The Modernized Modern Benoni, Alexey Kovalchuk, Thinker’s Publishing, 2021, ISBN-13 : 978-9464201048
From the publisher:
“The Modern Benoni is one of the most controversial but also dynamic answers to 1.d4. This opening remained the favourite of famous attacking players as Tal, Kasparov, Gashimov and Topalov. From the outset, Black creates a new pawn structure and deploying his active piece play against White’s central majority.
In his book Alexey Kovalchuk focuses on a set of new ideas and deep analyses supported by his silicon friends. His book supplies all Black needs to know to fight for the initiative from move two!”
FM Alexey Kovalchuk
“Alexey Kovalchuk was born in 1994 in Russia and learned to play chess at the “late” age of 12. In November of 2017 he reached his highest Elo yet of 2445 and is considered an IM without the norms. Alexey has never had a coach having studied with the aid of books and other materials.
His tournament successes include winning the Rostov Championship in both classical and rapid. He is a three-time winner of the Taganrog Championship and has won prizes in many events including Taganrog, Togliatti, Astrakhan, Lipetsk, Kharkov and Donetsk. His reputation as a theoretician is well known and he has previously published a book on the Grünfeld Defense. Currently Alexey serves as a second for several grandmasters as well as coach for several aspiring students.”
End of blurb.
As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. We were hoping that the excellent glossy paper of previous titles would be used for this one but never mind.
Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator and a “position after: x move” type caption.
There is no Index or Index of Variations but, despite that, content navigation is relatively straightforward as the Table of Contents is clear enough.
This is the author’s second book, we reviewed Playing the Grünfeld : A Combative Repertoire previously.
Here is the detailed Table of Contents:
Classical Main Line
Knight’s Tour Variation
Modern Main Line
Kapengut Variation
Nge2 Systems
Bg5 & Bb5 Systems
f4 System
Fianchetto Variation
Bf4 Variation
Sidelines
Anti-Benoni Systems
Before we continue we will declare an interest. We only play a couple of these positions from the White side and none from the Black side.
The Preface provides a couple of tremendous Tal games in which White is crushed in short order. The Introduction nicely provides an overview of the coverage of each of the main chapters.
Chapter 1 kicks-off with the so-called “Classical Main Line” which is initially reached via:
ending up at
as the tabiya position for this chapter. The author looks at various move 11 alternatives for White concluding that 11. Bf4 is the most troublesome for Black which scores 56.4% for White and features in 260 MegaBase 2020 games.
The approach is typically that of working through the moves of a variation in detail making reference to played games which is a Thinker’s Publishing “house style”.
Chapter 2 examines a favourite idea of Vladimir Kramnik for White namely the, at one time, incredibly popular 7.Nd2 i.e.
ending up at
which is discussed in detail.
The third chapter is dubbed the Modern Main Line (as labelled by Richard Palliser in his excellent Modern Benoni tome) and has White playing h3 instead of Be2 and placing the f1 bishop on d3 instead leading to
which may be arrived at in several different ways at which point Kovalchuk strong advocates the immediate 9…b5!? instead of the more familiar and less violent 9…a6.
Clearly this is a critical line for the Benoni and is given much detailed analysis. 9…b5!? has featured in 2123 MegaBase 2020 games and of these 727 are designated as “Top Games”.
Chapter Four brings the joys of the Kapengut Variation which was analysed in detail by Albert Kapengut in 1996:
and appears 1037 times in MegaBase 2020 with a white success rate of 57%.
After 7…Bg7 various ideas for White are examined.
As the Chapter Five’s title suggests various move orders are covered in which develops the King’s knight to e2 rather than f3 without playing f3 quickly.
For example:
Chapter 6 covers ideas for white involving an early pin with Bg5 or an early check with Bb5+ (but without f4) . The author considers neither of these to be dangerous for Black and provides analysis of his antidotes.
However, much more exacting is the daunting Taimanov Attack (dubbed by David Norwood as the Flick-Knife Attack such was its ferocity) which is examined in Chapter 7.
This famous line made popular in the 1980s begins
and there are 38 pages on this line alone. 9.a4 is given detailed treatment with the main line reaching:
which is then analysed thoroughly.
In the same chapter is the more modern treatment of 9.Nf3 (omitting a4) continuing to
where both 14.f5 and 14.Qe1 are looked at in considerable detail with the latter having the highest database hit rate.
Chapter 8 explores the somewhat innocuous Fianchetto Variation of 7.g3:
and this is given 19 pages of discussion.
The somewhat rare 7.Bf4 system is covered in Chapter 9 with 15 pages of text.
Chapter 10 “tidies up” with coverage of some rarer third and fourth move sidelines which as 3.dxc5 and 4.dxe6 whilst the final Chapter (11) looks at some White Anti-Benoni systems including where c4 is omitted or delayed.
All in all the author provides comprehensive coverage of all of White’s reasonable tries focusing on the critical main lines such as the fearsome Flick-Knife and Modern Main Lines.
This book surely is a must for any player of the Modern Benoni with the black pieces and will be invaluable for the White player who wishes to take Black on in the main lines.
It might have been helpful to sequence the chapters in some kind of order of precedence with perhaps the least significant ones first and then build-up to the most important ones. It is not clear to us that the sequence chosen has any significance since Chapters 1, 3 and 7 perhaps are the most critical variations and 8, 10 and 11 the least.
Any tournament player that either plays the Benoni or who faces it will benefit from this modernised approach.
Martin Luther (10 November 1483 – 18 February 1546) was a German professor of theology, priest, author, composer, Augustinian monk, and a seminal figure in the Reformation. Luther was ordained to the priesthood in 1507. He came to reject several teachings and practices of the Roman Catholic Church; in particular, he disputed the view on indulgences. Luther proposed an academic discussion of the practice and efficacy of indulgences in his Ninety-five Theses of 1517. His refusal to renounce all of his writings at the demand of Pope Leo X in 1520 and the Holy Roman Emperor Charles V at the Diet of Worms in 1521 resulted in his excommunication by the pope and condemnation as an outlaw by the Holy Roman Emperor.
Luther taught that salvation and, consequently, eternal life are not earned by good deeds but are received only as the free gift of God’s grace through the believer’s faith in Jesus Christ as redeemer from sin. His theology challenged the authority and office of the pope by teaching that the Bible is the only source of divinely revealed knowledge, and opposed sacerdotalism by considering all baptized Christians to be a holy priesthood. Those who identify with these, and all of Luther’s wider teachings, are called Lutherans, though Luther insisted on Christian or Evangelical as the only acceptable names for individuals who professed Christ.
His translation of the Bible into the German vernacular (instead of Latin) made it more accessible to the laity, an event that had a tremendous impact on both the church and German culture. It fostered the development of a standard version of the German language, added several principles to the art of translation,[6] and influenced the writing of an English translation, the Tyndale Bible.[7] His hymns influenced the development of singing in Protestant churches. His marriage to Katharina von Bora, a former nun, set a model for the practice of clerical marriage, allowing Protestant clergy to marry.
His translation of the Bible into the German vernacular (instead of Latin) made it more accessible to the laity, an event that had a tremendous impact on both the church and German culture. It fostered the development of a standard version of the German language, added several principles to the art of translation, and influenced the writing of an English translation, the Tyndale Bible. His hymns influenced the development of singing in Protestant churches. His marriage to Katharina von Bora, a former nun, set a model for the practice of clerical marriage, allowing Protestant clergy to marry.
Yes, Martin Luther was one of the most important figures in European history: he had an enormous impact on the development of Christianity, leading, for example to the foundation of the Church of England, which enabled Henry VIII to divorce Catherine of Aragon, marry Anne Boleyn and dissolve the monasteries.
He also had an enormous impact on the development of Western music. Out went complex polyphony sung in Latin, to be replaced by simple hymn tunes sung in the vernacular, which in turn would underpin the sacred music of one of my heroes, Johann Sebastian Bach.
Over the years, admirers of Martin Luther have sometimes chosen those names for their sons.
Take, for example, American Baptist preacher Michael King. While on a trip to Germany for the annual meeting of the World Baptist Alliance in 1934, where they issued a resolution condemning antisemitism, he was inspired by what he learned about Martin Luther to change both his Christian name, and that of his eldest son from Michael to Martin Luther. It was ironic that the original Martin Luther himself expressed violently antisemitic views in his later works.
An earlier Baptist minister on the other side of the Atlantic also named his son Martin Luther. Here’s his entry in the Dictionary of National Biography.
LEWIS, WILLIAM GARRETT (1821–1885), baptist minister, eldestson of William Garrett Lewis, was born at Margate 5 Aug. 1821. His father, who was in business at Margate, moved to Chatham, where he was ordained and became minister of the Zion Chapel in 1824; he was the author of ‘Original Hymns and Poems on Spiritual Subjects,’ London, 1827. The son was educated at Gillingham, Margate, and Uxbridge, and from 1837 to 1840 was articled to Dr. Gray, a Brixton schoolmaster. In 1840 he obtained a clerkship in the post office, went to live at Hackney, and became an active baptist. Being chosen a minister, he worked from September 1847 at the chapel in Silver Street, Kensington Gravel Pits. On 6 April 1853 the new chapel built by his congregation in Leding Road, Westbourne Grove, was opened, and there he continued to preach with great success till the end of 1880. On 3 Jan. 1881 his congregation presented him with four hundred guineas, and he removed to the chapel in Dagnal Street, St. Albans. Lewis was one of the founders of the London Baptist Association, of which he was secretary from 1865 to 1869 and president in 1870. For nearly twenty years he was editor of the ‘Baptist Magazine.’ He died 16 Jan. 1885 at his house in Victoria Street, St. Albans, and was buried in Kensal Green cemetery. He married, in December 1847, the youngest daughter of Daniel Katterns of the East India Company. His wife predeceased him, leaving a son and a daughter. Lewis was an excellent preacher and lecturer, and a man of great piety. His chief works were: 1. ‘The Religion of Rome examined,’ London, 1851, 16mo. 2. ‘Westbourne Grove Sermons,’ London, 1872. 3. ‘The Trades and Occupations of the Bible,’ London, 1875; a translation (with alterations) of this work appeared in Welsh, London, 1876.
The church he founded in Notting Hill is still active today. If you’re really interested, you can buy a book of his sermons here.
But it’s his son, Martin Luther Lewis, who interests us in this, the third and final article about Arthur Towle Marriott’s Leicester chess opponents.
Our Martin Luther was born in Kensington in 1851 and read Classics at Downing College, Cambridge. He then chose to go into teaching rather than following his father into the ministry, and obtained a post teaching Classics at Bradford Grammar School.
We first encounter him as a chess player in 1877 and 1878, taking part in a blindfold simul given, inevitably, by Joseph Henry Blackburne. The game was unfinished and Blackburne consented to a draw ‘owing to the pieces being very evenly balanced, and it being necessary to exchange off the pieces and play it out as a pawn game, which would have been very protracted’, according to the Bradford Daily Telegraph (30 Nov 1877). During the same period he played in matches against other clubs, gradually moving up the board order until he found himself on top board.
In 1880, Martin Luther Lewis was on the move. The Leicester Journal (12 Nov 1880) reported: ‘The Rev. Edward Atkins, B.Sc., has been appointed to the second mastership of Wyggeston Boys’ School, vacant by the promotion of Mr. G. H. Nelson, M.A., to the headmastership of the Canterbury Middle School. Mr. M.L. Lewis, M.A., LL.M., late scholar of Downing College Cambridge, Classical Master in the Bradford Grammar School, and Mr. Alfred Barker, B.A., of the University of London, one of the Masters in the City of London School, Cowper-Street, have been appointed to Assistant Masterships in the School.’. At about the same time the school launched a new chess club: Lewis was no doubt involved in this venture.
Wyggeston Grammar School for Boys was the most prestigious boys’ school in Leicester at the time. Its many distinguished alumni include the Attenborough brothers (the Attenborough Building at Orleans Park School in Twickenham host tournaments run by Richmond Junior Chess Club), former RJCC parent Simon Hoggart, and author, publisher and chess player James Essinger.
The 1881 census found Lewis boarding with a widow, Ann Woodruffe (Hyde) Burrows, whose teenage son Edward was, I would imagine, a Wyggeston pupil.
He soon joined Leicester Chess Club and it wasn’t very long before he graduated to top board, playing regularly for them against other clubs in the Midlands between 1882 and 1888. His first over the board encounter with Arthur Towle Marriott came on Friday 31st March 1882. The match was not a success, according to the Leicester Chronicle of 8 April. Unfortunately, the Leicester players had to return too early to allow of any satisfactory conclusion being arrived at, the only games concluded at the time the contest was finished being those between Messrs. T. Marriott and A.F. Atkins, and Mr. H.R. Hatherley and Rev. J.C. Elgood. Of those, each team had one win to their credit. The other games were not far enough advanced to allow of adjudication. a fact which, after nearly three hours’ play, shows they were very stubbornly contested. No chess clocks in those days, of course. (Note that AF Atkins was no relation to the aforementioned Edward.)
The two clubs met again on Thursday 26 October in Leicester, with Lewis and Marriott now in opposition on top board. According to the Nottingham Evening Post on 28 October: Play commenced at seven o’clock at the New Town Hall, and was continued until 10.30, when unfinished games were adjudicated by Messrs. A. Marriott and M.L. Lewis (their own game being among that number). The result was an easy victory for the Nottingham team, who won nine games, lost two and six were drawn. One of the draws was indeed their own encounter.
They met again in Nottingham on 23 February 1883, the result of their top board game, and also the match, being a draw. At round about the same time, in the first quarter of 1883, Martin Luther Lewis married his landlady.
His results over his years of activity between 1877 and 1888 suggest that Lewis was one of the strongest players in the country outside London. Usually playing on top board, it seems he lost very few games. The comparatively high proportion of draws, along with the lack of published games, suggest that he was a solid and cautious player. EdoChess gives him a highest rating of 2250. However, he preferred to concentrate on his teaching and pastoral work rather than seek chess fame further afield. He was, apart from teaching Classics at Wyggeston, involved in preaching, teaching in Sunday Schools, and with the Leicester YMCA, where he started a chess club, drawing with William John Withers in a match against Granby.
Martin and Ann, who was thirteen years his senior, continued to live together for the rest of their lives. His stepson Edward himself went on to study theology, was appointed to a curacy in Bath, but sadly died at the age of only 33.
