“Vladimir Tukmakov, born in Odessa 1946, was one of the strongest Ukrainian grandmasters. He was the winner of several strong tournaments, including the Ukrainian Championship in 1970, and he came second in three Soviet championships in 1970,72 and 83. After his successful period as active player, he became a coach, trainer and author. This is his second book for Thinkers Publishing, after his major success in 2019 with ‘Coaching the Chess Stars’.”
GM Vladimir Tukmakov
Also from the rear cover
“The official story of the 2020 Candidates Tournament began on November the 11th, 2019 with the signing of a contract between FIDE and the Russian Chess Federation detailing the hosting duties of said tournament in Ekaterinburg from the 15th of March to the 5th of April, 2020. At that point no one could have even imagined how difficult the road to that tournament would be nor how unexpected the outcome. Yet the significance of the actual numbers in this dramatic epic is hard to overestimate which is why the author will attempt to play the role of chronicler and try to describe as accurately as possible the key moments of this historic event. Vladimir Tukmakov was our close observer, author and wrote a historically important book on the first part of the Candidates 2020.”
Tournament books, once a staple of chess literature, have been rare in recent years and books about half a tournament have always, naturally, been rarer still. This book by GM Vladimir Tukmakov is just such a book – and in my opinion it is a very welcome one.
Of course, 2020 has been an exceptional year (in a bad sense of exceptional) and the Candidates Tournament stands out as the exceptional (in a good sense of exceptional) over-the-board elite event of the year. It is unfortunate that Covid-related reasons forced the tournament to be suspended before its conclusion. (Or was the suspension necessary? The author’s comments on the decision are interesting.)
Although the tournament started on schedule in March, it was already in somewhat controversial circumstances because Teimour Radjabov had withdrawn – citing the rapid spread of the pandemic – and had been replaced by Maxime Vachier-Lagrave. The tournament was suspended exactly half way through following an announcement by the Russian government that all international air travel had been suspended indefinitely. The eight Candidates had been due to play each other twice, and seven of the fourteen rounds had been completed.
The author of this book, now aged 74, has been pretty much inactive as a player in recent years but he was a top player for a number of years, coming second in the Soviet Championship on three occasions, and reaching number 12 in the world rankings. This quality is reflected in his game annotations even if they are – as he modestly admits – sometimes helped by his “Iron Friend” (as he refers to chess engines).
The book consists of the following sections:
Introduction: Three pages of he author’s reflections on why he chose to write this book.
Prelude: Nine pages which describe the tournament itself, its participants and its occurrence in the time when the pandemic was developing.
The Play: 121 pages of games, with each of the 28 games annotated by the author and with a summary of the situation after each round.
Unexpected Conclusion: A brief two page description of the suspension.
Interim Results: An eight page summary of the tournament (so far!) including general observations of the players and their prospects for the remainder of the tournament, whenever that will be.
The Prelude and Interim Results chapters are informative and are engagingly written. They include a number of personal reflections by the author. The annotations in The Play chapter are, I think, superb, with both textual comments and given variations always hitting the spot in their relevance. An example of this is taken from his notes to the Ding-Caruana game:
12 d5!? Another complicated decision. The position demanded 12.e3 in the hope of completing development after 12… Bb3 which was like the game. Also, worth considering was 12… Bg6!? 13.Bc4 (Although 13.Nd3 led to an even more complicated struggle. For instance, 13…Na6 14.Nxb4 Nxb4 15.dxc5 Nc2 16.Rb1 Qa5) 13… Bxc4 14.Nxc4 cxd4 15.exd4 (15.Qxd4 Qe7) 15… Nc6 with enough compensation for the pawn.
It is very revealing, that having found himself in a difficult psychological situation, the Chinese grandmaster does not rush towards simplification instead choosing a more difficult and principled continuation each time.
(The book actually uses figurines for the pieces.)
Tukmakov is generally very respectful of the great players who are taking part in the tournament (indeed he writes that the book “bears witness to my solidarity with my younger colleagues” in view of their bravery in playing under the circumstances of the pandemic), but this doesn’t stop him from criticising them. For example, their clock handling occasionally comes in for comment. On one occasion he writes:
It is difficult to understand what Giri thought about for 25 minutes.
As may perhaps be expected, Grischuk receives sterner criticism in this area – but criticism that is well reasoned (and somewhat humorous).
In summary, I really like this book. I look forward to the second instalment which I hope arises as and when the second half of the tournament is complete. Who knows, perhaps tournament books are not a thing of the past after all?
Colin Purdon, Crowthorne, Berkshire, November 11th 2020
Colin Purdon
Book Details :
Flexicover : 160 pages
Publisher: Thinkers Publishing; 1 edition (8 Dec 2020)
The Modernized Scotch Game : A Complete Repertoire for White and Black, Thinkers Publishing, December 2019, Milos Pavlovic
Grandmaster Milos Pavlovic was born in Belgrade in 1964 and was Yugoslav Champion in 2002. He is a well known theoretician specialising in opening theory and has written many chess books and magazine articles. Previously we have reviewed The Modernized Stonewall Defence and The Modernized Colle-Zukertort Attack by this author.
GM Milos Pavlovic
This is another title in the “Modernized” series from Thinkers Publishing with this Scotch Game book being published on December 17th 2019. We first reviewed a title in this series with The Modernized Caro-Kann from GM Daniel Fernandez and then followed by The Modernised Colle-Zukertort from Pavlovic.
