This is a relaxed and almost carefree publication written by a grandmaster little known to me, though I imagine readers of BCN will not confuse him with Gennady Kuzmin (b.1946). Alexey was, in fact, born in 1963 and is sensibly introduced on the back of this weighty paperback, a recent arrival from Thinkers Publishing who are, in turn, a new publisher in the realm of the Royal Game.
The subject matter is the Candidates tournaments and matches – almost all staged within FIDE – and bears the sub-title ‘Budapest 1950 to Berlin 2018’.
Certainly the book, which features test positions, crosstables, black and white photos, no index, a very artistic aqua marine cover, six chapters, a key to symbols and, of course, well annotated games, should be of interest to many players. Not all the games are from candidates matches or tournaments but this surely doesn’t matter. And I did say it has relaxed in approach.
Younger readers will, I hope, enjoy a bit of history as the qualification history is relived and the old names, so many champions from the time of Botvinnik onwards, are resurrected respectfully and with relish.
I spotted a few mistakes. The numbering of the Tests, which surely might have been sequential, is the same in each chapter. Jussupow called himself Yusupov as long ago as 1986 and some of the photos are so dark that they are hardly worthwhile.
I would like to like this book but it is a bit of a mix, a hotch-potch, at least in my opinion. Certainly it is pleasantly free from misprints and original in concept.
James Pratt, Basingstoke, April 2019
Book Details :
Papercover : 280 pages
Publisher: Thinkers Publishing, (1st January 2019)
FIDE Master Graham Burgess needs no introduction to readers of English language chess books ! Minnesota, USA based, Graham has authored more than twenty five books and edited at least 250 and is editorial director of Gambit Publications Ltd. In 1994 Graham set a world record for marathon blitz playing and has been champion of the Danish region of Funen !
Readers may remember “101 Chess Opening Surprises” published in 1998, also by Gambit Publications, was well received and added to GKBs reputation for originality, accuracy and encyclopedic knowledge of openings.
Chess Opening Traps for Kids is the fifth in a series of “for Kids” books and is robustly (!) hardbound in a convenient size such that weights are not need to keep it propped open (unlike some A5 paperbacks) meaning studying with this book is more convenient than with many books. The layout and printing is clear (as you would expect with Gambit) with numerous diagrams at key moments in each, relatively short, game. In essence, players under 18 (for whom this book is intended) will find it easy to dip in out of and it can be used without a board (although BCN would always recommend following each game on a “proper” board).
As you would expect with Gambit, the notation is English short form algebraic using figurines for pieces. One slight criticism is that the diagrams do not have “whose move it is” indicator. We know that many readers like to see this on all diagrams. However, each diagram does have coordinates; welcome for the junior readership.
Graham has identified and described 100 unique themes (usually tactical) that lead to relatively short wins out of the opening, many of which could be termed “miniatures”. An example theme is “Drag the King Out with Nxf7” : “Sometimes players leave f7 so weak that a knight sacrifice on that square wins by force. The signs to look out for are a queen that can invade on e6 and other pieces ready to support the raid.” Under this theme the author presents three examples (typical for each theme) from different openings plus supporting analysis and explanation.
A range of openings are demonstrated that yield a similar trap. For example, The Siberian Trap is shown from the usual perspective of the Sicilian Defence and the Queen’s Gambit Accepted. In the main, the author does not get bogged down giving details of who were the players of the games and when and where they were played but does in a few cases where the players are especially well known.
The author’s explanations and language are clear, concise and presented with a friendly and engaging style. There are numerous cross references to other themes when an idea uses a previously mentioned one. All of this contributes to the learning experience and the pattern recognition aspects of chess that are especially important for young players in their formative years. Thankfully, there is no recourse to engine evaluations and the emphasis is to use one’s personal brain engine in making an assessment. (One of our bugbears as chess teachers and coaches is juniors increasingly relying on engine assessments rather than their own brains).
Having worked through the 100 themes the student is presented with 48 exercises (with solutions) that test the students understanding (not memory) of what they hopefully have learnt.
Finally there are useful tips on further improvement and how to make progress.
In summary, this is an excellent book with much original material presented in a clear and friendly way and therefore to be recommended.
One negative comment we would make concerns the cover. “Never judge a book by its cover” we are told and you might look at this book cover and think it was suitable for say primary aged children. I would say not but I would suggest it suitable from secondary aged children. I would say strong juniors from 12 upwards would read this book and enjoy it.
Apart from the “move indicator” we would like to see an index of openings from which the theme examples were obtained.
The title and cover might, perhaps, put off the adult club player market. However, the content is totally suitable for adult club players upto say 180 ECF or 2000 Elo.