Although Martin Luther Lewis’s chess career was relatively short and uneventful, he played a highly influential role in the story of English chess. You’ll remember Edward Atkins, who joined Wyggeston at the same time as him. A very interesting man was Edward. His father, Timothy, was a humble framework knitter from Hinckley, but, like Thomas Marriott senior, was ambitious to improve himself. Even up to his mid 50s he was still knitting stockings, but later opened a shop, and, later still, became a hosiery manufacturer. He was clearly ambitious for his children, as well. Edward, in spite of his modest origins, had a highly successful career in the Church of England as well as teaching, becoming a Canon and continuing to officiate at the Church of St Nicholas, Leicester, into his nineties. His science lessons led to the formation of Leicester College of Technology, which would very much later (while I was there) become the City of Leicester Polytechnic, and is now, as De Montfort University, the home of the ECF Library.
The two men must have been good friends, and when Edward’s young son Henry Ernest Atkins showed an interest in chess, Martin was on hand to provide both tuition and encouragement. Perhaps he also influenced his pupil’s style of play. Atkins junior, of course, became one of England’s strongest ever players. Certainly a Major Piece, not a Minor Piece. You can read much more about him in excellent articles here and here.
Martin Luther Lewis died on 23 October 1919, just 15 months after his wife.
Here’s an appreciation from ‘one who knew him’ from the Leicester Daily Post of 27 October.
Three weeks earlier, on 6 October, about a mile a half away, Tom Harry James had welcomed his 18th and last child into the world. But that’s another story.
This, then, was the life of Martin Luther Lewis, classics teacher, preacher and strong chess player.
It’s a well-known trope, isn’t it? You’ll probably be familiar with the 1939 movie Goodbye Mr Chips, based on James Hilton’s 1934 novella. You may also know the Terence Rattigan play The Browning Version. Hilton’s Mr Chips and Rattigan’s Crocker-Harris were both, like Lewis, classics teachers. Perhaps we might consider him to have been cut from the same cloth as these two fictional counterparts.
His sister Ruth never married, becoming a hospital matron in Chipping Barnet, and then working for the YWCA in Exeter. She later moved to Leicester, perhaps to care for her older brother in his final illness, and is buried with him in Welford Road Cemetery.
Chess Board Options, Larry Kaufman, New in Chess, 15th July 2021, ISBN-13 : 978-9056919337
From the publisher:
“Larry Kaufman can safely be called an exceptional chess grandmaster
Larry Kaufman started out as a prodigy, however not in chess but as a whizz kid in science and math. He excels at shogi (Japanese chess) and Go, and is also a world-famous computer programmer and a highly successful option trader. Remarkably, as a chess player he only peaked at the weirdly late age of fifty.
Yet his victories in the chess arena are considerable. Over a career span of nearly sixty years Kaufman won the state championships of Massachusetts, Maryland, Florida, Virginia, D.C. and Pennsylvania. He was an American Open Champion and won the U.S. Senior Championship as well as the World Senior Championship.
‘Never a great chess player’ himself (his words), he met or played chess greats such as Bobby Fischer, Bent Larsen, Walter Browne, Boris Spassky, Viktor Kortchnoi and many others. He worked as a second to legendary grandmaster Roman Dzindzichashvili, and coached three talented youngsters to become International Master, one of them his son Raymond.
This engrossing memoir is rife with stories and anecdotes about dozens of famous and not-so-famous chess players. In one of the most remarkable chapters Larry Kaufman reveals that the American woman chess player that inspired Walter Tevis to create the Beth Harmon character of Netflix’s The Queen’s Gambit fame, is his former girlfriend. You will learn about neural networks, material values and how being a chess master helps when trading options. And find lots of memorable but little-known annotated games.
Larry Kaufman is an American Grandmaster. He has been involved in computer chess since 1967, when he worked on ‘MacHack’, the first computer that competed in tournaments with human players. More recently he has been working on the programs Rybka and Komodo.
Praise for the best-selling opening manual Kaufman’s New Repertoire for Black and White:
“Kaufman’s book is a pleasure to read.” — Miguel Ararat, Florida Chess Magazine
“Kaufman does an outstanding job.” — IM Gary Lane, Chess Moves Magazine”
GM Larry Kaufman
The memoirs of a relatively obscure grandmaster might not be at the top of your wish list, I guess.
The title might be considered slightly odd as well, referring in part to his career as an options trader, with perhaps also some reflections on options for the further development of chess.
Nevertheless, Larry Kaufman has some interesting stories to tell, and much to say about the future of our favourite game. You’ll also find, appropriately enough, 64 games, some played by the author, some by players he knew, and some by computers against grandmasters, all with brief but pertinent annotations. I’d urge you to stop and take a look inside rather than just pass it by.
The introduction provides some background biographical information concerning his 60 year chess career.
Here’s an early game: the book provides annotations as far as move 20.
In Part 1, Kaufman introduces us to some of the 20th century champions he has known, with plenty of anecdotes and a few games along the way. We meet Fischer, Spassky and Kasparov, Korchnoi, Larsen, Gligoric and others. For me, though, the most interesting chapters here are about the lesser known players. We go all the way back to Harold Phillips (1874-1967), a family friend, who had played Steinitz in simuls back in 1894. I guess this must make Kaufman one of the youngest players to have a shared opponent with Steinitz. In 1961 or 1962 there was a kindly old man who ‘gave generous and valuable free chess lessons to the kids’. This was the notorious Norman Whitaker: of course they knew nothing of his background at the time.
Then there was Steve Brandwein (1942-2015), a new name to me. ‘Although he retired from tournament play at only 22 years of age, … he … was a very strong player … and probably taught me more about the finer points of chess than any other individual.’ Kaufman compares him to Bernie Sanders, and describes him as ‘perhaps the best-liked chess master I’ve ever known’, who could, if he’d wanted have become a grandmaster, or perhaps, had he been prepared to compromise, a US President.
Even more interesting (although readers of New in Chess might have read about this before), is Diana Lanni, who, according to Kaufman, may have been the major inspiration behind the character of Beth Harmon in The Queens Gambit. He also sees himself as the closest match to Harry Beltik, and Walter Browne as Benny Watts.
Part 2 looks at Larry Kaufman’s life outside chess: his time as an options trader and his interest in Shogi, Go and other games.
In Part 3, he shows us some of his most memorable games and talks about his chess students, including his son Ray.
This was his first win against a grandmaster, and helped him towards his first IM norm.
This game helped propel him to a shared first place and the grandmaster title in the 2008 World Seniors.
Part 4 is about computer chess. Kaufman has been involved in this since 1967, when, as a student at MIT, he had a part-time job working on MacHack. Today, he’s part of the Komodo team. After a brief résumé of his career in computer chess, we see some recent games between engines and grandmasters. These days, the engines give the GMs considerable odds.
Particularly interesting here is a 2020 16-game match (15’+10″) between Komodo and GM Alex Lenderman. In every game, Komodo played White without a knight. In half the games, Lenderman played without a pawn, in four games he had all his pieces but without castling rights, and four games were played using Fischerrandom rules, but with kings and rooks on their usual squares. On the first day, using its standard version, Komodo lost three games, with just one draw. It then switched to the Monte Carlo Tree Search version, which seeks the best practical chances rather than the objectively best moves. In the remaining twelve games, all of which are published here, Komodo scored three wins, seven draws and only two losses.
Here’s a Komodo win. Kaufman’s brief annotations don’t mention a significant improvement for Komodo pointed out by Stockfish 14.
Part 5 comprises short essays on various topics such as: ratings, openings and piece values, along with suggestions for the reform of competitive chess and thoughts about the future.
Kaufman is perhaps best known, at least in the USA, for a 1999 Chess Life article about the values of the pieces. As someone involved in teaching beginners, this is of considerable interest to me. I’d really like to stop my pupils trading BN for RP on f7 and thinking they have an advantage because points are equal and they’ve exposed the enemy king. He suggests that, while the traditional values (1, 3, 3+, 5) are reasonable for positions without queens, in the presence of queens we should teach 1, 4, 4+, 6, 11. That will resolve my problem: the trade on f7 will now win 7 points but lose 8+ points.
I found this book a riveting read, especially parts 4 and 5, but then it covers a number of topics which are of particular interest to me. If the topics appeal to you too, or if you have a general love of chess culture, I’d give it a very strong recommendation. Fascinating, well written, and, as usual with New in Chess, well produced.
Understanding Queen Endgames, Karsten Müller & Yakov Kanoval, Russell Enterprises (24 Mar. 2021), ISBN-13 : 978-1949859317
From the publisher:
The Daunting Domain of Queen Endgames Explained! Knowing the abilities and limitations of the powerful queen is very valuable for mastering the secrets of the royal game, and this can be studied best in the endgame.
Queen endgames are very difficult, if only for purely mathematical reasons the queen is the most mobile piece in chess, and the amount of possible options is incomparably higher than in any other type of endgames.
This book follows a dual philosophy as in the three previous works by the same authors: Understanding Rook Endgames, Understanding Minor Piece Endgames and Understanding Rook vs. Minor Piece Endgames. The 7-piece endings are dealt with in great detail. They are often so complex that pre-tablebase analysis almost always contains errors. Many new discoveries are revealed here. But to really understand the fight of a queen against a queen or minor pieces with rooks, these theoretical positions are of course not enough. So subchapters on the principles of each material configuration have been added.
All in all, this fantastic book is already on my (very short) “must study” list for chessplayers of different levels, including the top ten! I want to thank the authors for the courage which is required just to start working on such a complex topic, as well as for the very high quality of their work, which will endure for decades to come and will be very useful for many future generations of chessplayers. The foreword is by Vladimir Kramnik,14th World Chess Champion”
This titanic technical endgame tome is a Magnum Opus with a forward by former World Champion Vladimir Kramnik. The complexity of queen endings is obvious as the queen is the most mobile piece and the number of variations becomes vast after only a few ply. This is probably the reason that this is the first work to cover queen endings in great depth. The complexity of these endgames is shown by a famous game from Vladimir Kramnik’s World Championship match versus Peter Leko in 2004. The first game of that match reached this position:
Leko-Kramnik World Championship 2014(1) Move 44 White to move
White played 44.Qf4?? which loses as demonstrated by Kramnik in the game and is covered in this book 44…g5! 45.Qf6 h6! winning, the point being that 46.Qxh6 loses the queen to 46…R8a6! After 45…h6 White cannot prevent Black from manoeuvring his rooks to win the kingside pawns. The natural move is 44.hxg6 exchanging pawns to reduce material which was thought, at the time, to draw. In fact Black stills retains winning chances. As the position has eight men the result is still not known definitively – this shows the richness of such endgames.
This publication also covers endgames that have had little coverage in the past such as Two Rooks + Pawn v Queen.
Most first quick skim of the book did concern me slightly as I noticed some diagrams followed by 100+ moves with no annotations. On a deeper perusal, I realised that these examples are included as “longest wins” for certain material combinations. This emulates John Nunn’s longest wins in “Secrets of Pawnless Endings”. There is plenty of well annotated material within practical games to bring out key ideas, for example the techniques to break down fortresses are examined in detail.
The book has ten main chapters traditionally based on piece configuration:
Chapter 1 Queen vs. Pawn
Chapter 2 Queen vs. Queen
Chapter 3 Queen vs. Rook
Chapter 4 Queen vs. Rook and Knight
Chapter 5 Queen vs. Rook and Bishop
Chapter 6 Queen vs. Two Rooks
Chapter 7 Queen vs. Rook and Two Minor Pieces
Chapter 8 Queen and Minor Piece vs. Queen (and Minor Piece)
Chapter 9 Queen and Rook vs. Queen and Rook
Chapter 10 Queen vs. Minor Pieces
Each chapter ends with some fruitful exercises to check if you were paying attention. The solutions are given near the end of the book.
Chapter 1 Queen vs. Pawn
This chapter obviously concentrates on the cases where the pawn is on the seventh rank. Here is the end of a Troitzky study:
Troitzky 1935 (end of study) White to draw
1.Ke6!! and whichever way Black’s king goes, White moves into his shadow drawing: 1…Kf4+ 2.Kf7! draws or 1…Kd4+ 2.Kd7 draws
This next position looks arcane but the reviewer has has this position twice in blitz, once as the attacking side and once as the defending side: in both cases the defence was accurate to hold the draw.
Q v P (king outside winning zone) White to move
White cannot win despite the proximity of his king. White can try 1.Qd5+ 1…Ke1!! is the only move to draw, 1…Ke2 loses to 2.Qa2! Kd1 3.Kd4! c1Q 4.Kd3 mating. White can also try 1.Qa2 Kc3!! is the only move to draw, 1…Kd1 2.Kd4! c1=Q 3.Kd3 mating.
This chapter goes on to cover many types of position with far advanced pawns against a queen.
Chapter 2 Queen versus Queen
Naturally the authors start with the notoriously difficult ending Queen and Pawn vs. Queen: their comment is “This can be very deep and tricky if the defending king can’t get in front of the pawn.” Certainly an understatement as many strong GMs have gone down in drawn endings. A whole volume could be dedicated to this fascinating endgame.
The authors systematically cover the rook’s pawn, knight’s pawn, bishop’s pawn and centre pawns. Some useful general rules are given for each pawn:
“Rook Pawn – In this case, the drawing zone for the defending king is usually quite large when the pawn is not far advanced, as the rook pawn does not provide good shelter. But the zone gets smaller as the pawn advances, and the main drawing zone is in the corner farthest from the queening square.”
A didactic example from Carlsen-Gashimov Monaco 2011 is given:
Carlsen-Gashimov Monaco 2011 Move 59 Black to play
Black’s king is badly placed restricting his own queen, so he should run to the a1-corner as fast as he can. 59…Kc5!? 60.h5 Qe8+ 61.Kh6 Kd5?! 61…Kb4 going closer to the drawing zone is more logical 62.Kg5 Qg8+ 63.Kf4 Qb8+ 64.Kg4
Carlsen-Gashimov Monaco 2011 Move 64 Black to play
64…Qb4+! An excellent move preserving the draw., 64…Qa7? loses to 65.Qf4!! cutting the Black king off from the a1-drawing zone and winning in the long run. It looks as though Black’s king might get near the pawn, but that is an illusion: he just restricts his own queen’s movements. 65.Kg5 Qd2+ 66.Kg6 Kc4 67.h6 Qg2+ 68.Kf7 Qb7+ 69.Kg8 Qb8+ 70.Qf8 Qg3+ 71.Kh8 Qe5+ 72.Qg7 Qe4 73.h7
Carlsen-Gashimov Monaco 2011 Move 73 Black to play
This a typical position from this ending, white has pushed the pawn to the seventh rank with his king hiding in the corner in front of the pawn. This is a tablebase draw but this has been known for many decades before the advent of tablebases.
