Tag Archives: People

Remembering Gerald Abrahams (15-iv-1907 15-iii-1980)

BCN remembers Gerald Abrahams who passed away in Liverpool on Saturday, March 15th 1980. He was buried in the Allerton Cemetery in the Jewish Springwood plot.

Gerald Abrahams was born in Liverpool on Monday, April 15th 1907.  On this day the Triangle Fraternity was formed at the University of Illinois at Urbana–Champaign.

His parents were Harry (b. 10th September 1880) and Leah (b. 12th March 1884) Abrahams (née Rabinowitz) who married in West Derby in the third quarter of 1903.

Gerald learnt chess at the age of ten during the first world war. He obtained an Open Scholarship to Wadham College, Oxford in 1925 reading PPE and earning himself an MA in Law in 1928. He became a practising barrister at Law.

From the 1939 register we learnt that Harry was a Drapery manufacturer and Leah carried out “unpaid domestic duties”. Gerald was not an only child: the first born was Winnie (b. 22nd November 1903) who was a Secretary and Clerk Typist and factory assistant. Elsie Abrahams (b. 14th April 1905) helped her mother with “unpaid domestic duties”. Blanche was Gerald’s older sister and she was “General Assistant In Fathers Business Drapery Manufacturer”. Gerald is listed (aged 32) as a Barrister at Law and author. The family resided at 51 Prince Alfred Road, Liverpool, Lancashire (now L15 6TQ) and their original property has been since replaced.

Historical map showing the 1939 residence of Gerald Abrahams
Historical map showing the 1939 residence of Gerald Abrahams

We learn from “Philanthropy, Consensus, and broiges: managing a Jewish Community A history of the Southport Jewish Community
by John Cowell” of an incident in January 1942 that was to cause ripples in the community. The headline was

POLICE RAID DISTURBS CLUB CARD PLAYERS

The full list of people present seems to have been largely or entirely Jewish in religion or ethnicity: it included a famous chess-playing barrister from Liverpool, Gerald Abrahams, representing himself, who had taken a First in P.P.E. at Oxford, and later married Elsie Krengel, who had also been present, and with Leslie Black representing the rest of the defendants, apart from the hosts and Captain Lionel Husdan, who sent a letter to the court.

The full list of those present, charged with “resorting and playing in a common gaming house,” and bound over was as follows:- Mott Alexander, Fannie Finn, Maxwell Glassman, Kate Lippa, Myer Lister, Gertrude Mannheim, Joseph Mannheim, Rita Mannheim, Simon Mannheim, Harry Peters, Sadie Peters, Lily Leah Ross, Harry Sapiro, Benjamin Stone. Those charged with “resorting in a common gaming house” and bound over, were:- Gerald Abrahams, Joseph Appleton Bach, Samuel Myer Barnett, Herbert Solomon Isaacson, Elsie Krengel, Manuel Mannheim, Louis Michaelson, Abraham Ross, Bernard and Elsie Ross.

“Gerald Abrahams, the barrister charged, said he was interested to protect his reputation from being stigmatised by a conviction, and asked Sergeant Laycock about alcohol: the latter replied that none was being consumed. He submitted that the club was not a gaming house, and that draw poker had not been proved other than as a game of skill. Charges were dismissed against Henry, Eva and Marjorie Black, Myer Waldman, and Captain Lionel Husdan, of Ryde, Isle of Wight, all of whom had said that they were merely taking refreshments in the club, and had not played. David Platt said that he had not the slightest idea that they were breaking the law, and Mrs Platt said that it had not been a paying venture.”

The Complete Chess Addict (Faber& Faber, 1987), Fox & James notes: that Gerald Abrahams as authority on bridge cast doubt on assertions that Emanuel Lasker “was good enough to represent Germany”

Gerald’s comparisons of chess and bridge are discussed by Edward Winter in Chess Facts and Fables (McFarland, 2005) page 130 in GAs 1962 book Brains in Bridge:

Brains in Bridge, Gerald Abrahams, Constable and Company, 1962, ISBN ?
Brains in Bridge, Gerald Abrahams, Constable and Company, 1962, ISBN ?

Gerald eventually married Elsie Krengel (born 15th January 1909) in the fourth quarter of 1971 in Liverpool at the age of 64. Elsie had lived in the Southport area for most of her life and her family was associated with the manufacture of handbags.  They had known each other for many years (at least since 1942 as mentioned previously).

Gerald Abrahams
Gerald Abrahams

Leonard Barden modestly recounts :

“At the end of Nottingham 1954  Gerald claimed that Alan Phillips had accepted his draw offer so tieing Gerald for the British championship with some rabbit whose name escapes me.  When Phillips strongly denied having accepted the draw, Gerald collapsed on the floor and had to be aided by his old enemy Dr. Fazekas.”

From The Anglo-Soviet Radio Chess Match (1946) by Klein and Winter:

“G. Abrahams was born in Liverpool in 1907. He learned chess at the age of ten, and showed an early aptitude for tactical complications. He has played with varying success, his best performances being third and fourth with Rossolimo, behind Klein and Najdorf, but head of List at Margate, 1938, and fourth, fifth and sixth with Sir George A. Thomas and König in London, 1946. He has made two valiant bids for the British Championship.

A graduate of Oxford, he is a barrister by profession and has written several books, including some fiction. He has solidified his chess without allowing it to become dry. Indeed, most of his games sparkle with interesting complications.”

Harry Golombek OBE wrote (in The Encyclopaedia of Chess (Batsford, 1977)):

“Brilliant British amateur who in the 1930s was playing master-chess. In that period he was the most dangerous attacking player in England.

Gerald Abrahams watching the opening at the Hastings Chess Congress 1947. Also watching is Sir George Thomas who was GAs round one opponent. The Mayor was Alderman W. J. Fellows and he is opposite Sir Edmund McNeill Cooper-Key. Second from left is Percy J. Morren who was the Hasting's Club President
Gerald Abrahams watching the opening at the Hastings Chess Congress 1947. Also watching is Sir George Thomas who was GAs round one opponent. The Mayor was Alderman W. J. Fellows and he is opposite Sir Edmund McNeill Cooper-Key. Second from left is Percy J. Morren who was the Hastings Club President

He was in the prize-list (i.e. in the first four) in the British championship on three occasions 1933, 1946 and 1954. His best international performance was in the Major Open at Nottingham in 1936 where he came =3rd with Opocensky. Another fine result was his score of 1.5-0.5 against the Soviet Grandmaster Ragozin, in the 1946 Anglo-Soviet radio match.

He is the inventor of the Abrahams variation in the Semi-Slav Defence to the Queen’s Gambit: 1.P-Q4, P-Q4;2.P-QB4, P-QB3;3.N-QB3, P-K3;4.N-B3, PXP;5.P-QR4, B-N4;6.P-K3,P-QN4;7.B-Q2, P-QR4; 8.PxP, BxN;9.BxB,PxP;10.P-QN3,B-N2;

This is sometimes known as the Noteboom variation after the Dutch master who played it in the 1930s, but Abrahams was playing it in 1925 long before Noteboom.