This book, written by the young English GM Daniel Fernandez and published by Thinkers Publishing, is (as the sub-title suggests) a repertoire book for Black players of the Caro-Kann defence. As such, Fernandez does not cover all possible black lines, but instead he recommends lines against each of the systems that White can employ against the Caro-Kann – and in many instances he recommends more than one line so that the reader can choose according to preference.
His repertoire consists of one or two solid (but not sterile) lines against each system, but additionally he throws in the occasional not-so-sound line (and always warns that he is doing this) that can be tried as a surprise weapon, or perhaps at faster time controls.
This is an excellent book, Fernandez manages to mix detailed analysis, explanations and personal opinion in a way which makes the book readable and enjoyable to go through (and believe me, some of the analysis is very detailed). The book is well produced and organised, and quite substantial at 416 pages. There is no detailed Index of Variations (usually a bugbear of mine!), but it is easy to find the line you’re looking for from the Table of Contents and the beginning of the book and a mini-Table of Contents page at the beginning of each chapter for the sub-variations.
I would highly recommend this book for anyone thinking about taking up the Caro-Kann, and for that matter to anyone who already plays it – it is one of the best opening books I have seen.
It is difficult to discuss this book without comparing it to Jovanka Houska’s book “The Caro-Kann” produced by Everyman Chess. Both books are recent (Houska 2015, Fernandez 2018) repertoire books by top English players who play the Caro themselves. (It is the Houska book that I used when I started using the Caro a couple of years ago.) In my opinion, both books are top-notch and provide the prospective Caro player with a good repertoire. If asked which book I would recommend this prospective Caro player to buy I would answer “both of them” – despite the overlap there are substantial differences in some lines (for example Houska recommends 4 …Bf5 after 1 e4 c6 2 d4 d5 3 Nc3 dxe4 4 Nxe4 whereas Fernandez recommends 4 …Nd7 here) and this gives players more choice over the lines they select. Of course, if budget does not permit buying both books then either one will do the job. I would be reluctant to choose only one of these excellent books, so I will not do so.
In summary: The Modernized Caro-Kann is an excellent choice for prospective Caro-Kann players, or indeed for those who already play the Caro-Kann and are looking to update their repertoire.
Christian Bauer (born 11 January 1977) is a French Grandmaster and author. He is a three-time French Champion and the author of three opening books. This collection of the authors best games is his first book for Thinkers Press.
What makes this book unique is that each game is annotated twice, firstly from the perspective of the white player followed by the same game with the annotations this time from the black player. The book contains 38 very deeply annotated games from the perspective of both players played between 2007 and 2017.
The book is divided up into four chapters : chapter 1 covers the topic of the exchange sacrifice, chapter 2 covers tactically complex positions, chapter 3 covers games where one king remains in the centre, and finally, chapter 4 covers “quieter games”.
This a very well produced book. Recently I have had the pleasure of reviewing two other books from Thinkers Publishing and, as with this book I have been impressed with the high quality of the publication. But, the book does not come with an index of games or a list of openings. My first criticism of this book is the title “Candidate moves” : when you start to read this book you would assume that the book is going to discuss the selection of candidate moves, but the book doesn’t do that, in fact I would go as far as saying that the title bears no relation to the contents whatsoever. Does this mean that this is not a good book? Far from it, there are many interesting and hard fought games here and the standard of annotation is consistently high throughout. I did however notice a number of inconsistencies with the annotations where for example a move is considered bad or dubious in one ‘version’ but is passed over without comment when annotated from the other players perspective.
The author does like to side step mainstream opening theory and play offbeat or even unsound openings, e.g. In Chapter 4, Game 17 against R Wojtaszek (2724) the game begins 1d4 a6 and in Game27 against D Semcesen (2469) starts 1. c4 e5 2.a3!? and the rationale was that as his opponent likes to play the line 2Nc3 Bb4 against the English opening he thought that he would see if opponent would be bothered by 2. a3. These are games from classical tournaments played by a top ranking chess professional, not games from a blitz or rapidplay event. Could you play like that?
The double annotation method was to try and diminish the subjectivity in the annotations and is a unique and innovative approach. I have seen the idea of multiple perspectives work in films but I don’t think that it really works here. I did enjoy playing through several of the games in the book and I may even try out some of the opening ideas myself but overall I don’t think that the idea works. You can achieve the same result by including all the annotations within one game.
Ivan Salgado Lopez was born in Spain June 29th 1991 and learned to play chess at the age of seven thanks to his brother Oscar and became a Grandmaster at the age of 16.