73…Kd3?? loses, a bad mistake from a 2700 GM. 73…Kb3! draws but accuracy is still required. 74.Qf7+ (74.Kg8 Qe8+ 75. Qf8 Qg6+ 76.Kh8 Kc2=) 74…Kb2
Carlsen-Gashimov Monaco 2011 Variation 1 Move 75 White to play
This is the type of position that Black is aiming for. The authors explain why it is drawn with a pithy comment: “and White can’t win as the king must move too far from the pawn to move into a countercheck position.” For example: 75.Kg7 Qg4+ 76.Qg6 Qd7+ 77.Kh6 Qd2+ 78.Qg5 Qd6+ 79.Kh5
Carlsen-Gashimov Monaco 2011 Variation 1 Move 79 Black to play
Another excellent explanation from the authors: “White’s king wants to go to h1 or h2 to make counterchecks possible, but the pieces are then too far apart” (and un-coordinated) e.g. 79…Qd1+ 80.Qg4 Qh1+ 81.Kg6 Qc6+ 82.Kg5 Qd5+ 83.Qf5 Qg2+ 84.Kh4
Carlsen-Gashimov Monaco 2011 Variation 1 Move 84 Black to play
Carlsen-Gashimov Monaco 2011 Variation 1 Move 89 White to play
Black to the game after 73…Kd3??
Carlsen-Gashimov Monaco 2011 Move 74 White to play
74.Qd7+ Ke2?! (74…Kc2 lasts longer but does not save the game anymore: buy the book to find out how White wins) 75.Kg8 White is going to shuffle his king along to the adjacent file to Black’s king to setup a crosscheck: 75…Qg6+ 76.Kf8 Qh6+ 77.Qg7 Qf4+ 78.Qf7
Carlsen-Gashimov Move 78 Black to play
78…Qh6+ Notice how Black’s choice of checks are severely restricted because of his king’s placement 79.Ke7 Qh4+ 80.Ke8 Qa4+ 81.Kf8! Now we can see again why Black’s king is badly placed: Black has no good checks.
Carlsen-Gashimov Monaco 2011 Move 81 Black to play
A very important ending to study and learn from a World Champion.
Muller & Konoval give an example of good defence with the king in the drawing zone where the defending side does not let the draw slip at any point:
Markowski – Piket Istanbul 2000 Move 57 White to play
Piket played 57.Qe8+ and drew: buy the book to see the excellent defensive effort.
Here is an old game where modern tablebases really show how difficult these endgames are:
Ed. Lasker-Marshall USA 1923 Move 80 White to play
White played 80.Qc1? The amazing 80.Qh1!! is the only move to draw, for example 80…Qd7 81.Qf3+ Ke8 82.Qa8+ Ke7 83.Qh8! Qd6+ 84.Ka7!
Ed. Lasker-Marshall USA 1923 Variation 1 Move 84 Black to play
Drawing, a beautiful geometric display of the queen’s power with the white queen moving around all the corners in a few moves. 80…Qe5! 81. Qb1
Ed. Lasker-Marshall USA 1923 Move 81 Black to play
81…Qf6+? (A mistake improving White’s king for free particularly as White’s checks are restricted because of potential cross checks, the natural 81…h2! wins, e.g.: 82.Qb7+ Kf6 83.Qf3+ Ke7 84.Qb7+ Kd8 85.Qa8+ Kd7 86.Qb7+? Qc7 and white has no good check, so he loses) 82.Ka7! and white drew with excellent defence 82…Kg7 83.Qg1+ Kh7 84.Qe3 Qa1+ 85.Kb8 Qb2+ 86.Ka7 Qg2 87.Qd3+ 87…Kh8 Although White’s king is in the drawing zone, Black’s king is on a neighbouring rank making counterchecks possible, so white played 88.Ka6! (88.Qe3 also draws)
Ed. Lasker-Marshall USA 1923 Move 88 White to play
88…h2 89.Qd8+ Kh7 90.Qc7+! Staying on the h2-pawn so Black cannot interpose the queen, and White drew 14 moves later by repetition.
If the defending king can get in front or very near the pawn, it should do so:
Bakutin – Novitzkij Tula 2000 Move 63 White to play
63.Kd3! h5 64.Ke2! now the draw is easy as white does not fear a queen exchange.
Sometimes the defending king has to keep both options open: here is a brilliant example:
Dominguez Perez – Nakamura Thessaloniki 2013 Move 60 Black to move
Black looks to be in trouble as his king is a long way from the drawing zone and will interfere with his queen. However Nakamura found 60…Ke5!! 61.Kg7 Qc6! Keeping Black’s options open 62.h6
After 62.Qg6 Qb7+ 63.Kh8 Qa8+ 64.Qg8 Qc6 65.Qg5+ Black changes plans and runs to the drawing zone as White’s king is badly placed in front of the pawn, he just has time to do this 65…Kd4!! 66.Qg7+ Kc4 67.h6 Kb3 68.h7 Ka2=
Dominguez Perez – Nakamura Thessaloniki 2013 Variation Move 69 White to move
Dominguez Perez – Nakamura Thessaloniki 2013 Move 67 White to move
67.Qg6 (67.h7 Qh5 68.Qg7+ Ke6! draws as Black’s king cramps White’s pieces.) 67…Qf8+ 68.Kh7 Qf3 69.Qg7+ Ke6 70.Kg8 Qh5 71.h7 Qe8+ 72.Qf8 Qg6+ 73.Kh8 Qf7 drawn
Knight Pawn – “With a knight pawn, play is similar to a rook pawn, but the winning chances are better as the pawn provides better shelter. There is still a drawing zone in the far corner.”
The play is complex and there are many subtleties with slight differences being crucial as we shall see below.
Here is a superb example of drawing technique from Negi-Postny Helsingor 2009:
Negi-Postny Helsingor 2009 Move 63 Black to move
Where does Black put his king? 63…Kf1! (63…Kd2? loses in 91 moves as the king is cut off from the drawing zone!) 64.b5 Qc7+ 65.Kd5 Qb7+ 66.Qc6 Qf7+ 67.Kd6 Qf4+ 68.Kd7 Qf7+ 69.Kc8 Qf8+ 70.Kb7 Qe7+ 71.Qc7 Qe4+ 72.Ka6 Qa4+ 73.Qa5 Qc4 74.Qa1+ Kg2
Negi-Postny Helsingor 2009 Move 75 White to move
Black’s king has reached the drawing zone. It is still very easy to go wrong.
75.Qb2+ Kh1 76.Qh8+ Kg1 77.Qg7+ Kh1 78.Qb7+ Kh2 79.Qc6 Qa2+ 80.Kb7 Kg1 81.Qc1+ Kf2 82.Qc5+ Kf1 83.b6 Postny comments :The pawn has reached the 6th rank already, although it is still a draw theoretically. For the defensive side it’s very easy to go astray, but, somehow I managed to give the right checks. 83…Qg2+ 84.Ka6 Qa8+ 85.Kb5 A crucial position, Black’s king is temporarily out of the drawing zone and cannot go back immediately.
Negi-Postny Helsingor 2009 Move 85 Black to move
85…Qe8+! The only move to draw 86.Ka5 Qe1+ 87.Ka6 Qa1+ 88.Qa5
Postny comments again: For a moment I thought that I was losing. The queen covered the a3 square, and Kb7-a7 followed by the pawn advance just one move before the fifty move rule seems inevitable. But… 129…Kh1! 130.Ka7 Qf2!! This stalemate trick saves the game. 131.Qe4+ Kg1 132.Kb7 Qf7+ 133.Kc6 Draw due to the fifty move rule. ½-½
The next example shows how difficult this ending really is:
Oddone – Espinoza Asuncion 2009 Move 77 Black to play
Black’s king is not yet in the drawing zone. Black played the obvious check 77…Qe7+? which loses 77…Qe3! (77..Qc5? loses to 78.Qd3!) does draw, e.g. 78.Ka8 Kh3 79.b7 Qe4 80.Ka7 Qd4+ 81.Qb6 Qa1+ 82.Qa6 Qd4+ 83.Ka8 Qe4
Oddone – Espinoza Asuncion 2009 Variation Move 84 White to play
This is drawn despite Black’s king not being in the drawing zone but it is close enough! 84.Qa2!? cutting the Black king off from the drawing zone (by analogy with the line below) does not win here.
Back to the game 78.b7 Qe3+ 79.Ka8 Qe4
Oddone – Espinoza Asuncion 2009 Move 80 White to play
80.Qb5? 80.Qa3!! cutting the king off from the drawing zone wins, followed by moving White’s king down to the same rank as Black’s king which is similar to the line below 80…Qf3? (80…Kg3! draws) 81.Qb4+ Kh3 82.Qc5?! Qe4
Oddone – Espinoza Asuncion 2009 Move 83 White to play
83.Qc3+? Sloppy, improving Black’s king for free and the queen is much better placed on c5; it was time to move the White king down to the rank that Black’s king is on: 83.Ka7! wins, e.g. 83…Qa4+ 84.Kb6 Qb3+ 85.Ka6 Qa4+ 86.Qa5 Qc4+ 87.Qb5 Qe6+ 88.Ka5 Qa2+ 89.Kb6 Qf2+ 90.Qc5 Qb2+ 91.Ka6 Qe2+ 92.Ka5 Qa2+ 93.Kb5 Qe2+ 94.Qc4 Qb2+ 95.Qb4 Qe5+ 96.Ka4 Qe8+ 97.Ka3
Oddone – Espinoza Asuncion 2009 Variation 1 Move 97 Black to play
Oddone – Espinoza Asuncion 2009 Move 89 Black to play
A key position and a common problem for the defending side, which check should I make? Black choose the wrong check and lost. 89…Qg6+? The authors offer some general advice here: “As Black’s king is on a light square, it was better to operate on dark squares”: 89…Qf6+! Drawing 90.Qd6 Qc3+ 91.Kd7 Qg7+ 92.Qe7 Qd4+ 93.Ke8 White is trying to bring his king across to the same file as Black’s king. Qh8+ 94.Qf8 Qe5+
Oddone – Espinoza Asuncion 2009 Variation 2 Move 95 White to play
95.Kf7 loses the pawn to a fork 95…Qd5+ drawing instantly
Back to the game, after 89…Qg6+? 90.Qd6 Qe8+?!
Oddone – Espinoza Asuncion 2009 Move 91 White to play
91.Qd7?! (91. Kb6! Qe3+ 92. Kc7 Qa7 Kc8 wins quickly, now we see why Black’s queen should operate on the dark squares) 91…Qg6+
Oddone – Espinoza Asuncion 2009 Move 92 White to play
92. Kd5? White could have centralised the queen and effected a memorable manoeuvre to win 92.Qd6! Qc2+ 93.Kd7 Qh7+ 94.Qe7 Qd3+ 95.Ke8 Qg6+ 96. Kf8 Qf5+ 97.Kg8 Qd5+ 98.Kh8 Qh5+ 99.Qh7 winning
Oddone – Espinoza Asuncion 2009 Variation 3 Move 99 Black to play
Notice that this winning motif is effectively the same idea as the king manoeuvre down the a-file and b-files rotated ninety degrees!
In the game: 92…Qd3+ 93.Ke6 Qg6+ 94.Ke5 Qg5+ 95.Ke4 Qg6+! 96.Ke5 Qg5+ 97.Kd6
Oddone – Espinoza Asuncion 2009 Move 97 Black to play
97…Qf6+? The final mistake allowing White to improve his queen. 97…Qf4+ 98.Kc6 Qa4+ 99.Kc7 Qa5+ 100.Kc8 Qc5+ draws 98.Qe6! 98…Qd8+?! 99.Kc6 Qh8 100.Qa2+ Kf1 101.Qb1+ and queens the pawn, White won 4 moves later.
Here is a pretty study showing a neat idea:
Van Vliet 1888
How does White break the pin to get his pawn home?
Amazingly this idea occurred in a game and White missed the neat win, but won anyway.
Bishop Pawn
This is completely different. If the defending king can’t get in front of the pawn or at least very near the pawn, the attacker usually wins as there is no drawing zone in the far corner. This is best pawn for the superior side.
Matamoros Franco – Bologan 2005 Move 65 White to play
White played 65.Qe5+? (A bad mistake from a 2500 player, 65.Qc3+ draws as Black’s queen is poorly placed.) 65…Qe4! Black gives up his h-pawn to centralise his queen and get his f-pawn going 66.Qxh5 f5 White has restored material equality but is now lost as the centralised Black queen is dominant and the f-pawn is much more dangerous than White’s a-pawn. 67.Qh3+ Kd2 68.Qh2+ Kc3 69.Kb5 f4 70.Qh8+ Kb3 71.Qf8 f3 72.Qf7+ Kxa3 Black has eliminated the a-pawn which wasn’t strictly necessary. The win is simple from here as Black’s queen is so well placed.
Matamoros Franco – Bologan 2005 Move 73 White to play
73.Qf8+ Kb2 74.Qf6+ Kc2 75.Ka6?! Accelerating the loss. When the kings are close to each other on files or ranks, the stronger side should always be on the look out for a sequence to exchange queens.
Matamoros Franco – Bologan 2005 Move 75 Black to play
75…Qd5?! (Black could have exchanged queens with 75…Qd3+! 76.Kb7 Qb3+ 77.Ka8 Qa3+ 78.Kb7 Qb2+) 76,Qf4 Kd3 77.Qg3 Qc4+ 78.Ka7 Qc5+ 79.Ka8 Qd5+ 80.Ka7 Ke2 81.Qg4 Kd3 82.Qg3
Matamoros Franco – Bologan 2005 Move 82 Black to play
Matamoros Franco – Bologan 2005 Move 89 White to play
89.Kb7 Qg7+ 0-1 in view of 90.Kb8 Qf8+ 91.Kb7 Qf7+ 92.Kb6 f1Q
A central pawn
This is similar to the bishop’s pawn, but the winning chances are slightly less. There is no drawing zone for the defending king in the far corner:
Miladinovic – Graf Ohrid 2001 Move 68 Black to move
There is no chance for a draw here with the central pawn as Black cannot be prevented from advancing the pawn to the queening square: it just requires patience, care and a lot of moves.
Black played 68…Qa1+ (the natural 68…Qf5 unpinning the pawn is better.)