He is a witty and prolific writer on many subjects: on law (he is a barrister by profession), philosophy, and chess; he also writes fiction. His main chess works are: The Chess Mind, London 1951 and 1960

The Chess Mind, Gerald Abrahams, The English Universities Press, 1951, ISBN 0 340 19492 8
The Chess Mind, Gerald Abrahams, The English Universities Press, 1951, ISBN 0 340 19492 8

and here is a later cover:

The Chess Mind, Gerald Abrahams, The English Universities Press, 1951, ISBN 0 340 19492 8
The Chess Mind, Gerald Abrahams, The English Universities Press, 1951, ISBN 0 340 19492 8

and Not Only Chess, London 1974.

Not Only Chess, Gerald Abrahams, George Allen & Unwin Ltd., 1974, ISBN 0 04 794005 0
Not Only Chess, Gerald Abrahams, George Allen & Unwin Ltd., 1974, ISBN 0 04 794005 0

Edward Winter in Kings, Commoners and Knaves, cites the subtitle of the above book in his page 235 list of chessy words: “A selection of Chessays”.

From Not Only Chess we learn that GAs favourite game was played in 1930 against Edmund Spencer of Liverpool. “Edmund Spencer was a man who is remembered with affection by all players who ever met him, and who is remarkable in that his strength developed in what should have been hid middle life. When he died, lamentably early, in the 1930s, at about 53 he was at his best, and of recognised master status.

This game was played in 1930.”

and for an alternative view of the same game:

GA is amongst a rare breed of game annotators claiming the title of An Immortal for one of his own games. Edward Winter devotes a couple of column inches discussing exactly which year the game was played between 1929 and 1936. Here is the game:

For more of GAs excellent games see the superb article further on by Steve Cunliffe. Also, Not Only Chess in Chapter 28 (“A Score of my Scores”) contains a veritable feast of entertaining games of GAs).

Gerald famously fell out with Anne Sunnucks when he discovered she had omitted him from her 1970 Encyclopaedia of Chess. Despite this the 1976 edition was also devoid of a mention.

From The Oxford Companion to Chess (OUP, 1984 & 1996), Hooper & Whyld:

“The English player Gerald Abrahams (1907-80) introduced the move when playing against Dr. Holmes in the Lancastrian County Championship in 1925 (ed: January 31st in fact) . Abrahams played the variation against his countryman William Winter (1898-1955) in 1929 and in the same year Winter played it against Noteboom, after whom it is sometimes named. (Dr, Holmes was the favourite pupil of Amos Burn and a leading ophthalmologist).

Gerald Abrahams
Gerald Abrahams

The precursor, known from a 16th-century manuscript, was published by Salvio in 1604:

1.d4 d5;2.c4 dxc4;3.e4 b5;4.a4 c6;5.axb5 cxb5;6.b3 b4;7.bxc4 a5; 8.Bf4 Nd7;9.Nf3

Writing in 1617, Carrera made his only criticism of Salvio’s analysis in this variation. He suggested 8…Bd7 instead of 8…Nd7, or 9.Qa4 instead of 9.Nf3. Salvio nursed his injured pride for seventeen years and then devoted a chapter of his book to a bitter attack on Carrera. The argument was pointless: all these variations give White a won game.”

GA famously wrote :

Chess is a good mistress, but a bad master

and also

The tactician knows what to do when there is something to do; whereas the strategian knows what to do when there is nothing to do.

and

In chess there is a world of intellectual values

and

Good positions don’t win games, good moves do

and

Why some persons are good at chess, and others bad at it, is more mysterious than anything on chess board.

In the recently (February 25th, 2020) published “Attacking with g2 – g4” by GM Dmitry Kryakvin writes about Abrahams as follows :

“It is believed that the extravagant 5.g2-g4 was first applied at a high level, namely in the British Championship by Gerald Abrahams. Abrahams was a truly versatile person – a composer, lawyer, historian, philosopher, politician (for 40 years a member of the Liberal Party) and the author of several books. Of his legal work, the most famous is the investigation into the murder of Julia Wallace in 1931 in Liverpool, where her husband was the main suspect. As an alibi, William Herbert Wallace claimed he was at a chess club. Dozens of books and films have been devote to the murder of Mrs. Wallace – indeed, this is a script worthy of Arthur Conan Doyle or Agatha Christie!

Gerald Abrahams by Lafayette (Lafayette Ltd), whole-plate film negative, 21 August 1933
by Lafayette (Lafayette Ltd), whole-plate film negative, 21 August 1933

Abrahams played various card games with great pleasure and success, but the main passion of the Liverpool resident was chess. Abrahams achieved his greatest success in the championships of Great Britain in 1933 and 1946, when he won bronze medals. The peak of his career was undoubtedly his participation in the USSR-Great Britain radio match (1946) where on the 10th board Abrahams beat Botvinnik’s second and assistant grandmaster Viacheslav Ragozin with a score of 1.5-0.5

Gerald Abrahams had a taste of studying opening theory, and made a distinct contribution to the development of the Noteboom Variation, which is often known as the Abrahams-Noteboom.

Ten years after he introduced the move 5.g2-g4 to the English public (1953), the famous grandmaster Lajos Portisch brought it into the international arena.”

Gerald Abrahams
Gerald Abrahams

Gerald was also a keen studies composer. Here are some examples of his work:

Gerald Abrahams, 1923

1/2-1/2

Solution: 1. Ra3! Ra3 […a1=q;2.Ra1 Ba1;3.d7 Kf7;4.d8=q];2.e8=q a1=q;3.Qd7

and

Gerald Abrahams, 1924

1-0

Here is an interesting article by Tim Harding on the naming of the Abrahams-Noteboom Variation of the Semi-Slav Defence

Here is an article about GA and a blindfold exhibition

Gerald Abrahams contributed to opening theory in the Queen’s Gambit Declined / Semi-Slav Defence with his creation of the Abrahams-Noteboom Defence as discussed in the following video :

Here is a nine page article (Gerald Abrahams – Talent without Discipline) written by Steve Cunliffe that appeared in British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 292-300:

British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 292
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 292
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 293
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 293
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 294
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 294
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 295
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 295
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 296
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 296
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 297
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 297
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 298
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 298
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 299
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 299
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 300
British Chess Magazine, Volume CVIII (1988), Number 7 (July), pp. 300

In the March issue of CHESS for 1963, (Volume 28, Number 427, pp.147-155)  William Winter wrote this:

Colourful Gerald Abrahams

I cannot leave this group of players without reference to G. Abrahams, who, though less successful than the others, is much the most colourful of all both in play and personality. He is a player whom I would
always like to have on my side against the very best opposition, e.g. the Russians’ His unbounded optimism preclude any possibility of that consciousness of inferiority which infects nearly all our players when they come up against the very great and at his best he is capable of beating anyone.

It is true that his worst games are very bad indeed, but that does not matter. A loss is equally a loss after seventeen moves or seventy. I had a good deal to do with his selection for the Anglo-Soviet Radio match of 1946, and he thoroughly justified my confidence with a win and a draw against Ragosin, being the only English player to score
a majority. In the match over the board he failed, and was promptly dropped, a great mistake in my opinion. Abrahams is always capable of beating a grand master, the majority of English players are not.

A man of versatile talent, he is a successful barrister shining particularly on advocacy, an author of novels and essays as well as chess books, and he gave a striking example of his optimism standing as Liberal candidate for Parliament. I wish he had been elected. He would certainly have enlivened the house.