Amongst the best results in his chess career Ivan has twice been Spanish Champion and has won many international tournaments. He was the second of ex-world champions Topalov and Ponomariov amongst other strong Grandmasters.
Spanish grandmaster Ivan Salgado Lopez has taken a close look at a variety of gambit lines that can arise after 1. d4 and the main chapters are as follows: Budapest Gambit 34 pages Blumenfeld Gambit 30 pages, Tarrasch and Marshall Gambits 8 pages, Von Henning Shara Gambit 36 pages, Slav Gambits 12 pages, Dutch Gambits 20 pages, Easily Refuted Gambits 4 pages, Albin Gambit 10 pages and finally a chapter containing model games and exercises.
The book covers these gambits in sufficient detail to enable you to sit down and play them with confidence and equips the reader with the main tactical ideas behind the gambit together with a detailed understanding of the typical middlegame positions that may arise.
The author strikes a good balance between analysis and explanations, and, has a very engaging writing style
One thing that became clear to me when I started reading this book is that this is not a complete guide to all d4 gambits. There are a number of omissions from this book that I would expect to see, for example there is no mention of the Marshall Gambit in the Semi Slav, which is an essential to know if you are playing that opening. Also the coverage of gambits against the Dutch defence is not complete. While the Staunton Gambit (2. e4) is covered well together with the Krejecik Gambit (2. g4) the variations after 2 h3 (an idea of Korchnoi’s : Ed) followed by 3 g4 are not covered.
Another issue that I would like to point out is that the book does not contain any index of games or opening variations, something that I would normally expect to find in an opening book.
Does this book ‘kill’ the gambits? Well, not exactly ! It provides a refutation for the more dubious and unsound lines and neutralises the dangerous but playable lines. A lot of the gambits covered in the book are completely playable but risky and may be met head on provided that you are suitably prepared. Some of the gambits are recommended for blitz and rapid play games!
However, overall this is a good book despite reservations regarding the scope of the coverage.
Chess Calculation Training : Volume 3 : Legendary Games by Romain Édouard
This is the third book in the current series following on from previous volumes covering Middlegames and Endgames.
Romain Édouard (born 28 November 1990) is a French grandmaster and is Editor-in-Chief of Thinkers Publishing. Édouard has played for the French national team at the Olympiads of 2010, 2012, 2014 and 2018, won several major tournaments including equal first place in the 2015 World Open and Montreal Open 2015.
The material is arranged into fifteen chapters and each chapter covers a particular theme e.g. “Deliver Mate” and “Hidden Moves” . Four chapters employ examples from the games of famous players (Fischer, Karpov, Kasparov and Kramnik) covering one particular aspect of their play which made them stand out from their contemporaries e.g. Kasparov’s checkmating attacks or Karpov’s outstanding precision in technical positions.
Volume 3 has fifteen chapters and 480 exercises. In this book, we encounter many subjects, for example attack, defence, “surprises” and hidden moves, while some chapters will be especially dedicated to four great players – Kasparov, Karpov, Fischer and Kramnik – in order to learn about their styles. The last two chapters are a little different, ‘Extraordinary Wins’, where you will see moves of the kind you won’t meet very often in life, and a ‘Special Section’, with exercises requiring special instructions.
The material is presented in a workbook format which is generally popular and no doubt influenced by the techniques of famous trainer Mark Dvoretsky. The author provides guidance at the beginning of each chapter on how difficult the material is and which positions in particular are extremely difficult where the student should devote additional time.
The range of material is varied, from simple to solve right up to extremely complex positions. The author recommends starting out by solving a small number of warm-up exercises from chapter one before tackling the more challenging material. This type of study, solving positions on specific themes can be a double edged sword, as on the one hand providing an opportunity to study a specific theme in depth and reinforce the theme by repetition but, on the other hand, you can become too narrowly focused : expecting a type of solution. If you have just solved 100 tactical exercises, involving pins you will probably spend a lot of effort in your own games looking for pins and not focusing on other tactical opportunities. The author avoids this trap as the material in each section is broad enough within the overall theme and you may not always know exactly what the winning motif is only that there is one there.
It is also very easy to organise your own study around a workbook, as you can set aside a certain target, say to study a given number of positions and log your progress. In addition, if you are familiar with memorising techniques you can easily create a schedule to periodically repeat the material.
Overall, I found this and challenging and entertaining book to read. I have not read the previous two volumes but would expect that they have been produced to the same high standard as the volume under review.
If you are an aspiring player looking to improve your game you should find that the material is challenging enough to help you on your journey. If you are just a casual player who enjoys sitting down and solving some interesting and challenging problems then there is something there for you as well.
We focus on the British Chess Scene Past & Present !
Privacy & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.