Black played well, not letting the win slip at any point until this position at move 110:
Miladinovic – Graf Ohrid 2001 Move 110 Black to move
Black played 110…Kf4?? which throws the win away as white has a brilliant draw utilising the fact that the pawn is unprotected by the queen and the star cross perpetual check. Better was 110…Qb3 protecting the pawn and preparing cover for the king on the queenside viz.: 111.Qh2+ Ke4 112.Qg2+ Kd3 113.Qg6+ Kd2 114.Qg5 Qc4 115.Ka8 Qd4 116.Kb7 Kc3 117.Qg3 Qd3 winning
Miladinovic – Graf Ohrid 2001 Variation 1 Move 118 White to move
The reviewer makes this observation:
Notice how Black’s king has migrated over to the file adjacent to White’s king ready to setup cross checks in a few moves. This cannot be prevented wherever White’s king is on the board with two exceptions:
The weaker side can draw if the defending king gets in front of the pawn
or reaches a small drawing zone on the short side of the pawn.
The only other drawing mechanism is to setup the star cross perpetual check or a variant of it which is shown below.
111.Qh2+! Reaching a very important position as White can draw
Miladinovic – Graf Ohrid 2001 Move 111 Black to move
111…Kg4 112.Qg1+Kf4 113.Qh2+ Ke4
Miladinovic – Graf Ohrid 2001 Move 114 White to move
114.Qg2+?? [114.Qh1+!! Kd4 115.Qa1+ Kd3 116.Qd1+ Ke4 117.Qh1+ Ke5 118.Qh5+ Kf5 (118…Kd6 or Ke6 loses the pawn to 119.Qh6+) 119.Qh5+ drawing] 114…Kd4 115.Qb2+ Kd3 Black breaks the perpetual sequence and wins as White’s queen has lost her checking distance
Miladinovic – Graf Ohrid 2001 Move 116 White to move
Miladinovic – Graf Ohrid 2001 Move 125 White to move
125.Qh2+? (Centralising with 125.Qe5 was a tougher defence) 125…Kf1 126.Qc2 e2 127.Qc4 Kg2 128.Qg8+ Qg3 129.Qd5+Kg1
Miladinovic – Graf Ohrid 2001 End
Exploiting White king position 0-1
The central pawn does have a small drawing zone for the defending side which is on the short side of the pawn:
Karjakin – Mamedyarov Beijing 2013 Move 91 White to move
This is a theoretical draw as White’s king restricts Black’s king manoeuvres, but White must defend perfectly:
91.Kb3? losing as White’s king can be kicked out of the drawing zone. 91,Qc4 holds for example 91…Qb6+ 92.Ka2 Qa5+ 93.Kb2 Qe5+ 94.Kb1 Qa1+ 95.Kb2 Qe3 96.Qc1+ Ke2 97.Qc4=
Karjakin – Mamedyarov Beijing 2013 Variation Move 97 Black to move
White’s king covers the queenside and the White queen can hassle Black on the kingside. If Black’s king strays too far on the kingside, Black cannot block a queen check as White will simply exchange queens drawing owing to the proximity of his king to the pawn.
The game continued 91…Qb6+ 92.Kc4 Qa6+ (92…Qc7+ is better 93.Kb3 Qc3+ 94.Ka2 Qa5+ 95.Kb2 Qb5+ 96.Ka3 Kc3 wins) 93.Kb3?! Qb5+ 94.Ka2 Kc3 95.Qe1+ Kc2 0-1 (96.Qf2 d2)
The book covers numerous positions with more pawns.
Here is a celebrated game Kasparov v The World Internet 1999.
Kasparov – The World Internet 1999 Move 51 Black to play
Although Black is a pawn up, White is playing for the win as his g-pawn is the most advanced pawn. The seven piece tablebase confirms this position is a draw but Black is on the edge of losing and most defend perfectly. The game continued 51…b5?! (51,,,Ka1! holds) 52.Kf6+ Kb2? (The final mistake 52…Ka1 was necessary) 53.Qh2+ Ka1 54.Qf4! b4 55.Qxb4 Black is lost as the d-pawn is a hindrance as it obstructs Black’s queen and offers cover to White’s king. Without the d-pawn the position is drawn as show earlier in this review.
Kasparov – The World Internet 1999 Move 54 Black to play
The ROW did not last much longer and resigned on move 62.
Chapter 3 Queen v Rook
The basic Queen v Rook endgame is covered sufficiently. The authors show how to break the third rank defence:
Queen v Rook Third Rank Defence
The authors observe: “The third rank defence is very difficult to break down if you do not know how, because it requires at least one counter-intuitive move to achieve that. John Nunn suggests the following method:”
1.Qf4! (1.Qg7 does not make progress because of 1…Ke8 2.Qc7 Rh6 3.Ke5 Rg6 and the starting position has been mirrored) 1…Kd7 2.Qa4+! Kc7 3.Qa7+ Forcing Black into the third rank defence 3…Rb7 4.Qc5+ Kb8 5.Kd6 Rg7 6.Qb4+ Rb7 7.Qe4 Rb6+ 8.Kc5 Ka7 9.Qd4 Rb7 10.Kc6+ Ka8 11.Qd5 Kb8 12.Qa5 and Philidor’s position is reached.
The book covers a multitude of Queen vs Rook + Pawn(s) positions where there are many fortresses worth knowing and even in the situations where the queen wins, many wins are quite long and complicated. Here is an example of a simple draw.
Queen v Rook+P Fortress
Here White can simply move his rook back and forth between two safe squares e3 & g3.
An additional pawn for Black on g4 makes no difference viz:
Queen v Rook+P Fortress 2
This is clearly drawn as well. However, make a subtle change to the position and place Black’s king on e7, then the queen wins:
Agopov – Norri Finland 2012 Move 89 White to move
White played the incomprehensible 89.g6? allowing the simple 89…Rxg6 drawing 89.Qh1! wins as follows: 89…Rg6 90.Qa8 Re6 91.Qa3+ Ke8 92.Kg4 Rg6 93.Kh5 Re6 94.Qb4 zugzwang
Agopov – Norri Finland 2012 Move 94 Black to move
Black has no good move. One key point is 94…Rg6 95.Qe4+ Kf8 (95…Re6 96.Qxe6 fxe6 97.Kh6 winning) 96.Qxg6 winning
With a further advanced bishop’s pawn, it is no longer a fortress as the attacking king can encircle the weaker side’s position:
Queen v Rook + Pawn Breaking the Fortress
The winning process falls into three phases and zugzwang is the main weapon to achieve these steps:
First the king has to cross the e-file
1.Kf2 Qc7 2.Kg2 Qc2+ 3.Kg1 (3.Kg3 Qd2 4.Rg4 Ke5 5.Re4+ Kd5 and the first phase is complete) 3…Qd2 4.Kf1 Qh2 5.Re2Qg3 6.Rg2 Qh3 7.Kf2 Ke5 8.Rg4 Kd5
Queen v Rook + Pawn Breaking the Fortress Move 9 White to move
because 80…Rd3 (80…Ke4 81.Qd5+ wins) 81.Qf4+ Kc3+ 82.Kc5 wins
Chapter 4 Queen versus Rook and Knight
Fortresses are an important topic here.
Gelfand-Anand Moscow 2012 Move 37 Black to move
Here Black has a fortress. White’s obvious pawn lever is g4, so Black stops it with 37…h5! Can White exploit the g5 square? 38.Kh4 Kh6 39.Qb2 Kg6 40.Qc3 Ne4
Kasparov – Ivanchuk Frankfurt 1998 Move 69 White to move
Here the rook and knight have a temporary blockade of two passed pawns. A pawn sacrifice disrupts the coordination of Black’s pieces: 69.g5!? Nxg5?! (69…Rg6 is tougher) 70.Qg4? (A rare mistake from the former World Champion 70.Qg3! breaks the blockade 70…Rg6 71.Qe5+ Kf7 72.d6 wins; 70…Kh6 71.Qh4+ Kg6 72.d6 wins) 70…Rg6 71.Kb4 Nf7 72,Qd4+ drawn
Here a blockade could have been broken by clever manoeuvring:
Brameyer – Pitzl Dresden 2010 Move 52 Black to play
This looks desperate for white who looks to be close to zugzwang. Black continued 52…Kg4? allowing White to escape
Brameyer – Pitzl Dresden 2010 Variation Move 62 White to play
53.Re3! Qd2 54.Rg3+! Kh4 55.Rf3 mutual zugzwang and white held on for a draw
Brameyer – Pitzl Dresden 2010 Move 55 Black to play
Queen vs Rook + Knight + Pawn
Beukema – Hausrath Dieren 2017 Move 110 White to move
It is hard to believe that White can lose to here. White played 110.Qe2? which does lose and he lost quickly missing a draw when Black erred. (110.Qb7 holds along with 4 other moves) 110…Rf6+ does win for Black. Buy the book to find out how.
Chapter 5 Queen versus Rook and Bishop
Babula – Blatny Stare Mesto 1992 Move 69 Black to move
It is hard to believe that White can win this position as the f7 square is covered by both rook and bishop and all Black’s pieces are safe and coordinated. White failed to win this game in practice; he tried for 16 moves and gave up. However, White can force the pawn through or win a piece in 43 moves. This is a good example where computer generation of tablebases has really enhanced the understanding of the endgame and found sophisticated winning manoeuvres in positions like these. The key piece in this type of position is the attacker’s king.
Chapter 6 Queen vs Two Rooks
The authors summarise this material imbalance thus “The rooks are slightly superior materially speaking, but this does not make them favourites automatically. It is very important, if they can get static control and their king can hide. The queen on the other hand often wants to start dynamics to overload the rooks and destroy their coordination and harmony.”
The ending of two Rooks + P v Q is covered in some depth, the theory of which is completely new to the reviewer and probably new to the reader.
The most important factor is whether the attacking king can find hiding places. This often depends on where the defending king is. It has some similarities with queen and pawn vs queen endings:
Vovk – Savchenko Move 90 White to play
With a rook’s pawn, generally if White’s king is away from the action (near the pawn), the game is drawn, but it is not so easy to give a main drawing zone which was possible in the queen and rook’s pawn or knight’s pawn versus queen case, but d7 seems to be a a good square but it does not always draw.
Matters are very complex and the wins are often very long as this game shows:
Vovk – Savchenko Variation 1 Move 94 Black to play
The tablebases give this position as a draw after 94…h2 95.Qh5! Kg2 96.Qg5+ Rg3 97.Qxf4 h1Q 98.Qd2+ Kh3 99.Qh6+ with a perpetual
Vovk – Savchenko Variation 1 Move 98 Black to play
Back to the game: 90…h2 91. Qg2?! (91.Qh7+ is tougher losing in 92 moves) 91…Rf2 92.Qh1?! Kh3 93.Qa8?! Rf8 94.Qb7?!
Vovk – Savchenko Move 94 Black to play
94…R2f7?! (Black missed a quick win 94…Re2+ 95.Kd6 Rd8+ 96.Kc5 Rc2+ 97.Kb4 Rb2+ winning the queen) 95.Qb3+?! Rf3?! 96.Qb1 Re8+ 97.Kd7 Here White loses despite the king being on d7.
Vovk – Savchenko Move 97 Black to play
97…Ree3? A natural move, throwing away the win, 97…Rh8! wins in 46 moves 98.Kd6? This was White’s last chance to draw: Black won on move 114 0-1
Vovk – Savchenko Variation 2 Move 104 Black to play
As the reader can see, this endgame is very complex, even harder than queen + pawn v queen.
Here is example with the king hiding in front of the rook’s pawn in the corner:
Tiviakov – Van der Wiel Leiden 2011 Move 108 Black to move
Black played 108…Rb1+? throwing away the win which was to be had with 108…Kg1 in 125 moves! 109.Ka4 now White is holding and Tiviakov defends perfectly:
If the reader has played through this ending, it was remarkably simple to win.
With a central pawn, there is no fortress on the short side for the defending king:
2R+Central P v Q Instructive example
This is winning after 1.Kd7 Qg7+ 2.e7
In general, the queen can draw when the defending king is well placed and the attacker cannot coordinate and safeguard the king. This can be very complicated and not easy to calculate:
Zwakala – De Abreu Boksburg 2018 Move 71 White to play
White’s king is trapped on the edge but White can just hold: 71.Qb6+ Kf7 72.Kg4 R5f4+ 73.Kg5 Rf6 74.Qb1 Rg3+ 75.Kh4 Rg2 75.Kh4 Rg2
Zwakala – De Abreu Boksburg 2018 Move 76 White to play
76.Qb3+ and lost quickly 76.Qh7+! draws 76…Kf8 77.Qh8+ Rg8 78.Qh5 e5 79.Kh3 Rg7 80.Qh4 Kf7 81.Qc4+ Re6 82.Qc7+ Re7 83.Qc4+ Kf6 84.Qc6+ Re6 85.Qf3+ =
Here is a game from the early Fischer. His opponent played 90..Kd6? and Fischer defended perfectly to draw.
Fischer – Matthai Montreal 1956 Move 90 Black to move
Black could have hunted down the White king as follows: 90…Rc3 91.Kg4 Ra4+ 92.Kh5 Rc5+ 93.Kh6 Rh4+ 94.Kg6 Rg4+ 95.Kh6 Rgg5
Fischer – Matthai Montreal 1956 Variation Move 96 White to move
96.Qa2 Ke8 97.Qa8+ Kf7 98.Qa2+ Rcd5
Fischer – Matthai Montreal 1956 Variation Final
After 99.Qf2+ Rgf5 winning as 100…Rh5+ follows
General case with more pawns
In general the rooks want static control and the queen dynamic. It is extremely important for the rooks to coordinate. Examples of positions where the two rooks are better are shown below.
The reviewer gives some typical positions with a quick assessment: buy the book to go through the analysis.
In this position below the rooks have full board control. White wins easily.
Hole – Thomassen Oslo 2011 Move 35 Black to move
In the position below the rooks are coordinated and white’s weak isolated pawns are easy pickings for the rooks. Black won quickly.
Shirov – Anand Linares 1998 Move 41 Black to move
In the next position, white has just played 43.Re1 threatening Ree7, Black has to weaken his pawns to prevent the immediate loss of the f7-pawn. This is enough for white to win.
Kramnik – Andreikin Tromso 2013 Move 43 Black to move
The queen needs targets to start dynamic play. Good for the queen are weak pawns, an exposed king, uncoordinated rooks and of course dangerous friendly passed pawns.
Queen + two connected passed pawns usually beat two rooks. The defensive setup with the rooks doubled up against the more advanced pawn can be difficult to break down. The position below is winning but takes nearly 50 moves against best defence!
Murdiza – Rozentalis Cappelle-la-Grande 2004 Move 59 Black to move
The position below is winning for the queen as the rooks are uncoordinated and the queen has a dangerous passed c-pawn.