Of his chess books I must say a good word for Teach Yourself Chess. The title of course suggests an impossibility one cannot teach oneself chess, but none the less it is an excellent work of instruction which players of all grades including its author, might study with advantage.

Here is his Wikipedia entry

See his games at Chessgames.com

How to Teach Yourself Chess, Gerald Abrahams, D Van Nostrand Company, Inc, New York, 1950
How to Teach Yourself Chess, Gerald Abrahams, D Van Nostrand Company, Inc, New York, 1950
Technique in Chess, Gerald Abrahams, George Bell & Sons Ltd., 1961,
Technique in Chess, Gerald Abrahams, George Bell & Sons Ltd., 1961,
Test Your Chess, Gerald Abrahams, Constable and co, 1963, ISBN 0 330 24336 5
Test Your Chess, Gerald Abrahams, Constable and co, 1963, ISBN 0 330 24336 5
The Pan Book of Chess, Gerald Abrahams, Pan, 1965, 10: ISBN 0330230735
The Pan Book of Chess, Gerald Abrahams, Pan, 1965, 10: ISBN 0330230735
Teach Yourself Chess, Gerald Abrahams, The English Universities Press Ltd, 1965,
Teach Yourself Chess, Gerald Abrahams, The English Universities Press Ltd, 1965,
Technique in Chess, Gerald Abrahams, Dover, 1973, ISBN ISBN 13: 9780486229539
Technique in Chess, Gerald Abrahams, Dover, 1973, ISBN ISBN 13: 9780486229539
Brilliance in Chess, Gerald Abrahams, Pitman Publishing, 1977, ISBN 10: 0273000349
Brilliance in Chess, Gerald Abrahams, Pitman Publishing, 1977, ISBN 10: 0273000349

Happy Birthday IA Stewart Reuben (14-iii-1939)

Happy Birthday to Stewart Reuben born this day, March 14th in 1939.

Stewart was born in Stepney, London. His father (SR referred to him as “daddy” in Poker 24/7) was Israel Reuben and his mother was Ann Epstein. Both of his parents was born in England from parents from Minsk, the capital of Belarus.

Stewart resided in Twickenham, Middlesex in recent times and more recently has moved to sheltered housing in between cruises.

Stewart Reuben interviews Stewart Reuben at the home of Stewart Reuben
Stewart Reuben interviews Stewart Reuben at the home of Stewart Reuben

Stewart first joined Islington Chess Club in 1951 at the age of 12.

Stewart’s first holiday by himself aged 17 was in 1956 to play in the British Boy’s Championship in Blackpool when he took up Poker.

Stewart studied chemistry at King’s College, London which he did not enjoy likening it to cooking. (It is usual to refer to refer to organic chemistry as “wet” chemistry).

After graduating Stewart worked for British Oxygen as an industrial chemist and rejoined Islington Chess Club in 1961. At that time Islington was the liveliest club in London. There he knew brothers Ron & Ken Harman and Danny wright. He was also to become great friends with Ron Banwell who left a considerable legacy to English chess.

According to the 1982 tournament book of the Phillips & Drew Kings:

“Stewart was a prime mover in the setting up of the organisation in 1972 which was to grow into the London Chess Association. This was formed in order to reintroduce international chess to London, where there has been no tournament of note since 1948. Since then we have had the Guardian Royal Exchange Masters in the Evening Standard Congress on 1973. Evening Standard Chess Fortnight in 1975, Lloyds Bank Masters since 1977, Lord John Cup 1977, Aaronson Masters 1978 and 1979, the bi-annual Robert Silk, Phillips & Drew 1980, Lewisham since 1981 and the King’s Head International in 1982. ”

His personal catchphrase is “If only I had been consulted earlier”

David at Stewart Reuben's 21st, on Stewart's right (Stewart has the jug) - March 1960. Photograph sourced from ECF Obituary
David at Stewart Reuben’s 21st, on Stewart’s right (Stewart has the jug) – March 1960. Photograph sourced from ECF Obituary

Here is his Wikipedia entry

Jimmy Adams and Stewart Reuben
Jimmy Adams and Stewart Reuben
Richard W. O'Brien and Stewart Reuben working on a bulletin
Richard W. O’Brien and Stewart Reuben working on a bulletin
SR attempting to dance
SR attempting to dance
Stewart looks for material for the arbiters handbook
Stewart looks for material for the arbiters handbook

Here are words written about himself from the rear cover of The Chess Organiser’s Handbook :

“Stewart Reuben is internationally recognised as one of the world’s foremost chess organisers and arbiters. He is currently (1997) Chairman of the FIDE Organisers Committee, Secretary of the Rules and Tournament Regulations Committee, member of the Title and Ratings Committee and the Qualification Commission. He is also past Chairman (1996-1999) of the British Chess Federation. He has officiated at and/or organised numerous top-level events, including the World Championship. He holds three FIDE titles : Arbiter, Organiser and Candidate Master”

The Chess Scene
The Chess Scene
Leonard Barden, Stewart Reuben and Michael Franklin at the 1978 Aaronson Masters
Leonard Barden, Stewart Reuben and Michael Franklin at the 1978 Aaronson Masters
The Chess Organiser's Handbook
The Chess Organiser’s Handbook
London 1980: Phillips and Drew Kings Chess Tournament
London 1980: Phillips and Drew Kings Chess Tournament
Poker 24/7
Poker 24/7

At the Lloyds Bank Masters : Front (l-r) : Joel Benjamin, Ian Wells, Rear : Peter Morrish, Stewart Reuben, Richard Beville, Gary Senior, Richard Webb, John Hawksworth, Andrew King, Nigel Short, Mark Ginsburg, Daniel King, David Cummings, Erik Teichmann, John Brandford and Micheal Pagden
At the Lloyds Bank Masters : Front (l-r) : Joel Benjamin, Ian Wells, Rear : Peter Morrish, Stewart Reuben, Richard Beville, Gary Senior, Richard Webb, John Hawksworth, Andrew King, Nigel Short, Mark Ginsburg, Daniel King, David Cummings, Erik Teichmann, John Brandford and Micheal Pagden

Coaching the Chess Stars

Coaching the Chess Stars
Coaching the Chess Stars

“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukranian grandmasters. He was the winner of several strong tournaments, including the Ukranian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author.”

Vladimir Tukmakov
Vladimir Tukmakov

Perhaps, especially if you’re in the UK where evening league chess is still relatively popular, you’ve found yourself captaining a team.

It’s not too demanding as long as you have a pool of reliable and communicative players to choose from.

Maybe you’ve wondered what it would be like to captain a team in the Chess Olympiad: a really strong team such as Ukraine, Azerbaijan or the Netherlands. Or perhaps a star-studded team like SOCAR in the European Club Championship.

It’s a very different experience from captaining Ambridge C in Division 5 of the Borsetshire League, where all you have to do is get the right number of players to the right place at the right time and report the result, these days probably through the league website.

If you’re captaining a top international team, you’re probably dealing with large egos as well as large Elos. You have to decide on your board order, who to rest in each round, how to get everyone working well together and playing in the interests of the team. You really need to excel at interpersonal as well as chess skills.

