good” archer and dabbled in painting and poetry : Edith was a champion archer (although she was vehemently opposed to hunting) and an avid bicyclist who was known to have ridden 25 miles (on one of those old style bicycles) to discuss an adjourned chess game.
On Friday, February 1st, 1924 Edith passed away. The probate record is dated April 29th and was granted to Herbert Percy Strong, a Lieutenant-Colonel in the Indian Army, who was the husband of Lilian. The initial value of the effects was £18110 5s 7d which was subsequently resworn to £16627 13s 11d.
EDITH ELINA HELEN (née Winter Wood) (1859-1924), British problem composer. Her parents, two brothers, and daughter were all good players or clever problemists.
She composed over 2,000 problems which were not profound but were noted for their soundness; only a dozen or so were faulted. Her Seven Hundred Chess Problems was published in 1902. She became deeply absorbed in retractors, and her other book The Twentieth Century Retractor appeared in 1907. They are two of the most beautiful chess books ever to appear, printed and bound by the King’s printer Henry Sotheran, and sold at less than cost.
Both Sunnucks and Golombek are silent on Edith. This is somewhat surprising since Anne liked to mention female players and problemists especially.
The dedication for The Twentieth Century Retractor was somewhat unusual :
“Dedicated to The Sun The Glorious Orb which Animates and Beautifies The Earth By Giving It Warmth, Light and Life”
and Edward Winter discusses the beauty of the book in Chess Note 3164.
From British Chess Magazine, Volume XLIV, (44, 1924) we have this obituary written by RC Griffth :
“A deep shadow has been cast over the chess world by the death of Mrs. W.J. Baird, which occurred on 1st February last at Paignton. The end was most unexpected, but it is a comfort to her relatives that the passing away was peaceful. She was the daughter of Mr. T. Winter-Wood, who and whose family have been identified with chess for generations. She was born in 1859 and composed her first problem in 1888, and it was not long after this date that she was the title of the “Queen of Chess,” since not only did she distinguish herself in a happy way as prolific composer, but proved a valiant opponent over the board, testified by her securing the ladies’ championship of Sussex in 1897.
Mate in Two
Among her other accomplishments were painting, particularly illuminating, poetry (which may have been inherited from her gifted father) and archery, in which sport she was skilful. Her chess problems were generally of the light texture order never profound, but always pleasing to the ordinary solver. She must have composed over 2,000 problems of one sort or another, and this large output in about thirty-five years could not be conducive to highest results. Her problem tourney honours were numerous, though she did not as a rule see these, generally entering her problems to oblige admiring conductors of competitions.
Mate in Two
In 1902 she published Seven Hundred Chess Problems and in 1907 The Twentieth Century Retractor, Chess Fantasies and Letter Problems, 320 illustrations (Sotheran & Co.). Both were editions de luxe. Mrs. Baird was credited with the being the originator of the complicated retractor of which she was a proficient exponent, but since she ceased composing these fancies, interest in them has waned.
Mate in Three
During the last few years her activity, after a period of quiescence has been marked, her attention being directed principally to ‘Mutates’ and Picture or Letter Problems. In addition to the enthusiasm which, shown by her actual work, she has generously promoted several competitions, one still current in the Morning Post, particulars of which we announced last month. A remarkable feature of the deceased’s problems was their soundness less than one per cent, being cooked after leaving her hands, evidence of painstaking application!
Mate in Three
There is now, since the decease of Mrs. Baird’s father, Mr. T Winter-Wood and her brother, Mr. E.J. Winter-Wood, only Mr. Carslake Winter-Wood left to represent the family in the chess circle, Mrs. Strong, her daughter, who at one time promised to emulate her mother, having apparently abandoned the game and its problems. There can be no question that Mrs. Baird stood in front of all lady composers, her nearest rival probably being the late Mrs. T. B. Rowland, and indeed a number of her compositions rank high in the world’s collection. We have not space this month to quote specimens, but hope to do so next issue.