As with every recent Thinkers Publishing publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text and each diagram has a “to move” indicator.
Four and Half out of Five Stars
Andrew Martin, Bramley, Surrey, 5th November, 2020
Timman’s Triumphs : My 100 Best Games : Jan Timman
Timman’s Triumphs : My 100 Best GamesGM Jan Timman
From the publisher :
“Jan Timman is the author of highly acclaimed books such as Curacao 1962 and The Art of the Endgame. His best-selling Timman’s Titans won the 2017 English Chess Federation Book of the Year Award. His previous book, The Longest Game, is a riveting account of the epic rivalry between Garry Kasparov and Anatoly Karpov.”
From the book’s rear cover :
“Jan Timman is one of the greatest chess players never to win the world title. For many years ‘the Best of the West’ belonged to the chess elite, collecting some splendid super tournament victories. Three times Timman was a Candidate for the World Championship and his peak in the world rankings was second place, in 1982. For this definitive collection, Timman has revisited his career and subjected his finest efforts to fresh analysis supported by modern technology. The result is startling and fascinating. From the games that he chose for his Timman’s Selected Games (1994, also published as Chess the Adventurous Way), only 10(!) made the cut. Some games that he had been proud of turned out to be flawed, others that he remembered as messy were actually well played. Timman’s Triumphs includes wins against greats such as Karpov, Kasparov, Kortchnoi, Smyslov, Tal, Spassky, Bronstein, Larsen and Topalov. The annotations are in the author’s trademark lucid style, that happy mix of colourful background information and sharp, crystal-clear explanations. Once again Jan Timman shows that he is not only one of the best players the game has seen, but also as one of the best analysts and writers.”
GM Jan Timman
Jan Timman (b 1951) has had an active chess career lasting over half a century. For much of the 1980s he was considered the strongest player in the West, with only Karpov and Kasparov clearly his superior. He also has an enviable reputation as an excellent writer and annotator, as well as an expert on endgame studies.
Here, we have a collection of Timman’s 100 best games. In fact, that’s not quite true. The introduction includes two games which just missed the cut, plus another three extracts where he played a study-like move.
As this is a best games collection, you won’t find any losses. There are two draws, from either end of his career, and 98 wins. As you’ll see from the back cover, there’s very little overlap with Timman’s earlier best games collection, and those games now have totally different annotations.
The analysis has all been double checked using strong engines, so you can be pretty sure of its accuracy. At the same time, Timman’s annotations are resolutely old school, and, for this reviewer at least, none the worse for that. You don’t get reams of computer generated tactics, just lucid explanations, with variations only when necessary.
Take, for example, one of his quicker wins, a victory with the black pieces over Nigel Short from Linares 1992. Here’s how Timman annotates the conclusion.
But, as an endgame connoisseur, he occasionally goes into more detail when a fascinating ending appears on the board.
This position is from a game, again with Black, against Artur Yusupov (the book uses the German spelling Jussupow) played in Belgrade in 1989. This position arose just after the adjournment at the second time control. Here’s how Timman explains this position.
“The analysis during the break had taught me that a transfer to a rook ending was the most convincing path to the win. Jussupow had mainly looked at 63… b2. During the post-mortem, he told me that he had found drawing chances in that line. However, the computer is unrelenting. Black wins also here with two accurate king moves: 64. Rb1 Rd2 65. f5 Kd6! 66. Nf7+ Ke7!, and White cannot take on g6, since Black has the d3-square for his bishop.
“During the analysis, I also looked at the spectacular 63… Rd3+ 64. Kg4 Rd1. If this had worked, it would have been a study-like conclusion to the game. Alas, it doesn’t work. The main line continues as follows: 65. Rxd1 Be2+ 66. Kxh4 Bxd1 67. f5 Be2 68. f6 Kd6
and now White has the incredible finesse 69. Nc6!!. Luckily, I found this study-like save in my hotel room in Belgrade. After 69… Bc4 70. Na5! Bf7 71. Nxb3, a theoretically drawn endgame ensues.”
(The game concluded 63… Bd3 64. Nxd3+ Rxd3+ 65. Kg4 Rd4! 66. Rb1 Kb4 67. Rf1 b2 68. Kxh4 Rc4 69. Rb1 Kb3 70. Kg3 Rc3+ 71. Kg2 Kc2 and White resigned.)
These two examples will give you some idea of Timman’s annotation style.
Timman has always been a universal player who uses a wide range of openings so there’s a lot of variety in the play: no chance of getting bored by seeing the same type of position over and over again. Each game is put into its context regarding the tournament or match in which it took place. The text is also enlivened by many entertaining anecdotes, often concerning Timman’s rather hedonistic (especially in his early years) lifestyle. We read, for instance, about listening to Frank Zappa with Ray Keene, and taking the young Nigel Short to a nightclub on the eve of an important game.
There are many readers and who particularly enjoy best games collections: they will certainly revel in this excellent book. For those of you of Timman’s (and my) generation the book will also bring back many memories. For younger readers, though, much of it will be ancient history: perhaps they’ll get the same pleasure out of it that I got from studying the games of Alekhine and Capablanca many years ago.
GM Jan Timman
You might prefer a more spacious layout for the games. You might have liked a summary of his tournament and match results. You might have liked some tournament cross tables. But of course publishers have to make hard commercial decisions. At least we get an index of players (all players mentioned in the book for any reason, rather than an index of opponents) and an index of openings.