This, then, is the subject of the first half of Vladimir Tukmakov’s new book. You’ll read about the triumphs, disasters, and, sadly, tragedies behind the teams he captained.

There’s a lot of chess as well: 37 games or extracts with fairly light annotations, which, by and large, seem to stand up well to modern engine analysis.

Here, for example, is what happens when two of the most imaginative players in 21st century chess meet. The opening, and indeed the whole game, seems to come from another planet.

It’s from the match between Ukraine and Georgia from the 2010 Chess Olympiad (Khanty-Mansiysk)

Vassily Ivanchuk (2754) – Baadur Jobava (2710)

1. e4 c6 2. d4 d5 3. f3 Qb6 4. a3 e5 5. exd5 Nf6 6. dxe5 Bc5 7. exf6 Bf2+ 8. Ke2 O-O 9. Qd2 Re8+ 10. Kd1 Re1+ 11. Qxe1 Bxe1 12. Kxe1 Bf5

Tukmakov comments here: “Formally, White has a big material advantage, but the remaining Black pieces are tremendously active. In addition, don’t forget that even though the white king is standing on its original square, White has lost the right to castle.”.

13. Be2 Nd7 14. dxc6 bxc6 15. Bd1 Re8+ 16. Ne2 Nxf6 17. Nbc3 Bc8 18. a4 a5 19. Rf1 Ba6 20. Rf2 h5 21. Ra3 h4 22. g3 h3 23. g4 Rd8 24. Nf4 Nd7 25. Rb3 Qd4 26. Nfe2 Re8 27. Ne4 Qxa4 28. Bd2 Qa1 29. Bc3 Ne5 30. Ra3 Qb1 31. Nd2 Qc1 32. Rxa5 Ng6 33. Rxa6 Nf4
34. Ra8! 1-0

Tukmakov awards ‘?!’ to Black’s 13th and 17th moves: Stockfish 11 is happy with 13… Nd7 but agrees that Black should have preferred 17… Nd5.

It’s the second half, though, which gives the book its title. Coaching a world class grandmaster who plays even better than you do is very different from giving an occasional lesson to the top board from your local primary school.

Here, Tukmakov relates his experiences of one-off collaborations with Geller, Tseshkovsky, Korchnoi (Wijk aan Zee & Brussels 1991) and Karpov (match with Anand, 1998). More recently, he’s acted as coach to Anish Giri (2014-2016) and Wesley So (2016-2017).

In this section of the book you’ll find another 46 games or extracts, so you get a lot of interesting chess for your money.

In complete contrast to the previous game, here you can see an example of impressively deep opening preparation.

Anish Giri (2768) – Alexei Shirov (2691) Hoogeveen (6) 2014

1. e4 c5 2. Nf3 Nc6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 e5 6. Ndb5 d6 7. Bg5 a6 8. Na3 b5 9. Nd5 Be7 10. Bxf6 Bxf6 11. c3 Bg5 12. Nc2 O-O 13. a4 bxa4 14. Rxa4 a5 15. Bc4 Rb8 16. b3 Kh8 17. Nce3 g6 18. h4 Bxh4 19. g3 Bg5 20. f4 exf4 21. gxf4 Bh4+ 22. Kf1 f5 23. Ra2 fxe4 24. Rah2 g5 25. Qh5 Rb7 26. Ke2 Be6 27. Qh6 Bg8 28. Rg2 Rbf7 29. Rxh4 gxh4 30. Nf5 h3 31. Nh4 Qxh4 32. Rxg8+ Rxg8 33. Qxh4

“Only here did our home analysis end. A triumph for modern methods of preparation!”

33… Rg2+ 34. Kf1 Rh2 35. Ne3 Rg7 36. Qf6 Rh1+ 37. Kf2 Rh2+ 38. Ke1 Rh1+ 39. Kd2 Rh2+ 40. Kc1 Ne7 41. Nf5 Rhg2 42. Nxg7 Rxg7 43. Qf8+ Ng8 44. Bxg8 Rxg8 45. Qf6+ Rg7 46. Qh4 1-0

Shirov had reached the position after 21… Bh4+ before, but had met Kd2 rather than Kf1. Tukmakov claims that 25. Qh5 was a novelty: in fact it had been played twice before, with Black replying Ne5 and, although standing worse, scoring 1½/2.

An excellent book, then, fascinating and, at times, brutally honest. Tukmakov offers a different insight into top level chess from two perspectives: a captain and a coach.

If your main aim is improving your chess you might not consider it an essential purchase, but if the subject matter appeals, don’t hesitate. You won’t be disappointed.

Richard James, Twickenham, 29th February 2020

Richard James
Richard James

Book Details :

  • Paperback : 352 pages
  • Publisher: Thinkers Publishing; 01 edition (2 April 2019)
  • Language: English
  • ISBN-10: 9492510502
  • ISBN-13:  978-9492510501
  • Product Dimensions: 17 x 1.5 x 23.4 cm

Official web site of Thinkers Publishing

Coaching the Chess Stars
Coaching the Chess Stars

Kings of the Chessboard

Kings of the Chessboard
Kings of the Chessboard

“Grandmaster Paul van der Sterren (1956 ), was one of the strongest chess players of the Netherlands. He became twice national champion and represented his country eight times during the Chess Olympiads. In 2001 he retired from being an active player and focused on writing books drawn from his rich chess experience. This is his first English chess book written for Thinkers Publishing.”

Paul van der Sterren
Paul van der Sterren

Many chess players are strikingly ignorant of their game’s heritage, so there’s always a place for a new book offering readers a quick spin through chess history.

There are, broadly speaking, several ways this could be approached: a selection of Famous Games for those who haven’t seen them before, a history of the world championship itself, or an essay on the development of chess style and opening theory over the centuries.

Van der Sterren’s book seems to combine all three approaches. How does it fare?

As I have a particular interest in pre-20th century chess history I decided to dive in at the beginning.

We start, not unreasonably, with Philidor. After some biographical information we might be looking forward to seeing how he played.

Alas, not. The author makes the extraordinary claim that “It is true that some fragments of his games have made it into today’s databases, but their authenticity is doubtful and it is likely that these are mostly fictitious games invented by him for the purpose of teaching or demonstrating a particular point he wanted to make.”.

Really? Is van der Sterren confusing Philidor with Greco, perhaps? While it’s true that the games in his books, and there were only a few, were fictitious, my database has one piece of analysis from 1749 along with 60 complete and 5 partial games against named and known opponents from between 1780 and 1795, all but the first played in London. They were collected by Philidor’s friend George Atwood and many of them were published by George Walker in 1835. There is no doubt at all of their authenticity.

We then move onto the match(es) between La Bourdonnais and McDonnell in 1834.  A complete game would have been good but all we get is the Famous Position where the Frenchman forced resignation with three pawns on the seventh rank, without any explanation as to how the position arose.

Then comes the first international tournament: London 1851. We meet Staunton and Anderssen, and, guess what, we see the finales of the Evergreen and Immortal Games. Again, if you really want to publish them because your readers might not have seen them before, why not give the complete games?

According to van der Sterren, “Now Black has to play the defensive move 20… Na6.”. Historians disagree about whether or not Kieseritzky resigned before playing this move (he claimed he did), or whether he played the move and Anderssen announced mate, but why not mention the much better, but still insufficient, defence 20… Ba6?