Mate in Three
Since the above was in type we have been informed of the sudden death of Mr. Carslake Winter-Wood on the 24th February.”
The Late Mrs. W. J. Baird,
The Masters said:-
“Lay by the board, the problem is not sound;
There’s none can solve unless a Morphy’s found.”
* * *
A knight I saw, his royal head bowed;
Methought a bishop moved and prayed aloud.
The Queen, alas, and their attendants gone,
Only did the Kings linger sadly on.
And roaming far afield a Rook forlorn,
And here and there a long-forgotten pawn.
“Oh! is there none who can this problem solve?”
“Seek her round who our highest hopes revolve”
And so we brought it to our ‘Problem Queen’
Who faced the field with heart and eye serene.
* * *
“Go leave me now and I will rest awhile,”
Then hand outstretched and swift triumphant smile :
“The Bishops move! with him the key,” she cried –
“Life’s problem solved at last! I’m satisfied.”
White retracts his last move; then plays. Black moves so that White can mate at once.
BCN remembers Mike Bent who passed away on Tuesday, December 28th 2004.
Charles Michael Bent was born on Thursday, 27th of November 1919 and in that year Charles was the fifth most popular boy’s name.
He was born in Portsmouth, Hampshire.
In 1939 he was living at 5, Ashburton Road, Gosport with his mother Eileen B. Bent (née Hill) and was a Sub Lieutenant in the Royal Navy.
He wrote “Best of Bent: Composer’s Choice of His Chess Endgame Studies, 1950-93” This was edited by TG Whitworth.
He died in Swindon on the 28th of December, 2004 having last resided in Hungerford, RG17. Whilst writing the Studies column for British Chess Magazine he resided at “Black Latches”, Inkpen, Newbury, Berkshire.
The C. M. Bent Memorial Composing Tourney was held in 2006-07.
From British Chess Magazine, Volume XCV (95, 1975), Number 1 (January), page 22 we have a charming introduction to CMB from the retiring editor of the Studies column, AJ Roycroft :
“A studies article without a diagram? Yes, and without an apology either. Instead this introduced my successor, Charles Michael Bent, who is as remarkable without the chessboard as he is with it. Now since, as at May 1974, he has composed the total, rarely exceeded by anyone, of 670 studies (of which only 375 have been published), and about 600 problems (one tenth published), his other achievements and activities, insofar as he can be persuaded to talk about them, are worth recounting.
Michael Bent has a passion for all-the-year-round tennis, and loves the country life. Walking and climbing, all-forms of do-it-yourself, word-play nabla/del, puzzles, conjuring and listening to music make the mixture extraordinarily rich. Yet if there was a single word to characterise him it would be simplicity (his choice), with (my addition) a strong and individual sense of humour.
Physically he is a lean, balding 54-year-old as fit as most men half his age. He played at Junior Wimbledon before the War and only three of four years back won the singles tennis championship of his half of Berkshire. He is a modest and delightful companion, and to visit him and his wife Viola, to whom he credits responsibility for the serenity of his condition and surroundings, is a relaxing pleasure I always look forward to in my own hustled and tense London-centered existence.
In his own words he was never really a player of chess at all, but first sight of problems (during the war) and endings (just after it) acted like fireworks on a dark night and lit an imagination which still lacks basic technical knowledge. So, artistic rather than ‘scientific’, have never knowingly composed a didactic study. Am told my ‘style’ is easily recognised. Am aware, but perfectly content, that I compose much that the expert will easily solve, in the hope that the less initiated may be entertained and as attracted as I was in the beginning.
There is a feast, including many surprises, in store for you and me, at the hands of your new chess-chef, ‘CMB of the BCM’.”
From British Chess Magazine, Volume 125 (2005), Number 2 (February), page 98 we have a brief obituary from John Beasley :
“Charles Michael Bent died just over a month after his 85th birthday. Mike Bent had long been Britain’s leading composer of endgame studies, he was a witty and entertaining writer on the subject (and on many others), and the pleasure he gave was rightly acknowledged by the granting in 2001 of one of the BCF President’s Awards for services to chess.