But, most importantly, you get 100 great games from one of the best players of the past 50 years, with lucid and instructive annotations. I’m pleased to give this book a warm recommendation.
One last thought. Timman tells us that someday he might write a book of his most exciting games, which would include more draws and several losses. Yes, please!
The Greenbecker Gambit, Ben Graff, The Conrad Press, 2020, 1913567028
‘The Greenbecker Gambit’ – Ben Graff
Ben Graff : writer, journalist and Corporate Affairs professional
This is a novel rich in content.
Everything is surely here! The author has bitten off more than he can chew but (but!) this is surely deliberate. He just loves what he does. As a reviewer I probably never have been written to by the actual author. Until now! Ben Graff dropped me a line last March sending me, quite unbidden, a copy of this well produced book. He has written stuff before, see ‘Find Another Place’ (Matador 2018). He is a journalist, Corporate Affairs professional and clearly knows his chess.
From the blurb cover: Tennessee Greenbecker is bravely optimistic as he sets out to claim what he sees as rightfully his – the title of world chess champion. But who is he really? Is he destined to be remembered as a chess champion or fire-starter? Either way, might this finally be his moment?
If you like your novels nice and straightforward: standard stories, boy meets girl, old befriends young, the anti-hero learns a painful lesson and emerges a better, reformed, person. All well and trusted formats. I am sure you can think of other, hopefully better, examples.
Well, this is nothing like that! Arson mixes with match chess. Real players – Fischer and Kasparov for example – mix in with the fictitious. Donald Trump even appears, Brian Eley gets mentioned and who is Dubrovnik who ‘has elected not to press charges’? I’ve got you hooked haven’t I? And the narrator – that’s Greenbecker, of course (do keep up) – plays the London System.
See CHESS 04/20, pp 36-37 for extract, chapter and verse.
Having read 75% of this story I gave up, confused, though I did skip to the end.
I hope you’ll like this ambitious thriller more than I did.
James Pratt
James Pratt, Basingstoke, Hampshire, October 12th, 2020
Keith Arkell is an English grandmaster active on the national and international scene for more than forty years and very much still going strong.
GM Keith Arkell (ENG), Courtesy of John Upham Photography
Arkell’s Endings is his second book and this is the first book (as opposed to DVD) from Ginger GM
Arkell’s Odyssey
Arkell’s Odyssey was published in 2012 by Keverel Chess Books; hugely popular and in high demand on abebooks, Amazon, eBay and other reselling platforms.
From the rear cover of Endings we have the following publishers blurb :
“With chess booming online and time controls becoming ever faster, mastery of the endgame has never been so important. A few positions can be memorised; most rely on feel. How would you go about converting an extra pawn in a rook endgame and would you have any idea how to even try to win bishop and knight against knight and pawn? In Arkell’s Endings, acclaimed endgame expert Keith Arkell guides you through some of his finest games – and grinds. Making good use of clear explanation, not a wealth of variations, he should convince even the most ardent of opening theoreticians and attacking experts that endgames can be enjoyable, as well as beautiful on occasion.
Not only will readers enhance their intuition in the final stages of the game, they will never again write off an endgame as dull or a draw. Along the way, the reader will also learn plenty about the Minority Attack and Arkell’s Scale of Pawns, which may mean you will no longer look favourably on trading an e-pawn for a d-pawn. As becomes clear in Simon Williams’ Afterword, there is so much more to Keith Arkell’s chess prowess than just his endgame mastery. Throughout, his creativity and sheer resourcefulness shine through, with the Ginger GM demonstrating that one should never allow Arkell to advance his g-pawn as Black, or even to attack.
Grandmaster Keith Arkell has been one of Britain’s most prolific players since turning professional in 1980. His rivalry on the weekend circuit with fellow GM Mark Hebden is the stuff of legend, but he has also thrived on the bigger stage. He has finished first as many as 25 times at the Paignton International Congress and in 2008 tied for first in the British Championship at Liverpool’s iconic St George’s Hall. 2014 was another highly successful year, as Arkell became the European Over-50 Champion, following that up with the silver medal at the World Senior Championships.”
Keith has developed a reputation for working hard at the board and not being afraid to grind out a position maybe with a small edge or even no edge at all and just keep on plugging away (Carlsen style). His long time choice of the Smyslov Variation of the Caro-Kann as Black is deal for this approach.
White to play and loose !
To demonstrate that this is a book of note there is a foreword by acknowledged endgame analyst and World Championship Candidate, GM Jonathan Speelman whose expertise on endings and the theory of corresponding squares is respected world-wide. Interestingly enough, JS also selects the Smyslov Caro-Kann as a weapon of choice.
Arkell’s Endings contains 33 games spanning the period from 1983 to the present day against a vast range of player strength and experience.
Keith introduces his games with a preamble / Introduction that sets out his rather unique playing philosophy. Keith describes his “Hierarchy of Pawns” which makes complete sense and yet is rarely (if at all) spelt out in training and coaching literature. Keith sets out his enthusiasm for the Carlsbad (pawn) structure which I learnt much about from Kevin Wicker in his golden nugget of a book, “How to play the Queen’s Gambit Exchange Variation“. This Introduction itself is more instructional than you might at first imagine.