Come to think of it, why not mention that both the Immortal and Evergreen games were casual encounters in which Anderssen could afford to take risks?

Moving on, inevitably, to Morphy, by this point I started to play a game with myself, guessing what I’d find in each chapter.  Opera House game? Tick! Queen sac v Paulsen? Surprisingly not.

On to Steinitz. Bardeleben at Hastings? Tick! Van der Sterren talks about Steinitz’s advocacy of positional chess, and then aims to justify the inclusion of this tactical game atypical of his late style by incorporating some callout boxes labelled ‘Misunderstandings’ in a rather ugly childish font: something not repeated elsewhere in the book.

Lasker? Exchange Lopez ending v Capa? Tick! Then, on p49, in a moment of carelessness, we meet ‘Dawid Janowksi’,

On the same page we see a Famous Pawn Ending between Lasker and Tarrasch:

We’re told that “By looking at the position in a concrete way instead of relying on general considerations, it is possible to find a concrete path to salvation for Black.”. It’s White, not Black, who finds a concrete path to salvation by playing, after 40. h4 Kg4, 41. Kg6  rather than the losing Kf6. Although the annotations throughout the book are mostly verbal we do get a variation which demonstrates why Kf6 loses.

Capablanca? Qb2 v Bernstein? Tick! Rook ending v Tartakower? Tick! But not full games.

Alekhine? v Réti in 1925? Tick!  Bogo in 1922? Tick! Again, only the closing stages so we don’t get to see how he reached those positions.

To be fair, the book improves as it approaches the 21st century, and we start meeting players the author knew or knows well.

Here, for instance, is a position from a game I must have seen at the time, but had forgotten about.

This is Anand-Karpov Las Palmas 1996. Here, Vishy played Bxh7+!.

“Anand must have felt there is bigger game to be hunted than just a pawn. Still, to forego a perfectly reasonable option with an extra pawn and a draw in the bag, in favour of a piece sacrifice with unpredictable consequences, is not a decision many players would have made. It is a sign of self-confidence, great powers of calculation and bravery; in other words the hallmark of the most pure, sparkling talent.”

This is typical of van der Sterren’s style of annotation: words rather than variations and a tendency towards hero-worship.

Anand himself is, typically, more modest: “Here, I spent a few seconds checking 21. Rxd5 which leaves White with an extra pawn, but as I mentioned earlier I couldn’t be bothered. I saw Bxh7+ and didn’t waste any more time on Rxd5. I then spent some time analysing Bxh7+, and didn’t see a defence for Black. I then realized that I was too excited to analyse and decided to get it over with. He had hardly any time left already and I was sure that he wouldn’t find a defence.”

Does the book succeed? Although I don’t like being negative in my reviews, I’m afraid not. It suffers from trying to do too much in too short a space, and from a lack of historical knowledge and awareness. If you know anything at all about the history of our beautiful games you’ll have seen almost everything before, and you’ll be frustrated by the broad brushstrokes.

Back in 1987, Mike Fox and I were criticised by some reviewers for including a chapter of Greatest Games in The Complete Chess Addict, but they failed to understand that our target market was social players who wouldn’t have seen them before. By the same token, there may still be a market for a collection of Famous Games, Famous Combinations and Famous Endgame Studies. There are several other histories of the world championship, and treatises on the development of chess style and opening theory, but books that are up to date and whose authors have something new to say are always welcome. This book doesn’t really do any of these things very well, and there is very little original content or thought. If you try to be everything to everyone you end up being nothing to nobody.

However, the book is, for the most part, nicely produced, with a lot of attractive photographs. For someone just starting out in competitive chess who would like to know more about the game’s history, this could be just what they want to pique their interest and encourage them to study this fascinating aspect of chess in more detail.

Richard James, Twickenham, 18th February 2020

Richard James
Richard James

Book Details :

  • Paperback : 264 pages
  • Publisher: Thinkers Publishing; 1 edition (20 May 2019)
  • Language: English
  • ISBN-10: 9492510537
  • ISBN-13:  978-9492510532
  • Product Dimensions: 17.1 x 1.9 x 23.5 cm

Official web site of Thinkers Publishing

Kings of the Chessboard
Kings of the Chessboard

Happy Birthday WIM Cathy Warwick (06-ii-1968)

Birthday of WIM Cathy Warwick (06-ii-1968)

WIM Cathy Warwick (née Forbes)
WIM Cathy Warwick (née Forbes)

Here is her Wikipedia entry

The Polgar Sisters : Training or Genius ?
The Polgar Sisters : Training or Genius ?

Bobby Fischer, the Holy Grail – A Balkan Odyssey

Meet The Masters : Cathy Forbes
Meet The Masters : Cathy Forbes
Nigel Short: Quest for the Crown
Nigel Short: Quest for the Crown

Remembering Sir Jeremy Morse (10-xii-1928 04-ii-2016)

We remember Sir Jeremy Morse who passed away this day, February 4th in 2016.

Christopher Jeremy Morse was born on Monday, December 10th, 1928 to Francis John (1897 – 1971), who was a brewery director and Kinbarra Morse (née Armfield-Marrow, 1908 – 1980).  Jeremy had a sister, Kinbarra Joanna Morse (1931-1960).

Jeremy attended West Downs School, Winchester College and New College, Oxford. He became interested in puzzles at the age of 6 when his parents introduced him to The Times crossword starting a life long hobby as expert cruciverbalist and problem composer.

Jeremy married Belinda Marianne Mills on September 10th 1955
and they had five children, Clarissa Jane, Richard South, Andrew William, Samuel John and Isobel Esther Joanna the first being born in 1956 and the last in 1967.

Whilst not composing CJ pursued a successful career in banking  initially with Williams and Glyn’s Bank  and then

Jeremy is appointed as a director of the Bank of England on January 15th 1965.
Jeremy is appointed as a director of the Bank of England on January 15th 1965.

From the rear cover of Chess Problems : Tasks and Records (1995) :

Jeremy Morse caught the “puzzle bug” when his parents introduced him to The Times crossword at the age of six. Over the subsequent sixty years he has solved and set crosswords, other word puzzles, mathematical puzzles, bridge problems and chess problems.

Chess Problems : Tasks and Records, CJ Morse, Faber & Faber, 1995
Chess Problems : Tasks and Records, CJ Morse, Faber & Faber, 1995

In his spare time he pursued a career in banking, which included the chairmanship of Lloyds Bank from 1977 to 1993. Currently he holds a number business directorships, and is also Warden of Winchester College and Chancellor of Bristol University.

He was knighted in 1975.

Jeremy Morse, Adam Hunt, Nick Pert and Nigel Short at the Lloyds Bank Masters
Jeremy Morse, Adam Hunt, Nick Pert and Nigel Short at the Lloyds Bank Masters

From The Encyclopaedia of Chess by Anne Sunnucks :

British problem composer. Born on 10th December 1928. Executive Director of the Bank of England. Since 1953 he has composed about 250 problems almost all two-movers. He has specialised in task two-movers, on which he has contributed articles to The Problemist and Problem.