BCM published his first study in 1950 and one of his last 50 years later, and he was our endgame study columnist from January 1975 to March 1985. There will be a steady flow of quotations in Endgame Studies during the coming months. John Beasley”
The Studies column was taken over in April 1985 by Paul Lamford.
From The Encyclopaedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“Born on the 27th November 1919, Michael Bent has only one possible challenger, Harold Lommer, as the finest composer of endgame studies England has ever produced. Although up to October 1967, he had composed 546 problems and 320 studies, he now concentrates almost exclusively on studies. His 17 honoured studies include three 1st prizes. His partiality towards Knights is shown in the typical study selected here.
Michael Bent was educated at the Royal Naval College, Dartmouth, but had to leave the Navy because of chronic sea-sickness. He served in the Rifle Brigade in the Second World War and afterwards became a rubber plant in Johore, where he survived several terrorist attacks. How now lives with his wife in a Berkshire Village.
Apart from Chess, Michael Bent has other recreations, including wood carving, stamp collecting, composing crossword puzzles and butterfly collecting. His butterfly collection included 500 Malayan specimens. He is also a strong tennis player. Thirty-one years after playing at Wimbledon as a junior, he won the Newbury and District singles title in 1967.”
CM Bent 2nd Honorable Mention New Statesmen 1964 Tourney Award, 5th March 1965
31 Clyde Road, Croydon, England (Fairy Chess Review, issues from 1946 to 1949*).
From The Oxford Companion to Chess (OUP, 1984 & 1996)by Hooper & Ken Whyld :
“English composer, pioneer of both fairy problems and retrograde analysis. His problems in these fields form the greater part of his output (about 6,500 compositions) and are better remembered than his studies and orthodox problems. For fairy problems he invented new pieces: grasshopper (1912) LEO (1912), NEUTRAL MAN (1912) NIGHT RIDER (1925), and VAO (1912); he codified new rules such as the maximummer (1913) and various kinds of series-mover; and he used unorthodox boards.
In 1915 he wrote Retrograde Analysis, the first book on the subject, completing the project begun several years earlier by the German composer Wolfgang Hundsdorfer (1879-1951).
From 1919 to 1930 Dawson conducted a column devoted to fairy problems in the Chess Amateur, In 1926 he was a co-founder of The Problemist , which he edited for its first six years and he founded and edited The Problemist Fairy Supplement (1931-6) continued as The Fairy Chess Review (1936-51).
Besides conducting columns in several newspapers and periodicals, one of them daily and one in the Braille Chess Magazine, Dawson edited the problem section of the British Chess Magazine from 1931 to 1951; he devised and published in its pages (1947-50) a systematic terminology for problem themes in the hope that it would supplant the extensive jargon then and now in use, Dawson wrote five hooks on fairy problems: Caissa’s Wild Roses (1935); C. M. Fox, His Problems (1936); Caissa’s Wild Roses in Clusters (1937); Ultimate Themes (1938); and Caissa’s Fairy Tales (1947).
Charles Masson Fox (1866-1935) was a patron whose generosity made possible the publication of four of these books and the two fairy problem magazines founded by Dawson. Ultimate Themes deals with tasks, another of Dawson’s favourite subjects. In 1973 all five books were republished in one volume. Five Classics of Fairy Chess.
Dawson found it difficult to understand the problemist’s idea of beauty because it is not susceptible to precise definition. The artist talks of “quiet” moves, oblivious that they are White’s most pulverizing attacks! This aesthetic folly, reverence, response thrill to vain-glorious bombast runs throughout chess.(See Bohemian for a problem showing 16 model mates, a task Dawson claimed as a record but a setting Bohemian composers would reject.) His genius did not set him apart from his fellows; he could find time for casual visitors and would explain his ideas to a tyro with patience, modesty, and kindness. Although he won many tourney prizes much of his work was designed to encourage others, to enlarge the small band of fairy problem devotees, He composed less for fame than to amuse himself, confessing to another composer ‘We do these things for ourselves alone.’