Keith provides each game in full and rarely makes any comment on the opening except when its choice leads to particular kind of endgame structure. The middlegame comments indicate plans and ideas to reach a superior ending and the endgame comments are quite specific.
We are grateful to IM Richard Palliser (in charge of the book’s production) for permission to reproduce game 14 as an excerpt :
Settling down with this book is a real pleasure. It very much feels that Keith is in the room with you explaining his thought processes and giving you confidence in your decision making. Keith’s writing style is much like Keith in person : friendly and affable and not attempting to score any points.
The book concludes with an Afterword by Ginger GM Simon Williams.
The Afterword itself is of interest since Simon presents three tremendous games of Keith that are not endgame grinds but great tactical slugfests modestly including Williams – Arkell from Torquay, 1998.
The book concludes with a welcome Index of Opponents.
If you are wondering just how many of these games conclude with Keith’s signature Rook + Bishop versus Rook then you will have to buy the book to find out : I hope you will !
This book has been reviewed elsewhere including this one by Ben Graff
Old Wine in New Bottles by Mihail MarinGM Mihail Marin
From Wikipedia :
“Mihail Marin (born 21 April 1965) is a Romanian chess player and writer. He was awarded the title of Grandmaster by FIDE. Marin’s first major success in international chess was in qualifying for the Interzonal in 1987. He has won three Romanian Championships and has played in the Chess Olympiads ten times, winning a bronze individual medal in 1988. For several years he was editor of the magazine Chess Extrapress.”
From the book’s rear cover :
“I may be old-fashioned, but I keep using for my inspiration the treasure of the past. It does not make sense to speculate whether, for instance, Carlsen is stronger than Fischer or Korchnoi, as matches between players separated in time by so many decades are impossible. But this book aims to prove that some of the basic aspects of our game did not change over the generations. The same kind of brilliant ideas and mistakes are played again and again in specific situations.
I actually launch an invitation to examine the games of the classics, featuring ideas thought over only by human brains, and by no means less deep than those used today. We all use computer assistance when preparing or writing, but at the chess board we are all alone with our opponent, so educating our mind to work along the classical values is essential.It is virtually impossible to write a “complete” chess course, as the general themes and examples to each of them are practically inexhaustible. But I hope that after studying the book the reader will feel enriched, technically and aesthetically.
I remember my enthusiasm when receiving my first original copy of the Chess informant in 1987 (number 43) after having annotated some of my games from the Warsaw zonal tournament, ending in my first qualification to the Interzonal. Almost a third of a century has passed since then, but I am looking forward to hold this new book in my hands with no less excitement.”
You probably know how it is when your favourite singer releases a Greatest Hits compilation. As a big fan you have them all already, but there are always a couple of new songs, so, not wanting to miss out, you have to pay for the full album.
It’s been many years since I last read an Informant, but for some time now GM Mihail Marin, one of the best annotators around, has been publishing articles under the title Old Wine in New Bottles, in which he takes a recent game and compares it with games from the past which resemble it in some way. This might be, for example, a similar opening, a similar tactical idea, the same pawn formation, a comparable ending. Sometimes the comparison is very precise, but, on other occasions, rather tenuous.
What we have here is a collection of his articles, with some new ones added to tempt regular readers who will have seen most of the material before, along with some introductory comments.
There are 25 articles, or rather chapters, in total, grouped according to the general theme: Basic Principles, Tactics, Strategy, The Attack, Middlegame Plans of Specific Openings, and, finally, The Individual and Joined Abilities of the Pieces (some, but not all of which, feature endings).
You might assume from this, and you’d be correct, that the translation into English isn’t always idiomatic. There’s also an unacceptably large number of typos.
The publishers have also made some rather strange production decisions. They’ve chosen a non-standard diagram font with a defective symbol for a black rook on a white square, which makes a rather ugly impression. They’ve also chosen to use a sans-serif font throughout.
This is a handsome hardback, complete with a useful bookmark, which will look good on your bookshelf: it’s a pity that, internally, it doesn’t make such a good impression.
The text is punctuated by a lot of chess art, reproduced in black and white, from the Hereford Chess Club in 1814 up to the present day. All very attractive, if not especially relevant, but I can’t find any copyright information anywhere.
None of this may bother you, as long as the content is good, and, with reservations, it is.
To give you some idea, let’s take a fairly random chapter. Chapter 4 in the section on Attack deals with sacrificial attacks beginning with the move e5xf6, taking as its starting point this game from the 2017 Sinquefield Cup, where you will observe Vishy’s 22nd move. Marin doesn’t give us the first 21 moves, which presumably appeared elsewhere.
This game brought to mind a brilliant Tal victory from the 1962 Olympiad, where the sacrificial attack started on move 19.
Tal admitted that his 19th move was inspired by a Famous Game which observant readers will have seen before.
It’s, of course, a very well known game, but observant readers will recall encountering it with different annotations in an earlier chapter on positional queen sacrifices to obtain a passed pawn. Here, the annotations are in part based on Lilienthal’s autobiography, which are, along with Hecht’s comments on his loss to Tal, readily found on MegaBase. (It’s always fun to try to identify an author’s sources!)
There are three more games in this chapter, including another Tal brilliancy, but the repetition of the Lilienthal game confirms the impression that it’s really a collection of articles rather than a particularly coherent book.
Not all the annotations are by Marin himself: in many cases they are largely taken from earlier Informants, with occasional authorial interjections. You might not mind this, but I guess you might also feel you’ve been cheated.