Winners of the Lloyds Bank 1987-8 British Solving Championships: (l-r) David Friedgood (runner-up), Sir Jeremy Morse, Jonathan Mestel (winner) and Jonathan Lennox (third-place)
Winners of the Lloyds Bank 1987-8 British Solving Championships: (l-r) David Friedgood (runner-up), Sir Jeremy Morse, Jonathan Mestel (winner) and Jonathan Lennox (third-place)

From The Encyclopaedia of Chess (Batsford, 1977), Harry Golombek OBE, John Rice writes:

“British problemist, output consists of two-movers, helpmates and serieshelpmates. Enthusiastic investigator into task problems in all these spheres. International Judge (1975).”

Here is his obituary from The University of Bristol

Sir Jeremy Morse KCMG, Chancellor of the University of Bristol from 1989 to 2003
Sir Jeremy Morse KCMG, Chancellor of the University of Bristol from 1989 to 2003

Here is his obituary from The Financial Times.

Keith Arkell, Susan Walker and Jeremy Morse at the Lloyds Bank Masters
Keith Arkell, Susan Walker and Jeremy Morse at the Lloyds Bank Masters

Here is his Wikipedia entry

Yasser Seirawan and Jeremy Morse at the Lloyds Bank Masters
Yasser Seirawan and Jeremy Morse at the Lloyds Bank Masters

Emanuel Lasker : A Reader : A Zeal to Understand

Emanuel Lasker: A Reader
Emanuel Lasker: A Reader

Emanuel Lasker: A Reader: A Zeal to Understand : Taylor Kingston

Taylor Kingston

Taylor Kingston has been a chess enthusiast since his teens. He holds a Class A over-the-board USCF rating, and was a correspondence master in the 1980s, but his greatest love is the game’s history. His historical articles have appeared in Chess Life, New In Chess, Inside Chess, Kingpin, and the Chess Café website. He has edited numerous books, including the 21st-century edition of Lasker’s Manual of Chess, and translations from Spanish of The Life and Games of Carlos Torre, Zurich 1953: 15 Contenders for the World Championship, and Najdorf x Najdorf. He considers the Lasker Reader to be the most challenging and interesting project he has undertaken to date.

 

Taylor Kingston
Taylor Kingston

When I’m asked who my favourite chess player is, I always answer ‘Emanuel Lasker’.

Why? Partly because he was a player who didn’t really have a style. Like Magnus Carlsen, with whom he has sometimes been compared, he just played chess. But more because he was such an interesting personality. Unlike most champions (Euwe and Botvinnik were exceptions) he had a life outside chess, on several occasions taking long breaks from the game. And what a life it was: mathematician, philosopher, writer, playwright, bridge player, and, lest we forget, chess player.

Chess historians are finally taking notice of this fascinating man. In 2009 a massive volume about him was published in German, edited by Richard Forster and others. Last year the first of three volumes of a greatly expanded edition of this work appeared in English. If you have any interest at all in chess history you should certainly possess this book, and, like me, you’ll be eagerly looking forward to volumes 2 and 3.

What we have here might best be seen as a companion to this work, and, if you’re a Lasker fan or have any interest in chess history you’ll want this as well.

Taylor Kingston has compiled and edited a collection of Lasker’s own writings, not just on chess but covering every aspect of his multi-faceted personality.

We start with the London Chess Fortnightly, which Lasker published for a year between 1892 and 1893, annotating his own games as he was trying to establish himself as a contender for Steinitz’s world title. Here and throughout the book, the editor adds the occasional contribution from Stockfish 8.

Lasker and Steinitz met in 1894, with our hero becoming the second official world champion as a result of winning the match. Both players annotated some of the games for newspaper columns. In 1906 Lasker published this in his chess magazine, which we’ll come to later, but in this book they appear in the correct chronological place.

The Hastings 1895 tournament book (if you don’t have a copy I’d like to know why) was unusual in that all the games were annotated by one of the other participants. The six games Lasker annotated feature here.

Lasker’s first book, Common Sense in Chess, was published the following year. We have here an extract from Chapter 9, the End Game.

We then jump forward to 1904. The longest and, for chess players, perhaps the most interesting section of the book covers Lasker’s Chess Magazine, which was published in New York between November 1904 and January 1909. The games themselves give the reader an overview of chess during those years, with amateurs as well as masters being represented. Lasker’s annotations and, in some cases, game introductions, were often colourful in nature and tell us a lot about the man himself.

Burn-Forgacs (Ostend 1906), for instance, ‘begins like a summer breeze and ends like a winter’s gale’.

1. d4 d5 2. c4 e6 3. Nc3 Nf6 4. Bg5 Nbd7 5. e3 c6 6. Nf3 Qa5 7. Nd2 Ne4 8. Ndxe4 dxe4 9. Bh4 e5 10. Be2 f5 11. O-O g6 12. c5

‘Here the red lantern flashes out; queen and bishop prepare to take the diagonal from b3 to e6 and f7, which are woefully weak, and the black king will be in grave peril.’

12… Bg7 13. Qb3 Nf8 14. Bc4 Qc7 15. d5 h6 16. d6 Qd7 17. Be7 Ne6 18. Nb5 cxb5 19. Bxb5 1-0

Another major chapter concerns the 1908 Lasker-Tarrasch world championship match. After some details of the background to the match (there was little love lost between the two players: Edward Lasker quoted Tarrasch as saying ‘the only words I will address to him are check and mate!). Taylor Kingston presents the games with annotations from Lasker’s Chess Magazine, Tarrasch’s book of the match and other contemporary sources, along with the usual computer interjections.

We then have a chapter on Lasker’s unsuccessful 1921 match against Capablanca, and another on his non-appearance at New York 1927. Lasker’s Manual of Chess was first published in German in 1926: here we have an excerpt in which he discusses the theory of Steinitz.

Lasker’s chess writings are completed by an article on Lasker and the Endgame by guest contributor Karsten Müller, and a short section on Lasker’s problems and endgame studies.

The last 75 pages of the book consider other aspects of Lasker’s life: his philsophy, his contributions to mathematics, and Lasca, a board game he invented.

Perhaps the most interesting section offers extracts from The Philosophy of the Unattainable, his most important philosophical work, published in 1919. As far as Taylor Kingston is aware, it has never been published in English.

Lasker’s last work, The Community of the Future, was published in 1940, five months before his death. Here, Lasker considers the problems faced by the world and proposes a ‘non-competitive community’ as his solution, with ‘self-hope co-operatives’ to deal with unemployment. Again, fascinating reading, and, you might think, his utopian ideas are still of some relevance today.

The book is a well-produced paperback. There are a few notation errors caused by translation from descriptive to algebraic, but this shouldn’t cause you too much bother. I hope I’ve convinced you that this book deserves a place on your shelves.

Richard James, Twickenham 20 November 2019

Richard James
Richard James

Book Details :

  • Softcover : 400 pages
  • Publisher: Russell Enterprises (19 April 2019)
  • Language: English
  • ISBN-10: 1949859002
  • ISBN-13: 978-1949859003
  • Product Dimensions: 17.8 x 2.5 x 25.4 cm

Official web site of Russell Enterprises

Emanuel Lasker: A Reader: A Zeal to Understand
Emanuel Lasker: A Reader: A Zeal to Understand

Death Anniversary of Julius du Mont (15-xii-1881 07-iv-1956)

Signature of J du Mont from a Brian Reilly "after dinner" postcard from Southsea 1951.
Signature of J du Mont from a Brian Reilly “after dinner” postcard from Southsea 1951.