McShane – Mamedov Astana 2019 Move 45 White to move
In this position the passed pawn dominates the rooks but Black is still holding out. The key to winning this game is to open a second front on the queenside to widen the bridgehead for the queen. Hence 48.c4!
Shirov – Short Yerevan 1996 Move 48 White to move
In the next position Black has a small material advantage with two connected passed pawns. The easiest way to win is to open a second front on the queenside and create fresh White pawn weaknesses, hence 35…a5!
Giri – Aronian Leuven 2018 Move 35 Black to move
In the next example, there is rough material equality but the queen is winning here as White’s rooks are uncoordinated, his king is exposed and he has lots of weak pawns.
Amanov – Adams Wheeling 2012 Move 30 White to move
Chapter 7 – Queen versus Rook and Two Minor Pieces
Surprisingly the author does not cover the endgame with no pawns as R+B+N v Q is drawn but is difficult to hold.
The pieces seek static control. In the position below, Black is winning but needs squares for his pieces, hence 34…g5!? After 35.fxg5 Bxg5 Black is winning as White’s pawns are going to drop off in the long run.
Vitiugov – Lysyj Kazan 2014 Move 34 Black to move
In the next example, the position is static with the pieces controlling everything. The queen has no targets and White’s king is safe. White will slowly and surely improve his pieces and pick off Black’s pawns.
Grischuk – Topalov Linares 2010 Move 47 Black to move
In the next example, the queen has passed pawns, but they are all separated and effectively isolated, so Black’s well coordinated pieces can just collect the apple harvest after 34…Rb4!
Caruana – Le St Louis 2017 Move 34 Black to move
The queen loves dynamic play with an exposed enemy king.
A good example is below where queen and 3 pawns fight a rook and two bishops with an exposed king. After 24.Qe6 Black is struggling to coordinate and finish development. Black put up stiff resistance but the defensive task proved too much and White won.
Karpov – Speelman Reykjavik 1991 Move 24 White to move
In the next game, a queen and two connected passed pawns supported by the king face an uncoordinated rook, bishop and knight. The queen wins effortlessly.
Kramnik – Aronian Zurich 2012 Move 30 Black to move
Chapter 8 Queen an Minor Piece vs Queen (and Minor Piece)
This topic is covered well with sections on:
Queen + Knight v Queen
Queen + Knight + Pawns v Queen + Pawns
Queen + Bishop v queen
Queen + Bishop + Pawns v Queen + pawns
Queen + Knight endings
Queen + Bishop (same colour) endings
Queen + Bishop (opposite colour) endings
Queen + Knight v Queen + bishop endings
This is particularly good chapter.
Chapter 9 Queen + Rook v Queen + Rook
This piece combination is a really a mixture of middlegame and endgame themes. King safety is paramount. In this game White’s king is safe whereas Black’s king is looking potentially vulnerable.
Fischer – Benko 1959 Move 33 White to move
Fischer played the incisive 33.a4!! to open up files for his rook. If 33…b4 34.Rh5!
There is another Fischer game below. White had to play 35.Rf3. However after 35.Qf8+? Kh5 Black’s king entered the fray with decisive effect. After 36.g4+ Kh4 37.Qxf6+ Kxh3 it was all over.
Blau – Fischer Varna 1962 Move 35 White to move
Chapter 10 Queen vs. Minor pieces
The interesting endgames of queen v 2 minor pieces with no pawns are covered.
The endgame of queen v two knights with pawns is covered showing typical winning methods:
Overloading the knights which can only defend a limited front
King invasion
Zugzwang
Some successful fortresses are also demonstrated.
The endgame of queen v two bishops with pawns is also covered. Positions with mutual passed pawns are shown demonstrating the power of the queen. Some fortresses are shown of course.
The endgame of queen v knight and bishop with pawns is also covered. Positions with fortresses are covered with methods of breaching them covered.
Queen versus three minor pieces is by far the most interesting endgame covered with this rough material equality.
In this sort of position where the pieces are uncoordinated, the queen wins:
Berkes – Indjic Valjevo 2018 Move 36 Black to move
If the pieces are coordinated and their king is safe, they have good winning chances.
Lautier – Gurevich Munich 1993 Move 53 White to move
White misfired with 53.b5? (53.Qxb7 holds a draw) 53…Nd4! wins as the pieces gain static control. Eventually all the queenside pawns were exchanged and Black won on the kingside.
If the minor pieces have control even with a pawn apiece, the pieces have winning chances:
Gustafsson – Svane Bonn 2011 Move 50 Black to move
Black played 50…Qc1+? and lost the pawn and the game. 50…Qg1 just holds!
The next position is one of dynamic equality:
Nisipeanu – Radjabov Bazna Move 30 Black to move
30…Bc6! 31.Qxa7 Nc5=
Chapter 11 is a pot pourri of fascinating positions that do not belong elsewhere in the book.
Chapter 12 covers some endgame studies. Every endgame book should include some studies to enhance the readers’ imaginations.
The book ends with comprehensive solutions to the exercises set in each chapter.
In summary, this is an excellent book which requires a lot of time to absorb. Some sections are much easier to absorb than others, for example the sections on two rooks v queen in the general case with many pawns is excellent and would be useful for club players and above. The chapter on queen and minor piece v queen and minor piece with many pawns is also superb. The more difficult sections such as queen and pawn v queen are definitely worth studying and are fascinating in themselves.
FM Richard Webb
FM Richard Webb, Basingstoke, Hampshire, 11th August 2021
Continuing my series about Arthur Towle Marriott’s Leicester opponents, we reach W Withers, almost certainly William. Apologies to those of you who’ve been eagerly awaiting this article, but I’ve been busy on other projects. You’ll find out more later.
Great song, and I hope you all have a lovely day, but this wasn’t William Harrison Withers Jr.
W Withers, sometimes WJ Withers (or were they two different people?), first appeared in Leicester chess records in 1874, when he was elected Club Secretary, and continued his involvement, representing Leicester, and the smaller club, Granby, in matches against other Midlands towns and cities, until 1900. But who was he?
Withers is a surprisingly common name in the East Midlands. One of James Towle’s fellow Luddites bore the name William Withers, but his family were from Nottingham rather than Leicester and seem not to have been related to the chess player.
There were several gentlemen named William Withers in Leicester at the time. We can assume, because, as a young man he was the club secretary, that he came from an educated background. The only W Withers who fits the bill is William John Withers, who lived most of his life in Leicester, although his birth was registered in the St Pancras district of London in the second quarter of 1853, and who died in the Harrow/Hendon area on 23 December 1934.
William’s father, George Henry Withers, was the son of John Withers, born in the chess town of Hastings. John had a varied career. Originally a lace maker, he joined the police, rising to the rank of inspector. He then went to work on the railways, first as a station master, and then as a railroad contractor, before becoming a commission agent, and, finally, a clerk at a coal wharf. Was there any job he couldn’t turn his hand to? In between times, he found time to father eight children: seven sons and a daughter. Not for the first time in Minor Pieces, his seventh son was named Septimus.
George Henry Withers was John’s eldest son. Born in about 1830, he followed his father into the railways, a very common occupation at the time. When he married Mary Ann Caunt in 1849, he was a railway clerk, living in the Leicestershire town of Melton Mowbray, famous for its pork pies. He was described as being ‘of full age’: it’s not certain that this was true. By the 1851 census he was a station master living in Orston, Nottinghamshire.
This was presumably Elton Station, now called Elton and Orston, half way between those two villages, which had only opened to passenger traffic the previous year. In 2019/20, it was the second least used station in the country.
He didn’t stay there long. By 1853, when our man William was born, he was in the St Pancras area of London, perhaps working at one of the London railway termini: St Pancras itself, Kings Cross next door, or nearby Euston.
Just a few months later he’d moved again. Sadly, the death of his oldest child, Albert, was recorded in Grantham, and he was buried in the nearby village of Great Gonerby, whose inhabitants are known as ‘Clockpelters’, from their habit of trying to strike the face of the church clock with stones or snowballs.
We pick him up again in 1857, when, now working as a bailiff, he was appointed a Freeman of the City of Leicester. Later census records see him working as a commission agent, an accountant, a bookkeeper and a gardener. Like his father, a many of many skills and occupations.
It’s more than time to find out more about William John Withers. His first job was as a clerk in a coal office, and when he married in 1873, he was still in the same job. His wife, Annie Clarke, was the daughter of a house painter, the same occupation that was followed by my grandfather Tom Harry James. Their first child, Horace, was born the following year, when William was also elected to the post of Secretary of Leicester Chess Club. It seems that he didn’t stay in that post long, though.
On 29 October 1880, he represented Leicester in a match against a visiting team from Nottingham Chess Club, where he faced Minor Pieces hero Arthur Towle Marriott.
The Leicester Chronicle (6 November 1880) reported what sounds like a convivial affair. Half way through, they all stopped playing to witness a presentation to Mr Sharland, the Leicester Club Secretary, who, in less than five years, had increased the club membership from 18 to 61. Various speeches were made before the gentlemen of Leicester and Nottingham resumed their games.
It seems that only one game was played on top board, while the other boards played two games each. Arthur Towle Marriott, the only Nottingham player to win both his games, seems to have been playing on too low a board.
Here’s his game with White.
The game followed well known (at the time) Evans Gambit theory for some way. Black’s 7th move is brave: 7… Nge7 and 7… d6 are most often played, but the engines like 7… Nf6 8. e5 d5. 10… b5 was also a bold choice: again 10… Nge7 would have been more circumspect. Marriott had stronger, but difficult, options on move 13, but his choice proved successful when the Leicester man blundered horribly in reply.
Three weeks later the Leicester chessers visited Nottingham for the return match, this time with a much weaker team. Mr Bingham’s restaurant provided an excellent supper, with speeches and toasts, before play started. Arthur Marriott, after his success in the earlier match, had been promoted to board 3, and again found himself facing William Withers.
The Nottingham Journal (27 November 1880) reported on an overwhelming victory for the home team. 11½-2½ was very different from the earlier 5-8 defeat.
These matches appear to have been social events rather than the competitive inter-club matches with which we’re all familiar. Although there was considerable interest in the result, the eating and drinking seemed just as important. Perhaps that’s how club matches should be.
Again, we have the game where Marriott played White against Withers.
This time, Withers chose to avoid the Evans Gambit, but playing 3… Nf6 without knowing the theory isn’t a good idea. Even then, it was known that 5… Nxd5 wasn’t best, giving White a choice of two strong options, 6. d4 and that primary school favourite, 6. Nxf7, the Fried Liver Attack.
Engines now confirm that 8… Ne7 in the Fried Liver is losing, but 8… Nb4 might just keep Black in the game. Marriott missed a couple of better moves, but Withers panicked on move 13, losing even more quickly and horribly than three weeks earlier.
By today’s standards, the chess of William John Withers makes a poor impression: a player with a patchy knowledge of opening theory along with tactical vulnerability.
Note that A F Atkins, who played for Leicester in these matches, was Arthur Frederick Atkins, originally from Coventry, and no relation to the great Henry Ernest Atkins, about whom more next time.
By now William had a new job: the 1881 census told us he was a bookseller in Loseby Lane, Leicester, only a few yards away from where a later and stronger Leicester chess player would, several decades later, also run a bookshop. You may well meet him in a future article. He was also just a short walk from what is now De Montfort University, the new home of the English Chess Federation library and also, as it happens, my alma mater.
An announcement in the Leicester Journal (5 January 1884) suggests that his bookselling business hit a problem.
It was time for him to turn over a new leaf. By 1891 he was an antiques dealer, having moved just round the corner to Silver Street, and doing well enough to employ a servant. The 1901 and 1911 censuses told the same story: in the latter year he styled himself a ‘dealer in genuine antiques’.
At some point after that, perhaps after the death of his father in 1913, he moved to London. The 1921 census, due for release next January, will reveal more.
We can pick William up again in 1932, when he made his last will and testament, granting generous bequests to his children and grandchildren. Still working as an antique dealer, his address was given as 48 George Street, Manchester Square, WC1, only a few minutes’ stroll from 44 Baker Street, where, had he been able to travel through time, he’d have been able to stock up on the latest chess books.
His antique dealing had clearly been very successful. He died in 1934, and probate records reveal that he left effects to the value of £15,240 17s 9d, which, depending on how you calculate it, amounts to anywhere between one and seven million pounds in today’s money.
So there you have it. While his chess playing didn’t impress, he played an important role in chess life in Leicester. Away from the board, in both business and family life, he seems to have done very well for himself. Well played, William John Withers!
The Unstoppable American : Bobby Fischer’s Road to Reykjavik, Jan Timman, New in Chess, 17th May 2021, ISBN-13 : 978-9056919788
From the publisher:
“Initially things looked gloomy for Bobby Fischer. Because he had refused to participate in the 1969 US Championship, he had missed his chance to qualify for the 1970 Interzonal Tournament in Palma de Mallorca. Only when another American, Pal Benko, withdrew in his favour, and after the officials were willing to bend the rules, could Bobby enter the contest and begin his phenomenal run that would end with the Match of the Century in Reykjavik against World Champion Boris Spassky.
Fischer started out by sweeping the field at the 23-round Palma Interzonal to qualify for the next stage of the cycle. In the Candidates Matches he first faced Mark Taimanov, in Vancouver. Fischer trounced the Soviet ace, effectively ending Taimanov’s career. Then, a few months later in Denver, he was up against Bent Larsen, the Great Dane. Fischer annihilated him, too. The surreal score in those two matches, twice 6-0, flabbergasted chess fans all over the world. In the ensuing Candidates Final in Buenos Aires, Fischer also made short shrift of former World Champion Tigran Petrosian, beating the hyper-solid “Armenian Tiger” 6½-2½.
Altogether, Fischer had scored an incredible 36 points from 43 games against many of the world’s best players, including a streak of 19 consecutive wins. Bobby Fischer had become not just a national hero in the US, but a household name with pop-star status all over the world. Jan Timman chronicles the full story of Fischer’s sensational run and takes a fresh look at the games. The annotations are in the author’s trademark lucid style, that happy mix of colourful background information and sharp, crystal-clear explanations.”
GM Jan Timman
Where does history start? I’ve always thought history is what happened before you were born. For those of us, like Jan Timman and myself, who learnt our chess in the 1960s, perhaps chess history is what happened before World War 2. The events of the late forties were full of names familiar to us from tournaments of our time.
This book covers Bobby Fischer’s career in the years 1970 and 1971. More like current affairs than history for our generation. We all remember it well: we were around at the time and some of us will be familiar with many of the games. But, for younger readers, Fischer’s games from half a century ago will be ancient history. If we turn the clock back another five decades we reach 1921 and the Lasker – Capablanca World Championship match. Now that really does feel like ancient history, even to me.