Nevertheless, the concept of comparing contemporary games with those from the past is a great idea. If the idea attracts you, or if you’re an admirer of Marin’s books and haven’t seen most of the articles before, you’ll find a lot to interest, inform and stimulate. As the book covers all aspects of the game, there are lessons to be learnt here about both tactics and strategy, about openings and endings.
Although I have significant reservations about various aspects of the book, there is still much of value here, and anything Marin writes is always worth reading. Recommended, especially for serious students of the game of, say, 1800+ strength.
David Smerdon is an Australian chess grandmaster and behavioural economist. In 2015 he published the highly successful chess opening book Smerdon’s Scandinavian.
From the book’s rear cover :
“Chess is a cruel game. We all know that feeling when your position has gone awry and everything seems hopeless. You feel like resigning. But don’t give up! This is precisely the moment to switch to swindle mode. Master the art of provoking errors and you will be able to turn the tables and escape with a draw or sometimes even steal the full point!
Swindling is a skill that can be trained. In this book, David Smerdon shows how you can use tricks from psychology to marshal hidden resources and exploit your opponent’s biases. In a lost position, your best practical chance often lies not in what the computer recommends, but in playing your opponent.
With an abundance of eye-popping examples and training exercises, Smerdon identifies the four best friends of every chess swindler: your opponent’s impatience, their hubris, their fear, and their need to stay in control. Youll also learn about such cunning swindling motifs as the Trojan Horse, the decoy trap, the berserk attack, and ‘window-ledging’.
So, come and join the Swindlers’ Club, become a great escape artist and dramatically improve your results. In this instructive and wildly entertaining guide, Smerdon shows you how.”
As with every recent New in Chess publication high quality paper is used and the printing is clear. The book can easily be laid flat next to the board and does not require weights to prevent it from “self-closing” (a particular bugbear of ours !). Each diagram is clear and the instructional text is (mostly !) typeset in two column format, which, we find, enables the reader to maintain their place easily. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
Who doesn’t love a good swindle? Well, if you’ve just been swindled in the final of your online club championship I guess you might not, but, in truth, as long as we’re not the victim we all love a good swindle.
So it’s surprising, then, that it’s a subject which hasn’t been covered much in chess books. Australian GM David Smerdon’s new book promises to fill that gap in your library.
Here’s Smerdon’s description of a swindle:
1) The Swindler starts from an objectively lost position.
2) The Swindler consciously provokes the victim into blundering, usually by taking advantage of some psychological trait.
3) The victim squanders the advantage, allowing the swindler to escape with a draw or even the full point.
He also offers three questions to help you find swindles.
1) What does my opponent want?
2) How is he planning to do it?
3) What’s good about my position?
Let’s look at an example.
This is Shirov-Kramnik (Groningen 1993). White launched a manic attack right from the opening, but Black defended calmly.
Now Shirov had to make a choice. He saw 18. Qh4 Nxg3 19. Bxe7 Nxf1 20. Bxd8 Qxe5 21. Bf1 Qe3+ 22. Kb1 Bc6 which he assessed as favourable to Black due to White’s uncoordinated forces.
Instead he went for the spectacular 18. Bxh6!?! when the game concluded 18… Nxf4 19. Bxg7+ Kh7 20. Rxf4 Rg8 21. Rfg4 Rxg7 22. Rxg7+ Kh6 23. Rg8 Kh7 24. R8g7+ with a draw.
However, as Smerdon points out, Kramnik could have won with the beautiful counter queen sacrifice 21… Qxc3!!, when 22, Rxc3 Rxg7 leaves Black a piece up, while 22. bxc3 Ba3+ is a pretty standard mate. (Smerdon’s ‘exquisite’ seems a bit hyperbolic to me.)
Smerdon might have mentioned that 20… Qxc3!! would also have worked, and that Black could equally well have played 19… Kg8 20. Rxf4 Qxc3!!.
All very interesting, but was it really a swindle?
It depends. Did Shirov see Qxc3 at move 18. at move 21, or not until after the game? If he’d decided 18. Qh4 would lose, had seen the Qxc3 defence and played Bxh6 anyway, hoping Kramnik would miss it, then, yes, it was a swindle. But if he’d seen the game conclusion in advance and played it, thinking he was forcing a draw, then it was something arguably more interesting: a mutual blunder by two of the strongest players in the world.
Why, then, did Kramnik, a future world champion rated 2710 at the time of the game, miss, on two occasions, what was essentially a fairly simple two move tactic. A psychological flaw? A cognitive bias? Perhaps he was only looking at the king side, where all the action was, so missed a tactic on the other side of the board. You could say that looking at the wrong side of the board is a cognitive bias of sorts, but it’s not what Smerdon has in mind.
There are all sorts of reasons why we make the type of mistake we really shouldn’t make. Cognitive bias, yes, but also, for example, time trouble or fatigue. It’s always interesting to hear a great player explain how he made a simple oversight. Take this example.
This is Petrosian-Kortchnoi (1963) with Black to make his 32nd move. White has an overwhelming advantage in this rook ending, but he’s facing a resourceful defender.
Smerdon quotes Petrosian. “For a long time I had regarded my position as a winning one. Thus the whole opening phase of the struggle, when Kortchnoi was unable to get out of trouble, had psychologically attuned me to the idea that the ending would be favourable to me.”