A chemistry graduate, Dawson took a post in the rubber industry in 1922 and rose to be head of the Intelligence Division of the British Rubber Manufacturer for which he founded, catalogued, and maintained a technical library. Unwell for the last year of his life, he died from a stroke. K. Fabel and C. E. Kemp, Schach ohne Grenzen or Chess unlimited (1969) is a survey, written in German and English, of Dawson’s contribution to the art of fairy problems.”
From The Encyclopedia of Chess (Robert Hale 1970 & 1976), Anne Sunnucks :
“British problemist. Born on 28th November 1889. Died on 16th December 1951. Universally known as TRD., the great master of Fairy problems. His wealth of invention held the chess world enthralled. His output comprised about 6,400 problems and 150 studies.
Dawson was a nephew of the late James Rayner, himself a noted chess problemist . From as early as about 1910, TRD had conducted the ‘Chess Endings‘ section in the Chess Amateur, and its Fairy section from 1919. He worked with BG Laws from Mark 1930 conducting the problem pages of the British Chess Magazine, and following Laws’ death he assumed complete charge of the section from October 1931 to February 1951 when ill health forced him to relinquish the work.
The Problemist Fairy Chess Supplement subsequently renamed The Fairy Chess Review was started by TRD in August 1930. TRD was concerned in a number of other chess publications ; chess for the Blind, several books of the AC White Christmas series, BCPS Honours 1926-29, and the CM Fox series.
He was largely instrumental in the publication of the first issue of The Problemist on 1st January 1926, and was editor until May 1931. He was President of The British Chess Problem Society from September 1931 to 1943.
Apart from chess, Thomas Dawson, MSc, FRIC, FIRI was an international authority on rubber, and was responsible for the creation of the world-famous rubber library at Croydon, as well as its ‘Dawson’ system of rubber literature documentation. A Guide to Fairy Chess and The Problemist March 1952 detail the remarkable life-time accomplishments of TRD.”
From British Chess Magazine, Volume LXXI (71, 1951), Number 3 (March) pp. 78-80 we have notice of the retirement of TRD written by Brian Reilly :
Following that we have this appreciation from the incoming Problem Editor, Stanley Sedgwick of 337 Strone Road, Manor Park, London E12 :
Unfortunately TRD was to pass away not much more than a year after the retirement notice and in British Chess Magazine, Volume LXXII (72, 1952), Number 4 (April) pp. 107 – 108 we have this obituary also from Stanley Sedgwick :
“Thomas Rayner Dawson (28 November 1889 – 16 December 1951) was an English chess problemist and is acknowledged as “the father of Fairy Chess”. He invented many fairy pieces and new conditions. He introduced the popular fairy pieces grasshopper, nightrider, and many other fairy chess ideas.
Dawson published his first problem, a two-mover, in 1907. His chess problem compositions include 5,320 fairies, 885 directmates, 97 selfmates, and 138 endings. 120 of his problems have been awarded prizes and 211 honourably mentioned or otherwise commended. He cooperated in chess composition with Charles Masson Fox.
Dawson was founder-editor (1922–1931) of The Problemist, the journal of the British Chess Problem Society. He subsequently produced The Fairy Chess Review (1930–1951), which began as The Problemist Fairy Chess Supplement. At the same time he edited the problem pages of The British Chess Magazine (1931–1951).
Caissa’s Playthings a series of articles in Cheltenham Examiner (1913) Retrograde Analysis, with Wolfgang Hundsdorfer (1915) Fata Morgana, with Birgfeld, Nanz, Massmann, Pauly (1922) Asymmetry, with W. Pauly (1928) Seventy Five Retros (1928) Caissa’s Wild Roses (1935) C. M. Fox, His Problems (1936) Caissa’s Wild Roses in Clusters (1937) Ultimate Themes (1938) Caissa’s Fairy Tales (1947)
The last five titles were collected as Five Classics of Fairy Chess, Dover Publications (1973), ISBN 978-0-486-22910-2.”
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