BCN Remembers Julius du Mont (15-xii-1881 07-iv-1956)

Here is his Wikipedia entry

From British Chess Magazine, Volume LXXXVI, Number 5, 1956 we have this obituary written by DJ Morgan :

In our February issue we wrote an appreciation of one of the distinguished past editors of this magazine, R. C. Griffith. He had been followed in the chair in 1938 by our present Games’ Editor, and when he, in turn, was called in 1940 to sterner duties, he was succeeded by Julius du Mont. During the war years, and through the difficult post-war period, till 1949, he held the reins. As we wrote on another occasion, “His had been difficult years: the “B.C.M.” had survived when so much else had succumbed during the stress and strain of total war.” lt is with regret that we now record his death on April 7th, in a Hastings nursing home, at the age of seventy-four, after a protracted illness.

du Mont was born in Paris-a little-known fact which he himself once disclosed to us-on December 15th, 1881. lt was there also that he received his education. His early bent and ambitions were musical. The tradition that chess and music have a close relationship may be traced as far back, at least, as Philidor’s great eminence in both. du Mont was truly in the line of such dual personalities. He pursued his musical studies at the Frankfort-on-Main Conservatoire and at Heidelberg, and soon became established as a concert pianist.’ Later he achieved great success as a music teacher, and among his pupils was the well-known concert pianist, Edna lles. The French and German background also explains his facility as a linguist.

He came to England as a young man and brought with him a considerable talent for chess. Settling in London, he rapidly improved as a player, and successes followed. At the Kentish Congress, Tunbridge Wells, 1912, he came equal second and third. He was Champion of the strong Hampstead Club for two years, and Middlesex Champion in 1913 and 1915. He quickly mastered our language and showed this during the First World War by writing a manual on the Lewis gun. After the war, music kept its place in his life, but more and more chess became his main activity. He forsook playing and turned to journalism and authorship, and his output of books is evidence of his gifts and industry. Titles come readily to mind: Chess Openings lllustrated, Centre Counter Defence (1919) and Centre and Danish Gambit (1920); The Elements of Chess (1925) ; Ihe Basis of Combination in Chess (1938) ; 200 Miniature Games (1941); More Miniature Games (1953); (with Dr. Tartakower) 500 Master aomes of Chess, two volumes (1952), to which was added a third volume in 1954, 100 Master Games of Chess. He also translated Edward Lasker’s Chess Strategy, and Alekhine’s two volumes of My Best Games of Chess (the first with M. E.Goldstein).

The wealth of material ready to hand combined with a foreigner’s gift of lucid expression in “the other tongue” made his books very popular. To the great value and importance of these books, a whole generation of chess-players will readily testify.

For some years, du Mont was chess editor of The Field and of The Manchester Guardian. During the last war he organized chess championships for the Armed Services. We pay tribute to his services to the game, to his many kindnesses and friendships to its players, and, in particular, to his devotion to this magazine.-D. J. M.

D. C., who enjoyed a long friendship with our late Editor, writes to us as follows-

By the death of J. du Mont, the chess world has lost an eminent and popular personality. That this popularity was well deserved will be apparent even to those who knew him only slightly.

Essentially kind, he performed many generous acts, and having, by his own efforts, become the best-known British writer on chess, he not only filled this position with modesty and dignity, but was liberal in the help he gave to those starting on the road he had so successfully followed.

In the tournament room-where his presence was always welcome-he was invariably quiet and courteous, and although gifted with a fine wit, he never used it
unkindly. He *as an excellent companion, and players at many congresses will recall the happy times they spent in their visits to him at all hours of the evening. It is sad to think that these gatherings have now irrevocably reached their end: to quote A. E. Housman’s beautiful lines-

They come and were and ore not
And come no more anew.

But as long as a literature of chess remains, the name of Julius du Mont will not be forgotten. His many friends, however, have no need of his writings in order to keep alive their memory of him.

In Chess Secrets I learned from the Masters, Edward Lasker, Hollis and Carter, 1952 :

J. DuMont became the author of a number of interesting monographs on chess openings, and for many years he was the Editor of the British Chess Magazine. It was he who translated my own translation of Schachstrategie which I attempted in the summer of 1913. Naturally, my English was not fit to be printed. DuMont had to rewrite everything I had written, and except for his untiring labors Chess Strategy might never have been published. He gave the book a certain literary flavor, which no doubt added greatly to its popularity. It went into fourteen printings before it was replaced by Modern Chess Strategy in 1945.

DuMont was a pianist of note and I took lessons from him; however, the time I took from my chess activities to practise the piano was shamefully meagre. No wonder I have been told more than once that as a pianist I am a good chess player.”

Death Anniversary of Julius du Mont (15-xii-1881 07-iv-1956)

Signature of J du Mont from a Brian Reilly "after dinner" postcard from Southsea 1951.
Signature of J du Mont from a Brian Reilly “after dinner” postcard from Southsea 1951.

BCN Remembers Julius du Mont (15-xii-1881 07-iv-1956)

Here is his Wikipedia entry

From British Chess Magazine, Volume LXXXVI, Number 5, 1956 we have this obituary written by DJ Morgan :

In our February issue we wrote an appreciation of one of the distinguished past editors of this magazine, R. C. Griffith. He had been followed in the chair in 1938 by our present Games’ Editor, and when he, in turn, was called in 1940 to sterner duties, he was succeeded by Julius du Mont. During the war years, and through the difficult post-war period, till 1949, he held the reins. As we wrote on another occasion, “His had been difficult years: the “B.C.M.” had survived when so much else had succumbed during the stress and strain of total war.” lt is with regret that we now record his death on April 7th, in a Hastings nursing home, at the age of seventy-four, after a protracted illness.

du Mont was born in Paris-a little-known fact which he himself once disclosed to us-on December 15th, 1881. lt was there also that he received his education. His early bent and ambitions were musical. The tradition that chess and music have a close relationship may be traced as far back, at least, as Philidor’s great eminence in both. du Mont was truly in the line of such dual personalities. He pursued his musical studies at the Frankfort-on-Main Conservatoire and at Heidelberg, and soon became established as a concert pianist.’ Later he achieved great success as a music teacher, and among his pupils was the well-known concert pianist, Edna lles. The French and German background also explains his facility as a linguist.

He came to England as a young man and brought with him a considerable talent for chess. Settling in London, he rapidly improved as a player, and successes followed. At the Kentish Congress, Tunbridge Wells, 1912, he came equal second and third. He was Champion of the strong Hampstead Club for two years, and Middlesex Champion in 1913 and 1915. He quickly mastered our language and showed this during the First World War by writing a manual on the Lewis gun. After the war, music kept its place in his life, but more and more chess became his main activity. He forsook playing and turned to journalism and authorship, and his output of books is evidence of his gifts and industry. Titles come readily to mind: Chess Openings lllustrated, Centre Counter Defence (1919) and Centre and Danish Gambit (1920); The Elements of Chess (1925) ; Ihe Basis of Combination in Chess (1938) ; 200 Miniature Games (1941); More Miniature Games (1953); (with Dr. Tartakower) 500 Master aomes of Chess, two volumes (1952), to which was added a third volume in 1954, 100 Master Games of Chess. He also translated Edward Lasker’s Chess Strategy, and Alekhine’s two volumes of My Best Games of Chess (the first with M. E.Goldstein).