Kortchnoi tried 32… Rf8 (sheer bluff: 33. Rxh6 or Re6 both win easily) 33. d6 Rh8 34. Kg4 Rf8 when the world champion fell straight into the cunning trap: 35. Rxh6?? f3!!.
Petrosian again. “I did not even see the threat f4-f3, possibly because it was in contrast to Black’s hopeless position. Personally, I am of the view that if a strong master does not see such a threat at one he will not notice it, even if he analyses the position for twenty or thirty minutes.”
This, then, unlike the Shirov-Kramnik position, is an excellent example of where Smerdon’s theory works. Petrosian was swindled because he was overconfident, convinced that nothing could possibly go wrong.
Smerdon identifies two pairs of psychological flaws which, in his view, are usually the cause of a player being swindled. Two, impatience and hubris, are caused by overconfidence, while two more, fear and kontrollzwang (the need to keep the position under control) are caused by lack of confidence.
He goes on to suggest that, if you know your opponent is impatient, you should look for a Trojan Horse: a move which seemingly offers your opponent a quicker or easier way to win, but instead sets a trap. If he’s overconfident, consider a Decoy Trap: a move which creates two threats: with any luck he’ll meet the minor threat while missing the major threat.
On the other hand, if your opponent is looking fearful, play a Berserk Attack, which will make him even more scared than he is already. If he’s a player who likes to keep control, adopt a window-ledging strategy: randomise the position so that neither player really knows what’s happening.
This is all very interesting, and great fun as well. Along the way, we meet characters such as Aussie swindling expert Junta Ikeda, and ever-optimistic German FM Olaf Steffens: in one game here we witness him window-ledging Richmond IM Gavin Wall.
But, I wonder how often you have a choice of swindles to set. In the real world, once we’re in swindling mode we’re just trying to find moves to stay in the game and pose problems for our opponent. We’re not really going to stop and take our opponent’s mindset into consideration before deciding which swindle to set up.
Understanding your cognitive biases is important, and, I’d suggest, this is rather more useful in helping to avoid being swindled yourself than in swindling your opponent. But is it really true that swindles usually exploit psychological flaws? I’m not entirely convinced.
By now we’ve reached Part IV, where the mood changes. We now look at the Core Skills swindlers need. The corollary is, of course, that if you want to avoid being swindled you also require these skills.
You can try to swindle your opponent by heading for an ending which might be difficult or impossible to win despite a large material advantage. For instance, KQ v KR is, generally speaking, a win, but notoriously difficult in practice. Knowing the defensive techniques to give your opponent the most trouble is helpful, as is knowing how to win against best defence. KRB v KR, on the other hand, is, generally speaking, a draw, but not so easy over the board (especially if you’re playing Keith Arkell). Knowing the correct technique is again useful – for both sides.
The next two chapters cover Fortresses and Stalemate, both familiar in the rarefied world of endgame studies but not often discussed in relation to competitive chess. We then continue with Perpetual Check, a very frequent guest in Swindleland.
We also look at Creativity. Here, for example, is the conclusion of the remarkable game between Detlev Birnbaum (2190) and Eloi Relange (2420) played at Cappelle-la-Grande in 1995. You’ll have to buy the book to find out what was really happening here.
Part V demonstrates some complete games from both master and amateur chess, including Smerdon’s favourite swindle. Finally, Part VI presents 110 quiz questions, in which you have to find, or avoid, a swindle.
This is a unique book which covers a number of important topics not usually mentioned in text books, and does so in highly entertaining fashion. Smerdon’s writing style is lively, if sometimes loose, and he presents a lot of fascinating material. You’ll find a lot of creative and resourceful ideas here which should inspire all readers to look for ways to convert their potential losses into draws, or even wins. I would guess that, in terms of chess improvement, players in the 1800-2200 range would benefit most, but I really can’t imagine any reader not falling in love with this book. There is a lot of helpful advice – most importantly perhaps, not to give up in a lost position but to look for ways to provoke your opponent into making a mistake. Not only will it help you to find swindles in your own games: it will also help you to avoid being swindled yourself.
I do have a couple of reservations: as mentioned earlier I think Smerdon overstates the importance of cognitive bias in swindles when there are many other factors involved. What looks like a swindle might, on occasion, just be a mutual blunder: to be certain we need to know the swindler’s motive. As a behavioural economist by profession, he is naturally interested in why and how decisions are made, and this is something not very often mentioned in chess literature. Cognitive bias and psychological flaws undoubtedly affect how we study chess as well as our performance at all stages of the game. Given his academic background, Smerdon would, I think, be the ideal author for a book of this nature.
I would also have preferred a broader historical perspective, but then Smerdon, unlike some other authors, is sceptical about the value of studying the classics. Mention might also have been made of endgame studies, which frequently use many of the ideas discussed in this book: you might, at one level, see all endgame studies as the result of a swindle, and I suspect that solving studies, as recommended by a number of esteemed chess coaches, might be very beneficial in helping you to find, or avoid, swindles.
In spite of these reservations, I have no hesitation in recommending The Complete Chess Swindler to all readers. There have been some exceptionally interesting chess books published this year, and this is certainly one to add to the list.
‘The Rise and Fall of David Bronstein’ – Genna Sosonko.