Fifty years on, it seems like a good time to revisit the games with the aid of today’s powerful engines and greater knowledge. Jan Timman is ideally qualified to do just that.
Readers of Timman’s other recent books will know what to expect: clear annotations based on explanations rather than variations, along with entertaining anecdotes and background colour to put the games into context.
We have all 43 games (44 if you include a win by default) from the 1970 Interzonal and 1971 candidates matches, along with a selection of 19 games from earlier in 1970.
After withdrawing from the 1967 Interzonal, Fischer played in two relatively minor tournaments the following year, and, in 1969, played only one serious game, in a New York league match. The chess world was uncertain whether or not he’d ever play again, let alone fulfil what appeared to be his destiny and become world champion. Exciting, but also worrying times.
After an 18 month absence, Bobby agreed to take part in the 1970 match between the USSR and the Rest of the World, even ceding top board to Larsen. Chapter 1 takes us from this event, via Rovinj/Zagreb, the Herceg Novi blitz and Buenos Aires, to the Siegen Olympiad.
In round 7 of Rovinj-Zagreb, Fischer was black against one of the tournament’s lesser lights, the Romanian master Ghitescu.
Timman informs us: It has never been brought up before, but Fischer was demonstrably lost in this game, after having taken too much risk.
Here’s the critical position with Ghitescu to play his 23rd move. Where would you move your rook?
The exchange sacrifice 23. Rf4! would have been very strong. Black cannot accept the sacrifice, because he would have been strategically losing. Also after 23… Rg8 24. Re4 Rae8 25. Rf1, White is winning.
I may be wrong but I would have thought Rf4 would be automatic for master strength players today. Wouldn’t it also have been automatic for, say, Petrosian, back in 1970?
Instead, the game continued 23. Rd3 Rad8 24. Ng3 (24. b3 would have maintained the advantage) 24… Ba6, when Fischer took control of the game, eventually bringing home the full point. If he’d lost that game, perhaps chess history would have been very different.
Here’s the complete game.
The strategic insights Timman brings to positions like this are, for me, what makes this book so instructive. Here’s another example: Gligoric – Fischer from Siegen, with Gligoric to make his 39th move.
It’s not dissimilar to the previous example, and indeed both positions arose from King’s Indian Defences. Here, a white knight is fighting against a dark-squared bishop outside the pawn chain.
White could have obtained a winning position with 39. Nb1!. The strategic plan is simple: White is going to bring his knight to c4 and install his king on g4. Black has nothing to offer in exchange; his doubled c-pawn will be blocked, and his pieces are barely able to display any activity.
Again, the complete game:
Chapter 2 covers the 1970 Interzonal at Palma, Mallorca. You won’t find very many brilliant miniatures in this book, but Fischer’s win against Rubinetti is an exception.
Chapters 3-5 offer Fischer’s 6-0 shutouts against Taimanov and Larsen, and the final match against former champion Tigran Petrosian.
This position interested me. Any well-read player from my generation will recognise this as coming from the 7th Fischer – Petrosian game, where Bobby played 22. Nxd7+, a move garlanded with various numbers of exclamation marks by many commentators both at the time and later.
Here’s what Timman has to say.
The praise with which this move has been showered is unbelievable. Byrne commented: ‘This exchange, which wins the game, was completely overlooked by the press room group of grandmasteranalysis. Najdorf, in fact, criticized it(!), suggesting the incomparably weaker 22. a4.’
Kasparov, too, was full of praise. ‘A brilliant decision, masterfully transforming one advantage into another (…) Petrosian was obviously hoping for the “obvious” 22. a4 Bc6 23. Rc1 Nd7 24. Nxd7+ Bxd7 with possibilities of a defence.
In Chess Informant 12, Petrosian himself and Suetin give two ‘!’s to the text move.
True, not all commentators were so pronounced in their praise. Spassky and Polugaevsky limited themselves to the conclusion that White exchanged one advantage for another and didn’t give an ‘!’ to the move.
However, the general drift was that Fischer had done something highly instructive, adding a new facet to strategic thinking in chess. I was very impressed at the time, but I also had doubts. There were no computers yet, and young players looked to the great players on the world stage as their examples. So, Fischer must have understood it better than I did.
Yet, I am almost certain that in this position, or a similar one, I would have opted for Najdorf’s move. And almost half a century after the event, it turned out that the Argentinian had simply been right!
Timman goes on to demonstrate that, indeed, 22. a4 is clearly winning, whereas Fischer’s 22. Nxd7+ Rxd7 23. Rc1 would have given Petrosian defensive chances if he’d chosen 23… d4 rather than the passive Rd6.
See for yourself:
What comes across from this book is the remorseless power and logic of Fischer’s play in this period, as well as his determination to play for a win in every game. Short draws were never on his agenda.
In the past, there was a tendency to annotate by result or reputation, and this seems to have been what happened here. These days, we can all switch on Stockfish and annotate by computer, while neglecting the human, the practical element.
Timman’s annotations, both here and in his previous books, strike me as getting the balance just about right. Call me old-fashioned, but I’d rather have verbal explanations than long engine-generated variations.
Older readers will enjoy reliving memories of the golden days of the Fischer era, while younger readers will learn a lot of chess history. Players of all levels will benefit from the annotations, which, because of their lucidity, are accessible to anyone from, say, 1500 upwards.
The many anecdotes add much to the book, although serious historians might feel frustrated that they’re not always sourced. There are also several pages of photographs: while their quality, as they’re printed on matt paper, isn’t perfect, they’re still more than welcome.
There are a few typos and mistakes regarding match scores and tournament crosstables which more careful proofing might have picked up, and the English, in one or two places (you may have noticed this from the extracts I quoted), might have been more idiomatic. Slightly annoying, perhaps, but this won’t really impede your enjoyment of the book.
In spite of these slight reservations, this is an excellent book which is warmly recommended for players of all strengths. Next year will see the 50th anniversary of Fischer – Spassky. Might we hope that Timman will cover this match in a future volume?
One last thought: I wrote at the beginning of this review about how people of different ages have different perspectives of history. If Capablanca and Alekhine had been granted long lives, they would have lived to see these games. What would they have made of them? What would they have made of Bobby Fischer?
Gawain Jones is an English grandmaster, twice British Champion and winner of the 2020 European Blitz Championship.
GM Gawain Jones at the 2013 London Chess Classic courtesy of John Upham Photography
From the publisher:
“Coffeehouse Repertoire is a 1.e4 player’s dream: an arsenal of ideas from a world-class grandmaster to surprise and confound your opponents, combining coffeehouse trickery with complete theoretical soundness.
In Volume 1, GM Gawain Jones shows how to put pressure on the Sicilian, Caro-Kann, Scandinavian and Alekhine’s Defences, using lines which feature a potent combination of surprise value, objective soundness and practical effectiveness.
The Coffeehouse 1.e4 Repertoire will be completed in Volume 2, which covers 1…e5, plus the French, Pirc, Modern, Philidor and other miscellaneous Defences.
Gawain Jones is an English grandmaster, twice British Champion and winner of the 2020 European Blitz Championship. He has defeated some of the world’s best players using the ideas recommended in this book.”
End of blurb…
Quality Chess live up to their name by being one of the few publishers who offer a hardback as well as softback version of all of their titles.
The production values are superb with a “McFarland-like” feel. Of course, you could save a few pence and go for the paperback version but we would definitely treat ourselves with an early Christmas present and savour the hardback. In addition, high quality paper is used and the printing is clear: excellent glossy paper has been used. The weight of this paper gives the book an even better feel to it!
The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
A small (but insignificant) quibble: the diagrams do not have a “to move” indicator (but they do have coordinates). There is an Index of the Main Games section which is most welcome.
Before we take our first sip of coffee Quality Chess have provided a pdf excerpt.
As before, we are examining Volume 1 which provides a repertoire for White starting 1.e4 against the Sicilian, Caro-Kann, Scandinavian and Alekhine defences. Volume 2 is expected in September 2021 and will cover other replies to 1.e4
Gawain is a consistent 1.e4 player and has scored 67.1% according to MegaBase 2020. Having said that he has scored even more convincingly with other first moves!
This is his fifth book having written four previous volumes on the Sicilian Dragon and Grand Prix Attack.
The books main content is divided into two main sections, Sicilian Defence and Other Defences and these sections are further divided into eight chapters viz:
Carlsen Variation (of the Sicilian)
2…Nc6 3.Bb5
2…Nc6 3.Nge2
2…e6 3.Nf3
Move 2 Alternatives
Caro-Kann
Scandinavian
Alekhine
followed by a useful Index of Variations.
Before we continue further we have a warning. If, for you, the book title suggests a feast of dodgy gambits, tricks and cheapos to take to the chess club and online platforms then look away now. You will be disappointed.
Most space in Volume 1 is dedicated to ideas for White versus the Sicilian Defence and no doubt most would predict a Grand Prix Attack based repertoire from the author. Well, not quite.
Gawain recommends
and against 2…d6 we have the interesting
as favoured by Magnus Carlsen and Chapter 1 examines the less common positions that arise from this.
Here is an example:
Should Black prefer 2…Nc6 then the author provides both the Rossolimo Variation, 3.Bb5 (also examined by IM Ravi Haria) and the clever move-order Chameleon, 3.Nge2:
3.Nge2 is also an annoying move order nuance against Najdorf and Dragon experts.
Against 2…e6 Gawain advocates the flexible 3.Nf3 followed by f1 bishop development to either b5 or g2 dependant on what Black plays. For example:
For completeness Gawain devotes Chapter 5 to second move alternatives such as 2…a6, 2…g6 and even 2…b6.
Moving on to the Caro-Kann Gawain recommends the Exchange Variation but in really quite a novel way with an early jump of the f3 knight to e5. This is quite unusual and tricky to meet and CK players almost certainly will be quite surprised. He presents two related move orders:
and the more (according to GCBJ) outlandish:
breaking the “not moving the same piece twice in the opening guideline”.
An example game presented in the book is:
Next up is the Scandinavian Defence which quickly branches into 2…Qxd5 and 2…Nf6.
Against the former the author proposes the line in which White plays 3.Nf3 instead of 3.Nc3 and, at the right time, plays c4.
Here is a tough game in this variation:
For some time Scandinavian experts have realised that the c4 idea is tough to meet and probably therefore fear 3.Nf3 more than the routine 3.Nc3 getting in the way of the c-pawn.
Against 2…Nf6 Gawain recommends the “Modern Treatment” as dubbed by 2…Nf6 expert David Smerdon in his Smerdon’s Scandinavian from 2015 and the detailed analysis commences after:
Finally, we turn to the hyper-modern Alekhine Defence in which a more conventional approach based on the Four Pawns Attack is discussed.
Here is a significant stem game that Jones considers:
For each of Black’s move one replies Gawain presents an overview of the ideas including a “What We’re Hoping for” section. This is the followed by detailed theory with a few illustrative games sprinkled in. The discussion and explanations are friendly, clear and pragmatic talking about the responses one is likely to face rather than a torrent of engine analysis and “best move” labelling.
It is not clear who chose to use the word “Coffeehouse” in the book’s title. The repertoire choices are most definitely not speculative or bordering on unsound. This is a extremely playable set of recommendations and most are used by elite players in the current decade.
Our overall impression can perhaps be best conveyed by likening the repertoire to a collection of choices from the well-known “Dangerous Weapons” series from Everyman brought together under one roof.
We are convinced that, despite the title, this book will be found to be extremely useful by the strongest and club players alike. If you are a Blackmar-Diemer or Latvian Gambit fan then this, perhaps, it not the book for you.
We look forward to Volume 2 in September 2021 when Gawain gets to grips with 1…e5, 1…e6, 1…d6, 1…g6 amongst the remainders.
Guildford Chess Club was founded on Friday 10th April 1896 at the Guildford Institute, as the ‘Guildford and Working Men’s Institute (GWMI) Chess Club’. The minutes reported that Charles Lutwidge Dodgson (aka Lewis Carroll) who lived in Guildford for a period until his death in 1898, occasionally visited the Club.
Alice Through the Looking Glass in the grounds of Guildford Castle
On 10th April 1899, GWMI amalgamated with the original Guildford Chess Club, which had been in existence since at least 1887 although unfortunately no minutes appear to exist for that Club, so little is known about its background. It was decided to adopt the latter’s name and to make the Guildford Institute its home venue, which it has remained to this day. The minutes note: ‘The object of the Guildford Chess Club is to play, promote and teach the game of Chess’.
Over the years the Club has fulfilled its purpose by not only operating a wide range of teams who participate in the local leagues in Surrey, as well as in national team competitions, but by also actively promoting chess and helping people to develop their ability to play the royal game.
The Club celebrated its 25th anniversary in 1920 with an invitation to the legendary José Raul Capablanca to give a 42-board simultaneous display, which he graciously accepted and unsurprisingly won every game!
José Raul Capablanca
The Club also demonstrated its commitment to its original object of promoting and teaching chess by creating a junior section, which saw some very promising young talent coming through from the Royal Grammar School based in Guildford and this strong association between the Club and the School is still evident today. Amongst this talent were two very promising players, B.C. Gould and A.W.J. Down, both of whom went on to win British Boys Championships between 1929 and 1933.
In 1934, in keeping with its mandate, the Club invited Eugene A. Znosko-Borovsky, the noted Russian Chess master to give a lecture on ‘General Principles’.
Eugene Znosko-Borovsky in play during the 1948 British Chess Federation Congress at Bishopsgate Institute, 30th August, 1948. Keystone Press Archive.
Guildford’s reputation as a thriving club was further evidenced by an invitation to the reigning British Champion, Sir George Thomas, to give a 25-board Simultaneous display at the Royal Grammar School on 13th December 1935. Sir George met strong resistance, winning 17, drawing 6 and losing 2 – a fine result for Guildford members.
Sir George Thomas and Brian Reilly Sir George Thomas (left), leader of the British chess team, playing Irishman Brian Reilly at the Easter Chess Congress, Margate, April 24th 1935. (Photo by Harry Todd/Fox Photos/Getty Images)
The Centenary
In 1996 Guildford Chess Club celebrated its centenary by organising a series of events, which included a 12-board match against the Surrey Border League, which the Club won 8-4, the restoration of an open-air chess board in the Castle grounds, running a ‘Chess Variants’ tournament at Charterhouse School in Godalming, conducting some local Simultaneous displays and holding a Centenary dinner with IM William Hartston as the keynote speaker.