The wealth of material ready to hand combined with a foreigner’s gift of lucid expression in “the other tongue” made his books very popular. To the great value and importance of these books, a whole generation of chess-players will readily testify.

For some years, du Mont was chess editor of The Field and of The Manchester Guardian. During the last war he organized chess championships for the Armed Services. We pay tribute to his services to the game, to his many kindnesses and friendships to its players, and, in particular, to his devotion to this magazine.-D. J. M.

D. C., who enjoyed a long friendship with our late Editor, writes to us as follows-

By the death of J. du Mont, the chess world has lost an eminent and popular personality. That this popularity was well deserved will be apparent even to those who knew him only slightly.

Essentially kind, he performed many generous acts, and having, by his own efforts, become the best-known British writer on chess, he not only filled this position with modesty and dignity, but was liberal in the help he gave to those starting on the road he had so successfully followed.

In the tournament room-where his presence was always welcome-he was invariably quiet and courteous, and although gifted with a fine wit, he never used it
unkindly. He *as an excellent companion, and players at many congresses will recall the happy times they spent in their visits to him at all hours of the evening. It is sad to think that these gatherings have now irrevocably reached their end: to quote A. E. Housman’s beautiful lines-

They come and were and ore not
And come no more anew.

But as long as a literature of chess remains, the name of Julius du Mont will not be forgotten. His many friends, however, have no need of his writings in order to keep alive their memory of him.

In Chess Secrets I learned from the Masters, Edward Lasker, Hollis and Carter, 1952 :

J. DuMont became the author of a number of interesting monographs on chess openings, and for many years he was the Editor of the British Chess Magazine. It was he who translated my own translation of Schachstrategie which I attempted in the summer of 1913. Naturally, my English was not fit to be printed. DuMont had to rewrite everything I had written, and except for his untiring labors Chess Strategy might never have been published. He gave the book a certain literary flavor, which no doubt added greatly to its popularity. It went into fourteen printings before it was replaced by Modern Chess Strategy in 1945.

DuMont was a pianist of note and I took lessons from him; however, the time I took from my chess activities to practise the piano was shamefully meagre. No wonder I have been told more than once that as a pianist I am a good chess player.”

Death Anniversary of Julius du Mont (15-xii-1881 07-iv-1956)

Signature of J du Mont from a Brian Reilly "after dinner" postcard from Southsea 1951.
Signature of J du Mont from a Brian Reilly “after dinner” postcard from Southsea 1951.

BCN Remembers Julius du Mont (15-xii-1881 07-iv-1956)

Here is his Wikipedia entry

From British Chess Magazine, Volume LXXXVI, Number 5, 1956 we have this obituary written by DJ Morgan :

In our February issue we wrote an appreciation of one of the distinguished past editors of this magazine, R. C. Griffith. He had been followed in the chair in 1938 by our present Games’ Editor, and when he, in turn, was called in 1940 to sterner duties, he was succeeded by Julius du Mont. During the war years, and through the difficult post-war period, till 1949, he held the reins. As we wrote on another occasion, “His had been difficult years: the “B.C.M.” had survived when so much else had succumbed during the stress and strain of total war.” lt is with regret that we now record his death on April 7th, in a Hastings nursing home, at the age of seventy-four, after a protracted illness.

du Mont was born in Paris-a little-known fact which he himself once disclosed to us-on December 15th, 1881. lt was there also that he received his education. His early bent and ambitions were musical. The tradition that chess and music have a close relationship may be traced as far back, at least, as Philidor’s great eminence in both. du Mont was truly in the line of such dual personalities. He pursued his musical studies at the Frankfort-on-Main Conservatoire and at Heidelberg, and soon became established as a concert pianist.’ Later he achieved great success as a music teacher, and among his pupils was the well-known concert pianist, Edna lles. The French and German background also explains his facility as a linguist.

He came to England as a young man and brought with him a considerable talent for chess. Settling in London, he rapidly improved as a player, and successes followed. At the Kentish Congress, Tunbridge Wells, 1912, he came equal second and third. He was Champion of the strong Hampstead Club for two years, and Middlesex Champion in 1913 and 1915. He quickly mastered our language and showed this during the First World War by writing a manual on the Lewis gun. After the war, music kept its place in his life, but more and more chess became his main activity. He forsook playing and turned to journalism and authorship, and his output of books is evidence of his gifts and industry. Titles come readily to mind: Chess Openings lllustrated, Centre Counter Defence (1919) and Centre and Danish Gambit (1920); The Elements of Chess (1925) ; Ihe Basis of Combination in Chess (1938) ; 200 Miniature Games (1941); More Miniature Games (1953); (with Dr. Tartakower) 500 Master aomes of Chess, two volumes (1952), to which was added a third volume in 1954, 100 Master Games of Chess. He also translated Edward Lasker’s Chess Strategy, and Alekhine’s two volumes of My Best Games of Chess (the first with M. E.Goldstein).

The wealth of material ready to hand combined with a foreigner’s gift of lucid expression in “the other tongue” made his books very popular. To the great value and importance of these books, a whole generation of chess-players will readily testify.

For some years, du Mont was chess editor of The Field and of The Manchester Guardian. During the last war he organized chess championships for the Armed Services. We pay tribute to his services to the game, to his many kindnesses and friendships to its players, and, in particular, to his devotion to this magazine.-D. J. M.

D. C., who enjoyed a long friendship with our late Editor, writes to us as follows-

By the death of J. du Mont, the chess world has lost an eminent and popular personality. That this popularity was well deserved will be apparent even to those who knew him only slightly.

Essentially kind, he performed many generous acts, and having, by his own efforts, become the best-known British writer on chess, he not only filled this position with modesty and dignity, but was liberal in the help he gave to those starting on the road he had so successfully followed.

In the tournament room-where his presence was always welcome-he was invariably quiet and courteous, and although gifted with a fine wit, he never used it
unkindly. He *as an excellent companion, and players at many congresses will recall the happy times they spent in their visits to him at all hours of the evening. It is sad to think that these gatherings have now irrevocably reached their end: to quote A. E. Housman’s beautiful lines-

They come and were and ore not
And come no more anew.

But as long as a literature of chess remains, the name of Julius du Mont will not be forgotten. His many friends, however, have no need of his writings in order to keep alive their memory of him.

In Chess Secrets I learned from the Masters, Edward Lasker, Hollis and Carter, 1952 :

J. DuMont became the author of a number of interesting monographs on chess openings, and for many years he was the Editor of the British Chess Magazine. It was he who translated my own translation of Schachstrategie which I attempted in the summer of 1913. Naturally, my English was not fit to be printed. DuMont had to rewrite everything I had written, and except for his untiring labors Chess Strategy might never have been published. He gave the book a certain literary flavor, which no doubt added greatly to its popularity. It went into fourteen printings before it was replaced by Modern Chess Strategy in 1945.

DuMont was a pianist of note and I took lessons from him; however, the time I took from my chess activities to practise the piano was shamefully meagre. No wonder I have been told more than once that as a pianist I am a good chess player.”