20 chapters, 17 black and white photos. Foreword by Garry Kasparov which states ‘Bronstein was the first player to propose changing the starting position of the pieces’. Now, is that really correct? But the former World No.1 gives the book the thumbs-up adding: ‘Soviet reality was so complicated’. Now, that I do agree with!
First published in 2014 in Russian, this is a more recent translation of rather a sad book. In what way ‘sad’? Well, Davy B (1924-2006) was obviously a top chesser but the stress of World Championship matches – he drew a match for the crown with Botvinnik in 1951 – meant that the remainder of his life was spent trying to explain, regroup and, above all, recover. None of the games of the match are given; in fact, no games are given at all.
It all began sadly. Dad was seven years in the Gulag. Davy narrowly escaped the Holocaust. The author is at some pains to explain his subject and I believe Sosonko has succeeded. Bronstein blamed his baldness (“I gave my hair” he told me) on the life he was obliged to live.
Ridiculously overpriced – the cover price is £24.15 – the book, one of a series, tells the tale of a gentleman sent mad by a board game whilst war raged. His writings are given generous praise but his riches lay in his games and wonderful annotations. Here we get none of this.
I met David a couple of times, in London and then Hastings, just after the second Fischer-Spassky match. We got on well. I had always dreamt of meeting the Soviet GM so this was a treat that nothing could spoil beyond everyday comparison. I wrote about it – twice, I think – so repeating much of it here about 30 years later is not going to happen.
The Sosonko text contains dozens of classical references to foreign authors chessers are not going to have heard of. Much is delivered verbatim. Bronstein, a born raconteur, told stories far into his old age when much of chess was lost to him. Having heard one or two, I can assert Sosonko has the patience, background and great love of the game; in short an excellent amanuensis. And you won’t get far into the book without encountering irrelevance heaped upon irrelevance.
The publishers website contains a 12 page PDF which I hope you’ll find revealing. I did not like this book. I doubt David Bronstein would have liked it either.
The author is a Dutch, formerly Soviet, Grandmaster.
(Also see ‘American Chess Magazine’ No.7, p.122 and Richard James’s review of same penned on this site last May).
Paperback: 272 pages
Publisher: Limited Liability Company Elk and Ruby Publishing House (10 Aug. 2017)
‘Openings for Amateurs – Next Steps’ – Pete Tamburro (Mongoose Press 2020). 5 sections. Amusing cartoon cover. Rabars.
This is the sequel to Openings For Amateurs ~ see below ~ which was written by the same author and published by the same publisher in 2014.
Openings for Amateurs
Since that time British Chess Magazine has published many monthly columns by Pete Tamburro, a US writer of vast experience and understanding with, I might add, a reference library as large as any ocean. He is a brilliant teacher, respectful of his material, his many students and of the past, in which he revels. The book has been favourably reviewed on Amazon.
Pete Tamburro
He divides his material according to openings:
Open Games, Semi-Open Games, Closed Games, Isolated Queen’s Pawn games and Queen’s Pawn Majority Openings. Some (random) examples: Smith-Morra Gambit, Missed opportunities to play … d5, the Two Knights Defense (“Let’s look at the Ng5 matter first”), Petroff’s (” .. equal positions do not mean drawn positions .. “), the Wormald and Worrall Attack with George Thomas at the controls and so on.
He asks ‘How many games have you played when you made the right move one or two turns too late?.’ So there is philosophy here too and humour is not forgotten: though never intrudes.
Sixty-nine games are presented featuring encounters from almost every available decade including several visitors from the Nineteenth Century: Blackburne, Anderssen, Steinitz, Paulsen, Kieseritzky prowl these pages along with, for example, Adams, McShane and Hawkins. Is anybody forgotten? Not that I spotted. Is it necessary to have studied the first (2014) volume beforehand? For the stronger – Elo 1850+ – player, I would think not. Clearly it wouldn’t hurt, especially for the inexperienced or junior player. A pleasant checklist, a mere closing page, offers 20 tips to improve your rating by 100 points. Useful, useful.
A closing chapter, ‘Final Thoughts’ sees the author lapsing into autobiography, his lessons from Gulko, his bucket list and colleagues and so on. In sum, a sympathetic book. I hope it sells well.
The author is a veteran American chess man like no other. And he has written for the Kasparov Chess Foundation.
James Pratt
James Pratt, Basingstoke, Hampshire, September 10th, 2020
Paperback 280 pages
Publisher Mongoose Press, 1005 Boylston St., Suite 324, Newton Highlands, MA 02461, USA. (04/20)
In the Zone: The Greatest Winning Streaks in Chess History
From the rear cover :
“A winning streak in chess, says Cyrus Lakdawala, is a lot more than just the sum of its games. In this book he examines what it means when everything clicks, when champions become unstoppable and demolish opponents. What does it mean to be “in the zone”? What causes these sweeps, what sparks them and what keeps them going? And why did they come to an end?
Lakdawala takes you on a trip through chess history looking at peak performances of some of the greatest players who ever lived: Morphy, Steinitz, Pillsbury, Lasker, Capablanca, Alekhine, Botvinnik, Fischer, Tal, Kasparov, Karpov, Caruana and Carlsen. They all had very different playing styles, yet at a certain point in their rich careers they all entered the zone and simply wiped out the best players in the world.
In the Zone explains the games of the greatest players during their greatest triumphs. As you study and enjoy these immortal performances you will improve your ability to overpower your opponents. You will understand how great moves originate and you will be inspired to become more productive and creative. In the Zone may bring you closer to that special place yourself: the zone.