The Club also invested more effort in the development of its Junior Section by creating a coaching programme which resulted in certificates being awarded to celebrate stages of achievement and the Club has continued to run a thriving Junior section up until the present day.
The last 25 years have been particularly successful for Guildford Chess Club which continues to do well in the local leagues as well as nationally, with its recent domination of the 4NCL for the last eight years. It has been an interesting and exciting 125 years for the Club, which has been based at the same venue for its entire existence and it is fair to say that during this time, thanks to the Club’s various achievements, it has evolved to become one of the most successful chess clubs in the country.
Today – the 125th Anniversary
To celebrate its 125th anniversary the Club is running a special event in Guildford High Street on Saturday 11th September from 10.30 – 16.30.
Chess fans are therefore invited to participate in a 125-Board Simultaneous display given by some of the top Chess players in England!
They include Grandmaster Gawain Jones, former British Champion and current European Online Blitz Champion and Grandmaster Nick Pert, former World Under 18 Champion!
GM Gawain Jones at the 2013 London Chess Classic courtesy of John Upham PhotographyGM Nick Pert at the 2014 British Championships courtesy of John Upham Photography
Other Masters giving the Simultaneous include: Matthew Wadsworth, former British U18 and U21 Champion;
FM Matthew J Wadsworth
Akshaya Kalaiyalahan, former British Women’s Champion;
Akshaya Kalaiyalahan
Andrew Martin, former Guinness World-record holder for playing the most games simultaneously;
IM Andrew Martin
Nigel Povah, former British Senior Over 50s Champion;
IM Nigel Povah
Harry Grieve, British Rapidplay Online Champion;
FM Harry Grieve
Alex Golding, the highest rated 17-year old in England;
FM Alex Golding
Jessica Mellor, former European School Girls Under 11 Champion.
Jessica Mellor
This is your chance to play against some of them for FREE!
How do I enter?
The event comprises of three playing sessions, starting at 10.30, 12.30 and 14.30 and you can book your place for any one, two or all three of these sessions, each of which is anticipated to last up to 1½ hours. Places will be secured on a first-come-first-served basis. It is of course possible that your game finishes quite quickly, in which case you can either depart or choose to play another game in one of the other Simultaneous displays, space permitting.
Participants should note that appropriate arrangements have been made to ensure the event will go ahead, even if we are faced with inclement weather!
Tactical Training in the Endgame, Cyrus Lakdawala, everyman Chess, Cyrus Lakdawala, 23rd July 2021, ISBN-13 : 978-1781945865
From the publisher:
“Goethe once wrote, “Everything is both simpler than we can imagine, and more complicated than we can conceive.” He could well have had chess endgames in mind. Endgames have fewer pieces on the board than middlegames but this does not necessarily make them “easier” to play or understand.
Tactical expertise is, understandably, generally associated with middlegame (and sometimes opening) positions. However, tactics are also crucial in endgames – a point that is sometimes overlooked. Even some quite simple looking pawn endgames can feature complex tactical ideas. Tactics in endgames also tend to be very different to middlegame tactics.
As well as the familiar themes of pins, skewers and forks, endgames also feature unique concepts that rarely occur in middlegames such as pawn breakthroughs, manoeuvring for zugzwang and active use of the king as an aggressive unit.
In this book the highly experienced chess author and coach Cyrus Lakdawala guides the reader through the complexities of endgame tactical play. Lakdawala assembles positions that are most effective to improve tactical ability. Work your way through this book and you will undoubtedly see the results in your own games.”
end of blurb…
“Cyrus Lakdawala is an International Master, a former National Open and American Open Champion, and a six-time State Champion. He has been teaching chess for over 30 years, and coaches some of the top junior players in the U.S.”
The reviewer is a fan of this type of book which is a really good endgame puzzle/training tome: this title does not disappoint. The examples are a pleasing mixture of endgames from high level games; composed studies and a final chapter consisting of composed mate in two problems.
In the introduction, the author addresses the common objection to studies and problems “they are artificial and also too difficult”. He recalls a piece of advice from GM Bill Lombardy: “You don’t have to solve them. Just try for a few minutes and then look up the answer.” This is the point, the act of attempting to solve the study/problem followed by a close study of the answer will improve your analytic ability and enlarge your toolbox of recognised patterns. A lot of studies have very memorable moves/themes which once seen are never forgotten.
The reviewer can recall a particular knight and pawn endgame where I jeopardised an easy draw by missing a study like move (lack of imagination in cruise mode) but redeemed myself by scrambling a study like draw (desperation but only found because my imagination had been improved by studying studies).
Cyrus goes on to discuss training techniques to improve students’ calculation skills, tactical awareness and tactical/strategic imagination: he and the vast majority of trainers regard studies as an essential tool to aid the development of endgame mastery.
In the main seven chapters, I like the way the author breaks down the more difficult studies to aid a student/reader to solve them: it’s almost like a brain dump of his assessment/analysis process as he goes about solving the problem.
The over the board endgames include many games from masters of the endgame such as Botvinnik, Capablanca, Karpov, Smyslov, and Tal. Tal may not be immediately recognised by some as a maestro of the endgame, but his calculation skills and imagination were second to none and this made him a superb endgame player.
The studies include giants such as Afek, Grigoriev, Mitrofanov, Pogosyants, Réti, Troitzky.
The book is divided into eight chapters, the first two sections are kind of introductory followed by five chapters with different piece combinations. The final section is a set of mate in two problems.
The reviewer will showcase three or four positions from each chapter to give the reader a taster.
Here are some interesting positions from Chapter One – Deadly Simplicity.
Chigorin – Tarrasch Ostend 1905 Move 50
This position is from the game Chigorin v Tarrasch Ostend 1905. White looks to be in terrible trouble here as black’s king is going to outflank white’s king and win material.
White played the resigned 50.gxf6 and lost shortly. However, white does have a dastardly defence which once seen is always remembered. 50.Kg4!! Ke4 51.g6! Now white creates a stalemate defence or he can create a future passed pawn. 51…hxg6 (51…h6 52.Kh5! and the f-pawn cannot be captured as it is stalemate!)
Next I shall show a lovely study which looks deceptively simple!
J.Dobias 1926 White Win
White to play and win.
The obvious approach to black’s pawn such as 1.Kf4? or 1. Ke5? fails to 1…Kc4 2.Kg5 Kd3 3.Kxg6 Ke4 and black gobbles the f-pawn to draw. 1.Kd5? looks tempting to shoulder barge the black king, however 1…Kb4! draws 2.Ke5 (2.f4 Kc3! draws is a major point) Kc4 3.Kf6 Kd4 4.Kxg6 Ke4 draws.
1.Kd4!! is the only way preventing the side approach, now 1…Kb4 (1…Kc6 2.Ke5 Kd7 3.Kf6 wins) 2.f4! The key point 2..Kb3 3.Ke5 Kc4 4.Kf6 wins
A really instructive problem and very game like.
The next study is white to play and win. I remember being shown this study as a kid and solving it.
S.Kryuchkov 1927 White Wins
1.Re8+ !! (1…Kg7 2.f6+ wins black’s rook) 1…Kxe8 2.g7 Rg8 3.f6 Zugzwang 3…Rf8 4.exf8Q+ Kxf8 5.Kd7 Kg8 6.Ke7 and wins the f-pawn and the game.
Chapter 2 – Recognizing Patterns
C.Lakdawala – Position For Analysis White To Play
What is happening here with white to play? White can draw easily with 1.Rxe7 or 1.gxf7. Can white do better?
1.f6 looks interesting with the idea of 1…Rxe8 2.gxf7
C.Lakdawala-Position For Analysis Move 2
Surely white is winning with 3.fxg7 to follow after black moves his rook. But analyse further! 2…Rd8!! wins as after 3.fxg7 Ke7!+ wins both pawns and the game. Cyrus had set this position as an exercise for some students, most of whom complained bitterly when they fell into the trap. The author responded that he did not specify a “white to play and win” position, he just gave them a position to analyse, just like a game! A great learning experience.
Here is a didactic opposite coloured bishop endgame.
Stein – Tarnowski Bucharest 1961 Move 51 White to move
How does white make progress here? 51.Be7 allows Kc7 blocking the king’s path into black’s position. 51.Bb8! does the trick and black resigned 1-0. If 51…Kxb8 52.Kd6 Kc8 53.Kxe6! Kd8 54.Kf6 Kd7 55.Kg7 Ke7 56.Kxh7 Kf7 57.e6+ decoying the black king, winning after 58.Kg7 and 59.h7
Here is some Troitzky magic: white to play and draw.
Troitzky 1899 White Draws
White looks to be in desperate straits as the black’s outside passed h-pawn looks to be the decisive factor.
1.Kb6! threatening 2.a6 1…Kc8 2.a6 Kb8 3.a7+! Ka8 4.Kc7! h5 5.Kxd6 h4 6.Kxd7 h3 7.e5 h2 8.e6 h1Q 9.e7 Qd5+ This looks lost for white as an e-pawn on the seventh normally loses against a queen 10.Kc7! Qe6 11.Kd8 Qd6+ 12.Kc8! Qxe7 stalemate
Chapter 3 – King And Pawn Endgames
Here is an important idea that does occur in practice. Alexei Shirov lost a game to this idea.
Polerio 1590
This position looks to be drawn after a move like 1.Rg1 a1=Q as white wins both pawns but black’s king gets back in time to secure the draw. However white has an elegant idea to win: 1.Ra1! Kxa1 Forced as 1…Kb3 2.Kc1 Ka3 3.Kc2 wins the a-pawn and the game easily 2.Kc2 Zugzwang 2…g5 3.hxg5 h4 4.g6 h3 5.g7 h2 6.g8Q h1Q 7.Qg7#
Here is a famous finish to a game demonstrating the potential power of a breakthrough and Reti’s theme with king paths.
Em.Lasker – Tarrasch St. Petersburg 1914 Move 41 White To Play
White looks to be lost as after 1.Kf6 c4 2.bxc4 bxc4 3.Ke5 c3! 4.bxc3 a4 the black pawn promotes. 1.Kg6!! threatening h5 forces 1…Kxh42. Kf5 Kg3 3.Ke4 Kf2 4.Kd5 Ke3!
Em.Lasker-Tarrasch St. Petersburg 1914 Move 45
5.Kxc5 Kd3 6.Kxb5 Kc2 7.Kxa5 Kxb3 draw (A really instructive endgame lesson – kings do not have to take the most obvious path.)
Some Vasily Smyslov magic next.
Aronin-Smyslov Moscow 1951 Move 46 Black To Move
White had had a vastly superior (winning) rook ending and decided to enter this king and pawn ending which he assessed as easily winning for white as he has a potential passed outside h-pawn and his king can enter via c4. Smyslov shattered that illusion with 46…g4!! 47.h4 (47.hxg4 does not help as the potential passed pawn has disappeared and black’s king now can enter white’s position via g5 leading to a draw.) 47…c5 48.Ke2 Kh7! 49.Kd3 Kh6 waiting
Aronin-Smyslov Moscow 1951 Move 50
50. c3 (white’s intended 50.Kc4 loses to the breakthrough move 50…f5! 51.exf5 e4! 52.c3 a5! zugzwang and the e-pawn promotes) 50…a5 51.cxb4 axb4 drawn (A brilliant escape for the endgame master)
Chapter 4 – Rook Endgames
A famous study but worth reproducing called Lasker’s manoeuvre/steps/ladder. This has occurred in practice in GM games.
Here is some more Troitzky magic which is very game like.
Troitzky (Extract)1933 White Wins
Black appears to be ok as his h-pawn should be enough to draw.
1.e5! fxe5+ (1…h3 2.exf6 wins as the black king will exposed to a decisive rook check) 2.Ke4! h3 3.Rh8! Rxa7 4.Rh6+ Ke7 5.Rh7+ securing the rook and the game. A very common idea in rook and pawn endgames.
Here is the end of a game Judit Polgar v Nigel Short Monte Carlo 1993.
J.Polgar – Short Monte Carlo 1993 Move 62 White To Play
This is instructive: 61.h6+! Kf7 (61…Kxh6 62.Kf6 wins threatening mate and the rook) 62.g5!! fxg5 63.Rd8! and black cannot stop the h-pawn without giving up the rook, 1-0 in a few moves after a few spite checks.
Chapter 5 – Queen Endgames
Queen endgames are notoriously tricky and complex.
Here is an entertaining study.
J.Behting 1907 White Wins
White looks to be in trouble as 1.Qe3!! is met by 1…f4 forcing promotion, but look further: 2.Qf2! d1=Q 3.Kc3!! zugzwang 3…f3 4.Qe3+ Kb1 5.Qb6+ Kc1 6.Qb2#
Here is an amusing study. How does white win here?
E.Pogosyants (extract) 1974 White Wins
After 1.Qxg8+ Kxg8 white can play 2.h7+ which only leads to stalemate or 2.hxg7 and although white wins the a-pawn, black’s king reaches the a8 corner in time to draw.
Here is an amusing finish from a game Adams-Dimitrov.
Adams-V. Dimitrov Move 68 Black to play
Black played 68…e3?? no doubt looking forward to a win over his illustrious opponent. Adams reply soon disabused him: 69.Qh3+! 69…Qxh3 stalemate (Lesson: the queen is powerful, always be on the look-out for mating and stalemating ideas)
Chapter 6 – Minor Piece Endgames
Here is a study by the great Grigoriev which shows a bad bishop endgame, but how does white breakthrough?
N.Grigoriev 1931 White wins
1.g4 creating a passed h-pawn does not win as white has no entry point for his king. So the only idea to win must be Bxh5 but white must prepare this move without allowing black’s bishop to get out of its cage.
1.Bf3 Bb7 2.Ke3! (2.Ke4? would allow black’s bishop to improve its posting 2…Bc8 and draws) Ba8 3.Ke4! Bb7 4.Kf4 Ba8 5.Bxh5! (Now black’s bishop is on its worst possible square) Kxh5 6.g4+ Kxh4 (6…Kh6 7.g5Kg7 8.h5 Bb7 9.h6+ Kf7 10.gxf6 Kxf6 11.h7! Kg7 12.Ke5 Kxh7 13.Kd6 winning) 7.g5 fxg5+ 8. Ke4! (8.Ke5 also wins but takes much longer) Kh5 (8…g4 9.f6 g3 10.Kf3! Kh3 11.f7 g2 12.f8Q g1Q 13.Qh8#) 9.Ke5! g4 10.f6 g3 11.f7 g2 12.f8Q g1Q 13.Qh8+ Kg4 14.Qg7+ winning the queen
Here is more Smyslov magic:
Smyslov – Yastrabov Moscow 1936
How does white breakthrough? Black looks to have a fortress.
Kotov – Botvinnik Moscow 1955 Move 59 Black To Move
59…g5!! 60.fxg5 d4+! 61.exd4 Kg3 (The position below demonstrates the very important “one diagonal” principle in opposite coloured bishop endings. Black’s bishop fulfils two roles on one diagonal: protecting his own b3-pawn whilst simultaneously preventing the advance of white’s passed pawns.)
Kotov-Botvinnik Moscow 1955 Move 62
62.Ba3 Kxh4 63.Kd3 Kxg5 64.Ke4 h4 65.Kf3 Bd5+ 0-1 Black wins the bishop which has to give itself up for the h-pawn and then simply captures white’s pawns winning easily.
Chapter 7 All Other Piece Combinations
Tal – Trifunovic
Palma de Mallorca (5) 1966
Tal-Trifunovic 1966.Move 45
Tal had to seal in this position and he played the best move beginning a ten move combination.
Here is a jointly composed study with one of the composers being Leopold Mitrofanov of Qg5!! fame. If the reader doesn’t know what I am on about, then look it up for a real treat – arguably one of the greatest studies ever.
D.Gurgenidze & L.Mitrofanov 1979 Draw
1.Be4+ Kg3 2.Bf3! Kxf3 3.f7 Bd6+ 4.Kxd6 d1Q+ 5.Kc7!! Qxc2+ 6.Kd7 drawing (Black’s king is one square too far from the winning zone.)
Here is a superb study by Yochanan Afek.
Y.Afek 2000 White wins
1.b7 Qc6 2.Bd7! Qxd7 3.Rxe4+ (These checks avoid black’s stalemate defences, I will leave the reader to work them out) Ka5 4.Re5+ Kb6! (4…Ka6? 5.b8N+ wins) 5.b8Q+ Ka6
Y.Afek 2000 Move 6
White is threatened with mate and has no checks. 6.Rb5!! Qxb5 7.Qa7#
Chapter 8 Composed Mates In Two
Here is a problem – white to play and mate in two moves.
S.Dowd 2020 Mate In 2
1.Qf1! There are four different mates. I shall leave the reader to figure them out.
In summary, an excellent endgame coaching/training manual to improve your analytic powers with some instructive, beautiful and entertaining games, studies and problems.
FM Richard Webb
FM Richard Webb, Chineham, Hampshire, 27th July 2021
How to Study Chess on Your Own, Davorin Kuljasevic, New in Chess, June 2021, ISBN-13 : 978-9056919313
From the publisher:
“Every chess player wants to improve, but many, if not most, lack the tools or the discipline to study in a structured and effective way. With so much material on offer, the eternal question is: “”How can I study chess without wasting my time and energy?””
Davorin Kuljasevic provides the full and ultimate answer, as he presents a structured study approach that has long-term improvement value. He explains how to study and what to study, offers specific advice for the various stages of the game and points out how to integrate all elements in an actionable study plan. How do you optimize your learning process? How do you develop good study habits and get rid of useless ones? What study resources are appropriate for players of different levels? Many self-improvement guides are essentially little more than a collection of exercises.
Davorin Kuljasevic reflects on learning techniques and priorities in a fundamental way. And although this is not an exercise book, it is full of instructive examples looked at from unusual angles. To provide a solid self-study framework, Kuljasevic categorizes lots of important aspects of chess study in a guide that is rich in illustrative tables, figures and bullet points. Anyone, from casual player to chess professional, will take away a multitude of original learning methods and valuable practical improvement ideas.”
“Davorin Kuljasevic is an International Grandmaster born in Croatia. He graduated from Texas Tech University and played in USCL 2007 and 2008 for Dallas Destiny, the team that became US champion in both these years. He is an experienced coach and a winner of many tournaments.”
GM Davorin Kuljasevic
‘Study’ is the operative word here.
When I was learning chess in the 1960s and playing fairly seriously in the 1970s, chess wasn’t something you studied unless you were a top grandmaster. I’d play in club matches and tournaments. I’d read books and magazines because I enjoyed reading them, and, if I learnt something as well then so much the better. It wasn’t anything resembling serious study as you might study a subject at university. In those days, of course, you didn’t have a lot of opportunity to do much else.
In those days we couldn’t have imagined having a multi-million game database and a computer program capable of playing far better than any human on our desk, or being able to play a game at any time against opponents from anywhere in the world.
It’s not surprising, then, that ambitious players at any level are, if they have the time, keen to raise their rating by studying chess seriously.
We also know a lot more than we did, even 20 or 30 years ago, about the teaching and learning processes: lessons that can be applied to chess just as they can to other domains.
In the past, chess books told you what you should learn. Now, we’re seeing books, like this one, that teach you HOW you should learn. There’s a big difference.
Let’s start, controversially, at the end.
Chapter 9: Get organized – create a study plan
The author advises us to create a weekly timetable. Table 9.1 is based on the assumption that you’re at school in the morning, when you can spend 3 hours every afternoon and 2 hours every evening studying chess.
In my part of the world, if you’re an older teen you’re probably going to be at school in the afternoon as well as the morning, and have three hours of homework to do when you get home. Not to mention family commitments, other interests, hanging out with friends, eating, sleeping… I wonder how many chess players actually have time to study 4-5 hours a day, or even 1-2 hours a day, on a regular basis. On the other hand, 12-year-old Abhi Mishra, who has just become the youngest ever Grandmaster, spends at least 12 hours a day studying chess.
Returning to the Preface, the author anticipates your question: who will benefit the most from this book? “In my view, it would be self-motivated players of any level and age who are serious and disciplined about their chess study and have enough time to put the methods from the book into practice.”
If you fall into this category, read on. Even if you don’t: if you only have an hour or two a week to study, rather than 4-5 hours a day, you might still learn a lot.
What we have is 9 chapters looking at different aspects of studying chess, each concluding with a helpful list of bullet points. It’s not just a book of technical advise on how to study, though. There’s a lot of chess in there as well, mostly taken from games you probably won’t have seen before. The first eight chapters have, as is the case with many books from this publisher, some exercises for you to solve, based on the most interesting positions from the chapter. The tactics and middle-game chapters also have questions for you to answer: do they tally with the author’s solutions given in Chapter 10?
In Chapter 1, the author asks “Do you study with the right mindset?”. Now, he doesn’t mean mindset in this sense, although that will come in useful. Instead, he suggests that mastering chess requires both time and intelligent study. There’s no substitute for study time. He quotes the example of English GM Jonathan Hawkins, only an average club player at 18, but through hard work, much of which involved with studying endings, became a GM by the age of 31.
A proper chess study mindset means, in Alekhine’s words, ‘a higher goal than a one-moment satisfaction’. Four typical mistakes are: lack of objectivity, shallow study approach, short-run outlook and playing too much. Kuljasevic talks about the correct balance between playing and studying. He quotes Botvinnik as saying that chess cannot be taught, only learned, which he interprets as meaning that everyone learns in a different way, and that it’s you, rather than your coach, who will make yourself a stronger player.
Kuljasevic was shocked to read a well known GM’s coaching advert: “I have produced numerous top-level players”. “Excuse me, but chess players are not ‘produced’! Every chess player’s learning process is their unique experience that cannot be replicated on someone else.”
These days there are many study methods available, and Chapter 2 provides a guide to fifteen you might consider, and giving them all scores out of 5 for practical relevance, study intensity and long-term learning potential. The three methods which score a maximum of three fives are Deep Analysis, Simulation (pretending to play a real game by guessing the next move) and Sparring (playing a pre-arranged game or match with a training partner for a specific reason).
As an example of what is meant by Deep Analysis, this is Aronian – Anand (Zurich 2014) with Black to play. Anand played 58… Ke7 here, but Re1+ would have been a more stubborn defence. Kuljasevic wanted to prove that White can always win positions of this type, and here spends seven pages doing just that.
Of course such an approach won’t suit everyone, but this chapter will help all readers determine the most useful methods for them. The point is not so much the relevance or otherwise of this particular ending, but the process itself used to analyse it.
Chapter 3 is about identifying your study priorities. At this point the author divides his readership into five categories:
Intermediate player (1500-1800 Elo)
Advanced player (1800-2100 Elo)
Improving youngster (1900-2200 Elo)
Master-level player (2100-2400 Elo)
Strong titled player (2400+ Elo)
He suggests that, in general, you should spend 10% of your time on openings, 25% on tactics 25% on endgames, 20% on middlegames and 20% on general improvement. What proportion of your study time do you spend on openings? I thought so!
He then makes suggestions about how readers in each category might prioritise their studies.
If you’re an intermediate player you should concentrate on improving your tactical and endgame skills, while choosing a simple opening repertoire. Once you reach 1800 strength you can start working on more strategically complex openings. Club standard players should spend a large proportion of their time studying endings (Jonathan Hawkins would agree, as would Keith Arkell) and players of all levels would benefit from solving endgame studies on a regular basis.
Chapter 4 is about choosing the right resources for your study plan. Here we have a list of online resources: chess websites, the categories for which they are suitable, and, in each cases, the specific study opportunities they offer. Then we look at the best websites for each of the study methods from Chapter 2. An extensive list of recommended books for each of the five categories of player from Chapter 3 follows, arranged by subject matter. The books include classics by authors such as Alekhine, Spielmann and Chernev as well as more recent books. GM Grivas is quoted: “Reading the autobiographical games collections of great past players is like taking lessons with some of the greatest players in history”. Unlike Kuljasevic, I’m not convinced that Chernev’s Logical Chess, excellent though it is for novices, is suitable for anyone much over 1800, though. There’s also some very useful advice on the best way to use ChessBase and other database software.
Chapters 5 to 8 each focus on one specific aspect of chess: openings, tactics, endings and middlegames.
Chapter 5 tells you how to study your openings deeply. The author starts with a warning: “I have met many people, and I’m sure you have, too, who have fallen into the trap of spending too much time studying openings. If they were to study other aspects of the game as zealously as openings, I am sure that they would be more complete, creative, and, most likely, stronger chess players. Young players and their coaches should especially keep this in mind.” He quotes, with approval, Portisch’s opinion: “Your only task in the opening is to reach a playable middle game”, and advises simplicity and economy when deciding on your openings. The study material in this chapter, then, is more suited for master level players and above.
This, for example, is an example of a ‘static tabiya’: you may well recognise it as coming from the Breyer Variation of the Ruy Lopez.
“This is one of the most well-known opening tabiyas, not only in the Ruy Lopez, but in chess in general. Over 1000 tournament games have been played from this position, from the club to the super-GM level. There is something appealing about this static type of structure for both sides as it contains a lot of potential for creative strategic play. I would like to present my brief analysis of a fairly rare idea: 17. Be3!?”
17. Bg5 is usually played here, meeting 17… h6 with Be3, happy to spend a move weakening the black king’s defences. Be3 has a different attacking plan in mind: Nf3-h2-g4-h6+ and possibly also Qf3. This is discussed over 3½ pages: I think you have to be a very stong player with a lot of study time available to go into this sort of detail, though.
Chapter 6 advises you to ‘Dynamize’ your tactical training. We’re all used to solving puzzles where we play combinations to win material or checkmate the enemy king. We could do more than that, though, by studying dynamic positions, complicated, double-edged tactical positions and positional sacrifices. We can also improve our tactical imagination by solving endgame studies and problems.
At the end of this chapter we get the chance to take a tactics test: “20 exercises consisting of tactical puzzles, positions for analysis, endgame studies, and problems for the development of dynamics and imagination”.
It’s Black’s move in this tactical puzzle. Your challenge is to solve it blindfold.
This is taken from Xie Jun – Galliamova (Women’s World Championship 1999). Black played 30… Qc7 here and eventually lost. She should have preferred 30… Qc8! (Nd2+ also wins) 31. Rc1 Qg4!, an attractive geometric motif winning either rook or queen.
Here, by contrast, is an endgame study, composed by FK Amelung in 1907. It’s White to play and win. Again, you’re challenged to solve it without moving the pieces.
The solution is 1. Rd8+ Ke1 2. Re8+ Kd2 3. Nc3! c1Q+ 4. Nb1+ Kd1 5. Rd8+ Ke1 6. Rf8! and wins.
There’s a lot more to tactics training than sac, sac, mate!
Studying endings can seem rather dull, so it’s good to know that Chapter 7 tells you how to make your endgame study more enjoyable. Kuljasevic advises that, instead of reading books from beginning to end you look at practical examples, including your own games, and, (yes, again) endgame studies. He agrees with Capablanca that “Study of chess should commence with the third and final phase of a chess game, the endgame”.
Chapter 8 is all about strategy: how to systemize your middlegame knowledge. This is the hardest aspect of chess to study. The author looks at studying the pawn structures that might arise from your opening repertoire in a systematic way, and then goes on to discuss piece exchanges: understanding when exchanges might be favourable or unfavourable rather than just seeing them as a way to simplify towards an ending.
The chapter concludes with a short quiz on this subject. Here’s the first question: would you advise White to trade rooks, to give Black the option of trading, or to move his rook away?
This was Mamedyarov – Carlsen Baku 2008
White correctly moved his rook away, playing 25. Rf1, and later won after a Carlsen blunder. The coming kingside attack will be much stronger with the rook on the board, and Black can do nothing on the c-file.
Chapter 9, as we’ve seen, looks at how you might devise your own study plan – on the assumption that you have several hours a day to study, and Chapter 10 provides solutions to the quiz questions.
So, what to make of all this? I found it an extremely impressive book on an increasingly important aspect of chess: ‘how to learn’ as opposed to ‘what to learn’. Davorin Kuljasevic has clearly put an enormous amount of thought and hard work into writing it. If you’re within the target market – you want to improve your chess and have a lot of time available for that purpose – I’d give this book a very strong recommendation.
Even if you only have a few hours (or even less) a week, rather than a few hours a day to set aside for chess study, you’re sure to find much invaluable advice about how to make the most of your time.
There’s a lot of great – and highly instructive – chess in the book as well, so you might enjoy it for that alone. Much of it, though, I felt, was aimed more at the higher end of the rating scale. It would also be good to read a book on how to study chess written more for average players with limited study time.
Kuljasevic’s previous book (there’s an excellent review here) was shortlisted for FIDE’s 2020 Book of the Year, and I wouldn’t be surprised if this book was similarly honoured. He’s clearly an exceptional writer as well as an exceptional coach.
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Here’s an appreciation from ‘one who knew him’ from the Leicester Daily Post of 27 October.