“Cyrus Lakdawala is an International Master and a former American Open Champion. He has been teaching chess for four decades and is a prolific and widely read author. His Chess for Hawks won the Best Instructional Book Award of the Chess Journalists of America (CJA). Other much acclaimed books of his are How Ulf Beats Black, Clinch It! and Winning Ugly in Chess.”
IM Cyrus Lakdawala
Most of you will be aware of Cyrus Lakdawala’s style of writing. You’ll know that he polarises opinions: some love his books while others hate them. From what I’d read, I’d always thought his books weren’t for me: I’ve never bought one, although a friend gave me a copy of his recent book on the French Defence last year.
So I could write a very brief review. If you’re a Lakdawala fan, and there are many around, you’ll certainly want to read this book. If you’re not a fan you should stay well clear.
I guess you’re expecting me to say more, and there’s quite a lot to say.
This is an excellent and original idea for a book. We meet some of the greatest players from Morphy onwards and look at their peak performances. You get a broad view of chess history over the past 160 or so years, witness how chess knowledge has accumulated and how styles have changed over that time. You also get to see a lot of great chess, with some very (too?) familiar games being contextualised by their juxtaposition with less familiar games played by the same player in the same event. It might even inspire you to get ‘into the zone’ yourself in your next tournament, whenever that might be.
The chapters feature:
Morphy 1st American Chess Congress 1857
Steinitz match v Blackburne 1876
Pillsbury Hastings 1895
Lasker New York 1924
Capablanca New York 1927
Alekhine Bled 1931
Botvinnik World Championship Tournament 1948
Fischer 1963/4 US Championship
Tal Riga 1979
Kasparov Tilburg 1989
Karpov Linares 1994
Caruana Sinquefield Cup 2014
Carlsen Grenke Chess Classic 2019
In total there are 120 games: some complete, some just the conclusion, almost always won by the heroes of each chapter, all annotated in Lakdawala’s trademark lively style. As a highly experienced author and teacher, he knows just how to get the balance right between words and variations, and has used a modern engine to check the analysis. You’ll find lots of Exercises (for you to solve), Principles (to help you improve) and Moments of Contemplation (to think about an interesting position).
This has always been one of the author’s favourite games, but you’ll have to buy the book to read the annotations.
Cyrus Lakdawala is clearly some sort of crazy (to use one of his favourite words) genius. I’m in awe of his productivity, his work ethic, his imagination, his general knowledge, his wide range of references. It’s well worth listening to this interview on Ben Johnson’s excellent Perpetual Chess Podcast in which he explains how and why his brain doesn’t work like anyone else’s.
But – and, for me, at any rate, it’s a very big but, he comes across as a writer who rushes to complete the book without double checking everything, and who lacks any awareness as to whether or not his light-hearted asides and fanciful analogies are helpful or appropriate. He’s also, by no means uniquely among chess authors, a lot stronger writing about contemporary players than about historical figures.
There are various mistakes which might not be important, but are unnecessary and, at least for this reader, annoying. Blackburne’s first names appear at various points as ‘Joseph Henry’, ‘Henry Joseph’ and ‘Henry’. In the heading of a game between Lasker and Marshall, Emanuel’s name becomes Edward, confusing because they both played at New York 1924. In Fischer’s Famous Game against Robert Byrne the heading is correct, but a few lines further down Robert turns into his brother Donald, who, again, was playing in the same event. These errors should really have been picked up by the editor or proofreader.
Then there’s the hyperbole. “Paulsen routinely took eight full hours to make his moves.” “Marshall’s normal temperament was that of a belching, gurgling volcano…” “Alekhine destroyed every stick of furniture in his hotel room, in a near psychotic rage.” Sentences like this would induce a near psychotic rage in several chess historians I could mention.
Most seriously, many of the more frivolous asides might be considered by some to be in poor taste. We have throwaway references to Jeffrey Epstein, Michael Jackson and, on several occasions, the British Royal Family. Then, what do you make of this? “Blunders like this one are a first-rate reason why no sane person should voluntarily take up chess as a hobby. It’s basically like marrying a spouse who beats you up on a daily basis.” Or this, after mentioning that Raymond Weinstein has been in a psychiatric hospital since 1964? “Thanks a lot, Ray! This does a lot to help eradicate the stereotype that we chess players are just a touch crazy!” You might think domestic abuse and mental illness are inappropriate subjects for levity in a book of this nature.
Now I don’t want to knock the author, any more than I’d knock Reinfeld and Chernev. I’m all in favour of people whose brains work in a different way. I’m all in favour of teachers and writers whose communication skills enable them to share their passion and enthusiasm for chess. There’s always a place within the chess world for authors who can bring our game to a wider audience, and Lakdawala’s colourful writing style, although not for chess and linguistic purists like me, offers a lot of pleasure to a lot of people.
On the other hand, he can easily go over the top, and perhaps it’s the responsibility of his publishers to be more proactive. With a pair of scissors to remove the pointless and sometimes tasteless analogies and a red pen to correct the mistakes and typos this could have been an excellent and – 50 pages shorter – addition to chess literature. Nevertheless, if you’ve enjoyed Lakdawala’s previous volumes and can live with the faults, you’ll like, and perhaps learn a lot from, this book.
In the Zone: The Greatest Winning Streaks in Chess History
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